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1:09
Good evening, everybody. Happy
1:11
Friday. think it's October seventh
1:14
the first time for chaos.
1:16
in October, and
1:19
next week might be the final episode. Who
1:21
knows? I don't know. Last week, I
1:23
I talked to big game. I was gonna be
1:25
an episode to remember, and
1:27
it was great, but we didn't get to
1:31
eighty percent of what I had planned because
1:34
we just We were in that hotel room for
1:36
a long time when we got to the party and things got
1:38
weird.
1:38
So there's a good chance tonight. We'll
1:41
get to what I planned, but probably
1:43
not. This could go thirty, forty
1:45
episodes, season one. Who knows? But
1:47
we are in October. We've talked
1:50
about horror movies before. Are you
1:52
guys big Halloween
1:54
fans, like dress up the whole
1:56
nine yards. Has
1:59
it always been your
1:59
thing? Are you trying to get back into it?
2:02
We'll start with you, Ross. Are you do you
2:04
have your costume already picked out for this year?
2:07
the
2:08
I don't mean to be a sports sport,
2:10
but I'm not the biggest reconsider.
2:13
Okay. I'm like I'm at
2:15
Halloweeners as I call it. Right. Like,
2:18
I I appreciate. I do love
2:20
candy.
2:21
I I do love hallmovies and spooks
2:23
and freights, but
2:25
I'm not the biggest, like, let
2:28
me play my costume four months
2:30
in advance. and and show
2:32
up to the party fully prosthetics up.
2:35
I I don't I don't
2:37
know why, but I'm yeah.
2:39
It's not it's not my fave holiday. I
2:41
do I do love I do love like
2:43
pumpkin
2:43
pies and fall and stuff. Oh, sure.
2:46
Yeah. They're not mutually exclusive.
2:48
I think because I I was once like
2:50
you, and I'm slowly getting back into
2:52
it as I see my children get fired up
2:54
about it. Mhmm. But I think it's because
2:57
as actors we're constantly
2:59
wearing costumes and dressing up. So it's kinda
3:01
like, oh, you want we're supposed to do
3:03
it for amateur hours as well. Alright. I'll put
3:05
on a little costume. But,
3:08
like, that when you're doing theater
3:10
in, like, high school and college and -- Mhmm. -- plays
3:12
your conflict. You got your makeup and your costumes.
3:14
It's Halloween every few months. Halloween
3:16
is every day for me. So But
3:20
that's the reason to step it up even
3:22
more on Halloween. Well, I didn't
3:24
have to ask where you stand on I'm sure
3:26
you've got a closet full
3:28
for every day in October. You're big into
3:30
it. Right? Yes?
3:31
I love Halloween. I've loved Halloween
3:33
is always my favorite holiday as a
3:35
kid which explains why
3:36
the cost playing into my adult Mhmm.
3:40
But, yeah, I always loved it. last
3:42
year I had two Halloween costumes. Yeah.
3:45
Like, I so I I already have
3:47
my one picked out for at least
3:49
one of them already ready to go for
3:51
for this year trying to think of if I'm
3:53
gonna do another one or not, but we'll
3:55
see.
3:56
Are you giving any hints as
3:58
to what it is or is it gonna be a
3:59
big surprise?
4:01
Should I tell the nation?
4:02
Oh my God. Wait. We should
4:04
guess. Okay. Yes. I guess.
4:07
A sexy carmedicine worker. No.
4:13
Alright. That was my that's all I had.
4:15
What is even that? Like light bulbs? Like,
4:17
what am I? It's like for the electric
4:19
company here. Very specifically, only in
4:21
the Manhattan and Queens. What
4:24
is it? Tell us.
4:25
I'm for the for
4:27
the stranger things fans, and this is between
4:29
us.
4:29
Oh, we won't tell you. No one's watching.
4:31
Nash? just between us.
4:34
I am going as dead
4:36
Chrissy. Dead Chrissy,
4:37
is that a
4:39
season a late season four. Yeah.
4:41
That's the latest season. because you gotta be you gotta
4:43
be current, and you gotta be I'm
4:45
gonna
4:45
I'm gonna Google dead Chrissy, and
4:47
I'm afraid I'm gonna see. Don't look at
4:50
Oh, it's Suzanne Summers. And
4:53
three is her character from three's company.
4:55
Just so I'm dipping away and throwing off
4:57
a balcony by Larry. Oh,
4:59
wow. This is horrific. If you just
5:01
googled dead Chrissy, it
5:03
immediately comes up and it is horrifying.
5:05
It's a horrifying image. Yep.
5:08
So I'm going out. Oh, wow. Okay.
5:11
Yeah. That's your full I got the full costume.
5:14
Is your other costume alive, Chrissy?
5:17
I mean, I could. Just give us
5:19
just different makeup. I'm
5:21
Chrissy, but alive. Early
5:24
in the night, You could be alive, Chrissy. And you're
5:26
like, oh, I have got to go to the bathroom. I'll be right
5:28
back and then come out and you're dead Chrissy.
5:31
Jim costumes, one guy.
5:32
You could. I could do that. I could do
5:34
that. get that that one's that one's on the house.
5:36
That's freebie from Troy. Probably.
5:39
You usually charge people for that I don't wanna
5:41
know the you'll get an invoice out. I don't wanna know the
5:43
second costume. No
5:44
worries, guys. I don't have one yet. I'm not thinking of
5:46
the second one. No. Does this type
5:48
of going to, like, a party? Or
5:50
is this like, is there an event we don't
5:52
have no idea.
5:52
That's always very last minute for me, but I
5:54
will always have the costume
5:55
ready to go. Mhmm.
5:56
because I always gotta do the ones for the grams. You know,
5:58
like, the the grams has to costumes
6:01
gotta be
6:01
there. For all the grandmother's Instagram.
6:04
Also those. Yeah. The Instagram. I thought
6:06
your grandmother's a huge Halloween fan and you're
6:08
like You know, you gotta do it for the grands. I
6:10
I get knitting, I get
6:12
knitting sponsorships.
6:14
So
6:16
yeah. I don't know
6:16
what my second was gonna be. It would usually it's
6:18
it's usually like some sort of more costly,
6:21
like, my take on on a demon or my
6:23
take on this or that. And that's more makeup
6:25
involved. That's fun. Rob,
6:28
I know you're a horror movie
6:30
fan. Are you a a dress
6:32
up and go fan? Usually
6:34
not because mostly
6:36
because I put off putting any thought
6:38
into it, and then it gets
6:40
too close. And then I It then it's the
6:43
pendulum swings the other way. I'm like, oh, fuck this whole holiday.
6:45
Even though it's in my fault for a
6:47
not putting myself in a position, I shouldn't feel good
6:49
about it. But, like, in theory, I love it because I love
6:51
scary movies and I love all that. stuff. But the more
6:53
everyone's talking about their their
6:55
psyche about it, I am
6:57
realizing I think that there was
6:59
a Halloween dance that I went to in
7:01
junior high. And I think it
7:03
fucked everything up for me after that because I
7:05
went full out. Like, I went to
7:07
Freddie Kruger. I spent a week experimenting
7:10
with liquid latex on my face and
7:12
like letting it dry and then picking it,
7:14
so it would blister up, then put makeup on it,
7:16
like dark red inside the circles. I was
7:18
like full tanzzanine on my own face.
7:21
And I made like I got fabric
7:23
glue and made like the sweater with strips
7:25
of green felt on a red sweatshirt. had a
7:27
fedora, had the glove, like, the
7:29
the glove from, like, hot topic that you could get.
7:31
Yeah. Well, damn, who ruined it for you?
7:33
Yeah. I'm not
7:35
this doesn't sound right. The girls did
7:38
at the dance because I was so
7:40
excited and I went and I did a
7:42
and I did a small dance. with a girl
7:44
and just she was just like,
7:46
god, you smell so bad.
7:48
It was because the fabric
7:50
glue, the liquid latex, And
7:52
it was like, that was not she was not the first
7:55
person to say that in the evening. No.
7:57
But that was the it was all building up to that as
7:59
a contingency with this girl who, of course, is like a foot and a
8:01
half taller than me. I was in love with
8:03
her. I said, cool. What is that odor?
8:06
That's you. Oh, god. You know? Plus, you're
8:08
saying it's so gross. Rob Trauma.
8:10
Yeah. And so No. This is the worst part.
8:12
Right? So she says that,
8:14
that's the final straw. I'm like fuck. I'm taking this
8:16
fucking thing. And I go into the bathroom and
8:19
I peel the whole face off And
8:21
I'm just like fuck this. And while I'm in
8:23
the bathroom, they announced that I've
8:25
won best costume event.
8:30
And it was just it was like a it was
8:32
just like a typical story of
8:34
my life. I was just like I
8:36
was so concerned about what about
8:38
this. No. I swear to God. I was so concerned
8:40
about how people felt about me
8:42
or especially girls
8:44
that it forced me to make a decision
8:47
that then I came out and it's all
8:49
my fault. I mean, I should've just been confident
8:51
in. I looked like Freddie Krueger. It's like, yeah,
8:53
that's pretty crude, you know. But, no, I let I
8:55
let other other influencing
8:57
factors destroyed
8:59
my night. So then that kind of added
9:02
a poll to the future
9:05
Halloween's That'll ruin
9:07
a
9:07
dance for you so you could, like,
9:09
relive, like, re
9:10
fix that trauma and show up
9:12
again. It's like a reality show with us. Yeah.
9:14
We'll track down that girl
9:16
and Maker's tell
9:18
tell you that you smell really good. Yeah.
9:20
And then they will reenact you winning
9:22
the award. That's That's a be fun. I'm I'm
9:24
sure that there's been advancements in liquid latex
9:26
technology where now it smells like
9:28
a spring metal. But Well, for
9:30
a second, ulcer of skunk phermon's on the
9:32
girls. Yeah. They're the stinky
9:34
ones. Like like, carry
9:36
except it's -- Yeah. -- they're not gonna love
9:38
it too. Kate,
9:41
I did see you in a costume last year because
9:43
we did our glass cannon live
9:45
on Halloween weekend. Everybody was
9:47
dressed up And you were what
9:49
were you? Top Top Gun? What the hell were
9:51
you? No. I was someone from the
9:53
Expanse. I just, like, got
9:55
one of those, like, jump suit things. I've
9:57
always wanted one. So I was
9:58
like, this is a good excuse to
9:59
get one. And then I, like,
10:02
printed out on fabric like the Rasa
10:03
Nante logo and, like, the engineer thing and
10:06
just, put that on and was like, there's
10:08
my costume. Yeah.
10:10
Like, I I like Halloween just fine, but
10:12
I feel like you're not allowed to just, like,
10:14
like, like it regular. It's like, everyone on
10:16
the planet. It's just, like, I've been planning for months
10:19
and I've got, hey, Class I'm going to seven
10:21
parties and I'm like, I I like
10:23
the idea of that. like, when I
10:25
see people doing it and when I go out in Halloween,
10:27
not super dressed up, I'm just like, I wish
10:29
I put in more effort, but like I'm
10:31
never gonna I only, like, went all
10:33
out once, and it was fun. But, like,
10:35
it's just mostly stressful planning
10:37
it. And I
10:39
did it once. I did it up
10:41
once, and I'm I'm done. You're
10:43
done? Yeah. Yeah. No. That's
10:45
that's how I feel. It feels like a lot of work
10:47
and if you if you do it all
10:49
up and it's it's all for
10:51
not, then you just feel like, what did
10:53
I do? I'm a try hard
10:55
now. I I
10:57
realized also sure that part of my reticence
10:59
is that I've I
11:00
feel like I burned most of the costumes
11:02
that incorporate lasses because I've always got to,
11:04
like, keep keep walking around in the
11:06
dark, also blind. So
11:08
I've been buddy Holly. I've
11:11
been Garth from
11:13
Wayne's world. I've been
11:15
Simon from Alvin in the chip months.
11:18
Who's left? He's gone.
11:20
They I've been going on a a sherman
11:22
and peabody. He's he's sort of when
11:24
you've committed to a facial hairstyle, and
11:26
you don't wanna, you know, lose it for one
11:28
night. that also influences, like, when
11:30
I had to have a beard for seven straight
11:33
years, it was, you know,
11:35
limits your choices -- Mhmm. -- a lot of the
11:37
t ten and bombs.
11:38
Well,
11:42
let's see. We by next week, if
11:44
if you don't have a costume, see
11:46
if you've changed your mind. I I will have
11:48
a show in Brooklyn
11:50
on October
11:52
twenty second, and I thought
11:54
that was like, far enough from Halloween that we
11:56
didn't have to dress up. But then on
11:58
stage in Boston, skitt is like, hey, is y'all come?
12:00
We're all gonna dress up. And I'm like, I guess, we're all
12:02
dressing up. not gonna buy a fucking costume.
12:04
I think I've got an idea,
12:07
but I wanna tweak it a little bit.
12:09
Damn it skid. I do
12:11
not. So we're all gonna dress up now. Are
12:13
you gonna give us there are you gonna have us a
12:15
hat? It is oh,
12:17
here's my hat. It is from a classic
12:19
eighty's cartoon. Awesome.
12:21
I love this. Gummy bear. So my
12:24
backup is -- Yep. -- sexy gummy bear. The
12:26
street shark. He's sexy gummy
12:28
bear. sexy gummy bear. It's
12:30
John Candy from Camp Candy. Yeah.
12:32
Don't let me start on Saturday morning, Crock,
12:34
Thanksgiving. No sense that they're not on TV today.
12:36
over dangerfield. Let's
12:42
talk about time for chaos because
12:45
according to my watch, that's on this hand.
12:47
Oh, it's time for chaos.
12:49
Quick little recap from last week. I emailed you
12:51
guys today, so I'm pretty much just gonna
12:53
paraphrase that. It's Friday night. Oh.
12:57
It's actually Friday night. In real
12:59
life as well. Well, no. We're prerecording this,
13:01
but for you at home, The million's
13:03
watching at home. It's Friday, unless you watch it
13:05
on YouTube later. Whatever. The point is
13:07
in the story, it's Friday night.
13:09
And you have traveled to
13:11
Westchester past sing sing
13:13
sing prison in the distance where
13:15
hopefully Hilton Adams
13:17
is still alive, but maybe he's already
13:20
had his day. with old
13:22
sparky. But you traveled to Westchester
13:25
to go to the Carlisle
13:27
Mansion. Vaughan
13:29
and FAIRUS were kind
13:31
of split up into twos. Vaughan and FAIRUS
13:33
were looking for Erica Carlisle
13:35
to speak with her because
13:37
you all this information you wanna
13:39
share with her about her dead
13:41
brother. And you
13:43
got a meeting with her, but you feel like that
13:45
meeting is gonna take too long. You met a lawyer
13:47
Bradley Gray, and he said, I'll see what
13:49
I can do. You're able to sweet talk
13:51
him. But time is of the essence. You
13:53
need information. And
13:56
so you're looking for her at this
13:58
party. Everyone's dressed to the nines.
14:00
Maybe some of you feel a little bit out of
14:02
place. even though you either
14:04
borrowed or stole or
14:06
had Vaughan buy you nice
14:08
clothing. But
14:10
while you're looking for Erica Vaughn
14:13
gets accosted by Bradley Gray,
14:15
seems to have taken a bit of an interest.
14:17
in mister Billiers. And while
14:20
you're chatting with him,
14:22
Feiruz looks over and sees her
14:24
father. canoodling with
14:26
a young girl in the
14:28
corner. She goes
14:30
off to perhaps confront him.
14:32
Meanwhile, Margo and Carter
14:35
were looking for a room where
14:37
possibly there would be a
14:39
safe. You're looking for Roger
14:43
Carlisle safe. But there
14:45
are armed guards everywhere. You
14:47
look upstairs, arm guards up
14:49
there. And so you're looking for a way maybe
14:51
to circumvent the guard
14:53
upstairs. And as you're looking for
14:55
that, Margo notices a
14:57
man who's staring at her
14:59
and she thinks it's
15:01
the guy that was standing in the rain
15:04
staring at her when she and Carter
15:06
were at the deli speaking to
15:08
lieutenant pool just the day
15:10
before. This man that was just staring, she
15:12
went outside in the rain to try and track him
15:14
down, and he just peered. Speaking
15:16
of lieutenant Bull, you didn't hear
15:18
from him all day. He was kind
15:20
of noncommittal, kind of
15:22
wrecked by the photographs you showing
15:24
him, but you explained to him that
15:26
Millie Adams and who knows who else
15:28
could be in great danger. He
15:30
needs to act on this. He said he would
15:32
do it sort of off the books
15:34
and get back to you. He hasn't.
15:37
You called the precinct and you're getting the
15:39
runaround from them a little bit.
15:41
So depending on what goes down at the
15:43
party. Correct me
15:45
if I'm wrong, and it seems like your current
15:47
plan is to extract
15:50
as much information as you can
15:52
from this charity gala to
15:54
save Brooklyn orphans. And
15:57
after the festive festivities
15:59
tonight head back to the city, rest
16:01
regroup. And if you don't hear
16:03
back from lieutenant pool by
16:05
tomorrow, you're
16:07
looking to head to juju house either
16:10
tomorrow during the day or at night,
16:12
which is the dark of the moon, Saturday
16:14
night, and you know that the dark of the
16:16
moon has some sort of connection.
16:18
to all of this, according to what Hilton
16:20
Adams said.
16:25
Where should we begin? How about with a luck pro.
16:27
Let's see because you're
16:29
gonna need all the luck in the world
16:31
tonight, especially if we get through
16:34
anything that I've actually planned.
16:38
Once again, this is a role that you're trying
16:40
to fail. And if you do fail,
16:41
what if you roll your exact luck
16:44
number?
16:44
That's considered a success. Oh.
16:47
Damn it. Pooped salad. Yeah.
16:50
If it was the other way around, like, if you were trying
16:52
to succeed, you wanna hit on or
16:55
below your number. Mhmm. So
16:57
technically, that's a failure. But if you did I mean, a
16:59
success. But if you failed, give yourself an
17:01
extra deten. Any failures tonight?
17:03
A failure. Human failure. Just
17:06
kidding. Give yourself a d ten. What'd
17:08
you get? I got a five. Woo.
17:11
Knock you. That's
17:13
good.
17:13
got forty seven now. I'm really flying my
17:15
way back up.
17:16
I also because I
17:19
I just wanna throw one thing out there
17:21
player wise. for the Erica Carlisle thing.
17:23
So I feel like since we're here and we're
17:25
up against it with the Milli Adam
17:27
situation and everything,
17:29
Obviously, we wanna talk to her about her
17:32
brother's
17:32
expedition and all that stuff, but I feel
17:34
like trying to lean on her for help in
17:36
this current by tying the two
17:38
together. Like, you could
17:41
stop what happened to your brother from stopping right now or in
17:43
the middle of it. It's all happening as like a, you know,
17:45
it's probably a preliminary, but
17:48
if if we've lost pool and
17:50
we got nowhere else to go apart
17:52
from walking in the Judeo house that's just
17:54
before of us, It might be
17:57
something fun to try. That's all.
17:59
Totally.
17:59
She thinks she knows if there's anybody who's
18:02
still alive. Well,
18:04
that's
18:04
part of the, you know, we wanna tell her that,
18:06
but it was more like, make some
18:08
calls. You're super rich. Get some
18:10
police down there that's not the fourteenth precinct
18:13
or whoever. Oh,
18:14
to be his hail Mary. Yeah. Yeah. Yeah.
18:16
It's
18:16
only twelve us. It's worth the with
18:18
Hilton or whatever. Yeah. It's
18:20
worth a shot. Right
18:21
at the end
18:23
of last episode, you see I think
18:25
Bradley is like, oh, it's Erica.
18:28
as all of you are starting to see other
18:30
people and wander around. So I imagine
18:32
she stands at the base of the
18:34
stairs and maybe walks up two or three
18:36
stairs or so, so she's slightly above
18:39
everyone in the room and,
18:41
like, taps her champagne
18:43
glass and everyone. turns and
18:46
attention and there's maybe there's there's a piano
18:48
player who stops
18:51
playing, right, when producer hit
18:54
the the music. So the violins There's this
18:56
the violin. The violin is immediately
18:58
stopped and they smashed their
19:00
violins and the ground. Where that
19:02
sound? I really wanna get the players in this
19:04
-- It's a record scratch. -- to curve. To curve.
19:07
Oh god.
19:10
DJ Callon's been shot. No.
19:13
It's the point of show. It's
19:15
the point of
19:19
show. Good, Kjell. On the ones and twos today,
19:21
thank you, And she's
19:25
I should give you a physical description
19:27
of her, which I should have had prepared, but
19:29
I was so excited. She
19:32
is beautiful. Absolutely beautiful in a
19:34
natural beauty. She has
19:37
clear pale skin
19:39
that is accentuated ever so
19:42
carefully by perfectly applied
19:44
makeup. She's wearing very
19:46
fashionable clothing Vaughn
19:49
and Margo, you would immediately notice.
19:51
She's wearing clothing by European
19:53
designers. It has a very European
19:55
flair about it. She has
19:58
blonde hair that is
20:00
just kind of styled into short
20:03
cropped curls. and she's got
20:05
not a t hour but sort of a
20:07
diamond encrusted headband on.
20:10
She she definitely catches
20:12
the eye and when she does this, everyone
20:14
turns to look at her. And she
20:16
says, welcome, everyone. Thank you so
20:18
much for coming this evening.
20:20
The money that we have
20:23
raised tonight and we'll
20:25
continue to raise over the coming
20:27
weeks will go such a
20:29
long way to helping these poor
20:31
lawsuits in the borough
20:33
of Brooklyn. I cannot
20:36
thank you enough. It is a cause that is always been
20:38
near and dear to my heart.
20:41
And and and to see
20:43
this this outpouring of not
20:45
only money, but affection
20:47
and interest in this cause, just
20:50
truly warms my heart. So
20:53
you're not here to listen to me talk. Anyways, just
20:55
enjoy the party, drink up,
20:57
not too much. And
20:59
if you need anything,
21:02
we have plenty of
21:04
butlers here to help you
21:06
in any way. Two,
21:08
the orphans. And everyone raises
21:10
a glass. There are orphans. Yeah.
21:14
Yeah. Yeah. And she comes down
21:16
the staircase, and she's
21:18
just, like, kind of greeted by people
21:20
who are smiling at her and
21:23
looking, bond. You're
21:25
talking with Bradley and Bradley's
21:27
like, so mister Villas, what were
21:29
we talking about I'm I'm just I'm a I
21:32
have to admit I'm a bit in my cups
21:34
and I have lost
21:36
my train of thought.
21:38
and he puts his hand, like, right on your chest. Mhmm. And
21:40
his turn is like, yes, I
21:43
suppose it's quite easy
21:43
to lose what's the trade of thought when confronted
21:46
with the Miss
21:48
Carlyle and all her glorious radiant.
21:51
Yes, isn't she awe inspiring?
21:53
I could only hope to
21:56
Draw as much as tension as she
21:58
do when she walks into a room. Yes,
22:00
sir. No. Not all of us are
22:02
as gifted with social gravity. I
22:04
don't suppose I couldn't persuade you to
22:07
provide me with a personal introduction over the course
22:09
of tonight's proceedings. Oh,
22:12
nice suppose, but I
22:14
would be careful as to what you talked
22:16
to her about. You know, we don't want to be
22:18
rude. This is a a gala to
22:22
Raise money. This isn't a time to,
22:24
shall we say, pursue your own
22:27
interest. But look at
22:29
me. Not even eating my own
22:31
advice.
22:32
Yes, mister Gray. Well, I
22:35
assure
22:35
you I'll be the soul of discretion.
22:38
I think we understand the importance of
22:41
discretion. Don't do it? Oh, but
22:43
of course. Oh, actually,
22:45
you know, miss Carlyle
22:47
miss Carlyle, and she turns and
22:49
she kinda looks at Bradley and she says,
22:51
yes, Bradley. Thank you for coming this
22:53
evening. And and who is
22:55
your friend here?
22:58
Excellent. And I will
23:00
turn and, like,
23:02
and extend my hand.
23:06
I've been looking forward to this introduction very
23:09
much, miss
23:10
Carlisle. My name
23:12
is Villas, Warren Villas. Charles,
23:15
she puts her hand out for you to kiss it and she's
23:17
like Villas. Villas,
23:20
no, where do I know that name?
23:22
Oh, yes, mister Grey
23:25
mentioned you and your
23:27
associates were interested in
23:29
speaking with me, yes, now it's
23:31
all coming back to me. This is
23:33
all with regards to my
23:35
dead brother. Is it not?
23:38
oh Well,
23:40
since you've
23:41
been so bold just to
23:43
bring it up, I I
23:47
You've called me out, miss
23:49
Carla. Yes, indeed, we we did wish to speak to
23:51
you about that matter, but that
23:53
matter only, but how it
23:55
touches upon ongoing
23:59
occurrences.
23:59
Oh, yes. then she grabs another
24:02
champagne from like a a waiter coming by
24:04
and she's like, I run along, Bradley.
24:06
Let me speak with mister Villas
24:08
and he's like, oh, Yes.
24:11
Yes. Of course, miss Carlisle,
24:13
and he scurries off, kinda
24:16
gives a a look towards the both
24:18
of you. but she turns to you and
24:20
she's like, Bradley's
24:22
a good lawyer and
24:24
a a close confidant. for
24:26
what it's worth. And for
24:28
that and that reason alone is why
24:30
I considered taking a
24:32
meeting out of respect for
24:34
him but even he should have known better that I have no interest
24:36
in discussing Roger.
24:38
I spent enough time traveling over
24:40
to that dreadful continent and back
24:42
ever want to revisit any
24:44
thoughts of him. He's passed, mister
24:47
Villas. It's time to move on.
24:49
Though I must admit you're showing up here does have
24:51
my intention. I intention rather
24:54
I do enjoy a a person
24:56
who is bold and you appear
24:58
to be bold. You also appear to
25:01
be a man of means, so I can assume you
25:03
are not crashing this party. No
25:06
indeed. And Your
25:08
philanthropic attitude has my deepest
25:10
admiration, miss Carla. We
25:12
do what we can. Those
25:14
of us with means should
25:16
give back wouldn't you agree, mister Villas? It is the burden of
25:18
those of us who have been gifted with
25:20
a certain comfort that we
25:22
may act as the instruments
25:24
by which others may rise
25:27
out of their present predicament. But
25:29
they must
25:31
do good in the
25:33
world. if we have the means to do
25:36
so. Yes. That is very well put.
25:38
Rather poetic, I may
25:40
say. mister Villas. What is it what is
25:42
it that you do for work?
25:44
I could first,
25:47
you've caught me out again. Work has never been so
25:49
much my line. I suppose there are some that
25:51
could come precisely. Label
25:53
me as a dilatant. III
25:55
confess that I'm I'm a
25:57
I'm a jack of mini trays, but a master of few.
25:59
Although I did after
26:02
the war,
26:02
I've done a great deal of traveling. III
26:06
myself have been to the distant continent
26:08
you referred to, as well as
26:10
several others. Was that
26:13
so well I can See,
26:15
just from this conversation why mister
26:17
Gray took an interest in Neil, he
26:19
kinda looks over at him who's
26:21
already, like, talking
26:23
to another group of people. Mhmm.
26:25
But and I do not wish to her
26:27
to disturb you, upset you
26:29
all needlessly dredge up. anything from
26:31
the past that may cause
26:34
you any sort of displeasure. Yes.
26:36
I put a personal friend
26:39
of mine. is lately met
26:40
with a fate not unlike your
26:45
unfortunate
26:48
late brothers. Is
26:51
that so I am sorry
26:53
to hear that. What what
26:55
happened? May I ask,
26:57
I will
26:59
attempt to be as tactful
27:01
as possible. In point of
27:03
fact, miss Carlisle, not to disturb
27:05
your delicate sensibilities. My
27:08
close friend was brutally
27:11
murdered. And
27:16
under circumstances and
27:20
by individuals,
27:21
not unlike
27:24
those responsible for
27:26
the murder of your brother. Mister
27:29
Villas, that
27:32
is a tragic thing
27:34
that happened to your friend. but
27:37
linking it to what
27:39
may or may not have happened to my brother.
27:41
You have to understand I'm
27:44
quite skeptical right off the
27:46
bat. That seems
27:48
like quite a leap. And frankly,
27:50
had I known that this is what the discussion
27:52
was going to be centered around
27:54
not only what I've not taken the meeting, but I would
27:56
have ended this conversation much
27:59
earlier. So Perhaps you'd
28:01
like to backtrack. Or
28:03
are we done here?
28:09
Miss Carla,
28:09
but a moment ago, we
28:12
were saying, are
28:14
people of our class are burdened with particular
28:17
responsibilities? Yes. I
28:19
believe that we
28:20
have a responsibility to seek
28:23
justice where we
28:25
see it. undone and
28:28
two to hopefully
28:30
get
28:30
to the heart of truth.
28:33
But
28:34
They just as
28:35
undone and others oppressed and
28:39
their misfortunes exacerbated. I
28:44
believe that you and I share
28:47
common enemies, those
28:49
who have done us harm and those who wish
28:51
to do harm to those even more vulnerable
28:53
than ourselves who are not protected by
28:56
the privileges
28:59
that you and I
29:01
have been
29:01
so blessed to share. I
29:04
would very much
29:05
like to speak to you
29:07
about This
29:08
in greater detail, I
29:10
understand that a search location such as this is
29:12
maybe not the best venue for a
29:14
part lay of this sort, but
29:16
I know that
29:19
I'm speaking to someone who takes these matters
29:22
seriously. And if you take them
29:24
as seriously as I do, and I
29:26
can only hope that we
29:28
can have a serious conversation on these
29:30
matters.
29:30
Post posthastity.
29:33
You have to understand it
29:35
gets certain where I tired of
29:38
talking about my brother, and that
29:40
point passed long ago. So
29:42
everyone wants to know about Archer. Spend that way since I
29:45
was born. Truth be told, I
29:47
detested my brother's whole
29:49
way of life. doesn't sound like
29:51
you shared that experience with your
29:54
now deceased friend. Roger
29:56
and I were born into a great family.
29:58
Look
29:58
around you. As you
29:59
can see, yet he preferred
30:02
to waste it away in excess.
30:04
I suppose I blame our father.
30:07
He ignored and neglected us both, but
30:09
where I found ways to flourish with what little
30:11
I had, Roger, acted
30:13
out. I'll be honest with you, mister
30:15
Villegas, with the life he led, I
30:17
believe, he's better off dead.
30:19
I doubt you share the same opinion about your
30:22
friend. Of course, even in the
30:24
circumstances surrounding Rogers'
30:26
death were too bizarre to
30:28
be decent.
30:29
I'm not sure how
30:31
much you know about us, but when
30:33
our parents passed in an
30:35
automobile crash, Roger took
30:37
over the family business. after
30:39
receiving they call a a
30:42
gentleman's resignation from Harvard
30:44
Yale Princeton, Miskatara
30:46
Cornell and USC We
30:49
all assumed he would just fail
30:51
at running the family business as well,
30:53
run it straight into the ground, but
30:55
he shocked us. when he proved quite
30:57
capable at first. Of course, didn't take
30:59
long before his old habits kicked in
31:01
in his debauteries with the talk of
31:03
every paper in town.
31:08
I
31:11
gained more champagne. I'm
31:14
not
31:14
here too. Again,
31:19
call to mind the
31:21
particular peculiarities of
31:23
your brother? III
31:26
He may
31:28
be in a
31:30
better place.
31:33
Perhaps. Life one
31:36
believed that the line
31:38
between this world and
31:40
the next Is
31:42
gossip a thin?
31:44
oh
31:47
If
31:48
that is the case, what would you say to me if I were
31:50
to tell you that my
31:54
friend who? has
31:56
perished under these most atrocious
31:58
circumstances in the last days.
32:00
Had information
32:03
pertaining to your brother,
32:05
and to his expedition at
32:08
large. Yeah. The
32:10
expedition. Yes.
32:12
I've heard about that at Nausium,
32:15
mister Villas. And can you tell
32:17
me that I dare say III believe that
32:19
Oh, yes. I went out to make sure that everything
32:21
was as they said it was and it
32:23
appeared to be so. That
32:25
whole thing has plagued me from the
32:27
minute he left I knew from the beginning there
32:29
next, Expedition was much more than one of
32:32
Rogers foolish winds. I
32:35
believe that
32:36
some secret, fascinated, and
32:39
worried, Roger. If you
32:42
ask me and she whispers under her breath,
32:44
she's like, I think
32:46
it was that nigra woman, Buneet,
32:49
that
32:49
caused Russia's obsession
32:52
with going to
32:54
Africa. You can
32:57
see
32:59
Vaughn frees
33:02
somewhat.
33:03
I see.
33:07
And you have a psychology? You have any
33:10
points in psychology? I do. Yeah.
33:12
Give me a psychology role. I
33:20
I'll I'll
33:21
ask, I I don't make it.
33:23
You don't make it. Okay. So you
33:25
just kinda hear that. You let
33:28
that racism kinda wash into
33:30
your brain. And we're like, okay. Interesting.
33:32
She clearly, we know where she
33:34
stands. Mhmm.
33:36
i'm
33:41
So I'm like pivoting here and like
33:43
how to
33:46
I understand that you find this situation
33:49
most unfortunate.
33:51
I
33:53
still believe that my friend
33:56
was
33:56
perhaps a
33:59
victim.
34:00
of similar
34:02
measures. And
34:05
my friend was of the opinion that
34:07
not everybody perished on
34:10
that expedition. particular, mister Jack Brady was
34:11
seen alive afterwards.
34:14
Jack Brady. Jack Brady
34:16
was always very loyal to Roger.
34:20
It was someone that Roger could always trust. Do you
34:22
know that it was in California that
34:25
Carlisle's Roger's lawyers saved
34:28
Brady from certain conviction for murder. This
34:30
occurred while Roger was spending a semester
34:32
at USC. He's already thrown
34:34
out of every other college.
34:38
braiding. And you
34:40
say he's alive.
34:42
I say he was
34:45
been seen. Yes. Okay. That's not the information
34:47
that I have, mister Villas.
34:50
So I mean, perhaps you've been told some
34:51
cruel joke.
34:54
Perhaps, all
34:56
the subjective information that you have. I
35:00
was wondering if such information
35:03
that you have. might be
35:05
shared with interested parties who would by no
35:08
means seek to
35:12
spread, or Use this information to malign your brother
35:14
or your family and act with
35:16
utmost discretion.
35:19
but only seek to use the information that you yourself
35:22
possess to enlarge
35:24
our own theories on this
35:28
outstanding murder, the perpetrators
35:30
of which are still at large.
35:33
I fall upon the goodwill
35:35
that you possess that you extend
35:37
with such beautiful
35:40
larges to the orphans of Brooklyn.
35:42
You might also extend
35:44
to me and my compatriots. May
35:47
I
35:47
see your brother's
35:50
papers,
35:50
your brother's papers his books?
35:52
books his notes
35:55
that I might come to
35:57
a deeper understanding of the
35:59
placards that murdered him and
36:02
my friend friend,
36:04
and she
36:04
just narrows her eyes
36:08
at you. and we
36:10
cut over to Carter
36:13
and Margo. Margo,
36:15
you just saw
36:18
this
36:18
gentleman across the room staring
36:20
at you, you make eye contact
36:22
and he looks away and you're
36:24
certain. It was the guy that was standing across the street while you're at the
36:27
deli with Carter again talking
36:29
to lieutenant pool. What
36:32
do you guys
36:33
do? Oh, I
36:35
think last episode when I saw
36:37
him, I was
36:39
like, blinded by that and was
36:42
like culture, like, just a man
36:44
that I saw outside of the sandwich
36:46
shop that you did not see, that
36:48
was watching us and grab him and start going in that direction, just like
36:50
muttering, like, to to always watching
36:54
I noticed
36:54
always watching there. The shower. There is the Sanfisher out
36:56
of here. Wait. Wait. Hold hold on.
36:58
Let's say, Vaughan's talking to the Varga. Vaughan's
37:01
talking to to the Carlisle chick. Okay.
37:04
I need to
37:06
resolve this. This person is real
37:08
and he's here and they're
37:10
watching us with we'll
37:12
then
37:12
forget anything if if they're watching us and
37:13
they and they and they
37:16
know she's
37:16
not making sense. Alright.
37:18
Try try to kinda, like, crane his neck
37:20
because she's kinda, like, pulling him a bit and, like,
37:22
seeing Vaughan, chatting up Erica,
37:24
and he's, like, turns back to her. He's,
37:26
like, Okay. Alright.
37:27
Alright. What do you wanna
37:29
do?
37:29
Is the guy,
37:32
like,
37:32
moving away from me at all? Or is he
37:34
standing so. He's turned away from you and he's standing at
37:36
the window and he appears to be
37:40
alone. Which which guy are you
37:42
talking about? So then with with the hats he's got a hat
37:44
on? Yes. He has a hat. And do I see
37:46
him Troy? You do. Yep.
37:48
She points and you see the guy just kinda like
37:50
a little
37:52
bit side profile. He's wearing his hat guys.
37:54
Yeah. He's wearing a hat inside
37:58
bullshit.
37:58
Let's go talk
37:59
to him. So, yeah,
38:02
she she goes up to him, taps
38:04
him
38:04
on the
38:06
shoulder. And the man
38:06
turns It turns, like, off of his
38:09
chest out. She's trying to look like
38:11
bigger. Man turns to look
38:13
at you and he takes off his
38:15
hat and he's got short
38:18
cropped brown hair. He's
38:20
handsome, but he has like a small scar
38:22
under his left eye. Yeah. And
38:24
he just looks at you quizzically.
38:30
Hello?
38:30
Hello? She's
38:32
just realizing she didn't
38:33
know what she wanted to say. She
38:35
just assumed he would
38:37
run away. And he
38:40
says,
38:41
hello? We we have never
38:43
met
38:43
before, but
38:46
we've I think
38:47
we've crossed paths.
38:50
Do
38:50
you recognize us at all? I
38:52
I feel like I recognize
38:55
you. No. I'm I'm
38:57
sorry you must be thinking
38:59
of someone else. Oh, you
39:02
probably just caught me
39:04
staring at you. It's rather
39:06
embarrassing. III
39:09
was just rather
39:11
captivated by your
39:14
beauty and your fashion forward
39:16
style. I
39:18
I do apologize. I didn't
39:21
mean any offense. by looking in your
39:23
direction, but I I don't think I've ever had the
39:26
pleasure of meeting you. Is he
39:28
like
39:28
he right
39:29
Hugh? I just been looking guys rugged ruggedly
39:31
handsome when that little star kinda gives him
39:33
that bad boy look. You've got
39:36
a I've
39:38
got a Yeah. You think that's a scar
39:40
pal? Oh, god. Hey.
39:43
Troy. With that whole life
39:45
of your beauty
39:46
is
39:48
whatever. Can Carter do, like, can Carter do, like, a
39:50
is he, like, sniff? Like, he kinda wants a synergy, right?
39:52
Yeah. He wants to do a sniffy con man.
39:56
Like, is this guy putting on a he wants to put on his Condar. His
39:58
Condar? Yeah. Give me I also like
40:00
to roll psychology if I can. Both
40:02
think of me as psychology roll.
40:08
k. Damn it. You
40:09
know what?
40:10
What what did you get?
40:12
Fuck.
40:12
seventy four over fifty.
40:14
Alright. I got
40:15
a sixty four over fifty,
40:18
but
40:18
I'm gonna spend fourteen left to make it
40:21
why a success.
40:23
Sure.
40:24
So you
40:26
don't
40:26
ever
40:27
remember talking to this
40:30
man before. but you
40:31
are certain now that
40:32
you see him that it was the man
40:34
staring at you across the street. So
40:40
either he's quite good
40:42
at lying or something
40:44
else is going on here. quite
40:46
good at
40:47
lying or something else is going
40:49
on here. So
40:52
I feel like I
40:53
wanna mention, like, I
40:55
still am certain that I
40:58
saw you just yesterday.
41:01
Wherever you yesterday? Where
41:04
was the highest? Like
41:06
a very lunchtime. Where where did you have lunch? I
41:08
I wasn't even in New York. I
41:10
I'm I'm so sorry. You must have mistaken me for someone
41:13
else. I actually just arrived in New York a a few
41:15
hours ago to attend this
41:18
benefit. Okay. I'm
41:20
sorry, do I detect a German
41:22
accent? You know what? We don't know him. He
41:24
doesn't know us. Let's get we don't need to
41:26
skip this. Let's get let's get
41:28
out of here. We don't do that.
41:30
Not from here either. Oh, how lovely.
41:32
Well, III speak a little
41:34
German. I never get a chance to to
41:37
use it? your friend speak German as
41:40
well? No.
41:40
I don't. That's a personal choice. And
41:44
so he he
41:46
just starts speaking in German and he's smiling the
41:48
whole time. But very
41:50
quickly, you realize that his jovial
41:52
tone does not match
41:54
the words that he says to you
41:56
because he says you in Germany. He
41:58
says
41:59
the order is watching
42:02
you right now as
42:04
we speak. You've done very well thus
42:06
far, and it seems like he's searching
42:08
for the words in German to make
42:10
it look like he's struggling his way. One
42:14
must
42:14
always have a
42:17
healthy thirst for
42:20
knowledge even while attending
42:23
charity galas. And he
42:25
just kinda looks past
42:28
you. all the way to the other side of the room and if you follow his
42:30
eyes, you see a waiter
42:32
coming out of a library.
42:36
and he has a a plateful of
42:39
champagne flutes. In
42:41
this library in the southwest
42:43
corner of the room, and guests
42:45
are filing in and out. He's
42:48
like, I'm sorry, my
42:50
my accent probably isn't to
42:53
as as as good as yours, as a
42:56
native speaker. Anyhow, I
42:58
do apologize.
42:58
I I didn't mean to stare and
43:00
I hope you find the person
43:02
you were looking for, but
43:04
it
43:05
wasn't me. Enjoy the
43:07
party. Blah blah
43:09
blah. I don't know sit
43:11
here, we'll do all these sweet nothing's. What's
43:13
the
43:15
come on.
43:17
He
43:18
just he It
43:20
IIII was wrong.
43:22
It's I don't
43:24
I don't know.
43:25
I just spent a
43:28
a mess these few days, I'm
43:30
assuming he's
43:30
walked away. Mhmm.
43:31
I don't know. I'm second guessing
43:33
every sync, but I'm
43:35
a hundred
43:36
percent certain. I know what he was saying.
43:38
It's the same thing in every language. He's telling you
43:41
how beautiful you look tonight. and
43:43
how cool and cutting edge this trash bag dress is
43:45
or whatever you're wearing right now. I can't
43:47
do that. A con man smells
43:49
a con man. He
43:50
wanted to take me off into another room, and I said no. But when I
43:53
looked over there, I saw a room that's
43:55
maybe we should, maybe, checkouts.
43:58
and maybe looks like a
43:59
library. She points over to it,
44:02
so
44:02
you can see it. So maybe maybe
44:03
we should go in there,
44:05
maybe the safest in in
44:07
there. We we need continue
44:09
with our thirst for knowledge and
44:11
not be blinded by this
44:13
party and anything
44:16
else.
44:17
I'm a hundred
44:19
percent focused. Let's do it.
44:21
Library, it is. Until you go in
44:23
the
44:23
direction of the library and Margaret,
44:25
if you turn to look in the direction of that
44:27
gentleman, you saw him a second ago walking
44:29
through a group of people and now you
44:31
look and he's not in
44:34
sight anywhere. And from there, we
44:36
cut two favorites just
44:38
walking walking
44:40
b line, I'm assuming. to
44:42
your father who is just
44:44
like whispering
44:45
to a woman
44:47
that's probably thirty years
44:49
younger than him. and
44:52
she's just, oh, naughty.
44:56
Hello, father.
44:58
And from, if
44:59
you've recalled, Ferris
45:02
calls her father, Baba. So if anybody,
45:04
it's like the equivalent of your mother
45:06
calling you by your full name first
45:09
middle last, and you
45:11
know You know you're in fucking trouble right
45:14
now. Hello, father.
45:16
And
45:17
I imagine he you're talking to him maybe from
45:19
behind to the side and you see his whole body stiffened when
45:21
he hears your voice and hears
45:24
you speak
45:26
in that way and he
45:30
turns and looks at you and looks
45:32
at the
45:34
girl and the girl's
45:36
like, Nadie, who is this?
45:38
And he says, no one, my
45:40
dear. It's Oh,
45:42
my dear. You really shouldn't be
45:44
seen out of the function like this
45:46
with a stain on
45:48
your gown. You're really ought to go to the powder
45:50
room and fix that up. No.
45:52
And drugs. she
45:54
will pour her drink
45:56
on her dress. Oh, oh, that
45:58
is an unnecessary. What a what a
46:01
what an unfortunate And she's like, oh, and she's like, oh, this is I'm
46:03
I'm so sorry. This is crazy. This is
46:06
crazy. An old an old student of
46:08
mine pointing
46:10
at you. please, here. Get can you go get
46:12
some clubs sold out. I will I will find
46:14
you in just a moment. I'm so sorry. And
46:16
she's like, oh
46:18
my gosh. my dad's, and she goes off to the bathroom and he on
46:20
you, like, smiling, like, hey, Ruth, what are
46:22
you doing here? What are you doing
46:26
here? What I do is none of your
46:28
concern. Oh, but here's the thing, father,
46:29
is that I have been keeping you in the loop
46:31
of everything that I've been doing, including
46:34
being my my time in New
46:36
York and you've
46:37
specifically been given information
46:38
about the case that I am working on
46:41
and just happened to be in the house
46:43
a function of the woman that is in
46:45
involved in this investigation that I'm conducting you. You
46:47
don't even tell me. You don't have the decency
46:49
to tell
46:50
me that
46:51
you're here. So tell me exactly what it is that you're doing here because
46:54
I find it very hard to believe that it's
46:56
here on your true because of
46:58
charitable
46:58
nature.
47:00
he grabs you by the arm a little force forcefully, like, maybe you would do that when
47:02
you're a little girl and pose you to the window and
47:04
says, we can keep your voice down.
47:08
And his tone changes.
47:10
Now that When
47:13
last we
47:16
spoke, Perhaps
47:17
I did not make it
47:20
clear, you
47:20
were to leave New York
47:22
and return to your studies. the
47:24
fact that you are here right now, speaking in
47:26
such a manner in earshot of
47:29
all these people, is greatly
47:32
disturbing. Where did you get the money for this
47:34
party? Oh,
47:38
father. Is
47:40
that
47:40
what you think of me? I
47:42
wouldn't even be in the
47:44
presence of of
47:46
people are
47:48
on on on your level of
47:51
society.
47:51
I know where your money comes from.
47:53
It comes from me. and I
47:55
did not send money for you to buy tickets to this event. What are
47:57
you doing for money? I
47:59
was invited.
48:03
just like
48:05
you were. By a gentleman,
48:07
what does he do for
48:10
work? Well, now
48:12
that is none of your business as
48:13
you love to
48:16
say. Why don't
48:17
you tell me?
48:18
what
48:19
it is that you're doing here because as
48:21
far as I know, I've never seen
48:24
you
48:24
take an interest in orphans
48:28
of Brooklyn. my reason
48:30
for being here, not unlike
48:32
you, has nothing to
48:34
do with charity. Then
48:36
what is it for?
48:38
Do you know? do you
48:39
know the links
48:42
that I had to go to to
48:44
get you initiated into
48:47
the society? and this is how you repay me
48:49
by talking to me like
48:52
I am some common
48:54
street jotting So
48:56
are you telling
48:57
me that this
48:58
is a
49:00
society function? There
49:02
were just
49:03
not a society function. there
49:05
are other members of the society
49:08
here. And they will see you here
49:10
why it's none of your business.
49:12
You are in over
49:14
your head pharaohs, and the fact that we are being seen
49:16
together puts us both in greater
49:18
danger. You can jeopardize their
49:20
lifetime. We do not be
49:22
seen together. but
49:25
everyone knows our connection, it's
49:27
best to keep things quiet.
49:31
and then he leans in and you see a look in
49:33
his eyes that maybe you've seen before but
49:36
not for a long time and it's
49:38
like, why died? And
49:40
he says, A great
49:44
darkness is coming my
49:46
child. We have all sensed it and no
49:48
doubt you have sensed it too. Existence
49:52
as we know it is
49:54
on a ticking clock. Well,
49:56
see, that is fascinating
49:58
and I'm
49:59
actually very humored by
50:02
your earlier
50:04
proclamation
50:06
of none of this is my business
50:08
because this is exactly my business
50:10
and you know exactly
50:12
why. So
50:14
either you really
50:16
tell me what is going on
50:19
and your involvement in it.
50:20
or your name
50:22
might be in the papers, unfortunately, along
50:25
with
50:25
everybody else that we're going
50:27
to expose. It
50:30
was
50:30
a time When I
50:32
saw something in you, and that
50:35
is why you were brought to
50:37
know things that most people
50:39
would kill to know. But
50:41
now I look at you and I listen to your
50:43
tone and I see something else
50:45
in your eyes. I
50:48
see a
50:48
darkness. A darkness I have
50:51
not seen syndrome. Since
50:53
mother, go ahead. I
50:55
have made a
50:57
mistake.
50:58
Many mistakes, please.
51:00
And he grabs you both with
51:02
both arms, go home, Pharaohs. I
51:05
Oh, boy. It's too late. I shall
51:07
do no such thing
51:10
further. Yeah.
51:12
and a couple people look
51:14
when he raises his voice.
51:16
Anyways, it was lovely meeting
51:20
you. and I must go attend to my friend
51:22
and to address. I'm sorry.
51:24
Oh. Yes. I'm sure you're
51:26
attending to address quite
51:28
frequently.
51:30
Yes.
51:30
Will. I hope to
51:33
see you again my
51:35
child. tell. Because no
51:37
matter what you
51:37
say about
51:40
all the favors you've done
51:42
of conducting me, conducting me
51:45
into this order.
51:48
You and I
51:48
both know that you need
51:49
me.
51:53
Enjoy your
51:54
evening. Perhaps
51:56
you are right. Enjoy
51:59
yours as well.
52:00
And he turns and he sees the
52:02
girl come out of the bathroom. Oh, you address?
52:05
Let me take enough. You
52:10
can't. CAD.
52:14
And from there
52:16
we cut back
52:18
to Vaughan and Erica Carlisle.
52:22
Mhmm. You just asked her pretty
52:24
boldly. When she wake up me
52:26
his notes. clock is ticking, baby.
52:29
And
52:31
she
52:32
and see just
52:34
shakes her
52:36
head and she's like, hi. I'm
52:39
sure you understand
52:42
that rehashing
52:44
these things is difficult for me.
52:46
Indeed, I I know how difficult
52:48
it is to
52:51
ruminate. on
52:55
past tragedies. The mind works in mysterious ways
52:57
and sometimes they come
53:00
rushing back. uninvited.
53:02
I certainly do not
53:06
wish to
53:07
fake loose. motions
53:11
that have been kept
53:12
at bay for a great deal of
53:13
time. It is
53:16
only because
53:18
Tragedies precede a pace.
53:20
My feel is though
53:22
our two tragedies are connected.
53:26
that I that I press on you in this way. And she's
53:28
like holding back emotion a little bit, but
53:30
you can also see if she's maybe
53:33
had a
53:34
little she's had a little too much to drink. She's not like super but
53:36
she's that's making her a little more emotional.
53:38
I mean, I feel like I've may
53:42
I roll something to see if this persuasion
53:44
or or Yeah. I
53:46
was just gonna call for something
53:50
it's not quite fast talk. So I would let you do fast talk if you wanted
53:52
to, but this seems more like a persuade. Yeah. Or
53:54
a persuade or a charm. Mhmm.
53:59
Yeah. How a guy could
53:59
get very
54:02
charming. Yvonne, not
54:03
you, Ross. Yeah. Yeah. Yeah.
54:05
Yeah. Yeah. Yeah. Yeah. Try it
54:07
whichever one you want. I'm gonna go
54:09
check. I'm gonna tactics. I'm gonna go
54:11
charm. Mhmm. Since that seems to be
54:13
what I'm
54:14
leaning on here. Okay. Let's go
54:17
look. Yes, sir. Alright.
54:22
That is I'm
54:23
gonna spend five points of luck to
54:25
make that a hard success. Okay.
54:30
Okay. Sometimes the the role play
54:32
is so good. I don't even need roles, but a
54:34
hard success
54:36
on charm But let's say, okay. So if that's if that is a
54:38
success, then
54:44
We both
54:44
have dealt with tragedies with our own kind. I
54:47
I do not
54:49
believe in accidents. Miss
54:52
Carlyle, there was a time when I believe I was as cynical as
54:55
you proclaim yourself to be.
55:00
But I have seen and learned things since
55:02
know that there is providence
55:04
at work in the world. Yes.
55:06
But And providence
55:08
has brought us together. I'd like to believe
55:10
that my by tragedy
55:12
started long before
55:14
Roger passed You know,
55:16
when he was
55:17
alive, he nearly ruined the entire
55:19
all of Carlyle's interest,
55:22
transport, munitions importexport, you name it. He draining them of
55:24
all operating capital with his
55:26
playboy lifestyle, and I,
55:29
his own sister, was an
55:32
afterthought to him. It took
55:34
his death for me to finally have a say in
55:36
anything. Before that, he
55:38
nearly left me impoverished I was not even
55:40
to to touch the Carlyle money. This is
55:42
how he ran things and that it
55:44
says nothing of what he did to the
55:46
Carlyle name. Luckily, as you
55:48
can see, I've I've found a way to rise
55:50
above and restore the Carlyle
55:52
name. It is a benefit. It is
55:54
a testament to your strength
55:56
of character.
55:57
you know,
55:59
your
56:01
financial acumen
56:04
and your many charms that you
56:07
have Recuperated the Carlyle
56:09
name from the distinction which was left
56:11
by Oprana. Yes. Our holdings
56:14
are flourishing. and I'll tell you this. The stockholders
56:16
are not the only ones that are
56:18
glad that Roger is gone.
56:22
Nichanka Bune
56:24
was her name.
56:26
I have no idea how Roger came
56:28
to meet her, but even before
56:31
this boone came to
56:34
rule Roger's life. He
56:36
began to have strange dreams.
56:40
which something seemed to back into him and and
56:42
call out to him that something must be
56:44
done. Takes a big sweet champagne.
56:49
And as she swigs the line Carlisle's
56:51
dreams from Elias's letter.
56:53
It's just like
56:56
type written -- Okay. -- and -- Okay. --
56:59
you know, like -- Yeah.
57:01
-- mind, like usual sweat aspect style.
57:03
You see -- Mhmm. --
57:06
car lots streams. Barbershop quartet
57:08
at Skokie, Illinois. Roger
57:12
Woods. wake up screaming,
57:14
but absolutely refuse to just
57:16
discuss his dreams beyond that with
57:18
me at least. In an attempt, I'll I'll
57:20
tell you this my my love still
57:22
existed for him no matter how he
57:24
treated me. And so I attempted to help
57:27
my brother. I recommended that
57:29
Roger visit a a man by the name
57:31
of doctor Robert Houston. He was a bit of
57:33
a a lion amongst my
57:36
social set. He spent time
57:38
in Vienna studying under both Freud and Young, so needless to say when he returns
57:40
state side, he was quite
57:44
popular. I
57:46
actually had met with him a few times myself, and I
57:48
thought maybe he could help Roger with
57:50
his dreams. Well, I don't know what
57:53
went on. behind closed doors between those two, but now
57:55
that I now that I think about it, I
57:57
believe that Houston was the one that
57:59
convinced Roger into this
58:02
expedition undoubtedly with bunet's collusion.
58:04
It is the one thing I feel guilty about
58:06
mister Ilias introducing the
58:09
two of them. but I'm still
58:12
convinced it was Arbune's
58:14
fault that Roger ultimately lost
58:16
his grip on all reality.
58:18
He began disappearing for days only to turn up
58:20
wild eyed and crazed, saying
58:22
only that he had been spending time
58:24
in Harlem. Really?
58:28
Yes. Houston supposedly went
58:30
abroad on this expedition with Broadridge in
58:32
order to continue his treatment.
58:35
and now look where they both are
58:37
gone or perhaps still alive,
58:39
as you say,
58:42
mister Villas, No. Let's
58:43
call you mister Vineyards. That's not your
58:45
name. Yeah. Alright. It's like I'm
58:47
back in boys. school.
58:50
Here comes for nine years again. That's what they'd say, I
58:54
bet.
58:57
yeah Yes. This some no. And this
58:59
is a raw sentiment. This this bony
59:02
character who she's laying all this
59:04
blame on
59:06
Does that
59:06
name appear in those notes? because it that's that doesn't sound
59:08
familiar to me. That's a new name, Gio.
59:10
Yeah. You haven't heard of
59:14
Anacheanca Bune.
59:16
Mm-mm. This
59:17
banet
59:19
where did she
59:22
land after all was
59:24
said and done. To be
59:25
honest, I don't know and I
59:27
don't care. She seduced his
59:30
very soul mister Villas,
59:32
he would say that she was queenly,
59:34
a priestess, and that
59:36
she held secrets, which he
59:40
must have. When he said he wanted to go to Africa, for a while, I
59:42
encouraged the expedition assuming that
59:44
eventually Roger would come to
59:46
his senses and see that
59:48
Bunae in her tails were nothing but
59:50
mumbo jumbo.
59:55
Yes. There are
59:57
strange forces at work in the
1:00:00
world.
1:00:01
We've been
1:00:03
very forthcoming indeed
1:00:05
I don't
1:00:06
suppose that I'm
1:00:12
I still don't know who
1:00:14
I don't suppose that it would be possible to look over or brother's effects
1:00:16
if only to grasp
1:00:20
more clearly. and get our hands
1:00:22
around. Who did this?
1:00:26
There is
1:00:29
It is baneful business in Harlem
1:00:32
once
1:00:34
again. And
1:00:34
if we might try, have
1:00:37
access to them, whatever
1:00:40
books were in, your
1:00:42
brother's safe.
1:00:44
Perhaps we might be able to
1:00:46
draw
1:00:47
a clearer I will think
1:00:50
about
1:00:50
this while we take
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a word from our sponsors.
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So this
1:01:30
conversation between
1:01:32
Vaughan and Erika is actually
1:01:34
moving forward in ways that
1:01:37
you probably weren't expecting she's being quite
1:01:39
forthcoming with you. So something perhaps in
1:01:41
what you said has
1:01:44
convinced her for
1:01:46
that enchilada of his
1:01:48
notes, his books, or whatever.
1:01:52
What's Feirou's doing
1:01:54
now that her father
1:01:56
has rebuffed her?
1:01:59
Well, ferrous being
1:02:02
given knowledge that there are eyes
1:02:04
on them tonight, wants
1:02:06
to do a little study
1:02:08
of the room, but she does want to
1:02:10
make her way back to
1:02:14
find
1:02:14
either one
1:02:17
or Margar
1:02:19
Margarco. Margarco
1:02:21
and Carter That's pretty
1:02:23
good. together. Yes. Sorry. Cargo.
1:02:26
Cargo in my car. Cargo. It's a
1:02:29
cargo ship. Yes.
1:02:32
Cargo shift. Cargo shift.
1:02:34
You demand the art. You demand the art.
1:02:38
Cargo shift. whoever
1:02:40
I run into first, but I do want to do, like,
1:02:43
a quick
1:02:45
cancer valence scan
1:02:49
little spot hidden. Yeah.
1:02:50
Give me a little spot hidden. Let's throw
1:02:53
some dice
1:02:55
rolling.
1:02:56
I rolled
1:03:00
a twenty under eighty.
1:03:04
That is a that is a hard success.
1:03:07
So you look
1:03:10
around the room and now that you're you've
1:03:12
got your father's
1:03:14
voice in your head, you just
1:03:16
get this feeling like everyone is watching you.
1:03:18
There was also a bit of a blow
1:03:21
up there that was weird, that spilled drink. A lot
1:03:23
just happened, but now it appears everywhere
1:03:25
you look, you're making eye cam type with someone
1:03:27
who looks away and you look at
1:03:29
someone else like, Is everyone here from
1:03:31
the society? Where have you
1:03:34
really talked about this?
1:03:34
I've not even We have not.
1:03:36
You know right now that
1:03:39
chat's, like, what? Yeah.
1:03:42
Work. Which is like
1:03:42
Like like like like like like like like like like like this.
1:03:44
This all I mean, this came out in
1:03:48
character that there was -- -- saw light
1:03:50
until recently and now, the
1:03:52
words are starting to be said,
1:03:55
the order, the society.
1:03:57
how are
1:04:00
these
1:04:00
things connected if at all. So you
1:04:02
look around and you do feel like everyone
1:04:04
is watching you, but You're
1:04:07
smart. You know how to, like, cool your emotions and be
1:04:09
like, okay. You know you're
1:04:11
being watched. It's hard to
1:04:13
tell by who. you do
1:04:16
see Vaughan and Erica, like
1:04:18
engaged in a very emotional
1:04:20
conversation that appears.
1:04:22
And
1:04:22
you see Margo and Carter
1:04:25
weaving their way
1:04:27
towards, like, the
1:04:29
southwest corner of the
1:04:32
mansion
1:04:33
with all haste.
1:04:34
but nothing
1:04:35
else jumps out to
1:04:38
you. I don't
1:04:38
wanna blow up their spot
1:04:41
if they're trying to inconspicuously go to
1:04:43
the part of a house by, like,
1:04:45
running over there to them.
1:04:46
i'm
1:04:54
I I kinda wanna hover
1:04:56
around
1:04:56
where Vaughn
1:04:58
and Erica Carlisle in
1:05:01
that area. Mhmm.
1:05:03
Just I wanna
1:05:04
kind of see if I could over
1:05:06
here get a vibe for how
1:05:08
the conversation is going
1:05:11
without being conspicuous. Okay?
1:05:15
Alright. So you start
1:05:17
hovering over there and you hear the
1:05:19
end of the conversation. that
1:05:21
Vaughan and I just had and
1:05:24
you're able to hear all of it.
1:05:26
You know, this
1:05:29
boone seduced
1:05:30
Africa, Robert
1:05:34
Houston. She's the one that suggested you
1:05:36
start, like, you're trying to catch up a little bit, but you don't
1:05:38
really have all the informations you're just taking
1:05:40
it in, but it seems like she's being
1:05:42
pretty forthcoming with him. And
1:05:44
and and she continues and now you hear
1:05:46
this and she's like,
1:05:49
what is it that you actually
1:05:52
want
1:05:52
to see mister Villas.
1:05:55
I wish
1:05:56
to see
1:05:57
your brother's books.
1:06:00
badder.
1:06:02
The description
1:06:04
of what it was that
1:06:06
was it was the drove him
1:06:08
drove him turned
1:06:09
to take the treacherous expedition across
1:06:11
the sea into
1:06:14
Africa. I
1:06:16
have
1:06:17
a feeling that what
1:06:19
he encountered there,
1:06:22
the forces that conspired against him
1:06:25
slew him and his compatriots and that
1:06:27
perhaps and
1:06:29
you
1:06:32
must follow me here,
1:06:34
miss Carla. forces that brought them
1:06:36
back. Maybe the ones
1:06:38
currently still at work
1:06:40
within the city of New York.
1:06:42
The murders are ongoing. Disappearances
1:06:45
are ongoing. There are
1:06:47
dark forces at work and walking abroad
1:06:49
on the streets of this
1:06:51
city by night. And at the
1:06:53
dark of the moon, they shall strike again to
1:06:55
do their dark work.
1:06:57
We need to be armed with all
1:06:59
the information that is relevant
1:07:01
to our cause. and I believe
1:07:03
that your brother was moving these same
1:07:06
waters. Any information that we
1:07:08
can find shall
1:07:10
prove useful to bringing these brackets to justice.
1:07:12
Toward the
1:07:14
end
1:07:14
of his time, here
1:07:16
at the estate, mister Billio's Roger
1:07:19
was constantly reading books.
1:07:22
Old books. I happened
1:07:24
to glance at one,
1:07:26
one time. He was unaware.
1:07:28
but what I
1:07:31
read mister
1:07:31
Villas frightened
1:07:33
me. things
1:07:36
there
1:07:36
that I'd rather not
1:07:38
think about, but they seemed to
1:07:42
substantiate Rogers crazy actions.
1:07:44
Hearing you talk, I
1:07:47
worry that books
1:07:49
such as these may send
1:07:51
you
1:07:51
quite over
1:07:53
the edge. They're
1:07:56
not alone in wanting them though. Shortly
1:07:58
after he passed, there was a
1:07:59
break in here at the estate.
1:08:02
And the only room that was turned upside down was the library
1:08:05
where the safest. We
1:08:08
kept those books. May I ask
1:08:11
a rather delicate question,
1:08:12
miss Carla? It
1:08:14
wouldn't be the first you've asked to see if things Yes.
1:08:18
I know I've probed quite over the
1:08:20
borders of delicacy already. And
1:08:22
so forgive me for launching
1:08:25
myself quite over the threshold. was
1:08:28
there a peculiar aroma left
1:08:30
in your library after this
1:08:32
act of breaking
1:08:34
and vandalism? Thankfully no,
1:08:36
at least not one that
1:08:38
I remember. It was more
1:08:41
of a an
1:08:44
inconvenient, quite I see
1:08:46
now that perhaps those books were important to this entire endeavor.
1:08:51
You know, the security
1:08:53
you see all around here is not here by accident.
1:08:55
Even though I
1:08:59
consider the matter closed least until before we
1:09:01
spoke tonight. There are
1:09:03
secrets here that
1:09:06
I know people want. but
1:09:08
something about what you are
1:09:10
saying makes me perhaps trust
1:09:15
you Well,
1:09:16
are you
1:09:17
a fan
1:09:19
of Edgar
1:09:22
Allen Pearl, mister Ilias?
1:09:24
I I
1:09:26
know. I'm
1:09:27
Baltimoreian. Yes?
1:09:32
Yes. as
1:09:34
you say, I confess some like
1:09:40
like many young boys I
1:09:42
had to taste for them a carb. Yes. I I've read
1:09:44
my co, I gave
1:09:47
in my Annabelle, I Gordon
1:09:50
PIM, etcetera. Can you ever read any of his letters that he would write?
1:09:55
I'm afraid my My
1:09:58
interest in code did not extend so
1:09:59
far as into his epistolary canon? No.
1:10:02
Well, he was just as poetic in
1:10:04
his letters as he was
1:10:06
in his most famed works, and there
1:10:08
was a quote I read that I always
1:10:10
think about when I think of Roger.
1:10:13
He was writing a a letter to a friend
1:10:15
of his about his wife's long
1:10:17
battle with illness that
1:10:20
led to her
1:10:21
death. And he said, Thinking about
1:10:24
this whole
1:10:24
experience that I
1:10:27
became insane with
1:10:29
long intervals of
1:10:32
horrible sanity.
1:10:33
I think of that often when I think of Roger. I
1:10:35
don't like to
1:10:41
think of my brother or avoid thinking of my brother not
1:10:43
only because of the way he treated me, but because of the
1:10:45
way his memory still
1:10:48
haunts me. If
1:10:50
there is a way this
1:10:52
sickness can be eradicated as
1:10:55
civilians, I would be most
1:10:57
grateful. Follow
1:10:59
hello me. And she'll be
1:11:01
your servant. She takes you
1:11:04
in the direction that
1:11:07
Margo and Carter are heading in favor of you.
1:11:09
I'm following. Watch this
1:11:11
all and Margo
1:11:15
and harder, give me a a
1:11:17
spot hidden here. No. That's
1:11:19
not it. To see if
1:11:21
you see this happening.
1:11:23
I got a forty eight under sixty two. I got
1:11:25
a twenty
1:11:26
two under twenty five. Alright.
1:11:29
So you're both walk walking over there and
1:11:31
you turn and you see that, like, you're
1:11:33
about to be intercepted by
1:11:35
Vaughan and Erica walking
1:11:37
in the direction of
1:11:40
the library. what do you do? Carter's been conversation. He's
1:11:42
like, I'm just saying, like, you know, like a scar on a face, like anybody
1:11:45
can have a scar on a face. So I just don't
1:11:48
know. Anyway, I don't know why I'm even
1:11:50
talking about that. Oh, shit. Oh, look. Look.
1:11:53
Look. Should
1:11:55
we should we top. He's
1:11:57
going
1:11:57
to the library where it looks like.
1:11:59
Oh, better come
1:12:02
yes. Lovely. Brooklyn orphans. Oh, the orphans.
1:12:04
They're so homeless.
1:12:07
Love helping.
1:12:08
I love
1:12:10
helping homeless. It
1:12:12
can't he's trying
1:12:14
to like. We watch them go by, but we're party goers. We don't think we should interrupt Yeah.
1:12:16
She smiles. Thank
1:12:19
you for coming. Of
1:12:22
course. No worries.
1:12:24
And they look at Vaughan. Like
1:12:26
Yes. We're given Vaughan. Like Right.
1:12:29
And and Vaughan will kind of turn.
1:12:31
And as he passes, like, I was
1:12:33
so kind to have all sorts of your
1:12:35
parties. Interesting sartorial
1:12:38
choices to
1:12:40
help. quite too tray.
1:12:42
Little wink as he passes by. What do you say you British fuck? She jabs you.
1:12:44
Oh, okay. Oh, yeah. Don't
1:12:46
know that guy at all. one
1:12:51
one shouldn't judge a book
1:12:53
by their cover, mister Villas.
1:12:55
How true? Yes. Come
1:12:58
on. As I'm,
1:12:59
like, walking, slowly walking and behind, I try to catch Margo and
1:13:04
Carter's eye and as
1:13:06
we have given each other certain hand signals, and I don't wanna be too on the nose.
1:13:09
So I kind
1:13:12
of like theirs takes her
1:13:14
thumb and kind of, like, brushes the sat like, the, like, her bottom lip
1:13:16
as, like, I'm keeping
1:13:18
an eye out on
1:13:20
them. Fibrosis
1:13:22
has some
1:13:22
sort of mud on them. Fibrosis has some sort of crumbs on her face. No. She us to
1:13:24
just be keep an eye
1:13:26
out and let you know. do
1:13:31
you know that? Is party language kind
1:13:32
of She's fair. What is party language?
1:13:34
I
1:13:34
have to speak with you Americans
1:13:36
all the time. I don't understand scans of what
1:13:38
you're saying. I have to reach a body language and I just
1:13:41
sort of cracker on it. Like, off humans
1:13:43
do that. I'm just like, we
1:13:45
talked about this.
1:13:47
Oh, well, wait. What does this mean? What
1:13:49
are you saying? Focus. How much can
1:13:52
I
1:13:52
help? Can we not Are
1:13:53
there they're not, like, are there guards in
1:13:55
front of the library? it
1:13:58
just like party goes, we're kinda milling
1:13:59
them in there too. Funny you
1:14:02
should ask because as Erica walks
1:14:04
up to the library, Again,
1:14:06
there's people coming in and out, a, like, huge dude, feet tall
1:14:08
-- Mhmm. -- comes up and
1:14:10
you see he's got a pistol
1:14:15
on him, like, in a holster, in his jacket,
1:14:17
and he's, like, everything alright,
1:14:19
miss Carlisle, looking
1:14:22
at you failures. And she goes, Joseph, of course. Yes.
1:14:24
Everything's fine. Mister Villas, this
1:14:26
is my my man here.
1:14:30
Mister Joe Corrie, Joe, this is mister mister
1:14:32
Villas. He is a a
1:14:34
new acquaintance of mine. We
1:14:36
haven't decided yet if we're
1:14:39
going to be friends. he
1:14:41
is he's fine as far as I know. So don't don't worry about him. And he's
1:14:43
a lot do. Pleasure
1:14:48
mister Corey.
1:14:48
you must corey and
1:14:51
it keeps walking right this
1:14:53
way. She walks in.
1:14:55
She's like, I'm sorry, could
1:14:57
I have the library everyone?
1:14:59
Close the library. And a couple people are
1:15:02
like, oh, of course, miss Carla. Lovely part of you. The mansion looks beautiful. orfins.
1:15:05
And the
1:15:08
last thing Margo
1:15:09
Carter in favor of
1:15:11
sea is her standing at the doors and closing them
1:15:14
from the inside. Okay. Well,
1:15:18
let's hope this goes okay. He's definitely not
1:15:22
mentally fragile. So
1:15:24
fingers crossed on that
1:15:26
one.
1:15:26
I think that the safe is in the
1:15:28
library. Yes. We think
1:15:31
so too. Watch.
1:15:32
You have to be very
1:15:35
careful because there are I have
1:15:37
a hunch that
1:15:37
there are eyes on us. Yes, people are
1:15:39
always watching us.
1:15:40
people always searching us
1:15:42
not just, you know,
1:15:43
normal security though. You can
1:15:46
never be Haven't you
1:15:47
haven't you had
1:15:50
station that sneaking suspicion? Yes. Nope.
1:15:52
I
1:15:53
mean, I had to sit
1:15:55
in the shower yesterday. This
1:15:57
people are always watching us
1:15:59
and I just feel
1:16:02
it all the
1:16:03
all the
1:16:04
time. Do you think from
1:16:06
watching
1:16:07
these Carlisle speak with
1:16:09
gone earlier.
1:16:12
When asking about
1:16:14
mister Carlisle, her body
1:16:17
language seemed
1:16:19
Off. What
1:16:20
did you hear anything that they said before
1:16:22
they left? Little bits and pieces. It seems
1:16:25
like she's cooperating with with
1:16:26
in showing whatever hopefully, showing
1:16:29
whatever is in
1:16:32
that safe.
1:16:33
It looks
1:16:36
disappointing. So I'm not gonna
1:16:37
break into a safe. But
1:16:39
he's a dingo. initially,
1:16:42
there was something
1:16:43
off about her body language when mentioning mister Carlyle, and I'm wondering if
1:16:45
we do break
1:16:47
into something perhaps it
1:16:51
would be her office. Uh-huh. Well, let's see
1:16:53
how this goes. I do
1:16:54
you know me. I
1:16:57
love breaking into something. But let's
1:16:59
Let's see what happens with old
1:17:00
double v. Alright.
1:17:02
Just try to be
1:17:04
inconspicuous.
1:17:06
not a problem. big stuff.
1:17:08
That is twenty two. Almost done.
1:17:10
And after the new guy. And,
1:17:13
yeah, just everywhere
1:17:16
you look Like, if this was
1:17:18
a movie, you would just see different, like, grotesque faces at the party. I'll just
1:17:20
get it looks like they're
1:17:22
staring at
1:17:23
the three of you. Flank
1:17:26
flank flank flank flank flank. We go back to the library. You're inside the library. There's chairs
1:17:28
everywhere tables with little
1:17:31
reading lamps on them. Ashtrays,
1:17:35
a couple of sputoons. There's also a couple
1:17:37
of sputoons. A couple of sputoons
1:17:40
back in the
1:17:42
twenties. They were huge. There's an elaborate
1:17:45
high Victorian iron
1:17:48
fireplace, a
1:17:51
magnificent peak and slate billyards
1:17:54
table. And then, of course, several thousand volumes of
1:17:59
books protected behind glass
1:18:02
cases along the walls. So it's not something you could just reach in and grab.
1:18:04
If you're glancing very quickly,
1:18:06
you see dickens and wrap Adcliffe
1:18:11
Parkman, Ralph Waldorf Emerson. It's just it's
1:18:14
got everything. Looks like mainly
1:18:16
literature, but then there's
1:18:18
another section that seems to be of
1:18:20
of stranger, maybe perhaps
1:18:22
more esoteric topics.
1:18:26
And she
1:18:28
says, to you
1:18:30
that yes. So this
1:18:32
is the room where
1:18:34
we
1:18:34
had a break in. shortly
1:18:38
after Robert's death, we've
1:18:40
cleaned it up. Luckily, they didn't break
1:18:42
any of the glass. It's unlocked.
1:18:46
Anyone could just takebooks, but they didn't find what
1:18:48
they were looking for.
1:18:50
Unknown to Roger, I
1:18:52
found out the
1:18:55
combination to his safe. he was
1:18:57
sloppy. It was easy. And I jotted it down. I
1:18:59
have not looked in the safe after
1:19:03
So it's
1:19:04
been been a little while. I
1:19:06
as I said, the books were
1:19:08
quite disturbing. It was
1:19:10
not something I wanted to
1:19:12
drudge up, but I did write
1:19:14
down the the combination and I jotted it down
1:19:16
on the fly leaf of one
1:19:19
of the posts collected work. oddly
1:19:24
enough. And I I
1:19:27
know that's in
1:19:29
here somewhere.
1:19:31
it should be. So if you could help
1:19:33
me find that, that will give you
1:19:35
the combination to
1:19:40
the safe on to roll some
1:19:42
library. Yes. point and click adventure. Here we go. Alright.
1:19:45
Just can't
1:19:48
find that works. Spanish. See if
1:19:50
I can be of any assistance, if my keen eyes can see your
1:19:55
organization's system here. Skyrim quest
1:19:58
comes up to find that book. Oh, dear. Oh,
1:19:59
dear. Oh, Alright.
1:20:04
Is
1:20:04
that one with library skills that's
1:20:06
outside that door? Yeah. That's true.
1:20:12
That's true.
1:20:12
So I feel that. So and
1:20:14
that's actually maybe a decent idea. A decent a
1:20:17
non gaming with faith praise.
1:20:19
That's a good idea. I
1:20:21
have a con man friend next
1:20:23
to us. Yeah. Yeah. Yeah. If
1:20:28
I'm you've misled volume, my
1:20:30
guess to this evening just so
1:20:34
happens to be a an academic
1:20:36
of of the most
1:20:39
astounding prowess. Might
1:20:44
I invite to
1:20:44
join us here in the
1:20:47
library to search for the volume? A guest, you say, I wasn't aware that you
1:20:51
were with someone. Well,
1:20:54
I see on the level. Does understand everything told has been
1:20:56
with me on
1:20:59
my
1:20:59
recent travels and my
1:21:02
recent travels and I dare
1:21:03
say she has
1:21:05
proved herself more effective in
1:21:07
almost every capacity than
1:21:09
I myself can
1:21:11
claim to be. Yes. That
1:21:13
would be fine. And, to be quite honest, I need to be getting
1:21:15
back to the party. I've
1:21:17
told mister Corrie. Yes.
1:21:20
Of course. fine.
1:21:22
But to leave us the room,
1:21:24
we'll we'll, of course, sir. Yes. The
1:21:27
safe not to give much of your
1:21:29
time. It just contains these books, we've
1:21:31
installed a much more secure
1:21:33
safe upstairs in the
1:21:35
offices. So, you know,
1:21:37
there's nothing in here
1:21:39
except those books And of course. And let
1:21:41
me show you where it is, and she brings you over to a
1:21:44
like, it
1:21:45
just looks
1:21:47
like more books on
1:21:49
the wall. Mhmm. But she's, like, lifts it and it's just
1:21:51
their fake like, four fake books. They
1:21:54
lift off the side.
1:21:56
and it's just a panel there with
1:21:58
a button. She presses the button, the button opens, and there's a safe behind it.
1:22:03
Just like if you are able to locate the combination, you
1:22:05
are more than welcome. It is
1:22:07
not something I wish
1:22:11
to dive into. mister Villas, it has been
1:22:13
a pleasure. I do hope we get a chance to speak again. I'm giving you
1:22:15
the opportunity to take this information
1:22:18
because perhaps full that I am.
1:22:21
I trust you, but I like your faithiness, and I like the chance
1:22:23
to put this entire thing to
1:22:27
bed. If anything, about
1:22:30
what you said is true.
1:22:33
Have
1:22:35
added mister
1:22:36
Filius. My
1:22:38
gratitude is beyond
1:22:42
words to express.
1:22:44
Thank you, miss Carla. Click.
1:22:46
I shall prove myself well ahead. And
1:22:48
I step out and
1:22:51
gesture for the estimable
1:22:53
Peru,
1:22:55
Shivrant. Yes. Yes. She's the one who's Have you had a diabetes fever
1:22:57
there? Did you have that woman sneeze
1:23:00
in public? Oh,
1:23:03
no.
1:23:03
No. That lot, you know, books
1:23:05
and such. Interesting.
1:23:06
Interesting. in there.
1:23:09
When they open the door,
1:23:11
harder turns is, like, piece and carats, piece and carats, piece
1:23:13
and carats. Easy and
1:23:15
carats. Joe Margo.
1:23:19
chugs the rest of that champagne that just throws
1:23:21
it wherever there's
1:23:22
a place to and
1:23:24
goes
1:23:26
right in. and go right
1:23:27
in in Erica Camps. Oh, everyone can. Can
1:23:29
we can we go in there?
1:23:31
Yeah. Sure. Use
1:23:35
that one. Alright.
1:23:35
Did she really? Just allow us
1:23:38
all
1:23:38
in here
1:23:39
and just essentially fucked
1:23:42
off.
1:23:42
Thank you. It
1:23:44
seems think I could
1:23:45
be out here having conversation with Carter. He could just keep saying peas and carrots over and over again like
1:23:47
we're not friends and we can't just set
1:23:50
up while we wait It's
1:23:52
because we can't like, we no
1:23:54
one can you know, it's gotta be gotta look deeper in in We can have a conversation.
1:23:58
We're friends Okay. We can have a conversation. We'll have a conversation
1:23:59
right now. Let's go
1:24:01
investigate. Okay. Well, I'll start making
1:24:02
a list of things I wanna talk
1:24:05
about, and then we'll
1:24:07
talk about them later. Are we all
1:24:09
behind closed doors now? Yes. Times do me wrong, guys. I've
1:24:11
missed you. We're gonna
1:24:14
park the four of us. get So
1:24:16
there are eyes on us.
1:24:18
And she there are people
1:24:20
he there are people
1:24:23
who are very much aware of why
1:24:23
we're here. Excuse me.
1:24:26
And
1:24:26
she just let
1:24:27
us
1:24:31
have at it. What what
1:24:33
do you mean, is Shivrant? Is it Who
1:24:35
other than she herself knows what it's about?
1:24:36
whoo other than she herself knows about
1:24:40
I'm sorry,
1:24:41
don't you think maybe we should
1:24:43
have left someone outside? Oh, it's gonna have it at a party. They're
1:24:45
not gonna do
1:24:47
anything. We're fine. It
1:24:50
doesn't matter
1:24:50
from the moment we walked in, there were eyes on us. Yes. Yes. Well, how could
1:24:54
they not be?
1:24:59
attractive characters that we are. Wow. How
1:25:02
is
1:25:02
your conversation? Mhmm. With
1:25:05
miss Carlisle. peaks and
1:25:07
valleys, mister Brown, while she was quite forthcoming
1:25:09
with information about her brother, it seems that
1:25:11
all is not paradise within
1:25:14
the house carlyle. And quite a bit of a Saw that in her
1:25:16
body language. Yes. No. Not not a great
1:25:18
deal of respect about her brother, who
1:25:22
she describes the most privileged and bounder. Do you ever
1:25:24
tag his way about? Doesn't
1:25:26
do it much. Yes. Well,
1:25:28
what else to do with rich
1:25:30
people? They're all harmless. No offense. thought. But
1:25:32
come on. I mean, they they don't know
1:25:34
truth enough. We shall find a disagreement from me. Yes. And
1:25:39
the safe head, have experiences that shook me out
1:25:42
of my cage somewhat. Miss
1:25:44
Carlisle, seems still
1:25:46
quite attached to the prejudices
1:25:50
of her class and but she did say that her brother did fall what she proclaims
1:25:56
the beechishment. of a certain
1:25:58
Missa Bonet who operated out of Harlem, who claimed
1:26:00
to be some
1:26:03
sort of high priestess. Ireland.
1:26:05
Alright. Well Treestis.
1:26:07
Yes.
1:26:08
I I
1:26:10
don't know whether
1:26:12
to might
1:26:12
this have to do with
1:26:14
ethical sex? It may will. I I don't know
1:26:16
whether to chalk
1:26:19
this up to the damable
1:26:21
prejudice of a closed minded society
1:26:24
matron or if there's something
1:26:26
more to it and there is
1:26:28
something malignant
1:26:31
about her. Miss Bonnet, for apparently
1:26:33
not long after their association, and
1:26:35
mister Carlisle began to have
1:26:38
dreams of the sort referenced
1:26:40
by mister Elias in his
1:26:42
letter. He was drawn to Africa you see by these by these visions.
1:26:45
And here he
1:26:48
looks at Margo.
1:26:50
It's like, it's Dreams. What? Yes. We know the score.
1:26:56
Mhmm. Yes. Let's maybe -- Okay. --
1:26:58
let's talk about this safe that I gotta crack. Where? Yes. Yes. Of course.
1:27:01
I'm before
1:27:04
I It it the the combination
1:27:06
lies as it were walled up behind
1:27:09
the pages of some book like
1:27:11
a man in the casket of a Montecado. So all you have to do
1:27:13
is find the volume of Edgar Allan Po, and
1:27:15
they are slap bang on
1:27:17
the inside fly leaf you shall find the
1:27:19
combination to that. Oh, I got
1:27:22
the comment
1:27:22
there. Alright. Well, that shouldn't
1:27:25
be too difficult. And as
1:27:27
Margo not as MR. As
1:27:30
favorites is is kind of solely
1:27:32
scanning around the room, and I'm sure
1:27:34
about to roll something. fours will
1:27:36
say that there is
1:27:39
there is something
1:27:41
that's
1:27:43
very suspicious. that I haven't told you about yet. And
1:27:44
that is
1:27:46
that my
1:27:47
father
1:27:50
is here chimme the door opens up. How is this
1:27:52
the famed Carlisle library?
1:27:54
I've always wanted to. I'm
1:27:56
so excited about things so
1:27:58
that You bought her. Okay.
1:28:01
We'll get out of here. Well, I just wanted to
1:28:03
see the the famous color elaborate. Just a couple
1:28:07
seconds more. We haven't read everything yet. It's
1:28:09
a pretty large name. I'm not asking to play a million. Choose
1:28:11
a nice shot.
1:28:14
She doesn't let shut the door. Oh, I don't to to other
1:28:16
people. Oh, that's the door.
1:28:18
Hold it
1:28:19
to close. It's not eyes
1:28:21
on
1:28:21
us. There's a It's
1:28:23
amazing my life. I don't
1:28:25
know again. You won't tell me. Here's a thing, is that he's I've told him,
1:28:27
I've update. I've written letters him about all of our
1:28:29
expeditions. The reason why
1:28:31
I'm a New York
1:28:33
he knows why I'm here and he
1:28:35
didn't
1:28:35
tell me that he was gonna be
1:28:37
here tonight. And then and then have the
1:28:39
audacity to tell me that we were in some
1:28:42
kind of dangerous that I didn't know already and then
1:28:44
wouldn't deleverage. Okay. Well,
1:28:47
let's
1:28:47
let's unpack that in a
1:28:49
little bit. I feel like we
1:28:51
should we should find use your library magic.
1:28:53
Find this thing. Find the combination since I get
1:28:56
sick. She's doing a long division in your
1:28:58
head
1:28:58
in her head trying to connect the
1:29:00
dots I don't
1:29:02
think that she knows you're in the order
1:29:04
too right now. So she's like, your dad said the same thing
1:29:06
this guy said to me, like, sucks. I'm gonna yeah.
1:29:10
I've given
1:29:10
a courtesy search of this damn library, and
1:29:12
I can't find any source. going to
1:29:14
get to it.
1:29:15
A library of new Simon suit. Yeah. All
1:29:17
these books
1:29:17
are making me real uncomfortable. So you can do a spot hidden for the book or a library used
1:29:19
to see if there's some
1:29:23
sort of order to things
1:29:25
here where they collect What would be more useful
1:29:28
to? Whatever you have a higher
1:29:30
score. Like, would library
1:29:31
use help me find
1:29:35
where it's, like, in
1:29:36
the book
1:29:37
where it's located? Or Library
1:29:39
use
1:29:39
is going to make probably
1:29:42
help you get an easier spot hidden
1:29:44
row. Mechanically speaking,
1:29:45
like, you could do a harder spot hitting role or a successful
1:29:47
library use would lower the difficulty of the spot hitting. because
1:29:49
library used to be like, alright. It's gotta
1:29:51
be over here somewhere. Alright.
1:29:55
Well, let's let's start with a spot. Let's let's start with
1:29:57
the library use then. And because there
1:29:59
are thousands of books here. And
1:30:01
I rolled an eighteen
1:30:04
under
1:30:04
fifty. for
1:30:05
library use. Alright. So
1:30:07
you're looking at the setup here and you
1:30:09
do
1:30:11
see bound
1:30:12
books of writers,
1:30:15
of fiction writers, taking
1:30:19
up a large section of it. But then you
1:30:21
noticed that there are other sections that contain books
1:30:23
on, like, the occult and
1:30:27
and books with like magic and the title and
1:30:29
whatnot. And then there's a large
1:30:31
case filled with old reference
1:30:33
works in both English
1:30:36
and French. but then you
1:30:38
come over to an area with, like, mainly American poets.
1:30:40
the american poet
1:30:43
but everything is out of order.
1:30:44
No doubt from when
1:30:46
the library was turned
1:30:50
upside down. So now, give me a spot hitting, and you
1:30:52
can all roll that when she's when Frearose
1:30:54
is like, it's gonna be here similar. Okay.
1:30:59
I rolled a thirty three. Very
1:31:01
apropos for an
1:31:04
occult library. Or for a la
1:31:06
if you were looking for Larrybirds, autobi.
1:31:08
Mhmm. Alrighty. Thirty three would come in
1:31:10
handy. Alright. Anybody else succeed on this button?
1:31:13
Yes. I Oh, now it's on thirty
1:31:15
three hundred eighty, by
1:31:15
the way. sorry.
1:31:19
Hard success. I rolled under
1:31:21
my seventy five. I rolled a
1:31:23
sixty nine. Sixty nine.
1:31:24
Okay. Regular success. Well, it is
1:31:27
like finding a needle in a Why
1:31:29
not? Thank you. I almost
1:31:32
I I get a dog
1:31:35
too. I kept it together, and I went to Nora. And then
1:31:37
she started it. I don't
1:31:39
understand. Children's, internally, went
1:31:42
nice. Nice. Nice. I
1:31:44
was gonna say it's like
1:31:46
finding a needle in
1:31:49
a haystack. The library
1:31:51
used really did help for you able to nail that hard
1:31:53
success with a side order
1:31:55
of sixty nine
1:31:59
and you find several of Poe's
1:32:01
collected works. If you start
1:32:04
You see, written on
1:32:06
the fly lanes of one.
1:32:09
a combination that
1:32:10
appears a series of numbers. Oh, Troy, I have to ask you. Of
1:32:12
course, of course, in a a library
1:32:14
and a place you'll state like this,
1:32:18
the Carlin family would have an ex libris stamp,
1:32:21
a a personalized legend
1:32:23
or a stamper or a thing
1:32:25
that they'd conk on the inner fly
1:32:27
leaf of every book. just to make sure
1:32:29
you knew where it was from. What does their ex
1:32:31
Libris design look like? Yes. Trunks. Like a a lion. Just
1:32:33
like, you know, when
1:32:36
there's like the two
1:32:38
griffins, so it's like a
1:32:40
lion and a unicorn, and they're kissing.
1:32:42
And then there's an ornate thing. gothic
1:32:46
sea in the middle. Mhmm. Erotic.
1:32:49
That stands for
1:32:52
Carlisle, you would assume. There's
1:32:54
no way of knowing. So you've got the combinations, like, left fifteen right
1:32:56
to
1:33:01
Hi. I
1:33:02
believe this is
1:33:05
it. Troy, what particularly
1:33:07
where in in the
1:33:11
unabridged work of Edgar Allen Po
1:33:13
with this have been written on. Right
1:33:15
on
1:33:15
the fly. Right on the fly
1:33:18
relief of just a a collection
1:33:20
of his bones. Yeah. Right on the
1:33:22
inside -- Yeah. -- cover written in
1:33:24
Erica's handwriting. It's very nice handwriting. walk
1:33:27
over
1:33:27
to that section of library.
1:33:29
Fond knows where it is
1:33:31
now. Lifts a fake section of
1:33:33
books. presses a button. Put him
1:33:36
there's the safe. Open, sesame,
1:33:38
and all that. Who enters the
1:33:40
combination?
1:33:42
I
1:33:43
mean Carter will do it.
1:33:45
Carter will do it. Carter will do it. Carter
1:33:47
will do it. It doesn't matter if it's legally
1:33:49
or not. fucking handsome. It's such a
1:33:51
deprive you of the of the opportunities to crack safe old boy, but at least
1:33:53
you'll still be able to pop it over.
1:33:55
As long as I open
1:33:59
a safe. I feel like the night's been a
1:34:00
success. That's what they
1:34:02
say. Yes, sir. l. You
1:34:05
see guys, the
1:34:07
l means left. or that
1:34:09
left. They are, of course, means right.
1:34:11
Just letting you know. Just stow this away for future reference.
1:34:12
Your gentleman
1:34:14
and a scholar,
1:34:17
the Alright.
1:34:18
Cracks it open.
1:34:20
Cracks it open and
1:34:22
is possessed by the
1:34:27
devil. up
1:34:28
and there
1:34:32
were
1:34:33
there were four
1:34:35
four books Inside.
1:34:37
Looks like
1:34:39
four bucks inside. cracking,
1:34:44
you? What we got? Let me just
1:34:46
take a gander head around my reading
1:34:48
glasses with me because
1:34:50
they make me look lame. But
1:34:52
what does it say here on
1:34:55
the spines? They don't have titles like that.
1:34:57
And first in fact, the first
1:34:59
one you pull out Thankfully,
1:35:02
it looks to be in English. Mhmm. But it appears to be a series of
1:35:08
manuscripts that
1:35:10
are held together in an
1:35:12
embossed red leather binding. You're looking
1:35:15
for a title on the
1:35:17
back or the front. Nothing.
1:35:19
open it up. be clear. No. No. No. Hold on, sir. I do not open this
1:35:21
shit. You do not open it. Alright. So it's just
1:35:23
I saw what favorite I saw
1:35:26
the favorite Google YIs. Well, I don't
1:35:28
know. Yeah. And when they
1:35:30
come to us, like and here are four
1:35:32
books, and you can fuck off. I'm not everybody knows.
1:35:34
I'll be over here with an act. You're
1:35:37
the safest, safe distance away. Cut, sir. That's straight. You can ride the door. Take a lot. I went to go
1:35:39
look at the I'll tell you. I
1:35:40
can talk to
1:35:42
anybody away. Vaughan didn't Eric
1:35:47
Carla tell us that we could take these or
1:35:49
are we just looking through them?
1:35:51
I I
1:35:52
didn't hear any
1:35:54
any implication that we couldn't.
1:35:56
splitted these away. So we could just take these
1:35:58
and go. How about we take four
1:35:59
books from these shelves that
1:36:02
look similar? Put
1:36:03
them inside the safe. and
1:36:07
we stashed these away. She says
1:36:09
she
1:36:09
did that month to see the
1:36:11
books again and not be going
1:36:13
to the scene.
1:36:14
That's true. does not seem to have much emotional attachment to it, but
1:36:16
does anyone else need to come? might
1:36:18
be nice to have a little decor.
1:36:20
the whole But if she sees well,
1:36:23
I guess, whatever. We could be overthinking it. But it's if she She's
1:36:25
like she's swapped out the four books with the
1:36:27
four other books, is she gonna suddenly get
1:36:29
suspicious of us? We just have a
1:36:31
sense of humor. Yes,
1:36:34
ma'am. The old book switch a ruler. Mhmm. It's a parlor trick, classic
1:36:40
prank. Curti voltage
1:36:42
people. Curti pulls out the books and backs up grabs an axe, a decorative axe
1:36:47
off the wall. and lays them down. You
1:36:49
start looking at
1:36:50
them. You perhaps your eyes are drawn to this
1:36:52
one with the embossed
1:36:54
red leather binding. No title.
1:36:58
on the front, on the side.
1:37:00
But if you opened
1:37:02
it
1:37:02
up And
1:37:04
as you do that, perhaps
1:37:07
a a blunt, like, and never and never
1:37:09
care. She did her swear blind to me as we spoke
1:37:11
that the contents of these books
1:37:13
that
1:37:14
are left her brother rather
1:37:16
unhinged. Oh, great.
1:37:18
Wonderful. Okay. Favorites. Maybe read it with just one eye.
1:37:20
I don't see
1:37:22
what difference
1:37:23
that
1:37:23
make, but shall
1:37:25
do
1:37:26
so. Just wait. Wait. Wait. Wait. As you look at it. Maybe it's you start reading
1:37:28
and you see that the on
1:37:30
the first page of the first manuscript,
1:37:35
it says translations and
1:37:38
remarks
1:37:39
of narcotic scrolls. doesn't
1:37:43
sound great. A caustic is spelled PNA0K0TIC
1:37:48
which
1:37:50
may mean certain things to certain people. It's
1:37:52
dated sometime in the fourteen
1:37:55
hundreds, not in English,
1:37:59
like,
1:37:59
fifteenth century, but the binding outside
1:38:01
looks to be of a
1:38:03
much later date.
1:38:07
That's the first book. And obviously, if you wanna spend time with
1:38:09
these books and you take them, you can. Right now,
1:38:11
you're just kinda going through and getting the
1:38:13
the bits and pieces. There's a
1:38:15
lot -- Right. Right. I
1:38:16
think we do just get the title
1:38:18
and what we're looking at and do the
1:38:19
old switch through and take
1:38:22
a closer look at these items.
1:38:25
Yeah. Yes. Yes. This is what they call a vase. Are
1:38:27
the vibes immaculate? The vibes on this
1:38:30
one are not great.
1:38:33
because you ever even as you open it. And you
1:38:35
don't see anything other than what I just told you a date
1:38:39
and this thing. there is
1:38:41
this like heaviness. Nope. That washes
1:38:43
over you. The second
1:38:46
that you open this up.
1:38:49
And so if you were to close
1:38:51
it, maybe it's just it just happens like suddenly, it feels
1:38:53
like
1:38:56
the covers ten times heavier than
1:38:58
it was when you opened it. But that you just very quickly close it. Absolutely.
1:39:00
It seems great. Too much.
1:39:02
Too much. We should take those.
1:39:05
I see. The second one is it does have
1:39:07
a title. It's called
1:39:11
amongst the stones. It's
1:39:15
also in English written
1:39:17
by Justin Jeffrey
1:39:20
nineteen eighteen. So
1:39:23
a recent book of
1:39:24
just a quick glance
1:39:26
through. It looks like
1:39:28
poems on
1:39:31
Lots and lots of different poems.
1:39:34
Every page appears to be
1:39:36
a new poem.
1:39:38
The strangest thing about this
1:39:40
particular book is the material that the
1:39:42
binding is made out of. It
1:39:44
almost feels like it's made
1:39:46
out of some sort of Like
1:39:51
animal skin. Oh,
1:39:53
great. It's the fucking economic.
1:39:55
And But It's not
1:39:58
animal skin. It is something very discomfiting about it
1:40:01
just to
1:40:04
handle it. Amongst the
1:40:05
stones by Justin Jeffrey, nineteen eighteen,
1:40:07
a collection of poetry about
1:40:12
this.
1:40:12
this for leather bound pockets.
1:40:14
Don't don't
1:40:15
maybe not smell the box at all. These
1:40:17
are
1:40:17
those things where it's really bad, but
1:40:19
it can't stop
1:40:20
sniffing
1:40:23
at it.
1:40:23
Oh, like your ear.
1:40:26
No. Thank you.
1:40:28
It does smell like
1:40:31
leather. It does not smell like leather at all. It's very
1:40:33
like it's like something
1:40:35
very very strange
1:40:37
about it from the texture. to the smell, nothing
1:40:39
is matching up. There seems to be a book
1:40:42
of poems, though. Do you think it's just
1:40:44
human heart?
1:40:45
the human had just
1:40:47
people like this. And we've we've seen so much at
1:40:49
this point. This looks like leather,
1:40:51
but it's not
1:40:53
leather. It doesn't smell like leather. This
1:40:55
is this is not come cow or from whatever
1:40:58
sheepskin, whatever you make
1:41:00
partialment out
1:41:02
of these days. You know, it's
1:41:03
It's Favorable you've been drinking. Let's keep looking at the other
1:41:05
book. Oh, you'd like to wear a bag, because
1:41:07
that
1:41:07
book is not
1:41:09
going in my
1:41:10
bag. Stop smelling the book. some of the other two books. It's it's
1:41:12
one of
1:41:12
this. I'm sorry, but it's Yeah.
1:41:15
We get like
1:41:15
it. Let's Look
1:41:18
at the other boat. Look at the next one.
1:41:20
Fun. Sniff the next book. So you
1:41:23
gotta spell the next book.
1:41:25
I mean, immediately. Does
1:41:27
anyone speak French? Let me just
1:41:29
double the characters. No. That is just not. This one
1:41:32
is appears
1:41:34
to be in French.
1:41:36
It's titled Celine
1:41:38
de Libert d Vaux. Celine de Libert d apostrophe
1:41:41
IV0N
1:41:47
Again, if you don't speak French, you're just going off of what
1:41:49
love. This must be the
1:41:51
author, Gaspal, June old,
1:41:55
thirteenth century, It is a manuscript because everyone
1:41:57
knows to time out. Troy was
1:41:59
great in
1:41:59
French in high school. Oh,
1:42:02
we took this together. That's right. You
1:42:04
were well, you are ahead of me, but
1:42:06
you were we just say a pee thing. Yeah. Like, be French. Yes. I've forgot
1:42:08
all of it, but I I can still pronounce
1:42:10
it. How many books did you sniff? so
1:42:16
why? That was what I mean, junior
1:42:18
year was only sniffing books. That's how private
1:42:20
boy Catholic schools work. No. They didn't. It
1:42:22
was weird. It was weird stuff that went
1:42:24
on there. This one
1:42:27
is handwritten, a handwritten manuscript.
1:42:28
handwritten manuscripts And
1:42:31
if anyone
1:42:32
speaks any Latin, you
1:42:34
do see
1:42:35
this. Oh. Vaughn, if you're looking
1:42:37
at this, you do see some Latin
1:42:39
words in your first in
1:42:42
there as well, almost like it's
1:42:44
a a French commentary on another Latin a
1:42:46
work that was written in Latin. Mhmm. It's all
1:42:48
handwritten. some
1:42:51
Monquerada translating an
1:42:54
earlier
1:42:55
ancient text perhaps. the
1:42:57
hands and
1:42:59
it's bound in, like,
1:43:02
a
1:43:02
decaying blue calfskin.
1:43:06
So
1:43:06
like a baby
1:43:08
cow leather to
1:43:09
dyed blue when it's
1:43:11
like It's very old. So
1:43:13
you could sniff the difference
1:43:15
between We don't need to smell any box. We're unlocking new visitors of
1:43:17
of all the
1:43:19
factory appreciation of of
1:43:22
these sorts of. I really want to
1:43:24
To
1:43:25
lock the memory, you know, someone the memory is
1:43:27
tied into your old factory senses. While
1:43:30
one of our memories, we will unlock
1:43:32
in these manuscripts.
1:43:35
Let's see. Look at the
1:43:37
first volume of that cruise
1:43:39
chat just came out maybe last year, so it talks a
1:43:42
great deal about that.
1:43:45
The last book is the title
1:43:48
alone kind of makes
1:43:50
you think when
1:43:51
you read it. It
1:43:53
was stacked on the
1:43:55
bottom. It's called as a god. Written
1:43:58
in English by
1:43:59
someone
1:44:00
named
1:44:04
Montgomery Crofton. circa
1:44:06
eighteen ten. So about a hundred year a little over a hundred years old, over a century
1:44:11
old, also handwritten.
1:44:15
And something is weird about
1:44:17
the binding of this one
1:44:19
as well.
1:44:24
It looks to be
1:44:25
bound in human skin. Okay. We're just coming
1:44:27
around with
1:44:27
it. Oh, dear.
1:44:32
So now I know this
1:44:33
one is humanly. Oh,
1:44:35
okay. Todd,
1:44:36
his favorite was
1:44:38
like, doubling. I wasn't, like, touching it, like, yes. This
1:44:41
is human. That fleshy
1:44:44
book is right up
1:44:46
a alley. Is it
1:44:48
am I just imagining
1:44:50
things? Or did I
1:44:53
did you think that
1:44:55
was
1:44:55
there Carlisle's journals that
1:44:57
was supposed to be in
1:44:59
the safe as
1:45:00
well?
1:45:01
send the books. It's how I interpret, but if
1:45:03
anything so an analyst has
1:45:05
separate journals.
1:45:06
That that you did it
1:45:09
in a Houston job. would have
1:45:11
to have some psychoanalytic notes.
1:45:13
All all Jackson said
1:45:15
was the books are in
1:45:18
Carlisle six. Yes. And these are the books that sent him off on
1:45:21
his on his expedition.
1:45:24
That perhaps Yeah.
1:45:26
That's what Something here.
1:45:28
Yes. We'll well,
1:45:31
shall we check these out as it were?
1:45:32
we use out as well of
1:45:37
us open together. Oh, you're still
1:45:40
in here. I wanted to read some books.
1:45:42
Just a spot you mind. That job. Okay.
1:45:44
Auto.
1:45:45
Okay. Well, say we
1:45:48
get
1:45:48
a couple cocktail weenies and
1:45:50
we get the GTFO out of
1:45:53
this place. Right? Yes. I think we've
1:45:55
gone where we came with this. Let's hide these
1:45:57
is there any way to to conceal these
1:45:59
books as we walk out? So if you guys
1:46:01
are right, and anybody's watching us, they don't
1:46:04
think that we're killing humans. Well, I
1:46:06
have, like, I
1:46:06
had a a first stole wrapped around
1:46:09
my shoulders. Could you put it
1:46:11
in the back of my arrest, at least
1:46:13
one of them. Mhmm. And I could put the
1:46:15
stroll around it. Well, can
1:46:17
we walk out like two
1:46:19
square books. Don't get it. Just Just
1:46:21
just just Giant shoulders. Who's
1:46:23
also probably are not
1:46:26
famous? Much probably also brought her bag because, like, she brings
1:46:28
her camera with her. You're literally wearing
1:46:30
me wearing his dress. Yeah. You're
1:46:33
totally right. Who's going across me?
1:46:35
As a compliment, I thought
1:46:37
you were very, very
1:46:40
innovative. Okay. It didn't seem like
1:46:42
that it's first when he said, like, you
1:46:44
look
1:46:44
you look absolutely amazing.
1:46:47
Look smashing. But
1:46:49
I'd say, It was absolutely innovative
1:46:51
and genius of you to think to do
1:46:53
so because now we have an exact situation
1:46:56
where this helps us
1:46:58
out. Exactly. But I intended. Double bago.
1:47:00
Put
1:47:00
this in your bag of
1:47:02
holding. Yeah. That's good. Cheers.
1:47:05
girls be having a human
1:47:07
skin book on gonna, who's we want to know who
1:47:09
had the human skin brushed up against their
1:47:11
own skin.
1:47:13
I don't know.
1:47:15
I the
1:47:16
other one, so I might have the other one. And
1:47:18
and I feel like men's fashion at that time is
1:47:22
it, like, impossibly lost voisted, like, men are even wearing, like, little
1:47:24
girdles to make their frames like v
1:47:26
shaped. So Vaughn is probably in
1:47:29
something like that that you could kinda, like,
1:47:31
loosen and cram one of those books down his, like, cumberbund
1:47:33
or something. Carter's wearing
1:47:35
the equivalent
1:47:36
of
1:47:38
like a seventy's suit. You know what I mean? Like, whatever it's, like, like,
1:47:40
out of fashion. It's got the ruff. You
1:47:42
know, it's the big picture tie. Yeah. You
1:47:44
don't need to explain
1:47:46
your outfits to me in a
1:47:48
complex occasion, I will take
1:47:50
the skin book, the human skin book. Fine.
1:47:55
great. We've got I've got the concealing stool. This suit is
1:47:57
the bag lady. And then I'll
1:47:59
just
1:47:59
tack this right
1:48:02
here in the waist. And if anyone
1:48:03
asks, well, hopefully, never will.
1:48:06
So you shove the books
1:48:08
each of you taking one
1:48:10
into your person. I got Are
1:48:13
you do put decoy books in or no decoy books? I think
1:48:15
we should put decoy books in. Yeah. Just in case it gets well, I mean, whoever finds the
1:48:17
decoy books is gonna open them up and quickly
1:48:19
find, you know, lady
1:48:23
Chadderley's lover or whatever the fuck. Like, they're gonna know pretty
1:48:25
quickly. It might not matter. If she doesn't
1:48:27
care, then I don't think we have
1:48:29
to worry about. Yes.
1:48:30
But there are eyes on us, so why not? And
1:48:32
it hasn't been broken into before. Let's put
1:48:34
the other books. Let's put some
1:48:38
books in.
1:48:38
Alright. So you stick four more books in there, you shut the
1:48:40
safe, give it a spin
1:48:42
a rue, close the hatch,
1:48:45
Maybe put the
1:48:46
pole back. Maybe you keep it. I don't know. Last pretend we were doing something in here that
1:48:49
wasn't
1:48:50
going through the
1:48:52
safe. back
1:48:54
then. We we'll
1:48:57
try to cut lipstick marks on
1:48:59
whoever
1:48:59
is the closest to
1:49:02
me. Okay.
1:49:03
the Alright. And
1:49:04
so And just, you
1:49:06
know, mess mess my hair up
1:49:08
a bit. Just having
1:49:10
to force something here, no big deal, as we come out. Talk
1:49:12
to people use
1:49:15
condoms on tape. day.
1:49:18
I'm going to I'm going to disrupt these
1:49:20
billiard balls, but how much does that? That's a good idea as well.
1:49:22
Too much champagne. God loves the doors. Like, that is a lame
1:49:24
ass library.
1:49:28
Oh, I think to this one. I can't
1:49:30
remember to check it out. You've been
1:49:33
there the whole time. My colleague
1:49:35
Yes. I didn't want to be rude. No. Actually, you didn't
1:49:37
hear anything
1:49:39
improper and crudes. got
1:49:43
a little bit of you through it. You're a strange spell. Why did
1:49:45
you say that Kobe is you
1:49:47
through it? Alright.
1:49:49
I know to the library. And he goes
1:49:51
in and the library nerd just really
1:49:53
wants to fucking get it. Can I
1:49:55
run a psychology on him or, like, watch
1:49:58
him? Like, is he see a -- Yeah. --
1:49:59
worried, psychology. worried
1:50:01
about everybody? She is.
1:50:04
No.
1:50:04
Seventy too.
1:50:06
She's way too busy trying to seem like -- Oh,
1:50:07
yes. -- Stacy. Look at Ali's
1:50:10
lips. In fact, the minute you
1:50:12
open it up and you start spilling out,
1:50:14
it's not long before more people come coming here, they probably thought, oh, it's a closed door.
1:50:16
We're not supposed to be in there, but now that it's
1:50:18
open and they see you coming out, it very quickly
1:50:22
fills up again. and you come back into the party and
1:50:24
you feel like there should be
1:50:26
less people there now, but
1:50:30
it's almost like there's twice as many people
1:50:31
there, and it's a little uncomfortably
1:50:34
close as you come out. Is
1:50:36
it your intention to now
1:50:38
leave and head back to the
1:50:40
city? I
1:50:41
mean, we could because you'd be
1:50:43
like, I don't know. I don't know. I don't know. I'm not
1:50:45
feeling very claustrophobic. There's so many people
1:50:47
here, and we're always being watched
1:50:49
and
1:50:51
we have these we have the things on us now
1:50:53
and -- I mean -- I don't
1:50:55
wanna touch this anymore. With more people
1:50:58
here, it might
1:50:58
be easier for us to exit
1:51:01
without the
1:51:01
notice. Yeah. I feel like you're doing. The only thing we really
1:51:04
failed at doing was getting
1:51:06
Erica Carlyle to help us with
1:51:09
current predicament, which is saying Millie Adams and Hilton Adams. Knowing
1:51:11
what I what I have gleaned from her character,
1:51:13
Tillinghurst, I don't know
1:51:16
that she's If
1:51:20
if
1:51:20
aggressive and specific --
1:51:22
Right. -- society, you'll
1:51:24
help
1:51:24
orphans, but you won't
1:51:27
help. missing I think her
1:51:27
philanthropy is is is good as it
1:51:30
proceeds in the
1:51:31
general sense, but in
1:51:36
personal matters, Broadstree. Look
1:51:36
how good I am. All that. Yeah. Yes. Indeed.
1:51:38
Then in that case, I feel like we got
1:51:40
what we came for, some books, and some
1:51:42
free booze. Let's get the fuck out.
1:51:46
But
1:51:46
it's dead anyway. You
1:51:48
started walking out in Carter that woman
1:51:50
that you spoke to earlier who was
1:51:52
like
1:51:53
I'm so sorry to hear what happened
1:51:55
to your wife. She -- Oh, shit. -- she reaches out and puts her
1:51:57
hand on your shoulder and just gives you
1:51:59
kind of a look.
1:52:00
Yeah.
1:52:02
Thank thank you. So nice meeting. Yeah.
1:52:05
It's May
1:52:06
a thousand blessings.
1:52:08
Pleasure. Pleasure meeting you. Yes.
1:52:11
You too. and the favors maybe you're looking for your dad.
1:52:12
You just this this like all these
1:52:14
people and it's pressing you in. And if any
1:52:16
of you feel it
1:52:18
all have problems with claustrophobia,
1:52:20
you do feel like you're just
1:52:23
being pressed in people all around grand your faces
1:52:28
off. pressed up against yours as you're just
1:52:30
trying to find your way out and you see the guards and people with guns and everything. It's just
1:52:35
and they their laughter and the music starts to echo in your head,
1:52:38
the violin strings start to play discordant
1:52:40
notes. and
1:52:43
you see Peru and you see everything else
1:52:45
that you've seen that has to terrorize you
1:52:47
and you make it outside
1:52:49
the front door to fresh air. That
1:52:51
was weird. Now, perhaps you see
1:52:53
why I stopped moving in
1:52:55
those circles with much
1:52:58
regularity as I might have in the past.
1:53:01
It's not worth
1:53:03
it.
1:53:04
hi You have
1:53:05
a car Yes. Get the
1:53:08
Earth's flag my man. Oh,
1:53:10
yes. So he comes around, drives
1:53:12
you.
1:53:16
Yes. I'm quite give
1:53:19
him give him a silver deller. Vaughn tipped
1:53:20
it's
1:53:21
the man.
1:53:24
Thanks, buddy.
1:53:24
And he opens the door for
1:53:27
the ladies as well, kinda gives a weird look
1:53:30
at Carter's half face
1:53:33
and then takes a
1:53:35
silver off. Alright.
1:53:38
We had
1:53:39
the Waldo for what?
1:53:42
Are you driving back in the city? Go into the walled off? Alright. So parking's a bitch.
1:53:44
But you do. Can I roll
1:53:46
a drive
1:53:47
auto for better parking? Yeah.
1:53:51
Sure. Alright. I never get to roll drive auto.
1:53:53
See how many loops it takes you. Nope. Didn't
1:53:56
get it. Yeah.
1:53:58
It's taking a while. always stay in New York. Just keep going around the same block and
1:54:00
eventually a space will open, but that car Carter
1:54:02
didn't get the message. So you're like, let's try
1:54:05
three avenues over. So you actually Pretty sure I can fit
1:54:08
here. Oh. You have to park pretty
1:54:10
far away and say you've gotta walk.
1:54:13
With cars, this again, we I've
1:54:15
already rented I don't like Look, call back to get the fuckers out.
1:54:17
Yeah. It's a girl need to
1:54:19
park man. No. They want us to
1:54:21
park. It's the right thing to do.
1:54:24
I've got drive me
1:54:26
and Margo off. Not the -- Yeah. -- not the front. Yeah. You guys get out of fry. That's fine.
1:54:28
You walk back
1:54:31
to the hotel. It's
1:54:35
dark. It's
1:54:36
late. You know, you
1:54:38
were almost an hour
1:54:40
away. wasn't
1:54:42
a
1:54:42
ton of traffic, obviously, but you
1:54:45
get back. And I imagine you
1:54:47
all feel a little
1:54:48
wiped And
1:54:50
while you gained a
1:54:52
a ton of information and
1:54:54
the books, you know, in
1:54:57
Carlyle safe that perhaps or
1:54:59
related to to what Jackson was talking about, Millie Adams still
1:55:02
lily adams still missing.
1:55:04
the missing Yeah.
1:55:06
The tenant pool still hasn't got back to you. So there's no message from pool at the hotel. Well, it's funny that
1:55:08
because if you
1:55:11
say any messages, they
1:55:15
say, yeah,
1:55:15
you you have one here and
1:55:18
he hands you a
1:55:20
note.
1:55:20
Johnny goes, what we have
1:55:22
here? And I imagine it's like a standard Waldorf
1:55:25
Astoria note. So it
1:55:27
says from the
1:55:29
tenant pull a camera
1:55:31
for his first name.
1:55:34
Thank god. Dimitrians. It just
1:55:36
says, everything is
1:55:38
going according to plan. We'll reach out again tomorrow. will
1:55:41
reach out again tomorrow
1:55:44
According to
1:55:45
plan. Was that reassuring,
1:55:47
I guess? Yes.
1:55:49
Did he
1:55:51
shut his plan?
1:55:52
did you ever plan Did
1:55:55
you share
1:55:55
his plan? No. He just told us he
1:55:57
was gonna get a couple Irishman and go
1:55:59
down
1:55:59
there. Well, now
1:56:01
I feel quite secure. Now hold
1:56:03
on. Hold on. Now we don't need to get
1:56:05
into politics. It's so good. Well, we told him
1:56:08
about
1:56:08
the the building
1:56:10
we were hiding in the plan I imagine is that they
1:56:12
made it there and are
1:56:14
hiding out. But that was,
1:56:17
like,
1:56:17
twenty four hours ago. I don't
1:56:19
know. Full night is passed according to claims.
1:56:21
It does occur
1:56:22
to me that we probably should
1:56:25
have warned him about these sanity stressing
1:56:27
measures that occurred when we went out and opened that hat. I
1:56:30
hit the photograph of me. I think that we
1:56:32
were
1:56:32
mad. Yeah.
1:56:35
But
1:56:35
maybe he's just a
1:56:37
crazy person
1:56:38
there. Better than to find
1:56:40
out himself.
1:56:41
Well, he's a cop. That's what
1:56:43
happens.
1:56:43
In any case,
1:56:45
in any case
1:56:47
if
1:56:48
everything is
1:56:50
according to plan
1:56:52
then don't
1:56:54
want
1:56:55
to jeopardize. What do
1:56:57
we want
1:56:57
to do? I think tomorrow
1:57:00
we
1:57:00
gotta go to juju
1:57:02
house. during the day. Right. Right.
1:57:04
Find millions Adams. Whatever the tenth
1:57:06
is
1:57:07
doing now, it's best that
1:57:09
we don't disturb.
1:57:11
Whatever operation he has going on.
1:57:13
Yeah. We would
1:57:14
maybe find
1:57:15
some answers that
1:57:18
would help in these
1:57:19
books as Vonage lacing to read. Here it
1:57:21
is. I would love to pour over
1:57:23
these books before turning
1:57:26
in for the
1:57:28
evening.
1:57:28
Are we up in our room yet?
1:57:31
I hope we are because she's really itching to get that skin book out of her dress. You know?
1:57:32
the get ever dress Yeah.
1:57:36
You wanna walk up to your room
1:57:38
short. It's
1:57:39
getting sweaty. Yep. You get up
1:57:41
to the
1:57:41
room, you pull the
1:57:44
books out, And is
1:57:45
the plan to sort of just maybe start digging
1:57:47
into these? And and
1:57:50
if so, who's doing that?
1:57:54
Is anybody else doing anything? Or are
1:57:56
you turning in? What's the sort of plan here
1:57:58
for the rest of the
1:57:59
night? No. No
1:58:02
offense. But I feel like
1:58:03
you should read these, but I
1:58:05
feel like someone should be watching you
1:58:07
reading the books. Do you know what I
1:58:09
mean? Like, a waffle. on favorites.
1:58:11
Well, I'll read with her. She'd
1:58:11
have the margos and see if she has full books. We could
1:58:13
all take one. No. I'm
1:58:16
not. Alright.
1:58:18
no i'm not
1:58:18
can dress. You do dress You're not gonna force you to
1:58:20
read if you don't want to. I can read.
1:58:23
If that's No. I
1:58:24
know you're capable I can read it.
1:58:27
I can read it to you. It's enjoyable for you. Isn't
1:58:29
it another question? It won't be. It takes
1:58:31
me a while to read a
1:58:33
single page.
1:58:34
But my issue is the effects
1:58:36
that these books could have. Now, we came
1:58:38
home the other night, and Margo, correct me
1:58:42
if I'm wrong. We came in and
1:58:44
Phéroos was a little
1:58:46
twitchy from reading that just
1:58:48
one book. Now we
1:58:50
got four books here. Twitch twenty. No.
1:58:52
I don't. Carter,
1:58:53
no. Don't you see that either? No.
1:58:55
I don't. Look. That
1:58:57
is the answer that we we need the knowledge
1:58:59
and these knowledge. Sure. Right. Right. That's what I'm
1:59:02
saying. Someone just needs to watch you.
1:59:05
She
1:59:07
accepts that and maybe
1:59:08
dip a toe in at some
1:59:10
point. You guys know how to be tonight, but we
1:59:12
can't complete our mission without knowing
1:59:13
what's in these in these
1:59:16
books. Right.
1:59:16
I don't know I
1:59:18
don't
1:59:19
know how you could have these books in front of
1:59:21
you. You will not want to just pour over
1:59:23
them for hours. Well,
1:59:23
it's a it's a matter of upbringing. I feel
1:59:26
like You read those books. And
1:59:28
we'll
1:59:28
just keep an eye on you read the books. I
1:59:30
think it's fun. And if
1:59:31
you start all the rails, we're here for
1:59:33
you. I want to
1:59:34
read one as well. Okay. So watch me read a book. Watch me. I can't I'm
1:59:36
reading.
1:59:40
Okay? Margo,
1:59:41
which one would you like? I've
1:59:43
got the series of manuscripts that necrotics grows. I've got amongst the
1:59:46
stones. That's the one
1:59:48
that Smells questionable. I've got the French
1:59:50
manuscripts that were handwritten by that monk, but
1:59:52
it's in Latin. I don't know if you
1:59:54
how how good your French is. My friend
1:59:58
is terrible. And then I have
1:59:59
life as a god by m
2:00:02
Compton. But I want to go
2:00:04
for
2:00:04
a break.
2:00:06
The poem sounds nice,
2:00:08
but I want to
2:00:10
give you first
2:00:12
pick. I should like to
2:00:14
look over the series of manuscripts where
2:00:16
the narcotics rose from the
2:00:18
fourteen hundreds. Margaret, do you want
2:00:20
to read
2:00:21
we take
2:00:23
the French one out life
2:00:25
as a god
2:00:27
or amongst the stones.
2:00:31
Amongst the stone and smell
2:00:33
bad.
2:00:33
The meta gamer and he wants to read the human skin book, but does Marvel honor read the
2:00:35
human book? internet
2:00:38
on human skin but
2:00:39
Probably not. She'll read the
2:00:41
poems
2:00:41
amongst the stones made out
2:00:43
of the other weird
2:00:45
skin. We don't know
2:00:47
yet. Other strange. non leathery
2:00:49
skin. I just wanted to read what seemed like the
2:00:52
eldest. Two of you
2:00:54
sit down to read those
2:00:56
books Vaughn,
2:00:58
am I crazy? What I mean, not
2:01:00
literally. But, you know, these
2:01:02
books, you were here. Yes.
2:01:05
I feel like Glancing
2:01:07
Adam is great, but I'm terribly sorry to think
2:01:09
as for the life of me that past night is is
2:01:11
something of a blur. Okay.
2:01:14
I don't know what I'm fuck. do. Alright. That's fine. I'm just gonna And
2:01:16
I can't give you the atoms out
2:01:18
of my mind nor Hilton. Like, can
2:01:23
You you saw Paul. Can can we trust him to go
2:01:25
about his business in a timely manner? A
2:01:27
full day has passed. Damn
2:01:29
it. It's not encouraging, and it far be it for me to trust
2:01:32
cop. He seemed pretty perturbed by what
2:01:34
we showed him. I'd like to think
2:01:36
he's on
2:01:38
it, but also a day missing and then suddenly being like, hey,
2:01:40
guys. Just checking in everything school, but
2:01:43
-- That seems weird. -- I
2:01:45
have half a mind to call
2:01:47
that car back and Just
2:01:49
have it circle around the
2:01:51
block. arch of your house, god. Just to see. your house god
2:01:54
just to see if
2:01:56
action is being taken and all that. Well,
2:01:58
that doesn't sound like a bad idea.
2:02:00
It's
2:02:03
almost as ridiculous.
2:02:04
Yes. You guys
2:02:06
I just I
2:02:08
cannot I find it
2:02:11
difficult to I
2:02:12
found it difficult to even attend
2:02:14
that gathering knowing that what sort of retro
2:02:17
things may be done
2:02:19
to that poor woman. It's
2:02:21
the
2:02:21
dead at night. You know what happens at juju house at
2:02:23
night. All those bros
2:02:24
roll up. It's not
2:02:26
the greatest time to go there.
2:02:30
Striving
2:02:33
driving fire fire.
2:02:36
Not answering.
2:02:39
just
2:02:39
to see what we see. Everybody give me
2:02:42
a luck roll.
2:02:45
Oh, I did it.
2:02:47
We wanna get under this one. You said then we wanna
2:02:48
get under? Yeah. Sorry. Yeah. This would be and
2:02:50
let me know if you have a success,
2:02:53
what kind of success and
2:02:55
or fail. Okay. regular success.
2:02:58
Twenty six under forty one. Okay. Regular, Kate.
2:03:01
Fall.
2:03:04
fail. And what about Carter? I got
2:03:06
a hard success. I got a twelve under thirty five.
2:03:11
So Margo failed. It's
2:03:14
surprising you're the
2:03:17
one that the
2:03:19
only one that succeeded on your
2:03:21
luck roll today. Well, I spent
2:03:23
luck earlier. Yeah. So Febvre
2:03:26
is reading the book. You're holding the strange
2:03:29
skinned book and you hear
2:03:31
Carter and Vaughan or
2:03:33
are discussing possibly calling the car and going to Judeo House. And so
2:03:35
maybe you're distracted by that
2:03:39
as well. And
2:03:43
Then you distracted
2:03:45
by something else because
2:03:48
you see the news he
2:03:51
the photograph of
2:03:54
you you wearing the
2:03:56
screaming
2:03:59
mask and it's like
2:04:00
sitting out on
2:04:03
the balcony. It's feyruz
2:04:05
in
2:04:06
the picture. it's you, Marco. Wearing
2:04:08
that mask that you never wore,
2:04:10
that you never photographed yourself wearing. You took
2:04:12
that photo and I think you ripped it up and
2:04:15
put it in the toilet and flushed
2:04:18
it. I
2:04:18
only made one copy of
2:04:20
that and I destroyed it. It
2:04:21
is the the balcony, the the curtains are, like, floating
2:04:23
up and you see
2:04:28
sitting out on
2:04:30
the open balcony.
2:04:33
What
2:04:35
do
2:04:36
you do? What
2:04:47
are you thinking?
2:04:49
what he taken
2:04:53
You don't
2:04:53
wanna play no more? She's done. I don't wanna
2:04:56
play no more.
2:04:59
That's too much.
2:05:00
Do you Is it
2:05:02
prompted? Do do anything? Say anything? She's
2:05:06
thinking she's
2:05:08
really sick.
2:05:08
they couldn't really say What's
2:05:11
going through
2:05:13
your head, Marco?
2:05:16
Yeah. Me?
2:05:18
Yeah. walk us through. You're the one that sees
2:05:20
this. You see this? I just
2:05:21
feel weird vibes because I don't see the picture
2:05:23
out there. No. No. This
2:05:25
is you. I'm talking to you.
2:05:27
If you want me? Yes. Don't talk. I
2:05:29
don't know. I got you saying oh
2:05:32
my god. I'm sitting
2:05:33
here waiting for favors. answer. I said
2:05:34
No. No. No. You Sorry. Yeah. For you.
2:05:37
I feel the one word. The favorite No. That's
2:05:39
for I you were way
2:05:41
into it. I was, like, playing a hardball here.
2:05:43
Yeah. No. Beirut is reading your overhearing
2:05:45
this conversation between Vaughan
2:05:47
and Carter and you
2:05:50
see the curtains billowing up and the
2:05:53
photograph of you with the mask on
2:05:55
sitting out on the
2:05:57
balcony the same one
2:05:59
that you ripped up through
2:06:02
in the toilet. I go closer,
2:06:04
just
2:06:04
kinda
2:06:07
being like, is that there? Really? because it's
2:06:09
probably dark out.
2:06:10
It is. It's there. Stay
2:06:14
on the cupric style. We just see your point
2:06:17
of view walking towards this balcony
2:06:19
curtain lifting up in
2:06:22
the
2:06:22
wind. And curtains
2:06:24
again with this, like, shower
2:06:27
thing. She
2:06:28
while they're doing that,
2:06:30
she's gonna open the door
2:06:32
and grabbed the
2:06:34
photo. She was -- Right. -- to destroy it. Dory is slightly ajar.
2:06:40
you
2:06:40
see that the photo is you
2:06:43
have to step out on the balcony to get it. So step out
2:06:48
there. and it's very very windy,
2:06:50
but somehow this photo is almost like glued to the bottom of the
2:06:55
balcony. It should be You look behind you in the curtain
2:06:58
is flying upwards this very light
2:07:00
photograph should not be
2:07:02
sitting there. Role spot hidden.
2:07:04
Yeah. I
2:07:06
was gonna say I
2:07:09
think
2:07:09
I wanna look around. Come on. Fifty nine
2:07:11
under sixty
2:07:12
two.
2:07:14
Fifty
2:07:17
nine
2:07:17
under sixty
2:07:20
two.
2:07:21
As you
2:07:24
reach down, to grab the
2:07:26
photo,
2:07:26
you hear a noise
2:07:28
the noise from
2:07:30
the sky above.
2:07:33
that
2:07:34
And you
2:07:38
and
2:07:40
look
2:07:41
up And you see
2:07:44
this shadow
2:07:47
go over the
2:07:51
moon. and blot it out for all but a
2:07:53
moment. It's almost if the entire
2:07:56
sky grows
2:07:58
dark as the shape passes in front of the
2:08:00
moon, and then
2:08:03
the shape swoops directly
2:08:07
at you and you look
2:08:09
up and you see this
2:08:12
monstrosity that has
2:08:14
to be thirteen stories large. It's like this
2:08:16
combination of a serpent
2:08:19
or worm with
2:08:22
enormous bat like wings that flood out in
2:08:25
an umbrella and it just
2:08:27
comes swooping at you,
2:08:32
talons outstretched. And
2:08:32
we'll see you
2:08:34
next week. Motherfucker.
2:08:40
You. It's what that
2:08:42
is trading in general and told us about.
2:08:47
Then there's at the door if the drunk guy get it. And you have this on your
2:08:49
own? Actually, well, I just wanted to say
2:08:51
that the proverbial file
2:08:54
show that sounds good. over the time to the Friday. Thanks
2:08:56
for listening
2:08:57
to the Glass
2:08:58
Canada network. For more podcasts
2:09:02
and live trees, visit glass cannon network dot
2:09:04
com, and for exclusive shows and
2:09:06
content you can't find anywhere else.
2:09:09
Subscribe today at patreon
2:09:12
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2:09:15
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2:09:17
cannon.
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