Episode Transcript
Transcripts are displayed as originally observed. Some content, including advertisements may have changed.
Use Ctrl + F to search
0:00
What
0:00
could be ghermeer than a bathroom doorknob?
0:02
Try unclean countertops, TV
0:04
remotes, fridge handles, gaming controls,
0:07
and all kinds of things around the house.
0:09
Help your family stay happy, healthy,
0:11
and uninterrupted by illness this year
0:13
with Clorox disinfecting wipes, Clorox
0:15
bleach, and Clorox disinfecting mist.
0:17
They kill ninety nine point nine percent of cold
0:20
and flu viruses on hard non porous
0:22
surfaces when used as directed So
0:24
get germs out of the way and get on with
0:26
your day with Clorox. You're unstoppable
0:28
when you start clean.
0:33
You are
0:33
listening to the Glass Cannon Network,
0:36
the premier source for role playing
0:38
game entertainment.
1:14
Good evening, everyone. one. It's Friday
1:15
night, and it's time for
1:18
the season finale
1:20
of time for chaos. That's
1:22
right. You heard it. The season
1:25
finale. I said we're gonna do it in twenty.
1:28
It's episode twenty. And we finished last
1:30
week. I stayed up for hours
1:32
just staring at what I thought the
1:34
rest of this particular arc
1:36
of our story was. And I'm like, you know what next
1:38
week? Let's just play till we finish
1:40
it. So this
1:40
might be a two hour app. might be a
1:42
ninety minute
1:43
app. It might be a three hour
1:45
app. I don't know, but we
1:47
end this chapter tonight.
1:51
I wasn't gonna drink at all. And then
1:53
when I showed up in the video
1:55
call, everyone else was drinking.
1:57
So I I grabbed a bottle
1:59
of Talos pretend that I've had -- Yeah. --
2:01
for over two years because I just never
2:03
drink scotch. because I'm ready to drink nor was,
2:05
like, oh yeah, I've got a gallon of scotch next
2:07
to me. What do you drink? Nora. I
2:09
got a sixteen. Oh,
2:12
sixteen
2:12
trying to show me up. Snokey.
2:14
Oh, I just poured way too
2:16
much. Oh, I don't know what I was thinking. And
2:18
really with four fingers, do you?
2:20
Chat poor one out for our characters.
2:22
What do you drink in there,
2:24
Rob? This is a Woodford
2:26
reserve. Oh, I think it's
2:28
a Trader Joe special. Bourbon. It's
2:31
delicious. American
2:34
Bourbon. a rust.
2:36
You have AAA grasshopper
2:38
or something creamy? Oh, yes.
2:42
Yes. I I wish I
2:44
wish I had a big old white Russian
2:46
next to me, but no, I I'm
2:49
just sipping on pure spring water.
2:53
you're doing it the right way. What
2:55
about wait. Kate, you should be drinking
2:57
champagne because is it true that you
2:59
closed on a house today?
3:01
Yeah. Like, drove
3:03
back here, went and got a box of wine,
3:05
which I am drinking. I also have champagne,
3:08
but I feel like that's not we
3:10
don't know how long this is gonna go and champagne
3:12
cake is no fun.
3:13
Yeah. Same to champagne for the
3:15
end of the year. Wait on a celebratory
3:18
episode. it's gonna be. Yeah.
3:22
That's great. Box Wine is really we're
3:24
all at different levels here, and that's what's nice.
3:27
It's early, and I really, really
3:29
regret that poor. How is everybody
3:31
feeling? Did you enjoy season
3:34
one of time for chaos? Yeah.
3:36
It's been
3:37
a blast. If you need everybody, it's
3:39
been super cool. That's probably the best part.
3:41
Yeah. Tell them with you guys. The friends
3:43
you made along the way. Right. That's
3:45
the real story. Yeah. Playing
3:47
a
3:48
a system that I was completely unfamiliar
3:50
with. Super cool
3:53
and different, really into it.
3:54
character dynamics have been
3:56
my favorite.
3:57
Yeah. They've they've really The whole
3:59
team came together. Yeah. Yeah.
4:01
I mean, that's that's the beauty of doing the prologue,
4:04
the Peru prologue is it gives a chance for the
4:06
you and the not only to get to know Jackson
4:08
Elias, so that his death
4:10
has more meaning but to get to
4:12
know each other. And now these bonds, you've
4:14
been through trial you've, like, trauma bonded. Mhmm.
4:18
Yeah. Ross,
4:21
you've done a a decent monoclonal kthulu
4:23
before this, but how are you enjoying a
4:25
more long long form campaign?
4:28
Oh,
4:28
man. I love it. I love just
4:30
like
4:31
the slow burn spiral
4:34
into into the,
4:36
you know, the dark gulfs
4:38
between the stars. I'm
4:41
stoked to see how how we continue
4:43
to to fall down the rabbit hole. And
4:47
I'm I'm and and I love all these characters
4:49
and I know how brutal and
4:51
and ruthless the system is.
4:53
and it's in it and it actually I'm
4:56
I'm pre morning what
4:58
may happen to to honor
5:00
all of these dear dear folks
5:02
over the course of this evening.
5:04
Yeah. It's tough. It is such an
5:06
unforgiving system. And that's why a lot of
5:08
people I was saying that before we went live, why lot
5:10
of people choose to use pulp rules because the
5:12
character's a little more a little more
5:14
durable, a little more sticky, a little more superhero
5:16
esque. We certainly play
5:19
I think we kinda go back and forth
5:21
thematically. We sometimes get a little pulpy
5:23
in the way we overdramatize things, but
5:26
we're playing to straight non pulp
5:28
rules. And luckily, everyone
5:30
survived so far. But --
5:32
Yeah. -- you just feel like everything's
5:34
been building towards tonight.
5:37
Nora, I know you played a lot of call through maybe
5:39
log the most of any of us.
5:41
Are you enjoying the campaign
5:43
so far?
5:43
I love it. Like the the
5:46
only time I've ever played,
5:48
you know, a cult of Cthulhu run
5:50
longer than, like, three, four
5:52
episodes was also the one that you ran.
5:55
Oh,
5:55
yeah. The You know,
5:56
we did that. We ran that for ten.
5:58
Those 552 hour episodes.
6:00
512
6:00
Correct. I mean, that felt like the longest.
6:03
I guess, usually, they've just been like one
6:05
shots or like one or two games. So it's
6:07
been really nice to, like, really
6:09
sink your teeth into like,
6:10
a proper campaign.
6:13
Mhmm.
6:13
Yeah. And, Kate, we've been I've
6:15
been wanting to get you on something forever. And
6:17
finally, we get you on something with some
6:19
legs because you were on all these three
6:21
episode things. Are you enjoying doing
6:23
something a little longer? Oh,
6:25
yeah. Like playing new games all the time
6:27
was really fun. But, like, once you get the hang of
6:29
it, it's over.
6:31
And not that I feel like I'm getting the hang of
6:33
this or, like, maybe my characters
6:35
because What's cool about this is
6:37
in the beginning I mean, like
6:39
any other RPG, you're doing your
6:41
investigating phase and you don't really know what's going
6:43
on, then then when you start to get it, at
6:45
least in Peru and America
6:46
so far,
6:47
it doesn't matter. It's like all
6:49
still too much and too chaotic
6:52
and like you will never feel like you
6:54
have control at all over the situation.
6:56
And that's fun. And,
6:58
I mean, I'm attached to all the characters,
7:00
but, like, I'm ready for
7:03
some shit to happen. I wanna see, like,
7:05
crazy stuff. I
7:06
want, like, more characters come
7:08
in or one person to
7:10
live forever and just become really
7:13
meet those out. Yeah. I want
7:15
crazy stuff to happen. Rainbow.
7:17
Oh god. Yeah. That status.
7:19
That is the beauty of surviving long
7:21
into a campaign like this, your character.
7:24
It's it's unlike, you know, a DND or a
7:26
Path Finder themselves. And you're like, you got eight
7:28
hundred endpoints. No. Your endpoints kinda stay right around
7:30
the same time. but you start to unlock
7:32
magic and you start to unlock abilities
7:35
that allow you to contend with
7:37
these cosmic cars, whereas
7:40
now you're just kind of these squishy
7:42
humans. But you never become a
7:44
superhero. Like, even when you
7:46
learn that, it's like you're giving something else
7:48
away. The power got a break. cut a price.
7:50
Unless you make a pact with the God, which
7:52
is always on the table. I'll
7:54
do that now. one
7:57
of my favorite parts and one of the reasons
7:59
I wanted to do this in the first place was really to
8:01
get to learn Kala Cthulhu because you can only
8:03
read these books so much. You gotta dig in. You
8:05
gotta start playing. You gotta make mistakes. And
8:07
and and we're still learning. Right
8:09
before we went live, I
8:11
I hopped on a private channel
8:14
with Michael. And Michael, by the way,
8:16
has been so wildly helpful throughout
8:18
all of this. He's been on stream with us
8:20
since the beginning. He sends notes to me
8:22
after every session. notes for the players.
8:24
So a big shout out to Michael behind the scenes.
8:26
He's so helpful. I jumped in to ask him the most
8:29
basic question about Call of Cthulhu
8:31
Combat Rules because I just totally forgot But
8:33
it has been nice to really stretch
8:36
our legs and learn what I think is
8:38
just an elegant, beautiful system
8:40
that allows you to kind of do
8:42
whatever you want, but still has that
8:44
crunch that people like that strive
8:46
for in, you know, your more traditional
8:48
d twenty games. Also,
8:50
big shout out to Harry. Harry was
8:52
our producer for for most of the most of
8:54
the run, but his Internet wasn't correct,
8:57
so we to be like, Sorry, Harry.
8:59
We gotta we gotta move on, but Harry
9:01
did a a lot and Grant helped him a a
9:03
ton making those first few episodes
9:05
shine the first dozen or so. and
9:07
Iain stepped up and did a couple. But the
9:09
last few, our good buddy Joe O'Brien has been
9:11
behind the scenes producing these.
9:13
So Joe does tireless tireless
9:16
efforts to make sure the network
9:18
runs and so big shout out to
9:20
Joe as well. Tonight
9:24
has a feeling of finality, but
9:26
at the end, this is really just
9:28
the beginning because there is so
9:30
much more to this story. So Should you
9:32
survive? Should you die? Should you
9:34
go insane? Should something even
9:36
worse happen? This is just
9:38
the beginning of the adventure.
9:40
So I'm gonna dive right in.
9:42
because like I said, I don't know how long it's gonna
9:44
go, and I am just I'm chomping at
9:46
the bit. I have not been able to stop
9:48
thinking about tonight's episode ever since
9:50
we finished the last. And I
9:52
think the best way to start is with a true
9:54
recap of what
9:56
has happened thus far
9:58
since you came to
9:59
America. What
10:02
a season? It's been III had my head
10:05
twenty episodes and here we are at twenty.
10:07
We'll see in in a few hours to play
10:09
file. We still got a lot to go. We'll go
10:11
twenty one, but I really think we can do
10:13
this. And and this part of our adventure
10:15
all began with a simple telegram
10:17
from your good friend, Jackson
10:19
Elias, who you met four years
10:22
ago while going on a strange
10:25
expedition in Peru
10:28
where you faced these vampires
10:32
known as Kari Siri, these
10:34
face sucking vampires known
10:36
as Kari Siri, and all these
10:38
remnants of a lost cult that began
10:40
when the conquistadors came
10:42
over. Jackson
10:45
called all of you to New York
10:47
urgently to meet with him because
10:49
he claimed to have new information
10:52
new information on the infamous
10:54
Carlyle expedition. Everyone's heard of the
10:56
Carlyle expedition. Millionaire
10:59
playboy Roger Carlyle
11:01
left New York to head on
11:03
a similar mysterious expedition
11:05
to Egypt. That was the plan.
11:07
That was what was in the public eye. He was going to
11:09
Egypt. Man, they said maybe he's looking
11:11
for biblical treasures. It wasn't quite clear
11:13
what he was for. They were never very
11:15
forthcoming, but he had a lot of
11:17
money, he had the Carlisle name, and he
11:19
wanted to do that. He traveled there
11:21
with his friend, Jack
11:24
Brady, his
11:26
psychologist at the time, a man by the
11:28
name of doctor Robert Houston,
11:30
a close friend of
11:32
his, perhaps a former lover that was
11:34
taught that they were connected back in the
11:36
day, a woman by the of hypatia
11:38
masters, and they went
11:40
from New York to England to meet up with
11:42
the last member of the expedition. a
11:45
renowned egyptologist named
11:48
Sir Aubrey Penhu who
11:51
was coheading up the
11:53
expedition. After arriving in
11:55
England and doing whatever they did there, they
11:57
traveled to East Africa
11:59
to Mombasa Kenya. And
12:01
then while in Kenya, they decided to
12:03
go inland for a
12:05
safari in and around Nairobi.
12:08
Something happened during that
12:10
safari, and the
12:12
expedition was lost. Roger's
12:16
sister Erica Carlisle then
12:18
traveled to Africa to
12:20
investigate and it was soon discovered
12:22
that the entire expedition
12:25
was massacred. It
12:27
was a group of Kikwu tribesmen
12:30
who were tried and found guilty
12:32
of the massacre and put to death
12:34
by hanging. place
12:34
closed. Right? Or
12:37
was it? You
12:39
show up at Jackson's hotel
12:41
room at the Chelsea hotel tell and
12:45
find him freshly murdered.
12:48
It's got a strange
12:50
symbol carved into his
12:52
forehead, almost reminiscent of the
12:54
lamprey like mouths of those
12:56
Kari cereal that you faced while
12:59
in Peru, but but different
13:01
as well. You
13:03
see his killer is a trio of
13:05
strange headband wearing
13:07
men fleeing from the scene of the
13:09
crime, jumping out the fire
13:11
escape they got away. And
13:14
for the past eight days,
13:16
since that murder took place, it's
13:18
only been eight days. You've been trying to
13:20
unravel these mysteries.
13:22
The mystery of not only why
13:24
Jackson Elias was killed,
13:26
but also what he knew
13:28
about the possibility that
13:30
perhaps this Carlyle expedition was
13:32
never massacred. You
13:34
speak to his close friends and confidants and
13:36
find out that he had become obsessed
13:39
as of late with the
13:41
expedition and an obsession that seemed to
13:43
be driving him mad as
13:45
evidence in some of his late letters
13:47
to his close friends. It
13:49
it got to the point where it seemed like
13:52
he knew his life was in danger
13:54
and his dying wish was
13:56
for the four of you.
13:57
His close friends to finish
13:59
his investigation because
14:02
he believed What
14:04
happened and something going on with the
14:06
Carlyle expedition is
14:08
tied into the fate of the very
14:11
world. at
14:12
Jackson's funeral, lieutenant
14:14
Martin Poole, shows up,
14:17
takes you downtown, he knows you're at the
14:19
Chelsea Hotel, on the night of
14:21
Jackson's murder and he wants to know what
14:23
you know. He then tells you after
14:25
he realized this you had nothing to do with it, there
14:27
was just a string of similar
14:29
murders to Jackson's. you know, a few
14:31
months ago and going back
14:33
over a year, people going missing and
14:35
some of them turning up dead all over
14:37
the city. but a man was
14:39
arrested and sent to death row
14:41
for the crimes. A man named
14:43
Hilton Adams, and there hadn't been any
14:45
other murders until
14:47
Jackson Elias. He
14:49
thought all along that Adams was
14:51
set up and also
14:53
that the fourteenth precinct captain
14:55
who presided over his arrest
14:57
had something to do with the
14:59
setup. The fact that Jackson is now found
15:01
dead is just further proving his
15:03
suspicions. So this
15:05
captain William Robson
15:08
seems like a dirty cop. Meanwhile,
15:10
you make friends with the New York Times reporter
15:12
by the name of Rebecca Schosenberg who
15:15
sets you up with a meeting
15:17
with Hilton Adams' wife, Millie
15:19
Adams, They both proclaim that
15:21
Hilton is innocent, and Milli gets
15:23
you a meeting with Hilton himself
15:25
at Sing Sing Prison. while
15:27
he's awaiting a date with the electric chair,
15:29
so he can tell you what he knows.
15:31
And he tells you that long before he
15:33
was arrested he and his old military
15:35
buddies, a group of guys that were all in
15:37
the the Harlem health fighters
15:39
during the Great War. They were
15:41
looking into what was happening with the disappearances
15:43
in Harlem trying to protect their neighborhood.
15:46
And it all seemed to connect to
15:48
this little shop of
15:50
African couriers. called
15:53
the juju house. You
15:56
investigate this juju house. It's a
15:58
small, little antique shop run
16:00
by an unassuming, old,
16:02
elderly African man named
16:04
Cylus Nacwane. Something
16:06
doesn't seem right though. So
16:08
you stake the place out at night. And when you
16:10
do, you see several people going into the
16:13
shop more than could ever fit
16:15
into that tiny space. you
16:17
listen after the guard goes in, the
16:19
guy standing outside, the bouncer,
16:21
and you just hear strange distant
16:24
sounds within.
16:25
So you break
16:28
into the shop one night when no one is around,
16:30
you uncover a hidden door
16:32
on the floor leading down into
16:34
a chamber, you go into chamber
16:37
and you are attacked
16:40
by four zombie
16:42
like people, no doubt four of the missing
16:44
caramel caramel caramelites and
16:46
you open up a a hole in
16:48
the floor to uncover this
16:50
wailing monstrosity made
16:52
up of dozens of faces and
16:55
half bodies reaching
16:57
out at you with their mouths.
16:59
All of your sanity is tested.
17:01
Port Vaughan is on the brink.
17:06
the show So during
17:08
all of this, Milli Adams goes
17:10
missing as well. So you
17:13
bring this evidence to lieutenant
17:15
pool. He seems like the only
17:17
person with any authority that you
17:19
can trust and he
17:21
promises to to do something about
17:23
it off the books, he
17:25
hasn't been heard from since.
17:28
Meanwhile, you purchase tickets to a
17:30
benefit gala hosted by Erica
17:32
Carlisle. Roger's sister, where she
17:34
tells you about Rogers Dalliances
17:36
with a woman named Chanka Bune,
17:38
which may have led him to his expedition
17:40
to Africa in the first place. but
17:42
his mind seemed to be whittling away as
17:44
he delved further into these
17:47
strange tones that you
17:49
then find. in
17:51
Carlisle's library tucked
17:53
away in a safe.
17:55
That's tonight.
17:57
That happened tonight. in game time, knowing that tomorrow night is the
17:59
dark of the moon. The dark of the moon is when
18:01
most of these disappearances in Harlem have
18:04
been taking place you
18:06
know that a final showdown that somehow
18:08
involves juju house is on the horizon,
18:10
so you return to Vaughan's
18:12
hotel room at the Waldorf Astoria to
18:15
rest up before your big
18:17
day when Margo is
18:19
drawn to the balcony by this
18:21
haunting photo. She has no memory of
18:23
taking a photo She's pretty sure she's
18:25
destroyed and it's just sitting out
18:27
on the balcony as if it's been
18:29
following her. She goes to
18:31
retrieve it. and
18:33
up in the sky
18:35
a flying enormous
18:38
serpent like creature that
18:40
blocks out the very moon. dives
18:43
directly at her.
18:47
That is where we left last
18:49
week. week And that
18:51
is where we're pretty cut and dry. Really? cut
18:53
and dry. It's only been eight
18:56
days. Eight days. Oh, man.
18:58
You said that and I was like, no. really.
19:01
Yeah. I'm trying to think how
19:03
many episodes Peru was like
19:06
six, seven, so
19:08
you're about pretty much at like two
19:10
episodes a day. You know, you guys get a
19:12
lot of stuff done. I'm not like So anything else you
19:14
wanna do today? And you guys, like, no. It was just fast
19:16
forward. You're like, you know what? I'm gonna go buy a
19:18
new suit. That happens a lot. So your
19:20
days, you guys get a lot
19:22
done. Yeah. This
19:25
thing is flying
19:27
at you, Margo. I don't even think you are
19:29
friends see this. I think Carter and
19:31
Vaughan, you were like, you weren't, like,
19:33
in an argument, but you were having, like, a discussion
19:35
and and Feiruz was digging into all
19:37
these domes. But you're a little
19:40
distracted when Margot just sees the the
19:42
curtain like wafting up
19:44
from the wind. You go outside and this thing
19:46
is hurtling at you. You look
19:48
up. And I mean, you have
19:50
never seen anything like in your life. It is
19:52
so jarring. It
19:54
provokes a sanity roll. Gives
19:56
me said sanity roll.
19:58
But first, Let's
20:00
all start with a group luck roll. A group luck
20:02
roll more so individual luck rolls
20:04
to see if you improve your luck
20:06
for the last time. Not that you
20:08
can use luck on San Diego. Let's just get
20:10
it out of the way so we can sit
20:12
and enjoy our meal. I did
20:15
it. Nope. Nothing. No. No
20:17
luck with it. Alright. Or us?
20:19
You feeling lucky? I'm feeling lucky.
20:22
Went to the Cthulhu Casino and I won me six
20:24
luck points. Box guys.
20:27
Rob, any luck? Yeah. I
20:29
got ten. Whoa. And,
20:34
Kate, I got six also.
20:36
Whoa. Nice. Now,
20:38
of
20:38
course, you cannot use that on your sanity roll,
20:40
so please. Give me that d one
20:43
hundred role. You got pretty good sanity if
20:45
I'm remembering correctly.
20:46
Yeah. She's still pretty sane. Yep.
20:50
Twenty one under eighty five.
20:52
So You've got
20:54
ice in your van. Maybe
20:56
she thinks this isn't real.
20:59
Yeah? I like that. What were you
21:01
gonna say, Rob? Just sharing some
21:03
luck. I mean, some sanity. Is there is that possible?
21:05
Can you, like, kind of, shave some off the top? Like
21:07
a dark window. Yeah.
21:10
No. Some more sanity for
21:12
you, sir. Yeah. I think that'll
21:14
do. Yeah. Yeah. Here. Just look into my mask. It's where I get
21:16
it from. This thing
21:19
is hurtling down towards you. It's
21:21
dark out and you can't you you
21:23
really can't even make it all out
21:25
until it's like right on top of
21:27
you. What do
21:29
you do? because you, as
21:31
we all know, have incredible dexterity
21:33
at eighty, and dexterity
21:35
is initiative here and call it the
21:38
doo So what do you do? Margoo?
21:42
Margoo would probably run back
21:44
inside. I feel like that's a natural human
21:46
reflex to seeing something, like, coming
21:48
at you, like, you are praying. Mhmm.
21:50
And it is predator. So I feel
21:52
like she would go to run back inside and
21:54
shut the door. bolt back inside,
21:57
shut the door
21:59
at that
22:03
moment. if Ross and
22:05
excuse me. Vaughan and Ross is there. Vaughan and
22:07
Carter are are in a heated discussion
22:09
and and Feirou's is really in the books. you
22:11
come running in, do you say anything? She's
22:16
probably, like, screaming,
22:19
yelling, like, just like,
22:22
something something out there. There's a monster out
22:25
there.
22:25
And then the
22:27
door shatters and you see this,
22:30
like, twelve foot, like,
22:32
snake like tail come flying
22:34
through the window. with like talent
22:37
like feet at the end of it. You have
22:39
never seen anything like this. It's
22:41
like a fucking dragon that
22:43
just smashes in glass goes everywhere.
22:46
Fun, Carter,
22:48
and Feyruz give me a
22:51
sanity check. Why? Man.
22:53
I think it's
22:56
okay. I don't know why,
22:58
but I didn't think would be so bold as
23:00
I don't think it was real. Her
23:02
role day
23:03
fifteen under seventy
23:05
40I ice veins.
23:08
I'm just like pocket
23:11
aces.
23:14
I'll go
23:14
next because it looks like Ross' face
23:17
is more dramatic. I got a
23:19
thirty nine under
23:21
forty seven, so I pass.
23:23
Thirty nine under forty seven,
23:25
you pass on
23:27
all of these checks are going to take a miracle
23:29
at this point because correct me if I'm wrong, you're
23:31
sitting around twenty four or
23:33
twenty six sanity. I am a
23:35
twenty six sanity. Twenty six.
23:37
Unfortunately, I rolled a thirty
23:40
six. I'd rather you roll
23:42
an eighty six than, like, so
23:44
close. You know? It's like I'm
23:47
gonna need you to roll a d
23:49
ten. Roll
23:52
that one. Roll that one. I
23:54
still have faith.
23:57
Seven. Oh, It's
23:59
almost a one added a line to
24:01
the top of it. Alright.
24:03
So you take seven points
24:05
of sanity damage. and a couple things are
24:07
gonna happen. Number one, you are
24:10
seeing a true
24:12
monster of the Cthulhu Mythos, where you
24:14
have already gained five points of
24:16
Cthulhu mythos, which has lowered
24:18
your maximum sanity by five
24:20
as your mind has been unlocked
24:22
to the those. This is another one of
24:24
these type creatures that will
24:26
add to your mythos score and lower your
24:28
sanity. You've already got that
24:30
initial one So now this just gives you
24:32
another point of Cthulhu Mythos
24:34
and your sanity goes down
24:36
by one. Not your sanity but your
24:38
maximum sanity. So really for you. It
24:40
doesn't starts at ninety nine, it then went to
24:42
ninety four when you got that five meet those.
24:45
Now it goes to a max of ninety three.
24:47
Okay. In case you find a really
24:49
good therapist after the New York
24:51
chapter is over. Cool. The
24:53
second thing that happens is you
24:55
don't even have to roll to see if
24:57
you're intelligently aware of what
24:59
is happening. because you're already suffering
25:01
from indefinite insanity, you
25:03
immediately have a bout of madness. And
25:05
here's how it is going to play out. Let me
25:07
look at my sweet little bout of
25:09
madness table. You know what? I'm gonna
25:11
roll ADA0 actually d
25:13
ten. Perfect.
25:19
Physical hysterics or
25:21
emotional outburst. I'm gonna
25:23
read it to you, Ross, and
25:25
then see if you have the improvisational skills to
25:28
make this interesting. The investigator
25:32
is incapacitated laughing crying,
25:36
screaming, etcetera for one
25:38
d ten rounds. I'm gonna let
25:40
you roll the d ten to see how
25:42
many rounds you are just like. you
25:44
know, in conjunction with the fast Emotional
25:47
-- Yeah. -- spasms. Okay.
25:51
Mm-mm. Five five
25:54
rounds. Okay. So how does
25:56
this how does this initially manifest? Okay.
25:59
Yeah. yeah Fun
26:03
fucking.
26:07
He's just going the
26:09
downward spiral. When
26:12
Vaughan looked into the mask, after a journey
26:15
within, he saw his
26:17
face on the body of
26:19
a serpent. It's right
26:22
that caused him to
26:24
almost have
26:26
a moment of of
26:29
mortification of the flesh. So he say
26:32
to to purge away
26:34
what part of him remains united to
26:37
the serpent. Now the serpent is here.
26:39
the serpent has come,
26:41
the serpent,
26:43
the dragon of old.
26:46
And so
26:47
it's like Vaughn is,
26:49
like, this tail whips through the talons come
26:51
in and blast everywhere. Like, it's as
26:54
as screams happen, like, vaughn is it's not
26:56
screams. It's, like, silent clarity
26:58
because he just like falls to
27:00
his knees with his hands
27:03
up and and you can just hear if
27:05
he's if you're if you're close by, it's
27:07
like, Saint Michael
27:09
brings out his holy sword, places
27:11
his heel
27:12
upon the neck of this happened
27:15
for now. the honest drug.
27:17
The trumpet has been founded. The
27:19
dead shall walk
27:19
again. The serpent comes.
27:23
But upon all of them who should
27:25
place the mark of the beast. They were not
27:27
able to buy and sell without the mark of the
27:29
beast.
27:29
The serpent has come and he
27:31
but but
27:32
the saints and all of the thrones
27:34
and the powers of the almighty are aligned against
27:36
you. I cast you out in the name of the father
27:38
and the son and the holy spirit.
27:40
and Mr. He hit the trinity as the line against you.
27:43
And, like, it is just for, like,
27:45
this, like, litany
27:47
of of a biblical
27:51
madness as he
27:51
is seeing, like, the dragon of
27:54
revelation coming forth.
27:58
Oh my god. Amazing. So you
27:59
just crumble to the floor -- Mhmm. --
28:02
you know, trying to speak it away.
28:04
Yeah. I
28:06
love this. it now goes to Feirou's
28:08
Feirou's. You look up from your
28:10
book quick. Just see like this
28:12
long tail with like weird
28:14
spikes at the end of it and these talents and you
28:16
hear this sound that is
28:18
like a guttural scream.
28:20
Like, it's trying to get through
28:23
the window. into your hotel room? Is
28:25
it
28:26
so it's not in the hotel room. It's just smashed
28:28
the the glass. It's so large that
28:30
it seems like it can't fit
28:33
through the opening that you have there. In
28:36
fact, why don't I go to a picture? Check out
28:38
roll twenty here, if you will.
28:40
So you get a sense of
28:42
what this thing looks like in
28:44
terms of its size compared to
28:47
you. Yeah. I don't
28:47
think that'll fit in the room. It's
28:50
a big
28:50
It's a
28:53
big snake with bad wings. We're
28:55
sharing that. But that tail is
28:57
just like whipping. It's knocking over
28:59
a lamp on an end table. But
29:01
you guys are especially if
29:03
you if you got you
29:05
know, if you were away and cargo came running in, you
29:07
seemed like you're far enough away, but you don't know
29:09
how far that tail can lash out.
29:12
I don't know, but I'm
29:13
sure, no illusion. not
29:15
an illusion. And I'm like running to go
29:17
grab my gun. Alright. So
29:19
you
29:19
just take off to grab your and
29:22
then it goes to Carter. Carter's
29:25
just like, let's get the fuck out of
29:27
here now. Go go go. I'm not finding
29:29
this fucking thing. and
29:31
Carter starts running and I
29:33
wanna he obviously sees
29:35
Vaughan. And he's like, Vaughan, I have time for your
29:37
bullshit and crap. There's
29:40
put his arms around and start pulling
29:42
him up and out and go out
29:44
into the hallway. You do that and
29:46
as as your drag year. I'm just it's like
29:48
the smoker's breath in your ear, like,
29:50
the people worship the dragon saying who he's
29:52
like the dragon, but he had given him
29:54
authority into the beast Let's let's
29:56
let's find out in the lobby. Let's go.
30:01
It then
30:03
goes to you Von Von.
30:05
Do feel like you're weak enough to just
30:07
be carried with Carter or does it is
30:09
it gonna take multiple people to pull you
30:11
out? Are you you drawn towards it or
30:13
drawn away from it? I've I mean,
30:15
yeah, I think I've compelled the way I'm I'm
30:18
terrified of this thing. Yeah. I'm I'm I'm
30:20
wanting but the revelation has
30:22
come. Like, I'm I think I'm
30:24
looking around acting to see, like
30:26
like,
30:26
like, the
30:28
empty clothes from from
30:31
raptured people and, like, a dead and a
30:33
leftovers. Like, a hammer
30:35
movie. I'd like to see his hood into
30:37
blood and stuff. Yeah.
30:41
Yeah. It was given power to wage
30:43
war against God's holy people. I'm like It's
30:45
like maybe if I'm wrestling out of your hands, I'm like pounding
30:47
on the on doors as we go by,
30:49
like yeah. It's
30:52
like, arise. Alright. please. Alright.
30:55
So you're you're getting pulled out, or you're yelling,
30:57
all these things. Pharrooza is
31:00
running to get her gun, but Pharrooza, you look over,
31:02
and you C Carter pulling Vaughn
31:04
towards the door. It comes back to the top of
31:06
round two. Margo, you ran away
31:08
from this thing. It's this huge
31:10
tail like tree trunk thick is just whipping
31:12
around the room. It hits the couch and the
31:14
couch topples over on its
31:16
side. The strength of this beast
31:18
is immeasurable.
31:22
So I'm gonna grab my
31:24
stuff too. She goes to grab her
31:26
bag which has the mask,
31:28
the pictures, her notebook, and
31:31
her guns. because she thinks they're
31:33
gonna leave this room But
31:35
if they leave the room, will they be safe? Can they even
31:37
go outside? She's grabbing her gun either
31:39
way. So that's what she's going to do
31:41
with this turn is gather her
31:44
things. have gun
31:45
in hand.
31:46
Okay. It is now
31:48
the creature's turn and the creature is just
31:50
like boom. Boom. You see the
31:53
walls around like the frame of
31:55
the balcony, start to
31:58
cave in like
32:00
crack right in the middle, like they're starting
32:02
to split. Okay.
32:05
the In fact, one
32:07
of the door jams just
32:10
like one side of the door jam
32:12
that's housing the balcony just
32:14
pops off and flies all the way across
32:16
the room. It now goes back to
32:18
you, favors favors you see. It seems like
32:20
a retreat. What do you do? If
32:22
the glass isn't fully
32:25
broken, I'm going to
32:27
take cover behind that
32:29
large couch. My
32:31
bag
32:32
my bag of was
32:35
around, so I just wanna like make sure I have that
32:37
before we head out. And while I'm
32:39
still aiming at this thing, I wanna
32:41
back out of the room And at
32:45
the nearest sign of
32:47
a fire alarm, I wanna hit that
32:49
fire alarm.
32:49
Okay. Alright. So you
32:51
take cover slowly slinking out towards
32:54
the hallway. Give me a luck roll.
32:56
Right. Let's see if that fire alarm just
32:58
happens to be right outside. or
33:00
exists or exists in
33:02
nineteen twenties. I rolled
33:03
a sixteen under seventy
33:05
two. Looks
33:06
like they have some equivalent.
33:09
It's just a guy first building ever.
33:11
Fireman's building. Right. Everyone knows
33:13
that the Waldorf Astoria built the first fire
33:15
alarm in nineteen twenty four. So
33:17
you see something there that is like, you
33:19
know, they would at least alert the front desk
33:21
and maybe rear rear
33:22
rear rear rear rear rear rear. You hear that throughout
33:24
the building. So is this all of this
33:26
sound now as it comes back to you
33:29
Carter. Yeah.
33:31
Carter's just just
33:34
dragging volume I I don't
33:36
know where we are. I
33:38
mean, you know, I my
33:40
intent is to use
33:42
every available bit of effort
33:44
during my single turn to get as far
33:46
away as possible dragging my
33:48
insane friend. I guess,
33:51
find out wise to use the elevator, so
33:53
maybe starts going to the stairwell. Okay.
33:55
You got you're basically out into
33:57
the hallway and you feel pretty safe away
33:59
from its reach because we're at a burst into
34:01
the room, now it's gonna navigate a very small doorway.
34:03
But how thick are these walls? You
34:06
don't know. And
34:08
now does Yvonne still just pulled into the hallway?
34:11
Yes? Mhmm. Yeah. Yeah. Dragged
34:15
down down the hole just all
34:17
all all the while.
34:20
Like, I just feel like he was once like one of
34:22
them, you know. He was once like one of
34:24
them. Like like, it's like the morning
34:26
star they fell.
34:28
We saw it telling us. We've seen
34:30
it. Yeah. Fun. I'm I'm I'm worried about some
34:32
other things right now, man. We got bigger fish to
34:34
fry. get the fuck out. Big of fish.
34:36
Big of fish. Big of fish. The
34:39
the the the the
34:41
creature evolved, the the swims
34:43
in the waters. he looked upon the daughters of men and and and
34:45
and it's fountain fair. And they were giants for those
34:48
days, you know? Mhmm. I do. Oh,
34:50
yeah. I it it sounds awesome.
34:52
Let's going.
34:54
and then you try to make sure also to be screaming like, let's
34:56
go. Let's go. Like, hoping that everyone else is
34:58
is behind him. He doesn't wanna forget everybody else.
35:01
Other doors in the building are starting to open up and
35:03
people are coming out like Gorgiad,
35:05
you know, wearing
35:08
nineteen twenty lives, pajamas, night caps,
35:10
and what kind of sticks.
35:12
What is all the racket here?
35:14
You've woken up
35:16
my money. Margo,
35:18
you look like you are the last one
35:20
out of the room. As you look about the
35:22
room, is there anything that you wanna even
35:26
attempt to grab as you of
35:28
like, should you choose to
35:30
return? So
35:33
grabbed everything I want, I believe,
35:36
my photos, my notebook,
35:38
mask, my guns. Fayruz
35:41
has
35:41
the other books. maybe
35:44
just do like a quick luck roll to see if
35:46
there's anything that we missed. Okay.
35:48
Or something or -- Yes. -- versus spot hitting
35:50
or spot
35:52
hitting? Yeah. Give a spot
35:56
hidden. I don't
35:57
see anything. I'm ready to get out of the
35:59
room. I got at
35:59
eighty six over
36:00
sixty two, and he's using luck right now. Yeah. And you can't use an old luck
36:02
anyways.
36:02
Oh, use the spot hitting them. Right? So, yeah, you're
36:05
looking around. Anything of importance? No. I guess not. And you run
36:07
out of the room, do you shut the door?
36:09
You just fucking better. I think I shut the door as,
36:11
like, a feeble attempt, like, maybe it's a strong door. So yeah.
36:13
Maybe it doesn't know how to open a
36:16
knob. Maybe it's a little
36:18
bit. Right. climbing.
36:20
And as you shut the door in
36:23
your hands, more
36:26
splintering sounds
36:28
screaming. and then
36:30
silence. You're running
36:33
away and
36:33
you guys all hear these sounds
36:35
and screaming and banging. And other people are looking
36:37
around like, what is the meaning of this
36:39
at the world over story, I know
36:42
less. And then it's just like
36:44
as you're getting the elevators, the stairs, and
36:46
whatnot, that sound goes
36:48
away. You still wanna
36:50
get the hell out of the building? Was it
36:52
screaming
36:52
of people that sounded like or screaming?
36:54
It
36:54
sounded like this preacher was letting
36:56
out some sort of whale as it was
36:58
trying to fight its way into your
37:00
room. And all the people are just more
37:02
grumpy than they are. Yeah. Look, what is the
37:05
fire alarm? Wait. There's too
37:07
much money here for there to be a
37:09
fire alarm. And what is
37:12
all this screaming and crashing. So I'm sort of partying. No
37:14
doubt. And so they're more annoyed by
37:16
this. They don't know that there's a monster in
37:18
the other I
37:19
think as Carter and Vaughan have, like, gone
37:21
into the stairwell on her
37:24
running. Ferrous just,
37:26
like, completely disheveled with, like, an armed gun and, like,
37:28
a loaded gun in her hand and, like, and,
37:30
like, and, like, a curve essentially
37:33
like a go bag. we'll
37:35
actually take the elevator. So in all this, like, panic and chaos,
37:37
all of a sudden, it's like,
37:39
for,
37:44
like, slowly heading down into the
37:46
lobby. What about It's got one of these
37:48
elevator things, like, is there an
37:50
elevator operator in
37:52
there? Like, Ruff Right, man? That's all,
37:54
man. Robbie, please. Mhmm.
37:56
Robbie, coming right up. Well, your
37:57
friend's me joining you.
38:00
what about that drive my mom's time?
38:02
You go down to
38:05
the lobby. And you get to the lobby, and you
38:07
get to the lobby Bobby, and
38:09
you see that, like, the bellman and a couple
38:11
of the hotel staff are
38:13
standing outside and
38:16
they're they're, like, pointing up and
38:18
and and looking. And and then one
38:20
guy is running over to the
38:23
phone and, like, Please, please. I'm not gonna be in front of
38:25
me. And you just see that there's a bit of a
38:27
commotion so they're aware that something is
38:30
happening here.
38:33
We, we, we, we, we, we,
38:35
we. In the distance, you hear
38:37
fire alarm fire
38:39
engine coming up. What
38:42
about the rest of
38:44
you? Yeah.
38:44
Maybe Carter and Vaughan burst
38:46
through the the bottom stairwell
38:48
door into the lobby too.
38:50
Oh my god. It
38:53
because Carter, I feel like they got far enough a
38:55
way to not the
38:59
silence. So Carla comes out.
39:00
I was like, everyone, get out of
39:03
here. Is the giant dragon? Where's
39:05
the floor? Where's the floor
39:08
stand? That's where it is. And let's gotta
39:10
get out. Don't forget. Gotta die
39:12
ass. Stop your lies. That's
39:14
the dragon,
39:18
but that's this gentleman. He has
39:19
had too many gin fizzes
39:21
this evening. Take all your money, but leave some behind. I feel like
39:23
I've earned it. It's a fair recompense. Get out of
39:26
it, though. And people
39:28
are just
39:30
like, It's just it's just freezing out. And there
39:32
you know, most of them don't even have their coats in, like, they're looking
39:34
at the stuff. Like, do we have to go outside as
39:38
is really a big deal. They're like, I'm so sorry. I'm so
39:40
sorry. So I'm so sorry, madam. There there may very
39:42
well be a fire. We just have to take
39:44
precaution the middle of January.
39:46
This weather, it's it's like slightly snowing out.
39:48
It's like a cop sat in there, everyone is upset.
39:50
And now there's just people pouring in.
39:52
But now you have to worry like
39:54
things flying around. What's to say it won't just attack everyone once
39:57
they go outside? So you see this
39:59
as massive people going outside? Do you follow or
40:01
do you stay in? Well,
40:04
I
40:05
don't know if Margo ran Annealy downstairs when she hit
40:07
her. with
40:07
Margo. The silence.
40:10
Oh. because Faireus took the
40:12
elevator,
40:12
and I feel like
40:14
she was close enough to the door to
40:16
hear the commotion and hear nothing and maybe walks
40:18
by the door again before coming
40:21
down the stairs. Right?
40:24
So you got you got away and you
40:26
were the only one that caught that, like, after
40:28
all that
40:30
sound, nothing.
40:31
And so, you
40:32
walk back up to the door
40:34
and you listen and you just hear
40:36
the wind coming from the other
40:39
side of the door your hotel
40:42
room. Can I peek
40:44
in
40:44
i peek in the room the
40:46
room?
40:46
You wanna peek in the room?
40:48
Yeah.
40:50
What's the words
40:51
that could happen? Get a deal of
40:53
a picky.
40:54
Argo grabs the handle of
40:56
the door. opens
40:58
it ever so slightly to peek
41:00
in. And where the balcony
41:02
used to be is just a
41:06
massive whole, you could almost see
41:08
the beginning of its wing span
41:10
trying to get through. I'm thinking like
41:14
Is it ghostbusters or ghostbusters too where there's just like
41:16
yeah. It's it's that kind of scene where it's
41:19
just I'm sure Kate has a film
41:21
historian. You know exactly the scene
41:23
I'm speaking of. Just a whole
41:26
where there used to be building and just
41:28
going out into blackness.
41:30
And if you try to look
41:32
out there, You do not
41:34
see the creature anywhere.
41:36
You
41:36
don't hear the
41:38
of weeks sound of
41:40
wings. Before I leave and meet them downstairs,
41:42
I wanna take a picture of the room, like,
41:44
from the door so I can, like, see everything,
41:48
see the drag and shaped hole, whatever it is, and just a
41:50
destruction of that, and then
41:52
head down. Steers like an
41:53
everyone outline.
41:55
get But
41:57
money goes to the wall.
41:59
You got a
41:59
solar right now? Yep. I
42:02
think you have one of
42:04
these. Smile. You
42:06
get a photo, you
42:10
shut the door, and you're
42:12
glad you're glad that
42:14
the incidentals are on Vaughan's
42:16
credit card.
42:18
You go downstairs and
42:20
your friends are all in the lobby.
42:22
At this point, Vaughan, enough time has
42:24
passed that you are no longer having this
42:27
bout of madness. In fact,
42:29
you don't even remember
42:32
having this thing. The last thing you
42:34
remember was hearing an explosion and seeing
42:36
glass shards flying out.
42:38
That's the last thing you remember.
42:41
Yeah. Jim just
42:43
thing.
42:45
Yes.
42:46
What?
42:47
You
42:48
Hey. Are you? You
42:52
back buddy? Sitting us, what
42:54
the bloody hell happened, Mohammed? What are we what are we
42:56
doing outside? We had a bit of an
42:58
incident.
42:58
Hey. Snipcat creature.
43:01
Bad snake really. bad
43:03
snake. Good good point. A bad
43:05
snake smashed the balcony
43:08
open. That might cost you a little bit of money.
43:10
But more importantly, world life
43:12
favorites is here. Margo.
43:14
I guess we don't know what's
43:16
happened. Right? So we're sort of still
43:19
out there. Where does that work
43:21
or go? Yeah. Oh, there
43:23
you are. Say what? I
43:25
think I'll do.
43:28
gotta get out of here. What's I mean, is this thing gonna take the top of the building off?
43:30
What's going on? It's gone. It
43:32
it's it's completely
43:34
completely gone. The the room is
43:37
ravaged, and it's nowhere to be
43:40
seen. Oh my god. Alright.
43:41
But but the road, like,
43:43
there's actual destruction. Right?
43:45
If this was not like a maggots are in the shower, maggots are not
43:48
in the shower thing, this is
43:50
like physical destruction
43:51
situation. It looks
43:53
like a monster. ran
43:55
its body through the wall
43:58
and ravaged the room, and I took a
44:00
photo. So what you're saying
44:01
is we're all going
44:03
to need another a
44:05
room. Probably.
44:08
Maybe
44:08
it's a monster that does not
44:10
attack the same room twice.
44:12
it doesn't
44:13
I just say. So
44:15
yeah. So basically, Vaughn, that's what
44:18
happened. Welcome back.
44:21
I'm
44:21
losing time. I
44:23
I scarcely remember what happened
44:25
last
44:25
night. It's probably for the best. What
44:27
is happening? What is happening
44:30
to me?
44:31
Oh,
44:33
dear God.
44:34
Why? I
44:36
don't
44:37
know. You seem
44:38
to every time something
44:40
strange like this happens, you seem to ramble
44:42
off AAA lot
44:45
of Catholic Right.
44:46
Thanks. But but you're doing great. That that's not to
44:48
take anything away from your contributions. Right?
44:50
Everybody and look You
44:52
are not doing good. No. I
44:57
will consent. I'm very worried about
44:58
you.
45:00
like But maybe
45:02
Yeah. We're all we're all very
45:04
impressed, Vaughn, with what you have brought
45:06
to the table in terms of team
45:10
is mentorship. But, yeah, there
45:12
was an incident. We're down here.
45:14
Sounds like we can go back up there,
45:16
maybe go to the maybe go to the caught
45:18
Constantially, let's talk about another room maybe. Are
45:20
you mad? If if I'm
45:22
clearly,
45:25
if if you're you're saying that some sort of
45:27
wing and serpent came in through our door or
45:29
window. Yeah. That that that be
45:31
that means they know where we are.
45:33
man. So watching, they just say no.
45:35
That's a great point. Well,
45:37
that means that if they
45:39
know where we are, And and whatever we're dealing
45:41
with is is something supernatural, then they're gonna be
45:43
able to find us wherever we are and that we might as
45:45
well stay in a
45:48
big building patented by other rooms surrounding us. How
45:50
about
45:50
what other four star hotels are
45:52
in the city? Can we find another
45:54
find another equivalent,
45:56
Ritzy
45:57
hotel, and then we'll this is this is where
45:59
I
45:59
come come and get
46:01
and guess. We check-in under our
46:03
get this aliases. Okay. We
46:04
come up with different
46:06
names. I will be
46:09
a thirtieth fart bender, and we
46:12
will go
46:12
in there. You guys can pick your own
46:14
names or if you want to. I can I got a whole
46:17
I got a note card here with lots of
46:19
different aliases. Go to
46:20
a different hotel, check-in under
46:24
aliases, and we'll be safe, but also in
46:26
the comfort that we've come to expect.
46:28
Split up? No. No. No.
46:32
All of No. God. No. No. We're all together. If you'll
46:34
direct yourself to world twenty, I do have
46:36
I haven't shown you this yet.
46:39
a nice little map of Greater New
46:41
York in nineteen twenty
46:44
five. And in fact, if you look at
46:46
these small inset map number sixteen
46:48
there is in fact the Waldorf
46:50
Astoria. So there are
46:52
other hotels available. There's the hotel
46:55
LLC back to where your good
46:57
friend Jackson Elias was killed. The
46:59
new grand hotel, the Broadway
47:01
Central, of course, and
47:04
other buildings So there are other options.
47:08
But yeah, there is this
47:11
lingering fear that they
47:13
know where
47:13
you are. They're watching, but
47:16
who?
47:17
i know Maybe
47:20
Times Square
47:22
Hotel.
47:24
Seems nice.
47:26
We're just thinking lots of
47:28
people, lots of big buildings, lots
47:30
of eyes in case serpent
47:32
comes back.
47:34
Yeah. Okay. That's won't.
47:37
So Margo You
47:40
think it's okay to go up there and gather
47:43
our shit? Yeah.
47:45
It's
47:45
gone. I
47:48
don't see
47:48
by now not? Maybe we
47:51
just go
47:51
up there, grab our stuff, and let's just
47:53
let ourselves out the back door. What
47:55
do you think?
47:56
agreed
47:58
Agreed. Yes. Yes. I suppose
48:00
there's a
48:00
list of
48:02
trail. Alright.
48:05
Let's
48:05
go upstairs.
48:08
Guys had upstairs and
48:10
upstairs not
48:14
unlike Margot
48:16
you. take this
48:18
deep breath and you open
48:20
the door
48:21
to go in. Favorites,
48:24
I don't know
48:24
if you were able to even grab all those books
48:26
shove them into your go bag and all of the commotion. So
48:28
let's say a couple of those are laying out. Guys grab
48:31
whatever you need to grab. and
48:34
you just see this. I mean, it's almost like a perfect
48:37
outline of not even
48:39
the full mass of this creature
48:42
in Vaughan where you'd lost some
48:44
time, you now see that it
48:46
was they weren't just blowing
48:48
smoke because you can see this
48:50
god cryptic outline of some winged beast trying to fight its
48:52
way in, shards of
48:54
glass all over the floor, that
48:56
broken door
48:58
jam like the force that it was exerting, the fact
49:00
that it was able to send that off of
49:02
the off the wall and across the
49:04
room, unsettling.
49:07
unsettling my
49:09
god. And then, yeah, like, peering over the edge down
49:11
onto down
49:13
onto Manhattan.
49:15
the Yeah.
49:16
yeah
49:17
And, like, I've
49:20
got, like, trunks and stuff, so packing
49:22
that up and that up finding my
49:25
pistol and also lifting up that
49:27
box that
49:27
I got with the those
49:29
vials inside
49:32
ride.
49:33
Right?
49:34
The ones look like they contain the entire
49:36
cosmos. It's the way they Yeah.
49:38
We kind of hid that from you, but
49:41
would imagine in the
49:44
chaos, pun
49:44
intended. I think it's
49:45
a pun. It's a fucking reference to the name
49:47
of the show. That's got spewed,
49:49
you know, that's everywhere or at least
49:52
exposed so you could see it.
49:54
Also, Carter wants to make sure he grabs that
49:56
ornamental knife
49:58
anything?
49:58
That's the
49:59
same knife that or one of the knives that
50:02
was a same make of a knife that was
50:04
used to kill Jackson that
50:06
you found. silicon Aquane's
50:08
chambers. We didn't take any
50:09
of those headbands. Right? I've
50:11
got one. You do have one. I got an
50:14
old jerky you know, the mummified human tongue. Right.
50:16
Yep. And then Carter was also, like so as you
50:18
can see, Vaughan, this
50:20
is where It came
50:22
through. Mhmm. And right over here is where I
50:24
saved your life. You were just kinda right here and
50:26
you were a gibbering
50:28
away and found it
50:30
within my self to pick
50:32
you up, my great
50:34
seventy strength and drag you
50:36
out of this room So anyway, I
50:39
just wanted to point out that the main parts of the
50:41
room that figure into
50:43
the narrative here. Well,
50:46
thank
50:46
you ever so much. Timing has
50:48
to your
50:49
Yeah. You know,
50:51
your great Braun and has agreed
50:53
to quarter. It's it just comes
50:55
naturally at this point. Fairers
50:57
will make it a point to leave
51:00
behind the fancy
51:02
dress that she borrowed with the
51:04
intention of sending a telegram
51:06
over to that lady, saying her father will
51:08
pave
51:09
the full confidence station for
51:12
the for the destruction
51:13
of her dress. Thank you for the
51:15
dress. Stop.
51:16
Mhmm. Thank you for the
51:18
dress. stop. Yeah. Well, I guess, yeah, both of us are still dressed
51:20
all fancy. Right? Like, we got back to
51:22
show up. I mean, maybe When we go back up
51:24
this this time
51:25
around, like, favors does
51:28
change her clothes, but before she was very much in that elevator full
51:30
ball gown. Mhmm.
51:32
and who
51:34
the But we'll leave it behind and make
51:36
her dad pay for it.
51:37
Yeah. Mhmm. Now you're wearing a bum
51:40
equipment sweatshirt.
51:42
I did for bed. Alright.
51:45
So so Von, you've got your trunks and
51:47
everything. You're you're moving out. You're going to
51:49
another hotel. Yeah. It's it's
51:51
not safe there. There's also a giant hole in
51:53
the wall. Right. Okay.
51:55
You get down into the
51:57
lobby,
51:57
all of you, and the
51:59
bellman is like, mister Villas,
52:02
what seems to be the problem there?
52:04
Is is everything alright? Yes. The problem with boys
52:06
is that there there's bloody great hole in our
52:08
wall. You see? It seems there
52:10
someone drove a trolley car straight to
52:13
my body balcony. But don't
52:15
think I'll be spending the night there any I'm
52:17
sorry. I don't understand a hole
52:19
in your wall. How how can that be?
52:21
We we we inspect all of these rooms
52:23
before our guests stay. This is
52:25
the Waldorf Astoria. after all. And
52:28
there is a a whole III do
52:30
apologize. This is something we should have had
52:32
looked at, but why don't we just move you to
52:34
another room? A free of charge, of course. Indeed,
52:36
III think in before
52:38
I'd set foot in another room, I'd
52:40
like you a lot to have a have a
52:42
deep and hard. Look at the
52:44
structural integrity of this building, a
52:46
job passing off as one of
52:48
the the diamonds of
52:50
your city. I'm afraid
52:52
that the world of Astoria shall see my business never
52:54
again. and
52:58
they I said good day. Good day. Good day. sir. Oh,
53:01
dear, bro. You're
53:04
the four of you storm out as if you had nothing
53:06
to do with this. Yes.
53:09
That's a off overview. Tyler.
53:16
man. And you just walk
53:19
out as all the other people are
53:21
coming in. Like, oh, it's that's
53:24
freezing outside. And as
53:26
you get to the front, you see that the
53:28
the fire engine is there and they're
53:30
they're like starting to pack up like
53:32
they already inspected and saw that it wasn't
53:34
a fire. there's a bunch of people huddled
53:37
around like broken glass on
53:39
the sidewalk and chunks of
53:42
wall and they're like, looking up and pointing and trying to figure out, like, what the
53:44
hell happened? They they don't have a good vantage
53:46
point to see exactly
53:48
what you
53:50
saw Can I role
53:50
spot him to see if I
53:53
see any suspicious or familiar characters
53:55
in this vicinity?
53:57
Yeah. For sure. and
53:59
the end I
54:02
got
54:02
smashed it. So, yeah,
54:05
I rolled a forty six
54:07
hundred seventy five. forty six hundred seventy five, you know, there's a
54:09
lot of commotion. It's all the guests of, you know,
54:12
this used to be two separate hotels
54:14
that merged So there's a ton
54:16
of guests here on a on a Friday night
54:18
in New York City. And
54:20
so you're just trying to suss through as anybody
54:22
standing out people that really jump
54:24
out of you are the police who
54:26
are, like, talking to somebody.
54:28
And from time to time, they look up.
54:30
And are they looking right at you
54:32
when you your friends to what are they? Are we
54:34
able to see what precinct they're
54:35
from by
54:38
their uniform? Yeah.
54:40
I mean, I would say that you could you could
54:42
look at their car, the police car, and see
54:44
that they're from the the
54:47
Midtown East precinct.
54:50
So maybe it's just your
54:52
mind playing tricks on you or maybe you are being
54:54
you are being watched watched. Some.
54:57
hum
54:59
I'd say other than the fact that it's colder than we just shed out here, I'd say
55:01
we've got our picks up. It's
55:03
pretty scot free.
55:05
All things considered. Yeah. Because we
55:07
just saw a dragon and our friend nearly but I feel like all
55:09
things considered you're right. That's a win. It could
55:11
have been much worse. I could just have to be count
55:13
this as win.
55:16
Yeah. We should not
55:17
walk directly to the new hotel.
55:19
We should take, you know,
55:21
non straighter routes and keep
55:23
our eyes out while we're going to
55:25
see see if anyone's rushing and filling us, anything up in
55:27
the windows, anywhere.
55:31
the sky.
55:32
I mean, can these people
55:33
really do that? Can they really just
55:35
be like, oh, we want those guys out
55:37
of the picture. Let's send
55:39
a dragon. I don't know what's
55:40
Kent? Did that happen? How does
55:42
one even call upon a snake dragon?
55:45
Bad
55:45
snake. Yeah. What
55:46
do you do? You call you the yellow
55:48
pages I don't
55:49
know if the snake dragon
55:51
is related to, you know, the the thing we
55:53
found on the floor
55:55
and juju House. I'd like to think they're somewhat tied together. I don't think
55:57
I normally, if I we hadn't found that stuff, I
55:59
doubt
55:59
we'd roll into New York City and encounter a
56:02
snake dragon. And
56:04
and I
56:04
and I I assume that maybe conversations we've
56:06
had have been kind of been tossed around between us
56:08
since, like, and doesn't that sound
56:11
rather significantly like the
56:14
creatures that had. Extremely
56:16
authentic Australian,
56:18
Jeffrey, tell
56:19
us about And this
56:21
is winged
56:24
bat sermons, the father of all
56:26
bats. Yeah. Yes. The
56:28
bat father. That does
56:30
sound like whatever day. Favorites.
56:32
That's not great.
56:33
That's not great. usually
56:36
don't want a god on your tail. That's
56:40
not ideal.
56:42
Alright. Let's take a
56:44
circuitous route to
56:45
our new hotel, the name of which
56:47
I've already forgot. The Times
56:50
Square Hotel. Not right. The Times Square. This is
56:52
good because it's
56:52
Frank's next super Rebecca works, so
56:54
maybe we can stop there
56:56
tomorrow before we save the world.
56:58
Just to make sure that she's safe.
57:00
by chance if they can send a dragon to attack us
57:02
and what's to stop them from sending it to anyone? Yeah.
57:05
There's also a
57:07
Chipotle by there. which I think
57:09
we could hit up. Of what was
57:10
what would think that a bad daddy God would have better things to
57:13
do than
57:15
to be
57:17
summoned upon just to run through somebody's
57:18
wall. Yeah. What what
57:21
I mean, god's what
57:24
you doing? These these lesser gods are just
57:26
was sitting around by the phone, waiting for it
57:28
to ring? Well, if you're trying
57:29
to destroy him
57:32
maybe, I am covering -- Yeah. -- stowage. So my god, are they
57:34
if they're
57:34
taking orders from somebody else? It's probably one
57:36
that can die.
57:37
You're not right up here. If you're like
57:39
talking crap
57:39
about this thing. And I
57:42
was, like, looking at that the sky, like,
57:44
snows. And the more the girls, it's at least
57:46
that's, like, we just laying out of the room, like, we
57:48
could take What? Maybe in the morick, the concept of
57:50
God and gods are revoked, you can just leave
57:52
on just to be like -- Yeah. -- this, but they're not gone.
57:54
This is Okay. We could talk we we don't have
57:56
to talk about it right Okay.
57:58
They can be evoked if we're by learning
57:59
secret names and situations.
58:04
It's called. Yeah. You're walking
58:06
through freezing cold New York City,
58:08
bonds dragging trunks. You've got all of your
58:10
shit with you. Mhmm. And you're on, like,
58:12
Park Avenue South, and you trying to make a
58:14
way. I've two Exactly.
58:16
thirty three cases. fight. The
58:18
forty three taxi. Forty three
58:21
street. You get there to the Times
58:23
Square hotel, and it's a it's a
58:25
long cold walk, but on top of what
58:27
the I guess what keeps you
58:29
warm is the fear of them
58:32
and in death constantly. And he sound you here. Just like, you're looking
58:34
at the skies above, but
58:36
you are on a constant
58:38
all your
58:40
way there and you get there and there's like a
58:43
stiff, tall, thin man with
58:45
a pencil thin mustache that sees four
58:47
of you stumble in, like, wet from the
58:50
snow and looking all disheveled.
58:52
It's, like, three in the morning now, I
58:54
imagine, like, you got Batacolade
58:56
from WestJet monster. You would
58:58
dig it into these books, having a couple of
59:00
cattails, and then this monster
59:02
came in. And now you had to
59:04
walk all the way across town, taking a
59:06
longer circuitous you come in there
59:08
and it's like, how
59:10
may I help you? No. It's terribly
59:12
late old man, but I don't suppose you've got
59:14
a suite of rooms available with this on
59:16
godly. now, pardon me, a sweet
59:18
for the four of you.
59:20
Or perhaps two are joining
59:22
perhaps or to adjoining Well,
59:26
clearly, you were not. From a
59:28
New York, but the Times Square Hotel is
59:30
a hotel primarily for single
59:34
men, although they
59:36
did add a floor for women.
59:40
What? Yes.
59:41
That is how things work in
59:43
nineteen twenty five. This is
59:44
a a hotel for primarily
59:46
single men, so you
59:50
and your friend here
59:52
looking at Carter. I could
59:54
stay on floors one through
59:56
fourteen. And the lady
59:58
would need their
59:59
own room on the fifteenth
1:00:01
floor. Let's I think
1:00:03
you've mistaken
1:00:04
the
1:00:06
situation here, so you see, we are two couples and
1:00:08
I'll I'll, like, just whatever
1:00:10
grab Carter or Bonhoeffer's closest. and
1:00:13
and we should like joining rooms
1:00:16
as we
1:00:17
are honeymooning all together. We are Wow.
1:00:20
wedding. Yes. From my dear,
1:00:21
I don't know what kind
1:00:24
of coupling the four of
1:00:26
you are up to, but that
1:00:27
is not the type of business we
1:00:29
have here at the Times Square out
1:00:31
town. Perhaps you would
1:00:33
prefer a flea motel on
1:00:35
tenth Avenue. Now god damn it, sir,
1:00:37
and Carter No. It was just
1:00:39
at the Waldorf story, and the only reason I
1:00:41
in this playback hotels because there was a
1:00:43
huge giant hole in our wall and the fire alarm
1:00:45
was raised.
1:00:45
And now we have to find ourselves in the cold, walk you
1:00:48
around three end, Dennis Jethai, you will
1:00:50
provide us a room, sir. We demand
1:00:52
satisfaction. That is the tenth time I've
1:00:54
heard
1:00:54
that skews this evening.
1:00:56
Madam, you're lucky.
1:00:58
A couple of years ago, this hotel was primarily
1:01:00
for men. I will allow you a room
1:01:02
on the fifteenth floor. don't make the
1:01:04
rules. I merely enforce them. A
1:01:08
couple's hotel
1:01:08
can be found up the street
1:01:10
if you so choose.
1:01:12
Otherwise, Good day to you. What's the
1:01:14
star rating on this level? a high place
1:01:16
for the ground. This is a a
1:01:19
high class hotel. I'll have you
1:01:22
know. Spilt. If you have to start to turn
1:01:24
over again, I don't think it's a very high class.
1:01:26
I mean, you keep a women up on the
1:01:28
top floor. for single men only? What kind of establishment is
1:01:30
this? How dare you?
1:01:32
the
1:01:33
How dare you all
1:01:35
have you know? My
1:01:37
father when Heather is in town goes out
1:01:39
of his way to stay at the Times
1:01:41
Square hotel.
1:01:43
Which floor
1:01:44
though? Young
1:01:47
man.
1:01:49
You are no longer welcome
1:01:52
here. I'm going to call the police. Okay.
1:01:54
Alright. Fine. Fuck We're leaving.
1:01:56
That's what we do.
1:01:58
Don't don't We're gonna pick
1:01:59
another great hotel. Oh, no. Just
1:02:02
walk around
1:02:04
that. Square. Let me check real
1:02:06
twenty. men's a
1:02:07
single men's hotel. I
1:02:09
repeated the
1:02:10
hotel quickly before you guys
1:02:12
decided to go there. Okay. It
1:02:15
was it was built for just single men. And then in nineteen
1:02:17
twenty three, they added one floor
1:02:19
for women for girls. Oh, they were
1:02:21
pretty by the books. especially
1:02:23
in Times Square with the the the sex workers
1:02:26
and whatnot, they didn't want that element being
1:02:28
in there. So by separating them, it
1:02:30
made
1:02:31
it safer. Sure. By by
1:02:32
making the whole place a single
1:02:34
net only. Yeah. This
1:02:37
is a great gold troy
1:02:39
to finish the a season where we can't fucking
1:02:41
check another hotel. Let's choose another hotel that
1:02:44
does have a Wikipedia page. Maybe
1:02:46
you like to
1:02:48
leave it. Mhmm.
1:02:51
What's it called? Hotel Girard. Oh,
1:02:57
I'm on it. Alright. So you go to the the
1:02:59
hotel Girard and that
1:03:03
was built
1:03:04
in eighteen ninety three. It's a thirteen
1:03:08
story a u shaped salmon colored brick and limestone
1:03:10
building with German Renaissance style
1:03:12
design elements. The front facade features
1:03:14
bode pairs of
1:03:16
bay windows from the third to sixth floor, and the building topped
1:03:18
by steeply pointed front gables,
1:03:20
and a high decorated dormer. It
1:03:22
was originally built as an apartment
1:03:26
hotel you come in and the
1:03:28
gentleman is like, hey,
1:03:30
what's going on? How can I help you? First
1:03:31
of all, do you
1:03:33
have any men only floors, or it can be mix
1:03:35
and mingle here. Sir, I think you're thinking
1:03:37
of the Times Square Hotel. This is
1:03:39
the hotel Girard. We're
1:03:41
all or well. compelling. Yeah. Excellent. Our
1:03:44
mistake. I'm looking for one of
1:03:46
your famous apartment
1:03:48
esque suites.
1:03:50
I hear you start as an apartment hotel room. We indeed,
1:03:52
we've just recently converted a
1:03:54
few rooms to shorter stays, but
1:03:58
we would be glad to give you how long do you plan on
1:03:59
staying? You're not gonna
1:04:02
up and
1:04:02
die in the next twenty four hours, are you?
1:04:04
I have to ask that.
1:04:07
of all of our new
1:04:10
people. No. I have no
1:04:12
idea. to shuffle off this
1:04:14
mortal coil
1:04:16
just yet. Indeed, we may be staying
1:04:18
forever. I I have a feeling
1:04:20
we'll be requiring comfort, a
1:04:22
great deal. well, then you
1:04:24
came to the right place because hotel
1:04:26
Girard is synonymous
1:04:28
with comfort. Let me see what I
1:04:30
have. And now are you was
1:04:32
this two rooms for two married couples?
1:04:35
Or are you a family? Or
1:04:37
what is what is the situation? it's
1:04:39
been a bit fried. Of course, I understand. I'm just doing a
1:04:42
job and all that. Perhaps to re joining
1:04:44
rumors for for my
1:04:47
wife and our friends here. Lovely.
1:04:49
Of course. Yes. Let me see what I have here.
1:04:51
I'm just typing on my non
1:04:53
existent computer. Yes. Here
1:04:56
you are. we have two rooms
1:04:58
on the fifth floor that should be
1:05:00
perfectly to your liking and they are
1:05:02
joining. You can choose to leave that door
1:05:04
locked or
1:05:06
depending on what you'd like. Will there be anything else?
1:05:08
We have a breakfast in the morning from
1:05:10
seven to ten AM, and
1:05:12
turn down service is optional.
1:05:16
accommodating. Yes. That turndown
1:05:18
service won't be necessary with us. As
1:05:20
you can see by the ungodly hour, if we've
1:05:23
had quite night. Yes.
1:05:25
I assume that you are
1:05:27
a blackout truck. So welcome to
1:05:29
the Hotel Girard. Your secret is safe with me.
1:05:31
Here are your keys. And for you, please, if
1:05:34
there's anything that
1:05:36
you need would
1:05:38
be here until the morning just ring down at
1:05:41
any time. Yeah. Thank
1:05:43
you so
1:05:44
much.
1:05:45
and and Vaughan
1:05:48
will when he signs the
1:05:50
ledger, sign a name that is not
1:05:52
his own. Okay. What
1:05:52
is that there? Yeah. What was
1:05:55
the one? Tillinghouse said
1:05:57
I forgot. Part
1:05:59
further tethers
1:06:02
apart because Murder.
1:06:04
Further fronting last thing. Yeah.
1:06:07
Just the tethers. mister f dash and,
1:06:10
like, f
1:06:12
dash r arthur. Alright. So
1:06:14
you go up to the room and it's late.
1:06:18
You have to be exhausted. Are we going to
1:06:20
sleep? Are we calling to the
1:06:22
day? Yes. Yes. I
1:06:24
mean, sleep in quote, I would
1:06:26
imagine. This is not the Waldorf story. It's not as
1:06:29
luxurious. There are no late night shrimp
1:06:31
cocktails and gin martinis. What's
1:06:33
the bootleg gin? You
1:06:36
go to sleep. Fitful
1:06:38
sleep
1:06:39
for all of you.
1:06:41
Imagine
1:06:42
imagine you're all up
1:06:45
pretty early, not
1:06:48
super rested in mind spinning
1:06:50
all
1:06:52
night. And it is Saturday,
1:06:54
January
1:06:56
twenty fifth or twenty fourth.
1:07:00
remember. I'll tell you in a second, but tell
1:07:03
me what your plan is
1:07:04
for the day Michael just chimed
1:07:07
in as Saturday, January twenty,
1:07:10
Fourth,
1:07:10
a week ago, you were attending Jackson
1:07:13
Alliance's funeral in
1:07:16
Brooklyn. And
1:07:18
now, you
1:07:19
are set to do
1:07:21
what? Carter, you had
1:07:24
mentioned you were like fuck the dog of
1:07:26
the moon. We need to go and get you
1:07:28
guys during the day and figure out what the hell's going on. Milley Adam's life could be hanging
1:07:30
in the balance. What do you guys think?
1:07:33
Yeah. I mean, that seems like a pretty decent plan.
1:07:36
That seems
1:07:36
like the most pressing matter. Yes. After
1:07:38
checking, you
1:07:38
know, ignore that for a
1:07:41
bit. do that as party. Mhmm.
1:07:43
I'd very much like to, yeah,
1:07:45
check-in on the pool situation so that
1:07:47
the and And
1:07:50
if we can't get in touch with him, let Joe Sandberg
1:07:53
know where we're going and then kicked down some doors. I
1:07:55
thought you meant, like, see if this
1:07:57
hotel had a pool It's
1:07:59
like Oh,
1:07:59
yeah. I appreciate the pools that you're really letting his
1:08:02
hair down. He's a twenty berry's and yeah.
1:08:04
Yeah. What is the check out the
1:08:06
pools that you're wearing? and changing It
1:08:08
was a bottomless mimosa
1:08:09
branch. No. Downtime
1:08:12
to me was a good time. Here we go.
1:08:16
Okay. Alright. So it's a little early and maybe
1:08:18
if you wait
1:08:18
to get this, you know, the breakfast is
1:08:22
from seven to ten. get some eggs and French
1:08:24
toast, and then call
1:08:26
lieutenant pools precinct. There
1:08:28
was a message for
1:08:30
you waiting at the Waldorf Storia
1:08:33
that said what? Do you remember? Something about all was going
1:08:35
according to plan -- I think.
1:08:36
-- according
1:08:39
to plan. Yeah. Who
1:08:41
is that
1:08:42
from? From pool? From lunch? Hell. Allegedly from pool. We
1:08:45
could
1:08:46
try to call him
1:08:49
Again
1:08:51
-- Yeah. -- try to give him a ring, ring, ding. Let's give
1:08:53
him a buzz.
1:08:55
Give
1:08:55
him
1:08:56
a code word. that way,
1:08:58
if he can't speak because he's surrounded by people,
1:09:00
he'll know to be the leader
1:09:02
at the park bench. Mhmm. Just
1:09:04
be like, hey, if you and
1:09:06
if this is not a good time to speak, meet us
1:09:08
here, and just say
1:09:10
the word bagel
1:09:13
of locks.
1:09:15
Mhmm. You
1:09:16
call up
1:09:17
the number that you were
1:09:18
using to call pool. rings
1:09:22
three times. Dan
1:09:25
Prisik, how can
1:09:27
I help you?
1:09:28
Yes.
1:09:29
Hello, my head. Just always make sure I
1:09:31
can call you. Is that
1:09:34
how can I help
1:09:36
you? I was
1:09:38
in a pool if you would be so kind. a pause.
1:09:42
the pause Who
1:09:44
may I ask
1:09:47
this calling?
1:09:47
This bullshit again.
1:09:51
I'm sorry. Is mister
1:09:53
i'm sorry mister paul of unavailable
1:09:56
porno unavailable?
1:09:57
the lieutenant
1:09:59
pool not been in in
1:10:02
three days, actually. Who
1:10:04
do you? Did you did
1:10:07
you have a meeting with
1:10:09
the the tenant pool. Who who
1:10:11
is this? Tell them it's dry cleaners is is Yes.
1:10:13
Late to pick up and order.
1:10:15
I'm like, yes. This
1:10:19
is a tip top dry cleaning. Just calling in
1:10:21
to let him know that
1:10:23
his his we've got
1:10:25
his shirts. So stopped and and about a bit
1:10:27
of a difficulty with those French cuffs. Sure. Sure. If if
1:10:29
you if you know anything about the ten and twelve, please
1:10:31
please let us know. We're we're we're we're we're we're we're
1:10:34
we're we're we're this is very very strange. It's not like him to just not call.
1:10:36
Odiero. Odiero. I should
1:10:39
Tell him. Should hate to
1:10:41
think what that means for a
1:10:43
state who's trickling. Mhmm.
1:10:44
What was that
1:10:46
time? Tell him, why not?
1:10:48
Why?
1:10:48
how him why not device Like,
1:10:51
he's disclosing this to
1:10:52
i can't really was yeah
1:10:56
us.
1:10:56
Yeah. And
1:11:00
after
1:11:00
that Yeah.
1:11:02
Sir, I'll only
1:11:04
say
1:11:08
that If the tenth precinct wants
1:11:10
to know where a pool told
1:11:12
me that he
1:11:15
was going to be
1:11:16
speaking as a representative once
1:11:18
again of tip top dry cleaning. He
1:11:23
told me that he was place up in Harlem
1:11:25
called the juju House. That
1:11:27
was where his
1:11:30
investigations
1:11:31
were leading him.
1:11:35
Click.
1:11:39
Yes. How to cut
1:11:41
jobs out? I'm sure that depends on the What did
1:11:43
you make them looks? Pecos. He
1:11:48
wasn't even there. Shit. I
1:11:50
collapsed the golden wager time.
1:11:52
The golden wager
1:11:55
to the tenth. And And then
1:11:57
So I don't know. Tonight is the night that they
1:11:59
that another abduction
1:11:59
happens. Billy Adams has already been taken
1:12:02
by the mayor. III don't
1:12:04
think addoms
1:12:07
too. Pool is gone. Let's go to
1:12:09
two new houses. Let's go to two new houses.
1:12:11
At least two monsters. Let's go
1:12:13
right now. Let's go. It's daytime.
1:12:15
Let's go. Paul has gone and
1:12:17
disappeared. That means they they they
1:12:19
may bloody well have him as
1:12:21
Yeah. There's no
1:12:22
there's no time to spare. We should we should go now. Now is the time he quesadito's lost.
1:12:24
now is the time he
1:12:26
was a teachers last
1:12:28
And then
1:12:29
let's let's start a montage. Should we tell Schismberg where we're headed
1:12:31
just so Nismans? Yes. Absolutely. Mhmm. And so
1:12:34
you have another ring,
1:12:36
ring, Although
1:12:38
we're next door now, right? Could
1:12:40
we just drop in? Yeah.
1:12:42
Hopefully, she's in on Saturdays. But
1:12:46
we can call first, I suppose, to see. Yeah. Yeah. But if we don't wanna be seen by by others Mhmm.
1:12:48
You get
1:12:49
patched
1:12:50
through. This is Rosenberg Hi,
1:12:55
mister Villas. I'm so
1:12:57
glad to hear your
1:12:59
voice. Mister Villas, in any news
1:13:01
on miss Adams, I've I've heard
1:13:03
nothing on my end. Nothing on
1:13:05
my end. We set loose the dogs of war to fetch her
1:13:07
back, but they've, alas, disappeared in the form of a
1:13:11
one lieutenant pool. We
1:13:13
told him everything, gave him all the information
1:13:15
that we had at our disposal. He swab blinded. He was going take action
1:13:20
on it. he has not been seen for three
1:13:22
days. I fear he may be a victim as well of this horrible cult that's operating
1:13:26
out of that place. We are are you sure the pool could be trusted?
1:13:28
You gave him all of this information? I
1:13:30
don't even have this information yet. Every scrap.
1:13:34
Well, you you need to get that to me because if
1:13:36
if anything should happen to to any of us, that
1:13:38
needs to get out. There needs to be a plan
1:13:40
in place. Now you're you're telling me you get this
1:13:42
to pool and and then pool is this thing?
1:13:45
How do you know that he's
1:13:47
done? He don't know, damn it. I don't But
1:13:51
yes. Yes. We will provide you
1:13:53
with what we have. Stay stay there. Oh, no.
1:13:55
No. Meet us.
1:13:58
Make a lot. No. That was a code predetermined by
1:13:59
someone else. Did you need to
1:14:02
make a loss closed months ago?
1:14:04
And I'll arrange a spot where
1:14:06
we can make a handoff nearby.
1:14:09
Cut
1:14:09
two exterior, bagels, bagels, bagels, on forty second street and
1:14:11
ninth Avenue. Rebecca shows in
1:14:15
Burke standing outside. waiting, watching
1:14:18
the four of you walk up. Thank god. So
1:14:25
give give me everything you have, as I told you before, that all of our lives are at
1:14:27
stake here. I can't just go to the
1:14:30
press with this, but but
1:14:33
But God forbid anything should happen. Well, we need to we need to get
1:14:35
this out. I have people that I trust that I can give this
1:14:38
to if you trust
1:14:40
me. Margo
1:14:44
walks
1:14:44
up to her and hands her an
1:14:46
envelope. It's a copies of the photos.
1:14:48
I think we told her a
1:14:50
lot,
1:14:50
but it's over the phone. So I gave
1:14:53
it to her. And I said don't don't don't don't
1:14:55
you have to open these in public.
1:14:57
Opens them when you
1:15:00
are alone?
1:15:00
she closes them after starting
1:15:02
to finger through. They corroborate our stories that we
1:15:04
told you when we went
1:15:07
to this YouTube house. Okay.
1:15:10
So so what is
1:15:10
your plan? What are you gonna do? It's
1:15:12
best that you don't know.
1:15:15
It's just that. Wait. Also
1:15:19
don't know, but we're gonna figure it out.
1:15:21
When will you contact
1:15:22
me next? Because if I
1:15:24
don't hear from you, I'm I'm
1:15:26
gonna
1:15:27
expect the worst. If you don't hear
1:15:29
from us by tomorrow morning, then the
1:15:31
worst can be expected. tomorrow
1:15:34
one morning morning. Tonight
1:15:36
is the new moon.
1:15:38
You need to
1:15:39
stay safe. I've
1:15:42
been I've been spending at the night at this
1:15:44
horrible guy's house. Yeah. What isn't
1:15:46
going on? He's very kind, but
1:15:48
he's just not my type. and nothing's
1:15:51
happened, but he's getting antsy. I
1:15:53
can do it for one more
1:15:55
night. But after that, I
1:15:57
really we've got to we've got to put an end to
1:16:00
this. Yes. Of course. Yeah. I would not
1:16:02
wish to stress your suffering to that situation
1:16:04
any longer than it goes there. Very, very sweet.
1:16:06
Well, listen. The Times Square Hotel has a lady's only floor. Oh,
1:16:08
I'm I'm quite familiar with the Times
1:16:10
Square Hotel. I that's not
1:16:14
my It's fine. We just please be safe. Whatever is
1:16:16
you're doing, you're telling me if I don't hear
1:16:18
from you by the morning to worry. I'm
1:16:21
I'm already worried. So please, whatever it
1:16:23
is you're doing. Be careful. Be shout. I will go to this. And mister Schuesenbeck,
1:16:28
Yes.
1:16:29
Where? Whenever you
1:16:31
sleep
1:16:31
tonight. Do it away from windows. In
1:16:36
shower curtains. in
1:16:37
anything.
1:16:38
Okay. I should sleep
1:16:41
so
1:16:43
under a bed.
1:16:45
Yes. Good day. It's a good idea. That's not
1:16:47
bad. And
1:16:47
she walks away clutching the folder
1:16:49
back in
1:16:50
the direction of the New York Times.
1:16:55
fucking dragon grabs. Are
1:17:02
we heading to the Q2 house? Yes. The
1:17:04
afternoon. All roads lead there. I don't
1:17:06
know where else to go. I
1:17:08
mean, are we getting there? Taking a
1:17:10
cab, train? It's too long to walk, but it's a nice day. Yeah. It's
1:17:13
actually surprisingly it's
1:17:15
probably, like, low
1:17:18
forties. Like, there's still snow all over the place. No place
1:17:20
to put it in New York. Cabs maybe.
1:17:22
But I'm I'm I'm just, like, for
1:17:24
the sake
1:17:25
of knowing, not to
1:17:27
over plan, but What we gonna do when
1:17:29
we get there? Yeah. Let's get in let's get
1:17:31
in our mode of transportation and discuss this. Alright.
1:17:33
So you're in the
1:17:35
cab. Where too?
1:17:37
I love you. Funeral to
1:17:40
talk around. No. No. No. A few blocks
1:17:42
from Few blocks from the jujure house,
1:17:44
please. Few blocks from the jujure house. Come
1:17:46
right now. You too. surprised us. He knows the truth to us. No.
1:17:48
So you tell him, like, you know, I think it's
1:17:50
on, like, a hundred and forty seconds. So a couple
1:17:53
blocks away so that you can approach at your home
1:17:56
discretion. So he's like, you got it? You're
1:17:58
all is anyone sitting in the front
1:18:01
or you all forced to cruise of the bag.
1:18:03
You might have to someone might have to be outside the driver. Yeah.
1:18:05
Alright. Carbers in front. That's it. It's pretty
1:18:07
crazy weather.
1:18:07
It's only in
1:18:10
the low forty. I
1:18:10
I don't mean to pry, but What
1:18:13
happened in
1:18:14
your face? Oh, horse
1:18:17
horse hoofed.
1:18:18
Horse did that to
1:18:21
your face. Yo. Yeah. It's a long
1:18:23
story. Horse kicked
1:18:23
me in the
1:18:25
face.
1:18:26
How?
1:18:27
They end. He should have better story than that. He
1:18:27
should have said, you should have seen the
1:18:30
other guy. No. He's missing his whole face.
1:18:32
It's just a horse.
1:18:35
It's the other guy. Does
1:18:37
it earth still? You know how they talk about,
1:18:39
like, ghost phantom limbs? Phantom limbs. Yeah.
1:18:41
I got a cousin
1:18:43
with one arm. he still
1:18:45
feels. They aren't, they don't have anymore. Well, then, yeah, then you know it. I've
1:18:47
got a phantom face. Sometimes. Phantom face. Sometimes,
1:18:50
I'm like, oh, go
1:18:52
leech. What's that? Is
1:18:54
that a blackhead? I don't know what that is. And then, no, it's a hole. It's a it's an absence of matter. should really
1:18:57
make an
1:18:59
opera about it.
1:19:00
That sounds good or maybe a a comic
1:19:02
strip, like one of those Dick Tracy's phantom face.
1:19:05
It could be one
1:19:07
of the villains. I
1:19:10
never thought about that. That's a that's a great
1:19:12
point. And then Why do you do
1:19:14
your camp drivers love chatting with people
1:19:16
in the car? This camp happens to
1:19:19
be one of those ones that doesn't exist
1:19:21
where Kartik hit a button and a window goes up. But
1:19:23
They're in the proxy. Chief. What
1:19:27
are the
1:19:27
three of you in the back discussing? Yeah. I remember, I'm just,
1:19:29
like, listening to this conversation, like, well,
1:19:32
he's occupied. I
1:19:37
feel like first thing is
1:19:39
poo. Is he there? Well, regardless of who's
1:19:41
there,
1:19:42
who's not,
1:19:43
even if they're hidden.
1:19:46
first thing is this is a daytime and
1:19:48
and are we
1:19:50
going to encounter this
1:19:53
is normal business hours. It's not when you
1:19:55
just walk in and sneak in like we did last time,
1:19:57
unless we wait for
1:19:59
the lunch hour.
1:19:59
It's -- Wow. -- are you going
1:20:01
to bloody burn the place of If somebody has
1:20:03
some
1:20:03
ether and dish rag, Mhmm.
1:20:05
Oh, no. Go in guns blazing.
1:20:06
I mean, if that Nekwane, a chap is there. He's
1:20:08
going to have to be
1:20:10
have to be subdued somehow. tense
1:20:14
to eat in the dish rack. Yes. Yes. Of
1:20:16
course. Though we told Pool
1:20:18
to
1:20:19
stay in the abandoned
1:20:21
place that we were in, So maybe there
1:20:23
are clues there if there was a struggle, if they found
1:20:25
them, if they're still there, and they just
1:20:27
haven't contacted anyone. That
1:20:30
is an excellent idea,
1:20:32
Margo. Yes. Perhaps we choose that
1:20:34
place first and
1:20:34
see if if he had
1:20:38
been
1:20:38
there. Just a
1:20:41
Looks like a
1:20:43
storm's coming. Guy looks up
1:20:45
in the sky and, like, what was
1:20:47
a beautiful day? Like,
1:20:50
very quickly gray. cocomb,
1:20:52
you hear some thunder. Pitter
1:20:54
powder of rain on the cab. For for
1:20:59
for from
1:21:00
window
1:21:03
windshield washes. And
1:21:07
perhaps as we go
1:21:09
by Yeah. Yeah. Mhmm. Very well. Not for learning
1:21:11
whatsoever. Yes.
1:21:11
So we trundle
1:21:13
past the
1:21:14
movie house that may showing
1:21:16
phantom of the opera that came on nineteen twenty
1:21:18
five with launching it. Like like Do
1:21:21
you guys see
1:21:23
the phantom yet? No. No.
1:21:26
Never take the pleasure. I did not even watch your movies about people with half masks.
1:21:28
They've got a random
1:21:30
face of the armor. Right?
1:21:34
Hey, Scott. You know, you're gonna be at. My name
1:21:36
is so right. Hey, man. What's your
1:21:38
name? My
1:21:39
name is That's Charlie. Chad,
1:21:41
thank
1:21:41
you. They call me. Charlie cabs. Charlie cabs, and I like to cut
1:21:43
your jib, bro. Yep. You too, Charles.
1:21:45
What are you guys doing
1:21:48
in Harlem?
1:21:48
tell giovanni that got an olive Well,
1:21:51
there's a
1:21:51
renaissance. There sure is. There sure is,
1:21:53
but it's a little too early to
1:21:56
watch me in the hooch if you know what
1:21:58
I mean. A lot of speakeasies up an
1:21:59
island. That's where you're wrong. Never told me.
1:22:02
where you're wrong. Never told me. Oh, I
1:22:03
like to carry your gym. Charter Caps. Are we
1:22:05
there yet
1:22:06
a what, man? Oh, it's
1:22:08
a a long way to go.
1:22:10
Just wanna make sure you guys did all your role played in the back seat. That's a
1:22:12
long way. What do
1:22:14
we want to
1:22:15
do? Yes.
1:22:17
yeah What's
1:22:18
his focus? Is is
1:22:21
what's in the is
1:22:23
is manning the the
1:22:25
front desk. Here's the deal. We go in
1:22:27
there. upset. I got nothing to fear with
1:22:29
this. He's an old man. We fucking deck him.
1:22:31
We keep going. Perfect. So
1:22:33
people
1:22:34
give me Not about Bye
1:22:36
lovely. If necessary, you're in a movie. We're gonna
1:22:38
surprise a friend of ours. You guys are pictures.
1:22:40
We're writing a
1:22:43
musical. Yes. I'm musical. And
1:22:45
a man old man gets decked? Yeah. It's called deck in
1:22:47
the face. It's gonna be awesome. First thing we do, we check out the pawn
1:22:49
shop,
1:22:52
guys. think
1:22:53
that was I I heard some of
1:22:55
that over this guy's chitter chatter. Mhmm. We check that out. We move right on in If he's standing
1:22:57
there. Pap. Pap. Pap. Right
1:22:59
in the space. Keep
1:23:02
going down. We gotta find Milli. If
1:23:04
she if she
1:23:05
and all pool are down there
1:23:07
and if not, just
1:23:08
I
1:23:10
haven't mind to burn the bloody place down. Okay.
1:23:13
That works. Feeling
1:23:14
if they are down there If
1:23:16
they are down
1:23:18
there, they may not be themselves.
1:23:20
Oh, here we are. You
1:23:22
guys want the
1:23:22
the near corner or the
1:23:25
far corner. There's nothing
1:23:27
really around here. Mr. Far
1:23:30
corner. Far corner. That's fine. Thank you. Alright. That'll be Don Nickels.
1:23:33
don't know
1:23:35
Don's highway robbery. Hey.
1:23:39
Thanks. I can't wait to see those musicals. Star
1:23:41
in the phantom face. Yeah. Oh, yeah.
1:23:43
You're great. Charlie, thanks so much, man.
1:23:45
You want me to Gary, I'll venture
1:23:47
Broadway. Now you know what, but I'll be around if somebody dies and you
1:23:49
didn't end PC. My stats are pretty
1:23:51
low, but I got
1:23:54
a high
1:23:55
Saturday. See you? It's incredible charlie
1:23:57
cabs. We haven't heard the last of him, I'm sure. Oh, charlie cabs. The
1:23:59
amelie
1:23:59
crashes into a telephone pole.
1:24:02
Right. Like, oh, god. He's been
1:24:06
throwing from his feet through the windshield. We
1:24:08
should do the -- Too bad. -- the
1:24:10
animal house ending of this, where we see
1:24:12
what happened to all the MPCs. It's the
1:24:14
free trial and cash. died ten minutes later. That
1:24:16
was how my sketch comedy
1:24:18
group would end ninety percent
1:24:21
of our sketches. Oh,
1:24:23
yeah. I love that. No way.
1:24:25
I know I didn't end it.
1:24:27
Just to say everyone died. It's really dumb.
1:24:29
No. No. No. No. You're about six and a
1:24:31
half blocks from than
1:24:35
juju has. He's got a
1:24:37
loose plan here, but like you
1:24:39
really don't know what to expect.
1:24:41
But coming during the day, you do feel a little bit better than if you were to
1:24:43
go in there at night when you've seen a
1:24:46
lot of people going
1:24:48
in. although
1:24:50
after the damage that
1:24:52
you caused there during your
1:24:55
break in, don't really
1:24:57
know what the state of that place is
1:24:59
because you haven't been back since you all ran out of there into the night the door on its
1:25:01
hinges. And they may be
1:25:03
expecting an incursion them.
1:25:07
Come on. Come on. Thunder in
1:25:09
the air and you're
1:25:12
getting now like
1:25:14
the temperature has dropped. five
1:25:17
or six degrees since when you first got in the cab, it
1:25:19
got darker out. You know, it's still daytime, but it's it's darker
1:25:21
out. It's gray. It's just one
1:25:23
of those dreary wet
1:25:27
New York days, and the snow that's lingering
1:25:29
on the sidewalks is now turning
1:25:31
into that brown sludge.
1:25:34
So it's you're walking through and it's starting to get
1:25:36
into your shoes. And so
1:25:38
you just feel uncomfortable and
1:25:41
cold. You've got wet feet. and
1:25:43
you walk about three or
1:25:45
four blocks in the direction
1:25:47
of juju house, not
1:25:49
knowing what to expect when
1:25:53
all of
1:25:55
a sudden.
1:25:58
three police
1:25:59
cars. Pull up next to
1:26:02
you. One comes
1:26:03
from across the street
1:26:05
and pulls up on the opposite
1:26:07
side. Another one comes up behind you, and
1:26:09
then one comes up behind that one and
1:26:11
kind of wedges in
1:26:14
so they're surrounding you.
1:26:16
And seven cops jump out, and they
1:26:18
don't have their guns out, but they all have their
1:26:20
hands on their waist.
1:26:23
And they say stop
1:26:26
And we'll see
1:26:28
after this word from our
1:26:30
sponsors. Now a word
1:26:32
from our sponsor, better
1:26:35
help. I find
1:26:35
sometimes that I get stuck on focusing
1:26:37
on problems instead of solutions,
1:26:39
especially when stress
1:26:42
is high and I'm trying to work my way through
1:26:44
something that's thorny or
1:26:46
complicated. But I mean,
1:26:48
how might have that situation gone if
1:26:50
I could just shift my mindset. can be so tough to
1:26:52
train your brain to stay in problem
1:26:55
solving mode when you're faced
1:26:57
with a challenge
1:27:00
in life. But when you learn how to find your
1:27:02
own solutions, there's no better feeling. And a therapist can help you become a better problem solver,
1:27:04
making it easier to accomplish your
1:27:06
goals no matter how big or small.
1:27:09
and therapy can help with that. Maybe you'll see some benefits. You feel like more
1:27:11
like yourself or less stressed or more or you're able to shift into
1:27:14
that problem solving mode that we talked
1:27:16
about. And
1:27:19
if you're thinking of giving therapy a try, better help is
1:27:21
a great option. It's convenient,
1:27:23
accessible, affordable, and
1:27:26
entirely online. get matched with a therapist after filling out a brief survey and
1:27:28
you can switch therapists at any time. When you want
1:27:30
to be a better problem solver, therapy can
1:27:33
get you there. Visit
1:27:34
betterhelp dot com slash GCN
1:27:36
today to get ten percent
1:27:38
off your first month. That's
1:27:40
better HELP
1:27:42
dot com slash GCM So
1:27:45
I got a new set of
1:27:47
Raycon wireless gaming earbuds in the mail
1:27:49
the other day, and I was siked.
1:27:51
I've used Raycon's before, but not
1:27:53
the new gaming earbuds. And man,
1:27:55
oh man, did they live
1:27:57
up to the hype? they were so
1:27:59
comfortable which
1:27:59
is saying a lot for me
1:28:01
because I am not usually a
1:28:04
a gel tips
1:28:06
fan I I don't really find them to be that
1:28:08
comfortable, but these were perfect,
1:28:10
the perfect in ear fit, as
1:28:12
they say, in the business. and they
1:28:15
sound better than ever. And they look awesome too,
1:28:17
which is this is actually true story. I
1:28:19
put them on and my daughter
1:28:21
was like, I like your
1:28:23
new ear things, dad. and needless to
1:28:25
say she compliments nothing that I wear. So this this was a
1:28:27
big moment. Raycons last for eight hours of
1:28:29
playtime and they have a thirty two
1:28:31
hour battery life. They've
1:28:34
got noise isolation, which is normally a little
1:28:36
weird for my taste, but these new
1:28:38
gaming earbuds, they strike a perfect
1:28:41
balance of noise isolation without stuffing up your ear hole in an
1:28:43
uncomfortable way, if that makes sense. The music sounds great in
1:28:45
them. The podcasts I listen
1:28:47
to sound great. And
1:28:51
I actually did get a call on them the first time I was out walking
1:28:53
around. And I wondered if the mic would
1:28:55
be solid or have issues like I've had
1:28:57
in the past with other earbuds. And
1:28:59
the mic worked flawlessly. I
1:29:01
highly recommend that you check them out. They have over fifty thousand five star reviews and they
1:29:03
come in at an amazing price
1:29:06
point. They are half the
1:29:08
price of
1:29:10
other premium audio brands. Go to buy raycon dot com slash GCN today
1:29:12
to get fifteen percent
1:29:15
off your Raycon order. that's
1:29:19
by BUY raycon dot
1:29:21
com slash GCN
1:29:23
To score fifteen percent
1:29:26
off, by raycon dot com
1:29:28
slash GCN. Hi, guys. Jared
1:29:30
Logan here. You know, Thanksgiving
1:29:32
is just around the
1:29:34
corner. And one of the toughest things can be searching through your
1:29:36
local grocery store to find a turkey
1:29:39
that is free range without
1:29:42
antibiotics or added hormones.
1:29:44
That's why I wanna tell you about butcher
1:29:46
box. butcher
1:29:46
box gives you peace of mind. It takes the guesswork
1:29:48
out of
1:29:50
finding high quality meat and
1:29:53
seafood you can trust. One hundred percent grass
1:29:55
fed beef, free range organic chicken, pork raised crate
1:29:58
free and wild caught
1:30:00
seafood. This
1:30:02
is food that's been humanely raised with
1:30:04
no antibiotics or added hormones.
1:30:06
It's the ultimate inconvenience. You get
1:30:09
just what you want delivered right
1:30:11
to your doorstep with free shipping
1:30:13
for the continental US and no
1:30:15
surprise fees. Choose from a
1:30:17
variety of box plan options. curated
1:30:20
customized and change your plan whenever
1:30:22
you want. It's an incredible value.
1:30:25
Enjoy a range of high quality cuts that are hard
1:30:27
to come by at the grocery store at
1:30:29
an amazing value. There are exclusive
1:30:32
member deals, so you can
1:30:34
save big on your favorite cuts.
1:30:36
They give you recipe inspiration, guides,
1:30:38
tips, and hacks. Some of those are even personalized,
1:30:40
so you can cook
1:30:43
up mouth watering meals. My
1:30:46
favorite thing about butcher box, well, I have several, but one of my favorite things is the When you bite
1:30:48
into this meat,
1:30:51
it is so juicy You
1:30:55
can taste the quality on your tongue.
1:30:58
The mouthfeel screams quality.
1:31:02
It's so good and juicy and tender.
1:31:04
Now the main course for Thanksgiving dinner
1:31:06
can sometimes be a source of stress,
1:31:08
not anymore. butcher box
1:31:11
is offering our listeners free
1:31:12
turkey with their first order. Sign up
1:31:14
today at butcher box dot com
1:31:15
forward slash GCN
1:31:18
and use code GCN
1:31:21
to get one ten to fourteen
1:31:23
pound turkey free in your first box. That's butcher box dot com
1:31:26
forward slash GCN
1:31:29
and use code GCN
1:31:31
to claim this deal. As we
1:31:34
approach part two of the season
1:31:35
one finale, I
1:31:39
have
1:31:39
two things. One, this was
1:31:41
a
1:31:42
fantastic idea. This is really
1:31:46
really just taken a good time and made
1:31:48
it a great time. You know, Scott? Yeah.
1:31:50
And I'm not a I'm not a big
1:31:52
Scotch trick. I'm not a big brown liquor
1:31:55
drink. liquor. I've always been a mind that brown liquor
1:31:57
makes you prematurely bald
1:31:59
-- No. -- because
1:32:01
I don't drink it. and I still have all my
1:32:03
hair at forty four where most of my
1:32:05
friends love their jama. Nothing up
1:32:08
here. Uh-huh.
1:32:11
But It's nice every once in a while, and it really it fits
1:32:13
the mood of a cola go through the game
1:32:15
like it. You play
1:32:18
a vampire, you drink some wine. Like Cthulhu, you drink some scotch. Although
1:32:20
I have to go to to cranberry juice for the
1:32:22
second half because if I if I drank more scotch,
1:32:26
I'm gonna be taking a nap to the same half, you know. I
1:32:28
see
1:32:28
how I do. My bowl is so
1:32:30
huge that I've brought I brought
1:32:33
beer down, but it's
1:32:35
in a cozy. and it's staying over there for
1:32:37
a while. The little one in one. Yeah. Nice. That's the first thing I say.
1:32:39
The second thing I
1:32:42
wanna say is this This
1:32:45
project, the, you know, doing time for chaos is is
1:32:47
something that I I want to
1:32:49
do like when
1:32:52
we were a year away from finishing the
1:32:54
flagship, I was like, man, I hope that I can give time on my schedule someday to do a long term,
1:32:57
call it, the
1:33:00
Cthulhu campaign. and it has
1:33:02
been incredibly stressful just because I'm a perfectionist and
1:33:08
this game lasts in the face
1:33:10
of perfectionist because you can't. You can prepare and prepare and prepare. It really isn't
1:33:14
it's a game that
1:33:16
it it fights against preparation because you have to leave room
1:33:18
for the players. And so it has been very stressful. It's
1:33:21
also a show that,
1:33:23
like, I purpose fully wanted
1:33:25
to do with none of the original cast members that founded the network because as we
1:33:28
grow and branch
1:33:31
out, I wanna I
1:33:33
wanna show that we can do things
1:33:36
with with whole new cast. And so this
1:33:38
was a a cast that III
1:33:40
handpicked And all of
1:33:42
you said that you're all my first
1:33:44
choices. You all said yes. And it
1:33:46
has just been such an absolute joy
1:33:49
to play with all four of
1:33:51
you. And so I just wanna say
1:33:53
cheers and thank you for making this
1:33:55
experience so wonderful. look
1:33:56
at you buttering up buttering up before you kill us all.
1:33:59
Yes. If I was showing brown liquor right now, I would be
1:33:59
crying. I wish I
1:34:02
was. I wish I was.
1:34:05
But
1:34:06
Troy, right back at your man, for
1:34:08
all that, like like this world is so immersive. All these
1:34:10
characters are so compelling. I care about them all so so
1:34:12
much. I'm
1:34:15
I see everything so clearly. It's it's it's --
1:34:17
Yeah. -- that you're doing great. crushing it,
1:34:19
Troy. Thank you. Thank you. And like my
1:34:21
it's the highlight of my
1:34:22
week. that. I love that. And I think
1:34:25
it's really resonating with people too. Like, people
1:34:27
who love this show, love this
1:34:29
show. It scratches an itch,
1:34:31
and I feel like over twenty episodes. We've just
1:34:33
we're in the pocket now, and it's gonna be sad to take a break, but that's why
1:34:35
I want the this to
1:34:38
kinda go out with the
1:34:40
bang. and it will one way
1:34:42
or another. Three police cars pull up on you as you were just like
1:34:44
a block and a half,
1:34:46
two and a half blocks. from
1:34:49
the juju house, seven cops, pop out, Von you immediately, recognize some
1:34:51
of them from
1:34:55
their shadowy faces when
1:34:58
they were accosting you outside of Mokanga Madari's apartment where
1:35:00
you saw your
1:35:03
friend over on doyle Yeah.
1:35:07
Walking in. And they're
1:35:10
like, folks could
1:35:12
need you to
1:35:14
hop in the cars here. All of
1:35:16
you.
1:35:16
Come on. What? Whatever you're in the office. What do
1:35:18
you mean
1:35:19
hop in the car? You're
1:35:21
all you're all coming with us. sir.
1:35:23
Either a normal charge, sir. Yeah. It's
1:35:25
called voprai. Okay? voprai. voprai.
1:35:27
I'm fairly familiar with
1:35:29
many of the laws that are available to be
1:35:31
broken and mopori is a first.
1:35:34
Are you are you resisting
1:35:36
arrest? Because that's what this would be
1:35:38
if you don't get in cars right now. Right. You're not looking to get visited
1:35:40
earlier. Yes. You're being arrested. You've
1:35:42
already been warned, sir. There's been
1:35:46
a ports of break ins in the neighborhood and
1:35:48
and people fitting your description. I
1:35:50
show that people Troy, they're
1:35:53
pedestrian taking notice of all this or what? As those cars
1:35:55
pulled up like any pedestrians that were on that same side of the sidewalk as you like cross to the
1:35:57
other side, and then maybe there's like a
1:35:59
small group for on
1:36:03
the other side, wondering, like, what's going on. But,
1:36:05
like, due to, like, normal racial
1:36:08
tensions in Harlem
1:36:10
between the police and the black community there, they're
1:36:12
like not sticking around too long, so they'll
1:36:14
like look linger and then just keep moving.
1:36:18
Can
1:36:18
we tell this is the fourteenth precinct
1:36:20
to violate their
1:36:21
cars? All sharing? fourteenth,
1:36:23
fourteenth on the car. folks,
1:36:25
you gotta come down with us. You know, hey, listen. If you're innocent, then we'll
1:36:27
let you go. But Pottery. I feel like that's pretty obvious
1:36:30
right now. I mean, I've
1:36:33
I've had a rough couple days. I wanna say I'm moping. It's not
1:36:35
a crime to walk down a sidewalk. It isn't. But when
1:36:37
you do it over and over
1:36:39
again and we start hearing
1:36:41
reports that people matching your description and doing things you're not supposed to. We've already
1:36:43
talked to this gentleman here and they pointed
1:36:46
on, he has already been
1:36:48
warned to stop
1:36:50
hanging out in this neighborhood and causing trouble. Now listen, if you're telling me you didn't cause trouble, that's great. You can tell
1:36:52
us downtown. You're coming to the
1:36:55
fourteenth with us. Let's go. and
1:36:59
they start grabbing you and putting you in the car. Well, they've got
1:37:01
guns, and we really don't have as
1:37:03
many guns. So I
1:37:05
guess, we don't
1:37:06
want them to know that we have guns. Yeah. --
1:37:08
probably should go. Go
1:37:11
ahead. No handcuffs, but, like,
1:37:13
you know, I'll put a
1:37:15
bunch of bullshit. you look up
1:37:18
in the windows and people are just like
1:37:20
gawking.
1:37:22
the
1:37:25
Are
1:37:25
we all in the same car? We've cranked up, and it's
1:37:27
just like, god. Couldn't you put us in three three little caps or whatever
1:37:29
his name is? Is him Von's
1:37:31
in his own car,
1:37:34
Ferruz and Margo are in their
1:37:37
own car, and Carter is in his own
1:37:39
car. Sure. Like Ferruz and Margo together
1:37:41
and Carter is in his own car.
1:37:44
and I
1:37:44
should drive in
1:37:46
the
1:37:47
cops just
1:37:49
look back
1:37:52
at Yvonne. We
1:37:52
told you. We warned you
1:37:55
to stop guys
1:37:55
in trouble.
1:38:00
I
1:38:00
know my rights in this
1:38:03
country. I can only
1:38:05
assume
1:38:05
that I'll profit a phone call when we
1:38:07
arrive at your precinct? They're a long
1:38:10
way
1:38:10
from home, buddy. We'll see.
1:38:14
lights come
1:38:15
up on
1:38:16
the four of
1:38:18
you,
1:38:19
packed into a little
1:38:22
holding
1:38:24
cell. You have
1:38:25
been searched. Your weapons
1:38:27
have been taken.
1:38:31
Any personal items you had
1:38:33
had been taken, and you're
1:38:35
just sitting there.
1:38:40
hours go by.
1:38:41
Dave, you don't say
1:38:44
anything to
1:38:45
the car. We Are
1:38:47
we all together again? Yeah. You're all together. Together
1:38:52
again. That's absolutely
1:38:53
good, Chris. Mhmm. And
1:38:56
getting hungry Well, you
1:38:57
know, hopefully, you'll be
1:39:00
out
1:39:00
soon. You can get by the tenth. Yeah.
1:39:02
You're gonna check with the judge about these
1:39:04
Molpry charges
1:39:06
or what's Judge
1:39:08
Aiden on Monday, buddy.
1:39:11
Okay.
1:39:11
Well,
1:39:11
you know who is on that I
1:39:14
should be able to communicate with, which is Sir,
1:39:16
sir, Gloucester Armstrong at the British consulate. I
1:39:18
should I should very much wish to
1:39:23
to speak to him. It is. He's my
1:39:25
right. Oh, yeah. So you is
1:39:26
he the one that killed mister
1:39:29
Boddy in the library
1:39:31
with a wrench? Wait a minute. I know
1:39:33
you. You're the fucker that worked at the prison. There's no use
1:39:36
architects to
1:39:39
go. no. can promote it. I work
1:39:42
the fourteenth now. Oh, yes. Fuck
1:39:44
it, guys. They came to
1:39:46
them. Say sick trying to talk to that guy, there's no different.
1:39:49
No, we all talk
1:39:51
like this. Let's
1:39:53
and it's your cluster. Why are you
1:39:55
gonna make a long distance called England?
1:39:58
No, man. You wanna make a
1:39:59
local sure. Not gonna be
1:40:02
running up charges here. Let me try to call England. I don't even think
1:40:04
you can do that in nineteen twenty
1:40:06
five. The British consulate in New York Dammit.
1:40:10
Oh,
1:40:10
the British consulate in New York. Look at this
1:40:13
guy. He knows the sunflower
1:40:15
and fuck face. Listen, captain
1:40:17
ropes,
1:40:17
it'll be in a
1:40:20
little bit. He wants to talk
1:40:22
to you. He wants to talk
1:40:23
to each and every one of you specifically. Yeah. So
1:40:26
when ropes
1:40:27
can come and
1:40:30
When's his shift start today? The guy's like ten o'clock. Oh my god. Yeah. Folks
1:40:32
would be in at
1:40:35
ten PM, man. What? Yeah.
1:40:38
We don't like any phone call at all. Can we show
1:40:41
a lawyer? Oh, you wanna call a lawyer? You wanna
1:40:43
lawyer up? Do you wanna bring
1:40:45
lawyers? We do have a lawyer. We can Yes.
1:40:47
We would like to call our lawyer. This is bullshit. Hey.
1:40:50
Look at this one
1:40:51
speaks. What
1:40:54
you said? Yeah. bullshit. said
1:40:55
it was your face. Bullshit. Oh, it's my
1:40:57
face. Oh, you're feisty. You're
1:41:00
feisty. Yeah. You are in front
1:41:02
car sure, and they, like, bring over a a phone. You always make
1:41:04
one phone call. Oh, you wanna
1:41:06
call sir goose. What's his name?
1:41:10
goose. Gloucester Armstrong is that he is the current consulate
1:41:13
general in New York
1:41:15
of Britain.
1:41:15
You can look
1:41:18
it up.
1:41:19
It's real. Alright. Well, I'll
1:41:21
give
1:41:22
let me try that. Sugar Olster Olster. That I do. Oh, let me see. Americans
1:41:25
they're
1:41:28
joking. It's just not even
1:41:30
funny. It's just grating. They just say, oh, god. Can
1:41:36
stuff? He
1:41:36
has the phone. We called
1:41:38
us or Gloucester and nobody picked up.
1:41:41
You
1:41:42
the want to try again wanna try again? No.
1:41:44
The secretary said he'd take a
1:41:46
message. Yeah. Can I leave a
1:41:48
message for the secretary?
1:41:50
We wanna call our lawyer.
1:41:53
I think she's been a
1:41:55
star to Ramsey. He's just the
1:41:57
guy. Erica Carlisle,
1:41:58
maybe. She's our friends now.
1:42:00
the friends now Alright. So
1:42:02
obviously, I'm goofing off here. But if you let's see. Each of you get one call. So
1:42:04
you've got, you know, Colton
1:42:06
Rams, you've got Jonah Kensington. and
1:42:10
you've got yeah. Maybe you wanna try
1:42:12
and get old Erica Carlisle.
1:42:15
Each will require a luck
1:42:17
roll to see if you get a hold of
1:42:19
them. Can we have puddle like, of Sure. we're to what we're
1:42:20
Let's know when you wanna make a call.
1:42:22
Like I said, rubs, it'll be in a ten
1:42:24
wants
1:42:27
to talk to you. Consulate, great idea.
1:42:29
I think Eric Carlyle,
1:42:31
I think, might
1:42:34
be a Hilary Schosenberg.
1:42:37
Wasn't
1:42:37
there Elias' lawyer? That's -- Yeah. -- that's calling the program rental. All the brands
1:42:39
-- Yeah. -- the a lawyer should
1:42:41
definitely
1:42:42
be on there. Yeah.
1:42:44
I think that Erica would also have the problem
1:42:46
is I think Erica would also have to be wrong because he's the one who made the real connection there.
1:42:50
So There's also
1:42:52
I also seem to make a connection
1:42:55
with her lawyer. So that's another Oh, Bradley Gray. Bradley Gray could be
1:43:00
huge. Yeah. You call that guy. One of us
1:43:02
Carl calls Carl Carlton. I guess me, because didn't
1:43:04
you because you I think
1:43:06
you spoke to him. Yeah. Von Carter with
1:43:09
going on to it
1:43:11
with
1:43:11
him. Yeah. I think I'll
1:43:13
show as in Berg.
1:43:15
Okay. Yep. Sure. Who
1:43:18
would Call
1:43:19
your dad. Call your dad. Call my
1:43:20
dad, but he's probably gonna dick
1:43:22
me over on this thing. But let's let's
1:43:24
let's this will be our wild
1:43:26
card. Okay. Every situation needs
1:43:28
a wild card. A wild card.
1:43:30
Alright. Who wants to make the
1:43:32
first phone call and who is
1:43:35
it to? I think
1:43:36
Let me call the lawyer's first.
1:43:38
Yeah. Let me call
1:43:39
the lawyer. Alright. Give me a
1:43:41
shot. So, Vaughan yeah. Vaughan, why
1:43:43
don't you do the you do Bradley
1:43:45
Grey's
1:43:45
probably got more clout than Karl. Okay. Oh, I'll call try to call Brad didn't touch the Bradley
1:43:47
Grey. Okay. So,
1:43:52
luck roll. Look, Raul. Yeah.
1:43:54
Alright. That's a twenty six
1:43:56
under forty seven. Twenty
1:43:59
six
1:43:59
under
1:43:59
forty seven. Can
1:44:02
I
1:44:02
you've reached your house as a
1:44:05
Bradley Graham?
1:44:08
Hello. Could
1:44:10
you Beast of kindness connect me to mister Grey personally.
1:44:12
This is Vaughan Villiers, Corning.
1:44:14
The mayor
1:44:15
is somewhat urgent. Mister Grey's
1:44:16
done in the office today. I could
1:44:19
connect
1:44:19
you to his home. Oh, shit. So Yes.
1:44:21
If I'm if you could oblige me
1:44:24
to connect him at his
1:44:26
home. I I I'd be I'd be ever so grateful.
1:44:28
Alright.
1:44:28
Hope,
1:44:30
please. Hello. This
1:44:31
is Brad at
1:44:34
Greg. Bradley Old Sport. So Villiers,
1:44:36
you remember me from the other
1:44:38
evening? Varn Villiers as I live and
1:44:40
breathe. To what do I owe
1:44:42
the pleasure? I wish I could be calling you under slightly more
1:44:45
luxurious circumstances old
1:44:48
man. But as it turns out, I've
1:44:50
got myself in a bit of a
1:44:52
predict commence. Tell you. Yes,
1:44:54
indeed. It seems I'm currently under lock
1:44:55
and key of the
1:44:58
fourteenth precinct up in
1:45:00
Harlem. thrown in his juggled
1:45:02
man. Yes. Miss David, yes, what have you been up to? I don't know if you're aware of this, but imagine me
1:45:04
in an ascot right now
1:45:06
because that's what I'm wearing. Oh,
1:45:11
trust and believe, mister Gray, I I
1:45:13
rarely imagine you when I imagine
1:45:15
you. And anything but,
1:45:17
now, Scott, realm. I think it'll help paint
1:45:20
the picture. And you say you're in the
1:45:22
slimmer in the front to the precinct. Whatever
1:45:25
happened, mister Gilliard. a miscarriage
1:45:27
of justice is what happened. Mister Grey,
1:45:29
trumped up charges of moprey have been placed
1:45:31
for me in four of my compatriots,
1:45:34
and we are currently now cooling our heels and waiting
1:45:36
to be interviewed by a policeman named
1:45:38
Robson who we know to be corrupt.
1:45:41
If if you could, by any chance, work
1:45:44
some of your
1:45:46
solicitation and free
1:45:48
us from our country. stickment,
1:45:50
our gratitude would know no bounds of mine
1:45:52
in particular. Oh, yes. Well, I'm on the
1:45:54
island today with some of my friends,
1:45:58
but anything for you, mister Villas. I I
1:46:00
sense a real connection with you. I would
1:46:02
love to help in any way. Can you
1:46:04
say you're let me get a pen
1:46:06
here. You see, we got four hands. None of
1:46:08
a gun. They don't have any pens
1:46:11
on the island. No. You
1:46:13
say you're in the
1:46:15
the fourteenth precinct. it Harlem? Yes. Mister
1:46:17
Villas, you've I'm sure you have quite a story as to how
1:46:19
this went down. Yes,
1:46:22
sir. I can't wait to
1:46:25
tell it to you, Gray. When I when I'm more,
1:46:27
it's leisure to do so. But perhaps over
1:46:32
dinner, Monday,
1:46:34
Yes. Yes,
1:46:36
mister Gray. I should be delighted to
1:46:38
share your cover, and then I will
1:46:40
take care of this posthaste. Now
1:46:42
I can't make any promises, but I
1:46:45
do have some friends that work
1:46:47
in an adjoining prison. And
1:46:49
I also so know a few lawyers that work on
1:46:51
the weekend, you know, I will do my best, mister Villas. I would want
1:46:53
you to miss our dinner
1:46:56
on Monday. You
1:46:59
know what? I will wear the same
1:47:01
mask that I'm wearing right now. I
1:47:03
trust that you will. I look forward to
1:47:05
seeing it when I'm at at liberty
1:47:07
to do so. It's a
1:47:09
purple. Mhmm. Well, I look forward to seeing you all of the million huge
1:47:12
ass got
1:47:16
at on Monday Eve. Until then, by
1:47:18
the time, please grease the wheels of justice for
1:47:20
us, mister Grey. I will
1:47:22
indeed, mister Villas. And please, do
1:47:28
take care of yourself. You
1:47:30
as well, mister Gray Tarr.
1:47:32
You a
1:47:34
little connection there. He's out on island. but care
1:47:37
of it
1:47:40
how fast Can this
1:47:42
happen? I've got a date with the Greg. He's a date with the lawyer.
1:47:48
Right. Faireus' dad
1:47:50
would love if she went on a day with a lawyer.
1:47:53
I'm writing a
1:47:56
paper call water
1:47:59
bill. Who wants to
1:48:02
try there? Look at
1:48:04
another phone
1:48:06
call. a fucking mosquito in my room. That
1:48:08
was terrible. I like him.
1:48:10
You deserve it. You're having
1:48:12
way too much fun right now.
1:48:15
It's October.
1:48:15
I I think I'll try calling my dad.
1:48:17
Okay. We look real, hey,
1:48:19
you might not get through. And
1:48:21
a family look real doesn't
1:48:22
mean you don't get through. by
1:48:26
the way. because this is
1:48:28
fun. I
1:48:28
rolled a thirty three hundred seventy two.
1:48:30
That's odd.
1:48:31
Mhmm. Yeah. Oh, that's hard.
1:48:34
modified Hello? That's a that's a full Skype
1:48:36
call. That's not even just a
1:48:38
phone call. You've somehow invented video
1:48:41
chat. I know.
1:48:44
Matt. Ring. Hello? Hello,
1:48:46
Baba. Nadia, who
1:48:47
is that?
1:48:49
a
1:48:51
better
1:48:53
Is everything alright?
1:48:56
Are you okay? Did
1:48:57
I call you at a bad
1:48:59
time? I sure hope I didn't
1:49:01
ruin your evening with that graduate
1:49:03
student who I'm sure was doing her best to
1:49:05
earn some extra credit last night. This is
1:49:07
why you called.
1:49:08
This is why you called
1:49:10
to berate me. It's a fucking mosquito
1:49:12
in my house. What is it? Are you
1:49:15
okay? Are you safe? I'm not here
1:49:17
to be chastised by
1:49:19
my own daughter. Well, there is something
1:49:21
you could help me out with scenes where we had such a bit of a misunderstanding
1:49:23
last night and there is something you
1:49:26
could clear up for me
1:49:29
since you weren't about to
1:49:31
divulge anything to me as of previous
1:49:34
conversation. I
1:49:37
was
1:49:37
wondering if you had any connections down at
1:49:39
the fourteenth precinct in
1:49:42
manhattan Manhattan. The police.
1:49:44
please safe.
1:49:46
Yes. I mean,
1:49:48
mean we
1:49:49
we know people
1:49:52
who are. on
1:49:53
the inside, but I do not know if they have connections with the fourteenth, prison.
1:49:55
Why are you in trouble? I think
1:49:57
there's been a little bit of
1:49:59
a misunderstanding standing.
1:50:04
Under no certain no
1:50:06
absolute certain charges whatsoever,
1:50:08
my friends and I
1:50:10
have been taken in for what
1:50:12
was it called again? What was it
1:50:15
called again? Mercury. Mercury. Mercury. I've never had
1:50:16
such a word in
1:50:18
before in my life. Furu
1:50:20
Furu's, this is what I
1:50:22
warned you about. You are in too deep.
1:50:27
You're lucky to be in prison. Lucky. Yes.
1:50:30
You're probably
1:50:31
safest there.
1:50:35
You should stay. And what if these people
1:50:37
do harm to
1:50:38
me, then what then? When you had a
1:50:40
choice to do something, to let me out and chose not
1:50:42
to do anything, that's going to be for
1:50:46
your head. I
1:50:47
told you to go home. Well, I
1:50:49
can't
1:50:49
go home if I'm stuck here.
1:50:51
Can I? So
1:50:52
let me ask
1:50:55
you this. If I try to
1:50:57
get you out. Will you come
1:50:59
home tonight? With bells
1:51:00
and
1:51:04
whistles.
1:51:04
Yes. Alright.
1:51:11
I'll see what I can do, but
1:51:12
know this virus.
1:51:14
I will stay
1:51:17
up all
1:51:19
night waiting for you to arrive.
1:51:22
If you do not come,
1:51:23
I will feel the worst.
1:51:25
i will hear the worst
1:51:27
As you
1:51:30
should.
1:51:30
should Mommy,
1:51:33
come on. I opened the ship
1:51:36
lee. Yeah. I
1:51:37
gotta go. Yes. I'm
1:51:38
sure you
1:51:39
do. I will see you.
1:51:42
When did I say? Later tonight. But
1:51:45
the shibley is
1:51:47
perfect.
1:51:48
I'm
1:51:51
over the back one. I don't
1:51:54
know about one. So you got any cooking, Sherry?
1:51:59
Kate
1:51:59
Rob, who once
1:52:03
up next.
1:52:04
I'll go a little Jack and Jill
1:52:06
back and forth. Jack and
1:52:07
Jill phone calls. Okay. And
1:52:10
you're trying to contact Carlton
1:52:12
Ray MC. Calvin Ramsey. Maybe the best option.
1:52:14
He's local. He is your point person.
1:52:16
Yeah. Give me a luck
1:52:18
roll. That's why I failed it.
1:52:21
Oh, no. You're
1:52:24
very the opposite of Carlton Ramsey. I'm not
1:52:26
in right now. Place like a mess with.
1:52:28
Yeah.
1:52:28
Hi, Carlton. I don't know if
1:52:30
this works or not or if these
1:52:33
things even exist at this point. I refuse for, like, these type of things
1:52:35
not to say that answering machines exist. Yeah.
1:52:39
Car yeah. Carter's just talking into
1:52:41
dial tone. If you get this
1:52:43
message So because
1:52:47
the switchboard operator, like, I'm
1:52:49
sorry.
1:52:49
He's not here right now. He's telling
1:52:51
you.
1:52:51
Yeah. Tell him dragons, imprisonment,
1:52:56
mopori, think it should all
1:52:58
be clear. They say that the answering machine was invented
1:53:01
in nineteen
1:53:04
thirty five but maybe someone invented
1:53:06
it in nineteen thirty one, and there's some sort of technology in nineteen twenty nine that
1:53:08
may have done it.
1:53:10
So it did not exist
1:53:13
but we'll say that there's like an answering
1:53:15
service that would be like, alright. We'll we'll contact him immediately. Okay. Thanks so much. And make sure you
1:53:17
got Dragon? Drive I wrote Dragon.
1:53:19
You got Dragon? Mopori,
1:53:23
Dawson Prison. Have a good day.
1:53:25
Thank you. I I mean, it's
1:53:27
shaping up. Mhmm.
1:53:29
the
1:53:33
Margo. No long distance
1:53:34
calls to Berlin. Felt damn it. She's
1:53:39
gonna call Rebecca shows
1:53:42
in Berg. Okay. Calling the Berg. Give
1:53:44
me
1:53:45
a knock off.
1:53:47
Knock off. my luck's
1:53:49
not so hot. k. Like I said, a luck roll may not mean you don't get through.
1:53:52
Seventy five
1:53:56
over thirty nine?
1:53:57
That doesn't sound great. Yo. Oh,
1:53:59
Rebecca, she she left
1:53:59
with a horrible
1:54:03
smelling man about an hour and a
1:54:06
half ago. It it was his
1:54:08
body odor and his
1:54:10
halatosis. It was terrible, but
1:54:12
they seemed to get off.
1:54:15
She she left with him. They said they were going to Arby's.
1:54:16
Arby's.
1:54:20
Okay. She's straightener. If she comes back, if you see
1:54:23
her, just
1:54:23
leave a message from Margo, please.
1:54:25
We really
1:54:27
Go, please. Margo
1:54:30
sour. Please leave
1:54:33
a message.
1:54:34
Margo sour too. Fourteenth
1:54:39
precinct.
1:54:40
Just say
1:54:42
fourteenth precinct.
1:54:47
Four taint precinct.
1:54:47
Okay? And
1:54:49
and then
1:54:50
help help. Help.
1:54:53
Got
1:54:53
it. Okay. Thank you
1:54:55
for the message. Thank
1:54:58
you. Have a great day.
1:54:58
Good to bye. She hangs up the phone the
1:55:02
hang of the phone to see
1:55:03
defeated. and
1:55:07
the hours tick. If there's
1:55:09
a small
1:55:10
window in this area,
1:55:12
you just
1:55:13
see it getting
1:55:15
darker. are we separated
1:55:16
or together? No.
1:55:17
You're all together in this slight
1:55:18
holding cell. I'm imagining a cell
1:55:20
similar to the
1:55:23
final episode of Seinfeld. where
1:55:25
they're all in that really tiny cell in that terrible episode of my
1:55:27
favorite show of all time.
1:55:30
One of all my whether
1:55:32
the most substantial horror of all is the film film finale.
1:55:34
Yeah. But it's darker and more grim and more twenties
1:55:37
and you're but you're
1:55:39
all in there together. small
1:55:42
cramp. They give you anytime ask they're
1:55:44
like, sorry,
1:55:48
eating subway. Right
1:55:50
around quarter of ten,
1:55:52
guy rolls
1:55:55
in, of course.
1:55:57
guy rolls and course And
1:55:59
I
1:55:59
mean, God, you've been here now. Like,
1:56:02
imagine it's, you know, twelve o'clock when
1:56:04
you got picked up.
1:56:06
You've been anywhere close to ten hours
1:56:09
just sitting. As time is ticking by, as
1:56:11
lives are hanging in
1:56:16
the balance, and
1:56:17
this guy comes in and he
1:56:19
is
1:56:19
not dressed
1:56:22
like Cobb.
1:56:25
In fact, he's dressed very nicely. He
1:56:27
looks like someone that would
1:56:29
be hanging out the
1:56:31
wall of the story looks like
1:56:33
a man of means. Maybe he's got a little extra
1:56:35
money in his pocket.
1:56:39
he is a
1:56:42
little bit overweight and
1:56:45
and you
1:56:48
smiles to everybody
1:56:48
and they're you know, when he
1:56:50
comes in, a couple of them pull
1:56:53
them aside and they're
1:56:55
like motioning towards you. He's
1:56:58
got like a comb over, blondish hair. It's it hasn't even
1:57:00
started to gray, but
1:57:01
there's just not much of it,
1:57:03
so it's combed over. a
1:57:07
row ton. He's dressed in a nice, almost like a three piece
1:57:10
suit and they're whispering and pointing.
1:57:12
Ains just looks
1:57:14
over you at all,
1:57:16
smiles. in waves, then
1:57:18
he goes into an office.
1:57:20
Is that the
1:57:23
guy that
1:57:23
we saw with
1:57:26
the envelope coming out of juju
1:57:28
house? No.
1:57:29
Okay. You haven't seen
1:57:31
this guy before, so it
1:57:33
lets you know that He's probably
1:57:35
just sending his underlinks to go do
1:57:37
his pickups. Does he look at
1:57:38
any one of us in
1:57:41
particular? funny
1:57:42
only ways waves. No.
1:57:44
You
1:57:44
are one person too. I mean, maybe
1:57:46
this is Bradley Grace Guy. Right? Maybe
1:57:49
this is somebody a friendly
1:57:52
person. I love that
1:57:53
Hope Springs eternal with your chilling
1:57:55
ass to
1:57:56
her.
1:57:59
phone rings. One of
1:58:02
the
1:58:02
officers picks it up.
1:58:04
And
1:58:05
and Like, I
1:58:07
hold hold on. Hold
1:58:10
on. Goes over to
1:58:12
the office of that
1:58:14
guy talks on this. Man, it's
1:58:16
gonna It goes
1:58:18
it goes
1:58:20
in and transfers the
1:58:22
call
1:58:22
to the back or whatever.
1:58:25
know,
1:58:25
a little more time passes, another phone
1:58:27
call comes and he transfers that call. And you're wondering, like, is this your is this your cavalry helping you out?
1:58:29
You're not quite sure. But
1:58:32
it's actually prolonging
1:58:35
the time that you
1:58:37
get to speak with
1:58:40
him. and then
1:58:42
And then He comes out and
1:58:43
now he's dressed like a bee cop except
1:58:45
he's got a nice
1:58:46
uniform, maybe some stripes.
1:58:49
And he clears
1:58:52
out all the other
1:58:54
officers. And
1:58:56
and
1:58:58
he's all smiles with
1:59:01
you as
1:59:02
he approaches your
1:59:03
cell. And
1:59:06
he's
1:59:07
like, I'm so sorry to
1:59:09
keep all you waiting. Now from
1:59:11
what I understand,
1:59:11
you're all just
1:59:16
New York City. Right? We
1:59:18
got one of you's from North Boston, and
1:59:21
you are from Aacom, Massachusetts
1:59:23
juice, and then you're all the way from England. This little
1:59:26
lady, you came all the way
1:59:28
here to
1:59:30
New York City from Germany. such a long way to come
1:59:32
to our great city, but
1:59:34
then you came all the
1:59:36
way here and from what
1:59:38
I understand, what are your good
1:59:42
friends passed away. Passed away shortly after the four
1:59:44
you arrived. In fact, I
1:59:46
made a couple of phone calls
1:59:52
and it appears before you were
1:59:54
at the scene of the crime
1:59:56
on the night of
1:59:57
the murders and then
1:59:59
just
1:59:59
kind of flagged the scene
2:00:02
unexpectedly.
2:00:02
And now, I'm
2:00:04
hearing that you spent a
2:00:06
lot of time in Harlem and
2:00:12
I'm
2:00:12
sorry. I'm I'm sitting here. Gabb and
2:00:14
I introduced myself. My name is Captain
2:00:17
Robes and captain William ropes, and this is my precinct,
2:00:19
and and I'm kind of in charge of Harlem. That's how we look at
2:00:21
it here. It's a lot of crime
2:00:23
here, a lot of refresh. You
2:00:26
know
2:00:27
what I mean? And I I have
2:00:29
to take care of it.
2:00:31
And, normally,
2:00:33
good folks like you. I
2:00:35
don't bother with because
2:00:36
you don't cause trouble up
2:00:38
and growing. But yet, here
2:00:40
you are. Time and time
2:00:43
again,
2:00:43
I keep hearing and about
2:00:45
the four of you is kind of
2:00:48
button your nose around where it doesn't belong and
2:00:50
even you serve points at Vaughn. My my boys
2:00:54
kinda gave you a warning. Didn't
2:00:56
take our advice. Here in
2:00:59
Bob Brekins in the neighborhood, and
2:01:01
I don't know if that has
2:01:02
anything to do with you, but
2:01:05
I
2:01:05
gotta keep my
2:01:08
So what are
2:01:11
you? Tell me.
2:01:12
help me What's
2:01:14
going
2:01:15
on? These all
2:01:18
smiles, all like
2:01:20
dripping
2:01:20
with this gross charm. I
2:01:22
won't
2:01:23
speak with that lawyer present. Oh,
2:01:25
sure. Now we
2:01:25
got a couple phone calls about some
2:01:28
lawyers who are
2:01:30
gonna get in here
2:01:32
and you know, we told them they're
2:01:34
welcome to come. You know? Show the beer any time now.
2:01:38
It's getting late though. Some of them might decide
2:01:40
it's better off just
2:01:42
to wait until Monday. Yeah.
2:01:46
the yeah just the problem is,
2:01:48
sir, it's gonna be a
2:01:50
real shame when when we're stuck
2:01:52
in here and we don't get out
2:01:54
and our our friend in the press
2:01:56
ends up running with the story about corruption
2:01:59
in the fourteenth precinct and how
2:02:00
it's in conjunction
2:02:03
with a bunch disappearances
2:02:06
in Harlem. It would just be a
2:02:08
shame if we're still here when and
2:02:10
our contact doesn't hear from us and
2:02:13
you end up getting getting a spotlight shown right on
2:02:15
your precious little precinct here. But
2:02:17
do what you do
2:02:19
what you wanted. This
2:02:23
smile very quickly goes
2:02:25
away. Oh, also,
2:02:26
she knows we're here.
2:02:29
We
2:02:29
call her.
2:02:30
or him. We don't know. Could be any any
2:02:32
gender, a gender person of the
2:02:34
press. Forget that it's not supposed
2:02:36
to be equal. What my friends are
2:02:39
saying is that we we don't have much
2:02:41
information at all to tell you. We've
2:02:43
already told everything to the press and
2:02:47
done. From where we are sitting, it does not as though, as much
2:02:49
cause to have us behind
2:02:51
bars. But I believe in America,
2:02:53
you have something called a right
2:02:56
to silence.
2:02:57
We also might have had some
2:02:59
very convincing
2:03:00
optimizers had very
2:03:04
evidence
2:03:05
Maybe.
2:03:07
But it's all
2:03:08
here to say.
2:03:10
It's just like
2:03:12
he went from
2:03:15
super confident to not unconfident,
2:03:17
but like, there's a a change in
2:03:19
his face immediately and
2:03:24
he's like. Okay? So
2:03:26
much to
2:03:26
say that if anything were to happen to us,
2:03:29
it
2:03:32
would reflect quite poorly.
2:03:33
Sir, on the
2:03:35
fourteenth precinct in
2:03:38
its administration, you are
2:03:41
safe here. Oh, we're not animals.
2:03:43
We're here to protect, to serve, and protect. Yes.
2:03:48
but doesn't
2:03:49
sound like you wanna play nice with us. Talking about
2:03:51
going to the press, you're talking about corruption,
2:03:53
those are big words,
2:03:56
big charges. when
2:03:58
we when we open
2:04:00
up here, what what
2:04:02
are we
2:04:03
talking about? Or I think
2:04:05
we're
2:04:05
talking about you opening
2:04:08
this door and letting us go about our
2:04:10
business. Oh, sure. That sounds like a dream. Absolutely nothing wrong and
2:04:12
nothing warranted for us
2:04:14
for you to bring us in
2:04:17
here in the
2:04:17
first place. You know what? Mopori, it it's it's very
2:04:19
common these days. Just hanging we
2:04:23
are not supposed to be. It's a real charge. And if we wait all the way
2:04:25
until Monday, there's a good chance you might get a
2:04:28
drop down. It's a good
2:04:30
chance you might get a fine, but
2:04:32
Either way, you have to spend a
2:04:34
couple of really hard days hanging out here. You can
2:04:36
share that toilet, though,
2:04:38
if you have to go.
2:04:40
sure my guys got you some water
2:04:42
if you're thirsty. Maybe we can get you a loaf of bread from the
2:04:44
deli. it
2:04:47
sounds like you don't wanna be friends here. It sounds like you wanna be
2:04:50
a little adversarial with me talking about
2:04:52
going to the
2:04:54
press and
2:04:55
all. I mean, its
2:04:57
past tense, sir, the press has been gone to. It's a
2:04:59
matter of whether or not we are able to contact them with
2:05:03
our own freedom. evidence has
2:05:05
already been submitted. And if we are not let out because
2:05:07
we are we are not being arrested
2:05:09
on
2:05:11
any charges, any real charges,
2:05:12
then I believe the
2:05:14
press will have no choice,
2:05:16
then to
2:05:17
print their story
2:05:19
on you. Yes, you must be
2:05:22
confused, mister Rose. This isn't a situation where we're cooperating with
2:05:24
you. Missus
2:05:27
Moore,
2:05:27
are you willing to cooperate with the truth
2:05:29
that is going to come
2:05:32
out? It's not
2:05:34
a
2:05:35
matter of if. rather
2:05:37
wonder what to what? I mean, if you'd be
2:05:39
willing to speak to them, then perhaps
2:05:40
the court of public
2:05:42
opinion will go much easier upon
2:05:47
captain ropes and Yeah. Maybe it wasn't captain ropes and that's responsible for a
2:05:49
lot of this stuff. Maybe he had a He had
2:05:51
to stop detecting somebody else.
2:05:54
Yeah. He gets closer to cell now. What do you do you
2:05:56
think you know? Well,
2:05:57
of course, we we know that you're
2:05:59
I mean, it
2:06:02
was all for money, wasn't it? these
2:06:04
things so often are, if who calls one to
2:06:06
be derelict in their duty in in the ways
2:06:09
that you have, hey, I'm a good cop and
2:06:11
this is a good precinct. We got a lot of good cops
2:06:13
here. Guys, we got ten, fifteen years on the
2:06:16
force. I got seventeen myself.
2:06:18
I worked hard to gain this
2:06:20
position. it. Do
2:06:22
you join any social groups, any extracurriculars? How many alts
2:06:26
club? I
2:06:29
just wanna know
2:06:30
how hard you guys worked at turning your heads the other way, when
2:06:32
people in your
2:06:35
own neighborhood, regardless of race
2:06:38
or creed are disappearing. You're
2:06:40
okay with that. As long
2:06:42
as you get them all green? Okay.
2:06:44
I I see what this is
2:06:46
all about.
2:06:47
It's about Adams. Not just him,
2:06:49
sir. Listen. Adams is guilty
2:06:51
and he's
2:06:52
he's guilty gonna fry
2:06:53
for it. you can cancel. Until this race
2:06:55
and death, the streets were clean since
2:06:58
we locked him up. So don't
2:07:00
tell me he had nothing
2:07:02
to do with this. We were right to arrest him. That's Maybe
2:07:04
some computationally. it. Yeah.
2:07:06
One time. Recently, it's some
2:07:09
copycat killer. This shit was happening all
2:07:11
the time. We arrested him. We send him to sing, sing, and then
2:07:13
it's the streets are are free and
2:07:16
easy for months. I
2:07:18
think they wanted to escape
2:07:20
goat, and I think you're being paid
2:07:22
off to cover up some other secret. Listen, I don't know what you think
2:07:24
you know, but things
2:07:27
work a little differently. here
2:07:29
in New York than they might in Boston or England or Germany. Okay.
2:07:31
I started to think that you don't know the whole story, rubs in.
2:07:33
Maybe you are the one in
2:07:35
the dark here.
2:07:37
will enlighten me. My
2:07:40
dear, what is the whole story? What do you
2:07:42
I don't even know what you're talking about.
2:07:44
Can we I mean, this
2:07:46
is this is a psychology role -- Yeah. -- like, on that
2:07:48
statement.
2:07:48
Yeah. Like, that he's playing dumb enough
2:07:50
-- Yeah. -- not knowing.
2:07:52
Yeah. Give me a psychology
2:07:54
role individual. Who's
2:07:55
who's good? Okay. We
2:07:58
can all
2:08:01
do one.
2:08:04
Hey. Was
2:08:06
that a good old format? Oh.
2:08:08
It's not great. Oh. Can
2:08:10
we
2:08:10
But I put the push
2:08:12
rolls because the push rolls
2:08:14
I got a ninety nine. Is that
2:08:17
No. What's your psychology
2:08:20
skill?
2:08:21
the fifty At fifty. Oh,
2:08:23
if it's fifty, that's not a fumble. A hundred is a
2:08:25
fumble. If it was forty nine, that'd be
2:08:27
a Oh, okay. I
2:08:29
got twenty nine
2:08:32
under fifty. Oh, there you go. Okay. What about
2:08:34
you, Vaughan? Were you able to assess anything? Alright. So thirty over eleven. I'll spend
2:08:37
four
2:08:37
to make
2:08:40
it hard.
2:08:40
a hard -- Make it a
2:08:42
hard success. Okay. Yeah. -- number talking. Take away those four points. And alright. So
2:08:45
you get the
2:08:48
sense that He
2:08:50
knows some of what you're talking about, but actually seems
2:08:52
a little bit
2:08:55
in
2:08:55
the dark about
2:08:57
about He isn't just
2:08:59
playing coy here. I'll say, you
2:09:02
know what I mean? Like, clearly,
2:09:04
he's not
2:09:06
saying certain things but he's kinda fishing to see
2:09:08
what you're really talking about.
2:09:10
So we That's it.
2:09:16
Alright. Like, to see what
2:09:17
we're talking about as in It's like, you know, he think
2:09:19
like, are we
2:09:20
talking about the same
2:09:22
thing? He doesn't wanna say it.
2:09:24
That's why he's like, why don't you tell
2:09:27
me what you think we're talking about? Like, he doesn't wanna say because he's not sure if you're talking
2:09:29
about the same thing.
2:09:30
Like, he knows what he's done,
2:09:34
but maybe he doesn't know what he's done. Yeah.
2:09:37
Yeah. Alright. Should we
2:09:40
Do
2:09:40
you know a little more? Yeah.
2:09:42
Go ahead.
2:09:42
Do it.
2:09:43
What do you know about the cult of bloody town? What?
2:09:46
Yeah. In juju
2:09:47
house,
2:09:48
and what's going on in the
2:09:50
basement? Wait. Wait. Wait. Wait. First of all,
2:09:53
I don't know anything by any cults or
2:09:55
any basements. Of
2:09:55
course not. Of course
2:09:57
not, mister Robson.
2:09:59
Unfortunately, we have photographic evidence
2:10:01
of one of your men receiving a payout from
2:10:03
the proprietor of the juju House as well
2:10:05
as the books
2:10:08
that corroborate a steady and
2:10:10
frequent payout back to you as well. I don't know how
2:10:12
things
2:10:12
go back in
2:10:15
the jolly old London.
2:10:17
royal london but
2:10:19
this is prohibition. Okay? There's a lot
2:10:21
of speakeases in town. There's plenty of
2:10:23
cops like myself. yeah,
2:10:26
we get a little bit of payout. It goes it
2:10:28
goes all around. All the guys in mind precinct
2:10:30
get a piece of that, not just to
2:10:32
me. And we turn a blind eye to
2:10:34
a
2:10:34
couple of a couple of places that wanna sell some drinks. This is our case we send every time
2:10:37
that these people meet, it's not
2:10:39
that
2:10:39
they're meeting their drinks people
2:10:42
are getting killed, and people are going missing on the same
2:10:45
nights of people are gathering.
2:10:46
Why? The night is behind us. all
2:10:49
on one one little speakeasies. Yummy
2:10:51
speakeasies are in Harlem? If you have a
2:10:53
point, it's frustrating to crawl in every Friday night. I mean, I'm sure
2:10:55
that you do speak easy. I'm sure that you do
2:10:57
receive these payouts from numerous establishments
2:10:59
of that sort. But
2:11:02
if you ever actually attended this, you
2:11:04
do
2:11:04
have to speak easy? Captain
2:11:06
Repson, and seeing the wares they
2:11:08
have for sale in the basement.
2:11:11
Now, Now, III work here. I don't spend my free time here.
2:11:13
You know, they they take they take care
2:11:15
of us and we we
2:11:17
turn to blind and they're not hurting anybody. I I
2:11:19
have a whole row of places to do this. I'm feeling
2:11:21
bad for you. Bad for you, mister
2:11:23
Robson because what that means
2:11:25
is that when those photographs
2:11:28
are published, and the connection that you have
2:11:30
not made will be made in the minds of the readers of The New York Times.
2:11:32
Wait. What what what photograph? What
2:11:34
are you talking about? What is the
2:11:37
Is there something else going on
2:11:39
at Tuesday? That's what I'm trying to tell you.
2:11:41
What
2:11:41
what what's going on down there? Disembowments
2:11:44
for one.
2:11:44
moments for one That
2:11:46
means murder serve via the guts. Alright.
2:11:48
These are very
2:11:49
it's very strong charges. You have
2:11:51
to understand. Okay? And
2:11:53
and and and and, first of all, if I had
2:11:55
known something like was going on, we be taking from of all, you gotta
2:11:57
you gotta approve this. You
2:12:00
can't just walking here and
2:12:02
tell me like, oh, you're money from this and they're people We have
2:12:04
photos. The press has
2:12:06
photos. Yeah. And guess what?
2:12:09
the or and guess what Other
2:12:11
cops have
2:12:11
been involved and other cops may already
2:12:13
be dead. What other cops? My
2:12:15
my my men? I
2:12:18
should hope
2:12:18
you knew if it was your name. Lieutenant
2:12:20
Paul of the other precinct. Pull whatever of the tenth.
2:12:23
Paul and the tenth? Yeah. Yes. pulls
2:12:26
pain in the ass. He's actually a trustworthy man.
2:12:29
Something you might wanna look into. Alright. Alright.
2:12:31
She told him all about this and he
2:12:33
went to check it out with a couple
2:12:35
of his other top buddies. Well, been missing for three days. Yeah.
2:12:37
Alright. Hold on. You tell me pool is out
2:12:39
working outside of his jurisdiction? He's
2:12:42
trying to save lives unlike you,
2:12:44
Powell. I tried
2:12:46
to stay away from the slippery
2:12:48
charges of pool rights now. We're telling you
2:12:50
that dead people, people that are dying,
2:12:54
are dying in the bottom of Jeju House.
2:12:56
Are these people that have gone missing or down
2:12:58
there? We have photographic evidence of it. You have
2:13:01
taken a part in covering that up whether you know it or not. I
2:13:03
haven't taken part in anything. I didn't know anything
2:13:05
about
2:13:05
this. Well, the test
2:13:08
already has
2:13:09
photographic evidence. And
2:13:11
so you, whether you like it or not, if
2:13:13
we do not go there tonight, if you do not
2:13:15
see this yourself, then come tomorrow. If
2:13:17
we are harmed in any way, then
2:13:20
press going to place this and you are going
2:13:22
to be implicated in it whether
2:13:23
you like it or not. There are two options before you,
2:13:26
mister Repson. You can either be dragged to the press and destroyed or
2:13:28
break up what's happening with
2:13:30
Judeo House and be a hero.
2:13:32
And you have to
2:13:33
make that choice right
2:13:36
now because It's going
2:13:38
down tonight. But, yeah. But,
2:13:39
yeah. Carter's just
2:13:42
in the back, like,
2:13:44
stand We're
2:13:47
putting on
2:13:47
a musical later. I didn't think this would
2:13:49
go this. This
2:13:50
is the the difficulty with a
2:13:52
game like this.
2:13:55
Your role play. is so
2:13:56
convincing and excellent. It's hard to
2:13:58
call for a role,
2:13:59
but I wanna call for a role anyways
2:14:02
-- Yeah. -- and I'm not saying that
2:14:04
there was result
2:14:06
of the role is the result of like,
2:14:08
no, I'm not gonna go. It's just let's just
2:14:10
see what happens. Sure. That's the beauty of this game.
2:14:13
failed roles are just as beautiful as successful roles.
2:14:15
So who wants to a a persuade? I
2:14:18
mean, I don't really think
2:14:22
charming this guy. Maybe Maybe
2:14:24
I just went to intimidate.
2:14:26
No. Yeah. Maybe intimidate. Sure. definitely
2:14:29
talk here that
2:14:31
he don't have in tivity. No. Is that even a skill? Fifteen in tivity.
2:14:34
Yeah.
2:14:34
I've got a fifty
2:14:37
and persuade. Yeah. I'm better at persuade. Yeah. Pursuade sounds
2:14:38
good. Who's what are each of everyone's persuade
2:14:43
skills? So low. I
2:14:47
got a sixty five. Yeah. I don't wanna
2:14:49
call for a group persuade and penalize
2:14:51
you for taking taking the lowest,
2:14:53
but the best of you can
2:14:56
roll it. k. Where is it
2:14:58
on the sheet? I'm I'm totally I'm totally lost it. It's under our top right.
2:15:03
Top right for persuade and
2:15:04
then middle
2:15:05
middle for intimate. Alright.
2:15:07
Middle. Middle. I
2:15:08
am I have very
2:15:10
bad scores in both. Okay. But
2:15:14
you said it was sixty five there. Yeah, try it. Rolo?
2:15:20
Don't forget we
2:15:21
got push and we have luck. Yep.
2:15:23
I got you on eighty seven, which
2:15:25
is pretty
2:15:25
bad. So I'm gonna push
2:15:27
it. Okay. Tell
2:15:31
me what you're doing differently in your tactic.
2:15:33
And it's just it's kind
2:15:35
of pedantic, but, like, that's what the
2:15:37
push is meant. Okay. Alright. Alright. Vault,
2:15:39
I mean, Carter, is like, listen,
2:15:41
my
2:15:41
first attempt to persuade you
2:15:43
might not have worked. But you
2:15:45
don't want people
2:15:47
to end up like
2:15:49
this. I mean, I I take my
2:15:51
mask off. Okay. That is how you push a rule. Oh, god. Have we
2:15:54
ever seen you without your
2:15:56
mask scarf. No.
2:15:58
I don't like to take it off. think a that in, over mask other of
2:15:59
face, but that's I
2:16:02
wanna erase that from the record.
2:16:07
Yeah. I mean, even then they might have been, like, looked
2:16:09
away. But here you fully expose it.
2:16:11
Full on. Oh, I love
2:16:14
it. Okay. Carter's house. That's how you fucking do it. Great.
2:16:17
Good job. Twenty four.
2:16:19
There it is. and
2:16:22
he's just like, oh, god. He's like looking
2:16:24
into a hole. He might even have
2:16:27
to roll sanity check, but
2:16:30
he fails. He's like, Listen,
2:16:32
IIIII didn't wanna get anybody
2:16:34
hurt. Okay? III got I got a family. I
2:16:36
got I got kids. I was just just trying to make a couple
2:16:38
extra bucks. I turned in a blind eye. don't
2:16:42
care what these people do, but just as
2:16:44
long as the streets are safe, we thought that, you know, we we
2:16:46
we got the right guy. We thought we got the right guy. And so
2:16:51
we locked them up and everything was fine. You're telling
2:16:53
me that the the the the the the the the the the the the the the the the the the Jude House is
2:16:55
the one that's been causing all this trouble? Yeah.
2:17:00
And now other cops might be
2:17:02
dead. Right.
2:17:03
Your brothers. But you but
2:17:05
you're if if I've let's
2:17:08
alright. Let's say, brass tacks. Let's
2:17:10
breast tax here. If I'm able to to possibly help in some way,
2:17:14
maybe you could
2:17:15
we could avoid all
2:17:17
this public stuff that
2:17:18
would make us look bad. Okay? because there's there's nothing in
2:17:21
it for me. If I'm if I'm just
2:17:24
just helping you and and I'm gonna end
2:17:26
up on my ass. after all of this. You understand? Okay? I'm I'm I'm open to
2:17:31
considering, you know, some sort of
2:17:33
amicable agreement here. but I need to know that I'm not gonna be
2:17:35
put out after this. Ribson,
2:17:39
we have simply told a story to
2:17:41
the press.
2:17:41
If you add details through your
2:17:43
changes you write yourself a
2:17:46
different part. Yeah.
2:17:49
From one
2:17:51
grifter to another. We
2:17:53
got your back
2:17:55
if you help us
2:17:58
up. Pat's helped the mass back up.
2:18:00
Okay.
2:18:02
Alright.
2:18:03
With time as he
2:18:05
looks
2:18:05
at his watch, it's like
2:18:07
quarter to one
2:18:08
my god. It's
2:18:11
out of a bitch.
2:18:12
It's almost too late. What do
2:18:13
you mean it's almost too late? Like, they
2:18:16
do this that now
2:18:18
and that's the two digit now. There is something
2:18:20
that's a new moon and that's when people go missing
2:18:22
and tonight is a new moon, but you kept us in here.
2:18:25
I got And we like
2:18:27
to
2:18:27
be missing it. I got, like,
2:18:29
three guys I can who can spare. I gotta keep
2:18:32
somebody here
2:18:34
He's thinking he's, like, trying
2:18:36
to, like,
2:18:36
wreck his brain. We need to
2:18:39
go. Take us with you. We
2:18:42
need to all go. He's he's, like, what
2:18:45
you gotta imagine. He's weighing all of the possibilities of,
2:18:47
like, what if they're full of shit? What
2:18:50
if I lose this source of income?
2:18:52
What if I fuck this all up? And
2:18:54
it spreads across town that, like, robeson's not on the take? It's like
2:18:56
cirapecoship. when
2:18:59
Stifel doesn't wanna take the money, they're like,
2:19:01
five. It's up to
2:19:02
you, man. If we are indeed full of shit, then we just come back here and you hold us for the weekend.
2:19:06
get
2:19:08
a better idea. You come
2:19:10
with us. Okay?
2:19:11
And I'll tell you why
2:19:13
you come with us. because I'm
2:19:15
gonna bring I'm gonna bring three of my
2:19:18
men. I can spare three of my men. You think that'll be enough? No, but let's we'll take what we can
2:19:20
get
2:19:22
Yes.
2:19:24
But these are my three and my three and my best
2:19:26
men. They work to ship with me. It would take three
2:19:28
of my men and you come to it, but you stay
2:19:30
in you stay behind. and I'm telling
2:19:32
you why you, you know, stay
2:19:34
behind because if I go in there, go down this door.
2:19:37
knocking down the store breaking
2:19:39
breaking
2:19:39
in guns blazing, and there's
2:19:41
nothing going on in there. I'm gonna turn
2:19:44
right around.
2:19:44
turn right around And I'm gonna
2:19:46
take you
2:19:47
right back here and your lawyer friends and
2:19:49
your reporter friends and all these people that have been bothering
2:19:51
my guys over the past couple hours. They're
2:19:55
not gonna hear
2:19:56
back from you because I'm gonna send you
2:19:58
downtown. Okay? And then there's gonna be a lot of red tape to try and find you, and I'm not threatening you. This isn't
2:19:59
a threat. I'm
2:20:05
just telling you how this is gonna work. We're all going
2:20:07
because I'm not gonna
2:20:08
work like an asshole. They've been
2:20:11
very good to me. Well, It's a kindly old
2:20:13
man that works the shop and you're telling me all
2:20:15
this and I and I'm just gonna
2:20:17
go on your word. I'm not saying I don't
2:20:19
believe well, I'm not saying I don't believe
2:20:21
you. but you gotta understand I gotta protect my interests
2:20:23
as well. So
2:20:25
the will arbor we'll
2:20:27
all go to juju house.
2:20:30
Sounds great. Alright.
2:20:32
Okay. And he
2:20:36
and here
2:20:38
storms out goes, like, pass his office out into the lobby area, and it's just like
2:20:43
a a hustle and bustle with cops.
2:20:45
We're like, what? What? I lawyers. I don't know what's wrong with the New York And
2:20:53
a officer who you
2:20:55
haven't seen before comes up
2:20:57
and
2:20:59
he walks
2:21:02
up
2:21:03
to your cell. and unlocks
2:21:05
it. I'm gonna hope it's
2:21:07
it. And he's just
2:21:10
it looks like a rookie cop
2:21:12
young, he's a young guy, and
2:21:14
he's just
2:21:15
looking at you. You can tell
2:21:17
that ropes and told him
2:21:19
things. and he's just really trying to read you
2:21:21
like
2:21:23
they taught him at the
2:21:26
academy. Arce things?
2:21:27
Do we get arce things?
2:21:30
Keith, did we give
2:21:32
them their weapons bag
2:21:35
and stuff? and he looks at all you. I look at him and I if you might
2:21:37
need
2:21:38
all This is
2:21:40
true. He's like they
2:21:42
were
2:21:42
all heavily armed, cap.
2:21:45
What about
2:21:46
a shot of
2:21:48
sugar? Put it in
2:21:50
the trunk. And he said, yeah.
2:21:52
they said yeah Yeah. Amy,
2:21:54
he's got three guys. So
2:21:57
he's like, yeah. Sure. Sure. They're
2:21:58
not gonna kill a cop if we decide to
2:22:00
not going to kill
2:22:02
we decide you're bring them
2:22:04
in. Now listen. If anyone goes down there,
2:22:06
are
2:22:06
we so sorry, are we out? Can can we
2:22:10
is ropes and around. I wanna
2:22:13
Yeah. You're like, oh, getting your
2:22:15
shit. You're your playing. Nice. That's
2:22:20
a right thing over our length
2:22:22
of work. Right? Mhmm. And
2:22:25
Carter's like whatever you
2:22:27
see in the basement,
2:22:29
do not open
2:22:30
the hatch that's down
2:22:31
there. Trust us. He he
2:22:33
looked rubs
2:22:34
and these guys
2:22:35
are looking at him. He said,
2:22:37
oh, but What do you mean the hatch? What hatch? What's what's what's going on down
2:22:40
here?
2:22:42
There's an issue in my
2:22:44
basement.
2:22:44
We're not being ahead of ourselves,
2:22:46
but Yeah. They should come out taking out the people down there. Alright.
2:22:48
about he out Alright.
2:22:52
We don't open the hatch. and
2:22:54
don't open fire unless you're under duress. We're we're we're just
2:22:56
gonna go down there and
2:22:58
arrest these guys if it
2:23:00
looks like they're doing if
2:23:03
we see any evidence of of wrongdoing. Let
2:23:05
me ask you this, so before we
2:23:07
head in there and they're like all
2:23:10
grabbing their guns and getting suited up, putting on their winter jackets. Oh my god.
2:23:13
He's like
2:23:17
he's like
2:23:20
I've been you know, I I don't do the pickups, but
2:23:22
I've been I've been in Jejuice. It's a small
2:23:24
place. How many guys they get fit in there?
2:23:26
They all just spent Is a basement of them? Is that
2:23:27
is that on the counter. You to
2:23:30
ask to see the
2:23:32
basement. Ask to see
2:23:33
the basement. What are you talking about?
2:23:35
I we've what's what's where they meet. That's
2:23:38
where we
2:23:39
found the bodies.
2:23:41
That's where all those
2:23:43
folks out on photographic evidence is from
2:23:45
the basement. Right behind that
2:23:46
counter, there is a hatch. If it's
2:23:48
okay, you have to go down. If
2:23:50
not, you have to break it down. on. Yeah.
2:23:52
There's no lock on it, at least there
2:23:54
wasn't before. Is there a staircase or Yeah.
2:23:57
Yeah. Yes. Alright. Bags staircase or quite I think
2:23:59
I think -- Fairly narrow. -- who is a single file. Yeah.
2:23:59
Yeah. indiscernible file yes
2:24:03
Oh, Jesus.
2:24:03
It's gonna be
2:24:04
a tight space, but that's where they're
2:24:07
conduct all of their nefarious businesses. Yeah. Here, Carter Carter grabs
2:24:09
a is there,
2:24:11
like, a piece of paper on a
2:24:13
desk just kinda, like, draws a corridor, the door, the next room,
2:24:15
almost as if it looks like
2:24:18
it's in roll
2:24:21
twenty.
2:24:22
Every square here
2:24:24
is a five foot square. I
2:24:26
want a space. This is to
2:24:28
scale. Yeah. Yes. Alright. Is there a is
2:24:30
there a place where you can
2:24:32
be? just kinda
2:24:34
in the back. I wanna I wanna
2:24:36
keep you behind us. And we'll be in the store.
2:24:38
We'll be a backup. We can stay behind you.
2:24:42
Yes. You're not our backup
2:24:44
yet. We are the mystery
2:24:46
squad. People are
2:24:47
talking about us. Okay. Okay. I'm
2:24:49
just trying to think this through. And
2:24:52
you can tell, like, he's he's calling
2:24:54
Audible here because your threatening his livelihood, your threatening his
2:24:56
reputation, and you
2:24:58
roll a convincing persuade. So he's, like,
2:25:00
just going on the fly here. He's, like,
2:25:02
alright. Whatever you gotta do, just stay
2:25:05
you do not come in there. Okay? We're gonna
2:25:07
take care of this. We're the police. And if there's
2:25:09
nothing going on, I'm gonna turn around, I'm gonna haul your ass right back here. Absolutely. You
2:25:11
see the things that we've
2:25:14
scene down there.
2:25:16
When once you see those things, you're
2:25:18
gonna thank your lucky
2:25:19
stars if we're right behind you, aiding you. You look to you. Alright, honey.
2:25:22
right
2:25:23
This is
2:25:25
Harlem. We've seen some
2:25:28
shit. Not like
2:25:29
the shit we've
2:25:31
seen. Damn
2:25:33
it. Let's go. And you
2:25:35
fucking
2:25:37
leave with
2:25:39
captain William Robson.
2:25:43
Three overnight beat cops, everyone. How I thought this was going? And
2:25:47
the mystery channel. It does the
2:25:49
end of the game. the mystery squad and four
2:25:51
cops. You've been. Don does
2:25:55
provide instructions. There
2:25:59
is
2:25:59
this like You know that like
2:26:02
post Christmas snow where it's just
2:26:04
a flurry and it's cold
2:26:06
but not fierce, bitingly cold. on the
2:26:09
East Coast, and it's almost beautiful, especially
2:26:11
in New York with the street lights
2:26:13
or street lamps here and you see
2:26:15
the you just the only way you know it's snowing is by looking up at the street because you see
2:26:17
those little dots coming
2:26:20
through, and that's what
2:26:22
this night is. It's like oddly
2:26:25
calm and warm. Not
2:26:28
physically warm but
2:26:30
warm in your heart.
2:26:32
and you walk in the
2:26:35
direction of the Judeo US
2:26:37
with these
2:26:37
comps who ten twelve hours
2:26:39
ago arrested you. directed
2:26:42
you from Opry, which was a
2:26:44
real charge in the twenties. Got it.
2:26:46
It's like loitering. It was straight out of the book.
2:26:50
I mean, Valkyrie during the time of
2:26:52
the Great Depression seems like it goes hand
2:26:54
in hand. Yeah. It's like a made up charge just to
2:26:55
be like, Come
2:26:58
on. Is that what fucking rambo gets
2:27:01
arrested for? At the beginning of rambo, it goes basically low curry. That's what
2:27:03
that is. Hey, come on man. Turn around. like
2:27:09
fuck that. What
2:27:11
a sandwich? Mulberry.
2:27:15
Now it's like by
2:27:16
the time you get there,
2:27:18
it's after one. You've been there watching the Chuchoo House this late at night.
2:27:20
one
2:27:22
You
2:27:25
know, this is when, like, all these people came, but,
2:27:27
like, a lot has
2:27:30
happened since the first time you
2:27:32
staked out, Gucci has. A lot
2:27:34
has happened, and you fucking went in there like bulls in a China shop,
2:27:40
killing zombies, knocking down doors,
2:27:42
tossed and shit all over the alcove like a real mess.
2:27:47
Well, you
2:27:47
get there now. And we
2:27:50
just see our view coming up to
2:27:52
our view coming
2:27:54
up to the alley the
2:27:56
like alley
2:27:58
like Muhullen Drive going to the back of the
2:27:59
restaurant.
2:28:02
But instead of turning
2:28:04
and seeing that monster guy, we
2:28:07
see the alley. It's just that
2:28:09
long alleyway that
2:28:12
ends in a
2:28:14
single door and it's a new
2:28:17
door. What was
2:28:19
once a, you know,
2:28:21
nothing fancy,
2:28:22
wooden door is now like
2:28:25
maybe an iron
2:28:28
door or like
2:28:30
wood with iron reinforcements the
2:28:33
whole original door is gone
2:28:35
and there's a new door
2:28:38
in its place. There is no one standing
2:28:40
outside. you
2:28:42
look
2:28:42
and that little window
2:28:44
that has a couple couriers in
2:28:46
it and the the hours for the store is dark.
2:28:48
hours for the store ropes
2:28:52
and
2:28:52
looks back at
2:28:54
you. So you're telling me there's somebody in there. It's not just the old
2:28:56
man.
2:28:57
sleepy.
2:29:01
And there's something in there. In
2:29:04
the basin.
2:29:09
No
2:29:09
matter what he says
2:29:11
and says to
2:29:14
see it. Are we
2:29:16
are
2:29:16
we are we supposed
2:29:18
to wait here, sir, or where could we Can we Yeah.
2:29:21
You're
2:29:23
way here. Stay here. We'll take
2:29:25
care of this. Police, handlers. Okay. But don't go too far
2:29:27
because I'll tell
2:29:30
you right now, I'll find you.
2:29:33
I know you are at the
2:29:35
Waldorf Astoria. Yep. Still there. Yep.
2:29:36
no there
2:29:43
That's not true. but
2:29:45
I'll find you. And
2:29:47
he leaves
2:29:48
you at the mouth of
2:29:50
this alley as they
2:29:51
walk towards
2:29:53
the door and
2:29:54
you're just seeing this. You see
2:29:57
the little door to the pawnshop not too far
2:29:59
away as these four cops
2:29:59
walk up And
2:30:02
they're, you know, walking slowly
2:30:04
but not like guns drawn type of
2:30:06
thing. They're just walking up thinking like what's
2:30:11
going on here. It
2:30:13
looks like a quiet little that's
2:30:16
closed.
2:30:17
i'm
2:30:19
Robson
2:30:20
gives a nod to
2:30:22
one of his guys. Guys like boom boom boom boom.
2:30:27
Does it a knock
2:30:30
again? Boom boom boom
2:30:32
boom. Looks
2:30:35
like there's no
2:30:38
know at the
2:30:39
way it's a you
2:30:42
think you're sure you think something's
2:30:44
going on in
2:30:45
there. Oh, yeah. You guys
2:30:46
have a battering ram or Yeah.
2:30:49
We got a Ram. We brought a Ram.
2:30:51
Oh, shit down. Going to guys, it's got like
2:30:53
this. But it's like, hold on. Hold on. Let me just
2:30:55
see if we can Hello,
2:30:58
mister Quanite. This is
2:31:01
captain ropes, and I'm just
2:31:03
gonna chair real quick. he
2:31:07
puts his
2:31:09
ear to the door. It's a
2:31:11
weird. It's a weird
2:31:11
sound. It's very
2:31:16
faint, but I definitely use them. But
2:31:18
does it sound like It just sounds like it sounds like it sounds
2:31:20
like singing.
2:31:23
Cool. It's a guy to
2:31:25
the house. The house is there. The hatch is
2:31:27
open. That's not singing. Right. Right. Right. Put
2:31:32
stuff in your ears. If you got a
2:31:34
little something, maybe put some stuff. Don't
2:31:36
be fine. It's like, let's just we'll
2:31:38
break it down. They probably didn't bring a
2:31:41
battering ram, but, like, they
2:31:42
know how to improvise. And so
2:31:44
they just he looks at you
2:31:46
one last time. He's like, You stay
2:31:48
there. While we stay here,
2:31:51
can like, Margo's getting paranoid
2:31:53
at this point, like, can take
2:31:55
a like, just look around, make
2:31:57
sure no one's, like, watching us because
2:31:59
the the
2:31:59
spot hidden. while
2:32:05
this is happening. Yeah.
2:32:08
A
2:32:08
six.
2:32:11
Under sixty
2:32:13
two.
2:32:13
is eerily quiet on the street. There
2:32:15
aren't even passersby.
2:32:17
Last time you were here,
2:32:19
there were at least a
2:32:22
couple windows bouncing about make him noise. There's no one.
2:32:24
I do
2:32:26
not feel good.
2:32:28
We should go
2:32:30
in right after
2:32:32
them. I think we,
2:32:33
yes, we give it a few minutes and
2:32:35
then we should go in after.
2:32:36
I think you less. Yeah. Let's just get
2:32:39
let's just take up the rear. As soon as if we don't see them, just slowly start backing
2:32:40
up. Mhmm.
2:32:43
You're
2:32:43
now in
2:32:46
the war. The first
2:32:48
the first wave
2:32:49
that would go over
2:32:52
the top, you'd
2:32:53
vetted, that was just
2:32:55
to soften them up. very
2:32:58
rarely see them come back.
2:33:00
Why do I get feeling that
2:33:02
we
2:33:02
are sending these men to certain
2:33:05
do
2:33:06
because we are. Oh,
2:33:09
all the more reason
2:33:11
why we should absolutely follow
2:33:13
them in there because if we catch
2:33:15
them, harming these police officers, and we need
2:33:17
to get evidence of that Margo. Because otherwise, they're
2:33:19
going to just not
2:33:21
a mass pop
2:33:22
up front. photographs? photographs. Yes.
2:33:24
Yeah. I think we should see one of the
2:33:26
cops as, like, he's jammed something in there and
2:33:28
he's Jimmy
2:33:31
in it. It's like, ropes in.
2:33:33
ropes in. Let us come let us come with you. The fuck back, man. We got this. Where
2:33:35
do you go? You
2:33:41
don't have this. Ma'am, you'd send them down. I'm
2:33:43
gonna have to ask you
2:33:46
to wait. We've got this. Alright. It's
2:33:48
fine. I know these eyes too. If they're
2:33:50
doing something they're not supposed to, I'll take care of it.
2:33:52
The
2:33:55
guy pops the door. pinches it opens.
2:33:57
And you can see from where you're standing
2:33:59
like
2:33:59
the store that all four
2:34:02
of you have been in now
2:34:04
multiple times. It's just complete darkness.
2:34:06
He's like, where's the behind
2:34:08
the counter? Behind the counter?
2:34:10
Yes. Can we show you?
2:34:12
Now, stay stay back. Oh, there's going to
2:34:14
be another door with a lock on it once
2:34:17
he gets down there. Remember remember, Ricardo,
2:34:19
but you had
2:34:20
the Okay. Oh, shit. I think
2:34:22
I got a key still.
2:34:24
Gosh. Give it to where
2:34:25
you toss the key down the thing, guy
2:34:27
picks up. Is that right? strider, and
2:34:29
they all go in. And you
2:34:31
can see,
2:34:31
like, you're far back at the
2:34:34
end of this long alleyway, but
2:34:36
you see the the three guys go in, and
2:34:38
then ropes and goes in, they got flashlights, and they're
2:34:42
looking around, and now their guns
2:34:44
are out. And they're like, plays,
2:34:46
fourteenth and you and you see them looking. You
2:34:47
see just the flashlight beam going around and
2:34:50
just masks and fucking
2:34:52
knives and, like, decorative
2:34:55
knife and things pauses and
2:34:58
but no people. And then
2:35:00
you see that beam
2:35:02
of light go on the behind
2:35:04
the counter, like disappear behind
2:35:07
the counter so you know
2:35:09
they've seen
2:35:11
the hatch And it looks like they're like kicking stuff out
2:35:12
of the way
2:35:15
to get to
2:35:18
the hatch. But
2:35:19
then ropes it's
2:35:22
like, motioning the men to
2:35:23
go down because
2:35:25
you remember
2:35:26
it's a, like, super thin single
2:35:28
file type
2:35:30
situation. And so one
2:35:32
by one, each of the cops
2:35:35
go down and ropes and follows
2:35:40
right
2:35:41
after
2:35:42
them. And then there's just this.
2:35:45
and then there's just this Long.
2:35:48
Silence. Like
2:35:50
our view. It's
2:35:52
like a cuprician
2:35:57
long view. from the end of this alley
2:35:59
into this
2:35:59
shop and
2:36:03
just silence. And
2:36:05
what happens next?
2:36:07
all happens at one time.
2:36:10
the all happens at one time
2:36:15
suddenly you hear
2:36:15
this mix of like
2:36:19
It almost
2:36:21
sounds like music
2:36:23
or or singing and and then, like, it's combined with
2:36:25
a wailing like
2:36:28
a screaming that
2:36:31
seems to echo out
2:36:34
of the mouth of
2:36:36
this store, and then it's
2:36:38
followed almost immediately by the distinct
2:36:40
sound of
2:36:43
several gun shotches. Half a dozen
2:36:45
or a dozen you can't tell it
2:36:47
all happened at once. And
2:36:51
then after those gunshots,
2:36:54
there's this pause again, just like
2:36:56
silence. that's
2:36:58
followed by this stampede
2:37:01
as suddenly dozens of
2:37:03
bodies start like you
2:37:06
see them start coming up
2:37:08
and and, like, piling out
2:37:10
of the store rushing in your direction, like, out of the store
2:37:15
And it's it's it's it looks like
2:37:17
mostly men. Obviously, it's dark. It's just the moonlight. The the street lamps are behind you. There's a
2:37:19
couple of women and they
2:37:24
appear to be mostly African American, but
2:37:26
not all, but they're all completely
2:37:29
naked from head to toe with
2:37:32
the exception of the headband,
2:37:34
the same headband of the three men that killed Jack's
2:37:38
a license. It doesn't look like the mummified
2:37:41
tongue. It just looks like a little felt
2:37:43
band. But naked as the day they were born and they're all just like, running
2:37:47
toward you. What do
2:37:49
you do? Never mind. Jump
2:37:51
on your attention. to
2:37:54
couple it to a
2:37:55
They're running like they're attacking or
2:37:57
they're running like they're
2:37:58
they were held captive. They're not gonna be
2:37:59
landscaping. Right. I say
2:38:02
we duck out
2:38:03
of the way.
2:38:05
Oh, yes. Absolutely. Yeah. For sure. They're all
2:38:07
like clutching
2:38:07
bundles of clothing. it
2:38:11
looks like, but they're just they'll look
2:38:13
like they're running away pop up in the So just dock of way.
2:38:15
do do? recognize? don't wanna get lured
2:38:21
here. But is the sense that they were in
2:38:23
some sort of
2:38:25
like a blood orgy? Or are
2:38:27
they more like captives? But you
2:38:29
see what the orgies. Yeah. It's spotty.
2:38:32
It's spotty. Can we also, like, spot
2:38:34
hidden for, like, if we see
2:38:36
million atoms among them?
2:38:37
Yeah. For sure. Yeah. Every roll spot in. See what you see. Obviously, it's
2:38:39
darker the moonlight here. Hard
2:38:42
successes are what you really want, but
2:38:44
the eighty two. Twenty
2:38:46
six under eighty. Hell yeah. It's a hard success for those. Well, the speech line numbers.
2:38:49
Go ahead. Oh,
2:38:51
sorry. I have forty
2:38:52
one under six too. So not as good as fairus.
2:38:54
Okay. But a a regular success. Sixty seven under
2:38:58
seventy five. So the least good. Okay.
2:39:00
But still a success. I failed. So Carter's
2:39:03
just like, oh, shit. I stepped in gum. He
2:39:07
loves No. Carter.
2:39:10
Yeah. Alright. This is like so Vaughan and so Carter
2:39:12
is just
2:39:14
like I imagine it's like, Carter
2:39:16
is like, it's just a deluge of
2:39:18
dozens of naked bodies come running at you. You're probably overwhelmed
2:39:22
by this whereas Mario and Vaughan
2:39:24
are, like, really trying to hone
2:39:26
in. and I mean, you don't see million atoms, but like, you don't you can't make out any faces. You
2:39:29
just you're
2:39:31
looking and it
2:39:34
doesn't look like these
2:39:36
people are have been abused
2:39:38
at all. That's all I will
2:39:40
say. Like,
2:39:41
they don't look abused at
2:39:43
all. They look like just regular average day
2:39:45
people that are running away from
2:39:47
something. The one thing that you
2:39:49
notice favors with your hard success
2:39:51
is one of them is like he's a a little bit in the back, black
2:39:56
guy completely naked, and he's holding his
2:39:58
stomach and, like, blood is squirting out from between his fingers like
2:39:59
he's been
2:40:03
shot. And he's just, like, he's,
2:40:06
like, stumbling out, he's holding like a pair of pants, and that's it. No shoes,
2:40:11
no nothing. And they're just all
2:40:13
running they're running past you.
2:40:15
if if you're good out of the way. I don't know what you're doing. If slowed down from
2:40:18
being
2:40:18
shot, I wanna
2:40:20
try to talk
2:40:22
to him real quick.
2:40:24
Okay.
2:40:24
Yeah. Like, he's he's he's he's a
2:40:27
little bit slow. And what do you
2:40:29
do? Who
2:40:29
what have they done to you? Who
2:40:31
did this
2:40:31
to you? The cops.
2:40:33
The cops are, hey, am we
2:40:36
gonna go? What were you doing
2:40:37
down there in the first place?
2:40:39
There you go. they
2:40:42
interrupt in
2:40:42
the ritual. One
2:40:45
ritual. Honey throws up. Whoa.
2:40:47
So these are cult
2:40:49
numbers. Yeah.
2:40:51
And he, like, throws up
2:40:53
and, like, passes out with his face like in
2:40:55
the gutter. Oh. Well,
2:40:57
I think
2:40:59
this is a
2:41:02
good
2:41:02
time to go inside.
2:41:05
There's still a couple stragglers, but
2:41:07
for the most part, like it seems
2:41:09
like this the initial onslaught of people
2:41:11
running out has ended. And and
2:41:13
Vaughan's immediate thing is like, if they're
2:41:15
firing indiscriminately, then that means that if Willie Adams is
2:41:18
down there, then she's in danger of being being struck
2:41:20
by Are
2:41:22
those bloody
2:41:23
cops? True cops come running out now
2:41:25
and you see their
2:41:26
eyes are like bulging out of their heads.
2:41:31
and one and they've got their guns pointed
2:41:33
and they're like, I don't get them. One of them
2:41:35
just like tackles a dude, boom into like a bunch of trash cans,
2:41:39
the trash cans go everywhere. And he's like,
2:41:41
stay stay out. Stay out. And the other guy, like, runs past you and, like, puts
2:41:43
a gun in your face. It's like, They're
2:41:48
all over the
2:41:49
place. One of them is
2:41:51
in over there.
2:41:56
and he just runs chasing one of those guys down
2:41:59
the street. Well, the other
2:41:59
guy's just
2:42:02
like boom boom boom pistol whipping one
2:42:04
of the dudes in the trash
2:42:06
cans. And now the door is just wide open and
2:42:08
no other body seem to
2:42:11
be coming out. I'm gonna
2:42:13
go in. Okay. Alright, guys.
2:42:16
If hey, if I see for roos
2:42:18
go than I go. Yeah. Can we can
2:42:20
we do is there any way we
2:42:22
can make shift some sort of ear
2:42:24
plugs? you guys remember the
2:42:26
shit that we heard down there, and
2:42:28
things opening. It has gum on
2:42:30
your shoe. You could use that. god.
2:42:32
This is super gross. I'm
2:42:34
putting some of this gum in
2:42:36
my ears. Who wants some gum?
2:42:38
No. Thank you. Carter's putting some stuff in his ears. Alright. I'm
2:42:41
gonna look around probably
2:42:44
there's probably tissues in
2:42:47
one of our pockets that
2:42:49
I'm gonna,
2:42:50
like, kinda wad up and use that.
2:42:52
Sure. I just was
2:42:52
trying to see if Carter was
2:42:54
actually gonna put use. He did come and say, yeah.
2:42:56
Yeah.
2:42:56
This
2:42:58
is a great idea, guys. I think,
2:43:01
yeah, like, a Vaughn, like, pulls a handkerchief out of
2:43:03
his pocket. It's probably caused, like, twenty
2:43:06
five whole dollars. And, like, it's just,
2:43:09
like, rips it in half and it's, like, maybe packing
2:43:11
a little bit like this. mentally
2:43:12
nice. Alright.
2:43:14
It's amazing,
2:43:15
I guess. The margarita straps track. Or perhaps I
2:43:17
can I can pass you remnants of the of the handkerchiefs -- Sure.
2:43:19
-- if we're all. I
2:43:25
wonder what it means
2:43:27
to interrupt
2:43:28
the
2:43:30
ceremony. Okay.
2:43:32
Let's go. So
2:43:33
the four of
2:43:35
you walk toward juju
2:43:38
house, that cop
2:43:40
is just like. to
2:43:42
sounding this body and the body is no
2:43:45
longer moving. Oh. And you see
2:43:48
that guy behind you is face
2:43:50
down and the gutter, dead and there's of
2:43:52
screams in the distance as
2:43:54
all of these naked bodies.
2:43:57
There's just spread out over
2:43:59
a hundred
2:43:59
thirty six Great.
2:44:02
No sign of Robson yet. No
2:44:04
sign of Robson. Those were two
2:44:06
of the the cops that came with him.
2:44:09
You walk towards the door.
2:44:11
As you approach the entrance
2:44:13
in the juju
2:44:15
house, you hear sounds that you didn't
2:44:17
hear when you were at the
2:44:19
end of the alley. It sounds
2:44:21
like wailing and and
2:44:22
and but also moaning. It's like all overlapping sounds of look. But
2:44:27
then you
2:44:31
hear why. Why? It's
2:44:34
just this massive cacophony echoing
2:44:36
up the staircase because you
2:44:38
don't see anyone inside the store.
2:44:41
but it's it's coming
2:44:44
up and it's mingling
2:44:46
to create this sound. It's just highly unnerving.
2:44:51
what do you do? Carter
2:44:53
just turns everybody and
2:44:55
he's just like, listen, guys. Whatever happens.
2:44:57
whatever happens It's
2:45:00
I
2:45:00
love you guys. Is
2:45:02
that weird? I'm sorry.
2:45:06
Mystery squad for life.
2:45:08
That's all
2:45:08
I wanted to say. Let's go let's
2:45:11
go try to help something Don't
2:45:15
wait to talk a little bit. If
2:45:17
at once, I can go first and put my hand out with my camera, take a picture just in case
2:45:20
we are lose
2:45:24
our
2:45:24
minds. That's what we
2:45:26
see. Brave, brave, so Yes.
2:45:28
Him. It's just my hand.
2:45:30
Well, I'm gonna do,
2:45:33
like, hand first. Just a
2:45:35
little around the corner. weapons
2:45:41
out, I'm assuming. Yes. That's right.
2:45:43
Weapons out, ready firearms --
2:45:45
Loader. -- cargo. Shot our
2:45:47
shotgun on one hand. Yep. I
2:45:49
apologize for the with the fucking shotgun.
2:45:51
Let's talk party
2:45:53
order here. You know that staircase
2:45:56
is single person wide going down.
2:45:58
the hatch is open. And you see as you go in, there's
2:45:59
clothing go in there is clothing
2:46:03
like in piles
2:46:05
all over the floor of
2:46:07
the main store, shirts, pants, overcoats, hats, shoes, shirts,
2:46:11
coats, overcoat
2:46:14
pants, shoes, woman's high
2:46:16
heels, fancy hat. Gotta
2:46:19
be naked
2:46:20
for that
2:46:22
orgy. Yeah. We only have a closed orgy.
2:46:23
When in room? It's so
2:46:28
frustrating. When in room or
2:46:30
vomiting? Vaugh with his seventeen seventy seven. We should not take our
2:46:36
clothes off. No. We got a third
2:46:38
party order. Great then. Alright. Margos going first. I have
2:46:40
a
2:46:43
firearm. I'll go second. Does anybody
2:46:45
else have Right? I have a
2:46:46
knife. I have a fancy knife. I also have a firearm, I guess, I'll go
2:46:52
third. Margo, followed by favors. followed
2:46:54
by
2:46:54
Vaughan, followed by Carter
2:46:56
with
2:46:59
a
2:47:00
knife. Margaux, You start
2:47:02
walking down. That sound that
2:47:06
It's becoming a little
2:47:10
bit clearer. but you still can't suss out. Is this one person? Is it fifty people? You
2:47:15
saw dozens
2:47:18
of people run out.
2:47:20
you see at the bottom
2:47:22
of the staircase because there's
2:47:25
light like flickering torchlight
2:47:27
coming into the the bottom of the
2:47:29
stairwell. Like, the staircase itself is
2:47:32
pitch black, but the chamber below
2:47:34
has been lit. You remember seeing like
2:47:36
sconces on the wall to
2:47:39
hold torches. Well, clearly, there
2:47:41
are torches in place and you see at
2:47:43
the bottom of the stairwell two
2:47:46
naked bodies faced down, like, right
2:47:49
at the bottom of the stairs, and it looks
2:47:51
like they've been trampled to death. and
2:47:56
remember this hallway itself
2:47:59
was like
2:47:59
floor to ceiling
2:48:02
covered with symbols. that
2:48:04
were incomprehensible to any of you. And the
2:48:06
deeper you got into this chamber, the
2:48:09
more symbols you saw, and the stranger
2:48:11
those symbols shot. Well, now there are
2:48:13
two dead bodies that I just like
2:48:16
have footprints on them and
2:48:18
they're just fucking dead. You'd have
2:48:20
to step over them. to get into
2:48:22
the room. But flickering torchlight is like good dancing
2:48:25
shadows on the wall above them.
2:48:27
What do you
2:48:28
you? So she approaches
2:48:30
the door and or, yeah,
2:48:32
the opening of the door and
2:48:34
doesn't go in front of it
2:48:36
or go in, but she just
2:48:38
stands near it and, like, reaches her hand out
2:48:40
from her with the camera,
2:48:43
like, in front of the
2:48:45
door and takes a picture
2:48:48
really quick. You stick your hand out.
2:48:50
You wanna do a, like, a slight of
2:48:52
hand to see if nobody sees you? Slate of hand. And
2:48:54
maybe there's nobody on there. Here's the other hand, Venture.
2:48:57
If that's the
2:48:59
worst case case me
2:49:01
to roll,
2:49:02
I could do that. Or photography,
2:49:04
Are you alright? I'll do photography. Last
2:49:06
time you were having trouble down there, I'd
2:49:09
made you do photography roles because it was so dark. Now you're just
2:49:11
trying to, like, can I do this? sneakily.
2:49:14
Yeah. Give me that for
2:49:17
Thai girl. Okay. Use those skills. Fifteen under
2:49:19
fifty. And she put that photo. Alright.
2:49:24
Go ahead. I'm so mad. I imagine you
2:49:26
get down there and you look down and
2:49:28
there are just
2:49:29
two tramp I mean,
2:49:31
seen a body that's been trampled to
2:49:33
death. I mean, it's really gruesome. It almost
2:49:35
looks like inhuman in the way that they've been squaw lushed
2:49:38
by this massive people that
2:49:40
ran out over them. You stick
2:49:42
your finger or your hand out around
2:49:46
the corner to try and take a
2:49:48
picture. And the second that you I don't
2:49:50
know how photographs work back then, but you take the
2:49:55
a photo, you
2:49:58
hear
2:49:58
bang,
2:50:00
a single gunshot.
2:50:02
What do you
2:50:03
do? All of you hear that.
2:50:05
Pack. Pack. Pack. Pack. Is there like a is there like a rick like, does it look like a bullet
2:50:08
was fired?
2:50:09
our
2:50:13
direction. Like, is there a bullet hit? It's just the
2:50:15
sound. No. Right when you
2:50:17
took that picture, there was a bang. Do
2:50:19
we see how many shots are ready? We
2:50:21
do,
2:50:21
like, a listen roll to hear, like, I could better hear what's
2:50:23
going on.
2:50:24
We got
2:50:26
the stuff in our ears. So Oh,
2:50:28
that's right. No. Check a penalty die. I'll
2:50:30
say good to take a mouse to do a list of Oh, wait. You're lying in. Hold on. Okay. You
2:50:37
take a mouse. I never took it
2:50:39
back. You put it
2:50:43
back in. I
2:50:46
don't hear anything you
2:50:48
Well, I'm trying to I like the
2:50:50
idea that we all have like It's
2:50:53
middle bottom. Oh, oh, okay. Hold on.
2:50:55
Here we go. Middle
2:50:56
bottom. I rolled a fifteen
2:50:58
under sixty
2:50:59
five. We take them
2:51:01
out. So
2:51:02
you're hearing this. No. overlapping
2:51:04
sound now that you're super
2:51:06
close. You're right behind, Marcus.
2:51:09
So you really hear this.
2:51:11
That bang pops out. still
2:51:13
echoes and you're listening and would
2:51:16
you roll again? Fifteen hundred sixty five. Fifteen sixty
2:51:18
five.
2:51:18
So that's at least a hard success. Maybe
2:51:20
stream.
2:51:24
You're
2:51:25
listening
2:51:27
and you hear
2:51:31
after like
2:51:33
a deep man's
2:51:36
voice. This
2:51:39
just
2:51:43
like. Do
2:51:47
I is
2:51:49
it
2:51:49
a voice that I
2:51:52
recognize? No.
2:51:53
and that
2:51:55
doesn't mean it isn't someone you've
2:51:58
met. Right. Like, you've never heard that laugh before. It's your dad. Someone is set. Oh, don't
2:51:59
like that.
2:52:05
Mady, come back.
2:52:06
Somebody's laughing. Are you
2:52:08
laughing?
2:52:10
Like and,
2:52:11
like, not the
2:52:14
Jovial kind. Greetings. It was creepy. It's crazy left. Yes.
2:52:16
it is creepy Shit.
2:52:18
Worst. I think this might
2:52:20
be worse than the
2:52:22
zombies.
2:52:22
What do we do? Do we go in? We have to destroy it, damn it, have
2:52:27
a a kind of idea. Yeah. That's
2:52:29
absolutely right. Let's go. Let's go. You ready. Okay. You ready to
2:52:31
fire. These these sconces troy
2:52:36
with
2:52:37
the torches. Right? that's in this hallway
2:52:39
that we're about to enter. No. They're in the room just sending, like,
2:52:43
dancing light over -- Okay. -- dead
2:52:45
body. And I thought I remember tell me if I'm wrong, was there
2:52:47
a lamp in this in stairwell? There
2:52:52
was. There was. Yes. Good re good
2:52:54
memory. Yeah. Glad that some Excellent idea.
2:52:57
God. Good memory. Yes.
2:52:59
It was hanging right
2:53:01
over the bottom of
2:53:04
the circuit. In fact,
2:53:06
it's hanging right over those dead bodies,
2:53:08
but maybe the rush of people to
2:53:10
get out, put that flame out. However, it's
2:53:12
till full of oil. So we're
2:53:15
gonna take
2:53:15
that. Do you enter the room?
2:53:18
Should
2:53:18
we try to yell out first or
2:53:21
totally just No. We don't
2:53:23
wanna tell you
2:53:24
nobody to Ambush. Ambush. So we're
2:53:26
just gonna
2:53:26
run-in? Yes. At run, we could walk
2:53:28
That's
2:53:30
so
2:53:30
true. You're gonna run-in there and
2:53:32
you're gonna come behind to me.
2:53:34
We're all
2:53:35
behind you. We got you. Are you serious? Yes. Yes. You're like, okay.
2:53:39
beowing, running to
2:53:40
the room. Why don't we go to
2:53:43
the map? Oh, no. There's
2:53:43
no need. Why
2:53:47
don't we go to the credits?
2:53:49
Why don't you go to the end credits?
2:53:51
Beginning saves a day. There's Margu. There's
2:53:56
favorites, there's Vaughn,
2:53:59
there's Carter. You're all standing
2:54:01
they are all
2:54:03
at the answer. You guys see
2:54:06
this or mine? Yeah. I I just gotta adjust.
2:54:10
I
2:54:10
forgot I was
2:54:11
so excited for now about
2:54:14
the map. Okay.
2:54:16
So
2:54:18
so
2:54:21
Maybe should go in one at a time. Just in case, what we see is too
2:54:23
much for all
2:54:27
of us to handle. I mean,
2:54:29
I think we just give a peaky.
2:54:31
I'll give a peeking. So I'm gonna get a little a little peeking. We don't have You
2:54:36
could do this you could
2:54:37
do this Margo. Okay. Peaky. Just look. Margo. I give a
2:54:39
little
2:54:39
picky. Give me a stealth cargo. And his
2:54:41
daughter must say is if
2:54:44
you failed to stealth, you
2:54:46
all get a code. Okay. We're
2:54:48
Okay. Stuff. Not bad.
2:54:50
Let's see. A two
2:54:53
under thirty seven. Damn,
2:54:55
your role stood at God.
2:54:58
God. It's my
2:55:02
slippery sweatiness, bro.
2:55:05
Okay. I've
2:55:06
been instructed to clean
2:55:08
up my fire before. Alright.
2:55:10
So you peek very carefully. with
2:55:14
a two around the corner
2:55:16
and oh my god.
2:55:18
Is it a scene in there?
2:55:21
you're looking you can't really look
2:55:23
all the way to the right where
2:55:25
that pit was because you're just kind of peeking in past the
2:55:27
door and you see bodies. all
2:55:30
over the floor. More than
2:55:33
half a dozen of them are completely
2:55:35
naked and just like there's,
2:55:40
like, little pools of blood right
2:55:42
next to their bodies. Do you
2:55:45
think
2:55:45
how they've been shot? you
2:55:48
see
2:55:48
one of
2:55:51
the policemen
2:55:53
like like wrapped up
2:55:54
with one of the
2:55:57
naked bodies and they're both lying in
2:55:59
just a pool of blood and
2:56:02
then you see the
2:56:05
old man, Silas
2:56:07
Nekwane, and he is
2:56:09
about six feet
2:56:11
away from you, and he's on his
2:56:14
hands and knees. And it looks like he has he's like holding his stomach with two
2:56:16
hands. and
2:56:20
he's old and he's naked
2:56:22
and he's crawling and he looks up and he sees you.
2:56:25
And
2:56:28
he's got two bullet wounds
2:56:30
in his chest, and he looks up at you and
2:56:33
coughs up
2:56:35
blood that goes all
2:56:38
over his chin. And then
2:56:39
he just like
2:56:41
the like points
2:56:42
at you and says
2:56:45
something in a language you
2:56:47
don't understand, but to to
2:56:48
gun. and
2:56:50
then
2:56:51
pull lapses
2:56:55
to the floor.
2:56:59
can't
2:56:59
quite see, but
2:57:01
someone is moving in
2:57:03
at least one person.
2:57:07
Come.
2:57:10
the
2:57:12
She
2:57:14
hi she's un
2:57:17
peaks tries
2:57:20
to tell everyone
2:57:23
what she saw
2:57:26
like There's someone still
2:57:26
there's someone still in the room, still laughing, saying, come
2:57:29
in, silence, dead. There's
2:57:31
captain ropes in. I
2:57:33
don't see anyone alive
2:57:35
in there except for one person, perhaps
2:57:37
moving about the room, laughing. What
2:57:39
about the What I had?
2:57:42
What
2:57:42
about the hatch? Was the hatch They don't
2:57:44
even see that far into
2:57:46
the room. I'm just But
2:57:49
you still hear this. Sounds
2:57:51
like it's open. Okay. Usually,
2:57:53
you don't
2:57:54
wanna be invited into
2:57:56
a room. I'm going
2:57:59
to burn it. Just cover me, get out
2:58:01
of my bloody way. I'm going to
2:58:04
throw this thing into the pit and
2:58:06
burn it. Alright. Barnes and. Let's go.
2:58:08
Do you charge past us?
2:58:11
If if you allow me
2:58:13
to. I'll still follow closely behind,
2:58:15
like, just in case, to
2:58:18
have your back. We'll
2:58:20
follow
2:58:21
you
2:58:21
in at that point. So is Ghansham flanking
2:58:24
him, like,
2:58:24
Like,
2:58:27
the mystery squad would Yeah. So
2:58:29
it's like tiny knife. Tiny knife. Butterna knife. I wanna see the artwork on
2:58:31
a t shirt. butter
2:58:34
knife that still says Waldorf Astoria.
2:58:36
Yeah. This is what? Yeah. This will show
2:58:39
him. So the plan is for Vaughn
2:58:42
to sidle past, Feirouz and Margo
2:58:44
rush into the room and on his command, all of
2:58:46
you come in and flank out, and you are
2:58:48
to Well,
2:58:52
we'll
2:58:53
see
2:58:54
what you do that.
2:58:56
so you do that
2:59:00
and you see what
2:59:02
Margo saw bodies all over the
2:59:05
floor, now the body of
2:59:07
Stylus and Aquane, not moving.
2:59:09
But like I said, six
2:59:11
feet away, just a
2:59:14
pile of blood on
2:59:16
either side from two
2:59:18
bullet holes. you look past him.
2:59:21
There's a lot going
2:59:23
on in
2:59:24
this room. Yeah.
2:59:27
You seek captain on the floor with his
2:59:29
own gun in
2:59:33
his mouth. In
2:59:35
the back of his
2:59:38
head is completely
2:59:40
blown out. And
2:59:43
standing above him is
2:59:45
a tall, bald,
2:59:49
ripped
2:59:49
wrapped African
2:59:50
man wearing only
2:59:52
a
2:59:54
long feathered robe, a feathered
2:59:56
robe, which Ferrous and Margo and Carter
2:59:59
saw hanging in the alky of.
3:00:03
He has a scepter
3:00:05
in one hand. He has a headband
3:00:07
with a mummified human hung
3:00:11
attached to it. And in
3:00:13
the other hand, his right hand, he has that
3:00:15
glove with the long clause
3:00:19
on it. On his chest,
3:00:21
I mean, it's completely naked. It's kinda like a boogie nights Alfred Molina
3:00:24
except completely they
3:00:28
naked. The spyder crackers.
3:00:30
Yeah. He's completely naked,
3:00:33
but you see on
3:00:35
his chest a
3:00:37
large tattoo that immediately takes you
3:00:40
back to the hotel
3:00:42
in Peru when you saw
3:00:45
Augustus Larkin. with the tattoo on his chest. It's eerily similar.
3:00:47
Is it the same? You don't
3:00:50
know because there's so much going on
3:00:52
in here you can't process it. But
3:00:54
he's he's reached down to Robson. And
3:00:58
with the pointer finger
3:01:01
of the glove,
3:01:03
he's carving a symbol onto robeson's forehead.
3:01:10
Obviously, the same symbol that was carved onto the
3:01:13
forehead of Jackson
3:01:15
Elias von, you
3:01:18
are first into the
3:01:20
room. and you recognize this
3:01:22
man. As the man you
3:01:25
followed that night, the
3:01:27
man whose apartment you snuck into.
3:01:29
The man that Hilton
3:01:31
Adams told you was a
3:01:34
person of interest. It is Wakanga
3:01:36
Madari. You
3:01:38
all look to your right and
3:01:40
you see that open pit. The pit has not only
3:01:42
been opened, but the lid has been removed and set to the
3:01:48
side to cover it again
3:01:50
would take the strength of
3:01:52
several people. And from that
3:01:55
pit, is just a wailing sound
3:01:57
and you see into it just like occasionally, like,
3:01:59
faces will pop out There's
3:02:04
just dozens of faces and
3:02:06
butter. But it's far enough away from where you're
3:02:10
standing on this side of the
3:02:12
room that it doesn't seem to
3:02:14
be bubbling out, but this is all happening in the background as
3:02:18
Bidari stops carving that
3:02:21
symbol and like looks up at
3:02:23
you with crazy eyes. wide
3:02:28
eyes. And he says,
3:02:30
as he stands up, he's like, do you know?
3:02:36
the significance of what
3:02:39
you have done.
3:02:42
The bloody
3:02:45
tongue is watching us
3:02:47
right now, and
3:02:50
he brings favor
3:02:54
to those. who makes sacrifices in his name.
3:02:59
And you
3:03:04
hear that and he says
3:03:06
so many have given
3:03:08
their lives to
3:03:11
him this day. and he
3:03:14
will be most pleased.
3:03:16
He looks over at
3:03:19
the pennies like about is
3:03:23
still hungry and
3:03:27
must be fed. You
3:03:30
will not dishonor
3:03:32
our God. And we
3:03:35
are in combat. Let's
3:03:39
look at this room. It's the
3:03:41
best I could do on short notice here. There are any
3:03:44
bodies you see
3:03:49
here are dead. Okay. With
3:03:51
the exception of
3:03:53
Makanga Madari. Put that
3:03:56
on your shirt. the bodies
3:03:58
you see here are dead. The bodies
3:04:01
you're about to see are dead.
3:04:03
For those listening, there are eight
3:04:06
extra figures on the back. Outside of Wakanda and stylists.
3:04:08
Yeah. In fact, you
3:04:11
see in the background
3:04:14
a a person that is
3:04:16
fully clothed unlike the rest
3:04:18
of these figures that are
3:04:21
all dead naked bodies, but
3:04:23
it looks exactly like these
3:04:26
zombie ass creatures that
3:04:28
you fought, and that
3:04:30
creature is dead as well. Silas Niquane,
3:04:34
dead. But in the back
3:04:36
is Macunga Madaric. Let's get, boom. Marco.
3:04:38
Favoriteest Carter. Obviously, this is not path
3:04:43
finder. This is not d and d
3:04:45
where you stand. It's just relative. It's essentially third of the mind. This is here
3:04:47
to present to you. the
3:04:52
full situation, and I
3:04:54
will move it further away from the action. It is round one.
3:05:01
all of your guns are drawn, which
3:05:03
is great, unfortunately. he
3:05:09
knew you were coming.
3:05:11
And so he attempts
3:05:13
to cast a spell.
3:05:16
Oh, what? It's not cool at
3:05:19
all. Oh dear. But
3:05:23
he's a badass.
3:05:25
He's he's he's been given the
3:05:27
gifts of the of
3:05:29
the bloody tongue. Let's interrupt
3:05:31
your spell. Can we interrupt
3:05:33
your spell? Yeah. Just start yelling out random
3:05:35
numbers. Forty two.
3:05:38
Forty 96I knew
3:05:40
we shouldn't taken that
3:05:43
scepter. Damn it. Vaughn,
3:05:46
you're in the
3:05:50
vanguard. You're in the vanguard. In the vanguard. I need you to give me
3:05:56
a power rule. Come on, baby.
3:05:58
Come on. Shock the world. Do you
3:06:02
believe in miracles? Do
3:06:04
you all believe in
3:06:07
miracles? We should have Al Michaels
3:06:10
call this fight. Alright. A
3:06:12
young Al Michaels. Do you
3:06:14
want my power role? I do. Remind the audience what power
3:06:19
is. My power. Your
3:06:22
power score. Vaughan's power is a thirty five, a thirty five,
3:06:24
quite low indeed, which
3:06:27
would cause one to
3:06:30
stress if I didn't just Rolla
3:06:32
twenty six. Yes. Yes.
3:06:35
A regular success --
3:06:37
Yes. -- he emphasized
3:06:40
regular. Mhmm. pretty good.
3:06:42
Unfortunately, it does
3:06:45
not beat a
3:06:48
hard success. in the supposed
3:06:50
power role, Wakanda Madarion.
3:06:53
Oh. Alcohol. Boom. And
3:06:55
you just feel Boom.
3:06:58
You're like sent back.
3:07:00
Your head whips back
3:07:02
with this mind blast. You're just and
3:07:06
you are immediately inflicted
3:07:09
with five points of
3:07:12
sanity damage. But
3:07:14
the other effect of
3:07:16
this spell is in
3:07:18
addition to that sanity damage. You are
3:07:20
immediately temporarily
3:07:22
insane. Uh-huh. And so you are hit with
3:07:24
a butt of madness. And for a character like you, this would
3:07:26
have happened anyways, even with one point of sanity damage. Right. However,
3:07:31
in this instance, you're
3:07:33
just pushed back and like as you start to come to,
3:07:36
you look over
3:07:41
at Carter. And,
3:07:44
I don't know,
3:07:47
you think
3:07:50
about what just happened in the police station when he removed his mask
3:07:54
to show the hole that was
3:07:57
his face to captain Roe and captain Robson
3:07:59
who now lies dead on the ground with his own gun in his mouth in the back of
3:08:01
his head blow
3:08:03
up. And Carter
3:08:06
looks at you and off
3:08:08
his mask once more. But
3:08:11
when he takes off his
3:08:13
mask, his whole face
3:08:15
is a mask and standing you is
3:08:23
over on doyle. your good friend.
3:08:25
The closest person perhaps
3:08:27
in your life back
3:08:30
in the day, perhaps the
3:08:32
greatest love over your
3:08:34
life. And he looks
3:08:36
at you not with that
3:08:38
bravado that Carter puts on, but with this like
3:08:44
pleading, longing. And
3:08:46
he's like, help me my love.
3:08:51
he looks over at the
3:08:53
pit and he's like, throw
3:08:55
me to that beast so that I may yet live again. so
3:09:00
that I may rise
3:09:03
from dead stand at side. Jesus. And
3:09:09
and and so you've you've
3:09:12
just seen Vaughan like boom, like
3:09:14
go down and then like Carter,
3:09:16
you just see him kind
3:09:18
of I look towards you and I'm just like, as I kind of
3:09:23
stand up, like, shaking it
3:09:25
off, and maybe setting that lamp
3:09:28
down. I
3:09:30
was like, don't worry.
3:09:33
Don't worry. What? No. Don't waste his
3:09:36
time. What type
3:09:38
of fresh directions it had?
3:09:41
No. What? I shall make amends. I
3:09:43
don't I'll make things right
3:09:45
as I take you by the
3:09:47
hand and I'm drawing you. No.
3:09:49
No. Wait. Whoa. Too much. Too
3:09:52
much. It's
3:09:55
alright. What? you're still gone. Don't worry.
3:09:57
Please hold me back. Come on, please.
3:09:59
You'll be back. It's fun to take
3:10:02
it. It's Carter. I know. Bonner stop
3:10:04
it. I swear it. and and I'm pulling
3:10:06
you. Pulling you. Yes. You are compelled to
3:10:11
try and throw Oberon. into
3:10:13
the pit with this bout of
3:10:16
madness. Now, this
3:10:18
is going to last for
3:10:20
one d ten rounds. Please
3:10:22
give me a detenroll. Okay. Hold on, please.
3:10:25
Otherwise, it's gonna
3:10:29
be a pose
3:10:32
strength trick. five. Five
3:10:38
rounds. Okay. Carter, you just you see Von. You mean, you've seen Von Brake. You saw Von
3:10:41
Brake when that animated
3:10:44
mummy came up in
3:10:47
the pyramids beneath Purdue. And now
3:10:49
he's just like grabbing at you and
3:10:51
grasping at your shirt and pulling
3:10:53
you guys might be of
3:10:55
equal strength here. Let's fucking go
3:10:57
round one. Margo, you
3:10:59
have a drawn weapon.
3:11:01
It is a thought of shotgun. You know that the beauty of this shotgun
3:11:03
is that does 4D6
3:11:06
damage. If you're right
3:11:08
on top of somebody,
3:11:11
1D6 damage if you're two squares
3:11:13
away and fucking no damage beyond
3:11:15
that. That's the thing about
3:11:17
the sawdock shotgun. You gotta
3:11:19
get up close. Do you wanna get way close
3:11:21
and try and do 4D6
3:11:24
Do you wanna -- Yeah. -- hedge your
3:11:26
bets. I mean, what do you wanna do?
3:11:29
I feel like, yeah,
3:11:31
I gotta get way
3:11:33
close and do that. There's no point
3:11:36
in wasting it
3:11:39
being far away. And I feel
3:11:41
like we saw this happen, not that we know like it's a spell, but like something's
3:11:44
going on. Bonds
3:11:48
lost his mind. We gotta get
3:11:50
rid of this guy. We gotta
3:11:53
get out of here. So she
3:11:55
goes up to him. like point
3:11:57
blank range. If she can
3:11:59
get that far.
3:12:02
Okay. And she shoots
3:12:05
at him. give me a firearms run.
3:12:07
Low this motherfucker.
3:12:10
Take them out. Okay.
3:12:13
You can't push Firearms.
3:12:15
Right? Oh, Michael just chimed in.
3:12:18
Bonus die at
3:12:21
point blank range.
3:12:24
Yep. Cool. No, dude. I pushed the
3:12:26
catch back. I can't remember if you
3:12:28
can push. I don't see why not, but let's see
3:12:30
what happens. Oh, you can't push a combat.
3:12:34
I feel like you can't. But let
3:12:36
me just roll with the extra tax. Can
3:12:38
I push a taxes, Michael? Yeah. So yeah. Extra tax? so
3:12:42
over. Oh,
3:12:46
no. It's the
3:12:48
same. It's
3:12:51
the same. It's fifty
3:12:53
seven for both. Over over twenty 50I
3:12:56
shot gun.
3:12:59
Copy. How much luck you got there?
3:13:01
Can you use A50 wait. Can you use it? Oh, yeah.
3:13:03
What do you wanna do? Can
3:13:07
I use it to
3:13:10
make it a hit? I think so. Okay.
3:13:15
So wait. Let me see
3:13:17
if I have fifty seven
3:13:19
minus. Wait. What math do I need to do? That's
3:13:23
softwired. So would you roll again? It was
3:13:25
a I'm using, like, all my luck.
3:13:27
I'm gonna have three luck left. Okay. So
3:13:29
that's what I'm gonna do. And now I
3:13:32
have three luck and it's a
3:13:34
hit. It's thirty five or twenty five. Twenty five, so you
3:13:36
succeed. by
3:13:38
using luck. I haven't heard from Michael
3:13:40
that that's not allowed. So I'm assuming that is.
3:13:42
I'm pretty sure you can for for that.
3:13:45
Give me 4D6 Yes. Damn
3:13:47
it. Okay. Here we go. Michael is typing. Michael is typing.
3:13:50
Michael is typing. Michael, you better stop typing right now. I'm
3:13:52
gonna you
3:13:56
just love. So it's like you
3:13:58
look so good. Okay. With your midpoint,
3:14:02
luck, bro. Yep. That's fine. out
3:14:04
of the box. I bet. You
3:14:07
lied of what? I'm like But the market is way up there. Eighteen.
3:14:11
Eighteen points of damage, not
3:14:14
bad. Eleven plus seven is eighteen.
3:14:16
Yeah. Two
3:14:21
things happened. Okay. What were
3:14:23
you gonna say? I was
3:14:25
gonna say can the shotgun
3:14:27
shoot more than once or
3:14:30
no? or that we've already sailed with that ship. I think it has two barrel, John, and
3:14:35
you have to AA2 barrel situation,
3:14:37
and you have to announce that ahead of time. We have the rules for that.
3:14:39
But I think with the sawed off, you're
3:14:43
basically the whole thing is like you're
3:14:45
able to conceal it, but you've gotta get
3:14:47
on top of the person and it's like one shot. And you might be able to I don't know if you
3:14:49
I think you can get
3:14:52
two shots. I don't know.
3:14:54
We'll find out. But Michael's typing. I'm
3:14:56
stalling for Michael the time. It's a I
3:14:58
mean, it's a whole level of tension. Michael told
3:15:01
me how to play my character. I showed
3:15:03
him the time. typing. you can fire
3:15:05
twice at the same target
3:15:07
with no penalty. Oh, Ira.
3:15:09
So unless something happens, I wanna
3:15:12
fire again. fire
3:15:14
away. Okay. Here we go. I'm
3:15:16
gonna fire again. I can't use
3:15:18
any luck really, so I hope this works.
3:15:21
a twelve a twelve
3:15:23
in a twenty five.
3:15:26
Shit. Okay. It's really confusing. success.
3:15:30
Actually, sure I
3:15:32
can do this.
3:15:35
Six plus eleven. So that's seventeen. another
3:15:40
seventeen. Well, it's up to him point
3:15:42
blank and she's like, fuck the fuck
3:15:45
you, man. Like, at least my
3:15:47
friend alone. Bam. Bam. Boom.
3:15:49
Boom. At point blank range and you fucking blow
3:15:51
him away. He like just flop flop flies
3:15:57
against the wall. Unfortunately,
3:15:59
at that moment,
3:16:01
the Chakota as he
3:16:04
caught that begins to wail in a way
3:16:07
that it has not wailed
3:16:09
since you began hearing it
3:16:11
and nothing like when you first
3:16:14
unearthed it. during your first visit here because it's hungry. Everybody
3:16:19
give me a sanity roll
3:16:22
assistant. Man. FAIRUS is about to go get a sandwich
3:16:26
thinking Margo guy is like
3:16:29
Go to subway. Yo. This this
3:16:31
sanity of bones are really
3:16:35
really in short supply.
3:16:37
Right. Michael tell us, if if bonds are already insane, can he does he have
3:16:39
to continue to
3:16:42
roll? I'm not sure. That might save you. But
3:16:44
in the meantime, let's go around the horn. Perfect.
3:16:46
Yeah. Michael says right now. once you're insane or having a bout, you don't have to roll. You're you're this
3:16:51
is actually the best place for you. I wish
3:16:53
I could carry that forward because I rolled an
3:16:55
eight baby. So it was meant to be. Yeah. Let's take it around
3:16:57
the horn, Ferraro's. I
3:17:00
rolled a nine. Yeah.
3:17:02
I rolled a nine. Okay.
3:17:04
Rap. Sixty seven over
3:17:07
forty seven. Zoying
3:17:10
Scoop. What about you?
3:17:12
Margo. I'm ready for the
3:17:15
whales. That's a one under
3:17:17
eighty five. Whoa. That is a
3:17:19
critical. Holy shit. couple
3:17:22
things are gonna happen. Like you
3:17:24
pointed out, I do have used chewing
3:17:26
gum in my ears. Right. Right. I forgot about the used chewing gum.
3:17:31
that, you know what, I wanna
3:17:34
reward you for that. You're the only one that failed, so I would let them reroll, but they they
3:17:36
passed. you
3:17:42
could roll a penalty die. I mean, a a bonus die for putting that shit in
3:17:45
your ears. I meant to give that to you,
3:17:47
but I forgot that you had it. So just
3:17:49
roll the tens again. No. That's worse. Oh, oh,
3:17:52
no. Margo
3:17:54
and Farrus take one
3:17:56
point of sanity damage.
3:17:58
Alright. To start, Carter
3:18:02
give me A1D8
3:18:08
roll. Two. Alright. You
3:18:10
take two points
3:18:13
of sanity
3:18:15
damage. However, uh-huh. You
3:18:24
as you see this thing.
3:18:26
It's like, again, it's kinda
3:18:28
like bubbling like a pot. You
3:18:30
see a face come up. and
3:18:34
its lieutenant pool.
3:18:36
Give me A1D4
3:18:40
roll. Two.
3:18:43
So that's another two points
3:18:45
of sanity. Four total does not put you over the threshold to
3:18:47
have to roll. So
3:18:52
all the while, I'm like, come come. Yeah. And
3:18:55
you're pulling him. Oh, yeah. So
3:18:57
is Vaughan still doing this even though
3:18:59
once his name died? Yes. It will
3:19:01
last for five rounds. Wakanda
3:19:03
Madaric seems to be
3:19:05
blown out of space
3:19:07
and time for the
3:19:10
market. point blank. fart is falling off shotgun.
3:19:13
He let me just walk up
3:19:15
to him and do it. Mark,
3:19:17
I still found a way to
3:19:19
paint. Mhmm. Favorites with your turn around. There's
3:19:22
a lot happening here. The
3:19:25
the threat in the
3:19:27
pit is like it's there. Obviously, the last time you were here, you ran away from it because
3:19:29
you didn't know what
3:19:31
the situation was. It's
3:19:33
in the pit, but
3:19:35
now you see Vaughan is pulling Carter
3:19:38
towards the pit. What do
3:19:40
you do? Does the gentleman
3:19:42
that Margo shooting at is he's
3:19:45
Still alive. He's on the ground
3:19:48
with a fucking gaping hole on his
3:19:50
chest. Like -- Sounds like he's through. --
3:19:52
I think Margo's
3:19:54
handling that situation quite
3:19:56
quite well. I'm going
3:19:58
to try and Maybe
3:20:07
kind of grapple Vaughn. grapple vaughn.
3:20:10
We're talking about an
3:20:12
opposed strength check here.
3:20:15
Okay? So both of you roll against each other's under your strength
3:20:18
and see what type
3:20:20
of success you get.
3:20:22
If you roll the same
3:20:24
success, the person
3:20:26
with the higher strength score wins.
3:20:28
And then I'll I'll interpret the results based
3:20:30
on what happens. k. Here we go.
3:20:34
God, I love this game. I
3:20:36
fucking love this game. Who wants
3:20:38
to know what's God? I rolled a thirty three under seventy
3:20:40
five. Yeah.
3:20:42
Vaughan, wonder woman. I
3:20:45
rolled in nineteen under
3:20:47
seventy five. No. Oh, Like,
3:20:50
they're both hard then.
3:20:52
Right? They're both hard successes
3:20:54
in Vaughan Road lower. So Vaughan
3:20:58
shruggs you off. You're like grasping
3:21:00
and thaw. And there's just there's just two there's bodies
3:21:02
everywhere. You're like caught up in these dead naked bodies.
3:21:08
Damn it. But So
3:21:10
I'd get a hold of
3:21:13
yourself. What are you talking
3:21:15
about? with I'm all my
3:21:18
What are you doing? Got it. I
3:21:23
I was like, I was just
3:21:25
turning. I'm like, fuck, please. Please save me.
3:21:27
I'm not talking. I can come back to you. we
3:21:32
can be together. And I turn right back to you
3:21:34
and I'm like, yes, something must be done
3:21:37
about Carton. I've got other things to worry
3:21:39
about. And like pulling him. What
3:21:41
are you doing? Now here's
3:21:43
the tricky thing. It is
3:21:46
both Bond and Carter's role.
3:21:48
You both have a forty plus fifty with
3:21:50
your ready fire firearm gives you a ninety. So, like,
3:21:54
it would be your turn right now.
3:21:56
Mhmm. I can't remember how to determine who
3:21:58
goes first. I mean, does he
3:22:01
have Who has the better brawling?
3:22:03
I think I'm I'm I'm totally
3:22:05
focused on this. So Yeah. Yeah. Where's his gun? Is his gun in his hand while
3:22:07
he's also grabbing me? I think I
3:22:10
probably tucked it back in
3:22:12
my belt to try with
3:22:14
this. Oh, yeah. Sure. But who
3:22:16
has the better brawling skill because I think that's
3:22:18
what what's gonna come back. I think it's me.
3:22:20
I got a seventy seven. I got a fifty five. Alright. So
3:22:22
Carter, I'm gonna give you the chance to try and
3:22:25
escape. But again, just
3:22:27
like Feiruz, it's an
3:22:30
opposed strength role. I
3:22:32
wanna I want That's what you
3:22:34
wanna do. Maybe that's not what you wanna
3:22:36
do. I wanna get falling out of the
3:22:38
room. So I wanna, like, like, if we if he's grappling me, like, I wanna grab try throw him
3:22:45
out of the room and shut the
3:22:47
door. That's a maneuver. That's what we got there. That's what we call maneuver in the
3:22:49
business. So that's gonna
3:22:52
be a you're
3:22:54
gonna use your brawling skill.
3:22:56
it's very similar to, you know, just
3:22:59
trying to generally escape, but the goal
3:23:01
of your maneuvers try to not only
3:23:03
escape, but like redirect maybe
3:23:05
not even escape. Just redirect this
3:23:08
grapple into the hallway. Get it
3:23:10
away from the pit. Yeah. Okay. Von, since your goal throw the
3:23:12
pit, you'll be
3:23:15
opposing that. Okay.
3:23:17
So for all,
3:23:19
your builds are similar enough that it
3:23:22
shouldn't affect it. So it's gonna
3:23:24
be a We're rolling for brawl.
3:23:26
Yeah. You roll brawl, and I I
3:23:28
feel like you roll brawl
3:23:30
as well. Falls off your footing. Actually,
3:23:32
you can roll strength on. You roll strength and you roll
3:23:34
braun. Better roll for me. Sorry. Tilling him. Yeah.
3:23:39
Okay. Here we go. Vaughan,
3:23:41
I don't wanna do this
3:23:43
man. That's why. Don't do
3:23:46
it. What type of success?
3:23:48
Sixty two hundred seventy seven.
3:23:50
So regular regular success. Regular for me also. Fifty six hundred seventy five.
3:23:56
Okay. As the aggressor,
3:23:58
you're able to redirect
3:24:01
him, Carter. However, you
3:24:03
are Joe grappled by Vaughan, and then
3:24:05
it goes to Vaughan's turn. So Vaughan,
3:24:07
away goal of him in. Now,
3:24:11
Margo and Feirous, you see
3:24:13
Lieutenant Pool, but it's not Lieutenant Pool. In fact, direct your eyes to
3:24:16
Rule twenty. this
3:24:20
image isn't exactly like the
3:24:22
situation, but it will give you
3:24:25
a good view of what
3:24:27
the Chakota looks like. Oh. Oh.
3:24:29
No. That's way more people even
3:24:31
I thought it would be. I
3:24:33
was thinking it more of like
3:24:35
a mask globular thing. Lot
3:24:38
of faces. And lieutenant
3:24:40
pools faces just like
3:24:43
melded into this
3:24:45
mass. Yeah. I was picturing when Number Number Number three four, Freddie lifts his
3:24:47
sweater up, and
3:24:50
you see the sole You see
3:24:52
the ceiling. You see the ceiling. chest.
3:24:55
If we all die from PVP tonight, I'm gonna be so pissed. Alright.
3:24:58
So I got gone and I got what
3:25:01
I because I1I was able to get Vaughan
3:25:03
to the Like the Yeah. Like
3:25:05
the doorway. You know? Like,
3:25:07
it's gonna take him now
3:25:09
a a couple chances to
3:25:11
get him in. long as nothing else happens.
3:25:14
Vaughn, what do you want to
3:25:16
do? I mean, I I'm compelled to
3:25:18
do only one thing. Alright. Are you? Yes.
3:25:21
I mean, as long as as
3:25:23
long as Oberon is still pleading
3:25:26
with me. So it's peaceful. Yeah. It's straight up strength, dry. Give me a hand. It's
3:25:28
Carter. Why
3:25:32
are you why if you
3:25:34
speak your words, say one thing in your body, another. Yes, I understand.
3:25:39
Oh, Brian, I understand the
3:25:41
flesh rebels because the flesh is weak.
3:25:43
The flesh is weak. I
3:25:46
will mortify your flesh. I'm not that weak.
3:25:48
I'm just oh, I've got I'm
3:25:50
not I grabbed you by the throat and start to pull you towards it. I will mortify. Thank you. Thank
3:25:56
you. Fun. Alright. Great.
3:25:59
Rolling versus strength. Alright. Post
3:26:04
strength rules, you're trying to
3:26:07
resist his pull and he
3:26:09
is trying to pull. I'm
3:26:12
gonna spend Can
3:26:14
I spend a point of luck? Sure. Thank
3:26:19
Can you spend it while fighting back? We'll
3:26:21
wait for Michael and -- Okay. -- we hear. If I spend up in my point of war
3:26:23
and success. Well, I'll
3:26:27
I'll just tell you before you do
3:26:30
that, that I also got a hard success. So if you point pen spend point of fighting
3:26:32
back, Nope.
3:26:37
Nope says Michael. Wait. No. He's
3:26:40
still typing. because that old nope.
3:26:42
Oh, you can. According to Michael.
3:26:44
With the bait and switch, That's
3:26:46
an old nope. Alright. So you can spend that point of luck, make it a hard
3:26:50
success, but that
3:26:53
alone means that
3:26:56
Vaughan wins. a hard versus a regular
3:26:58
would have been much worse. Uh-huh.
3:27:00
However, he succeeds in drawing
3:27:02
you closer to the pit Had you ended
3:27:05
up with a regular and he a hard,
3:27:07
that might have been enough to just throw
3:27:09
you in. However, by spending that point of luck,
3:27:11
it allows him to succeed but still slow
3:27:13
his progress. He you throw him. You you,
3:27:15
like, redirect his body weight in the hallway.
3:27:17
Come on. Come on. We gotta get out
3:27:19
of here. He's no. No. Any Boom.
3:27:21
Pulls you right back. Retreat. Over the
3:27:24
pit. I mean, we're talking this next round. If
3:27:26
you fail and he succeeds in any sort of
3:27:29
combination, you may end up in the
3:27:31
pit. But it might look comfy in
3:27:33
there. You might be fine. I've never rolled so well.
3:27:35
I'm so sorry. We're
3:27:38
going to a
3:27:41
new round. It
3:27:43
is Margo's turn. Margo,
3:27:46
you see this like back
3:27:49
and forth between the two of them. It
3:27:51
could be a spot hitting rule. Okay.
3:27:56
I don't know what I could
3:27:58
possibly see out in this room, but okay. There's just a bunch of dead bodies. Right.
3:28:04
two under sixty two.
3:28:06
So regular. You look
3:28:08
around, and I imagine
3:28:10
it's just like You've seen
3:28:12
Henry five, like Kenneth Branagh's Henry five? Is
3:28:14
that like the battle seat? Yes. Yes. No. The
3:28:17
battle seat at the end, it's it's amazing.
3:28:19
It's just like the It has those those moments
3:28:21
where it's just like the ringing in the ears where you're
3:28:23
trying to, like, suss out this scene
3:28:25
of battle. Even though it's mostly dead bodies, you
3:28:27
just blew a guy across the
3:28:29
room with your shotgun. And he flew across the room and his
3:28:32
body's everywhere and
3:28:35
you see carnival. What the hell is going on
3:28:37
with them, but you look to the back of
3:28:39
the and that with that curtain. moment,
3:28:42
you're taken back to the Waldorf or
3:28:44
Astoria where you saw the curtain glowing
3:28:46
when you walked outside in the fucking months
3:28:49
or tried to pull you
3:28:51
away, but now you see
3:28:53
that curtain moving as
3:28:55
well because someone or something is
3:28:58
emerging from it. And
3:29:00
you watch as
3:29:04
curtain is starting to elongate with a
3:29:06
figure behind it that is
3:29:08
like like imagine if you
3:29:10
were just walking into a curtain and
3:29:12
not trying to part it like
3:29:14
walking so that the curtain would
3:29:16
just wash over you and you
3:29:19
hear like a coughing sound or or
3:29:21
or like labored breathing
3:29:23
as this body begins
3:29:25
walking towards you. And as like imagine,
3:29:27
the curtain is just
3:29:30
going up slowly
3:29:32
and you're just
3:29:34
being revealed this body as it moves.
3:29:37
And as it moves, it
3:29:39
looks like a woman stylishly
3:29:41
dressed as it keeps going
3:29:43
up like an American woman. It pushing past her
3:29:47
body and you see that
3:29:50
it's Milli Adams. Mili Adams is walking out of the alcove,
3:29:52
but something is
3:29:55
wrong. Mhmm. And
3:29:58
you see it immediately. there
3:30:01
is like an eight
3:30:03
inch slit straight across
3:30:06
her neck and her
3:30:08
larynx and glottis and vocal cords
3:30:10
are exposed. And there is just
3:30:12
a mass of blood spilling out
3:30:14
of this gash across her neck.
3:30:18
staining her beautiful powder
3:30:20
blue blouse and her eyes are just
3:30:22
pure white. Her skin is like a
3:30:27
lewish black like
3:30:30
like a ghostly bruise and she's just like
3:30:37
Slowly walking
3:30:40
toward you in
3:30:44
feiros. What do
3:30:47
you do? Brick. I
3:30:54
probably yell out. I've found I've
3:30:57
found Emilia Adams. I've
3:31:00
found Emilia Adams. and
3:31:02
I back away from her and
3:31:09
Does she kinda look like the
3:31:11
other zombies? Yeah.
3:31:14
Whatever process was used
3:31:16
to create these you know, for
3:31:18
lack of a better word, zombies, it was used on her.
3:31:23
Alright. Well, then we know how
3:31:25
to deal with them. I'm gonna
3:31:27
shoot her as I back away. And it
3:31:29
pains me to do
3:31:32
so. You fucking shoot.
3:31:35
You also have point range because
3:31:37
you went up close to her. Right? Yeah. Do
3:31:39
you wanna get right on top of her? Like,
3:31:41
she's moving slow. Do you want that
3:31:43
4D6 or do you wanna stay a little bit?
3:31:45
Do you wanna say ten yards away and get the
3:31:48
1D6 if you hit? I don't wanna do
3:31:50
a GM's job for you, but it's like, oh,
3:31:52
wait. Yep. It's shotguns empty. shotguns
3:31:54
empty. You don't take her
3:31:56
on reload. Right? Michael said
3:31:58
to save Hey, Michael. Can you just take a break? Hey, Michael. Thank you so much for doing a
3:32:04
great job. Over twenty minutes. I've been in
3:32:06
the weekend to reload. So I'm still by where I shot
3:32:08
the other guy,
3:32:11
Makunga. So when
3:32:13
she's coming out
3:32:15
of back there, I'm staying where
3:32:17
I am and reloading so that
3:32:20
I'm thinking my the next round
3:32:22
shall come point blank to me or near.
3:32:25
I wanna be far enough away
3:32:27
to wear the next when
3:32:29
I'm ready, I can be point blank to her. Okay. So you basically wanna spend
3:32:32
an action reloading,
3:32:36
but you wanna move
3:32:38
up toward her and hope that she doesn't attack you before you.
3:32:44
I wanna spend around
3:32:46
reloading, and I can
3:32:49
move up and shoot
3:32:51
twice. So maybe just, like, slowly move
3:32:53
back just a little bit. Okay. because
3:32:56
you're just, like, you're I love
3:32:58
it. like, reloading and, like, backing
3:33:00
up about five feet while you --
3:33:02
Yeah. -- stumble to reload. Okay. And
3:33:06
now goes to Pharos. Pharos.
3:33:08
You see Millie Adams. her throat
3:33:10
slipped. And I mean, she's got remember, she looks like she was dressed in the nines when
3:33:15
you saw her at the Lafayette Theatre. She's wearing
3:33:17
a very similar stylish breast, but it's just like the whole front is
3:33:19
covered in blood. And
3:33:26
then, right, near me is still Carter and Vaughan grout. They got they got
3:33:28
their other other going on. Yeah.
3:33:30
And the pilot and the pit.
3:33:32
Yeah. And the pit. And the
3:33:34
pit. The shortest board of options. I
3:33:37
want to go pick up
3:33:39
the scepter and, like, love it
3:33:41
across Vaughan's head to try to,
3:33:43
like, knock them out. You
3:33:46
wanna walk over to
3:33:48
Wakanda Madari. His body is
3:33:51
corpse. Grab the scepter. Yep.
3:33:54
And smashed with
3:33:56
him. Okay. You walk over
3:33:58
to Mokengamadari, you grab the scepter,
3:34:01
the minute your tan touches
3:34:03
the scepter. Oh, no. You
3:34:06
just feel like we're, like, sent back to
3:34:08
another world. where
3:34:11
you look like
3:34:14
cleopatra sitting on a throne holding this
3:34:16
sept and
3:34:20
you look in front of you, and
3:34:23
there are just people fighting
3:34:27
to the death. You're not
3:34:30
quite clear, Patrick, obviously, but you have that look,
3:34:34
that feel, and you feel
3:34:37
such power. and we just see a
3:34:39
wide smile cover
3:34:45
your face. They come back into the room and
3:34:47
you're holding this scepter and
3:34:51
something about holding this scepter
3:34:53
fills you with a power.
3:34:55
that you have never felt. This should
3:34:59
have been
3:35:03
mine all along. And as I shake
3:35:06
that off, am I still
3:35:08
able to help out back? I
3:35:10
can't Yay up, fortify your flesh.
3:35:14
who you could beat
3:35:16
together once. Okay, bro.
3:35:18
Jesus. Get a hold of yourself. Now, Vaughn,
3:35:22
Do you wanna try and dodge
3:35:24
this? Do you wanna try and
3:35:26
fight back? Now, fighting back would mean you release Carter. Dodge, I think you could dodge
3:35:31
and, you know, still hold on to him.
3:35:33
I feel like I'm so focused to take it. I feel like I'm so focused that I may not even
3:35:36
notice this. until
3:35:40
it's already too late.
3:35:42
Final answer? Final answer. There's a chance she could kill you if she strikes
3:35:44
true. because
3:35:49
she is so fucking strong. Right. So
3:35:52
But I mean Did she have the
3:35:54
opportunity to kill him? kill him. My
3:35:56
intention was to knock him out. the road
3:35:58
to hell is paving good intentions. Roll a
3:36:05
melee attack. Oh,
3:36:07
Okay. Let me see what I have for Mille. Rolla softy. Not
3:36:10
brawl. Is it
3:36:13
Ball? Yeah. I
3:36:16
think so. Yeah. Okay. You just
3:36:18
I love this. You
3:36:21
take this. You feel
3:36:24
absolute power. I rolled a
3:36:26
thirty three under thirty
3:36:28
four. Is that good?
3:36:30
I am willing to spend
3:36:33
as much luck as I need to
3:36:35
make that, like, the success I need
3:36:37
to make sure he's knocked out and not killed. I've been surprised.
3:36:39
a glancing blow and not direct
3:36:43
skull crushing hit. So you tell
3:36:45
me if I Do you need thirty three?
3:36:47
Under thirty four. I'm
3:36:50
not planning an extreme success to be
3:36:52
able to do this and that means I have to
3:36:54
spend so that means it needs to be what
3:36:59
if she's under five. Under five.
3:37:01
Okay. So I'm going to spend Is it
3:37:03
that or is it the damage she rolls? Like, she
3:37:07
succeeds in hitting him. Ira, she
3:37:09
succeeded in hitting him. Well, here's the thing. It's like I can
3:37:11
say roll damage. and
3:37:15
it's just gonna do damage to him. But
3:37:17
the extreme success will allow you to control the damage. Yeah. Okay. Alright. I got I got
3:37:19
I got a lot of sanity to spend.
3:37:24
I'll I'll I would love to spend.
3:37:26
So let's Yeah. I if a extreme, by four is, like,
3:37:32
five points. Something she gotta get under five
3:37:34
or under. So you gotta spend twenty nine
3:37:36
points of luck. Troy? Okay. I'll do that.
3:37:39
fifth. Right? So she's gotta get what? A
3:37:41
thirty about six? That's fine. Yeah. That's fine. Yeah.
3:37:43
So I'll spend twenty nine
3:37:46
points of my seventy two look
3:37:49
points. Okay. So you spin that and you walk
3:37:51
up to Vaughan and just whap.
3:37:53
Now, give me the damage. Give me
3:37:55
AD6 plus your damage
3:37:57
bonus. Okay. I wanna see if this brings him to zero or below.
3:38:00
Damage bonus is it's
3:38:02
been so long since I
3:38:04
looked at the I'll
3:38:06
get damage bonus as AD4
3:38:08
Okay. So so
3:38:15
three points total. No. AD6 plus
3:38:17
your damage bonus is only three? I
3:38:20
rolled really low. Okay. Well, here's the thing. It's
3:38:22
non lethal damage, but it's not enough to knock him
3:38:24
unconscious. You
3:38:26
know what I mean? Like, you get
3:38:28
three points of damage, but I think
3:38:30
Vaughan has nine hit points. But if it's enough for him to let go, a
3:38:36
Carter. You know what's enough to
3:38:38
do? Give him a penalty die his next check. There we go. we're
3:38:40
talking. But
3:38:44
as I'm doing this, I if Carter
3:38:46
is able to be released, I'm
3:38:50
gonna shout God, grab
3:38:52
the lantern. Look at fucking pit
3:38:54
on fire. What is Carter's turn? And
3:38:57
I'm gonna say with only
3:38:59
three damage, that's enough to
3:39:02
kinda like Sand Vaughn and a Tizzy.
3:39:04
But he's he's still, like, doing
3:39:06
his best to try to hold
3:39:08
on to Carter's. So how that's
3:39:10
gonna result mechanically? is a penalty die for Vaughan. Carter, you have a to try escape that's your
3:39:15
choice or you're gonna wanna run back to the drug.
3:39:17
Tell me what you wanna do. Yeah. Alright. I'll use this as an advantage to try
3:39:19
to break free and
3:39:22
set that set
3:39:25
that maw on
3:39:28
fire. Okay. Break free would be
3:39:30
the action this round.
3:39:32
Yeah. And Millie Adams is
3:39:34
bearing down. Sure. Is there is
3:39:38
there let me ask you this. And
3:39:40
and you can totally say, like, well, I
3:39:42
don't know this. You try it. Not that you talk like that.
3:39:45
Sometimes I do. Is there any way
3:39:47
to snap vaughn out of this? Like, if I
3:39:50
try to roll like a persuade or just something to
3:39:52
like reason
3:39:54
with him and
3:39:57
be like, it's
3:40:00
me. Or is it just like
3:40:02
this is mechanically, this is a five round spell?
3:40:04
And that's fine. I can live with that. Tricky.
3:40:06
Right? Like, I feel like a douche demon. are
3:40:08
meant to No. No. If that's the game
3:40:10
that's the life plan. It's meant to be he
3:40:13
is take he is so his sanity is
3:40:15
such on such a string, it's
3:40:17
you're you're he's lost to you.
3:40:19
Okay. Alright. Then I then I try to I
3:40:22
mean, we gotta try to break this somehow. Otherwise,
3:40:25
fucking playing grab ass for four more rounds.
3:40:27
So I'm gonna maybe it's just a game of survival here.
3:40:29
Mhmm. Just make it long enough for him to come to his senses and you'd
3:40:32
be fine. I
3:40:35
don't know. He's got this penalty die. This might
3:40:38
be enough to get away. Yeah. Yeah. Let me try to get away. So there's got the free
3:40:40
throwback. this
3:40:43
is a chance to maybe do some
3:40:45
damage to this pizza thing. Mhmm. If
3:40:47
you wanna use strength here instead of bra, buns use strength. whatever
3:40:51
you think I need to do to get
3:40:53
to break off. It's up to you. Last time it was bro because you were
3:40:56
trying to position
3:40:59
him. If you just wanna break
3:41:01
away, it's straight up straight. Yeah. Well, okay. Well then,
3:41:03
I mean, my bra is better. So So
3:41:07
if it's if it's better for
3:41:09
me to nearly say like I try to like like
3:41:11
throw him out the I'll
3:41:14
slam into the pit. No. No.
3:41:16
No. No. We're not there yet.
3:41:18
Like, God. I thought about it. Don't worry. just
3:41:22
away, like towards the door to some, you
3:41:24
know, if that's then I'll do that. Okay. Alright. So you're just
3:41:26
you're you're not only trying to break away, you're trying to redirect
3:41:31
him away. because you don't want him to
3:41:34
fall into the pit. Alright. And Vaughn, you're just you're just trying to grab on with strength. So Vaughn, you'll take a penalty die, roll the tens
3:41:36
twice. and
3:41:42
Rob here straight out, bro. Fuck
3:41:45
my life. I'm gonna push
3:41:47
it. I got an eighty
3:41:49
two over seventy seven. Can I push this? Yes.
3:41:51
You wanna hear Ross' results first. Okay. Sure.
3:41:54
So you had a
3:41:56
fail? Did Ross? Was
3:41:58
your penalty? He can't push it. I
3:42:00
rolled it off. I also failed.
3:42:02
I rolled a seventy seven over
3:42:05
seventy five. Okay. So two fails
3:42:07
as Michael said, you can't push in combat. I think two fails is a null
3:42:09
result. It's not like,
3:42:12
well, you've got you've
3:42:14
got at least succeed to So you're
3:42:16
just like going back and forth. I
3:42:19
mean, unless I Can I spend
3:42:21
my luck to succeed? Or is that cheating?
3:42:23
because I know the result. Let's
3:42:25
keep it. Let's keep it
3:42:27
entangled. Yeah. Keep it entangled. I
3:42:30
think you guys are gonna make
3:42:32
it. Okay. But it's vodka
3:42:34
churn. Yeah. Great. Volume. And I'm still under
3:42:36
the effect of the blow, no doubt. So my
3:42:39
Yes. Great. I will say for whole
3:42:43
round because of her extreme
3:42:45
success, she'll take the penalty die.
3:42:47
Great. Oh, man. Rob, give me a strength role. to
3:42:51
try and resist this. This is an
3:42:53
opposing role. He's trying to pull you
3:42:55
towards the pit. Here's the thing. Like, Von
3:42:58
was wounded in the war. He's
3:43:00
he's he's but he was
3:43:02
a he's not like a small guy.
3:43:05
He has a lot of,
3:43:07
like, compact power. He took a
3:43:09
fall from a from a very high window. A third story
3:43:11
fire escape. And And
3:43:15
like this blow hits him and he
3:43:17
rolls a seventy one under seventy five. That was the highest of
3:43:19
the two rolls. regular
3:43:22
It was a thirty something. It's a regular
3:43:24
success. So, like, I think it's even, like, even if you
3:43:27
get out of the grasp suddenly, and it's
3:43:30
like a preternatural strength on your,
3:43:32
like, priming up your arms. It's like,
3:43:34
don't worry. I know you'll frightened if or not.
3:43:37
I'm fucking God damn it.
3:43:39
I rolled a seventeen under seventy. So
3:43:42
I got a hard. You got a hard
3:43:44
success. great. So you're
3:43:46
able to resist. Don't cut
3:43:48
the shit. God. I mean,
3:43:50
that was it. That was pit.
3:43:53
That was brad
3:43:56
pit. The
3:43:59
creature is just you see it
3:44:01
kinda like spilling out now
3:44:04
over the edge and
3:44:06
it's just like reaching towards
3:44:08
the both of your feet. I mean, the saddest
3:44:11
thing about this is trying to pull vaughan in as well.
3:44:13
Like, it's just you don't know how far it can move. It
3:44:15
feels like it's confined to the pit. you
3:44:18
know, it's it's eight feet or so down,
3:44:20
but it's this mass that can kind of
3:44:22
grow as tall as it wants, and it's spilling out like an oozed just
3:44:26
faces, creaming across the floor
3:44:28
or trying to pull you in. Creaming
3:44:30
with your verbiage. It's creaming. Yes. It's all it's
3:44:36
screaming. You don't have
3:44:38
to like it. Margo, you are face to face.
3:44:43
I need more. God. That's what I need.
3:44:45
With me, with him. And he wants to join. You're face to face with
3:44:47
Milli Adams. We're we're circling the drain here. Milly
3:44:52
Adams, she is going to
3:44:54
no doubt that they try
3:44:56
to kill you if you
3:44:58
don't kill her. I mean, even
3:45:01
though she's already dead, what do
3:45:03
you do? Shoot at
3:45:06
her twice. First hit bonus die in
3:45:08
point blank range. Let's see. Both shots. I've gotten no more
3:45:10
luck this time. So let's see how this goes. fat.
3:45:15
You're you're flash back to her
3:45:17
in the Lafayette Theatre. The looks
3:45:19
please, my He's innocent now it's just wipes
3:45:24
of her head. It's not
3:45:26
her as she's gone. She's
3:45:29
it's not her she's gone.
3:45:31
The first shot does not
3:45:33
hit. The lowest I got was forty six over
3:45:36
twenty five. So
3:45:39
Oh, no. Somehow. Oh, no.
3:45:42
Oh, no what? Better hit the second shot. Oh,
3:45:44
okay. fucking
3:45:47
mosquito still here. I think
3:45:49
he's got a friend. They had babies
3:45:51
this episode so long. Nope. Nope.
3:45:54
Somehow somehow don't do
3:45:56
it. Somehow don't do it.
3:45:58
So that's cool. This is have
3:46:02
I'm having fun. Let me just get
3:46:05
the book out because I think I might need it
3:46:07
for whatever she's gonna do. The
3:46:10
dead. Combat? Millie Adams
3:46:12
reaches out to choke
3:46:15
you to death. Okay. do
3:46:17
you want to fight
3:46:19
back or dodge? Dodge because decks.
3:46:22
I have fifty two in dodge versus
3:46:24
bras, forty
3:46:27
one. So I wanna try to dodge
3:46:29
it. Remember you fought these type of creatures before and that you have to
3:46:31
target the head to do damage if she
3:46:36
works like the other ones, and that means
3:46:38
it would be a penalty die, which means
3:46:40
it would just erase your bonus die. So
3:46:43
if you wanna target the head, You've got
3:46:45
to do that at just straight roles, but you
3:46:47
have to spend next round
3:46:50
to reload. Let's see what
3:46:52
the fucking corpse that Milli atoms can do.
3:46:55
You try to dodge. Regular
3:47:01
success. Bam. Fuck. Seventy one over fifty
3:47:04
two. And I spent
3:47:06
on my luck. Here comes
3:47:08
the damage. Thanks for taking over more long. You
3:47:11
have the highest hit points of
3:47:13
anyone in the group. I don't know.
3:47:15
But this is going to be some
3:47:18
damage, as the corpse of Milli
3:47:22
Adams smashes at you.
3:47:25
Smashes Oh, no. Oh, my
3:47:28
god. I wish I
3:47:30
was lying max damage.
3:47:32
You can't lie? eight points of
3:47:35
damage -- Right. -- the major wound. Is a major
3:47:39
wound. Our first major wound. In
3:47:41
twenty episodes, everybody. If you take
3:47:43
take one attack that does over half your hit point damage that is
3:47:47
a major wound. Why is it important?
3:47:49
If you get to zero hit points and you have a major wound, you
3:47:51
begin to die.
3:47:55
If you go below zero on
3:47:57
your next hit, You're just dead. Whoa. Where's the major wound
3:48:00
fit page?
3:48:03
Alright. So you see this
3:48:06
thing just Berry. Is Millie Adams gonna kill Margot?
3:48:10
We're done with the
3:48:12
dragon creature. It's Millie
3:48:15
Adams. Michael says she must make a con roll right now. Michael? Michael. Right
3:48:17
now. Michael, like I said,
3:48:19
you could take the rest
3:48:22
of the night off. Michael says,
3:48:25
Oh, yeah. We got it from here.
3:48:27
But her hit points didn't fall to
3:48:29
zero, Michael. I don't think she
3:48:31
makes the until her head puts forward
3:48:33
a zero. Right? But maybe maybe because it's
3:48:35
a major wound or what it's called.
3:48:37
I'm trying to help Margot, but I
3:48:39
think you're right. I trust Michael implicitly.
3:48:42
Well, there's the table.
3:48:44
Like, I don't
3:48:46
know. There's a table for, like, wound A major wound can make a character fallen. Oh, shit.
3:48:51
Without getting zero. Yeah. Thank you, Michael.
3:48:53
What's that first major wound? oh, man. viral con. You roll a contract.
3:48:56
If you
3:48:59
fail this con roll, you fall
3:49:02
unconscious health. That might be the best thing for you. Take you out of the combat, but you just hope Willie Adams
3:49:04
doesn't keep smashing your
3:49:07
fucking unconscious body. So
3:49:10
just move on to fevers. No.
3:49:12
It wasn't making me too
3:49:14
nervous. Alright. Mhmm. Alright. Get
3:49:17
them. Get them. I am
3:49:19
going to let's I'm, like, stuck with Wait. Wait. Wait. It was con thing. She's this cholesterol. Con. So that's
3:49:21
all okay. Thirty four
3:49:24
under fifty five. Alright. You
3:49:26
gotta say, you do not fall
3:49:29
unconscious. However, you have a
3:49:32
major wound and four
3:49:34
hit points left. Four. Okay.
3:49:36
I'll tell you right now she does
3:49:39
1D4 damage, plus her damage
3:49:41
bonus, which is 1D4 and I
3:49:43
rolled two fucking fours. average
3:49:45
role has me kill you next round.
3:49:47
Oh, boy. That sounds great. I'll be right back. I
3:49:49
need to film my wine. Jesus. Yeah. Yeah. I had
3:49:51
to I had
3:49:54
to Can we I
3:49:56
got a piece so bad now?
3:49:58
You pee, you feel your wine. I'm talking to Feyruz. Alright. Feyruz. I think it's your turn.
3:50:04
I am stuck between this and this is That
3:50:06
was Margot. Yes. Then it was that, Macunga's
3:50:09
dead, Phéros. Yeah. You see? Margo gets
3:50:12
lit up by really atoms. And meanwhile, Vaughan and Carter
3:50:14
have got their thing going on Carter. He's like, fuck what are you doing? And Vaughan is
3:50:16
just just
3:50:21
yelling nonsense at him. Fuck it. I gotta do
3:50:23
something about this pit,
3:50:26
so I'm gonna take the lantern
3:50:28
I'm gonna light it and I'm gonna smash it
3:50:30
into that pit so that just, like, causes
3:50:32
the whole thing to light up. So you walk
3:50:34
to the edge of the path. We give it
3:50:36
a little toss. No. I I wanna, like,
3:50:38
freaking slam that thing down so
3:50:42
that it breaks and explodes.
3:50:44
Okay. Alright. So Veyra's grabs
3:50:46
the lamp, walks up. I
3:50:50
light it first. Light
3:50:52
it walks up and
3:50:55
just throws it in. You see
3:50:57
it start to, like,
3:50:59
scream. Some of the
3:51:02
faces start to melt as
3:51:04
the fire catches their
3:51:06
skin. It looks like
3:51:08
it's mad, but you
3:51:11
definitely hurt it. Give me 1D8 roll. AD8
3:51:13
Yes, ma'am. How long have
3:51:16
you? that AD8
3:51:19
Hang on a sec. There we
3:51:21
go. Eight. Yes.
3:51:24
Well, la d
3:51:27
fucking die. Okay? You throw
3:51:30
this fire and the
3:51:32
fire is starting to
3:51:35
spread on the Chakota. But Margo
3:51:38
is in rough shape,
3:51:40
and Vaughan and Carter
3:51:42
are fighting for their lives.
3:51:45
It is Carter's turn Carter. The
3:51:48
penalty dies throughout the window here. You guys are just
3:51:50
caught in this stalemate trying to go back and forth.
3:51:55
what do you do?
3:51:58
Alright. Here's my idea. Is there a way you know in Temple of
3:52:00
Doom, Indiana
3:52:06
Jones Amber. Mm-mm. There's this,
3:52:08
you know, there's this wheel
3:52:10
thing, right, that that
3:52:13
works the the thing that lowers people down into the
3:52:15
volcano and they get fucking incinerated
3:52:19
or whatever. I wanna take
3:52:21
Bon and throw him into the wheel and hope
3:52:23
that that's enough force to
3:52:25
fucking move the thing and crank it
3:52:27
down and shut the shut the
3:52:29
lid. Okay. This is a
3:52:32
maneuver, a complicated maneuver. It's
3:52:34
gonna require it's gonna require
3:52:36
a success more than normal.
3:52:38
I could go crazy and say extreme, but that's
3:52:41
asking a lot.
3:52:44
This sounds like
3:52:47
a bra check but it's a
3:52:49
very specific bros check
3:52:51
that he's going to
3:52:53
try and oppose. Mhmm.
3:52:55
It's not impossible. I like it because
3:52:59
it's cool. It's very pulpy, but
3:53:02
if it worked, it would certainly help. Now I already mentioned that the lid was not only, just
3:53:04
lift up because before -- Right. --
3:53:06
you were, like, you could it's
3:53:08
off, but that doesn't mean it couldn't,
3:53:11
you know, in enough force See
3:53:13
what happens. Closing this pit would certainly
3:53:15
help you. So give me the role and let's see
3:53:17
what happens in the narration. Ross, you you can oppose
3:53:20
it with drink.
3:53:23
Okay. Now before I roll
3:53:25
and before I find out what what Ross rolls, if I wanna
3:53:28
spend luck, like,
3:53:32
announce it before I even know what
3:53:34
Ross's result is. Right? Sure. Sure. Which
3:53:36
could bite me in the ass if
3:53:38
I spend a lot to bring it
3:53:40
to an extreme, But then Ross is like, I just actually rolled the tube,
3:53:42
my friend. And then I'm you don't talk about that either.
3:53:47
Right? It's a gentleman's a great blessing to
3:53:50
do that. Yeah. Right. Classic meat. Alright. I think I drank an entire bottle of doesn't show.
3:53:53
Here we
3:53:57
go. It
3:54:00
will tomorrow. Oh,
3:54:02
no. I succeeded
3:54:04
by five points.
3:54:07
I'm gonna spend Oh,
3:54:10
man. We're blowing
3:54:13
old and good
3:54:15
luck tonight, baby. Oh,
3:54:18
yeah. Yeah. I'm gonna spend.
3:54:20
Okay. So I need to get
3:54:22
to half of seventy seven. That's what? Thirty So now thirty eight.
3:54:27
Today, it per the book
3:54:29
for a hard success. Thirty eight gigahertz stream would be if you're, like, not looking at me. chicken
3:54:32
chicken. I
3:54:37
would need to get to forty eight. Is
3:54:39
that what you're just saying? Third or
3:54:41
thirty eight? Thirty thirty eight for a
3:54:43
harder. How much luck you have? Forty
3:54:46
four. So I'd
3:54:48
have to spend
3:54:50
thirty four
3:54:53
points. I'm gonna do it to get
3:54:55
it to a hard. What
3:54:58
did you get broth? Ninety
3:55:01
one. Fail. Alright.
3:55:04
So so bad
3:55:08
ass. so cool. I mean, it
3:55:10
kinda goes back to Peru when
3:55:12
Carter was begging Jackson to write
3:55:15
a story about him. Like, he's
3:55:17
wanted to be an action hero since
3:55:19
the beginning, and he does the
3:55:21
most action hero move possible. You break
3:55:23
out of this hold and throw on
3:55:26
in the direction of the winch that
3:55:28
is holding up this. Yeah. He and
3:55:30
the So he, like, he, like,
3:55:32
he pounds both his hands down to,
3:55:34
like, break the the the grip, and then grabs Vaughn and pulls them off to space. He
3:55:37
goes, I fucking
3:55:39
love you and
3:55:42
turn it close the
3:55:44
loop. It has buttoned
3:55:46
up against it. And you see this wheel just
3:55:48
to to to to to to to to turn. And even though
3:55:50
it's on the ground, it doesn't like immediately close.
3:55:54
but it takes it up to that
3:55:57
next level where one more turn with strength is
3:55:59
enough to, like, probably close it. not
3:56:02
only that, you're free of Von's grip.
3:56:04
I think this is around three of
3:56:06
five. So you're so close to just like surviving,
3:56:09
but Marco was still in rough shape
3:56:12
and you look over there, like you see Marco
3:56:14
just like like a mortal combat guy at the end,
3:56:16
like finish
3:56:18
him. Oh, dear. And his
3:56:20
bonds turned bond, you've been thrown across
3:56:22
by your by your man, by overrun. you
3:56:27
just see him, like, he throws you, but,
3:56:29
like, you almost feel like you're caught in a ballroom dance like he threw you,
3:56:31
and now his hands are outstretched to you to come back. Yes.
3:56:37
And and you just see me,
3:56:39
like, steady myself against that winch
3:56:41
was a cuck, cuck, cuck, cuck,
3:56:44
cuck because I'm like, pulling it
3:56:46
down and then standing. And just
3:56:48
with unlike eerie calm in the
3:56:50
middle of all of all this
3:56:53
insanity. Yeah. I'm fully seeing like a
3:56:55
like you just see him dust himself off and kind
3:56:59
of, like, straighten the mustache, like,
3:57:01
extend his hand to you, click
3:57:03
his heels, like bow. Oh, yeah. He just he just
3:57:07
kind of walks towards you with his hand
3:57:09
out stretch. Now, get it away from get it. Okay.
3:57:11
It's a slap of hand when you do that. what? It's nine
3:57:14
five of them.
3:57:16
Yeah. Harper's accusing
3:57:18
him of the man. nothing to
3:57:22
fear. Nothing at
3:57:24
all to fear.
3:57:27
So what do you do? Do
3:57:31
you think he's walking
3:57:33
to me? I
3:57:35
feel he's a mile away from a distance. I walked oh, yeah. walked to
3:57:39
him and tried taken by tried to take
3:57:41
him by the hand and grab it. Yeah. Just
3:57:43
come to answer with me. But I'm still under the effect of the of my head,
3:57:48
it wound. Yeah. Sure. Give me a
3:57:50
strength. Just a strength. a strength check, Rob. Give me a stink check.
3:57:55
No more luck to really
3:57:58
work here. Forty nine hundred seventy. Did you
3:58:01
ever think that the
3:58:04
final boss would be
3:58:06
each other? forty minute now when I think about American politics. Chano
3:58:09
and pedantic. Alright.
3:58:12
So that's a
3:58:15
regular success. And Would you get there
3:58:17
Bonnie? I've got a MS of
3:58:20
an old sixty seven hundred and seventy
3:58:22
five. Another regular success. The aggressor wins
3:58:25
so he just he grabs you. And
3:58:28
like, Carter, you feel like you're being
3:58:30
swept up in a dance. It is so weird and, like, unsettling.
3:58:32
When did you
3:58:34
get the strong geez. And it is like
3:58:36
it is like I'm kind of turning you ballroom
3:58:38
style arm, like at the at the at the
3:58:41
base of your back, but the
3:58:43
grip on your hand is, like,
3:58:45
way too hard. I I say
3:58:47
no to you. and you turn him
3:58:49
around towards the pit and you see
3:58:51
all those faces in the pit and they
3:58:54
just look like a gallery of well dressed people
3:58:56
like Oh, so
3:59:03
beautiful. It
3:59:07
is now Margo's
3:59:10
turn. Margo, you are
3:59:12
one successful
3:59:15
hit. Oh god. Away
3:59:17
from death. What's going through your head
3:59:20
right now? through
3:59:23
marked through my head or
3:59:25
through marked my head. Both. Fucking my
3:59:27
head. I'm just kind of like, well, If
3:59:30
I wanna aim the
3:59:32
shotgun, that means I lose my
3:59:34
extra dice. I only have twenty five in shotgun.
3:59:40
but I've got forty one in
3:59:42
brawl. Yeah. And you've gotta spend you
3:59:44
gotta spend this long around reloading because
3:59:46
you shot last You're showing us
3:59:48
useless to you now. Oh, well,
3:59:50
this makes my choice really easy. Marga, what she's thinking about fight. Holy
3:59:56
shit. I'm gonna die right
3:59:58
now. I don't friends die. She
4:00:02
takes out her to reload that.
4:00:05
one round with a penalty. He says Michael Michael chimed in said
4:00:07
you can reload and shoot one
4:00:11
shot with a penalty. High risk -- Yes.
4:00:13
-- simply high reward, but you have to kill that's to be a kill shot. I think it's too high
4:00:16
risk because of
4:00:20
the fact that I have a twenty five. So if
4:00:22
I don't have the extra bonus i point and aiming Correct. it's really to hit. I think
4:00:24
she going
4:00:27
to take out her combat knife. Like, I
4:00:29
imagining she's, like, on the ground or something and Millie is, like, on top of her. Like, she's trying to get
4:00:32
at her. and
4:00:36
she just like wiggles to the
4:00:38
side and takes out her knife and then just tries to just get a ray in the head you
4:00:40
know, you
4:00:45
gotta Right in the dome. Right? That's the only thing that's
4:00:47
gonna actually do damage. So
4:00:50
that will be a penalty guy to
4:00:52
aim at the head. Cool. Okay.
4:00:54
I'm gonna die. You wanna
4:00:57
you wanna target a specific
4:00:59
part of the body? The
4:01:01
good news is she's not fighting
4:01:04
back. Okay.
4:01:06
Okay. No. This is
4:01:08
the best option. and here
4:01:11
we go. Here we go. There
4:01:13
both of the dice
4:01:15
are the same again
4:01:18
and it's an eighty eight
4:01:20
over forty one.
4:01:23
So So
4:01:25
that's a fail.
4:01:27
That's a fail. Milly
4:01:31
Adams turn. No. Hey, yeah.
4:01:33
Oh, boy. You go to stab and you
4:01:35
just, like, just, like, miss. and
4:01:39
she just, like, claws at
4:01:41
your face and her fingers are, like, pushing against
4:01:44
your eyeballs. And
4:01:48
as she's doing it,
4:01:50
you're like seeing yourself painting this portrait of a
4:01:52
creature clawing
4:01:55
your eyeballs. You're like regarding
4:01:58
it as it's happening to you. You wanna fight back or try to
4:02:00
dodge her.
4:02:05
Kill shot. I
4:02:08
can roll two
4:02:11
ones. But if a successful
4:02:13
hit, the average damage would be a
4:02:15
kill shot. So dodging the hacker
4:02:20
wins, fighting back.
4:02:24
I mean, what's
4:02:26
better. I mean, fighting back, the
4:02:28
good thing about that is if
4:02:30
you have a higher success, you'll do damage. I'll
4:02:33
do that. But the bad thing
4:02:36
is, like, if I tie you,
4:02:38
I do damage. Dodge, you've just gotta tie me and you'll mess. So it's
4:02:43
fighting back as high risk high
4:02:45
reward. Let's do dodge. Mhmm. You wanna get out of dodge? Alright.
4:02:47
Here we go. Full
4:02:51
manned. I'm pulling for your margot, but
4:02:53
it's not up to me. Do you need to roll anything? Yeah. I got a roll to attack.
4:02:55
Mhmm. I could miss the attack. Yeah.
4:03:01
She's trying to clamp down your
4:03:03
face. She's a she's a slow
4:03:05
old zomboon. She might not make
4:03:08
the attempt. What did you roll? Got
4:03:10
a hard success at twenty five
4:03:13
hundred fifty two. And I
4:03:16
failed. Yes. I live another round.
4:03:18
Maybe. Give us one more
4:03:20
clip. Your sweaty face sheet.
4:03:23
Her hands slide off of it.
4:03:25
And it is Feirou's. Feirou's. Please save
4:03:27
us. Do a stuff like Feirou's. Screw
4:03:29
that fire in there. Give me another
4:03:31
d a worth of damage. Okay. From
4:03:33
the fire, that's just consistent
4:03:36
word. Oh, god.
4:03:38
Another eight. Another 862
4:03:41
point six. Of damage.
4:03:44
It's just melting. You smell
4:03:46
burning flesh and hair.
4:03:48
Just filling up the entire room. What
4:03:50
do you do? Is is Carter and
4:03:52
and fucking Vaughan or, like, fighting near
4:03:54
the pit right at the edge? Right
4:03:56
at the edge? and Mulev Margo and Millie
4:03:58
Adams are on the ground wrestling. Okay.
4:04:02
Explain the situation. Is this
4:04:05
like Is it by a rope that's lowering
4:04:07
this down? That's So
4:04:09
this is like a mirrored winch pulley
4:04:11
system that, like, when when Carter threw
4:04:13
Vaughan into it, it, like, lifted it
4:04:16
off the ground. And now
4:04:18
the next phase would be lifting
4:04:20
it down. But you remember when you were
4:04:22
here the first time, it took two of
4:04:24
you to, like, combine strength to do it.
4:04:26
But is this a thing where it's like
4:04:28
I cut a rope, it just falls
4:04:31
down. Oh, that's interesting. Yeah.
4:04:33
Because I have a knife on
4:04:35
me and I wanna climb up
4:04:38
and just hacked that thing off. So it just falls down. Okay. That's interesting.
4:04:44
Alright. So you move over
4:04:47
there. you climb up to where that you're, like, looking at this, you're starting to like, you
4:04:52
know, quick calculations on this give me a
4:04:54
strength check to try and cut through this thick cool
4:05:01
mirrors. You got it.
4:05:03
I rolls a twelve under seventy five. That is extreme success.
4:05:08
An extreme success. You've found
4:05:11
a strength. You didn't even know you had -- Yes. -- slice through this and just,
4:05:13
wham, this stone
4:05:16
slab goes down
4:05:19
and you just you smell that
4:05:22
burning underneath that continues
4:05:24
to burn this
4:05:27
creature got a smoke card going. The Mokanga Madari called the
4:05:29
Chikota. Smoke just
4:05:32
like spilling out
4:05:35
between the cracks that seems to be
4:05:37
out of the way which
4:05:39
could very well save Carter's life,
4:05:42
but Margo is still in a tough
4:05:45
position and now
4:05:49
it goes to
4:05:53
Carter. No longer
4:05:55
afraid about being thrown in this
4:05:57
pit. But -- Yeah. -- things aren't good.
4:05:59
You've grown close tomorrow too. Yeah. So you're torn. Margo,
4:06:03
I'm coming for you. This is my next round I'm coming
4:06:05
for you. Yeah. I wanna try to break away I'm
4:06:07
trying to break away from arm.
4:06:13
Yeah. Okay. So it gets stronger.
4:06:15
strength or bra versus
4:06:18
strength or bra versus strength.
4:06:20
Braul? Well, what are you trying to do? If you're just
4:06:22
trying to break away its strength. Okay. Then, yeah,
4:06:25
I'm trying to break away. Okay. He has comparable
4:06:27
strength, so it's just like, god, love me. street
4:06:29
pressure free. on. I've just had enough of the
4:06:31
shit. It's been a
4:06:34
long day. There's a lot going
4:06:36
on. Margo needs us. asshole. You just
4:06:38
hear me whispering, like, up on the heels,
4:06:41
down on the toes. There you go.
4:06:43
That's where it goes. That's how
4:06:45
to do the varsity
4:06:48
ride. And I'm, like, pushing
4:06:50
you closer. I got
4:06:52
a regular success. And I got what they
4:06:54
call a failure. So you break
4:06:58
away, one round away
4:07:00
from being back to his
4:07:02
senses. Vaughan, it's back to
4:07:05
you. Your your dance partner
4:07:07
is being a bit Coy.
4:07:09
No means no. Scott
4:07:12
can't. Yes, of course, but
4:07:14
you're not speaking in
4:07:16
your voice. Like, I I'm I'm compelled. I'm going
4:07:18
for it. Of course. Man, trust me. Get
4:07:22
me, like, zoom into Von's mind.
4:07:24
Yeah. While he does some sort
4:07:26
of post strength of the spell. Yeah.
4:07:29
Yeah. If only, I
4:07:32
could go into my
4:07:35
mind palace from, pushing against
4:07:37
this. Right. So you're coming
4:07:39
at me to grab me.
4:07:41
Yes. And then So then I'm doing Troy, I'm doing a bra or a strength to
4:07:43
This is versus strength
4:07:47
here. I
4:07:50
got a regular
4:07:52
success. I failed. Alright. So it's
4:07:54
it's cat and mouse, but like
4:07:56
what you've done, Carter, by having
4:07:58
little successes along the way, is
4:08:01
just kept yourself alive, and now the
4:08:03
pit is closed off. So he's grabbed
4:08:05
you again, but you know that, like, whenever bonds have these
4:08:07
episodes, they don't last forever. And
4:08:10
so you're just hoping it will
4:08:12
end, and it does end next
4:08:15
round. However, that's not the problem anymore. The problem is Margo
4:08:19
and this creature Margo.
4:08:21
Now, it's going to fight
4:08:23
back against you. if
4:08:26
you try to strike it,
4:08:29
what do you do? Run away. Just riding.
4:08:31
Just walk. War away. Well, so Let's
4:08:36
see. If I wanna
4:08:39
try to get
4:08:41
away like flea,
4:08:43
I'm not grabbed. We just narratively
4:08:45
said you guys were struggling on the ground, but that struggle
4:08:47
could have gotten to its feet. flea
4:08:52
would be like a
4:08:54
sex. Oh. Right? Oh. Yep. Yep. Sorry.
4:09:00
Just throwing it out there. No
4:09:02
flea. You can just run. Just get out of there. Like you did against that
4:09:07
serpitt. And I don't need to worry about
4:09:09
it. Sometimes running away is the best thing you can do. And I don't need the only thing because we're not actually grappling. Right. You're grappling. It's
4:09:12
totally different so
4:09:18
you could just die. burn away. You break you break
4:09:20
away. And
4:09:22
you hope that your friends can
4:09:24
save the day. However, now you've
4:09:26
exposed your friends. to this creature and this creature goes to bite one of
4:09:31
your friends and I'd like you to
4:09:33
roll AD60 shit. On
4:09:35
A12 it's Vaughan, on A34 it's on A56
4:09:38
it's Pharrus. I personally
4:09:40
am going to need
4:09:42
a sanity roll after this.
4:09:44
I feel that's true.
4:09:47
That's not fair. One,
4:09:49
two, Bon, three, four,
4:09:51
Carter, five, six, Feyruz. I
4:09:54
roll the six. It goes to But
4:09:56
she's up on top of the thingy. I am on top of the thingy. She
4:09:58
is on top of the thingy. So that would have been 123 von
4:10:03
456 Carter. Oh. So
4:10:06
it sounds after Carter. Oh, I forgot I forgot about the thingy. So one thing is everybody
4:10:08
wanna Carter,
4:10:13
you can fight back or you
4:10:15
can dodge. I think my fight
4:10:17
back is better. That's a bra.
4:10:19
Right? Okay. High risk, high reward.
4:10:21
Yeah. Let's roll my friend.
4:10:24
Millie. I tried
4:10:26
to help you just
4:10:29
for the record.
4:10:31
regular success. I got a hard twenty
4:10:33
nine hundred seventy seven. Oh
4:10:36
my god. So you fight
4:10:38
back and you do damage. Momentum.
4:10:41
Alright. So what do you She's
4:10:44
really heart jeez. Dude, I thought that
4:10:46
was a fail from you. So so yeah. So
4:10:48
she Well,
4:10:50
I mean, will she try to take
4:10:52
a bite out of me? Yeah. And then there's
4:10:54
like this, you know, like, we're a kind of
4:10:57
buy the closed hatch, there's like a
4:10:59
winch thing. Right? Like an arm that comes
4:11:01
up and over the the the hatch. Yeah. That's for
4:11:04
a favorite Cruises. I'm finally
4:11:06
moving the ponds around. Yeah. So I mean, Carter
4:11:08
just kinda moves away while she goes, like, a thing snap and
4:11:10
I just take her head and go, it was and,
4:11:12
like, smash it
4:11:14
against the arm. Right. Okay.
4:11:16
I like it. Alright. Give me damage.
4:11:18
Mainly damage. Plus your damage bonus. Alpha
4:11:23
flex egg. Okay. My d
4:11:25
b be AD4 plus
4:11:27
your DBAD4
4:11:32
plus my d b. My d b is
4:11:35
AD4 as well.
4:11:39
So two dashboards. Yep.
4:11:41
Four. Okay. So you just boom. And you just see, like, a piece of
4:11:43
her head fall off
4:11:47
and, like, just gray matter leaking
4:11:49
out inside. She's in rough shape. above
4:11:57
all the lawn. I'm going to
4:11:59
take my gun out that I had
4:12:01
in my pocket -- Mhmm.
4:12:03
-- and aim at her
4:12:05
from the the high up
4:12:07
high up thingy officially what it's
4:12:09
called now. Mhmm. And I'm gonna
4:12:12
shoot at her from there. So
4:12:14
from a top, the high up thingy. Yeah. You draw your gun and
4:12:16
aim She
4:12:19
does not dodge. She does
4:12:21
not die for cover because
4:12:23
she's a fucking zombie fire away. Alright.
4:12:27
Got to roll under
4:12:29
a sixty seven. And I rolled
4:12:31
a twenty one. nice
4:12:35
color. Gimme the damage. Alright. Let me
4:12:37
see what this damage is. It's A1D60I
4:12:40
got three.
4:12:44
I could fire three times. Pop up
4:12:47
pop at a penalty for
4:12:49
each. Yep. Okay. So the first
4:12:51
one is six points of damage.
4:12:53
Okay. But roll the penalty just to make sure
4:12:55
you hit. Okay. That's for the first
4:12:57
one. That's for the first one. Yeah. But
4:13:00
he's saying that to hit is the penalty.
4:13:02
Right. If you wanna unload your cartridge, your royalty dies. Okay. So I
4:13:05
what I rolled was at twenty one. I
4:13:07
gotta roll that at what what again? Just
4:13:10
roll the twenty part again and it says something one.
4:13:12
Okay. I
4:13:17
rolled lower I rolls a twelve. Yeah. Alright. So that's AD6
4:13:19
worth of damage. Alright.
4:13:24
So the second one? Yep.
4:13:26
That one does not make it. Okay.
4:13:30
The third one. last
4:13:33
one with a penny
4:13:35
die. Okay? That one makes it, but let's that for the penalty. And
4:13:41
I rolled it two, but
4:13:43
the third higher one is the thirty two, so I I still get to roll on that Alright. So that's gonna
4:13:45
be 2D6 worth of
4:13:47
damage. Okay. So that second one
4:13:50
is a three, so that is
4:13:52
a a total of nine
4:13:54
points of damage to the head.
4:13:56
Faireus just went up there with fucking
4:13:58
herculean strength. Cuts through this corded rope
4:14:01
Bobboom, the thing falls over
4:14:03
the burning Chikoda, and then
4:14:06
you aim at Milli Adams and fucking blow
4:14:08
her head
4:14:10
off. Oh my god. Oh,
4:14:13
yeah. Vaughan and Carter are still struggling, but seconds
4:14:15
later, Vaughan, you come to. and
4:14:20
you you just see a room
4:14:22
of carnage. You feel like you're
4:14:24
back on the battlefields of World
4:14:27
War You just see my
4:14:29
hands to head, like, sink
4:14:31
down and just like, No. No. Also,
4:14:34
maybe, like, I'm against the wall too,
4:14:36
just, like, holding my stomach. Just, like, oh, god. Like, I'm sitting
4:14:38
down -- Oh, yeah. -- that I can relax. Also
4:14:43
before we get into the real
4:14:45
the good shit. Does does Nora have to roll anymore like
4:14:47
fire damage on that thing? way,
4:14:51
you think it's that thing's
4:14:53
just burning. Under new heartburn now. Yeah. There's
4:14:55
an impression of this cooking. Alright. But
4:14:58
Vanya, you're you're taken from
4:15:00
this, like, beautiful dance into a
4:15:02
battlefield. Hey, dude. What's the name? your
4:15:06
Obrad's beautiful face just dissolves
4:15:08
it to me, like, with my mask, like,
4:15:10
half of this every little bit. Blotted
4:15:15
guts everywhere on the
4:15:17
floor. I was like, no. No. No. No. No.
4:15:20
No. No. Are
4:15:25
you god? You okay?
4:15:27
You back? And I'm
4:15:29
just, like, stooting away
4:15:31
from you. Like, who
4:15:34
was? No. What did he What did he do to me? Wait. Wait. You see? And I see him, like,
4:15:41
splattered up against the wall, like, oh.
4:15:43
My god. Yeah.
4:15:46
God did you
4:15:50
do it? Are you are you alright? Jesus, do you
4:15:55
have control of of
4:15:57
your mind again? I feel as though
4:15:59
I've done something terrible once more. But
4:16:03
I almost killed tilling
4:16:05
ass. God. God. God. And I and I'll stand up and just, like, take you by the arms
4:16:07
and it's and it's
4:16:10
way too much like it just was when I
4:16:12
was pulling you around. I'm just like, till against your must fight
4:16:14
it and your heart to forgive me. I don't know. He he
4:16:17
did did something to
4:16:20
me. I he
4:16:23
reached into my mind. I know,
4:16:25
baby. It's alright. I I believe
4:16:27
you. We've seen enough shit. I
4:16:29
got you. I got you. And then
4:16:31
Carter is like, You're good.
4:16:34
And my Oh, god.
4:16:36
My income. to the side.
4:16:38
And going straight to Margo. Yeah. And
4:16:41
I grabbed Margo's face in
4:16:43
both of my hands. And
4:16:45
I'm just like, are you okay? I'm
4:16:48
a nod. I'm
4:16:50
very hurt. I'm very wounded.
4:16:52
Yeah. I just keep brushing your face
4:16:55
like your lips. Stop. I'm brushing my
4:16:58
face. Sorry. I didn't hear you. Are you alive
4:17:00
here? Okay. I mean, I'm alive right now, but I need to
4:17:02
go to get I need to medical attention she's,
4:17:06
like, holding her side. Oh, yeah. Maybe.
4:17:08
Yeah. Yeah. So no. Yes. But get her
4:17:10
to the hospital and some some bloody thing.
4:17:13
struck me upside the head. Oh, I'm sorry
4:17:15
about that. My friend, I was trying to
4:17:18
get keep you from throwing Miss Tilly
4:17:20
House into that pit. Oh,
4:17:22
fickle. Thank you. Thanks
4:17:24
for that. Oh, what
4:17:27
a lovely septure. I'm kicking this. Does Troy,
4:17:29
does it make sense to do
4:17:31
a first aid on Margo here?
4:17:33
Is she in a spot where is Yeah. I mean, she's as long
4:17:35
as there's no other further attacks, she's
4:17:39
not going to bleed out. Okay. But she's
4:17:42
in rough shape. girl. She's she's taken a major wound and she's just,
4:17:47
like, holding her side and
4:17:49
you just look around and there's carnage, but
4:17:51
you all hear like
4:17:57
a really
4:17:59
rapid sound of breathing and you as you
4:18:01
start to quiet and
4:18:04
take in the scene,
4:18:07
that's when you really comes
4:18:10
to and you look over
4:18:12
in the direction of Mcconka
4:18:14
Madarrie, who was blown away by
4:18:17
Margo at point blank range in point
4:18:19
blank range with two shots from her shotgun. I mean,
4:18:21
he's got a a hole in his chest. You can almost
4:18:23
see through him. but
4:18:27
somehow he is still
4:18:29
like clinging to life and
4:18:31
he's just like, And
4:18:34
he he, like, lifts
4:18:36
his head up and he's
4:18:38
talking and he's like, my goodness.
4:18:42
so busy. Get out of
4:18:44
here. Speaking to someone. He
4:18:46
goes, oh my god. Get out of you. God. Your loss or tab.
4:18:52
he screams
4:18:55
and then dies. And
4:19:01
the only sound left in the
4:19:04
room is
4:19:07
that of a ticking
4:19:10
clock. And as Wakanda Madaric screams me arlithotep praying
4:19:15
to him perhaps just
4:19:17
as Augustus Larkin did,
4:19:19
when he prayed to the father of maggots to save him or
4:19:25
was that the Carcere
4:19:27
he prayed as well. We go into the alcove and go
4:19:30
all the way
4:19:33
down on the
4:19:36
back roll. where we just
4:19:39
see that chronometer.
4:19:44
Blacka. and
4:19:51
that is the end of season one. Oh my god. Of
4:19:55
time for
4:19:59
chaos. This story has just begun.
4:20:02
Before we end the
4:20:04
episode though, I just
4:20:07
wanna get a sense of everyone's
4:20:09
life after this, like AAA
4:20:12
very, like, broad strokes picture of,
4:20:14
like, after this moment, and I'll start.
4:20:18
Like, we just see, like,
4:20:20
these series of scenes. And
4:20:22
one is, like, lights come up on sing sing prison. and
4:20:28
we see a car waiting outside of
4:20:30
a long road that leads to the gates of Sing Sing.
4:20:36
and the door opens up and
4:20:38
it's Rebecca Schosenberg and she's
4:20:40
standing there and we see
4:20:42
the tiny little door of the
4:20:45
prison gate house. open and a
4:20:47
policeman walks out and
4:20:49
then Hilton Adams walks
4:20:52
out with a small
4:20:54
little box of his belongings in his hands. And he looks
4:20:59
back at the police
4:21:02
officer who just shuts the door
4:21:05
like he was never
4:21:07
there. And then it's
4:21:09
just this wide shot
4:21:11
where you see Rebecca Rosenberg standing at her car in this long row with
4:21:13
Hilton Adams and he
4:21:16
walks about ten feet
4:21:18
and sees her in just
4:21:21
crumbles to his
4:21:23
knees and starts
4:21:26
wailing and
4:21:28
crying and screaming to
4:21:31
the sky. Let
4:21:33
me black out
4:21:36
from there. What
4:21:39
happens tomorrow after all
4:21:41
of this? She's hurt. Where did
4:21:43
she go? Oh, god. She's
4:21:48
hurt. I mean, she goes to
4:21:50
the hospital and tries to get better, but I feel like
4:21:55
She hasn't had a lot
4:21:57
of sanity loss, but a
4:21:59
recurring theme is that people are always watching. Mhmm. And
4:22:04
I feel like it's like starting to like
4:22:06
manifest in like a little of paranoia. Even if it's not a true kind of like psychotic has that type of
4:22:13
a trait or
4:22:16
anything. I
4:22:18
also feel
4:22:21
like there may have been some sort of
4:22:23
initiation ceremony with
4:22:28
the order. Perhaps now they
4:22:30
have done what they
4:22:32
needed to do. She
4:22:34
paid some dues in
4:22:37
blood She's shown that she's willing
4:22:39
to do what needs
4:22:41
to be done. To get
4:22:44
things done, So perhaps there's like a
4:22:47
scene where she's just like
4:22:50
in this dark room
4:22:52
like vague columns around lots of
4:22:54
people with just like anonymous
4:22:57
hoods and she's going through
4:23:00
some sort of initiation with
4:23:02
that, moving up the rank. And
4:23:06
maybe at the end
4:23:09
of this ceremony, We cut
4:23:11
back to a flashback of you after this battle, after
4:23:13
the sky yelled in the
4:23:15
arm of the tip of
4:23:17
you guys looking through the
4:23:20
Al Cove. and finding that
4:23:22
cage mask that you never
4:23:24
put on, that you never
4:23:26
took a photograph of yourself for.
4:23:29
and you staring at it,
4:23:31
and then you go back
4:23:33
to the initiation ceremony where you open a bag and present
4:23:36
this mask. to
4:23:40
the order, and just
4:23:42
a bunch of people in robes and masks like not at what you've
4:23:44
done. not
4:23:49
very approving. Okay. I would
4:23:52
have. I think she stays
4:23:54
in America. I'm not sure
4:23:56
if she stays with any one,
4:23:58
I kinda wanna let them play out their thing first,
4:24:02
but I do think that as
4:24:05
part of her epilogue, and something that I
4:24:07
meant to do during play, but didn't play out.
4:24:13
I feel like She still has the gold
4:24:15
mask, and it still pulls to her. And after
4:24:17
all that she's been
4:24:19
through, I feel like
4:24:22
maybe the epilogue like for
4:24:24
her. blacks out at her
4:24:26
putting it to her
4:24:29
face. Oh, one last
4:24:31
one last look. No.
4:24:33
She's never put it on. Oh, she's never
4:24:35
put it on. That's right. She's really stared
4:24:38
at it so like we just see her. Now
4:24:40
she's be become initiated and
4:24:42
she has that mask.
4:24:45
Blackout, and we cut
4:24:47
two Carter Tilling asked. I
4:24:54
mean, so So I guess part of this, I don't really know what everyone else is doing. Like, I
4:24:59
don't know I'm not trying to
4:25:02
straight planet. I know I'm not trying to get this information from you, Troy, but it's
4:25:05
just like, are we going our separate ways or
4:25:08
not? That's like that's like a big thing, I
4:25:10
guess. It feels like you're not. It feels like there is time,
4:25:14
you're you're going to need time
4:25:17
to recover I mean, Vaughan is sitting at, like,
4:25:19
mechanically, very low, Sandy. Like,
4:25:21
to even go on with this
4:25:23
mission is going to require, like,
4:25:26
taking some time. Yeah. But ultimately, if you are to follow in Jackson Alias'
4:25:31
wishes, which you don't have
4:25:33
to, you've just begun. Okay. Alright. So so here's So also
4:25:36
helps like I thought, like,
4:25:38
if we stayed together, maybe
4:25:40
we get an apartment in
4:25:42
New York together. If that's of
4:25:45
being the Fun.
4:25:47
Well, the kids have
4:25:50
come. Yeah. Okay. So so
4:25:54
This is all I'll say.
4:25:56
So so Carter is is they're back in their
4:25:58
whatever hotel room. They're not walled over story room.
4:26:04
It's kinda like packing his stuff. So we don't
4:26:06
really know where everyone else is in this
4:26:10
moment. It's kinda packing his stuff
4:26:12
up. And and comes across like
4:26:15
a bundle of letters. Right?
4:26:17
And, you know, they all
4:26:19
say to like dear myrtle or whatever.
4:26:21
They're like his old letters back and forth when he was conning
4:26:24
this woman.
4:26:28
And we flash back to
4:26:30
Carter in Myrtle's estate house
4:26:33
reading finishing reading
4:26:36
the letter that
4:26:39
came from Jackson. The telegram. The telegram.
4:26:41
Yeah. That's, like, come to
4:26:43
New York, stop, you know, Carlisle.
4:26:46
Have information concerning Carlisle expeditions. Stop.
4:26:48
Yeah. need reliable
4:26:50
investigators. So we're back in that
4:26:52
moment. When Carl when when Carter
4:26:54
first read that, he sees it and,
4:26:57
like, he got super excited and he was, like,
4:26:59
pumped to see his friends again and pumped to, like,
4:27:01
he'd spent all these years, like, wanting to do good and and now is the chance to, like, get
4:27:03
back at it. So he
4:27:07
had yelled up like, Bernal, I'm gonna
4:27:09
need a trade ticket. First class. So clever. And then which is what I think we saw back
4:27:11
when that happened. but
4:27:16
now the scene stays go like, it keeps
4:27:19
going. And he's like, Myrtle, maybe.
4:27:21
And he walks up the stairs. and
4:27:24
he goes into the master
4:27:26
bedroom and myrtle is in bed and she's dead. And
4:27:30
Carter sits there
4:27:33
and he's looking
4:27:36
at her. and
4:27:38
this was everything that he wanted.
4:27:40
This was like the whole of Khan was his
4:27:42
finally, it took way longer than he wanted to and
4:27:47
it got a horse
4:27:49
hoof in his face.
4:27:51
But it's finally happened. And he's at her. and
4:27:56
he just walks up to her and
4:27:58
he like gives her a kiss on
4:28:01
the forehead and then he packs the
4:28:03
personal shit that he had before they
4:28:05
ever met. and he puts it in the bag and he leaves. And
4:28:07
he never looks
4:28:11
back. He never tries to get
4:28:13
the inheritance. He knows that he's in deep with the
4:28:16
mob, the whole
4:28:18
reason he was
4:28:20
trying to make
4:28:22
this money. And he leaves, and then
4:28:25
goes to New York, gets
4:28:27
involved in all of
4:28:29
this shit. And and
4:28:31
maybe the thing we see him do is
4:28:33
he's packing up the duffle bag and maybe
4:28:35
he's like looking out to the other rooms
4:28:38
where he thinks everybody is. And he walks up to
4:28:42
Margo, and
4:28:47
he just goes, Tell me
4:28:50
about this order.
4:28:53
And then that's
4:28:56
that's ferrous. You
4:28:59
survived. What's your
4:29:02
life like after this
4:29:04
moment? After
4:29:06
we do this little,
4:29:09
silent, sad montage of
4:29:11
us getting our apartment went
4:29:13
together. Just haggling with landlords. Thirty
4:29:16
dollars a month that you gotta
4:29:18
get by. You know, there's a sad,
4:29:20
like, putting a
4:29:22
picture frame of Jackson
4:29:26
Elias on a fireplace
4:29:28
mantle but we we
4:29:31
see that we
4:29:34
cut to this, like, ferrous
4:29:36
looking out the window of
4:29:38
a train, taking a train
4:29:41
back to miss Catonic. Oh, I
4:29:43
like that. And she has And
4:29:46
then next, we see her in
4:29:48
the library in this very dark
4:29:51
corner. And this is like at
4:29:53
hours and hours, like, the sun
4:29:55
goes up and down of her,
4:29:57
like, pouring over these books that that they've collected over time. And then
4:29:59
we cut to an another
4:30:03
scene of her packing little things.
4:30:05
She's not like moving out. She still has a space at Miskatonic to call
4:30:08
her own but
4:30:12
she's packing little things and
4:30:14
she does see this like
4:30:17
picture frame and it's like
4:30:19
a two sided fold up
4:30:21
one and it's of her
4:30:23
mom and dad on one
4:30:26
like a like an old
4:30:28
wedding photo. And the other
4:30:31
one is of her mom holding favors as a baby. Mhmm.
4:30:35
And she kind of folds that,
4:30:37
puts it in her bag And
4:30:39
she's like, has this
4:30:43
feeling in the
4:30:46
pit of her stomach that something
4:30:48
is still not right. And she thinks
4:30:51
about the order that was there watching
4:30:53
her and her dad being there, that
4:30:55
night. And finally,
4:30:58
she goes to
4:31:00
see her
4:31:03
dad. And it's kind
4:31:10
of like I'll see you when I see you.
4:31:12
And she
4:31:17
takes from her bag the scepter
4:31:20
that she
4:31:22
found. And she says
4:31:25
to her father, Whatever it
4:31:27
is that you and the order are doing
4:31:32
and are not telling
4:31:34
me. Never forget that you need me. You need me.
4:31:39
And she's like gesturing with
4:31:41
this scepter. You meeting me.
4:31:44
And I imagine in
4:31:46
that moment you feel
4:31:49
power over your father, like a queen, like the queen
4:31:52
that you felt you
4:31:54
were when you first
4:31:56
grasp the scepter and
4:31:59
you feel like confident. But then
4:32:01
we turn to your
4:32:03
father's perspective. And
4:32:06
he looks at you who has
4:32:09
been, I imagine pouring
4:32:11
over these books that
4:32:13
you found in Carlisle's
4:32:15
safe of all the people here, you're the one that's been delving into these. It started
4:32:17
with Africa's dark sex
4:32:20
that you found in
4:32:22
the basement of juju house. now
4:32:24
you've been dealing with these
4:32:26
other books. And as you
4:32:28
continue to read these
4:32:31
books, you but you feel
4:32:33
like drawn into something.
4:32:36
So you think
4:32:38
you're this I'll tell you
4:32:41
that it turns to look from
4:32:43
your father's perspective and you've got
4:32:45
like bags under your eyes. and your skin
4:32:47
is salo, and your eyes are as as macung medaris,
4:32:50
and so you
4:32:53
see fear in
4:32:55
your father's eyes. and he's
4:32:58
just nodding. Okay.
4:33:02
And then we cut.
4:33:06
to Von Dillard's who has defied
4:33:08
all odds and survived. Oh, okay.
4:33:10
The prologue in the first chapter
4:33:12
of this adventure and is now
4:33:15
down to a gentleman's what?
4:33:17
Seven, Shannon. I'm getting
4:33:20
there. Eleven. Bakersfield?
4:33:24
Fourteen. Fourteen. Lucky
4:33:27
fourteen. Respectable fourteen.
4:33:29
So what's your
4:33:32
life like here? I
4:33:34
think Margot comes out of
4:33:37
in an aesthetic
4:33:40
haze in a
4:33:42
New York hospital.
4:33:45
and hears murmuring
4:33:47
and sees hunchkins chair
4:33:50
to her unaware of her
4:33:52
consciousness. Fond
4:33:54
failures like we're pushing beads through his
4:33:56
palm, just loving father touch her now
4:33:58
with your healing hands. I believe that
4:34:00
you will for me, for her as to be
4:34:03
well in bodies sold in mind to cover her
4:34:05
with your most precious blood. Your son, I'll say
4:34:07
for you, Jesus Christ. He's just retreating
4:34:10
this this prayer of healing.
4:34:12
Then we cut out of
4:34:14
that, and then we cut
4:34:16
to the the purple ask out
4:34:18
of Bradley Gray. Dinner on Monday
4:34:21
night and who is like laughing
4:34:23
and telling a story. And
4:34:26
as as Vaughan is just kind of like
4:34:28
swirling a drink in one hand and looking
4:34:30
through him with like a thousand yard stare.
4:34:33
And I'm just like, man, he's so
4:34:35
poor. Traum Traumming story. Then you
4:34:37
see the maybe the two of
4:34:40
them walking and
4:34:42
entering an apartment, the door
4:34:44
shutting, and going dark. And
4:34:47
then you see one in
4:34:49
a confession booth, And you don't
4:34:51
see what he's saying, but as it moves through and you
4:34:54
see the priest just recoiling in horror, it was like this
4:34:59
will eat me of thing. This
4:35:01
is coming. This is
4:35:04
not. And then finally,
4:35:07
just in a paying some money
4:35:09
at the door of a speakeasy. All
4:35:12
all alone. probably
4:35:16
having having fronted money for
4:35:18
a lease in a for
4:35:21
an apartment in New York.
4:35:23
And walking up to a band leader and, like,
4:35:25
slipping a coin to them. And then and just again,
4:35:27
like, sitting thousand
4:35:33
yards there, smoking, someone comes over
4:35:35
and just, like, waves them away.
4:35:37
And the band picks up, and
4:35:39
Von just walks out into the
4:35:41
floor, and holds no one and just begins to dance like me and
4:35:44
my shadow. walking
4:35:50
down the other, new
4:35:52
feet, and my shadow,
4:35:55
hall alone in our
4:35:57
so blue. is dancing to everyone around as though he's dancing with a
4:35:59
ghost. And we
4:36:07
cut too black. Ladies
4:36:11
and gentlemen, thank
4:36:15
you for sticking with us one of longest apps done in long time. And mean, I go for another five fucking
4:36:24
hours right now. This felt like
4:36:27
I'd see by. Oh my god.
4:36:29
That was so wonderful. Thank you,
4:36:31
Kate, Rob, Ross,
4:36:33
Nora. Joe behind the scenes is
4:36:35
like, Taiwan got a bad eye
4:36:38
message. Michael was fucking sharp all
4:36:40
day long, all season long, Thank
4:36:42
you. The people who have fallen in love
4:36:44
with time for chaos. We are just beginning
4:36:46
and we will see you next year.
4:36:50
First season two. Where do
4:36:52
we go next? Where do
4:36:54
we go next? Can I
4:36:57
everybody. Thanks for listening to
4:36:59
the Glass Cannon Network. For
4:37:01
more podcasts and live streams
4:37:03
with the Glass Kennan network
4:37:05
dot com. And for exclusive
4:37:07
shows and content you can
4:37:09
find anywhere else, subscribe today
4:37:11
at patreon dot com slash
4:37:14
glass kennan.
Podchaser is the ultimate destination for podcast data, search, and discovery. Learn More