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Time For Chaos S1 | E20 – The Lunatic Is in My Head

Time For Chaos S1 | E20 – The Lunatic Is in My Head

Released Monday, 17th October 2022
 1 person rated this episode
Time For Chaos S1 | E20 – The Lunatic Is in My Head

Time For Chaos S1 | E20 – The Lunatic Is in My Head

Time For Chaos S1 | E20 – The Lunatic Is in My Head

Time For Chaos S1 | E20 – The Lunatic Is in My Head

Monday, 17th October 2022
 1 person rated this episode
Rate Episode

Episode Transcript

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0:33

You are

0:33

listening to the Glass Cannon Network,

0:36

the premier source for role playing

0:38

game entertainment.

1:14

Good evening, everyone. one. It's Friday

1:15

night, and it's time for

1:18

the season finale

1:20

of time for chaos. That's

1:22

right. You heard it. The season

1:25

finale. I said we're gonna do it in twenty.

1:28

It's episode twenty. And we finished last

1:30

week. I stayed up for hours

1:32

just staring at what I thought the

1:34

rest of this particular arc

1:36

of our story was. And I'm like, you know what next

1:38

week? Let's just play till we finish

1:40

it. So this

1:40

might be a two hour app. might be a

1:42

ninety minute

1:43

app. It might be a three hour

1:45

app. I don't know, but we

1:47

end this chapter tonight.

1:51

I wasn't gonna drink at all. And then

1:53

when I showed up in the video

1:55

call, everyone else was drinking.

1:57

So I I grabbed a bottle

1:59

of Talos pretend that I've had -- Yeah. --

2:01

for over two years because I just never

2:03

drink scotch. because I'm ready to drink nor was,

2:05

like, oh yeah, I've got a gallon of scotch next

2:07

to me. What do you drink? Nora. I

2:09

got a sixteen. Oh,

2:12

sixteen

2:12

trying to show me up. Snokey.

2:14

Oh, I just poured way too

2:16

much. Oh, I don't know what I was thinking. And

2:18

really with four fingers, do you?

2:20

Chat poor one out for our characters.

2:22

What do you drink in there,

2:24

Rob? This is a Woodford

2:26

reserve. Oh, I think it's

2:28

a Trader Joe special. Bourbon. It's

2:31

delicious. American

2:34

Bourbon. a rust.

2:36

You have AAA grasshopper

2:38

or something creamy? Oh, yes.

2:42

Yes. I I wish I

2:44

wish I had a big old white Russian

2:46

next to me, but no, I I'm

2:49

just sipping on pure spring water.

2:53

you're doing it the right way. What

2:55

about wait. Kate, you should be drinking

2:57

champagne because is it true that you

2:59

closed on a house today?

3:01

Yeah. Like, drove

3:03

back here, went and got a box of wine,

3:05

which I am drinking. I also have champagne,

3:08

but I feel like that's not we

3:10

don't know how long this is gonna go and champagne

3:12

cake is no fun.

3:13

Yeah. Same to champagne for the

3:15

end of the year. Wait on a celebratory

3:18

episode. it's gonna be. Yeah.

3:22

That's great. Box Wine is really we're

3:24

all at different levels here, and that's what's nice.

3:27

It's early, and I really, really

3:29

regret that poor. How is everybody

3:31

feeling? Did you enjoy season

3:34

one of time for chaos? Yeah.

3:36

It's been

3:37

a blast. If you need everybody, it's

3:39

been super cool. That's probably the best part.

3:41

Yeah. Tell them with you guys. The friends

3:43

you made along the way. Right. That's

3:45

the real story. Yeah. Playing

3:47

a

3:48

a system that I was completely unfamiliar

3:50

with. Super cool

3:53

and different, really into it.

3:54

character dynamics have been

3:56

my favorite.

3:57

Yeah. They've they've really The whole

3:59

team came together. Yeah. Yeah.

4:01

I mean, that's that's the beauty of doing the prologue,

4:04

the Peru prologue is it gives a chance for the

4:06

you and the not only to get to know Jackson

4:08

Elias, so that his death

4:10

has more meaning but to get to

4:12

know each other. And now these bonds, you've

4:14

been through trial you've, like, trauma bonded. Mhmm.

4:18

Yeah. Ross,

4:21

you've done a a decent monoclonal kthulu

4:23

before this, but how are you enjoying a

4:25

more long long form campaign?

4:28

Oh,

4:28

man. I love it. I love just

4:30

like

4:31

the slow burn spiral

4:34

into into the,

4:36

you know, the dark gulfs

4:38

between the stars. I'm

4:41

stoked to see how how we continue

4:43

to to fall down the rabbit hole. And

4:47

I'm I'm and and I love all these characters

4:49

and I know how brutal and

4:51

and ruthless the system is.

4:53

and it's in it and it actually I'm

4:56

I'm pre morning what

4:58

may happen to to honor

5:00

all of these dear dear folks

5:02

over the course of this evening.

5:04

Yeah. It's tough. It is such an

5:06

unforgiving system. And that's why a lot of

5:08

people I was saying that before we went live, why lot

5:10

of people choose to use pulp rules because the

5:12

character's a little more a little more

5:14

durable, a little more sticky, a little more superhero

5:16

esque. We certainly play

5:19

I think we kinda go back and forth

5:21

thematically. We sometimes get a little pulpy

5:23

in the way we overdramatize things, but

5:26

we're playing to straight non pulp

5:28

rules. And luckily, everyone

5:30

survived so far. But --

5:32

Yeah. -- you just feel like everything's

5:34

been building towards tonight.

5:37

Nora, I know you played a lot of call through maybe

5:39

log the most of any of us.

5:41

Are you enjoying the campaign

5:43

so far?

5:43

I love it. Like the the

5:46

only time I've ever played,

5:48

you know, a cult of Cthulhu run

5:50

longer than, like, three, four

5:52

episodes was also the one that you ran.

5:55

Oh,

5:55

yeah. The You know,

5:56

we did that. We ran that for ten.

5:58

Those 552 hour episodes.

6:00

512

6:00

Correct. I mean, that felt like the longest.

6:03

I guess, usually, they've just been like one

6:05

shots or like one or two games. So it's

6:07

been really nice to, like, really

6:09

sink your teeth into like,

6:10

a proper campaign.

6:13

Mhmm.

6:13

Yeah. And, Kate, we've been I've

6:15

been wanting to get you on something forever. And

6:17

finally, we get you on something with some

6:19

legs because you were on all these three

6:21

episode things. Are you enjoying doing

6:23

something a little longer? Oh,

6:25

yeah. Like playing new games all the time

6:27

was really fun. But, like, once you get the hang of

6:29

it, it's over.

6:31

And not that I feel like I'm getting the hang of

6:33

this or, like, maybe my characters

6:35

because What's cool about this is

6:37

in the beginning I mean, like

6:39

any other RPG, you're doing your

6:41

investigating phase and you don't really know what's going

6:43

on, then then when you start to get it, at

6:45

least in Peru and America

6:46

so far,

6:47

it doesn't matter. It's like all

6:49

still too much and too chaotic

6:52

and like you will never feel like you

6:54

have control at all over the situation.

6:56

And that's fun. And,

6:58

I mean, I'm attached to all the characters,

7:00

but, like, I'm ready for

7:03

some shit to happen. I wanna see, like,

7:05

crazy stuff. I

7:06

want, like, more characters come

7:08

in or one person to

7:10

live forever and just become really

7:13

meet those out. Yeah. I want

7:15

crazy stuff to happen. Rainbow.

7:17

Oh god. Yeah. That status.

7:19

That is the beauty of surviving long

7:21

into a campaign like this, your character.

7:24

It's it's unlike, you know, a DND or a

7:26

Path Finder themselves. And you're like, you got eight

7:28

hundred endpoints. No. Your endpoints kinda stay right around

7:30

the same time. but you start to unlock

7:32

magic and you start to unlock abilities

7:35

that allow you to contend with

7:37

these cosmic cars, whereas

7:40

now you're just kind of these squishy

7:42

humans. But you never become a

7:44

superhero. Like, even when you

7:46

learn that, it's like you're giving something else

7:48

away. The power got a break. cut a price.

7:50

Unless you make a pact with the God, which

7:52

is always on the table. I'll

7:54

do that now. one

7:57

of my favorite parts and one of the reasons

7:59

I wanted to do this in the first place was really to

8:01

get to learn Kala Cthulhu because you can only

8:03

read these books so much. You gotta dig in. You

8:05

gotta start playing. You gotta make mistakes. And

8:07

and and we're still learning. Right

8:09

before we went live, I

8:11

I hopped on a private channel

8:14

with Michael. And Michael, by the way,

8:16

has been so wildly helpful throughout

8:18

all of this. He's been on stream with us

8:20

since the beginning. He sends notes to me

8:22

after every session. notes for the players.

8:24

So a big shout out to Michael behind the scenes.

8:26

He's so helpful. I jumped in to ask him the most

8:29

basic question about Call of Cthulhu

8:31

Combat Rules because I just totally forgot But

8:33

it has been nice to really stretch

8:36

our legs and learn what I think is

8:38

just an elegant, beautiful system

8:40

that allows you to kind of do

8:42

whatever you want, but still has that

8:44

crunch that people like that strive

8:46

for in, you know, your more traditional

8:48

d twenty games. Also,

8:50

big shout out to Harry. Harry was

8:52

our producer for for most of the most of

8:54

the run, but his Internet wasn't correct,

8:57

so we to be like, Sorry, Harry.

8:59

We gotta we gotta move on, but Harry

9:01

did a a lot and Grant helped him a a

9:03

ton making those first few episodes

9:05

shine the first dozen or so. and

9:07

Iain stepped up and did a couple. But the

9:09

last few, our good buddy Joe O'Brien has been

9:11

behind the scenes producing these.

9:13

So Joe does tireless tireless

9:16

efforts to make sure the network

9:18

runs and so big shout out to

9:20

Joe as well. Tonight

9:24

has a feeling of finality, but

9:26

at the end, this is really just

9:28

the beginning because there is so

9:30

much more to this story. So Should you

9:32

survive? Should you die? Should you

9:34

go insane? Should something even

9:36

worse happen? This is just

9:38

the beginning of the adventure.

9:40

So I'm gonna dive right in.

9:42

because like I said, I don't know how long it's gonna

9:44

go, and I am just I'm chomping at

9:46

the bit. I have not been able to stop

9:48

thinking about tonight's episode ever since

9:50

we finished the last. And I

9:52

think the best way to start is with a true

9:54

recap of what

9:56

has happened thus far

9:58

since you came to

9:59

America. What

10:02

a season? It's been III had my head

10:05

twenty episodes and here we are at twenty.

10:07

We'll see in in a few hours to play

10:09

file. We still got a lot to go. We'll go

10:11

twenty one, but I really think we can do

10:13

this. And and this part of our adventure

10:15

all began with a simple telegram

10:17

from your good friend, Jackson

10:19

Elias, who you met four years

10:22

ago while going on a strange

10:25

expedition in Peru

10:28

where you faced these vampires

10:32

known as Kari Siri, these

10:34

face sucking vampires known

10:36

as Kari Siri, and all these

10:38

remnants of a lost cult that began

10:40

when the conquistadors came

10:42

over. Jackson

10:45

called all of you to New York

10:47

urgently to meet with him because

10:49

he claimed to have new information

10:52

new information on the infamous

10:54

Carlyle expedition. Everyone's heard of the

10:56

Carlyle expedition. Millionaire

10:59

playboy Roger Carlyle

11:01

left New York to head on

11:03

a similar mysterious expedition

11:05

to Egypt. That was the plan.

11:07

That was what was in the public eye. He was going to

11:09

Egypt. Man, they said maybe he's looking

11:11

for biblical treasures. It wasn't quite clear

11:13

what he was for. They were never very

11:15

forthcoming, but he had a lot of

11:17

money, he had the Carlisle name, and he

11:19

wanted to do that. He traveled there

11:21

with his friend, Jack

11:24

Brady, his

11:26

psychologist at the time, a man by the

11:28

name of doctor Robert Houston,

11:30

a close friend of

11:32

his, perhaps a former lover that was

11:34

taught that they were connected back in the

11:36

day, a woman by the of hypatia

11:38

masters, and they went

11:40

from New York to England to meet up with

11:42

the last member of the expedition. a

11:45

renowned egyptologist named

11:48

Sir Aubrey Penhu who

11:51

was coheading up the

11:53

expedition. After arriving in

11:55

England and doing whatever they did there, they

11:57

traveled to East Africa

11:59

to Mombasa Kenya. And

12:01

then while in Kenya, they decided to

12:03

go inland for a

12:05

safari in and around Nairobi.

12:08

Something happened during that

12:10

safari, and the

12:12

expedition was lost. Roger's

12:16

sister Erica Carlisle then

12:18

traveled to Africa to

12:20

investigate and it was soon discovered

12:22

that the entire expedition

12:25

was massacred. It

12:27

was a group of Kikwu tribesmen

12:30

who were tried and found guilty

12:32

of the massacre and put to death

12:34

by hanging. place

12:34

closed. Right? Or

12:37

was it? You

12:39

show up at Jackson's hotel

12:41

room at the Chelsea hotel tell and

12:45

find him freshly murdered.

12:48

It's got a strange

12:50

symbol carved into his

12:52

forehead, almost reminiscent of the

12:54

lamprey like mouths of those

12:56

Kari cereal that you faced while

12:59

in Peru, but but different

13:01

as well. You

13:03

see his killer is a trio of

13:05

strange headband wearing

13:07

men fleeing from the scene of the

13:09

crime, jumping out the fire

13:11

escape they got away. And

13:14

for the past eight days,

13:16

since that murder took place, it's

13:18

only been eight days. You've been trying to

13:20

unravel these mysteries.

13:22

The mystery of not only why

13:24

Jackson Elias was killed,

13:26

but also what he knew

13:28

about the possibility that

13:30

perhaps this Carlyle expedition was

13:32

never massacred. You

13:34

speak to his close friends and confidants and

13:36

find out that he had become obsessed

13:39

as of late with the

13:41

expedition and an obsession that seemed to

13:43

be driving him mad as

13:45

evidence in some of his late letters

13:47

to his close friends. It

13:49

it got to the point where it seemed like

13:52

he knew his life was in danger

13:54

and his dying wish was

13:56

for the four of you.

13:57

His close friends to finish

13:59

his investigation because

14:02

he believed What

14:04

happened and something going on with the

14:06

Carlyle expedition is

14:08

tied into the fate of the very

14:11

world. at

14:12

Jackson's funeral, lieutenant

14:14

Martin Poole, shows up,

14:17

takes you downtown, he knows you're at the

14:19

Chelsea Hotel, on the night of

14:21

Jackson's murder and he wants to know what

14:23

you know. He then tells you after

14:25

he realized this you had nothing to do with it, there

14:27

was just a string of similar

14:29

murders to Jackson's. you know, a few

14:31

months ago and going back

14:33

over a year, people going missing and

14:35

some of them turning up dead all over

14:37

the city. but a man was

14:39

arrested and sent to death row

14:41

for the crimes. A man named

14:43

Hilton Adams, and there hadn't been any

14:45

other murders until

14:47

Jackson Elias. He

14:49

thought all along that Adams was

14:51

set up and also

14:53

that the fourteenth precinct captain

14:55

who presided over his arrest

14:57

had something to do with the

14:59

setup. The fact that Jackson is now found

15:01

dead is just further proving his

15:03

suspicions. So this

15:05

captain William Robson

15:08

seems like a dirty cop. Meanwhile,

15:10

you make friends with the New York Times reporter

15:12

by the name of Rebecca Schosenberg who

15:15

sets you up with a meeting

15:17

with Hilton Adams' wife, Millie

15:19

Adams, They both proclaim that

15:21

Hilton is innocent, and Milli gets

15:23

you a meeting with Hilton himself

15:25

at Sing Sing Prison. while

15:27

he's awaiting a date with the electric chair,

15:29

so he can tell you what he knows.

15:31

And he tells you that long before he

15:33

was arrested he and his old military

15:35

buddies, a group of guys that were all in

15:37

the the Harlem health fighters

15:39

during the Great War. They were

15:41

looking into what was happening with the disappearances

15:43

in Harlem trying to protect their neighborhood.

15:46

And it all seemed to connect to

15:48

this little shop of

15:50

African couriers. called

15:53

the juju house. You

15:56

investigate this juju house. It's a

15:58

small, little antique shop run

16:00

by an unassuming, old,

16:02

elderly African man named

16:04

Cylus Nacwane. Something

16:06

doesn't seem right though. So

16:08

you stake the place out at night. And when you

16:10

do, you see several people going into the

16:13

shop more than could ever fit

16:15

into that tiny space. you

16:17

listen after the guard goes in, the

16:19

guy standing outside, the bouncer,

16:21

and you just hear strange distant

16:24

sounds within.

16:25

So you break

16:28

into the shop one night when no one is around,

16:30

you uncover a hidden door

16:32

on the floor leading down into

16:34

a chamber, you go into chamber

16:37

and you are attacked

16:40

by four zombie

16:42

like people, no doubt four of the missing

16:44

caramel caramel caramelites and

16:46

you open up a a hole in

16:48

the floor to uncover this

16:50

wailing monstrosity made

16:52

up of dozens of faces and

16:55

half bodies reaching

16:57

out at you with their mouths.

16:59

All of your sanity is tested.

17:01

Port Vaughan is on the brink.

17:06

the show So during

17:08

all of this, Milli Adams goes

17:10

missing as well. So you

17:13

bring this evidence to lieutenant

17:15

pool. He seems like the only

17:17

person with any authority that you

17:19

can trust and he

17:21

promises to to do something about

17:23

it off the books, he

17:25

hasn't been heard from since.

17:28

Meanwhile, you purchase tickets to a

17:30

benefit gala hosted by Erica

17:32

Carlisle. Roger's sister, where she

17:34

tells you about Rogers Dalliances

17:36

with a woman named Chanka Bune,

17:38

which may have led him to his expedition

17:40

to Africa in the first place. but

17:42

his mind seemed to be whittling away as

17:44

he delved further into these

17:47

strange tones that you

17:49

then find. in

17:51

Carlisle's library tucked

17:53

away in a safe.

17:55

That's tonight.

17:57

That happened tonight. in game time, knowing that tomorrow night is the

17:59

dark of the moon. The dark of the moon is when

18:01

most of these disappearances in Harlem have

18:04

been taking place you

18:06

know that a final showdown that somehow

18:08

involves juju house is on the horizon,

18:10

so you return to Vaughan's

18:12

hotel room at the Waldorf Astoria to

18:15

rest up before your big

18:17

day when Margo is

18:19

drawn to the balcony by this

18:21

haunting photo. She has no memory of

18:23

taking a photo She's pretty sure she's

18:25

destroyed and it's just sitting out

18:27

on the balcony as if it's been

18:29

following her. She goes to

18:31

retrieve it. and

18:33

up in the sky

18:35

a flying enormous

18:38

serpent like creature that

18:40

blocks out the very moon. dives

18:43

directly at her.

18:47

That is where we left last

18:49

week. week And that

18:51

is where we're pretty cut and dry. Really? cut

18:53

and dry. It's only been eight

18:56

days. Eight days. Oh, man.

18:58

You said that and I was like, no. really.

19:01

Yeah. I'm trying to think how

19:03

many episodes Peru was like

19:06

six, seven, so

19:08

you're about pretty much at like two

19:10

episodes a day. You know, you guys get a

19:12

lot of stuff done. I'm not like So anything else you

19:14

wanna do today? And you guys, like, no. It was just fast

19:16

forward. You're like, you know what? I'm gonna go buy a

19:18

new suit. That happens a lot. So your

19:20

days, you guys get a lot

19:22

done. Yeah. This

19:25

thing is flying

19:27

at you, Margo. I don't even think you are

19:29

friends see this. I think Carter and

19:31

Vaughan, you were like, you weren't, like,

19:33

in an argument, but you were having, like, a discussion

19:35

and and Feiruz was digging into all

19:37

these domes. But you're a little

19:40

distracted when Margot just sees the the

19:42

curtain like wafting up

19:44

from the wind. You go outside and this thing

19:46

is hurtling at you. You look

19:48

up. And I mean, you have

19:50

never seen anything like in your life. It is

19:52

so jarring. It

19:54

provokes a sanity roll. Gives

19:56

me said sanity roll.

19:58

But first, Let's

20:00

all start with a group luck roll. A group luck

20:02

roll more so individual luck rolls

20:04

to see if you improve your luck

20:06

for the last time. Not that you

20:08

can use luck on San Diego. Let's just get

20:10

it out of the way so we can sit

20:12

and enjoy our meal. I did

20:15

it. Nope. Nothing. No. No

20:17

luck with it. Alright. Or us?

20:19

You feeling lucky? I'm feeling lucky.

20:22

Went to the Cthulhu Casino and I won me six

20:24

luck points. Box guys.

20:27

Rob, any luck? Yeah. I

20:29

got ten. Whoa. And,

20:34

Kate, I got six also.

20:36

Whoa. Nice. Now,

20:38

of

20:38

course, you cannot use that on your sanity roll,

20:40

so please. Give me that d one

20:43

hundred role. You got pretty good sanity if

20:45

I'm remembering correctly.

20:46

Yeah. She's still pretty sane. Yep.

20:50

Twenty one under eighty five.

20:52

So You've got

20:54

ice in your van. Maybe

20:56

she thinks this isn't real.

20:59

Yeah? I like that. What were you

21:01

gonna say, Rob? Just sharing some

21:03

luck. I mean, some sanity. Is there is that possible?

21:05

Can you, like, kind of, shave some off the top? Like

21:07

a dark window. Yeah.

21:10

No. Some more sanity for

21:12

you, sir. Yeah. I think that'll

21:14

do. Yeah. Yeah. Here. Just look into my mask. It's where I get

21:16

it from. This thing

21:19

is hurtling down towards you. It's

21:21

dark out and you can't you you

21:23

really can't even make it all out

21:25

until it's like right on top of

21:27

you. What do

21:29

you do? because you, as

21:31

we all know, have incredible dexterity

21:33

at eighty, and dexterity

21:35

is initiative here and call it the

21:38

doo So what do you do? Margoo?

21:42

Margoo would probably run back

21:44

inside. I feel like that's a natural human

21:46

reflex to seeing something, like, coming

21:48

at you, like, you are praying. Mhmm.

21:50

And it is predator. So I feel

21:52

like she would go to run back inside and

21:54

shut the door. bolt back inside,

21:57

shut the door

21:59

at that

22:03

moment. if Ross and

22:05

excuse me. Vaughan and Ross is there. Vaughan and

22:07

Carter are are in a heated discussion

22:09

and and Feirou's is really in the books. you

22:11

come running in, do you say anything? She's

22:16

probably, like, screaming,

22:19

yelling, like, just like,

22:22

something something out there. There's a monster out

22:25

there.

22:25

And then the

22:27

door shatters and you see this,

22:30

like, twelve foot, like,

22:32

snake like tail come flying

22:34

through the window. with like talent

22:37

like feet at the end of it. You have

22:39

never seen anything like this. It's

22:41

like a fucking dragon that

22:43

just smashes in glass goes everywhere.

22:46

Fun, Carter,

22:48

and Feyruz give me a

22:51

sanity check. Why? Man.

22:53

I think it's

22:56

okay. I don't know why,

22:58

but I didn't think would be so bold as

23:00

I don't think it was real. Her

23:02

role day

23:03

fifteen under seventy

23:05

40I ice veins.

23:08

I'm just like pocket

23:11

aces.

23:14

I'll go

23:14

next because it looks like Ross' face

23:17

is more dramatic. I got a

23:19

thirty nine under

23:21

forty seven, so I pass.

23:23

Thirty nine under forty seven,

23:25

you pass on

23:27

all of these checks are going to take a miracle

23:29

at this point because correct me if I'm wrong, you're

23:31

sitting around twenty four or

23:33

twenty six sanity. I am a

23:35

twenty six sanity. Twenty six.

23:37

Unfortunately, I rolled a thirty

23:40

six. I'd rather you roll

23:42

an eighty six than, like, so

23:44

close. You know? It's like I'm

23:47

gonna need you to roll a d

23:49

ten. Roll

23:52

that one. Roll that one. I

23:54

still have faith.

23:57

Seven. Oh, It's

23:59

almost a one added a line to

24:01

the top of it. Alright.

24:03

So you take seven points

24:05

of sanity damage. and a couple things are

24:07

gonna happen. Number one, you are

24:10

seeing a true

24:12

monster of the Cthulhu Mythos, where you

24:14

have already gained five points of

24:16

Cthulhu mythos, which has lowered

24:18

your maximum sanity by five

24:20

as your mind has been unlocked

24:22

to the those. This is another one of

24:24

these type creatures that will

24:26

add to your mythos score and lower your

24:28

sanity. You've already got that

24:30

initial one So now this just gives you

24:32

another point of Cthulhu Mythos

24:34

and your sanity goes down

24:36

by one. Not your sanity but your

24:38

maximum sanity. So really for you. It

24:40

doesn't starts at ninety nine, it then went to

24:42

ninety four when you got that five meet those.

24:45

Now it goes to a max of ninety three.

24:47

Okay. In case you find a really

24:49

good therapist after the New York

24:51

chapter is over. Cool. The

24:53

second thing that happens is you

24:55

don't even have to roll to see if

24:57

you're intelligently aware of what

24:59

is happening. because you're already suffering

25:01

from indefinite insanity, you

25:03

immediately have a bout of madness. And

25:05

here's how it is going to play out. Let me

25:07

look at my sweet little bout of

25:09

madness table. You know what? I'm gonna

25:11

roll ADA0 actually d

25:13

ten. Perfect.

25:19

Physical hysterics or

25:21

emotional outburst. I'm gonna

25:23

read it to you, Ross, and

25:25

then see if you have the improvisational skills to

25:28

make this interesting. The investigator

25:32

is incapacitated laughing crying,

25:36

screaming, etcetera for one

25:38

d ten rounds. I'm gonna let

25:40

you roll the d ten to see how

25:42

many rounds you are just like. you

25:44

know, in conjunction with the fast Emotional

25:47

-- Yeah. -- spasms. Okay.

25:51

Mm-mm. Five five

25:54

rounds. Okay. So how does

25:56

this how does this initially manifest? Okay.

25:59

Yeah. yeah Fun

26:03

fucking.

26:07

He's just going the

26:09

downward spiral. When

26:12

Vaughan looked into the mask, after a journey

26:15

within, he saw his

26:17

face on the body of

26:19

a serpent. It's right

26:22

that caused him to

26:24

almost have

26:26

a moment of of

26:29

mortification of the flesh. So he say

26:32

to to purge away

26:34

what part of him remains united to

26:37

the serpent. Now the serpent is here.

26:39

the serpent has come,

26:41

the serpent,

26:43

the dragon of old.

26:46

And so

26:47

it's like Vaughn is,

26:49

like, this tail whips through the talons come

26:51

in and blast everywhere. Like, it's as

26:54

as screams happen, like, vaughn is it's not

26:56

screams. It's, like, silent clarity

26:58

because he just like falls to

27:00

his knees with his hands

27:03

up and and you can just hear if

27:05

he's if you're if you're close by, it's

27:07

like, Saint Michael

27:09

brings out his holy sword, places

27:11

his heel

27:12

upon the neck of this happened

27:15

for now. the honest drug.

27:17

The trumpet has been founded. The

27:19

dead shall walk

27:19

again. The serpent comes.

27:23

But upon all of them who should

27:25

place the mark of the beast. They were not

27:27

able to buy and sell without the mark of the

27:29

beast.

27:29

The serpent has come and he

27:31

but but

27:32

the saints and all of the thrones

27:34

and the powers of the almighty are aligned against

27:36

you. I cast you out in the name of the father

27:38

and the son and the holy spirit.

27:40

and Mr. He hit the trinity as the line against you.

27:43

And, like, it is just for, like,

27:45

this, like, litany

27:47

of of a biblical

27:51

madness as he

27:51

is seeing, like, the dragon of

27:54

revelation coming forth.

27:58

Oh my god. Amazing. So you

27:59

just crumble to the floor -- Mhmm. --

28:02

you know, trying to speak it away.

28:04

Yeah. I

28:06

love this. it now goes to Feirou's

28:08

Feirou's. You look up from your

28:10

book quick. Just see like this

28:12

long tail with like weird

28:14

spikes at the end of it and these talents and you

28:16

hear this sound that is

28:18

like a guttural scream.

28:20

Like, it's trying to get through

28:23

the window. into your hotel room? Is

28:25

it

28:26

so it's not in the hotel room. It's just smashed

28:28

the the glass. It's so large that

28:30

it seems like it can't fit

28:33

through the opening that you have there. In

28:36

fact, why don't I go to a picture? Check out

28:38

roll twenty here, if you will.

28:40

So you get a sense of

28:42

what this thing looks like in

28:44

terms of its size compared to

28:47

you. Yeah. I don't

28:47

think that'll fit in the room. It's

28:50

a big

28:50

It's a

28:53

big snake with bad wings. We're

28:55

sharing that. But that tail is

28:57

just like whipping. It's knocking over

28:59

a lamp on an end table. But

29:01

you guys are especially if

29:03

you if you got you

29:05

know, if you were away and cargo came running in, you

29:07

seemed like you're far enough away, but you don't know

29:09

how far that tail can lash out.

29:12

I don't know, but I'm

29:13

sure, no illusion. not

29:15

an illusion. And I'm like running to go

29:17

grab my gun. Alright. So

29:19

you

29:19

just take off to grab your and

29:22

then it goes to Carter. Carter's

29:25

just like, let's get the fuck out of

29:27

here now. Go go go. I'm not finding

29:29

this fucking thing. and

29:31

Carter starts running and I

29:33

wanna he obviously sees

29:35

Vaughan. And he's like, Vaughan, I have time for your

29:37

bullshit and crap. There's

29:40

put his arms around and start pulling

29:42

him up and out and go out

29:44

into the hallway. You do that and

29:46

as as your drag year. I'm just it's like

29:48

the smoker's breath in your ear, like,

29:50

the people worship the dragon saying who he's

29:52

like the dragon, but he had given him

29:54

authority into the beast Let's let's

29:56

let's find out in the lobby. Let's go.

30:01

It then

30:03

goes to you Von Von.

30:05

Do feel like you're weak enough to just

30:07

be carried with Carter or does it is

30:09

it gonna take multiple people to pull you

30:11

out? Are you you drawn towards it or

30:13

drawn away from it? I've I mean,

30:15

yeah, I think I've compelled the way I'm I'm

30:18

terrified of this thing. Yeah. I'm I'm I'm

30:20

wanting but the revelation has

30:22

come. Like, I'm I think I'm

30:24

looking around acting to see, like

30:26

like,

30:26

like, the

30:28

empty clothes from from

30:31

raptured people and, like, a dead and a

30:33

leftovers. Like, a hammer

30:35

movie. I'd like to see his hood into

30:37

blood and stuff. Yeah.

30:41

Yeah. It was given power to wage

30:43

war against God's holy people. I'm like It's

30:45

like maybe if I'm wrestling out of your hands, I'm like pounding

30:47

on the on doors as we go by,

30:49

like yeah. It's

30:52

like, arise. Alright. please. Alright.

30:55

So you're you're getting pulled out, or you're yelling,

30:57

all these things. Pharrooza is

31:00

running to get her gun, but Pharrooza, you look over,

31:02

and you C Carter pulling Vaughn

31:04

towards the door. It comes back to the top of

31:06

round two. Margo, you ran away

31:08

from this thing. It's this huge

31:10

tail like tree trunk thick is just whipping

31:12

around the room. It hits the couch and the

31:14

couch topples over on its

31:16

side. The strength of this beast

31:18

is immeasurable.

31:22

So I'm gonna grab my

31:24

stuff too. She goes to grab her

31:26

bag which has the mask,

31:28

the pictures, her notebook, and

31:31

her guns. because she thinks they're

31:33

gonna leave this room But

31:35

if they leave the room, will they be safe? Can they even

31:37

go outside? She's grabbing her gun either

31:39

way. So that's what she's going to do

31:41

with this turn is gather her

31:44

things. have gun

31:45

in hand.

31:46

Okay. It is now

31:48

the creature's turn and the creature is just

31:50

like boom. Boom. You see the

31:53

walls around like the frame of

31:55

the balcony, start to

31:58

cave in like

32:00

crack right in the middle, like they're starting

32:02

to split. Okay.

32:05

the In fact, one

32:07

of the door jams just

32:10

like one side of the door jam

32:12

that's housing the balcony just

32:14

pops off and flies all the way across

32:16

the room. It now goes back to

32:18

you, favors favors you see. It seems like

32:20

a retreat. What do you do? If

32:22

the glass isn't fully

32:25

broken, I'm going to

32:27

take cover behind that

32:29

large couch. My

32:31

bag

32:32

my bag of was

32:35

around, so I just wanna like make sure I have that

32:37

before we head out. And while I'm

32:39

still aiming at this thing, I wanna

32:41

back out of the room And at

32:45

the nearest sign of

32:47

a fire alarm, I wanna hit that

32:49

fire alarm.

32:49

Okay. Alright. So you

32:51

take cover slowly slinking out towards

32:54

the hallway. Give me a luck roll.

32:56

Right. Let's see if that fire alarm just

32:58

happens to be right outside. or

33:00

exists or exists in

33:02

nineteen twenties. I rolled

33:03

a sixteen under seventy

33:05

two. Looks

33:06

like they have some equivalent.

33:09

It's just a guy first building ever.

33:11

Fireman's building. Right. Everyone knows

33:13

that the Waldorf Astoria built the first fire

33:15

alarm in nineteen twenty four. So

33:17

you see something there that is like, you

33:19

know, they would at least alert the front desk

33:21

and maybe rear rear

33:22

rear rear rear rear rear rear. You hear that throughout

33:24

the building. So is this all of this

33:26

sound now as it comes back to you

33:29

Carter. Yeah.

33:31

Carter's just just

33:34

dragging volume I I don't

33:36

know where we are. I

33:38

mean, you know, I my

33:40

intent is to use

33:42

every available bit of effort

33:44

during my single turn to get as far

33:46

away as possible dragging my

33:48

insane friend. I guess,

33:51

find out wise to use the elevator, so

33:53

maybe starts going to the stairwell. Okay.

33:55

You got you're basically out into

33:57

the hallway and you feel pretty safe away

33:59

from its reach because we're at a burst into

34:01

the room, now it's gonna navigate a very small doorway.

34:03

But how thick are these walls? You

34:06

don't know. And

34:08

now does Yvonne still just pulled into the hallway?

34:11

Yes? Mhmm. Yeah. Yeah. Dragged

34:15

down down the hole just all

34:17

all all the while.

34:20

Like, I just feel like he was once like one of

34:22

them, you know. He was once like one of

34:24

them. Like like, it's like the morning

34:26

star they fell.

34:28

We saw it telling us. We've seen

34:30

it. Yeah. Fun. I'm I'm I'm worried about some

34:32

other things right now, man. We got bigger fish to

34:34

fry. get the fuck out. Big of fish.

34:36

Big of fish. Big of fish. The

34:39

the the the the

34:41

creature evolved, the the swims

34:43

in the waters. he looked upon the daughters of men and and and

34:45

and it's fountain fair. And they were giants for those

34:48

days, you know? Mhmm. I do. Oh,

34:50

yeah. I it it sounds awesome.

34:52

Let's going.

34:54

and then you try to make sure also to be screaming like, let's

34:56

go. Let's go. Like, hoping that everyone else is

34:58

is behind him. He doesn't wanna forget everybody else.

35:01

Other doors in the building are starting to open up and

35:03

people are coming out like Gorgiad,

35:05

you know, wearing

35:08

nineteen twenty lives, pajamas, night caps,

35:10

and what kind of sticks.

35:12

What is all the racket here?

35:14

You've woken up

35:16

my money. Margo,

35:18

you look like you are the last one

35:20

out of the room. As you look about the

35:22

room, is there anything that you wanna even

35:26

attempt to grab as you of

35:28

like, should you choose to

35:30

return? So

35:33

grabbed everything I want, I believe,

35:36

my photos, my notebook,

35:38

mask, my guns. Fayruz

35:41

has

35:41

the other books. maybe

35:44

just do like a quick luck roll to see if

35:46

there's anything that we missed. Okay.

35:48

Or something or -- Yes. -- versus spot hitting

35:50

or spot

35:52

hitting? Yeah. Give a spot

35:56

hidden. I don't

35:57

see anything. I'm ready to get out of the

35:59

room. I got at

35:59

eighty six over

36:00

sixty two, and he's using luck right now. Yeah. And you can't use an old luck

36:02

anyways.

36:02

Oh, use the spot hitting them. Right? So, yeah, you're

36:05

looking around. Anything of importance? No. I guess not. And you run

36:07

out of the room, do you shut the door?

36:09

You just fucking better. I think I shut the door as,

36:11

like, a feeble attempt, like, maybe it's a strong door. So yeah.

36:13

Maybe it doesn't know how to open a

36:16

knob. Maybe it's a little

36:18

bit. Right. climbing.

36:20

And as you shut the door in

36:23

your hands, more

36:26

splintering sounds

36:28

screaming. and then

36:30

silence. You're running

36:33

away and

36:33

you guys all hear these sounds

36:35

and screaming and banging. And other people are looking

36:37

around like, what is the meaning of this

36:39

at the world over story, I know

36:42

less. And then it's just like

36:44

as you're getting the elevators, the stairs, and

36:46

whatnot, that sound goes

36:48

away. You still wanna

36:50

get the hell out of the building? Was it

36:52

screaming

36:52

of people that sounded like or screaming?

36:54

It

36:54

sounded like this preacher was letting

36:56

out some sort of whale as it was

36:58

trying to fight its way into your

37:00

room. And all the people are just more

37:02

grumpy than they are. Yeah. Look, what is the

37:05

fire alarm? Wait. There's too

37:07

much money here for there to be a

37:09

fire alarm. And what is

37:12

all this screaming and crashing. So I'm sort of partying. No

37:14

doubt. And so they're more annoyed by

37:16

this. They don't know that there's a monster in

37:18

the other I

37:19

think as Carter and Vaughan have, like, gone

37:21

into the stairwell on her

37:24

running. Ferrous just,

37:26

like, completely disheveled with, like, an armed gun and, like,

37:28

a loaded gun in her hand and, like, and,

37:30

like, and, like, a curve essentially

37:33

like a go bag. we'll

37:35

actually take the elevator. So in all this, like, panic and chaos,

37:37

all of a sudden, it's like,

37:39

for,

37:44

like, slowly heading down into the

37:46

lobby. What about It's got one of these

37:48

elevator things, like, is there an

37:50

elevator operator in

37:52

there? Like, Ruff Right, man? That's all,

37:54

man. Robbie, please. Mhmm.

37:56

Robbie, coming right up. Well, your

37:57

friend's me joining you.

38:00

what about that drive my mom's time?

38:02

You go down to

38:05

the lobby. And you get to the lobby, and you

38:07

get to the lobby Bobby, and

38:09

you see that, like, the bellman and a couple

38:11

of the hotel staff are

38:13

standing outside and

38:16

they're they're, like, pointing up and

38:18

and and looking. And and then one

38:20

guy is running over to the

38:23

phone and, like, Please, please. I'm not gonna be in front of

38:25

me. And you just see that there's a bit of a

38:27

commotion so they're aware that something is

38:30

happening here.

38:33

We, we, we, we, we, we,

38:35

we. In the distance, you hear

38:37

fire alarm fire

38:39

engine coming up. What

38:42

about the rest of

38:44

you? Yeah.

38:44

Maybe Carter and Vaughan burst

38:46

through the the bottom stairwell

38:48

door into the lobby too.

38:50

Oh my god. It

38:53

because Carter, I feel like they got far enough a

38:55

way to not the

38:59

silence. So Carla comes out.

39:00

I was like, everyone, get out of

39:03

here. Is the giant dragon? Where's

39:05

the floor? Where's the floor

39:08

stand? That's where it is. And let's gotta

39:10

get out. Don't forget. Gotta die

39:12

ass. Stop your lies. That's

39:14

the dragon,

39:18

but that's this gentleman. He has

39:19

had too many gin fizzes

39:21

this evening. Take all your money, but leave some behind. I feel like

39:23

I've earned it. It's a fair recompense. Get out of

39:26

it, though. And people

39:28

are just

39:30

like, It's just it's just freezing out. And there

39:32

you know, most of them don't even have their coats in, like, they're looking

39:34

at the stuff. Like, do we have to go outside as

39:38

is really a big deal. They're like, I'm so sorry. I'm so

39:40

sorry. So I'm so sorry, madam. There there may very

39:42

well be a fire. We just have to take

39:44

precaution the middle of January.

39:46

This weather, it's it's like slightly snowing out.

39:48

It's like a cop sat in there, everyone is upset.

39:50

And now there's just people pouring in.

39:52

But now you have to worry like

39:54

things flying around. What's to say it won't just attack everyone once

39:57

they go outside? So you see this

39:59

as massive people going outside? Do you follow or

40:01

do you stay in? Well,

40:04

I

40:05

don't know if Margo ran Annealy downstairs when she hit

40:07

her. with

40:07

Margo. The silence.

40:10

Oh. because Faireus took the

40:12

elevator,

40:12

and I feel like

40:14

she was close enough to the door to

40:16

hear the commotion and hear nothing and maybe walks

40:18

by the door again before coming

40:21

down the stairs. Right?

40:24

So you got you got away and you

40:26

were the only one that caught that, like, after

40:28

all that

40:30

sound, nothing.

40:31

And so, you

40:32

walk back up to the door

40:34

and you listen and you just hear

40:36

the wind coming from the other

40:39

side of the door your hotel

40:42

room. Can I peek

40:44

in

40:44

i peek in the room the

40:46

room?

40:46

You wanna peek in the room?

40:48

Yeah.

40:50

What's the words

40:51

that could happen? Get a deal of

40:53

a picky.

40:54

Argo grabs the handle of

40:56

the door. opens

40:58

it ever so slightly to peek

41:00

in. And where the balcony

41:02

used to be is just a

41:06

massive whole, you could almost see

41:08

the beginning of its wing span

41:10

trying to get through. I'm thinking like

41:14

Is it ghostbusters or ghostbusters too where there's just like

41:16

yeah. It's it's that kind of scene where it's

41:19

just I'm sure Kate has a film

41:21

historian. You know exactly the scene

41:23

I'm speaking of. Just a whole

41:26

where there used to be building and just

41:28

going out into blackness.

41:30

And if you try to look

41:32

out there, You do not

41:34

see the creature anywhere.

41:36

You

41:36

don't hear the

41:38

of weeks sound of

41:40

wings. Before I leave and meet them downstairs,

41:42

I wanna take a picture of the room, like,

41:44

from the door so I can, like, see everything,

41:48

see the drag and shaped hole, whatever it is, and just a

41:50

destruction of that, and then

41:52

head down. Steers like an

41:53

everyone outline.

41:55

get But

41:57

money goes to the wall.

41:59

You got a

41:59

solar right now? Yep. I

42:02

think you have one of

42:04

these. Smile. You

42:06

get a photo, you

42:10

shut the door, and you're

42:12

glad you're glad that

42:14

the incidentals are on Vaughan's

42:16

credit card.

42:18

You go downstairs and

42:20

your friends are all in the lobby.

42:22

At this point, Vaughan, enough time has

42:24

passed that you are no longer having this

42:27

bout of madness. In fact,

42:29

you don't even remember

42:32

having this thing. The last thing you

42:34

remember was hearing an explosion and seeing

42:36

glass shards flying out.

42:38

That's the last thing you remember.

42:41

Yeah. Jim just

42:43

thing.

42:45

Yes.

42:46

What?

42:47

You

42:48

Hey. Are you? You

42:52

back buddy? Sitting us, what

42:54

the bloody hell happened, Mohammed? What are we what are we

42:56

doing outside? We had a bit of an

42:58

incident.

42:58

Hey. Snipcat creature.

43:01

Bad snake really. bad

43:03

snake. Good good point. A bad

43:05

snake smashed the balcony

43:08

open. That might cost you a little bit of money.

43:10

But more importantly, world life

43:12

favorites is here. Margo.

43:14

I guess we don't know what's

43:16

happened. Right? So we're sort of still

43:19

out there. Where does that work

43:21

or go? Yeah. Oh, there

43:23

you are. Say what? I

43:25

think I'll do.

43:28

gotta get out of here. What's I mean, is this thing gonna take the top of the building off?

43:30

What's going on? It's gone. It

43:32

it's it's completely

43:34

completely gone. The the room is

43:37

ravaged, and it's nowhere to be

43:40

seen. Oh my god. Alright.

43:41

But but the road, like,

43:43

there's actual destruction. Right?

43:45

If this was not like a maggots are in the shower, maggots are not

43:48

in the shower thing, this is

43:50

like physical destruction

43:51

situation. It looks

43:53

like a monster. ran

43:55

its body through the wall

43:58

and ravaged the room, and I took a

44:00

photo. So what you're saying

44:01

is we're all going

44:03

to need another a

44:05

room. Probably.

44:08

Maybe

44:08

it's a monster that does not

44:10

attack the same room twice.

44:12

it doesn't

44:13

I just say. So

44:15

yeah. So basically, Vaughn, that's what

44:18

happened. Welcome back.

44:21

I'm

44:21

losing time. I

44:23

I scarcely remember what happened

44:25

last

44:25

night. It's probably for the best. What

44:27

is happening? What is happening

44:30

to me?

44:31

Oh,

44:33

dear God.

44:34

Why? I

44:36

don't

44:37

know. You seem

44:38

to every time something

44:40

strange like this happens, you seem to ramble

44:42

off AAA lot

44:45

of Catholic Right.

44:46

Thanks. But but you're doing great. That that's not to

44:48

take anything away from your contributions. Right?

44:50

Everybody and look You

44:52

are not doing good. No. I

44:57

will consent. I'm very worried about

44:58

you.

45:00

like But maybe

45:02

Yeah. We're all we're all very

45:04

impressed, Vaughn, with what you have brought

45:06

to the table in terms of team

45:10

is mentorship. But, yeah, there

45:12

was an incident. We're down here.

45:14

Sounds like we can go back up there,

45:16

maybe go to the maybe go to the caught

45:18

Constantially, let's talk about another room maybe. Are

45:20

you mad? If if I'm

45:22

clearly,

45:25

if if you're you're saying that some sort of

45:27

wing and serpent came in through our door or

45:29

window. Yeah. That that that be

45:31

that means they know where we are.

45:33

man. So watching, they just say no.

45:35

That's a great point. Well,

45:37

that means that if they

45:39

know where we are, And and whatever we're dealing

45:41

with is is something supernatural, then they're gonna be

45:43

able to find us wherever we are and that we might as

45:45

well stay in a

45:48

big building patented by other rooms surrounding us. How

45:50

about

45:50

what other four star hotels are

45:52

in the city? Can we find another

45:54

find another equivalent,

45:56

Ritzy

45:57

hotel, and then we'll this is this is where

45:59

I

45:59

come come and get

46:01

and guess. We check-in under our

46:03

get this aliases. Okay. We

46:04

come up with different

46:06

names. I will be

46:09

a thirtieth fart bender, and we

46:12

will go

46:12

in there. You guys can pick your own

46:14

names or if you want to. I can I got a whole

46:17

I got a note card here with lots of

46:19

different aliases. Go to

46:20

a different hotel, check-in under

46:24

aliases, and we'll be safe, but also in

46:26

the comfort that we've come to expect.

46:28

Split up? No. No. No.

46:32

All of No. God. No. No. We're all together. If you'll

46:34

direct yourself to world twenty, I do have

46:36

I haven't shown you this yet.

46:39

a nice little map of Greater New

46:41

York in nineteen twenty

46:44

five. And in fact, if you look at

46:46

these small inset map number sixteen

46:48

there is in fact the Waldorf

46:50

Astoria. So there are

46:52

other hotels available. There's the hotel

46:55

LLC back to where your good

46:57

friend Jackson Elias was killed. The

46:59

new grand hotel, the Broadway

47:01

Central, of course, and

47:04

other buildings So there are other options.

47:08

But yeah, there is this

47:11

lingering fear that they

47:13

know where

47:13

you are. They're watching, but

47:16

who?

47:17

i know Maybe

47:20

Times Square

47:22

Hotel.

47:24

Seems nice.

47:26

We're just thinking lots of

47:28

people, lots of big buildings, lots

47:30

of eyes in case serpent

47:32

comes back.

47:34

Yeah. Okay. That's won't.

47:37

So Margo You

47:40

think it's okay to go up there and gather

47:43

our shit? Yeah.

47:45

It's

47:45

gone. I

47:48

don't see

47:48

by now not? Maybe we

47:51

just go

47:51

up there, grab our stuff, and let's just

47:53

let ourselves out the back door. What

47:55

do you think?

47:56

agreed

47:58

Agreed. Yes. Yes. I suppose

48:00

there's a

48:00

list of

48:02

trail. Alright.

48:05

Let's

48:05

go upstairs.

48:08

Guys had upstairs and

48:10

upstairs not

48:14

unlike Margot

48:16

you. take this

48:18

deep breath and you open

48:20

the door

48:21

to go in. Favorites,

48:24

I don't know

48:24

if you were able to even grab all those books

48:26

shove them into your go bag and all of the commotion. So

48:28

let's say a couple of those are laying out. Guys grab

48:31

whatever you need to grab. and

48:34

you just see this. I mean, it's almost like a perfect

48:37

outline of not even

48:39

the full mass of this creature

48:42

in Vaughan where you'd lost some

48:44

time, you now see that it

48:46

was they weren't just blowing

48:48

smoke because you can see this

48:50

god cryptic outline of some winged beast trying to fight its

48:52

way in, shards of

48:54

glass all over the floor, that

48:56

broken door

48:58

jam like the force that it was exerting, the fact

49:00

that it was able to send that off of

49:02

the off the wall and across the

49:04

room, unsettling.

49:07

unsettling my

49:09

god. And then, yeah, like, peering over the edge down

49:11

onto down

49:13

onto Manhattan.

49:15

the Yeah.

49:16

yeah

49:17

And, like, I've

49:20

got, like, trunks and stuff, so packing

49:22

that up and that up finding my

49:25

pistol and also lifting up that

49:27

box that

49:27

I got with the those

49:29

vials inside

49:32

ride.

49:33

Right?

49:34

The ones look like they contain the entire

49:36

cosmos. It's the way they Yeah.

49:38

We kind of hid that from you, but

49:41

would imagine in the

49:44

chaos, pun

49:44

intended. I think it's

49:45

a pun. It's a fucking reference to the name

49:47

of the show. That's got spewed,

49:49

you know, that's everywhere or at least

49:52

exposed so you could see it.

49:54

Also, Carter wants to make sure he grabs that

49:56

ornamental knife

49:58

anything?

49:58

That's the

49:59

same knife that or one of the knives that

50:02

was a same make of a knife that was

50:04

used to kill Jackson that

50:06

you found. silicon Aquane's

50:08

chambers. We didn't take any

50:09

of those headbands. Right? I've

50:11

got one. You do have one. I got an

50:14

old jerky you know, the mummified human tongue. Right.

50:16

Yep. And then Carter was also, like so as you

50:18

can see, Vaughan, this

50:20

is where It came

50:22

through. Mhmm. And right over here is where I

50:24

saved your life. You were just kinda right here and

50:26

you were a gibbering

50:28

away and found it

50:30

within my self to pick

50:32

you up, my great

50:34

seventy strength and drag you

50:36

out of this room So anyway, I

50:39

just wanted to point out that the main parts of the

50:41

room that figure into

50:43

the narrative here. Well,

50:46

thank

50:46

you ever so much. Timing has

50:48

to your

50:49

Yeah. You know,

50:51

your great Braun and has agreed

50:53

to quarter. It's it just comes

50:55

naturally at this point. Fairers

50:57

will make it a point to leave

51:00

behind the fancy

51:02

dress that she borrowed with the

51:04

intention of sending a telegram

51:06

over to that lady, saying her father will

51:08

pave

51:09

the full confidence station for

51:12

the for the destruction

51:13

of her dress. Thank you for the

51:15

dress. Stop.

51:16

Mhmm. Thank you for the

51:18

dress. stop. Yeah. Well, I guess, yeah, both of us are still dressed

51:20

all fancy. Right? Like, we got back to

51:22

show up. I mean, maybe When we go back up

51:24

this this time

51:25

around, like, favors does

51:28

change her clothes, but before she was very much in that elevator full

51:30

ball gown. Mhmm.

51:32

and who

51:34

the But we'll leave it behind and make

51:36

her dad pay for it.

51:37

Yeah. Mhmm. Now you're wearing a bum

51:40

equipment sweatshirt.

51:42

I did for bed. Alright.

51:45

So so Von, you've got your trunks and

51:47

everything. You're you're moving out. You're going to

51:49

another hotel. Yeah. It's it's

51:51

not safe there. There's also a giant hole in

51:53

the wall. Right. Okay.

51:55

You get down into the

51:57

lobby,

51:57

all of you, and the

51:59

bellman is like, mister Villas,

52:02

what seems to be the problem there?

52:04

Is is everything alright? Yes. The problem with boys

52:06

is that there there's bloody great hole in our

52:08

wall. You see? It seems there

52:10

someone drove a trolley car straight to

52:13

my body balcony. But don't

52:15

think I'll be spending the night there any I'm

52:17

sorry. I don't understand a hole

52:19

in your wall. How how can that be?

52:21

We we we inspect all of these rooms

52:23

before our guests stay. This is

52:25

the Waldorf Astoria. after all. And

52:28

there is a a whole III do

52:30

apologize. This is something we should have had

52:32

looked at, but why don't we just move you to

52:34

another room? A free of charge, of course. Indeed,

52:36

III think in before

52:38

I'd set foot in another room, I'd

52:40

like you a lot to have a have a

52:42

deep and hard. Look at the

52:44

structural integrity of this building, a

52:46

job passing off as one of

52:48

the the diamonds of

52:50

your city. I'm afraid

52:52

that the world of Astoria shall see my business never

52:54

again. and

52:58

they I said good day. Good day. Good day. sir. Oh,

53:01

dear, bro. You're

53:04

the four of you storm out as if you had nothing

53:06

to do with this. Yes.

53:09

That's a off overview. Tyler.

53:16

man. And you just walk

53:19

out as all the other people are

53:21

coming in. Like, oh, it's that's

53:24

freezing outside. And as

53:26

you get to the front, you see that the

53:28

the fire engine is there and they're

53:30

they're like starting to pack up like

53:32

they already inspected and saw that it wasn't

53:34

a fire. there's a bunch of people huddled

53:37

around like broken glass on

53:39

the sidewalk and chunks of

53:42

wall and they're like, looking up and pointing and trying to figure out, like, what the

53:44

hell happened? They they don't have a good vantage

53:46

point to see exactly

53:48

what you

53:50

saw Can I role

53:50

spot him to see if I

53:53

see any suspicious or familiar characters

53:55

in this vicinity?

53:57

Yeah. For sure. and

53:59

the end I

54:02

got

54:02

smashed it. So, yeah,

54:05

I rolled a forty six

54:07

hundred seventy five. forty six hundred seventy five, you know, there's a

54:09

lot of commotion. It's all the guests of, you know,

54:12

this used to be two separate hotels

54:14

that merged So there's a ton

54:16

of guests here on a on a Friday night

54:18

in New York City. And

54:20

so you're just trying to suss through as anybody

54:22

standing out people that really jump

54:24

out of you are the police who

54:26

are, like, talking to somebody.

54:28

And from time to time, they look up.

54:30

And are they looking right at you

54:32

when you your friends to what are they? Are we

54:34

able to see what precinct they're

54:35

from by

54:38

their uniform? Yeah.

54:40

I mean, I would say that you could you could

54:42

look at their car, the police car, and see

54:44

that they're from the the

54:47

Midtown East precinct.

54:50

So maybe it's just your

54:52

mind playing tricks on you or maybe you are being

54:54

you are being watched watched. Some.

54:57

hum

54:59

I'd say other than the fact that it's colder than we just shed out here, I'd say

55:01

we've got our picks up. It's

55:03

pretty scot free.

55:05

All things considered. Yeah. Because we

55:07

just saw a dragon and our friend nearly but I feel like all

55:09

things considered you're right. That's a win. It could

55:11

have been much worse. I could just have to be count

55:13

this as win.

55:16

Yeah. We should not

55:17

walk directly to the new hotel.

55:19

We should take, you know,

55:21

non straighter routes and keep

55:23

our eyes out while we're going to

55:25

see see if anyone's rushing and filling us, anything up in

55:27

the windows, anywhere.

55:31

the sky.

55:32

I mean, can these people

55:33

really do that? Can they really just

55:35

be like, oh, we want those guys out

55:37

of the picture. Let's send

55:39

a dragon. I don't know what's

55:40

Kent? Did that happen? How does

55:42

one even call upon a snake dragon?

55:45

Bad

55:45

snake. Yeah. What

55:46

do you do? You call you the yellow

55:48

pages I don't

55:49

know if the snake dragon

55:51

is related to, you know, the the thing we

55:53

found on the floor

55:55

and juju House. I'd like to think they're somewhat tied together. I don't think

55:57

I normally, if I we hadn't found that stuff, I

55:59

doubt

55:59

we'd roll into New York City and encounter a

56:02

snake dragon. And

56:04

and I

56:04

and I I assume that maybe conversations we've

56:06

had have been kind of been tossed around between us

56:08

since, like, and doesn't that sound

56:11

rather significantly like the

56:14

creatures that had. Extremely

56:16

authentic Australian,

56:18

Jeffrey, tell

56:19

us about And this

56:21

is winged

56:24

bat sermons, the father of all

56:26

bats. Yeah. Yes. The

56:28

bat father. That does

56:30

sound like whatever day. Favorites.

56:32

That's not great.

56:33

That's not great. usually

56:36

don't want a god on your tail. That's

56:40

not ideal.

56:42

Alright. Let's take a

56:44

circuitous route to

56:45

our new hotel, the name of which

56:47

I've already forgot. The Times

56:50

Square Hotel. Not right. The Times Square. This is

56:52

good because it's

56:52

Frank's next super Rebecca works, so

56:54

maybe we can stop there

56:56

tomorrow before we save the world.

56:58

Just to make sure that she's safe.

57:00

by chance if they can send a dragon to attack us

57:02

and what's to stop them from sending it to anyone? Yeah.

57:05

There's also a

57:07

Chipotle by there. which I think

57:09

we could hit up. Of what was

57:10

what would think that a bad daddy God would have better things to

57:13

do than

57:15

to be

57:17

summoned upon just to run through somebody's

57:18

wall. Yeah. What what

57:21

I mean, god's what

57:24

you doing? These these lesser gods are just

57:26

was sitting around by the phone, waiting for it

57:28

to ring? Well, if you're trying

57:29

to destroy him

57:32

maybe, I am covering -- Yeah. -- stowage. So my god, are they

57:34

if they're

57:34

taking orders from somebody else? It's probably one

57:36

that can die.

57:37

You're not right up here. If you're like

57:39

talking crap

57:39

about this thing. And I

57:42

was, like, looking at that the sky, like,

57:44

snows. And the more the girls, it's at least

57:46

that's, like, we just laying out of the room, like, we

57:48

could take What? Maybe in the morick, the concept of

57:50

God and gods are revoked, you can just leave

57:52

on just to be like -- Yeah. -- this, but they're not gone.

57:54

This is Okay. We could talk we we don't have

57:56

to talk about it right Okay.

57:58

They can be evoked if we're by learning

57:59

secret names and situations.

58:04

It's called. Yeah. You're walking

58:06

through freezing cold New York City,

58:08

bonds dragging trunks. You've got all of your

58:10

shit with you. Mhmm. And you're on, like,

58:12

Park Avenue South, and you trying to make a

58:14

way. I've two Exactly.

58:16

thirty three cases. fight. The

58:18

forty three taxi. Forty three

58:21

street. You get there to the Times

58:23

Square hotel, and it's a it's a

58:25

long cold walk, but on top of what

58:27

the I guess what keeps you

58:29

warm is the fear of them

58:32

and in death constantly. And he sound you here. Just like, you're looking

58:34

at the skies above, but

58:36

you are on a constant

58:38

all your

58:40

way there and you get there and there's like a

58:43

stiff, tall, thin man with

58:45

a pencil thin mustache that sees four

58:47

of you stumble in, like, wet from the

58:50

snow and looking all disheveled.

58:52

It's, like, three in the morning now, I

58:54

imagine, like, you got Batacolade

58:56

from WestJet monster. You would

58:58

dig it into these books, having a couple of

59:00

cattails, and then this monster

59:02

came in. And now you had to

59:04

walk all the way across town, taking a

59:06

longer circuitous you come in there

59:08

and it's like, how

59:10

may I help you? No. It's terribly

59:12

late old man, but I don't suppose you've got

59:14

a suite of rooms available with this on

59:16

godly. now, pardon me, a sweet

59:18

for the four of you.

59:20

Or perhaps two are joining

59:22

perhaps or to adjoining Well,

59:26

clearly, you were not. From a

59:28

New York, but the Times Square Hotel is

59:30

a hotel primarily for single

59:34

men, although they

59:36

did add a floor for women.

59:40

What? Yes.

59:41

That is how things work in

59:43

nineteen twenty five. This is

59:44

a a hotel for primarily

59:46

single men, so you

59:50

and your friend here

59:52

looking at Carter. I could

59:54

stay on floors one through

59:56

fourteen. And the lady

59:58

would need their

59:59

own room on the fifteenth

1:00:01

floor. Let's I think

1:00:03

you've mistaken

1:00:04

the

1:00:06

situation here, so you see, we are two couples and

1:00:08

I'll I'll, like, just whatever

1:00:10

grab Carter or Bonhoeffer's closest. and

1:00:13

and we should like joining rooms

1:00:16

as we

1:00:17

are honeymooning all together. We are Wow.

1:00:20

wedding. Yes. From my dear,

1:00:21

I don't know what kind

1:00:24

of coupling the four of

1:00:26

you are up to, but that

1:00:27

is not the type of business we

1:00:29

have here at the Times Square out

1:00:31

town. Perhaps you would

1:00:33

prefer a flea motel on

1:00:35

tenth Avenue. Now god damn it, sir,

1:00:37

and Carter No. It was just

1:00:39

at the Waldorf story, and the only reason I

1:00:41

in this playback hotels because there was a

1:00:43

huge giant hole in our wall and the fire alarm

1:00:45

was raised.

1:00:45

And now we have to find ourselves in the cold, walk you

1:00:48

around three end, Dennis Jethai, you will

1:00:50

provide us a room, sir. We demand

1:00:52

satisfaction. That is the tenth time I've

1:00:54

heard

1:00:54

that skews this evening.

1:00:56

Madam, you're lucky.

1:00:58

A couple of years ago, this hotel was primarily

1:01:00

for men. I will allow you a room

1:01:02

on the fifteenth floor. don't make the

1:01:04

rules. I merely enforce them. A

1:01:08

couple's hotel

1:01:08

can be found up the street

1:01:10

if you so choose.

1:01:12

Otherwise, Good day to you. What's the

1:01:14

star rating on this level? a high place

1:01:16

for the ground. This is a a

1:01:19

high class hotel. I'll have you

1:01:22

know. Spilt. If you have to start to turn

1:01:24

over again, I don't think it's a very high class.

1:01:26

I mean, you keep a women up on the

1:01:28

top floor. for single men only? What kind of establishment is

1:01:30

this? How dare you?

1:01:32

the

1:01:33

How dare you all

1:01:35

have you know? My

1:01:37

father when Heather is in town goes out

1:01:39

of his way to stay at the Times

1:01:41

Square hotel.

1:01:43

Which floor

1:01:44

though? Young

1:01:47

man.

1:01:49

You are no longer welcome

1:01:52

here. I'm going to call the police. Okay.

1:01:54

Alright. Fine. Fuck We're leaving.

1:01:56

That's what we do.

1:01:58

Don't don't We're gonna pick

1:01:59

another great hotel. Oh, no. Just

1:02:02

walk around

1:02:04

that. Square. Let me check real

1:02:06

twenty. men's a

1:02:07

single men's hotel. I

1:02:09

repeated the

1:02:10

hotel quickly before you guys

1:02:12

decided to go there. Okay. It

1:02:15

was it was built for just single men. And then in nineteen

1:02:17

twenty three, they added one floor

1:02:19

for women for girls. Oh, they were

1:02:21

pretty by the books. especially

1:02:23

in Times Square with the the the sex workers

1:02:26

and whatnot, they didn't want that element being

1:02:28

in there. So by separating them, it

1:02:30

made

1:02:31

it safer. Sure. By by

1:02:32

making the whole place a single

1:02:34

net only. Yeah. This

1:02:37

is a great gold troy

1:02:39

to finish the a season where we can't fucking

1:02:41

check another hotel. Let's choose another hotel that

1:02:44

does have a Wikipedia page. Maybe

1:02:46

you like to

1:02:48

leave it. Mhmm.

1:02:51

What's it called? Hotel Girard. Oh,

1:02:57

I'm on it. Alright. So you go to the the

1:02:59

hotel Girard and that

1:03:03

was built

1:03:04

in eighteen ninety three. It's a thirteen

1:03:08

story a u shaped salmon colored brick and limestone

1:03:10

building with German Renaissance style

1:03:12

design elements. The front facade features

1:03:14

bode pairs of

1:03:16

bay windows from the third to sixth floor, and the building topped

1:03:18

by steeply pointed front gables,

1:03:20

and a high decorated dormer. It

1:03:22

was originally built as an apartment

1:03:26

hotel you come in and the

1:03:28

gentleman is like, hey,

1:03:30

what's going on? How can I help you? First

1:03:31

of all, do you

1:03:33

have any men only floors, or it can be mix

1:03:35

and mingle here. Sir, I think you're thinking

1:03:37

of the Times Square Hotel. This is

1:03:39

the hotel Girard. We're

1:03:41

all or well. compelling. Yeah. Excellent. Our

1:03:44

mistake. I'm looking for one of

1:03:46

your famous apartment

1:03:48

esque suites.

1:03:50

I hear you start as an apartment hotel room. We indeed,

1:03:52

we've just recently converted a

1:03:54

few rooms to shorter stays, but

1:03:58

we would be glad to give you how long do you plan on

1:03:59

staying? You're not gonna

1:04:02

up and

1:04:02

die in the next twenty four hours, are you?

1:04:04

I have to ask that.

1:04:07

of all of our new

1:04:10

people. No. I have no

1:04:12

idea. to shuffle off this

1:04:14

mortal coil

1:04:16

just yet. Indeed, we may be staying

1:04:18

forever. I I have a feeling

1:04:20

we'll be requiring comfort, a

1:04:22

great deal. well, then you

1:04:24

came to the right place because hotel

1:04:26

Girard is synonymous

1:04:28

with comfort. Let me see what I

1:04:30

have. And now are you was

1:04:32

this two rooms for two married couples?

1:04:35

Or are you a family? Or

1:04:37

what is what is the situation? it's

1:04:39

been a bit fried. Of course, I understand. I'm just doing a

1:04:42

job and all that. Perhaps to re joining

1:04:44

rumors for for my

1:04:47

wife and our friends here. Lovely.

1:04:49

Of course. Yes. Let me see what I have here.

1:04:51

I'm just typing on my non

1:04:53

existent computer. Yes. Here

1:04:56

you are. we have two rooms

1:04:58

on the fifth floor that should be

1:05:00

perfectly to your liking and they are

1:05:02

joining. You can choose to leave that door

1:05:04

locked or

1:05:06

depending on what you'd like. Will there be anything else?

1:05:08

We have a breakfast in the morning from

1:05:10

seven to ten AM, and

1:05:12

turn down service is optional.

1:05:16

accommodating. Yes. That turndown

1:05:18

service won't be necessary with us. As

1:05:20

you can see by the ungodly hour, if we've

1:05:23

had quite night. Yes.

1:05:25

I assume that you are

1:05:27

a blackout truck. So welcome to

1:05:29

the Hotel Girard. Your secret is safe with me.

1:05:31

Here are your keys. And for you, please, if

1:05:34

there's anything that

1:05:36

you need would

1:05:38

be here until the morning just ring down at

1:05:41

any time. Yeah. Thank

1:05:43

you so

1:05:44

much.

1:05:45

and and Vaughan

1:05:48

will when he signs the

1:05:50

ledger, sign a name that is not

1:05:52

his own. Okay. What

1:05:52

is that there? Yeah. What was

1:05:55

the one? Tillinghouse said

1:05:57

I forgot. Part

1:05:59

further tethers

1:06:02

apart because Murder.

1:06:04

Further fronting last thing. Yeah.

1:06:07

Just the tethers. mister f dash and,

1:06:10

like, f

1:06:12

dash r arthur. Alright. So

1:06:14

you go up to the room and it's late.

1:06:18

You have to be exhausted. Are we going to

1:06:20

sleep? Are we calling to the

1:06:22

day? Yes. Yes. I

1:06:24

mean, sleep in quote, I would

1:06:26

imagine. This is not the Waldorf story. It's not as

1:06:29

luxurious. There are no late night shrimp

1:06:31

cocktails and gin martinis. What's

1:06:33

the bootleg gin? You

1:06:36

go to sleep. Fitful

1:06:38

sleep

1:06:39

for all of you.

1:06:41

Imagine

1:06:42

imagine you're all up

1:06:45

pretty early, not

1:06:48

super rested in mind spinning

1:06:50

all

1:06:52

night. And it is Saturday,

1:06:54

January

1:06:56

twenty fifth or twenty fourth.

1:07:00

remember. I'll tell you in a second, but tell

1:07:03

me what your plan is

1:07:04

for the day Michael just chimed

1:07:07

in as Saturday, January twenty,

1:07:10

Fourth,

1:07:10

a week ago, you were attending Jackson

1:07:13

Alliance's funeral in

1:07:16

Brooklyn. And

1:07:18

now, you

1:07:19

are set to do

1:07:21

what? Carter, you had

1:07:24

mentioned you were like fuck the dog of

1:07:26

the moon. We need to go and get you

1:07:28

guys during the day and figure out what the hell's going on. Milley Adam's life could be hanging

1:07:30

in the balance. What do you guys think?

1:07:33

Yeah. I mean, that seems like a pretty decent plan.

1:07:36

That seems

1:07:36

like the most pressing matter. Yes. After

1:07:38

checking, you

1:07:38

know, ignore that for a

1:07:41

bit. do that as party. Mhmm.

1:07:43

I'd very much like to, yeah,

1:07:45

check-in on the pool situation so that

1:07:47

the and And

1:07:50

if we can't get in touch with him, let Joe Sandberg

1:07:53

know where we're going and then kicked down some doors. I

1:07:55

thought you meant, like, see if this

1:07:57

hotel had a pool It's

1:07:59

like Oh,

1:07:59

yeah. I appreciate the pools that you're really letting his

1:08:02

hair down. He's a twenty berry's and yeah.

1:08:04

Yeah. What is the check out the

1:08:06

pools that you're wearing? and changing It

1:08:08

was a bottomless mimosa

1:08:09

branch. No. Downtime

1:08:12

to me was a good time. Here we go.

1:08:16

Okay. Alright. So it's a little early and maybe

1:08:18

if you wait

1:08:18

to get this, you know, the breakfast is

1:08:22

from seven to ten. get some eggs and French

1:08:24

toast, and then call

1:08:26

lieutenant pools precinct. There

1:08:28

was a message for

1:08:30

you waiting at the Waldorf Storia

1:08:33

that said what? Do you remember? Something about all was going

1:08:35

according to plan -- I think.

1:08:36

-- according

1:08:39

to plan. Yeah. Who

1:08:41

is that

1:08:42

from? From pool? From lunch? Hell. Allegedly from pool. We

1:08:45

could

1:08:46

try to call him

1:08:49

Again

1:08:51

-- Yeah. -- try to give him a ring, ring, ding. Let's give

1:08:53

him a buzz.

1:08:55

Give

1:08:55

him

1:08:56

a code word. that way,

1:08:58

if he can't speak because he's surrounded by people,

1:09:00

he'll know to be the leader

1:09:02

at the park bench. Mhmm. Just

1:09:04

be like, hey, if you and

1:09:06

if this is not a good time to speak, meet us

1:09:08

here, and just say

1:09:10

the word bagel

1:09:13

of locks.

1:09:15

Mhmm. You

1:09:16

call up

1:09:17

the number that you were

1:09:18

using to call pool. rings

1:09:22

three times. Dan

1:09:25

Prisik, how can

1:09:27

I help you?

1:09:28

Yes.

1:09:29

Hello, my head. Just always make sure I

1:09:31

can call you. Is that

1:09:34

how can I help

1:09:36

you? I was

1:09:38

in a pool if you would be so kind. a pause.

1:09:42

the pause Who

1:09:44

may I ask

1:09:47

this calling?

1:09:47

This bullshit again.

1:09:51

I'm sorry. Is mister

1:09:53

i'm sorry mister paul of unavailable

1:09:56

porno unavailable?

1:09:57

the lieutenant

1:09:59

pool not been in in

1:10:02

three days, actually. Who

1:10:04

do you? Did you did

1:10:07

you have a meeting with

1:10:09

the the tenant pool. Who who

1:10:11

is this? Tell them it's dry cleaners is is Yes.

1:10:13

Late to pick up and order.

1:10:15

I'm like, yes. This

1:10:19

is a tip top dry cleaning. Just calling in

1:10:21

to let him know that

1:10:23

his his we've got

1:10:25

his shirts. So stopped and and about a bit

1:10:27

of a difficulty with those French cuffs. Sure. Sure. If if

1:10:29

you if you know anything about the ten and twelve, please

1:10:31

please let us know. We're we're we're we're we're we're we're

1:10:34

we're we're we're this is very very strange. It's not like him to just not call.

1:10:36

Odiero. Odiero. I should

1:10:39

Tell him. Should hate to

1:10:41

think what that means for a

1:10:43

state who's trickling. Mhmm.

1:10:44

What was that

1:10:46

time? Tell him, why not?

1:10:48

Why?

1:10:48

how him why not device Like,

1:10:51

he's disclosing this to

1:10:52

i can't really was yeah

1:10:56

us.

1:10:56

Yeah. And

1:11:00

after

1:11:00

that Yeah.

1:11:02

Sir, I'll only

1:11:04

say

1:11:08

that If the tenth precinct wants

1:11:10

to know where a pool told

1:11:12

me that he

1:11:15

was going to be

1:11:16

speaking as a representative once

1:11:18

again of tip top dry cleaning. He

1:11:23

told me that he was place up in Harlem

1:11:25

called the juju House. That

1:11:27

was where his

1:11:30

investigations

1:11:31

were leading him.

1:11:35

Click.

1:11:39

Yes. How to cut

1:11:41

jobs out? I'm sure that depends on the What did

1:11:43

you make them looks? Pecos. He

1:11:48

wasn't even there. Shit. I

1:11:50

collapsed the golden wager time.

1:11:52

The golden wager

1:11:55

to the tenth. And And then

1:11:57

So I don't know. Tonight is the night that they

1:11:59

that another abduction

1:11:59

happens. Billy Adams has already been taken

1:12:02

by the mayor. III don't

1:12:04

think addoms

1:12:07

too. Pool is gone. Let's go to

1:12:09

two new houses. Let's go to two new houses.

1:12:11

At least two monsters. Let's go

1:12:13

right now. Let's go. It's daytime.

1:12:15

Let's go. Paul has gone and

1:12:17

disappeared. That means they they they

1:12:19

may bloody well have him as

1:12:21

Yeah. There's no

1:12:22

there's no time to spare. We should we should go now. Now is the time he quesadito's lost.

1:12:24

now is the time he

1:12:26

was a teachers last

1:12:28

And then

1:12:29

let's let's start a montage. Should we tell Schismberg where we're headed

1:12:31

just so Nismans? Yes. Absolutely. Mhmm. And so

1:12:34

you have another ring,

1:12:36

ring, Although

1:12:38

we're next door now, right? Could

1:12:40

we just drop in? Yeah.

1:12:42

Hopefully, she's in on Saturdays. But

1:12:46

we can call first, I suppose, to see. Yeah. Yeah. But if we don't wanna be seen by by others Mhmm.

1:12:48

You get

1:12:49

patched

1:12:50

through. This is Rosenberg Hi,

1:12:55

mister Villas. I'm so

1:12:57

glad to hear your

1:12:59

voice. Mister Villas, in any news

1:13:01

on miss Adams, I've I've heard

1:13:03

nothing on my end. Nothing on

1:13:05

my end. We set loose the dogs of war to fetch her

1:13:07

back, but they've, alas, disappeared in the form of a

1:13:11

one lieutenant pool. We

1:13:13

told him everything, gave him all the information

1:13:15

that we had at our disposal. He swab blinded. He was going take action

1:13:20

on it. he has not been seen for three

1:13:22

days. I fear he may be a victim as well of this horrible cult that's operating

1:13:26

out of that place. We are are you sure the pool could be trusted?

1:13:28

You gave him all of this information? I

1:13:30

don't even have this information yet. Every scrap.

1:13:34

Well, you you need to get that to me because if

1:13:36

if anything should happen to to any of us, that

1:13:38

needs to get out. There needs to be a plan

1:13:40

in place. Now you're you're telling me you get this

1:13:42

to pool and and then pool is this thing?

1:13:45

How do you know that he's

1:13:47

done? He don't know, damn it. I don't But

1:13:51

yes. Yes. We will provide you

1:13:53

with what we have. Stay stay there. Oh, no.

1:13:55

No. Meet us.

1:13:58

Make a lot. No. That was a code predetermined by

1:13:59

someone else. Did you need to

1:14:02

make a loss closed months ago?

1:14:04

And I'll arrange a spot where

1:14:06

we can make a handoff nearby.

1:14:09

Cut

1:14:09

two exterior, bagels, bagels, bagels, on forty second street and

1:14:11

ninth Avenue. Rebecca shows in

1:14:15

Burke standing outside. waiting, watching

1:14:18

the four of you walk up. Thank god. So

1:14:25

give give me everything you have, as I told you before, that all of our lives are at

1:14:27

stake here. I can't just go to the

1:14:30

press with this, but but

1:14:33

But God forbid anything should happen. Well, we need to we need to get

1:14:35

this out. I have people that I trust that I can give this

1:14:38

to if you trust

1:14:40

me. Margo

1:14:44

walks

1:14:44

up to her and hands her an

1:14:46

envelope. It's a copies of the photos.

1:14:48

I think we told her a

1:14:50

lot,

1:14:50

but it's over the phone. So I gave

1:14:53

it to her. And I said don't don't don't don't

1:14:55

you have to open these in public.

1:14:57

Opens them when you

1:15:00

are alone?

1:15:00

she closes them after starting

1:15:02

to finger through. They corroborate our stories that we

1:15:04

told you when we went

1:15:07

to this YouTube house. Okay.

1:15:10

So so what is

1:15:10

your plan? What are you gonna do? It's

1:15:12

best that you don't know.

1:15:15

It's just that. Wait. Also

1:15:19

don't know, but we're gonna figure it out.

1:15:21

When will you contact

1:15:22

me next? Because if I

1:15:24

don't hear from you, I'm I'm

1:15:26

gonna

1:15:27

expect the worst. If you don't hear

1:15:29

from us by tomorrow morning, then the

1:15:31

worst can be expected. tomorrow

1:15:34

one morning morning. Tonight

1:15:36

is the new moon.

1:15:38

You need to

1:15:39

stay safe. I've

1:15:42

been I've been spending at the night at this

1:15:44

horrible guy's house. Yeah. What isn't

1:15:46

going on? He's very kind, but

1:15:48

he's just not my type. and nothing's

1:15:51

happened, but he's getting antsy. I

1:15:53

can do it for one more

1:15:55

night. But after that, I

1:15:57

really we've got to we've got to put an end to

1:16:00

this. Yes. Of course. Yeah. I would not

1:16:02

wish to stress your suffering to that situation

1:16:04

any longer than it goes there. Very, very sweet.

1:16:06

Well, listen. The Times Square Hotel has a lady's only floor. Oh,

1:16:08

I'm I'm quite familiar with the Times

1:16:10

Square Hotel. I that's not

1:16:14

my It's fine. We just please be safe. Whatever is

1:16:16

you're doing, you're telling me if I don't hear

1:16:18

from you by the morning to worry. I'm

1:16:21

I'm already worried. So please, whatever it

1:16:23

is you're doing. Be careful. Be shout. I will go to this. And mister Schuesenbeck,

1:16:28

Yes.

1:16:29

Where? Whenever you

1:16:31

sleep

1:16:31

tonight. Do it away from windows. In

1:16:36

shower curtains. in

1:16:37

anything.

1:16:38

Okay. I should sleep

1:16:41

so

1:16:43

under a bed.

1:16:45

Yes. Good day. It's a good idea. That's not

1:16:47

bad. And

1:16:47

she walks away clutching the folder

1:16:49

back in

1:16:50

the direction of the New York Times.

1:16:55

fucking dragon grabs. Are

1:17:02

we heading to the Q2 house? Yes. The

1:17:04

afternoon. All roads lead there. I don't

1:17:06

know where else to go. I

1:17:08

mean, are we getting there? Taking a

1:17:10

cab, train? It's too long to walk, but it's a nice day. Yeah. It's

1:17:13

actually surprisingly it's

1:17:15

probably, like, low

1:17:18

forties. Like, there's still snow all over the place. No place

1:17:20

to put it in New York. Cabs maybe.

1:17:22

But I'm I'm I'm just, like, for

1:17:24

the sake

1:17:25

of knowing, not to

1:17:27

over plan, but What we gonna do when

1:17:29

we get there? Yeah. Let's get in let's get

1:17:31

in our mode of transportation and discuss this. Alright.

1:17:33

So you're in the

1:17:35

cab. Where too?

1:17:37

I love you. Funeral to

1:17:40

talk around. No. No. No. A few blocks

1:17:42

from Few blocks from the jujure house,

1:17:44

please. Few blocks from the jujure house. Come

1:17:46

right now. You too. surprised us. He knows the truth to us. No.

1:17:48

So you tell him, like, you know, I think it's

1:17:50

on, like, a hundred and forty seconds. So a couple

1:17:53

blocks away so that you can approach at your home

1:17:56

discretion. So he's like, you got it? You're

1:17:58

all is anyone sitting in the front

1:18:01

or you all forced to cruise of the bag.

1:18:03

You might have to someone might have to be outside the driver. Yeah.

1:18:05

Alright. Carbers in front. That's it. It's pretty

1:18:07

crazy weather.

1:18:07

It's only in

1:18:10

the low forty. I

1:18:10

I don't mean to pry, but What

1:18:13

happened in

1:18:14

your face? Oh, horse

1:18:17

horse hoofed.

1:18:18

Horse did that to

1:18:21

your face. Yo. Yeah. It's a long

1:18:23

story. Horse kicked

1:18:23

me in the

1:18:25

face.

1:18:26

How?

1:18:27

They end. He should have better story than that. He

1:18:27

should have said, you should have seen the

1:18:30

other guy. No. He's missing his whole face.

1:18:32

It's just a horse.

1:18:35

It's the other guy. Does

1:18:37

it earth still? You know how they talk about,

1:18:39

like, ghost phantom limbs? Phantom limbs. Yeah.

1:18:41

I got a cousin

1:18:43

with one arm. he still

1:18:45

feels. They aren't, they don't have anymore. Well, then, yeah, then you know it. I've

1:18:47

got a phantom face. Sometimes. Phantom face. Sometimes,

1:18:50

I'm like, oh, go

1:18:52

leech. What's that? Is

1:18:54

that a blackhead? I don't know what that is. And then, no, it's a hole. It's a it's an absence of matter. should really

1:18:57

make an

1:18:59

opera about it.

1:19:00

That sounds good or maybe a a comic

1:19:02

strip, like one of those Dick Tracy's phantom face.

1:19:05

It could be one

1:19:07

of the villains. I

1:19:10

never thought about that. That's a that's a great

1:19:12

point. And then Why do you do

1:19:14

your camp drivers love chatting with people

1:19:16

in the car? This camp happens to

1:19:19

be one of those ones that doesn't exist

1:19:21

where Kartik hit a button and a window goes up. But

1:19:23

They're in the proxy. Chief. What

1:19:27

are the

1:19:27

three of you in the back discussing? Yeah. I remember, I'm just,

1:19:29

like, listening to this conversation, like, well,

1:19:32

he's occupied. I

1:19:37

feel like first thing is

1:19:39

poo. Is he there? Well, regardless of who's

1:19:41

there,

1:19:42

who's not,

1:19:43

even if they're hidden.

1:19:46

first thing is this is a daytime and

1:19:48

and are we

1:19:50

going to encounter this

1:19:53

is normal business hours. It's not when you

1:19:55

just walk in and sneak in like we did last time,

1:19:57

unless we wait for

1:19:59

the lunch hour.

1:19:59

It's -- Wow. -- are you going

1:20:01

to bloody burn the place of If somebody has

1:20:03

some

1:20:03

ether and dish rag, Mhmm.

1:20:05

Oh, no. Go in guns blazing.

1:20:06

I mean, if that Nekwane, a chap is there. He's

1:20:08

going to have to be

1:20:10

have to be subdued somehow. tense

1:20:14

to eat in the dish rack. Yes. Yes. Of

1:20:16

course. Though we told Pool

1:20:18

to

1:20:19

stay in the abandoned

1:20:21

place that we were in, So maybe there

1:20:23

are clues there if there was a struggle, if they found

1:20:25

them, if they're still there, and they just

1:20:27

haven't contacted anyone. That

1:20:30

is an excellent idea,

1:20:32

Margo. Yes. Perhaps we choose that

1:20:34

place first and

1:20:34

see if if he had

1:20:38

been

1:20:38

there. Just a

1:20:41

Looks like a

1:20:43

storm's coming. Guy looks up

1:20:45

in the sky and, like, what was

1:20:47

a beautiful day? Like,

1:20:50

very quickly gray. cocomb,

1:20:52

you hear some thunder. Pitter

1:20:54

powder of rain on the cab. For for

1:20:59

for from

1:21:00

window

1:21:03

windshield washes. And

1:21:07

perhaps as we go

1:21:09

by Yeah. Yeah. Mhmm. Very well. Not for learning

1:21:11

whatsoever. Yes.

1:21:11

So we trundle

1:21:13

past the

1:21:14

movie house that may showing

1:21:16

phantom of the opera that came on nineteen twenty

1:21:18

five with launching it. Like like Do

1:21:21

you guys see

1:21:23

the phantom yet? No. No.

1:21:26

Never take the pleasure. I did not even watch your movies about people with half masks.

1:21:28

They've got a random

1:21:30

face of the armor. Right?

1:21:34

Hey, Scott. You know, you're gonna be at. My name

1:21:36

is so right. Hey, man. What's your

1:21:38

name? My

1:21:39

name is That's Charlie. Chad,

1:21:41

thank

1:21:41

you. They call me. Charlie cabs. Charlie cabs, and I like to cut

1:21:43

your jib, bro. Yep. You too, Charles.

1:21:45

What are you guys doing

1:21:48

in Harlem?

1:21:48

tell giovanni that got an olive Well,

1:21:51

there's a

1:21:51

renaissance. There sure is. There sure is,

1:21:53

but it's a little too early to

1:21:56

watch me in the hooch if you know what

1:21:58

I mean. A lot of speakeasies up an

1:21:59

island. That's where you're wrong. Never told me.

1:22:02

where you're wrong. Never told me. Oh, I

1:22:03

like to carry your gym. Charter Caps. Are we

1:22:05

there yet

1:22:06

a what, man? Oh, it's

1:22:08

a a long way to go.

1:22:10

Just wanna make sure you guys did all your role played in the back seat. That's a

1:22:12

long way. What do

1:22:14

we want to

1:22:15

do? Yes.

1:22:17

yeah What's

1:22:18

his focus? Is is

1:22:21

what's in the is

1:22:23

is manning the the

1:22:25

front desk. Here's the deal. We go in

1:22:27

there. upset. I got nothing to fear with

1:22:29

this. He's an old man. We fucking deck him.

1:22:31

We keep going. Perfect. So

1:22:33

people

1:22:34

give me Not about Bye

1:22:36

lovely. If necessary, you're in a movie. We're gonna

1:22:38

surprise a friend of ours. You guys are pictures.

1:22:40

We're writing a

1:22:43

musical. Yes. I'm musical. And

1:22:45

a man old man gets decked? Yeah. It's called deck in

1:22:47

the face. It's gonna be awesome. First thing we do, we check out the pawn

1:22:49

shop,

1:22:52

guys. think

1:22:53

that was I I heard some of

1:22:55

that over this guy's chitter chatter. Mhmm. We check that out. We move right on in If he's standing

1:22:57

there. Pap. Pap. Pap. Right

1:22:59

in the space. Keep

1:23:02

going down. We gotta find Milli. If

1:23:04

she if she

1:23:05

and all pool are down there

1:23:07

and if not, just

1:23:08

I

1:23:10

haven't mind to burn the bloody place down. Okay.

1:23:13

That works. Feeling

1:23:14

if they are down there If

1:23:16

they are down

1:23:18

there, they may not be themselves.

1:23:20

Oh, here we are. You

1:23:22

guys want the

1:23:22

the near corner or the

1:23:25

far corner. There's nothing

1:23:27

really around here. Mr. Far

1:23:30

corner. Far corner. That's fine. Thank you. Alright. That'll be Don Nickels.

1:23:33

don't know

1:23:35

Don's highway robbery. Hey.

1:23:39

Thanks. I can't wait to see those musicals. Star

1:23:41

in the phantom face. Yeah. Oh, yeah.

1:23:43

You're great. Charlie, thanks so much, man.

1:23:45

You want me to Gary, I'll venture

1:23:47

Broadway. Now you know what, but I'll be around if somebody dies and you

1:23:49

didn't end PC. My stats are pretty

1:23:51

low, but I got

1:23:54

a high

1:23:55

Saturday. See you? It's incredible charlie

1:23:57

cabs. We haven't heard the last of him, I'm sure. Oh, charlie cabs. The

1:23:59

amelie

1:23:59

crashes into a telephone pole.

1:24:02

Right. Like, oh, god. He's been

1:24:06

throwing from his feet through the windshield. We

1:24:08

should do the -- Too bad. -- the

1:24:10

animal house ending of this, where we see

1:24:12

what happened to all the MPCs. It's the

1:24:14

free trial and cash. died ten minutes later. That

1:24:16

was how my sketch comedy

1:24:18

group would end ninety percent

1:24:21

of our sketches. Oh,

1:24:23

yeah. I love that. No way.

1:24:25

I know I didn't end it.

1:24:27

Just to say everyone died. It's really dumb.

1:24:29

No. No. No. No. You're about six and a

1:24:31

half blocks from than

1:24:35

juju has. He's got a

1:24:37

loose plan here, but like you

1:24:39

really don't know what to expect.

1:24:41

But coming during the day, you do feel a little bit better than if you were to

1:24:43

go in there at night when you've seen a

1:24:46

lot of people going

1:24:48

in. although

1:24:50

after the damage that

1:24:52

you caused there during your

1:24:55

break in, don't really

1:24:57

know what the state of that place is

1:24:59

because you haven't been back since you all ran out of there into the night the door on its

1:25:01

hinges. And they may be

1:25:03

expecting an incursion them.

1:25:07

Come on. Come on. Thunder in

1:25:09

the air and you're

1:25:12

getting now like

1:25:14

the temperature has dropped. five

1:25:17

or six degrees since when you first got in the cab, it

1:25:19

got darker out. You know, it's still daytime, but it's it's darker

1:25:21

out. It's gray. It's just one

1:25:23

of those dreary wet

1:25:27

New York days, and the snow that's lingering

1:25:29

on the sidewalks is now turning

1:25:31

into that brown sludge.

1:25:34

So it's you're walking through and it's starting to get

1:25:36

into your shoes. And so

1:25:38

you just feel uncomfortable and

1:25:41

cold. You've got wet feet. and

1:25:43

you walk about three or

1:25:45

four blocks in the direction

1:25:47

of juju house, not

1:25:49

knowing what to expect when

1:25:53

all of

1:25:55

a sudden.

1:25:58

three police

1:25:59

cars. Pull up next to

1:26:02

you. One comes

1:26:03

from across the street

1:26:05

and pulls up on the opposite

1:26:07

side. Another one comes up behind you, and

1:26:09

then one comes up behind that one and

1:26:11

kind of wedges in

1:26:14

so they're surrounding you.

1:26:16

And seven cops jump out, and they

1:26:18

don't have their guns out, but they all have their

1:26:20

hands on their waist.

1:26:23

And they say stop

1:26:26

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to claim this deal. As we

1:31:34

approach part two of the season

1:31:35

one finale, I

1:31:39

have

1:31:39

two things. One, this was

1:31:41

a

1:31:42

fantastic idea. This is really

1:31:46

really just taken a good time and made

1:31:48

it a great time. You know, Scott? Yeah.

1:31:50

And I'm not a I'm not a big

1:31:52

Scotch trick. I'm not a big brown liquor

1:31:55

drink. liquor. I've always been a mind that brown liquor

1:31:57

makes you prematurely bald

1:31:59

-- No. -- because

1:32:01

I don't drink it. and I still have all my

1:32:03

hair at forty four where most of my

1:32:05

friends love their jama. Nothing up

1:32:08

here. Uh-huh.

1:32:11

But It's nice every once in a while, and it really it fits

1:32:13

the mood of a cola go through the game

1:32:15

like it. You play

1:32:18

a vampire, you drink some wine. Like Cthulhu, you drink some scotch. Although

1:32:20

I have to go to to cranberry juice for the

1:32:22

second half because if I if I drank more scotch,

1:32:26

I'm gonna be taking a nap to the same half, you know. I

1:32:28

see

1:32:28

how I do. My bowl is so

1:32:30

huge that I've brought I brought

1:32:33

beer down, but it's

1:32:35

in a cozy. and it's staying over there for

1:32:37

a while. The little one in one. Yeah. Nice. That's the first thing I say.

1:32:39

The second thing I

1:32:42

wanna say is this This

1:32:45

project, the, you know, doing time for chaos is is

1:32:47

something that I I want to

1:32:49

do like when

1:32:52

we were a year away from finishing the

1:32:54

flagship, I was like, man, I hope that I can give time on my schedule someday to do a long term,

1:32:57

call it, the

1:33:00

Cthulhu campaign. and it has

1:33:02

been incredibly stressful just because I'm a perfectionist and

1:33:08

this game lasts in the face

1:33:10

of perfectionist because you can't. You can prepare and prepare and prepare. It really isn't

1:33:14

it's a game that

1:33:16

it it fights against preparation because you have to leave room

1:33:18

for the players. And so it has been very stressful. It's

1:33:21

also a show that,

1:33:23

like, I purpose fully wanted

1:33:25

to do with none of the original cast members that founded the network because as we

1:33:28

grow and branch

1:33:31

out, I wanna I

1:33:33

wanna show that we can do things

1:33:36

with with whole new cast. And so this

1:33:38

was a a cast that III

1:33:40

handpicked And all of

1:33:42

you said that you're all my first

1:33:44

choices. You all said yes. And it

1:33:46

has just been such an absolute joy

1:33:49

to play with all four of

1:33:51

you. And so I just wanna say

1:33:53

cheers and thank you for making this

1:33:55

experience so wonderful. look

1:33:56

at you buttering up buttering up before you kill us all.

1:33:59

Yes. If I was showing brown liquor right now, I would be

1:33:59

crying. I wish I

1:34:02

was. I wish I was.

1:34:05

But

1:34:06

Troy, right back at your man, for

1:34:08

all that, like like this world is so immersive. All these

1:34:10

characters are so compelling. I care about them all so so

1:34:12

much. I'm

1:34:15

I see everything so clearly. It's it's it's --

1:34:17

Yeah. -- that you're doing great. crushing it,

1:34:19

Troy. Thank you. Thank you. And like my

1:34:21

it's the highlight of my

1:34:22

week. that. I love that. And I think

1:34:25

it's really resonating with people too. Like, people

1:34:27

who love this show, love this

1:34:29

show. It scratches an itch,

1:34:31

and I feel like over twenty episodes. We've just

1:34:33

we're in the pocket now, and it's gonna be sad to take a break, but that's why

1:34:35

I want the this to

1:34:38

kinda go out with the

1:34:40

bang. and it will one way

1:34:42

or another. Three police cars pull up on you as you were just like

1:34:44

a block and a half,

1:34:46

two and a half blocks. from

1:34:49

the juju house, seven cops, pop out, Von you immediately, recognize some

1:34:51

of them from

1:34:55

their shadowy faces when

1:34:58

they were accosting you outside of Mokanga Madari's apartment where

1:35:00

you saw your

1:35:03

friend over on doyle Yeah.

1:35:07

Walking in. And they're

1:35:10

like, folks could

1:35:12

need you to

1:35:14

hop in the cars here. All of

1:35:16

you.

1:35:16

Come on. What? Whatever you're in the office. What do

1:35:18

you mean

1:35:19

hop in the car? You're

1:35:21

all you're all coming with us. sir.

1:35:23

Either a normal charge, sir. Yeah. It's

1:35:25

called voprai. Okay? voprai. voprai.

1:35:27

I'm fairly familiar with

1:35:29

many of the laws that are available to be

1:35:31

broken and mopori is a first.

1:35:34

Are you are you resisting

1:35:36

arrest? Because that's what this would be

1:35:38

if you don't get in cars right now. Right. You're not looking to get visited

1:35:40

earlier. Yes. You're being arrested. You've

1:35:42

already been warned, sir. There's been

1:35:46

a ports of break ins in the neighborhood and

1:35:48

and people fitting your description. I

1:35:50

show that people Troy, they're

1:35:53

pedestrian taking notice of all this or what? As those cars

1:35:55

pulled up like any pedestrians that were on that same side of the sidewalk as you like cross to the

1:35:57

other side, and then maybe there's like a

1:35:59

small group for on

1:36:03

the other side, wondering, like, what's going on. But,

1:36:05

like, due to, like, normal racial

1:36:08

tensions in Harlem

1:36:10

between the police and the black community there, they're

1:36:12

like not sticking around too long, so they'll

1:36:14

like look linger and then just keep moving.

1:36:18

Can

1:36:18

we tell this is the fourteenth precinct

1:36:20

to violate their

1:36:21

cars? All sharing? fourteenth,

1:36:23

fourteenth on the car. folks,

1:36:25

you gotta come down with us. You know, hey, listen. If you're innocent, then we'll

1:36:27

let you go. But Pottery. I feel like that's pretty obvious

1:36:30

right now. I mean, I've

1:36:33

I've had a rough couple days. I wanna say I'm moping. It's not

1:36:35

a crime to walk down a sidewalk. It isn't. But when

1:36:37

you do it over and over

1:36:39

again and we start hearing

1:36:41

reports that people matching your description and doing things you're not supposed to. We've already

1:36:43

talked to this gentleman here and they pointed

1:36:46

on, he has already been

1:36:48

warned to stop

1:36:50

hanging out in this neighborhood and causing trouble. Now listen, if you're telling me you didn't cause trouble, that's great. You can tell

1:36:52

us downtown. You're coming to the

1:36:55

fourteenth with us. Let's go. and

1:36:59

they start grabbing you and putting you in the car. Well, they've got

1:37:01

guns, and we really don't have as

1:37:03

many guns. So I

1:37:05

guess, we don't

1:37:06

want them to know that we have guns. Yeah. --

1:37:08

probably should go. Go

1:37:11

ahead. No handcuffs, but, like,

1:37:13

you know, I'll put a

1:37:15

bunch of bullshit. you look up

1:37:18

in the windows and people are just like

1:37:20

gawking.

1:37:22

the

1:37:25

Are

1:37:25

we all in the same car? We've cranked up, and it's

1:37:27

just like, god. Couldn't you put us in three three little caps or whatever

1:37:29

his name is? Is him Von's

1:37:31

in his own car,

1:37:34

Ferruz and Margo are in their

1:37:37

own car, and Carter is in his own

1:37:39

car. Sure. Like Ferruz and Margo together

1:37:41

and Carter is in his own car.

1:37:44

and I

1:37:44

should drive in

1:37:46

the

1:37:47

cops just

1:37:49

look back

1:37:52

at Yvonne. We

1:37:52

told you. We warned you

1:37:55

to stop guys

1:37:55

in trouble.

1:38:00

I

1:38:00

know my rights in this

1:38:03

country. I can only

1:38:05

assume

1:38:05

that I'll profit a phone call when we

1:38:07

arrive at your precinct? They're a long

1:38:10

way

1:38:10

from home, buddy. We'll see.

1:38:14

lights come

1:38:15

up on

1:38:16

the four of

1:38:18

you,

1:38:19

packed into a little

1:38:22

holding

1:38:24

cell. You have

1:38:25

been searched. Your weapons

1:38:27

have been taken.

1:38:31

Any personal items you had

1:38:33

had been taken, and you're

1:38:35

just sitting there.

1:38:40

hours go by.

1:38:41

Dave, you don't say

1:38:44

anything to

1:38:45

the car. We Are

1:38:47

we all together again? Yeah. You're all together. Together

1:38:52

again. That's absolutely

1:38:53

good, Chris. Mhmm. And

1:38:56

getting hungry Well, you

1:38:57

know, hopefully, you'll be

1:39:00

out

1:39:00

soon. You can get by the tenth. Yeah.

1:39:02

You're gonna check with the judge about these

1:39:04

Molpry charges

1:39:06

or what's Judge

1:39:08

Aiden on Monday, buddy.

1:39:11

Okay.

1:39:11

Well,

1:39:11

you know who is on that I

1:39:14

should be able to communicate with, which is Sir,

1:39:16

sir, Gloucester Armstrong at the British consulate. I

1:39:18

should I should very much wish to

1:39:23

to speak to him. It is. He's my

1:39:25

right. Oh, yeah. So you is

1:39:26

he the one that killed mister

1:39:29

Boddy in the library

1:39:31

with a wrench? Wait a minute. I know

1:39:33

you. You're the fucker that worked at the prison. There's no use

1:39:36

architects to

1:39:39

go. no. can promote it. I work

1:39:42

the fourteenth now. Oh, yes. Fuck

1:39:44

it, guys. They came to

1:39:46

them. Say sick trying to talk to that guy, there's no different.

1:39:49

No, we all talk

1:39:51

like this. Let's

1:39:53

and it's your cluster. Why are you

1:39:55

gonna make a long distance called England?

1:39:58

No, man. You wanna make a

1:39:59

local sure. Not gonna be

1:40:02

running up charges here. Let me try to call England. I don't even think

1:40:04

you can do that in nineteen twenty

1:40:06

five. The British consulate in New York Dammit.

1:40:10

Oh,

1:40:10

the British consulate in New York. Look at this

1:40:13

guy. He knows the sunflower

1:40:15

and fuck face. Listen, captain

1:40:17

ropes,

1:40:17

it'll be in a

1:40:20

little bit. He wants to talk

1:40:22

to you. He wants to talk

1:40:23

to each and every one of you specifically. Yeah. So

1:40:26

when ropes

1:40:27

can come and

1:40:30

When's his shift start today? The guy's like ten o'clock. Oh my god. Yeah. Folks

1:40:32

would be in at

1:40:35

ten PM, man. What? Yeah.

1:40:38

We don't like any phone call at all. Can we show

1:40:41

a lawyer? Oh, you wanna call a lawyer? You wanna

1:40:43

lawyer up? Do you wanna bring

1:40:45

lawyers? We do have a lawyer. We can Yes.

1:40:47

We would like to call our lawyer. This is bullshit. Hey.

1:40:50

Look at this one

1:40:51

speaks. What

1:40:54

you said? Yeah. bullshit. said

1:40:55

it was your face. Bullshit. Oh, it's my

1:40:57

face. Oh, you're feisty. You're

1:41:00

feisty. Yeah. You are in front

1:41:02

car sure, and they, like, bring over a a phone. You always make

1:41:04

one phone call. Oh, you wanna

1:41:06

call sir goose. What's his name?

1:41:10

goose. Gloucester Armstrong is that he is the current consulate

1:41:13

general in New York

1:41:15

of Britain.

1:41:15

You can look

1:41:18

it up.

1:41:19

It's real. Alright. Well, I'll

1:41:21

give

1:41:22

let me try that. Sugar Olster Olster. That I do. Oh, let me see. Americans

1:41:25

they're

1:41:28

joking. It's just not even

1:41:30

funny. It's just grating. They just say, oh, god. Can

1:41:36

stuff? He

1:41:36

has the phone. We called

1:41:38

us or Gloucester and nobody picked up.

1:41:41

You

1:41:42

the want to try again wanna try again? No.

1:41:44

The secretary said he'd take a

1:41:46

message. Yeah. Can I leave a

1:41:48

message for the secretary?

1:41:50

We wanna call our lawyer.

1:41:53

I think she's been a

1:41:55

star to Ramsey. He's just the

1:41:57

guy. Erica Carlisle,

1:41:58

maybe. She's our friends now.

1:42:00

the friends now Alright. So

1:42:02

obviously, I'm goofing off here. But if you let's see. Each of you get one call. So

1:42:04

you've got, you know, Colton

1:42:06

Rams, you've got Jonah Kensington. and

1:42:10

you've got yeah. Maybe you wanna try

1:42:12

and get old Erica Carlisle.

1:42:15

Each will require a luck

1:42:17

roll to see if you get a hold of

1:42:19

them. Can we have puddle like, of Sure. we're to what we're

1:42:20

Let's know when you wanna make a call.

1:42:22

Like I said, rubs, it'll be in a ten

1:42:24

wants

1:42:27

to talk to you. Consulate, great idea.

1:42:29

I think Eric Carlyle,

1:42:31

I think, might

1:42:34

be a Hilary Schosenberg.

1:42:37

Wasn't

1:42:37

there Elias' lawyer? That's -- Yeah. -- that's calling the program rental. All the brands

1:42:39

-- Yeah. -- the a lawyer should

1:42:41

definitely

1:42:42

be on there. Yeah.

1:42:44

I think that Erica would also have the problem

1:42:46

is I think Erica would also have to be wrong because he's the one who made the real connection there.

1:42:50

So There's also

1:42:52

I also seem to make a connection

1:42:55

with her lawyer. So that's another Oh, Bradley Gray. Bradley Gray could be

1:43:00

huge. Yeah. You call that guy. One of us

1:43:02

Carl calls Carl Carlton. I guess me, because didn't

1:43:04

you because you I think

1:43:06

you spoke to him. Yeah. Von Carter with

1:43:09

going on to it

1:43:11

with

1:43:11

him. Yeah. I think I'll

1:43:13

show as in Berg.

1:43:15

Okay. Yep. Sure. Who

1:43:18

would Call

1:43:19

your dad. Call your dad. Call my

1:43:20

dad, but he's probably gonna dick

1:43:22

me over on this thing. But let's let's

1:43:24

let's this will be our wild

1:43:26

card. Okay. Every situation needs

1:43:28

a wild card. A wild card.

1:43:30

Alright. Who wants to make the

1:43:32

first phone call and who is

1:43:35

it to? I think

1:43:36

Let me call the lawyer's first.

1:43:38

Yeah. Let me call

1:43:39

the lawyer. Alright. Give me a

1:43:41

shot. So, Vaughan yeah. Vaughan, why

1:43:43

don't you do the you do Bradley

1:43:45

Grey's

1:43:45

probably got more clout than Karl. Okay. Oh, I'll call try to call Brad didn't touch the Bradley

1:43:47

Grey. Okay. So,

1:43:52

luck roll. Look, Raul. Yeah.

1:43:54

Alright. That's a twenty six

1:43:56

under forty seven. Twenty

1:43:59

six

1:43:59

under

1:43:59

forty seven. Can

1:44:02

I

1:44:02

you've reached your house as a

1:44:05

Bradley Graham?

1:44:08

Hello. Could

1:44:10

you Beast of kindness connect me to mister Grey personally.

1:44:12

This is Vaughan Villiers, Corning.

1:44:14

The mayor

1:44:15

is somewhat urgent. Mister Grey's

1:44:16

done in the office today. I could

1:44:19

connect

1:44:19

you to his home. Oh, shit. So Yes.

1:44:21

If I'm if you could oblige me

1:44:24

to connect him at his

1:44:26

home. I I I'd be I'd be ever so grateful.

1:44:28

Alright.

1:44:28

Hope,

1:44:30

please. Hello. This

1:44:31

is Brad at

1:44:34

Greg. Bradley Old Sport. So Villiers,

1:44:36

you remember me from the other

1:44:38

evening? Varn Villiers as I live and

1:44:40

breathe. To what do I owe

1:44:42

the pleasure? I wish I could be calling you under slightly more

1:44:45

luxurious circumstances old

1:44:48

man. But as it turns out, I've

1:44:50

got myself in a bit of a

1:44:52

predict commence. Tell you. Yes,

1:44:54

indeed. It seems I'm currently under lock

1:44:55

and key of the

1:44:58

fourteenth precinct up in

1:45:00

Harlem. thrown in his juggled

1:45:02

man. Yes. Miss David, yes, what have you been up to? I don't know if you're aware of this, but imagine me

1:45:04

in an ascot right now

1:45:06

because that's what I'm wearing. Oh,

1:45:11

trust and believe, mister Gray, I I

1:45:13

rarely imagine you when I imagine

1:45:15

you. And anything but,

1:45:17

now, Scott, realm. I think it'll help paint

1:45:20

the picture. And you say you're in the

1:45:22

slimmer in the front to the precinct. Whatever

1:45:25

happened, mister Gilliard. a miscarriage

1:45:27

of justice is what happened. Mister Grey,

1:45:29

trumped up charges of moprey have been placed

1:45:31

for me in four of my compatriots,

1:45:34

and we are currently now cooling our heels and waiting

1:45:36

to be interviewed by a policeman named

1:45:38

Robson who we know to be corrupt.

1:45:41

If if you could, by any chance, work

1:45:44

some of your

1:45:46

solicitation and free

1:45:48

us from our country. stickment,

1:45:50

our gratitude would know no bounds of mine

1:45:52

in particular. Oh, yes. Well, I'm on the

1:45:54

island today with some of my friends,

1:45:58

but anything for you, mister Villas. I I

1:46:00

sense a real connection with you. I would

1:46:02

love to help in any way. Can you

1:46:04

say you're let me get a pen

1:46:06

here. You see, we got four hands. None of

1:46:08

a gun. They don't have any pens

1:46:11

on the island. No. You

1:46:13

say you're in the

1:46:15

the fourteenth precinct. it Harlem? Yes. Mister

1:46:17

Villas, you've I'm sure you have quite a story as to how

1:46:19

this went down. Yes,

1:46:22

sir. I can't wait to

1:46:25

tell it to you, Gray. When I when I'm more,

1:46:27

it's leisure to do so. But perhaps over

1:46:32

dinner, Monday,

1:46:34

Yes. Yes,

1:46:36

mister Gray. I should be delighted to

1:46:38

share your cover, and then I will

1:46:40

take care of this posthaste. Now

1:46:42

I can't make any promises, but I

1:46:45

do have some friends that work

1:46:47

in an adjoining prison. And

1:46:49

I also so know a few lawyers that work on

1:46:51

the weekend, you know, I will do my best, mister Villas. I would want

1:46:53

you to miss our dinner

1:46:56

on Monday. You

1:46:59

know what? I will wear the same

1:47:01

mask that I'm wearing right now. I

1:47:03

trust that you will. I look forward to

1:47:05

seeing it when I'm at at liberty

1:47:07

to do so. It's a

1:47:09

purple. Mhmm. Well, I look forward to seeing you all of the million huge

1:47:12

ass got

1:47:16

at on Monday Eve. Until then, by

1:47:18

the time, please grease the wheels of justice for

1:47:20

us, mister Grey. I will

1:47:22

indeed, mister Villas. And please, do

1:47:28

take care of yourself. You

1:47:30

as well, mister Gray Tarr.

1:47:32

You a

1:47:34

little connection there. He's out on island. but care

1:47:37

of it

1:47:40

how fast Can this

1:47:42

happen? I've got a date with the Greg. He's a date with the lawyer.

1:47:48

Right. Faireus' dad

1:47:50

would love if she went on a day with a lawyer.

1:47:53

I'm writing a

1:47:56

paper call water

1:47:59

bill. Who wants to

1:48:02

try there? Look at

1:48:04

another phone

1:48:06

call. a fucking mosquito in my room. That

1:48:08

was terrible. I like him.

1:48:10

You deserve it. You're having

1:48:12

way too much fun right now.

1:48:15

It's October.

1:48:15

I I think I'll try calling my dad.

1:48:17

Okay. We look real, hey,

1:48:19

you might not get through. And

1:48:21

a family look real doesn't

1:48:22

mean you don't get through. by

1:48:26

the way. because this is

1:48:28

fun. I

1:48:28

rolled a thirty three hundred seventy two.

1:48:30

That's odd.

1:48:31

Mhmm. Yeah. Oh, that's hard.

1:48:34

modified Hello? That's a that's a full Skype

1:48:36

call. That's not even just a

1:48:38

phone call. You've somehow invented video

1:48:41

chat. I know.

1:48:44

Matt. Ring. Hello? Hello,

1:48:46

Baba. Nadia, who

1:48:47

is that?

1:48:49

a

1:48:51

better

1:48:53

Is everything alright?

1:48:56

Are you okay? Did

1:48:57

I call you at a bad

1:48:59

time? I sure hope I didn't

1:49:01

ruin your evening with that graduate

1:49:03

student who I'm sure was doing her best to

1:49:05

earn some extra credit last night. This is

1:49:07

why you called.

1:49:08

This is why you called

1:49:10

to berate me. It's a fucking mosquito

1:49:12

in my house. What is it? Are you

1:49:15

okay? Are you safe? I'm not here

1:49:17

to be chastised by

1:49:19

my own daughter. Well, there is something

1:49:21

you could help me out with scenes where we had such a bit of a misunderstanding

1:49:23

last night and there is something you

1:49:26

could clear up for me

1:49:29

since you weren't about to

1:49:31

divulge anything to me as of previous

1:49:34

conversation. I

1:49:37

was

1:49:37

wondering if you had any connections down at

1:49:39

the fourteenth precinct in

1:49:42

manhattan Manhattan. The police.

1:49:44

please safe.

1:49:46

Yes. I mean,

1:49:48

mean we

1:49:49

we know people

1:49:52

who are. on

1:49:53

the inside, but I do not know if they have connections with the fourteenth, prison.

1:49:55

Why are you in trouble? I think

1:49:57

there's been a little bit of

1:49:59

a misunderstanding standing.

1:50:04

Under no certain no

1:50:06

absolute certain charges whatsoever,

1:50:08

my friends and I

1:50:10

have been taken in for what

1:50:12

was it called again? What was it

1:50:15

called again? Mercury. Mercury. Mercury. I've never had

1:50:16

such a word in

1:50:18

before in my life. Furu

1:50:20

Furu's, this is what I

1:50:22

warned you about. You are in too deep.

1:50:27

You're lucky to be in prison. Lucky. Yes.

1:50:30

You're probably

1:50:31

safest there.

1:50:35

You should stay. And what if these people

1:50:37

do harm to

1:50:38

me, then what then? When you had a

1:50:40

choice to do something, to let me out and chose not

1:50:42

to do anything, that's going to be for

1:50:46

your head. I

1:50:47

told you to go home. Well, I

1:50:49

can't

1:50:49

go home if I'm stuck here.

1:50:51

Can I? So

1:50:52

let me ask

1:50:55

you this. If I try to

1:50:57

get you out. Will you come

1:50:59

home tonight? With bells

1:51:00

and

1:51:04

whistles.

1:51:04

Yes. Alright.

1:51:11

I'll see what I can do, but

1:51:12

know this virus.

1:51:14

I will stay

1:51:17

up all

1:51:19

night waiting for you to arrive.

1:51:22

If you do not come,

1:51:23

I will feel the worst.

1:51:25

i will hear the worst

1:51:27

As you

1:51:30

should.

1:51:30

should Mommy,

1:51:33

come on. I opened the ship

1:51:36

lee. Yeah. I

1:51:37

gotta go. Yes. I'm

1:51:38

sure you

1:51:39

do. I will see you.

1:51:42

When did I say? Later tonight. But

1:51:45

the shibley is

1:51:47

perfect.

1:51:48

I'm

1:51:51

over the back one. I don't

1:51:54

know about one. So you got any cooking, Sherry?

1:51:59

Kate

1:51:59

Rob, who once

1:52:03

up next.

1:52:04

I'll go a little Jack and Jill

1:52:06

back and forth. Jack and

1:52:07

Jill phone calls. Okay. And

1:52:10

you're trying to contact Carlton

1:52:12

Ray MC. Calvin Ramsey. Maybe the best option.

1:52:14

He's local. He is your point person.

1:52:16

Yeah. Give me a luck

1:52:18

roll. That's why I failed it.

1:52:21

Oh, no. You're

1:52:24

very the opposite of Carlton Ramsey. I'm not

1:52:26

in right now. Place like a mess with.

1:52:28

Yeah.

1:52:28

Hi, Carlton. I don't know if

1:52:30

this works or not or if these

1:52:33

things even exist at this point. I refuse for, like, these type of things

1:52:35

not to say that answering machines exist. Yeah.

1:52:39

Car yeah. Carter's just talking into

1:52:41

dial tone. If you get this

1:52:43

message So because

1:52:47

the switchboard operator, like, I'm

1:52:49

sorry.

1:52:49

He's not here right now. He's telling

1:52:51

you.

1:52:51

Yeah. Tell him dragons, imprisonment,

1:52:56

mopori, think it should all

1:52:58

be clear. They say that the answering machine was invented

1:53:01

in nineteen

1:53:04

thirty five but maybe someone invented

1:53:06

it in nineteen thirty one, and there's some sort of technology in nineteen twenty nine that

1:53:08

may have done it.

1:53:10

So it did not exist

1:53:13

but we'll say that there's like an answering

1:53:15

service that would be like, alright. We'll we'll contact him immediately. Okay. Thanks so much. And make sure you

1:53:17

got Dragon? Drive I wrote Dragon.

1:53:19

You got Dragon? Mopori,

1:53:23

Dawson Prison. Have a good day.

1:53:25

Thank you. I I mean, it's

1:53:27

shaping up. Mhmm.

1:53:29

the

1:53:33

Margo. No long distance

1:53:34

calls to Berlin. Felt damn it. She's

1:53:39

gonna call Rebecca shows

1:53:42

in Berg. Okay. Calling the Berg. Give

1:53:44

me

1:53:45

a knock off.

1:53:47

Knock off. my luck's

1:53:49

not so hot. k. Like I said, a luck roll may not mean you don't get through.

1:53:52

Seventy five

1:53:56

over thirty nine?

1:53:57

That doesn't sound great. Yo. Oh,

1:53:59

Rebecca, she she left

1:53:59

with a horrible

1:54:03

smelling man about an hour and a

1:54:06

half ago. It it was his

1:54:08

body odor and his

1:54:10

halatosis. It was terrible, but

1:54:12

they seemed to get off.

1:54:15

She she left with him. They said they were going to Arby's.

1:54:16

Arby's.

1:54:20

Okay. She's straightener. If she comes back, if you see

1:54:23

her, just

1:54:23

leave a message from Margo, please.

1:54:25

We really

1:54:27

Go, please. Margo

1:54:30

sour. Please leave

1:54:33

a message.

1:54:34

Margo sour too. Fourteenth

1:54:39

precinct.

1:54:40

Just say

1:54:42

fourteenth precinct.

1:54:47

Four taint precinct.

1:54:47

Okay? And

1:54:49

and then

1:54:50

help help. Help.

1:54:53

Got

1:54:53

it. Okay. Thank you

1:54:55

for the message. Thank

1:54:58

you. Have a great day.

1:54:58

Good to bye. She hangs up the phone the

1:55:02

hang of the phone to see

1:55:03

defeated. and

1:55:07

the hours tick. If there's

1:55:09

a small

1:55:10

window in this area,

1:55:12

you just

1:55:13

see it getting

1:55:15

darker. are we separated

1:55:16

or together? No.

1:55:17

You're all together in this slight

1:55:18

holding cell. I'm imagining a cell

1:55:20

similar to the

1:55:23

final episode of Seinfeld. where

1:55:25

they're all in that really tiny cell in that terrible episode of my

1:55:27

favorite show of all time.

1:55:30

One of all my whether

1:55:32

the most substantial horror of all is the film film finale.

1:55:34

Yeah. But it's darker and more grim and more twenties

1:55:37

and you're but you're

1:55:39

all in there together. small

1:55:42

cramp. They give you anytime ask they're

1:55:44

like, sorry,

1:55:48

eating subway. Right

1:55:50

around quarter of ten,

1:55:52

guy rolls

1:55:55

in, of course.

1:55:57

guy rolls and course And

1:55:59

I

1:55:59

mean, God, you've been here now. Like,

1:56:02

imagine it's, you know, twelve o'clock when

1:56:04

you got picked up.

1:56:06

You've been anywhere close to ten hours

1:56:09

just sitting. As time is ticking by, as

1:56:11

lives are hanging in

1:56:16

the balance, and

1:56:17

this guy comes in and he

1:56:19

is

1:56:19

not dressed

1:56:22

like Cobb.

1:56:25

In fact, he's dressed very nicely. He

1:56:27

looks like someone that would

1:56:29

be hanging out the

1:56:31

wall of the story looks like

1:56:33

a man of means. Maybe he's got a little extra

1:56:35

money in his pocket.

1:56:39

he is a

1:56:42

little bit overweight and

1:56:45

and you

1:56:48

smiles to everybody

1:56:48

and they're you know, when he

1:56:50

comes in, a couple of them pull

1:56:53

them aside and they're

1:56:55

like motioning towards you. He's

1:56:58

got like a comb over, blondish hair. It's it hasn't even

1:57:00

started to gray, but

1:57:01

there's just not much of it,

1:57:03

so it's combed over. a

1:57:07

row ton. He's dressed in a nice, almost like a three piece

1:57:10

suit and they're whispering and pointing.

1:57:12

Ains just looks

1:57:14

over you at all,

1:57:16

smiles. in waves, then

1:57:18

he goes into an office.

1:57:20

Is that the

1:57:23

guy that

1:57:23

we saw with

1:57:26

the envelope coming out of juju

1:57:28

house? No.

1:57:29

Okay. You haven't seen

1:57:31

this guy before, so it

1:57:33

lets you know that He's probably

1:57:35

just sending his underlinks to go do

1:57:37

his pickups. Does he look at

1:57:38

any one of us in

1:57:41

particular? funny

1:57:42

only ways waves. No.

1:57:44

You

1:57:44

are one person too. I mean, maybe

1:57:46

this is Bradley Grace Guy. Right? Maybe

1:57:49

this is somebody a friendly

1:57:52

person. I love that

1:57:53

Hope Springs eternal with your chilling

1:57:55

ass to

1:57:56

her.

1:57:59

phone rings. One of

1:58:02

the

1:58:02

officers picks it up.

1:58:04

And

1:58:05

and Like, I

1:58:07

hold hold on. Hold

1:58:10

on. Goes over to

1:58:12

the office of that

1:58:14

guy talks on this. Man, it's

1:58:16

gonna It goes

1:58:18

it goes

1:58:20

in and transfers the

1:58:22

call

1:58:22

to the back or whatever.

1:58:25

know,

1:58:25

a little more time passes, another phone

1:58:27

call comes and he transfers that call. And you're wondering, like, is this your is this your cavalry helping you out?

1:58:29

You're not quite sure. But

1:58:32

it's actually prolonging

1:58:35

the time that you

1:58:37

get to speak with

1:58:40

him. and then

1:58:42

And then He comes out and

1:58:43

now he's dressed like a bee cop except

1:58:45

he's got a nice

1:58:46

uniform, maybe some stripes.

1:58:49

And he clears

1:58:52

out all the other

1:58:54

officers. And

1:58:56

and

1:58:58

he's all smiles with

1:59:01

you as

1:59:02

he approaches your

1:59:03

cell. And

1:59:06

he's

1:59:07

like, I'm so sorry to

1:59:09

keep all you waiting. Now from

1:59:11

what I understand,

1:59:11

you're all just

1:59:16

New York City. Right? We

1:59:18

got one of you's from North Boston, and

1:59:21

you are from Aacom, Massachusetts

1:59:23

juice, and then you're all the way from England. This little

1:59:26

lady, you came all the way

1:59:28

here to

1:59:30

New York City from Germany. such a long way to come

1:59:32

to our great city, but

1:59:34

then you came all the

1:59:36

way here and from what

1:59:38

I understand, what are your good

1:59:42

friends passed away. Passed away shortly after the four

1:59:44

you arrived. In fact, I

1:59:46

made a couple of phone calls

1:59:52

and it appears before you were

1:59:54

at the scene of the crime

1:59:56

on the night of

1:59:57

the murders and then

1:59:59

just

1:59:59

kind of flagged the scene

2:00:02

unexpectedly.

2:00:02

And now, I'm

2:00:04

hearing that you spent a

2:00:06

lot of time in Harlem and

2:00:12

I'm

2:00:12

sorry. I'm I'm sitting here. Gabb and

2:00:14

I introduced myself. My name is Captain

2:00:17

Robes and captain William ropes, and this is my precinct,

2:00:19

and and I'm kind of in charge of Harlem. That's how we look at

2:00:21

it here. It's a lot of crime

2:00:23

here, a lot of refresh. You

2:00:26

know

2:00:27

what I mean? And I I have

2:00:29

to take care of it.

2:00:31

And, normally,

2:00:33

good folks like you. I

2:00:35

don't bother with because

2:00:36

you don't cause trouble up

2:00:38

and growing. But yet, here

2:00:40

you are. Time and time

2:00:43

again,

2:00:43

I keep hearing and about

2:00:45

the four of you is kind of

2:00:48

button your nose around where it doesn't belong and

2:00:50

even you serve points at Vaughn. My my boys

2:00:54

kinda gave you a warning. Didn't

2:00:56

take our advice. Here in

2:00:59

Bob Brekins in the neighborhood, and

2:01:01

I don't know if that has

2:01:02

anything to do with you, but

2:01:05

I

2:01:05

gotta keep my

2:01:08

So what are

2:01:11

you? Tell me.

2:01:12

help me What's

2:01:14

going

2:01:15

on? These all

2:01:18

smiles, all like

2:01:20

dripping

2:01:20

with this gross charm. I

2:01:22

won't

2:01:23

speak with that lawyer present. Oh,

2:01:25

sure. Now we

2:01:25

got a couple phone calls about some

2:01:28

lawyers who are

2:01:30

gonna get in here

2:01:32

and you know, we told them they're

2:01:34

welcome to come. You know? Show the beer any time now.

2:01:38

It's getting late though. Some of them might decide

2:01:40

it's better off just

2:01:42

to wait until Monday. Yeah.

2:01:46

the yeah just the problem is,

2:01:48

sir, it's gonna be a

2:01:50

real shame when when we're stuck

2:01:52

in here and we don't get out

2:01:54

and our our friend in the press

2:01:56

ends up running with the story about corruption

2:01:59

in the fourteenth precinct and how

2:02:00

it's in conjunction

2:02:03

with a bunch disappearances

2:02:06

in Harlem. It would just be a

2:02:08

shame if we're still here when and

2:02:10

our contact doesn't hear from us and

2:02:13

you end up getting getting a spotlight shown right on

2:02:15

your precious little precinct here. But

2:02:17

do what you do

2:02:19

what you wanted. This

2:02:23

smile very quickly goes

2:02:25

away. Oh, also,

2:02:26

she knows we're here.

2:02:29

We

2:02:29

call her.

2:02:30

or him. We don't know. Could be any any

2:02:32

gender, a gender person of the

2:02:34

press. Forget that it's not supposed

2:02:36

to be equal. What my friends are

2:02:39

saying is that we we don't have much

2:02:41

information at all to tell you. We've

2:02:43

already told everything to the press and

2:02:47

done. From where we are sitting, it does not as though, as much

2:02:49

cause to have us behind

2:02:51

bars. But I believe in America,

2:02:53

you have something called a right

2:02:56

to silence.

2:02:57

We also might have had some

2:02:59

very convincing

2:03:00

optimizers had very

2:03:04

evidence

2:03:05

Maybe.

2:03:07

But it's all

2:03:08

here to say.

2:03:10

It's just like

2:03:12

he went from

2:03:15

super confident to not unconfident,

2:03:17

but like, there's a a change in

2:03:19

his face immediately and

2:03:24

he's like. Okay? So

2:03:26

much to

2:03:26

say that if anything were to happen to us,

2:03:29

it

2:03:32

would reflect quite poorly.

2:03:33

Sir, on the

2:03:35

fourteenth precinct in

2:03:38

its administration, you are

2:03:41

safe here. Oh, we're not animals.

2:03:43

We're here to protect, to serve, and protect. Yes.

2:03:48

but doesn't

2:03:49

sound like you wanna play nice with us. Talking about

2:03:51

going to the press, you're talking about corruption,

2:03:53

those are big words,

2:03:56

big charges. when

2:03:58

we when we open

2:04:00

up here, what what

2:04:02

are we

2:04:03

talking about? Or I think

2:04:05

we're

2:04:05

talking about you opening

2:04:08

this door and letting us go about our

2:04:10

business. Oh, sure. That sounds like a dream. Absolutely nothing wrong and

2:04:12

nothing warranted for us

2:04:14

for you to bring us in

2:04:17

here in the

2:04:17

first place. You know what? Mopori, it it's it's very

2:04:19

common these days. Just hanging we

2:04:23

are not supposed to be. It's a real charge. And if we wait all the way

2:04:25

until Monday, there's a good chance you might get a

2:04:28

drop down. It's a good

2:04:30

chance you might get a fine, but

2:04:32

Either way, you have to spend a

2:04:34

couple of really hard days hanging out here. You can

2:04:36

share that toilet, though,

2:04:38

if you have to go.

2:04:40

sure my guys got you some water

2:04:42

if you're thirsty. Maybe we can get you a loaf of bread from the

2:04:44

deli. it

2:04:47

sounds like you don't wanna be friends here. It sounds like you wanna be

2:04:50

a little adversarial with me talking about

2:04:52

going to the

2:04:54

press and

2:04:55

all. I mean, its

2:04:57

past tense, sir, the press has been gone to. It's a

2:04:59

matter of whether or not we are able to contact them with

2:05:03

our own freedom. evidence has

2:05:05

already been submitted. And if we are not let out because

2:05:07

we are we are not being arrested

2:05:09

on

2:05:11

any charges, any real charges,

2:05:12

then I believe the

2:05:14

press will have no choice,

2:05:16

then to

2:05:17

print their story

2:05:19

on you. Yes, you must be

2:05:22

confused, mister Rose. This isn't a situation where we're cooperating with

2:05:24

you. Missus

2:05:27

Moore,

2:05:27

are you willing to cooperate with the truth

2:05:29

that is going to come

2:05:32

out? It's not

2:05:34

a

2:05:35

matter of if. rather

2:05:37

wonder what to what? I mean, if you'd be

2:05:39

willing to speak to them, then perhaps

2:05:40

the court of public

2:05:42

opinion will go much easier upon

2:05:47

captain ropes and Yeah. Maybe it wasn't captain ropes and that's responsible for a

2:05:49

lot of this stuff. Maybe he had a He had

2:05:51

to stop detecting somebody else.

2:05:54

Yeah. He gets closer to cell now. What do you do you

2:05:56

think you know? Well,

2:05:57

of course, we we know that you're

2:05:59

I mean, it

2:06:02

was all for money, wasn't it? these

2:06:04

things so often are, if who calls one to

2:06:06

be derelict in their duty in in the ways

2:06:09

that you have, hey, I'm a good cop and

2:06:11

this is a good precinct. We got a lot of good cops

2:06:13

here. Guys, we got ten, fifteen years on the

2:06:16

force. I got seventeen myself.

2:06:18

I worked hard to gain this

2:06:20

position. it. Do

2:06:22

you join any social groups, any extracurriculars? How many alts

2:06:26

club? I

2:06:29

just wanna know

2:06:30

how hard you guys worked at turning your heads the other way, when

2:06:32

people in your

2:06:35

own neighborhood, regardless of race

2:06:38

or creed are disappearing. You're

2:06:40

okay with that. As long

2:06:42

as you get them all green? Okay.

2:06:44

I I see what this is

2:06:46

all about.

2:06:47

It's about Adams. Not just him,

2:06:49

sir. Listen. Adams is guilty

2:06:51

and he's

2:06:52

he's guilty gonna fry

2:06:53

for it. you can cancel. Until this race

2:06:55

and death, the streets were clean since

2:06:58

we locked him up. So don't

2:07:00

tell me he had nothing

2:07:02

to do with this. We were right to arrest him. That's Maybe

2:07:04

some computationally. it. Yeah.

2:07:06

One time. Recently, it's some

2:07:09

copycat killer. This shit was happening all

2:07:11

the time. We arrested him. We send him to sing, sing, and then

2:07:13

it's the streets are are free and

2:07:16

easy for months. I

2:07:18

think they wanted to escape

2:07:20

goat, and I think you're being paid

2:07:22

off to cover up some other secret. Listen, I don't know what you think

2:07:24

you know, but things

2:07:27

work a little differently. here

2:07:29

in New York than they might in Boston or England or Germany. Okay.

2:07:31

I started to think that you don't know the whole story, rubs in.

2:07:33

Maybe you are the one in

2:07:35

the dark here.

2:07:37

will enlighten me. My

2:07:40

dear, what is the whole story? What do you

2:07:42

I don't even know what you're talking about.

2:07:44

Can we I mean, this

2:07:46

is this is a psychology role -- Yeah. -- like, on that

2:07:48

statement.

2:07:48

Yeah. Like, that he's playing dumb enough

2:07:50

-- Yeah. -- not knowing.

2:07:52

Yeah. Give me a psychology

2:07:54

role individual. Who's

2:07:55

who's good? Okay. We

2:07:58

can all

2:08:01

do one.

2:08:04

Hey. Was

2:08:06

that a good old format? Oh.

2:08:08

It's not great. Oh. Can

2:08:10

we

2:08:10

But I put the push

2:08:12

rolls because the push rolls

2:08:14

I got a ninety nine. Is that

2:08:17

No. What's your psychology

2:08:20

skill?

2:08:21

the fifty At fifty. Oh,

2:08:23

if it's fifty, that's not a fumble. A hundred is a

2:08:25

fumble. If it was forty nine, that'd be

2:08:27

a Oh, okay. I

2:08:29

got twenty nine

2:08:32

under fifty. Oh, there you go. Okay. What about

2:08:34

you, Vaughan? Were you able to assess anything? Alright. So thirty over eleven. I'll spend

2:08:37

four

2:08:37

to make

2:08:40

it hard.

2:08:40

a hard -- Make it a

2:08:42

hard success. Okay. Yeah. -- number talking. Take away those four points. And alright. So

2:08:45

you get the

2:08:48

sense that He

2:08:50

knows some of what you're talking about, but actually seems

2:08:52

a little bit

2:08:55

in

2:08:55

the dark about

2:08:57

about He isn't just

2:08:59

playing coy here. I'll say, you

2:09:02

know what I mean? Like, clearly,

2:09:04

he's not

2:09:06

saying certain things but he's kinda fishing to see

2:09:08

what you're really talking about.

2:09:10

So we That's it.

2:09:16

Alright. Like, to see what

2:09:17

we're talking about as in It's like, you know, he think

2:09:19

like, are we

2:09:20

talking about the same

2:09:22

thing? He doesn't wanna say it.

2:09:24

That's why he's like, why don't you tell

2:09:27

me what you think we're talking about? Like, he doesn't wanna say because he's not sure if you're talking

2:09:29

about the same thing.

2:09:30

Like, he knows what he's done,

2:09:34

but maybe he doesn't know what he's done. Yeah.

2:09:37

Yeah. Alright. Should we

2:09:40

Do

2:09:40

you know a little more? Yeah.

2:09:42

Go ahead.

2:09:42

Do it.

2:09:43

What do you know about the cult of bloody town? What?

2:09:46

Yeah. In juju

2:09:47

house,

2:09:48

and what's going on in the

2:09:50

basement? Wait. Wait. Wait. Wait. First of all,

2:09:53

I don't know anything by any cults or

2:09:55

any basements. Of

2:09:55

course not. Of course

2:09:57

not, mister Robson.

2:09:59

Unfortunately, we have photographic evidence

2:10:01

of one of your men receiving a payout from

2:10:03

the proprietor of the juju House as well

2:10:05

as the books

2:10:08

that corroborate a steady and

2:10:10

frequent payout back to you as well. I don't know how

2:10:12

things

2:10:12

go back in

2:10:15

the jolly old London.

2:10:17

royal london but

2:10:19

this is prohibition. Okay? There's a lot

2:10:21

of speakeases in town. There's plenty of

2:10:23

cops like myself. yeah,

2:10:26

we get a little bit of payout. It goes it

2:10:28

goes all around. All the guys in mind precinct

2:10:30

get a piece of that, not just to

2:10:32

me. And we turn a blind eye to

2:10:34

a

2:10:34

couple of a couple of places that wanna sell some drinks. This is our case we send every time

2:10:37

that these people meet, it's not

2:10:39

that

2:10:39

they're meeting their drinks people

2:10:42

are getting killed, and people are going missing on the same

2:10:45

nights of people are gathering.

2:10:46

Why? The night is behind us. all

2:10:49

on one one little speakeasies. Yummy

2:10:51

speakeasies are in Harlem? If you have a

2:10:53

point, it's frustrating to crawl in every Friday night. I mean, I'm sure

2:10:55

that you do speak easy. I'm sure that you do

2:10:57

receive these payouts from numerous establishments

2:10:59

of that sort. But

2:11:02

if you ever actually attended this, you

2:11:04

do

2:11:04

have to speak easy? Captain

2:11:06

Repson, and seeing the wares they

2:11:08

have for sale in the basement.

2:11:11

Now, Now, III work here. I don't spend my free time here.

2:11:13

You know, they they take they take care

2:11:15

of us and we we

2:11:17

turn to blind and they're not hurting anybody. I I

2:11:19

have a whole row of places to do this. I'm feeling

2:11:21

bad for you. Bad for you, mister

2:11:23

Robson because what that means

2:11:25

is that when those photographs

2:11:28

are published, and the connection that you have

2:11:30

not made will be made in the minds of the readers of The New York Times.

2:11:32

Wait. What what what photograph? What

2:11:34

are you talking about? What is the

2:11:37

Is there something else going on

2:11:39

at Tuesday? That's what I'm trying to tell you.

2:11:41

What

2:11:41

what what's going on down there? Disembowments

2:11:44

for one.

2:11:44

moments for one That

2:11:46

means murder serve via the guts. Alright.

2:11:48

These are very

2:11:49

it's very strong charges. You have

2:11:51

to understand. Okay? And

2:11:53

and and and and, first of all, if I had

2:11:55

known something like was going on, we be taking from of all, you gotta

2:11:57

you gotta approve this. You

2:12:00

can't just walking here and

2:12:02

tell me like, oh, you're money from this and they're people We have

2:12:04

photos. The press has

2:12:06

photos. Yeah. And guess what?

2:12:09

the or and guess what Other

2:12:11

cops have

2:12:11

been involved and other cops may already

2:12:13

be dead. What other cops? My

2:12:15

my my men? I

2:12:18

should hope

2:12:18

you knew if it was your name. Lieutenant

2:12:20

Paul of the other precinct. Pull whatever of the tenth.

2:12:23

Paul and the tenth? Yeah. Yes. pulls

2:12:26

pain in the ass. He's actually a trustworthy man.

2:12:29

Something you might wanna look into. Alright. Alright.

2:12:31

She told him all about this and he

2:12:33

went to check it out with a couple

2:12:35

of his other top buddies. Well, been missing for three days. Yeah.

2:12:37

Alright. Hold on. You tell me pool is out

2:12:39

working outside of his jurisdiction? He's

2:12:42

trying to save lives unlike you,

2:12:44

Powell. I tried

2:12:46

to stay away from the slippery

2:12:48

charges of pool rights now. We're telling you

2:12:50

that dead people, people that are dying,

2:12:54

are dying in the bottom of Jeju House.

2:12:56

Are these people that have gone missing or down

2:12:58

there? We have photographic evidence of it. You have

2:13:01

taken a part in covering that up whether you know it or not. I

2:13:03

haven't taken part in anything. I didn't know anything

2:13:05

about

2:13:05

this. Well, the test

2:13:08

already has

2:13:09

photographic evidence. And

2:13:11

so you, whether you like it or not, if

2:13:13

we do not go there tonight, if you do not

2:13:15

see this yourself, then come tomorrow. If

2:13:17

we are harmed in any way, then

2:13:20

press going to place this and you are going

2:13:22

to be implicated in it whether

2:13:23

you like it or not. There are two options before you,

2:13:26

mister Repson. You can either be dragged to the press and destroyed or

2:13:28

break up what's happening with

2:13:30

Judeo House and be a hero.

2:13:32

And you have to

2:13:33

make that choice right

2:13:36

now because It's going

2:13:38

down tonight. But, yeah. But,

2:13:39

yeah. Carter's just

2:13:42

in the back, like,

2:13:44

stand We're

2:13:47

putting on

2:13:47

a musical later. I didn't think this would

2:13:49

go this. This

2:13:50

is the the difficulty with a

2:13:52

game like this.

2:13:55

Your role play. is so

2:13:56

convincing and excellent. It's hard to

2:13:58

call for a role,

2:13:59

but I wanna call for a role anyways

2:14:02

-- Yeah. -- and I'm not saying that

2:14:04

there was result

2:14:06

of the role is the result of like,

2:14:08

no, I'm not gonna go. It's just let's just

2:14:10

see what happens. Sure. That's the beauty of this game.

2:14:13

failed roles are just as beautiful as successful roles.

2:14:15

So who wants to a a persuade? I

2:14:18

mean, I don't really think

2:14:22

charming this guy. Maybe Maybe

2:14:24

I just went to intimidate.

2:14:26

No. Yeah. Maybe intimidate. Sure. definitely

2:14:29

talk here that

2:14:31

he don't have in tivity. No. Is that even a skill? Fifteen in tivity.

2:14:34

Yeah.

2:14:34

I've got a fifty

2:14:37

and persuade. Yeah. I'm better at persuade. Yeah. Pursuade sounds

2:14:38

good. Who's what are each of everyone's persuade

2:14:43

skills? So low. I

2:14:47

got a sixty five. Yeah. I don't wanna

2:14:49

call for a group persuade and penalize

2:14:51

you for taking taking the lowest,

2:14:53

but the best of you can

2:14:56

roll it. k. Where is it

2:14:58

on the sheet? I'm I'm totally I'm totally lost it. It's under our top right.

2:15:03

Top right for persuade and

2:15:04

then middle

2:15:05

middle for intimate. Alright.

2:15:07

Middle. Middle. I

2:15:08

am I have very

2:15:10

bad scores in both. Okay. But

2:15:14

you said it was sixty five there. Yeah, try it. Rolo?

2:15:20

Don't forget we

2:15:21

got push and we have luck. Yep.

2:15:23

I got you on eighty seven, which

2:15:25

is pretty

2:15:25

bad. So I'm gonna push

2:15:27

it. Okay. Tell

2:15:31

me what you're doing differently in your tactic.

2:15:33

And it's just it's kind

2:15:35

of pedantic, but, like, that's what the

2:15:37

push is meant. Okay. Alright. Alright. Vault,

2:15:39

I mean, Carter, is like, listen,

2:15:41

my

2:15:41

first attempt to persuade you

2:15:43

might not have worked. But you

2:15:45

don't want people

2:15:47

to end up like

2:15:49

this. I mean, I I take my

2:15:51

mask off. Okay. That is how you push a rule. Oh, god. Have we

2:15:54

ever seen you without your

2:15:56

mask scarf. No.

2:15:58

I don't like to take it off. think a that in, over mask other of

2:15:59

face, but that's I

2:16:02

wanna erase that from the record.

2:16:07

Yeah. I mean, even then they might have been, like, looked

2:16:09

away. But here you fully expose it.

2:16:11

Full on. Oh, I love

2:16:14

it. Okay. Carter's house. That's how you fucking do it. Great.

2:16:17

Good job. Twenty four.

2:16:19

There it is. and

2:16:22

he's just like, oh, god. He's like looking

2:16:24

into a hole. He might even have

2:16:27

to roll sanity check, but

2:16:30

he fails. He's like, Listen,

2:16:32

IIIII didn't wanna get anybody

2:16:34

hurt. Okay? III got I got a family. I

2:16:36

got I got kids. I was just just trying to make a couple

2:16:38

extra bucks. I turned in a blind eye. don't

2:16:42

care what these people do, but just as

2:16:44

long as the streets are safe, we thought that, you know, we we

2:16:46

we got the right guy. We thought we got the right guy. And so

2:16:51

we locked them up and everything was fine. You're telling

2:16:53

me that the the the the the the the the the the the the the the the the the the Jude House is

2:16:55

the one that's been causing all this trouble? Yeah.

2:17:00

And now other cops might be

2:17:02

dead. Right.

2:17:03

Your brothers. But you but

2:17:05

you're if if I've let's

2:17:08

alright. Let's say, brass tacks. Let's

2:17:10

breast tax here. If I'm able to to possibly help in some way,

2:17:14

maybe you could

2:17:15

we could avoid all

2:17:17

this public stuff that

2:17:18

would make us look bad. Okay? because there's there's nothing in

2:17:21

it for me. If I'm if I'm just

2:17:24

just helping you and and I'm gonna end

2:17:26

up on my ass. after all of this. You understand? Okay? I'm I'm I'm open to

2:17:31

considering, you know, some sort of

2:17:33

amicable agreement here. but I need to know that I'm not gonna be

2:17:35

put out after this. Ribson,

2:17:39

we have simply told a story to

2:17:41

the press.

2:17:41

If you add details through your

2:17:43

changes you write yourself a

2:17:46

different part. Yeah.

2:17:49

From one

2:17:51

grifter to another. We

2:17:53

got your back

2:17:55

if you help us

2:17:58

up. Pat's helped the mass back up.

2:18:00

Okay.

2:18:02

Alright.

2:18:03

With time as he

2:18:05

looks

2:18:05

at his watch, it's like

2:18:07

quarter to one

2:18:08

my god. It's

2:18:11

out of a bitch.

2:18:12

It's almost too late. What do

2:18:13

you mean it's almost too late? Like, they

2:18:16

do this that now

2:18:18

and that's the two digit now. There is something

2:18:20

that's a new moon and that's when people go missing

2:18:22

and tonight is a new moon, but you kept us in here.

2:18:25

I got And we like

2:18:27

to

2:18:27

be missing it. I got, like,

2:18:29

three guys I can who can spare. I gotta keep

2:18:32

somebody here

2:18:34

He's thinking he's, like, trying

2:18:36

to, like,

2:18:36

wreck his brain. We need to

2:18:39

go. Take us with you. We

2:18:42

need to all go. He's he's, like, what

2:18:45

you gotta imagine. He's weighing all of the possibilities of,

2:18:47

like, what if they're full of shit? What

2:18:50

if I lose this source of income?

2:18:52

What if I fuck this all up? And

2:18:54

it spreads across town that, like, robeson's not on the take? It's like

2:18:56

cirapecoship. when

2:18:59

Stifel doesn't wanna take the money, they're like,

2:19:01

five. It's up to

2:19:02

you, man. If we are indeed full of shit, then we just come back here and you hold us for the weekend.

2:19:06

get

2:19:08

a better idea. You come

2:19:10

with us. Okay?

2:19:11

And I'll tell you why

2:19:13

you come with us. because I'm

2:19:15

gonna bring I'm gonna bring three of my

2:19:18

men. I can spare three of my men. You think that'll be enough? No, but let's we'll take what we can

2:19:20

get

2:19:22

Yes.

2:19:24

But these are my three and my three and my best

2:19:26

men. They work to ship with me. It would take three

2:19:28

of my men and you come to it, but you stay

2:19:30

in you stay behind. and I'm telling

2:19:32

you why you, you know, stay

2:19:34

behind because if I go in there, go down this door.

2:19:37

knocking down the store breaking

2:19:39

breaking

2:19:39

in guns blazing, and there's

2:19:41

nothing going on in there. I'm gonna turn

2:19:44

right around.

2:19:44

turn right around And I'm gonna

2:19:46

take you

2:19:47

right back here and your lawyer friends and

2:19:49

your reporter friends and all these people that have been bothering

2:19:51

my guys over the past couple hours. They're

2:19:55

not gonna hear

2:19:56

back from you because I'm gonna send you

2:19:58

downtown. Okay? And then there's gonna be a lot of red tape to try and find you, and I'm not threatening you. This isn't

2:19:59

a threat. I'm

2:20:05

just telling you how this is gonna work. We're all going

2:20:07

because I'm not gonna

2:20:08

work like an asshole. They've been

2:20:11

very good to me. Well, It's a kindly old

2:20:13

man that works the shop and you're telling me all

2:20:15

this and I and I'm just gonna

2:20:17

go on your word. I'm not saying I don't

2:20:19

believe well, I'm not saying I don't believe

2:20:21

you. but you gotta understand I gotta protect my interests

2:20:23

as well. So

2:20:25

the will arbor we'll

2:20:27

all go to juju house.

2:20:30

Sounds great. Alright.

2:20:32

Okay. And he

2:20:36

and here

2:20:38

storms out goes, like, pass his office out into the lobby area, and it's just like

2:20:43

a a hustle and bustle with cops.

2:20:45

We're like, what? What? I lawyers. I don't know what's wrong with the New York And

2:20:53

a officer who you

2:20:55

haven't seen before comes up

2:20:57

and

2:20:59

he walks

2:21:02

up

2:21:03

to your cell. and unlocks

2:21:05

it. I'm gonna hope it's

2:21:07

it. And he's just

2:21:10

it looks like a rookie cop

2:21:12

young, he's a young guy, and

2:21:14

he's just

2:21:15

looking at you. You can tell

2:21:17

that ropes and told him

2:21:19

things. and he's just really trying to read you

2:21:21

like

2:21:23

they taught him at the

2:21:26

academy. Arce things?

2:21:27

Do we get arce things?

2:21:30

Keith, did we give

2:21:32

them their weapons bag

2:21:35

and stuff? and he looks at all you. I look at him and I if you might

2:21:37

need

2:21:38

all This is

2:21:40

true. He's like they

2:21:42

were

2:21:42

all heavily armed, cap.

2:21:45

What about

2:21:46

a shot of

2:21:48

sugar? Put it in

2:21:50

the trunk. And he said, yeah.

2:21:52

they said yeah Yeah. Amy,

2:21:54

he's got three guys. So

2:21:57

he's like, yeah. Sure. Sure. They're

2:21:58

not gonna kill a cop if we decide to

2:22:00

not going to kill

2:22:02

we decide you're bring them

2:22:04

in. Now listen. If anyone goes down there,

2:22:06

are

2:22:06

we so sorry, are we out? Can can we

2:22:10

is ropes and around. I wanna

2:22:13

Yeah. You're like, oh, getting your

2:22:15

shit. You're your playing. Nice. That's

2:22:20

a right thing over our length

2:22:22

of work. Right? Mhmm. And

2:22:25

Carter's like whatever you

2:22:27

see in the basement,

2:22:29

do not open

2:22:30

the hatch that's down

2:22:31

there. Trust us. He he

2:22:33

looked rubs

2:22:34

and these guys

2:22:35

are looking at him. He said,

2:22:37

oh, but What do you mean the hatch? What hatch? What's what's what's going on down

2:22:40

here?

2:22:42

There's an issue in my

2:22:44

basement.

2:22:44

We're not being ahead of ourselves,

2:22:46

but Yeah. They should come out taking out the people down there. Alright.

2:22:48

about he out Alright.

2:22:52

We don't open the hatch. and

2:22:54

don't open fire unless you're under duress. We're we're we're just

2:22:56

gonna go down there and

2:22:58

arrest these guys if it

2:23:00

looks like they're doing if

2:23:03

we see any evidence of of wrongdoing. Let

2:23:05

me ask you this, so before we

2:23:07

head in there and they're like all

2:23:10

grabbing their guns and getting suited up, putting on their winter jackets. Oh my god.

2:23:13

He's like

2:23:17

he's like

2:23:20

I've been you know, I I don't do the pickups, but

2:23:22

I've been I've been in Jejuice. It's a small

2:23:24

place. How many guys they get fit in there?

2:23:26

They all just spent Is a basement of them? Is that

2:23:27

is that on the counter. You to

2:23:30

ask to see the

2:23:32

basement. Ask to see

2:23:33

the basement. What are you talking about?

2:23:35

I we've what's what's where they meet. That's

2:23:38

where we

2:23:39

found the bodies.

2:23:41

That's where all those

2:23:43

folks out on photographic evidence is from

2:23:45

the basement. Right behind that

2:23:46

counter, there is a hatch. If it's

2:23:48

okay, you have to go down. If

2:23:50

not, you have to break it down. on. Yeah.

2:23:52

There's no lock on it, at least there

2:23:54

wasn't before. Is there a staircase or Yeah.

2:23:57

Yeah. Yes. Alright. Bags staircase or quite I think

2:23:59

I think -- Fairly narrow. -- who is a single file. Yeah.

2:23:59

Yeah. indiscernible file yes

2:24:03

Oh, Jesus.

2:24:03

It's gonna be

2:24:04

a tight space, but that's where they're

2:24:07

conduct all of their nefarious businesses. Yeah. Here, Carter Carter grabs

2:24:09

a is there,

2:24:11

like, a piece of paper on a

2:24:13

desk just kinda, like, draws a corridor, the door, the next room,

2:24:15

almost as if it looks like

2:24:18

it's in roll

2:24:21

twenty.

2:24:22

Every square here

2:24:24

is a five foot square. I

2:24:26

want a space. This is to

2:24:28

scale. Yeah. Yes. Alright. Is there a is

2:24:30

there a place where you can

2:24:32

be? just kinda

2:24:34

in the back. I wanna I wanna

2:24:36

keep you behind us. And we'll be in the store.

2:24:38

We'll be a backup. We can stay behind you.

2:24:42

Yes. You're not our backup

2:24:44

yet. We are the mystery

2:24:46

squad. People are

2:24:47

talking about us. Okay. Okay. I'm

2:24:49

just trying to think this through. And

2:24:52

you can tell, like, he's he's calling

2:24:54

Audible here because your threatening his livelihood, your threatening his

2:24:56

reputation, and you

2:24:58

roll a convincing persuade. So he's, like,

2:25:00

just going on the fly here. He's, like,

2:25:02

alright. Whatever you gotta do, just stay

2:25:05

you do not come in there. Okay? We're gonna

2:25:07

take care of this. We're the police. And if there's

2:25:09

nothing going on, I'm gonna turn around, I'm gonna haul your ass right back here. Absolutely. You

2:25:11

see the things that we've

2:25:14

scene down there.

2:25:16

When once you see those things, you're

2:25:18

gonna thank your lucky

2:25:19

stars if we're right behind you, aiding you. You look to you. Alright, honey.

2:25:22

right

2:25:23

This is

2:25:25

Harlem. We've seen some

2:25:28

shit. Not like

2:25:29

the shit we've

2:25:31

seen. Damn

2:25:33

it. Let's go. And you

2:25:35

fucking

2:25:37

leave with

2:25:39

captain William Robson.

2:25:43

Three overnight beat cops, everyone. How I thought this was going? And

2:25:47

the mystery channel. It does the

2:25:49

end of the game. the mystery squad and four

2:25:51

cops. You've been. Don does

2:25:55

provide instructions. There

2:25:59

is

2:25:59

this like You know that like

2:26:02

post Christmas snow where it's just

2:26:04

a flurry and it's cold

2:26:06

but not fierce, bitingly cold. on the

2:26:09

East Coast, and it's almost beautiful, especially

2:26:11

in New York with the street lights

2:26:13

or street lamps here and you see

2:26:15

the you just the only way you know it's snowing is by looking up at the street because you see

2:26:17

those little dots coming

2:26:20

through, and that's what

2:26:22

this night is. It's like oddly

2:26:25

calm and warm. Not

2:26:28

physically warm but

2:26:30

warm in your heart.

2:26:32

and you walk in the

2:26:35

direction of the Judeo US

2:26:37

with these

2:26:37

comps who ten twelve hours

2:26:39

ago arrested you. directed

2:26:42

you from Opry, which was a

2:26:44

real charge in the twenties. Got it.

2:26:46

It's like loitering. It was straight out of the book.

2:26:50

I mean, Valkyrie during the time of

2:26:52

the Great Depression seems like it goes hand

2:26:54

in hand. Yeah. It's like a made up charge just to

2:26:55

be like, Come

2:26:58

on. Is that what fucking rambo gets

2:27:01

arrested for? At the beginning of rambo, it goes basically low curry. That's what

2:27:03

that is. Hey, come on man. Turn around. like

2:27:09

fuck that. What

2:27:11

a sandwich? Mulberry.

2:27:15

Now it's like by

2:27:16

the time you get there,

2:27:18

it's after one. You've been there watching the Chuchoo House this late at night.

2:27:20

one

2:27:22

You

2:27:25

know, this is when, like, all these people came, but,

2:27:27

like, a lot has

2:27:30

happened since the first time you

2:27:32

staked out, Gucci has. A lot

2:27:34

has happened, and you fucking went in there like bulls in a China shop,

2:27:40

killing zombies, knocking down doors,

2:27:42

tossed and shit all over the alcove like a real mess.

2:27:47

Well, you

2:27:47

get there now. And we

2:27:50

just see our view coming up to

2:27:52

our view coming

2:27:54

up to the alley the

2:27:56

like alley

2:27:58

like Muhullen Drive going to the back of the

2:27:59

restaurant.

2:28:02

But instead of turning

2:28:04

and seeing that monster guy, we

2:28:07

see the alley. It's just that

2:28:09

long alleyway that

2:28:12

ends in a

2:28:14

single door and it's a new

2:28:17

door. What was

2:28:19

once a, you know,

2:28:21

nothing fancy,

2:28:22

wooden door is now like

2:28:25

maybe an iron

2:28:28

door or like

2:28:30

wood with iron reinforcements the

2:28:33

whole original door is gone

2:28:35

and there's a new door

2:28:38

in its place. There is no one standing

2:28:40

outside. you

2:28:42

look

2:28:42

and that little window

2:28:44

that has a couple couriers in

2:28:46

it and the the hours for the store is dark.

2:28:48

hours for the store ropes

2:28:52

and

2:28:52

looks back at

2:28:54

you. So you're telling me there's somebody in there. It's not just the old

2:28:56

man.

2:28:57

sleepy.

2:29:01

And there's something in there. In

2:29:04

the basin.

2:29:09

No

2:29:09

matter what he says

2:29:11

and says to

2:29:14

see it. Are we

2:29:16

are

2:29:16

we are we supposed

2:29:18

to wait here, sir, or where could we Can we Yeah.

2:29:21

You're

2:29:23

way here. Stay here. We'll take

2:29:25

care of this. Police, handlers. Okay. But don't go too far

2:29:27

because I'll tell

2:29:30

you right now, I'll find you.

2:29:33

I know you are at the

2:29:35

Waldorf Astoria. Yep. Still there. Yep.

2:29:36

no there

2:29:43

That's not true. but

2:29:45

I'll find you. And

2:29:47

he leaves

2:29:48

you at the mouth of

2:29:50

this alley as they

2:29:51

walk towards

2:29:53

the door and

2:29:54

you're just seeing this. You see

2:29:57

the little door to the pawnshop not too far

2:29:59

away as these four cops

2:29:59

walk up And

2:30:02

they're, you know, walking slowly

2:30:04

but not like guns drawn type of

2:30:06

thing. They're just walking up thinking like what's

2:30:11

going on here. It

2:30:13

looks like a quiet little that's

2:30:16

closed.

2:30:17

i'm

2:30:19

Robson

2:30:20

gives a nod to

2:30:22

one of his guys. Guys like boom boom boom boom.

2:30:27

Does it a knock

2:30:30

again? Boom boom boom

2:30:32

boom. Looks

2:30:35

like there's no

2:30:38

know at the

2:30:39

way it's a you

2:30:42

think you're sure you think something's

2:30:44

going on in

2:30:45

there. Oh, yeah. You guys

2:30:46

have a battering ram or Yeah.

2:30:49

We got a Ram. We brought a Ram.

2:30:51

Oh, shit down. Going to guys, it's got like

2:30:53

this. But it's like, hold on. Hold on. Let me just

2:30:55

see if we can Hello,

2:30:58

mister Quanite. This is

2:31:01

captain ropes, and I'm just

2:31:03

gonna chair real quick. he

2:31:07

puts his

2:31:09

ear to the door. It's a

2:31:11

weird. It's a weird

2:31:11

sound. It's very

2:31:16

faint, but I definitely use them. But

2:31:18

does it sound like It just sounds like it sounds like it sounds

2:31:20

like singing.

2:31:23

Cool. It's a guy to

2:31:25

the house. The house is there. The hatch is

2:31:27

open. That's not singing. Right. Right. Right. Put

2:31:32

stuff in your ears. If you got a

2:31:34

little something, maybe put some stuff. Don't

2:31:36

be fine. It's like, let's just we'll

2:31:38

break it down. They probably didn't bring a

2:31:41

battering ram, but, like, they

2:31:42

know how to improvise. And so

2:31:44

they just he looks at you

2:31:46

one last time. He's like, You stay

2:31:48

there. While we stay here,

2:31:51

can like, Margo's getting paranoid

2:31:53

at this point, like, can take

2:31:55

a like, just look around, make

2:31:57

sure no one's, like, watching us because

2:31:59

the the

2:31:59

spot hidden. while

2:32:05

this is happening. Yeah.

2:32:08

A

2:32:08

six.

2:32:11

Under sixty

2:32:13

two.

2:32:13

is eerily quiet on the street. There

2:32:15

aren't even passersby.

2:32:17

Last time you were here,

2:32:19

there were at least a

2:32:22

couple windows bouncing about make him noise. There's no one.

2:32:24

I do

2:32:26

not feel good.

2:32:28

We should go

2:32:30

in right after

2:32:32

them. I think we,

2:32:33

yes, we give it a few minutes and

2:32:35

then we should go in after.

2:32:36

I think you less. Yeah. Let's just get

2:32:39

let's just take up the rear. As soon as if we don't see them, just slowly start backing

2:32:40

up. Mhmm.

2:32:43

You're

2:32:43

now in

2:32:46

the war. The first

2:32:48

the first wave

2:32:49

that would go over

2:32:52

the top, you'd

2:32:53

vetted, that was just

2:32:55

to soften them up. very

2:32:58

rarely see them come back.

2:33:00

Why do I get feeling that

2:33:02

we

2:33:02

are sending these men to certain

2:33:05

do

2:33:06

because we are. Oh,

2:33:09

all the more reason

2:33:11

why we should absolutely follow

2:33:13

them in there because if we catch

2:33:15

them, harming these police officers, and we need

2:33:17

to get evidence of that Margo. Because otherwise, they're

2:33:19

going to just not

2:33:21

a mass pop

2:33:22

up front. photographs? photographs. Yes.

2:33:24

Yeah. I think we should see one of the

2:33:26

cops as, like, he's jammed something in there and

2:33:28

he's Jimmy

2:33:31

in it. It's like, ropes in.

2:33:33

ropes in. Let us come let us come with you. The fuck back, man. We got this. Where

2:33:35

do you go? You

2:33:41

don't have this. Ma'am, you'd send them down. I'm

2:33:43

gonna have to ask you

2:33:46

to wait. We've got this. Alright. It's

2:33:48

fine. I know these eyes too. If they're

2:33:50

doing something they're not supposed to, I'll take care of it.

2:33:52

The

2:33:55

guy pops the door. pinches it opens.

2:33:57

And you can see from where you're standing

2:33:59

like

2:33:59

the store that all four

2:34:02

of you have been in now

2:34:04

multiple times. It's just complete darkness.

2:34:06

He's like, where's the behind

2:34:08

the counter? Behind the counter?

2:34:10

Yes. Can we show you?

2:34:12

Now, stay stay back. Oh, there's going to

2:34:14

be another door with a lock on it once

2:34:17

he gets down there. Remember remember, Ricardo,

2:34:19

but you had

2:34:20

the Okay. Oh, shit. I think

2:34:22

I got a key still.

2:34:24

Gosh. Give it to where

2:34:25

you toss the key down the thing, guy

2:34:27

picks up. Is that right? strider, and

2:34:29

they all go in. And you

2:34:31

can see,

2:34:31

like, you're far back at the

2:34:34

end of this long alleyway, but

2:34:36

you see the the three guys go in, and

2:34:38

then ropes and goes in, they got flashlights, and they're

2:34:42

looking around, and now their guns

2:34:44

are out. And they're like, plays,

2:34:46

fourteenth and you and you see them looking. You

2:34:47

see just the flashlight beam going around and

2:34:50

just masks and fucking

2:34:52

knives and, like, decorative

2:34:55

knife and things pauses and

2:34:58

but no people. And then

2:35:00

you see that beam

2:35:02

of light go on the behind

2:35:04

the counter, like disappear behind

2:35:07

the counter so you know

2:35:09

they've seen

2:35:11

the hatch And it looks like they're like kicking stuff out

2:35:12

of the way

2:35:15

to get to

2:35:18

the hatch. But

2:35:19

then ropes it's

2:35:22

like, motioning the men to

2:35:23

go down because

2:35:25

you remember

2:35:26

it's a, like, super thin single

2:35:28

file type

2:35:30

situation. And so one

2:35:32

by one, each of the cops

2:35:35

go down and ropes and follows

2:35:40

right

2:35:41

after

2:35:42

them. And then there's just this.

2:35:45

and then there's just this Long.

2:35:48

Silence. Like

2:35:50

our view. It's

2:35:52

like a cuprician

2:35:57

long view. from the end of this alley

2:35:59

into this

2:35:59

shop and

2:36:03

just silence. And

2:36:05

what happens next?

2:36:07

all happens at one time.

2:36:10

the all happens at one time

2:36:15

suddenly you hear

2:36:15

this mix of like

2:36:19

It almost

2:36:21

sounds like music

2:36:23

or or singing and and then, like, it's combined with

2:36:25

a wailing like

2:36:28

a screaming that

2:36:31

seems to echo out

2:36:34

of the mouth of

2:36:36

this store, and then it's

2:36:38

followed almost immediately by the distinct

2:36:40

sound of

2:36:43

several gun shotches. Half a dozen

2:36:45

or a dozen you can't tell it

2:36:47

all happened at once. And

2:36:51

then after those gunshots,

2:36:54

there's this pause again, just like

2:36:56

silence. that's

2:36:58

followed by this stampede

2:37:01

as suddenly dozens of

2:37:03

bodies start like you

2:37:06

see them start coming up

2:37:08

and and, like, piling out

2:37:10

of the store rushing in your direction, like, out of the store

2:37:15

And it's it's it's it looks like

2:37:17

mostly men. Obviously, it's dark. It's just the moonlight. The the street lamps are behind you. There's a

2:37:19

couple of women and they

2:37:24

appear to be mostly African American, but

2:37:26

not all, but they're all completely

2:37:29

naked from head to toe with

2:37:32

the exception of the headband,

2:37:34

the same headband of the three men that killed Jack's

2:37:38

a license. It doesn't look like the mummified

2:37:41

tongue. It just looks like a little felt

2:37:43

band. But naked as the day they were born and they're all just like, running

2:37:47

toward you. What do

2:37:49

you do? Never mind. Jump

2:37:51

on your attention. to

2:37:54

couple it to a

2:37:55

They're running like they're attacking or

2:37:57

they're running like they're

2:37:58

they were held captive. They're not gonna be

2:37:59

landscaping. Right. I say

2:38:02

we duck out

2:38:03

of the way.

2:38:05

Oh, yes. Absolutely. Yeah. For sure. They're all

2:38:07

like clutching

2:38:07

bundles of clothing. it

2:38:11

looks like, but they're just they'll look

2:38:13

like they're running away pop up in the So just dock of way.

2:38:15

do do? recognize? don't wanna get lured

2:38:21

here. But is the sense that they were in

2:38:23

some sort of

2:38:25

like a blood orgy? Or are

2:38:27

they more like captives? But you

2:38:29

see what the orgies. Yeah. It's spotty.

2:38:32

It's spotty. Can we also, like, spot

2:38:34

hidden for, like, if we see

2:38:36

million atoms among them?

2:38:37

Yeah. For sure. Yeah. Every roll spot in. See what you see. Obviously, it's

2:38:39

darker the moonlight here. Hard

2:38:42

successes are what you really want, but

2:38:44

the eighty two. Twenty

2:38:46

six under eighty. Hell yeah. It's a hard success for those. Well, the speech line numbers.

2:38:49

Go ahead. Oh,

2:38:51

sorry. I have forty

2:38:52

one under six too. So not as good as fairus.

2:38:54

Okay. But a a regular success. Sixty seven under

2:38:58

seventy five. So the least good. Okay.

2:39:00

But still a success. I failed. So Carter's

2:39:03

just like, oh, shit. I stepped in gum. He

2:39:07

loves No. Carter.

2:39:10

Yeah. Alright. This is like so Vaughan and so Carter

2:39:12

is just

2:39:14

like I imagine it's like, Carter

2:39:16

is like, it's just a deluge of

2:39:18

dozens of naked bodies come running at you. You're probably overwhelmed

2:39:22

by this whereas Mario and Vaughan

2:39:24

are, like, really trying to hone

2:39:26

in. and I mean, you don't see million atoms, but like, you don't you can't make out any faces. You

2:39:29

just you're

2:39:31

looking and it

2:39:34

doesn't look like these

2:39:36

people are have been abused

2:39:38

at all. That's all I will

2:39:40

say. Like,

2:39:41

they don't look abused at

2:39:43

all. They look like just regular average day

2:39:45

people that are running away from

2:39:47

something. The one thing that you

2:39:49

notice favors with your hard success

2:39:51

is one of them is like he's a a little bit in the back, black

2:39:56

guy completely naked, and he's holding his

2:39:58

stomach and, like, blood is squirting out from between his fingers like

2:39:59

he's been

2:40:03

shot. And he's just, like, he's,

2:40:06

like, stumbling out, he's holding like a pair of pants, and that's it. No shoes,

2:40:11

no nothing. And they're just all

2:40:13

running they're running past you.

2:40:15

if if you're good out of the way. I don't know what you're doing. If slowed down from

2:40:18

being

2:40:18

shot, I wanna

2:40:20

try to talk

2:40:22

to him real quick.

2:40:24

Okay.

2:40:24

Yeah. Like, he's he's he's he's a

2:40:27

little bit slow. And what do you

2:40:29

do? Who

2:40:29

what have they done to you? Who

2:40:31

did this

2:40:31

to you? The cops.

2:40:33

The cops are, hey, am we

2:40:36

gonna go? What were you doing

2:40:37

down there in the first place?

2:40:39

There you go. they

2:40:42

interrupt in

2:40:42

the ritual. One

2:40:45

ritual. Honey throws up. Whoa.

2:40:47

So these are cult

2:40:49

numbers. Yeah.

2:40:51

And he, like, throws up

2:40:53

and, like, passes out with his face like in

2:40:55

the gutter. Oh. Well,

2:40:57

I think

2:40:59

this is a

2:41:02

good

2:41:02

time to go inside.

2:41:05

There's still a couple stragglers, but

2:41:07

for the most part, like it seems

2:41:09

like this the initial onslaught of people

2:41:11

running out has ended. And and

2:41:13

Vaughan's immediate thing is like, if they're

2:41:15

firing indiscriminately, then that means that if Willie Adams is

2:41:18

down there, then she's in danger of being being struck

2:41:20

by Are

2:41:22

those bloody

2:41:23

cops? True cops come running out now

2:41:25

and you see their

2:41:26

eyes are like bulging out of their heads.

2:41:31

and one and they've got their guns pointed

2:41:33

and they're like, I don't get them. One of them

2:41:35

just like tackles a dude, boom into like a bunch of trash cans,

2:41:39

the trash cans go everywhere. And he's like,

2:41:41

stay stay out. Stay out. And the other guy, like, runs past you and, like, puts

2:41:43

a gun in your face. It's like, They're

2:41:48

all over the

2:41:49

place. One of them is

2:41:51

in over there.

2:41:56

and he just runs chasing one of those guys down

2:41:59

the street. Well, the other

2:41:59

guy's just

2:42:02

like boom boom boom pistol whipping one

2:42:04

of the dudes in the trash

2:42:06

cans. And now the door is just wide open and

2:42:08

no other body seem to

2:42:11

be coming out. I'm gonna

2:42:13

go in. Okay. Alright, guys.

2:42:16

If hey, if I see for roos

2:42:18

go than I go. Yeah. Can we can

2:42:20

we do is there any way we

2:42:22

can make shift some sort of ear

2:42:24

plugs? you guys remember the

2:42:26

shit that we heard down there, and

2:42:28

things opening. It has gum on

2:42:30

your shoe. You could use that. god.

2:42:32

This is super gross. I'm

2:42:34

putting some of this gum in

2:42:36

my ears. Who wants some gum?

2:42:38

No. Thank you. Carter's putting some stuff in his ears. Alright. I'm

2:42:41

gonna look around probably

2:42:44

there's probably tissues in

2:42:47

one of our pockets that

2:42:49

I'm gonna,

2:42:50

like, kinda wad up and use that.

2:42:52

Sure. I just was

2:42:52

trying to see if Carter was

2:42:54

actually gonna put use. He did come and say, yeah.

2:42:56

Yeah.

2:42:56

This

2:42:58

is a great idea, guys. I think,

2:43:01

yeah, like, a Vaughn, like, pulls a handkerchief out of

2:43:03

his pocket. It's probably caused, like, twenty

2:43:06

five whole dollars. And, like, it's just,

2:43:09

like, rips it in half and it's, like, maybe packing

2:43:11

a little bit like this. mentally

2:43:12

nice. Alright.

2:43:14

It's amazing,

2:43:15

I guess. The margarita straps track. Or perhaps I

2:43:17

can I can pass you remnants of the of the handkerchiefs -- Sure.

2:43:19

-- if we're all. I

2:43:25

wonder what it means

2:43:27

to interrupt

2:43:28

the

2:43:30

ceremony. Okay.

2:43:32

Let's go. So

2:43:33

the four of

2:43:35

you walk toward juju

2:43:38

house, that cop

2:43:40

is just like. to

2:43:42

sounding this body and the body is no

2:43:45

longer moving. Oh. And you see

2:43:48

that guy behind you is face

2:43:50

down and the gutter, dead and there's of

2:43:52

screams in the distance as

2:43:54

all of these naked bodies.

2:43:57

There's just spread out over

2:43:59

a hundred

2:43:59

thirty six Great.

2:44:02

No sign of Robson yet. No

2:44:04

sign of Robson. Those were two

2:44:06

of the the cops that came with him.

2:44:09

You walk towards the door.

2:44:11

As you approach the entrance

2:44:13

in the juju

2:44:15

house, you hear sounds that you didn't

2:44:17

hear when you were at the

2:44:19

end of the alley. It sounds

2:44:21

like wailing and and

2:44:22

and but also moaning. It's like all overlapping sounds of look. But

2:44:27

then you

2:44:31

hear why. Why? It's

2:44:34

just this massive cacophony echoing

2:44:36

up the staircase because you

2:44:38

don't see anyone inside the store.

2:44:41

but it's it's coming

2:44:44

up and it's mingling

2:44:46

to create this sound. It's just highly unnerving.

2:44:51

what do you do? Carter

2:44:53

just turns everybody and

2:44:55

he's just like, listen, guys. Whatever happens.

2:44:57

whatever happens It's

2:45:00

I

2:45:00

love you guys. Is

2:45:02

that weird? I'm sorry.

2:45:06

Mystery squad for life.

2:45:08

That's all

2:45:08

I wanted to say. Let's go let's

2:45:11

go try to help something Don't

2:45:15

wait to talk a little bit. If

2:45:17

at once, I can go first and put my hand out with my camera, take a picture just in case

2:45:20

we are lose

2:45:24

our

2:45:24

minds. That's what we

2:45:26

see. Brave, brave, so Yes.

2:45:28

Him. It's just my hand.

2:45:30

Well, I'm gonna do,

2:45:33

like, hand first. Just a

2:45:35

little around the corner. weapons

2:45:41

out, I'm assuming. Yes. That's right.

2:45:43

Weapons out, ready firearms --

2:45:45

Loader. -- cargo. Shot our

2:45:47

shotgun on one hand. Yep. I

2:45:49

apologize for the with the fucking shotgun.

2:45:51

Let's talk party

2:45:53

order here. You know that staircase

2:45:56

is single person wide going down.

2:45:58

the hatch is open. And you see as you go in, there's

2:45:59

clothing go in there is clothing

2:46:03

like in piles

2:46:05

all over the floor of

2:46:07

the main store, shirts, pants, overcoats, hats, shoes, shirts,

2:46:11

coats, overcoat

2:46:14

pants, shoes, woman's high

2:46:16

heels, fancy hat. Gotta

2:46:19

be naked

2:46:20

for that

2:46:22

orgy. Yeah. We only have a closed orgy.

2:46:23

When in room? It's so

2:46:28

frustrating. When in room or

2:46:30

vomiting? Vaugh with his seventeen seventy seven. We should not take our

2:46:36

clothes off. No. We got a third

2:46:38

party order. Great then. Alright. Margos going first. I have

2:46:40

a

2:46:43

firearm. I'll go second. Does anybody

2:46:45

else have Right? I have a

2:46:46

knife. I have a fancy knife. I also have a firearm, I guess, I'll go

2:46:52

third. Margo, followed by favors. followed

2:46:54

by

2:46:54

Vaughan, followed by Carter

2:46:56

with

2:46:59

a

2:47:00

knife. Margaux, You start

2:47:02

walking down. That sound that

2:47:06

It's becoming a little

2:47:10

bit clearer. but you still can't suss out. Is this one person? Is it fifty people? You

2:47:15

saw dozens

2:47:18

of people run out.

2:47:20

you see at the bottom

2:47:22

of the staircase because there's

2:47:25

light like flickering torchlight

2:47:27

coming into the the bottom of the

2:47:29

stairwell. Like, the staircase itself is

2:47:32

pitch black, but the chamber below

2:47:34

has been lit. You remember seeing like

2:47:36

sconces on the wall to

2:47:39

hold torches. Well, clearly, there

2:47:41

are torches in place and you see at

2:47:43

the bottom of the stairwell two

2:47:46

naked bodies faced down, like, right

2:47:49

at the bottom of the stairs, and it looks

2:47:51

like they've been trampled to death. and

2:47:56

remember this hallway itself

2:47:59

was like

2:47:59

floor to ceiling

2:48:02

covered with symbols. that

2:48:04

were incomprehensible to any of you. And the

2:48:06

deeper you got into this chamber, the

2:48:09

more symbols you saw, and the stranger

2:48:11

those symbols shot. Well, now there are

2:48:13

two dead bodies that I just like

2:48:16

have footprints on them and

2:48:18

they're just fucking dead. You'd have

2:48:20

to step over them. to get into

2:48:22

the room. But flickering torchlight is like good dancing

2:48:25

shadows on the wall above them.

2:48:27

What do you

2:48:28

you? So she approaches

2:48:30

the door and or, yeah,

2:48:32

the opening of the door and

2:48:34

doesn't go in front of it

2:48:36

or go in, but she just

2:48:38

stands near it and, like, reaches her hand out

2:48:40

from her with the camera,

2:48:43

like, in front of the

2:48:45

door and takes a picture

2:48:48

really quick. You stick your hand out.

2:48:50

You wanna do a, like, a slight of

2:48:52

hand to see if nobody sees you? Slate of hand. And

2:48:54

maybe there's nobody on there. Here's the other hand, Venture.

2:48:57

If that's the

2:48:59

worst case case me

2:49:01

to roll,

2:49:02

I could do that. Or photography,

2:49:04

Are you alright? I'll do photography. Last

2:49:06

time you were having trouble down there, I'd

2:49:09

made you do photography roles because it was so dark. Now you're just

2:49:11

trying to, like, can I do this? sneakily.

2:49:14

Yeah. Give me that for

2:49:17

Thai girl. Okay. Use those skills. Fifteen under

2:49:19

fifty. And she put that photo. Alright.

2:49:24

Go ahead. I'm so mad. I imagine you

2:49:26

get down there and you look down and

2:49:28

there are just

2:49:29

two tramp I mean,

2:49:31

seen a body that's been trampled to

2:49:33

death. I mean, it's really gruesome. It almost

2:49:35

looks like inhuman in the way that they've been squaw lushed

2:49:38

by this massive people that

2:49:40

ran out over them. You stick

2:49:42

your finger or your hand out around

2:49:46

the corner to try and take a

2:49:48

picture. And the second that you I don't

2:49:50

know how photographs work back then, but you take the

2:49:55

a photo, you

2:49:58

hear

2:49:58

bang,

2:50:00

a single gunshot.

2:50:02

What do you

2:50:03

do? All of you hear that.

2:50:05

Pack. Pack. Pack. Pack. Is there like a is there like a rick like, does it look like a bullet

2:50:08

was fired?

2:50:09

our

2:50:13

direction. Like, is there a bullet hit? It's just the

2:50:15

sound. No. Right when you

2:50:17

took that picture, there was a bang. Do

2:50:19

we see how many shots are ready? We

2:50:21

do,

2:50:21

like, a listen roll to hear, like, I could better hear what's

2:50:23

going on.

2:50:24

We got

2:50:26

the stuff in our ears. So Oh,

2:50:28

that's right. No. Check a penalty die. I'll

2:50:30

say good to take a mouse to do a list of Oh, wait. You're lying in. Hold on. Okay. You

2:50:37

take a mouse. I never took it

2:50:39

back. You put it

2:50:43

back in. I

2:50:46

don't hear anything you

2:50:48

Well, I'm trying to I like the

2:50:50

idea that we all have like It's

2:50:53

middle bottom. Oh, oh, okay. Hold on.

2:50:55

Here we go. Middle

2:50:56

bottom. I rolled a fifteen

2:50:58

under sixty

2:50:59

five. We take them

2:51:01

out. So

2:51:02

you're hearing this. No. overlapping

2:51:04

sound now that you're super

2:51:06

close. You're right behind, Marcus.

2:51:09

So you really hear this.

2:51:11

That bang pops out. still

2:51:13

echoes and you're listening and would

2:51:16

you roll again? Fifteen hundred sixty five. Fifteen sixty

2:51:18

five.

2:51:18

So that's at least a hard success. Maybe

2:51:20

stream.

2:51:24

You're

2:51:25

listening

2:51:27

and you hear

2:51:31

after like

2:51:33

a deep man's

2:51:36

voice. This

2:51:39

just

2:51:43

like. Do

2:51:47

I is

2:51:49

it

2:51:49

a voice that I

2:51:52

recognize? No.

2:51:53

and that

2:51:55

doesn't mean it isn't someone you've

2:51:58

met. Right. Like, you've never heard that laugh before. It's your dad. Someone is set. Oh, don't

2:51:59

like that.

2:52:05

Mady, come back.

2:52:06

Somebody's laughing. Are you

2:52:08

laughing?

2:52:10

Like and,

2:52:11

like, not the

2:52:14

Jovial kind. Greetings. It was creepy. It's crazy left. Yes.

2:52:16

it is creepy Shit.

2:52:18

Worst. I think this might

2:52:20

be worse than the

2:52:22

zombies.

2:52:22

What do we do? Do we go in? We have to destroy it, damn it, have

2:52:27

a a kind of idea. Yeah. That's

2:52:29

absolutely right. Let's go. Let's go. You ready. Okay. You ready to

2:52:31

fire. These these sconces troy

2:52:36

with

2:52:37

the torches. Right? that's in this hallway

2:52:39

that we're about to enter. No. They're in the room just sending, like,

2:52:43

dancing light over -- Okay. -- dead

2:52:45

body. And I thought I remember tell me if I'm wrong, was there

2:52:47

a lamp in this in stairwell? There

2:52:52

was. There was. Yes. Good re good

2:52:54

memory. Yeah. Glad that some Excellent idea.

2:52:57

God. Good memory. Yes.

2:52:59

It was hanging right

2:53:01

over the bottom of

2:53:04

the circuit. In fact,

2:53:06

it's hanging right over those dead bodies,

2:53:08

but maybe the rush of people to

2:53:10

get out, put that flame out. However, it's

2:53:12

till full of oil. So we're

2:53:15

gonna take

2:53:15

that. Do you enter the room?

2:53:18

Should

2:53:18

we try to yell out first or

2:53:21

totally just No. We don't

2:53:23

wanna tell you

2:53:24

nobody to Ambush. Ambush. So we're

2:53:26

just gonna

2:53:26

run-in? Yes. At run, we could walk

2:53:28

That's

2:53:30

so

2:53:30

true. You're gonna run-in there and

2:53:32

you're gonna come behind to me.

2:53:34

We're all

2:53:35

behind you. We got you. Are you serious? Yes. Yes. You're like, okay.

2:53:39

beowing, running to

2:53:40

the room. Why don't we go to

2:53:43

the map? Oh, no. There's

2:53:43

no need. Why

2:53:47

don't we go to the credits?

2:53:49

Why don't you go to the end credits?

2:53:51

Beginning saves a day. There's Margu. There's

2:53:56

favorites, there's Vaughn,

2:53:59

there's Carter. You're all standing

2:54:01

they are all

2:54:03

at the answer. You guys see

2:54:06

this or mine? Yeah. I I just gotta adjust.

2:54:10

I

2:54:10

forgot I was

2:54:11

so excited for now about

2:54:14

the map. Okay.

2:54:16

So

2:54:18

so

2:54:21

Maybe should go in one at a time. Just in case, what we see is too

2:54:23

much for all

2:54:27

of us to handle. I mean,

2:54:29

I think we just give a peaky.

2:54:31

I'll give a peeking. So I'm gonna get a little a little peeking. We don't have You

2:54:36

could do this you could

2:54:37

do this Margo. Okay. Peaky. Just look. Margo. I give a

2:54:39

little

2:54:39

picky. Give me a stealth cargo. And his

2:54:41

daughter must say is if

2:54:44

you failed to stealth, you

2:54:46

all get a code. Okay. We're

2:54:48

Okay. Stuff. Not bad.

2:54:50

Let's see. A two

2:54:53

under thirty seven. Damn,

2:54:55

your role stood at God.

2:54:58

God. It's my

2:55:02

slippery sweatiness, bro.

2:55:05

Okay. I've

2:55:06

been instructed to clean

2:55:08

up my fire before. Alright.

2:55:10

So you peek very carefully. with

2:55:14

a two around the corner

2:55:16

and oh my god.

2:55:18

Is it a scene in there?

2:55:21

you're looking you can't really look

2:55:23

all the way to the right where

2:55:25

that pit was because you're just kind of peeking in past the

2:55:27

door and you see bodies. all

2:55:30

over the floor. More than

2:55:33

half a dozen of them are completely

2:55:35

naked and just like there's,

2:55:40

like, little pools of blood right

2:55:42

next to their bodies. Do you

2:55:45

think

2:55:45

how they've been shot? you

2:55:48

see

2:55:48

one of

2:55:51

the policemen

2:55:53

like like wrapped up

2:55:54

with one of the

2:55:57

naked bodies and they're both lying in

2:55:59

just a pool of blood and

2:56:02

then you see the

2:56:05

old man, Silas

2:56:07

Nekwane, and he is

2:56:09

about six feet

2:56:11

away from you, and he's on his

2:56:14

hands and knees. And it looks like he has he's like holding his stomach with two

2:56:16

hands. and

2:56:20

he's old and he's naked

2:56:22

and he's crawling and he looks up and he sees you.

2:56:25

And

2:56:28

he's got two bullet wounds

2:56:30

in his chest, and he looks up at you and

2:56:33

coughs up

2:56:35

blood that goes all

2:56:38

over his chin. And then

2:56:39

he just like

2:56:41

the like points

2:56:42

at you and says

2:56:45

something in a language you

2:56:47

don't understand, but to to

2:56:48

gun. and

2:56:50

then

2:56:51

pull lapses

2:56:55

to the floor.

2:56:59

can't

2:56:59

quite see, but

2:57:01

someone is moving in

2:57:03

at least one person.

2:57:07

Come.

2:57:10

the

2:57:12

She

2:57:14

hi she's un

2:57:17

peaks tries

2:57:20

to tell everyone

2:57:23

what she saw

2:57:26

like There's someone still

2:57:26

there's someone still in the room, still laughing, saying, come

2:57:29

in, silence, dead. There's

2:57:31

captain ropes in. I

2:57:33

don't see anyone alive

2:57:35

in there except for one person, perhaps

2:57:37

moving about the room, laughing. What

2:57:39

about the What I had?

2:57:42

What

2:57:42

about the hatch? Was the hatch They don't

2:57:44

even see that far into

2:57:46

the room. I'm just But

2:57:49

you still hear this. Sounds

2:57:51

like it's open. Okay. Usually,

2:57:53

you don't

2:57:54

wanna be invited into

2:57:56

a room. I'm going

2:57:59

to burn it. Just cover me, get out

2:58:01

of my bloody way. I'm going to

2:58:04

throw this thing into the pit and

2:58:06

burn it. Alright. Barnes and. Let's go.

2:58:08

Do you charge past us?

2:58:11

If if you allow me

2:58:13

to. I'll still follow closely behind,

2:58:15

like, just in case, to

2:58:18

have your back. We'll

2:58:20

follow

2:58:21

you

2:58:21

in at that point. So is Ghansham flanking

2:58:24

him, like,

2:58:24

Like,

2:58:27

the mystery squad would Yeah. So

2:58:29

it's like tiny knife. Tiny knife. Butterna knife. I wanna see the artwork on

2:58:31

a t shirt. butter

2:58:34

knife that still says Waldorf Astoria.

2:58:36

Yeah. This is what? Yeah. This will show

2:58:39

him. So the plan is for Vaughn

2:58:42

to sidle past, Feirouz and Margo

2:58:44

rush into the room and on his command, all of

2:58:46

you come in and flank out, and you are

2:58:48

to Well,

2:58:52

we'll

2:58:53

see

2:58:54

what you do that.

2:58:56

so you do that

2:59:00

and you see what

2:59:02

Margo saw bodies all over the

2:59:05

floor, now the body of

2:59:07

Stylus and Aquane, not moving.

2:59:09

But like I said, six

2:59:11

feet away, just a

2:59:14

pile of blood on

2:59:16

either side from two

2:59:18

bullet holes. you look past him.

2:59:21

There's a lot going

2:59:23

on in

2:59:24

this room. Yeah.

2:59:27

You seek captain on the floor with his

2:59:29

own gun in

2:59:33

his mouth. In

2:59:35

the back of his

2:59:38

head is completely

2:59:40

blown out. And

2:59:43

standing above him is

2:59:45

a tall, bald,

2:59:49

ripped

2:59:49

wrapped African

2:59:50

man wearing only

2:59:52

a

2:59:54

long feathered robe, a feathered

2:59:56

robe, which Ferrous and Margo and Carter

2:59:59

saw hanging in the alky of.

3:00:03

He has a scepter

3:00:05

in one hand. He has a headband

3:00:07

with a mummified human hung

3:00:11

attached to it. And in

3:00:13

the other hand, his right hand, he has that

3:00:15

glove with the long clause

3:00:19

on it. On his chest,

3:00:21

I mean, it's completely naked. It's kinda like a boogie nights Alfred Molina

3:00:24

except completely they

3:00:28

naked. The spyder crackers.

3:00:30

Yeah. He's completely naked,

3:00:33

but you see on

3:00:35

his chest a

3:00:37

large tattoo that immediately takes you

3:00:40

back to the hotel

3:00:42

in Peru when you saw

3:00:45

Augustus Larkin. with the tattoo on his chest. It's eerily similar.

3:00:47

Is it the same? You don't

3:00:50

know because there's so much going on

3:00:52

in here you can't process it. But

3:00:54

he's he's reached down to Robson. And

3:00:58

with the pointer finger

3:01:01

of the glove,

3:01:03

he's carving a symbol onto robeson's forehead.

3:01:10

Obviously, the same symbol that was carved onto the

3:01:13

forehead of Jackson

3:01:15

Elias von, you

3:01:18

are first into the

3:01:20

room. and you recognize this

3:01:22

man. As the man you

3:01:25

followed that night, the

3:01:27

man whose apartment you snuck into.

3:01:29

The man that Hilton

3:01:31

Adams told you was a

3:01:34

person of interest. It is Wakanga

3:01:36

Madari. You

3:01:38

all look to your right and

3:01:40

you see that open pit. The pit has not only

3:01:42

been opened, but the lid has been removed and set to the

3:01:48

side to cover it again

3:01:50

would take the strength of

3:01:52

several people. And from that

3:01:55

pit, is just a wailing sound

3:01:57

and you see into it just like occasionally, like,

3:01:59

faces will pop out There's

3:02:04

just dozens of faces and

3:02:06

butter. But it's far enough away from where you're

3:02:10

standing on this side of the

3:02:12

room that it doesn't seem to

3:02:14

be bubbling out, but this is all happening in the background as

3:02:18

Bidari stops carving that

3:02:21

symbol and like looks up at

3:02:23

you with crazy eyes. wide

3:02:28

eyes. And he says,

3:02:30

as he stands up, he's like, do you know?

3:02:36

the significance of what

3:02:39

you have done.

3:02:42

The bloody

3:02:45

tongue is watching us

3:02:47

right now, and

3:02:50

he brings favor

3:02:54

to those. who makes sacrifices in his name.

3:02:59

And you

3:03:04

hear that and he says

3:03:06

so many have given

3:03:08

their lives to

3:03:11

him this day. and he

3:03:14

will be most pleased.

3:03:16

He looks over at

3:03:19

the pennies like about is

3:03:23

still hungry and

3:03:27

must be fed. You

3:03:30

will not dishonor

3:03:32

our God. And we

3:03:35

are in combat. Let's

3:03:39

look at this room. It's the

3:03:41

best I could do on short notice here. There are any

3:03:44

bodies you see

3:03:49

here are dead. Okay. With

3:03:51

the exception of

3:03:53

Makanga Madari. Put that

3:03:56

on your shirt. the bodies

3:03:58

you see here are dead. The bodies

3:04:01

you're about to see are dead.

3:04:03

For those listening, there are eight

3:04:06

extra figures on the back. Outside of Wakanda and stylists.

3:04:08

Yeah. In fact, you

3:04:11

see in the background

3:04:14

a a person that is

3:04:16

fully clothed unlike the rest

3:04:18

of these figures that are

3:04:21

all dead naked bodies, but

3:04:23

it looks exactly like these

3:04:26

zombie ass creatures that

3:04:28

you fought, and that

3:04:30

creature is dead as well. Silas Niquane,

3:04:34

dead. But in the back

3:04:36

is Macunga Madaric. Let's get, boom. Marco.

3:04:38

Favoriteest Carter. Obviously, this is not path

3:04:43

finder. This is not d and d

3:04:45

where you stand. It's just relative. It's essentially third of the mind. This is here

3:04:47

to present to you. the

3:04:52

full situation, and I

3:04:54

will move it further away from the action. It is round one.

3:05:01

all of your guns are drawn, which

3:05:03

is great, unfortunately. he

3:05:09

knew you were coming.

3:05:11

And so he attempts

3:05:13

to cast a spell.

3:05:16

Oh, what? It's not cool at

3:05:19

all. Oh dear. But

3:05:23

he's a badass.

3:05:25

He's he's he's been given the

3:05:27

gifts of the of

3:05:29

the bloody tongue. Let's interrupt

3:05:31

your spell. Can we interrupt

3:05:33

your spell? Yeah. Just start yelling out random

3:05:35

numbers. Forty two.

3:05:38

Forty 96I knew

3:05:40

we shouldn't taken that

3:05:43

scepter. Damn it. Vaughn,

3:05:46

you're in the

3:05:50

vanguard. You're in the vanguard. In the vanguard. I need you to give me

3:05:56

a power rule. Come on, baby.

3:05:58

Come on. Shock the world. Do you

3:06:02

believe in miracles? Do

3:06:04

you all believe in

3:06:07

miracles? We should have Al Michaels

3:06:10

call this fight. Alright. A

3:06:12

young Al Michaels. Do you

3:06:14

want my power role? I do. Remind the audience what power

3:06:19

is. My power. Your

3:06:22

power score. Vaughan's power is a thirty five, a thirty five,

3:06:24

quite low indeed, which

3:06:27

would cause one to

3:06:30

stress if I didn't just Rolla

3:06:32

twenty six. Yes. Yes.

3:06:35

A regular success --

3:06:37

Yes. -- he emphasized

3:06:40

regular. Mhmm. pretty good.

3:06:42

Unfortunately, it does

3:06:45

not beat a

3:06:48

hard success. in the supposed

3:06:50

power role, Wakanda Madarion.

3:06:53

Oh. Alcohol. Boom. And

3:06:55

you just feel Boom.

3:06:58

You're like sent back.

3:07:00

Your head whips back

3:07:02

with this mind blast. You're just and

3:07:06

you are immediately inflicted

3:07:09

with five points of

3:07:12

sanity damage. But

3:07:14

the other effect of

3:07:16

this spell is in

3:07:18

addition to that sanity damage. You are

3:07:20

immediately temporarily

3:07:22

insane. Uh-huh. And so you are hit with

3:07:24

a butt of madness. And for a character like you, this would

3:07:26

have happened anyways, even with one point of sanity damage. Right. However,

3:07:31

in this instance, you're

3:07:33

just pushed back and like as you start to come to,

3:07:36

you look over

3:07:41

at Carter. And,

3:07:44

I don't know,

3:07:47

you think

3:07:50

about what just happened in the police station when he removed his mask

3:07:54

to show the hole that was

3:07:57

his face to captain Roe and captain Robson

3:07:59

who now lies dead on the ground with his own gun in his mouth in the back of

3:08:01

his head blow

3:08:03

up. And Carter

3:08:06

looks at you and off

3:08:08

his mask once more. But

3:08:11

when he takes off his

3:08:13

mask, his whole face

3:08:15

is a mask and standing you is

3:08:23

over on doyle. your good friend.

3:08:25

The closest person perhaps

3:08:27

in your life back

3:08:30

in the day, perhaps the

3:08:32

greatest love over your

3:08:34

life. And he looks

3:08:36

at you not with that

3:08:38

bravado that Carter puts on, but with this like

3:08:44

pleading, longing. And

3:08:46

he's like, help me my love.

3:08:51

he looks over at the

3:08:53

pit and he's like, throw

3:08:55

me to that beast so that I may yet live again. so

3:09:00

that I may rise

3:09:03

from dead stand at side. Jesus. And

3:09:09

and and so you've you've

3:09:12

just seen Vaughan like boom, like

3:09:14

go down and then like Carter,

3:09:16

you just see him kind

3:09:18

of I look towards you and I'm just like, as I kind of

3:09:23

stand up, like, shaking it

3:09:25

off, and maybe setting that lamp

3:09:28

down. I

3:09:30

was like, don't worry.

3:09:33

Don't worry. What? No. Don't waste his

3:09:36

time. What type

3:09:38

of fresh directions it had?

3:09:41

No. What? I shall make amends. I

3:09:43

don't I'll make things right

3:09:45

as I take you by the

3:09:47

hand and I'm drawing you. No.

3:09:49

No. Wait. Whoa. Too much. Too

3:09:52

much. It's

3:09:55

alright. What? you're still gone. Don't worry.

3:09:57

Please hold me back. Come on, please.

3:09:59

You'll be back. It's fun to take

3:10:02

it. It's Carter. I know. Bonner stop

3:10:04

it. I swear it. and and I'm pulling

3:10:06

you. Pulling you. Yes. You are compelled to

3:10:11

try and throw Oberon. into

3:10:13

the pit with this bout of

3:10:16

madness. Now, this

3:10:18

is going to last for

3:10:20

one d ten rounds. Please

3:10:22

give me a detenroll. Okay. Hold on, please.

3:10:25

Otherwise, it's gonna

3:10:29

be a pose

3:10:32

strength trick. five. Five

3:10:38

rounds. Okay. Carter, you just you see Von. You mean, you've seen Von Brake. You saw Von

3:10:41

Brake when that animated

3:10:44

mummy came up in

3:10:47

the pyramids beneath Purdue. And now

3:10:49

he's just like grabbing at you and

3:10:51

grasping at your shirt and pulling

3:10:53

you guys might be of

3:10:55

equal strength here. Let's fucking go

3:10:57

round one. Margo, you

3:10:59

have a drawn weapon.

3:11:01

It is a thought of shotgun. You know that the beauty of this shotgun

3:11:03

is that does 4D6

3:11:06

damage. If you're right

3:11:08

on top of somebody,

3:11:11

1D6 damage if you're two squares

3:11:13

away and fucking no damage beyond

3:11:15

that. That's the thing about

3:11:17

the sawdock shotgun. You gotta

3:11:19

get up close. Do you wanna get way close

3:11:21

and try and do 4D6

3:11:24

Do you wanna -- Yeah. -- hedge your

3:11:26

bets. I mean, what do you wanna do?

3:11:29

I feel like, yeah,

3:11:31

I gotta get way

3:11:33

close and do that. There's no point

3:11:36

in wasting it

3:11:39

being far away. And I feel

3:11:41

like we saw this happen, not that we know like it's a spell, but like something's

3:11:44

going on. Bonds

3:11:48

lost his mind. We gotta get

3:11:50

rid of this guy. We gotta

3:11:53

get out of here. So she

3:11:55

goes up to him. like point

3:11:57

blank range. If she can

3:11:59

get that far.

3:12:02

Okay. And she shoots

3:12:05

at him. give me a firearms run.

3:12:07

Low this motherfucker.

3:12:10

Take them out. Okay.

3:12:13

You can't push Firearms.

3:12:15

Right? Oh, Michael just chimed in.

3:12:18

Bonus die at

3:12:21

point blank range.

3:12:24

Yep. Cool. No, dude. I pushed the

3:12:26

catch back. I can't remember if you

3:12:28

can push. I don't see why not, but let's see

3:12:30

what happens. Oh, you can't push a combat.

3:12:34

I feel like you can't. But let

3:12:36

me just roll with the extra tax. Can

3:12:38

I push a taxes, Michael? Yeah. So yeah. Extra tax? so

3:12:42

over. Oh,

3:12:46

no. It's the

3:12:48

same. It's

3:12:51

the same. It's fifty

3:12:53

seven for both. Over over twenty 50I

3:12:56

shot gun.

3:12:59

Copy. How much luck you got there?

3:13:01

Can you use A50 wait. Can you use it? Oh, yeah.

3:13:03

What do you wanna do? Can

3:13:07

I use it to

3:13:10

make it a hit? I think so. Okay.

3:13:15

So wait. Let me see

3:13:17

if I have fifty seven

3:13:19

minus. Wait. What math do I need to do? That's

3:13:23

softwired. So would you roll again? It was

3:13:25

a I'm using, like, all my luck.

3:13:27

I'm gonna have three luck left. Okay. So

3:13:29

that's what I'm gonna do. And now I

3:13:32

have three luck and it's a

3:13:34

hit. It's thirty five or twenty five. Twenty five, so you

3:13:36

succeed. by

3:13:38

using luck. I haven't heard from Michael

3:13:40

that that's not allowed. So I'm assuming that is.

3:13:42

I'm pretty sure you can for for that.

3:13:45

Give me 4D6 Yes. Damn

3:13:47

it. Okay. Here we go. Michael is typing. Michael is typing.

3:13:50

Michael is typing. Michael, you better stop typing right now. I'm

3:13:52

gonna you

3:13:56

just love. So it's like you

3:13:58

look so good. Okay. With your midpoint,

3:14:02

luck, bro. Yep. That's fine. out

3:14:04

of the box. I bet. You

3:14:07

lied of what? I'm like But the market is way up there. Eighteen.

3:14:11

Eighteen points of damage, not

3:14:14

bad. Eleven plus seven is eighteen.

3:14:16

Yeah. Two

3:14:21

things happened. Okay. What were

3:14:23

you gonna say? I was

3:14:25

gonna say can the shotgun

3:14:27

shoot more than once or

3:14:30

no? or that we've already sailed with that ship. I think it has two barrel, John, and

3:14:35

you have to AA2 barrel situation,

3:14:37

and you have to announce that ahead of time. We have the rules for that.

3:14:39

But I think with the sawed off, you're

3:14:43

basically the whole thing is like you're

3:14:45

able to conceal it, but you've gotta get

3:14:47

on top of the person and it's like one shot. And you might be able to I don't know if you

3:14:49

I think you can get

3:14:52

two shots. I don't know.

3:14:54

We'll find out. But Michael's typing. I'm

3:14:56

stalling for Michael the time. It's a I

3:14:58

mean, it's a whole level of tension. Michael told

3:15:01

me how to play my character. I showed

3:15:03

him the time. typing. you can fire

3:15:05

twice at the same target

3:15:07

with no penalty. Oh, Ira.

3:15:09

So unless something happens, I wanna

3:15:12

fire again. fire

3:15:14

away. Okay. Here we go. I'm

3:15:16

gonna fire again. I can't use

3:15:18

any luck really, so I hope this works.

3:15:21

a twelve a twelve

3:15:23

in a twenty five.

3:15:26

Shit. Okay. It's really confusing. success.

3:15:30

Actually, sure I

3:15:32

can do this.

3:15:35

Six plus eleven. So that's seventeen. another

3:15:40

seventeen. Well, it's up to him point

3:15:42

blank and she's like, fuck the fuck

3:15:45

you, man. Like, at least my

3:15:47

friend alone. Bam. Bam. Boom.

3:15:49

Boom. At point blank range and you fucking blow

3:15:51

him away. He like just flop flop flies

3:15:57

against the wall. Unfortunately,

3:15:59

at that moment,

3:16:01

the Chakota as he

3:16:04

caught that begins to wail in a way

3:16:07

that it has not wailed

3:16:09

since you began hearing it

3:16:11

and nothing like when you first

3:16:14

unearthed it. during your first visit here because it's hungry. Everybody

3:16:19

give me a sanity roll

3:16:22

assistant. Man. FAIRUS is about to go get a sandwich

3:16:26

thinking Margo guy is like

3:16:29

Go to subway. Yo. This this

3:16:31

sanity of bones are really

3:16:35

really in short supply.

3:16:37

Right. Michael tell us, if if bonds are already insane, can he does he have

3:16:39

to continue to

3:16:42

roll? I'm not sure. That might save you. But

3:16:44

in the meantime, let's go around the horn. Perfect.

3:16:46

Yeah. Michael says right now. once you're insane or having a bout, you don't have to roll. You're you're this

3:16:51

is actually the best place for you. I wish

3:16:53

I could carry that forward because I rolled an

3:16:55

eight baby. So it was meant to be. Yeah. Let's take it around

3:16:57

the horn, Ferraro's. I

3:17:00

rolled a nine. Yeah.

3:17:02

I rolled a nine. Okay.

3:17:04

Rap. Sixty seven over

3:17:07

forty seven. Zoying

3:17:10

Scoop. What about you?

3:17:12

Margo. I'm ready for the

3:17:15

whales. That's a one under

3:17:17

eighty five. Whoa. That is a

3:17:19

critical. Holy shit. couple

3:17:22

things are gonna happen. Like you

3:17:24

pointed out, I do have used chewing

3:17:26

gum in my ears. Right. Right. I forgot about the used chewing gum.

3:17:31

that, you know what, I wanna

3:17:34

reward you for that. You're the only one that failed, so I would let them reroll, but they they

3:17:36

passed. you

3:17:42

could roll a penalty die. I mean, a a bonus die for putting that shit in

3:17:45

your ears. I meant to give that to you,

3:17:47

but I forgot that you had it. So just

3:17:49

roll the tens again. No. That's worse. Oh, oh,

3:17:52

no. Margo

3:17:54

and Farrus take one

3:17:56

point of sanity damage.

3:17:58

Alright. To start, Carter

3:18:02

give me A1D8

3:18:08

roll. Two. Alright. You

3:18:10

take two points

3:18:13

of sanity

3:18:15

damage. However, uh-huh. You

3:18:24

as you see this thing.

3:18:26

It's like, again, it's kinda

3:18:28

like bubbling like a pot. You

3:18:30

see a face come up. and

3:18:34

its lieutenant pool.

3:18:36

Give me A1D4

3:18:40

roll. Two.

3:18:43

So that's another two points

3:18:45

of sanity. Four total does not put you over the threshold to

3:18:47

have to roll. So

3:18:52

all the while, I'm like, come come. Yeah. And

3:18:55

you're pulling him. Oh, yeah. So

3:18:57

is Vaughan still doing this even though

3:18:59

once his name died? Yes. It will

3:19:01

last for five rounds. Wakanda

3:19:03

Madaric seems to be

3:19:05

blown out of space

3:19:07

and time for the

3:19:10

market. point blank. fart is falling off shotgun.

3:19:13

He let me just walk up

3:19:15

to him and do it. Mark,

3:19:17

I still found a way to

3:19:19

paint. Mhmm. Favorites with your turn around. There's

3:19:22

a lot happening here. The

3:19:25

the threat in the

3:19:27

pit is like it's there. Obviously, the last time you were here, you ran away from it because

3:19:29

you didn't know what

3:19:31

the situation was. It's

3:19:33

in the pit, but

3:19:35

now you see Vaughan is pulling Carter

3:19:38

towards the pit. What do

3:19:40

you do? Does the gentleman

3:19:42

that Margo shooting at is he's

3:19:45

Still alive. He's on the ground

3:19:48

with a fucking gaping hole on his

3:19:50

chest. Like -- Sounds like he's through. --

3:19:52

I think Margo's

3:19:54

handling that situation quite

3:19:56

quite well. I'm going

3:19:58

to try and Maybe

3:20:07

kind of grapple Vaughn. grapple vaughn.

3:20:10

We're talking about an

3:20:12

opposed strength check here.

3:20:15

Okay? So both of you roll against each other's under your strength

3:20:18

and see what type

3:20:20

of success you get.

3:20:22

If you roll the same

3:20:24

success, the person

3:20:26

with the higher strength score wins.

3:20:28

And then I'll I'll interpret the results based

3:20:30

on what happens. k. Here we go.

3:20:34

God, I love this game. I

3:20:36

fucking love this game. Who wants

3:20:38

to know what's God? I rolled a thirty three under seventy

3:20:40

five. Yeah.

3:20:42

Vaughan, wonder woman. I

3:20:45

rolled in nineteen under

3:20:47

seventy five. No. Oh, Like,

3:20:50

they're both hard then.

3:20:52

Right? They're both hard successes

3:20:54

in Vaughan Road lower. So Vaughan

3:20:58

shruggs you off. You're like grasping

3:21:00

and thaw. And there's just there's just two there's bodies

3:21:02

everywhere. You're like caught up in these dead naked bodies.

3:21:08

Damn it. But So

3:21:10

I'd get a hold of

3:21:13

yourself. What are you talking

3:21:15

about? with I'm all my

3:21:18

What are you doing? Got it. I

3:21:23

I was like, I was just

3:21:25

turning. I'm like, fuck, please. Please save me.

3:21:27

I'm not talking. I can come back to you. we

3:21:32

can be together. And I turn right back to you

3:21:34

and I'm like, yes, something must be done

3:21:37

about Carton. I've got other things to worry

3:21:39

about. And like pulling him. What

3:21:41

are you doing? Now here's

3:21:43

the tricky thing. It is

3:21:46

both Bond and Carter's role.

3:21:48

You both have a forty plus fifty with

3:21:50

your ready fire firearm gives you a ninety. So, like,

3:21:54

it would be your turn right now.

3:21:56

Mhmm. I can't remember how to determine who

3:21:58

goes first. I mean, does he

3:22:01

have Who has the better brawling?

3:22:03

I think I'm I'm I'm totally

3:22:05

focused on this. So Yeah. Yeah. Where's his gun? Is his gun in his hand while

3:22:07

he's also grabbing me? I think I

3:22:10

probably tucked it back in

3:22:12

my belt to try with

3:22:14

this. Oh, yeah. Sure. But who

3:22:16

has the better brawling skill because I think that's

3:22:18

what what's gonna come back. I think it's me.

3:22:20

I got a seventy seven. I got a fifty five. Alright. So

3:22:22

Carter, I'm gonna give you the chance to try and

3:22:25

escape. But again, just

3:22:27

like Feiruz, it's an

3:22:30

opposed strength role. I

3:22:32

wanna I want That's what you

3:22:34

wanna do. Maybe that's not what you wanna

3:22:36

do. I wanna get falling out of the

3:22:38

room. So I wanna, like, like, if we if he's grappling me, like, I wanna grab try throw him

3:22:45

out of the room and shut the

3:22:47

door. That's a maneuver. That's what we got there. That's what we call maneuver in the

3:22:49

business. So that's gonna

3:22:52

be a you're

3:22:54

gonna use your brawling skill.

3:22:56

it's very similar to, you know, just

3:22:59

trying to generally escape, but the goal

3:23:01

of your maneuvers try to not only

3:23:03

escape, but like redirect maybe

3:23:05

not even escape. Just redirect this

3:23:08

grapple into the hallway. Get it

3:23:10

away from the pit. Yeah. Okay. Von, since your goal throw the

3:23:12

pit, you'll be

3:23:15

opposing that. Okay.

3:23:17

So for all,

3:23:19

your builds are similar enough that it

3:23:22

shouldn't affect it. So it's gonna

3:23:24

be a We're rolling for brawl.

3:23:26

Yeah. You roll brawl, and I I

3:23:28

feel like you roll brawl

3:23:30

as well. Falls off your footing. Actually,

3:23:32

you can roll strength on. You roll strength and you roll

3:23:34

braun. Better roll for me. Sorry. Tilling him. Yeah.

3:23:39

Okay. Here we go. Vaughan,

3:23:41

I don't wanna do this

3:23:43

man. That's why. Don't do

3:23:46

it. What type of success?

3:23:48

Sixty two hundred seventy seven.

3:23:50

So regular regular success. Regular for me also. Fifty six hundred seventy five.

3:23:56

Okay. As the aggressor,

3:23:58

you're able to redirect

3:24:01

him, Carter. However, you

3:24:03

are Joe grappled by Vaughan, and then

3:24:05

it goes to Vaughan's turn. So Vaughan,

3:24:07

away goal of him in. Now,

3:24:11

Margo and Feirous, you see

3:24:13

Lieutenant Pool, but it's not Lieutenant Pool. In fact, direct your eyes to

3:24:16

Rule twenty. this

3:24:20

image isn't exactly like the

3:24:22

situation, but it will give you

3:24:25

a good view of what

3:24:27

the Chakota looks like. Oh. Oh.

3:24:29

No. That's way more people even

3:24:31

I thought it would be. I

3:24:33

was thinking it more of like

3:24:35

a mask globular thing. Lot

3:24:38

of faces. And lieutenant

3:24:40

pools faces just like

3:24:43

melded into this

3:24:45

mass. Yeah. I was picturing when Number Number Number three four, Freddie lifts his

3:24:47

sweater up, and

3:24:50

you see the sole You see

3:24:52

the ceiling. You see the ceiling. chest.

3:24:55

If we all die from PVP tonight, I'm gonna be so pissed. Alright.

3:24:58

So I got gone and I got what

3:25:01

I because I1I was able to get Vaughan

3:25:03

to the Like the Yeah. Like

3:25:05

the doorway. You know? Like,

3:25:07

it's gonna take him now

3:25:09

a a couple chances to

3:25:11

get him in. long as nothing else happens.

3:25:14

Vaughn, what do you want to

3:25:16

do? I mean, I I'm compelled to

3:25:18

do only one thing. Alright. Are you? Yes.

3:25:21

I mean, as long as as

3:25:23

long as Oberon is still pleading

3:25:26

with me. So it's peaceful. Yeah. It's straight up strength, dry. Give me a hand. It's

3:25:28

Carter. Why

3:25:32

are you why if you

3:25:34

speak your words, say one thing in your body, another. Yes, I understand.

3:25:39

Oh, Brian, I understand the

3:25:41

flesh rebels because the flesh is weak.

3:25:43

The flesh is weak. I

3:25:46

will mortify your flesh. I'm not that weak.

3:25:48

I'm just oh, I've got I'm

3:25:50

not I grabbed you by the throat and start to pull you towards it. I will mortify. Thank you. Thank

3:25:56

you. Fun. Alright. Great.

3:25:59

Rolling versus strength. Alright. Post

3:26:04

strength rules, you're trying to

3:26:07

resist his pull and he

3:26:09

is trying to pull. I'm

3:26:12

gonna spend Can

3:26:14

I spend a point of luck? Sure. Thank

3:26:19

Can you spend it while fighting back? We'll

3:26:21

wait for Michael and -- Okay. -- we hear. If I spend up in my point of war

3:26:23

and success. Well, I'll

3:26:27

I'll just tell you before you do

3:26:30

that, that I also got a hard success. So if you point pen spend point of fighting

3:26:32

back, Nope.

3:26:37

Nope says Michael. Wait. No. He's

3:26:40

still typing. because that old nope.

3:26:42

Oh, you can. According to Michael.

3:26:44

With the bait and switch, That's

3:26:46

an old nope. Alright. So you can spend that point of luck, make it a hard

3:26:50

success, but that

3:26:53

alone means that

3:26:56

Vaughan wins. a hard versus a regular

3:26:58

would have been much worse. Uh-huh.

3:27:00

However, he succeeds in drawing

3:27:02

you closer to the pit Had you ended

3:27:05

up with a regular and he a hard,

3:27:07

that might have been enough to just throw

3:27:09

you in. However, by spending that point of luck,

3:27:11

it allows him to succeed but still slow

3:27:13

his progress. He you throw him. You you,

3:27:15

like, redirect his body weight in the hallway.

3:27:17

Come on. Come on. We gotta get out

3:27:19

of here. He's no. No. Any Boom.

3:27:21

Pulls you right back. Retreat. Over the

3:27:24

pit. I mean, we're talking this next round. If

3:27:26

you fail and he succeeds in any sort of

3:27:29

combination, you may end up in the

3:27:31

pit. But it might look comfy in

3:27:33

there. You might be fine. I've never rolled so well.

3:27:35

I'm so sorry. We're

3:27:38

going to a

3:27:41

new round. It

3:27:43

is Margo's turn. Margo,

3:27:46

you see this like back

3:27:49

and forth between the two of them. It

3:27:51

could be a spot hitting rule. Okay.

3:27:56

I don't know what I could

3:27:58

possibly see out in this room, but okay. There's just a bunch of dead bodies. Right.

3:28:04

two under sixty two.

3:28:06

So regular. You look

3:28:08

around, and I imagine

3:28:10

it's just like You've seen

3:28:12

Henry five, like Kenneth Branagh's Henry five? Is

3:28:14

that like the battle seat? Yes. Yes. No. The

3:28:17

battle seat at the end, it's it's amazing.

3:28:19

It's just like the It has those those moments

3:28:21

where it's just like the ringing in the ears where you're

3:28:23

trying to, like, suss out this scene

3:28:25

of battle. Even though it's mostly dead bodies, you

3:28:27

just blew a guy across the

3:28:29

room with your shotgun. And he flew across the room and his

3:28:32

body's everywhere and

3:28:35

you see carnival. What the hell is going on

3:28:37

with them, but you look to the back of

3:28:39

the and that with that curtain. moment,

3:28:42

you're taken back to the Waldorf or

3:28:44

Astoria where you saw the curtain glowing

3:28:46

when you walked outside in the fucking months

3:28:49

or tried to pull you

3:28:51

away, but now you see

3:28:53

that curtain moving as

3:28:55

well because someone or something is

3:28:58

emerging from it. And

3:29:00

you watch as

3:29:04

curtain is starting to elongate with a

3:29:06

figure behind it that is

3:29:08

like like imagine if you

3:29:10

were just walking into a curtain and

3:29:12

not trying to part it like

3:29:14

walking so that the curtain would

3:29:16

just wash over you and you

3:29:19

hear like a coughing sound or or

3:29:21

or like labored breathing

3:29:23

as this body begins

3:29:25

walking towards you. And as like imagine,

3:29:27

the curtain is just

3:29:30

going up slowly

3:29:32

and you're just

3:29:34

being revealed this body as it moves.

3:29:37

And as it moves, it

3:29:39

looks like a woman stylishly

3:29:41

dressed as it keeps going

3:29:43

up like an American woman. It pushing past her

3:29:47

body and you see that

3:29:50

it's Milli Adams. Mili Adams is walking out of the alcove,

3:29:52

but something is

3:29:55

wrong. Mhmm. And

3:29:58

you see it immediately. there

3:30:01

is like an eight

3:30:03

inch slit straight across

3:30:06

her neck and her

3:30:08

larynx and glottis and vocal cords

3:30:10

are exposed. And there is just

3:30:12

a mass of blood spilling out

3:30:14

of this gash across her neck.

3:30:18

staining her beautiful powder

3:30:20

blue blouse and her eyes are just

3:30:22

pure white. Her skin is like a

3:30:27

lewish black like

3:30:30

like a ghostly bruise and she's just like

3:30:37

Slowly walking

3:30:40

toward you in

3:30:44

feiros. What do

3:30:47

you do? Brick. I

3:30:54

probably yell out. I've found I've

3:30:57

found Emilia Adams. I've

3:31:00

found Emilia Adams. and

3:31:02

I back away from her and

3:31:09

Does she kinda look like the

3:31:11

other zombies? Yeah.

3:31:14

Whatever process was used

3:31:16

to create these you know, for

3:31:18

lack of a better word, zombies, it was used on her.

3:31:23

Alright. Well, then we know how

3:31:25

to deal with them. I'm gonna

3:31:27

shoot her as I back away. And it

3:31:29

pains me to do

3:31:32

so. You fucking shoot.

3:31:35

You also have point range because

3:31:37

you went up close to her. Right? Yeah. Do

3:31:39

you wanna get right on top of her? Like,

3:31:41

she's moving slow. Do you want that

3:31:43

4D6 or do you wanna stay a little bit?

3:31:45

Do you wanna say ten yards away and get the

3:31:48

1D6 if you hit? I don't wanna do

3:31:50

a GM's job for you, but it's like, oh,

3:31:52

wait. Yep. It's shotguns empty. shotguns

3:31:54

empty. You don't take her

3:31:56

on reload. Right? Michael said

3:31:58

to save Hey, Michael. Can you just take a break? Hey, Michael. Thank you so much for doing a

3:32:04

great job. Over twenty minutes. I've been in

3:32:06

the weekend to reload. So I'm still by where I shot

3:32:08

the other guy,

3:32:11

Makunga. So when

3:32:13

she's coming out

3:32:15

of back there, I'm staying where

3:32:17

I am and reloading so that

3:32:20

I'm thinking my the next round

3:32:22

shall come point blank to me or near.

3:32:25

I wanna be far enough away

3:32:27

to wear the next when

3:32:29

I'm ready, I can be point blank to her. Okay. So you basically wanna spend

3:32:32

an action reloading,

3:32:36

but you wanna move

3:32:38

up toward her and hope that she doesn't attack you before you.

3:32:44

I wanna spend around

3:32:46

reloading, and I can

3:32:49

move up and shoot

3:32:51

twice. So maybe just, like, slowly move

3:32:53

back just a little bit. Okay. because

3:32:56

you're just, like, you're I love

3:32:58

it. like, reloading and, like, backing

3:33:00

up about five feet while you --

3:33:02

Yeah. -- stumble to reload. Okay. And

3:33:06

now goes to Pharos. Pharos.

3:33:08

You see Millie Adams. her throat

3:33:10

slipped. And I mean, she's got remember, she looks like she was dressed in the nines when

3:33:15

you saw her at the Lafayette Theatre. She's wearing

3:33:17

a very similar stylish breast, but it's just like the whole front is

3:33:19

covered in blood. And

3:33:26

then, right, near me is still Carter and Vaughan grout. They got they got

3:33:28

their other other going on. Yeah.

3:33:30

And the pilot and the pit.

3:33:32

Yeah. And the pit. And the

3:33:34

pit. The shortest board of options. I

3:33:37

want to go pick up

3:33:39

the scepter and, like, love it

3:33:41

across Vaughan's head to try to,

3:33:43

like, knock them out. You

3:33:46

wanna walk over to

3:33:48

Wakanda Madari. His body is

3:33:51

corpse. Grab the scepter. Yep.

3:33:54

And smashed with

3:33:56

him. Okay. You walk over

3:33:58

to Mokengamadari, you grab the scepter,

3:34:01

the minute your tan touches

3:34:03

the scepter. Oh, no. You

3:34:06

just feel like we're, like, sent back to

3:34:08

another world. where

3:34:11

you look like

3:34:14

cleopatra sitting on a throne holding this

3:34:16

sept and

3:34:20

you look in front of you, and

3:34:23

there are just people fighting

3:34:27

to the death. You're not

3:34:30

quite clear, Patrick, obviously, but you have that look,

3:34:34

that feel, and you feel

3:34:37

such power. and we just see a

3:34:39

wide smile cover

3:34:45

your face. They come back into the room and

3:34:47

you're holding this scepter and

3:34:51

something about holding this scepter

3:34:53

fills you with a power.

3:34:55

that you have never felt. This should

3:34:59

have been

3:35:03

mine all along. And as I shake

3:35:06

that off, am I still

3:35:08

able to help out back? I

3:35:10

can't Yay up, fortify your flesh.

3:35:14

who you could beat

3:35:16

together once. Okay, bro.

3:35:18

Jesus. Get a hold of yourself. Now, Vaughn,

3:35:22

Do you wanna try and dodge

3:35:24

this? Do you wanna try and

3:35:26

fight back? Now, fighting back would mean you release Carter. Dodge, I think you could dodge

3:35:31

and, you know, still hold on to him.

3:35:33

I feel like I'm so focused to take it. I feel like I'm so focused that I may not even

3:35:36

notice this. until

3:35:40

it's already too late.

3:35:42

Final answer? Final answer. There's a chance she could kill you if she strikes

3:35:44

true. because

3:35:49

she is so fucking strong. Right. So

3:35:52

But I mean Did she have the

3:35:54

opportunity to kill him? kill him. My

3:35:56

intention was to knock him out. the road

3:35:58

to hell is paving good intentions. Roll a

3:36:05

melee attack. Oh,

3:36:07

Okay. Let me see what I have for Mille. Rolla softy. Not

3:36:10

brawl. Is it

3:36:13

Ball? Yeah. I

3:36:16

think so. Yeah. Okay. You just

3:36:18

I love this. You

3:36:21

take this. You feel

3:36:24

absolute power. I rolled a

3:36:26

thirty three under thirty

3:36:28

four. Is that good?

3:36:30

I am willing to spend

3:36:33

as much luck as I need to

3:36:35

make that, like, the success I need

3:36:37

to make sure he's knocked out and not killed. I've been surprised.

3:36:39

a glancing blow and not direct

3:36:43

skull crushing hit. So you tell

3:36:45

me if I Do you need thirty three?

3:36:47

Under thirty four. I'm

3:36:50

not planning an extreme success to be

3:36:52

able to do this and that means I have to

3:36:54

spend so that means it needs to be what

3:36:59

if she's under five. Under five.

3:37:01

Okay. So I'm going to spend Is it

3:37:03

that or is it the damage she rolls? Like, she

3:37:07

succeeds in hitting him. Ira, she

3:37:09

succeeded in hitting him. Well, here's the thing. It's like I can

3:37:11

say roll damage. and

3:37:15

it's just gonna do damage to him. But

3:37:17

the extreme success will allow you to control the damage. Yeah. Okay. Alright. I got I got

3:37:19

I got a lot of sanity to spend.

3:37:24

I'll I'll I would love to spend.

3:37:26

So let's Yeah. I if a extreme, by four is, like,

3:37:32

five points. Something she gotta get under five

3:37:34

or under. So you gotta spend twenty nine

3:37:36

points of luck. Troy? Okay. I'll do that.

3:37:39

fifth. Right? So she's gotta get what? A

3:37:41

thirty about six? That's fine. Yeah. That's fine. Yeah.

3:37:43

So I'll spend twenty nine

3:37:46

points of my seventy two look

3:37:49

points. Okay. So you spin that and you walk

3:37:51

up to Vaughan and just whap.

3:37:53

Now, give me the damage. Give me

3:37:55

AD6 plus your damage

3:37:57

bonus. Okay. I wanna see if this brings him to zero or below.

3:38:00

Damage bonus is it's

3:38:02

been so long since I

3:38:04

looked at the I'll

3:38:06

get damage bonus as AD4

3:38:08

Okay. So so

3:38:15

three points total. No. AD6 plus

3:38:17

your damage bonus is only three? I

3:38:20

rolled really low. Okay. Well, here's the thing. It's

3:38:22

non lethal damage, but it's not enough to knock him

3:38:24

unconscious. You

3:38:26

know what I mean? Like, you get

3:38:28

three points of damage, but I think

3:38:30

Vaughan has nine hit points. But if it's enough for him to let go, a

3:38:36

Carter. You know what's enough to

3:38:38

do? Give him a penalty die his next check. There we go. we're

3:38:40

talking. But

3:38:44

as I'm doing this, I if Carter

3:38:46

is able to be released, I'm

3:38:50

gonna shout God, grab

3:38:52

the lantern. Look at fucking pit

3:38:54

on fire. What is Carter's turn? And

3:38:57

I'm gonna say with only

3:38:59

three damage, that's enough to

3:39:02

kinda like Sand Vaughn and a Tizzy.

3:39:04

But he's he's still, like, doing

3:39:06

his best to try to hold

3:39:08

on to Carter's. So how that's

3:39:10

gonna result mechanically? is a penalty die for Vaughan. Carter, you have a to try escape that's your

3:39:15

choice or you're gonna wanna run back to the drug.

3:39:17

Tell me what you wanna do. Yeah. Alright. I'll use this as an advantage to try

3:39:19

to break free and

3:39:22

set that set

3:39:25

that maw on

3:39:28

fire. Okay. Break free would be

3:39:30

the action this round.

3:39:32

Yeah. And Millie Adams is

3:39:34

bearing down. Sure. Is there is

3:39:38

there let me ask you this. And

3:39:40

and you can totally say, like, well, I

3:39:42

don't know this. You try it. Not that you talk like that.

3:39:45

Sometimes I do. Is there any way

3:39:47

to snap vaughn out of this? Like, if I

3:39:50

try to roll like a persuade or just something to

3:39:52

like reason

3:39:54

with him and

3:39:57

be like, it's

3:40:00

me. Or is it just like

3:40:02

this is mechanically, this is a five round spell?

3:40:04

And that's fine. I can live with that. Tricky.

3:40:06

Right? Like, I feel like a douche demon. are

3:40:08

meant to No. No. If that's the game

3:40:10

that's the life plan. It's meant to be he

3:40:13

is take he is so his sanity is

3:40:15

such on such a string, it's

3:40:17

you're you're he's lost to you.

3:40:19

Okay. Alright. Then I then I try to I

3:40:22

mean, we gotta try to break this somehow. Otherwise,

3:40:25

fucking playing grab ass for four more rounds.

3:40:27

So I'm gonna maybe it's just a game of survival here.

3:40:29

Mhmm. Just make it long enough for him to come to his senses and you'd

3:40:32

be fine. I

3:40:35

don't know. He's got this penalty die. This might

3:40:38

be enough to get away. Yeah. Yeah. Let me try to get away. So there's got the free

3:40:40

throwback. this

3:40:43

is a chance to maybe do some

3:40:45

damage to this pizza thing. Mhmm. If

3:40:47

you wanna use strength here instead of bra, buns use strength. whatever

3:40:51

you think I need to do to get

3:40:53

to break off. It's up to you. Last time it was bro because you were

3:40:56

trying to position

3:40:59

him. If you just wanna break

3:41:01

away, it's straight up straight. Yeah. Well, okay. Well then,

3:41:03

I mean, my bra is better. So So

3:41:07

if it's if it's better for

3:41:09

me to nearly say like I try to like like

3:41:11

throw him out the I'll

3:41:14

slam into the pit. No. No.

3:41:16

No. No. We're not there yet.

3:41:18

Like, God. I thought about it. Don't worry. just

3:41:22

away, like towards the door to some, you

3:41:24

know, if that's then I'll do that. Okay. Alright. So you're just

3:41:26

you're you're not only trying to break away, you're trying to redirect

3:41:31

him away. because you don't want him to

3:41:34

fall into the pit. Alright. And Vaughn, you're just you're just trying to grab on with strength. So Vaughn, you'll take a penalty die, roll the tens

3:41:36

twice. and

3:41:42

Rob here straight out, bro. Fuck

3:41:45

my life. I'm gonna push

3:41:47

it. I got an eighty

3:41:49

two over seventy seven. Can I push this? Yes.

3:41:51

You wanna hear Ross' results first. Okay. Sure.

3:41:54

So you had a

3:41:56

fail? Did Ross? Was

3:41:58

your penalty? He can't push it. I

3:42:00

rolled it off. I also failed.

3:42:02

I rolled a seventy seven over

3:42:05

seventy five. Okay. So two fails

3:42:07

as Michael said, you can't push in combat. I think two fails is a null

3:42:09

result. It's not like,

3:42:12

well, you've got you've

3:42:14

got at least succeed to So you're

3:42:16

just like going back and forth. I

3:42:19

mean, unless I Can I spend

3:42:21

my luck to succeed? Or is that cheating?

3:42:23

because I know the result. Let's

3:42:25

keep it. Let's keep it

3:42:27

entangled. Yeah. Keep it entangled. I

3:42:30

think you guys are gonna make

3:42:32

it. Okay. But it's vodka

3:42:34

churn. Yeah. Great. Volume. And I'm still under

3:42:36

the effect of the blow, no doubt. So my

3:42:39

Yes. Great. I will say for whole

3:42:43

round because of her extreme

3:42:45

success, she'll take the penalty die.

3:42:47

Great. Oh, man. Rob, give me a strength role. to

3:42:51

try and resist this. This is an

3:42:53

opposing role. He's trying to pull you

3:42:55

towards the pit. Here's the thing. Like, Von

3:42:58

was wounded in the war. He's

3:43:00

he's he's but he was

3:43:02

a he's not like a small guy.

3:43:05

He has a lot of,

3:43:07

like, compact power. He took a

3:43:09

fall from a from a very high window. A third story

3:43:11

fire escape. And And

3:43:15

like this blow hits him and he

3:43:17

rolls a seventy one under seventy five. That was the highest of

3:43:19

the two rolls. regular

3:43:22

It was a thirty something. It's a regular

3:43:24

success. So, like, I think it's even, like, even if you

3:43:27

get out of the grasp suddenly, and it's

3:43:30

like a preternatural strength on your,

3:43:32

like, priming up your arms. It's like,

3:43:34

don't worry. I know you'll frightened if or not.

3:43:37

I'm fucking God damn it.

3:43:39

I rolled a seventeen under seventy. So

3:43:42

I got a hard. You got a hard

3:43:44

success. great. So you're

3:43:46

able to resist. Don't cut

3:43:48

the shit. God. I mean,

3:43:50

that was it. That was pit.

3:43:53

That was brad

3:43:56

pit. The

3:43:59

creature is just you see it

3:44:01

kinda like spilling out now

3:44:04

over the edge and

3:44:06

it's just like reaching towards

3:44:08

the both of your feet. I mean, the saddest

3:44:11

thing about this is trying to pull vaughan in as well.

3:44:13

Like, it's just you don't know how far it can move. It

3:44:15

feels like it's confined to the pit. you

3:44:18

know, it's it's eight feet or so down,

3:44:20

but it's this mass that can kind of

3:44:22

grow as tall as it wants, and it's spilling out like an oozed just

3:44:26

faces, creaming across the floor

3:44:28

or trying to pull you in. Creaming

3:44:30

with your verbiage. It's creaming. Yes. It's all it's

3:44:36

screaming. You don't have

3:44:38

to like it. Margo, you are face to face.

3:44:43

I need more. God. That's what I need.

3:44:45

With me, with him. And he wants to join. You're face to face with

3:44:47

Milli Adams. We're we're circling the drain here. Milly

3:44:52

Adams, she is going to

3:44:54

no doubt that they try

3:44:56

to kill you if you

3:44:58

don't kill her. I mean, even

3:45:01

though she's already dead, what do

3:45:03

you do? Shoot at

3:45:06

her twice. First hit bonus die in

3:45:08

point blank range. Let's see. Both shots. I've gotten no more

3:45:10

luck this time. So let's see how this goes. fat.

3:45:15

You're you're flash back to her

3:45:17

in the Lafayette Theatre. The looks

3:45:19

please, my He's innocent now it's just wipes

3:45:24

of her head. It's not

3:45:26

her as she's gone. She's

3:45:29

it's not her she's gone.

3:45:31

The first shot does not

3:45:33

hit. The lowest I got was forty six over

3:45:36

twenty five. So

3:45:39

Oh, no. Somehow. Oh, no.

3:45:42

Oh, no what? Better hit the second shot. Oh,

3:45:44

okay. fucking

3:45:47

mosquito still here. I think

3:45:49

he's got a friend. They had babies

3:45:51

this episode so long. Nope. Nope.

3:45:54

Somehow somehow don't do

3:45:56

it. Somehow don't do it.

3:45:58

So that's cool. This is have

3:46:02

I'm having fun. Let me just get

3:46:05

the book out because I think I might need it

3:46:07

for whatever she's gonna do. The

3:46:10

dead. Combat? Millie Adams

3:46:12

reaches out to choke

3:46:15

you to death. Okay. do

3:46:17

you want to fight

3:46:19

back or dodge? Dodge because decks.

3:46:22

I have fifty two in dodge versus

3:46:24

bras, forty

3:46:27

one. So I wanna try to dodge

3:46:29

it. Remember you fought these type of creatures before and that you have to

3:46:31

target the head to do damage if she

3:46:36

works like the other ones, and that means

3:46:38

it would be a penalty die, which means

3:46:40

it would just erase your bonus die. So

3:46:43

if you wanna target the head, You've got

3:46:45

to do that at just straight roles, but you

3:46:47

have to spend next round

3:46:50

to reload. Let's see what

3:46:52

the fucking corpse that Milli atoms can do.

3:46:55

You try to dodge. Regular

3:47:01

success. Bam. Fuck. Seventy one over fifty

3:47:04

two. And I spent

3:47:06

on my luck. Here comes

3:47:08

the damage. Thanks for taking over more long. You

3:47:11

have the highest hit points of

3:47:13

anyone in the group. I don't know.

3:47:15

But this is going to be some

3:47:18

damage, as the corpse of Milli

3:47:22

Adams smashes at you.

3:47:25

Smashes Oh, no. Oh, my

3:47:28

god. I wish I

3:47:30

was lying max damage.

3:47:32

You can't lie? eight points of

3:47:35

damage -- Right. -- the major wound. Is a major

3:47:39

wound. Our first major wound. In

3:47:41

twenty episodes, everybody. If you take

3:47:43

take one attack that does over half your hit point damage that is

3:47:47

a major wound. Why is it important?

3:47:49

If you get to zero hit points and you have a major wound, you

3:47:51

begin to die.

3:47:55

If you go below zero on

3:47:57

your next hit, You're just dead. Whoa. Where's the major wound

3:48:00

fit page?

3:48:03

Alright. So you see this

3:48:06

thing just Berry. Is Millie Adams gonna kill Margot?

3:48:10

We're done with the

3:48:12

dragon creature. It's Millie

3:48:15

Adams. Michael says she must make a con roll right now. Michael? Michael. Right

3:48:17

now. Michael, like I said,

3:48:19

you could take the rest

3:48:22

of the night off. Michael says,

3:48:25

Oh, yeah. We got it from here.

3:48:27

But her hit points didn't fall to

3:48:29

zero, Michael. I don't think she

3:48:31

makes the until her head puts forward

3:48:33

a zero. Right? But maybe maybe because it's

3:48:35

a major wound or what it's called.

3:48:37

I'm trying to help Margot, but I

3:48:39

think you're right. I trust Michael implicitly.

3:48:42

Well, there's the table.

3:48:44

Like, I don't

3:48:46

know. There's a table for, like, wound A major wound can make a character fallen. Oh, shit.

3:48:51

Without getting zero. Yeah. Thank you, Michael.

3:48:53

What's that first major wound? oh, man. viral con. You roll a contract.

3:48:56

If you

3:48:59

fail this con roll, you fall

3:49:02

unconscious health. That might be the best thing for you. Take you out of the combat, but you just hope Willie Adams

3:49:04

doesn't keep smashing your

3:49:07

fucking unconscious body. So

3:49:10

just move on to fevers. No.

3:49:12

It wasn't making me too

3:49:14

nervous. Alright. Mhmm. Alright. Get

3:49:17

them. Get them. I am

3:49:19

going to let's I'm, like, stuck with Wait. Wait. Wait. It was con thing. She's this cholesterol. Con. So that's

3:49:21

all okay. Thirty four

3:49:24

under fifty five. Alright. You

3:49:26

gotta say, you do not fall

3:49:29

unconscious. However, you have a

3:49:32

major wound and four

3:49:34

hit points left. Four. Okay.

3:49:36

I'll tell you right now she does

3:49:39

1D4 damage, plus her damage

3:49:41

bonus, which is 1D4 and I

3:49:43

rolled two fucking fours. average

3:49:45

role has me kill you next round.

3:49:47

Oh, boy. That sounds great. I'll be right back. I

3:49:49

need to film my wine. Jesus. Yeah. Yeah. I had

3:49:51

to I had

3:49:54

to Can we I

3:49:56

got a piece so bad now?

3:49:58

You pee, you feel your wine. I'm talking to Feyruz. Alright. Feyruz. I think it's your turn.

3:50:04

I am stuck between this and this is That

3:50:06

was Margot. Yes. Then it was that, Macunga's

3:50:09

dead, Phéros. Yeah. You see? Margo gets

3:50:12

lit up by really atoms. And meanwhile, Vaughan and Carter

3:50:14

have got their thing going on Carter. He's like, fuck what are you doing? And Vaughan is

3:50:16

just just

3:50:21

yelling nonsense at him. Fuck it. I gotta do

3:50:23

something about this pit,

3:50:26

so I'm gonna take the lantern

3:50:28

I'm gonna light it and I'm gonna smash it

3:50:30

into that pit so that just, like, causes

3:50:32

the whole thing to light up. So you walk

3:50:34

to the edge of the path. We give it

3:50:36

a little toss. No. I I wanna, like,

3:50:38

freaking slam that thing down so

3:50:42

that it breaks and explodes.

3:50:44

Okay. Alright. So Veyra's grabs

3:50:46

the lamp, walks up. I

3:50:50

light it first. Light

3:50:52

it walks up and

3:50:55

just throws it in. You see

3:50:57

it start to, like,

3:50:59

scream. Some of the

3:51:02

faces start to melt as

3:51:04

the fire catches their

3:51:06

skin. It looks like

3:51:08

it's mad, but you

3:51:11

definitely hurt it. Give me 1D8 roll. AD8

3:51:13

Yes, ma'am. How long have

3:51:16

you? that AD8

3:51:19

Hang on a sec. There we

3:51:21

go. Eight. Yes.

3:51:24

Well, la d

3:51:27

fucking die. Okay? You throw

3:51:30

this fire and the

3:51:32

fire is starting to

3:51:35

spread on the Chakota. But Margo

3:51:38

is in rough shape,

3:51:40

and Vaughan and Carter

3:51:42

are fighting for their lives.

3:51:45

It is Carter's turn Carter. The

3:51:48

penalty dies throughout the window here. You guys are just

3:51:50

caught in this stalemate trying to go back and forth.

3:51:55

what do you do?

3:51:58

Alright. Here's my idea. Is there a way you know in Temple of

3:52:00

Doom, Indiana

3:52:06

Jones Amber. Mm-mm. There's this,

3:52:08

you know, there's this wheel

3:52:10

thing, right, that that

3:52:13

works the the thing that lowers people down into the

3:52:15

volcano and they get fucking incinerated

3:52:19

or whatever. I wanna take

3:52:21

Bon and throw him into the wheel and hope

3:52:23

that that's enough force to

3:52:25

fucking move the thing and crank it

3:52:27

down and shut the shut the

3:52:29

lid. Okay. This is a

3:52:32

maneuver, a complicated maneuver. It's

3:52:34

gonna require it's gonna require

3:52:36

a success more than normal.

3:52:38

I could go crazy and say extreme, but that's

3:52:41

asking a lot.

3:52:44

This sounds like

3:52:47

a bra check but it's a

3:52:49

very specific bros check

3:52:51

that he's going to

3:52:53

try and oppose. Mhmm.

3:52:55

It's not impossible. I like it because

3:52:59

it's cool. It's very pulpy, but

3:53:02

if it worked, it would certainly help. Now I already mentioned that the lid was not only, just

3:53:04

lift up because before -- Right. --

3:53:06

you were, like, you could it's

3:53:08

off, but that doesn't mean it couldn't,

3:53:11

you know, in enough force See

3:53:13

what happens. Closing this pit would certainly

3:53:15

help you. So give me the role and let's see

3:53:17

what happens in the narration. Ross, you you can oppose

3:53:20

it with drink.

3:53:23

Okay. Now before I roll

3:53:25

and before I find out what what Ross rolls, if I wanna

3:53:28

spend luck, like,

3:53:32

announce it before I even know what

3:53:34

Ross's result is. Right? Sure. Sure. Which

3:53:36

could bite me in the ass if

3:53:38

I spend a lot to bring it

3:53:40

to an extreme, But then Ross is like, I just actually rolled the tube,

3:53:42

my friend. And then I'm you don't talk about that either.

3:53:47

Right? It's a gentleman's a great blessing to

3:53:50

do that. Yeah. Right. Classic meat. Alright. I think I drank an entire bottle of doesn't show.

3:53:53

Here we

3:53:57

go. It

3:54:00

will tomorrow. Oh,

3:54:02

no. I succeeded

3:54:04

by five points.

3:54:07

I'm gonna spend Oh,

3:54:10

man. We're blowing

3:54:13

old and good

3:54:15

luck tonight, baby. Oh,

3:54:18

yeah. Yeah. I'm gonna spend.

3:54:20

Okay. So I need to get

3:54:22

to half of seventy seven. That's what? Thirty So now thirty eight.

3:54:27

Today, it per the book

3:54:29

for a hard success. Thirty eight gigahertz stream would be if you're, like, not looking at me. chicken

3:54:32

chicken. I

3:54:37

would need to get to forty eight. Is

3:54:39

that what you're just saying? Third or

3:54:41

thirty eight? Thirty thirty eight for a

3:54:43

harder. How much luck you have? Forty

3:54:46

four. So I'd

3:54:48

have to spend

3:54:50

thirty four

3:54:53

points. I'm gonna do it to get

3:54:55

it to a hard. What

3:54:58

did you get broth? Ninety

3:55:01

one. Fail. Alright.

3:55:04

So so bad

3:55:08

ass. so cool. I mean, it

3:55:10

kinda goes back to Peru when

3:55:12

Carter was begging Jackson to write

3:55:15

a story about him. Like, he's

3:55:17

wanted to be an action hero since

3:55:19

the beginning, and he does the

3:55:21

most action hero move possible. You break

3:55:23

out of this hold and throw on

3:55:26

in the direction of the winch that

3:55:28

is holding up this. Yeah. He and

3:55:30

the So he, like, he, like,

3:55:32

he pounds both his hands down to,

3:55:34

like, break the the the grip, and then grabs Vaughn and pulls them off to space. He

3:55:37

goes, I fucking

3:55:39

love you and

3:55:42

turn it close the

3:55:44

loop. It has buttoned

3:55:46

up against it. And you see this wheel just

3:55:48

to to to to to to to to turn. And even though

3:55:50

it's on the ground, it doesn't like immediately close.

3:55:54

but it takes it up to that

3:55:57

next level where one more turn with strength is

3:55:59

enough to, like, probably close it. not

3:56:02

only that, you're free of Von's grip.

3:56:04

I think this is around three of

3:56:06

five. So you're so close to just like surviving,

3:56:09

but Marco was still in rough shape

3:56:12

and you look over there, like you see Marco

3:56:14

just like like a mortal combat guy at the end,

3:56:16

like finish

3:56:18

him. Oh, dear. And his

3:56:20

bonds turned bond, you've been thrown across

3:56:22

by your by your man, by overrun. you

3:56:27

just see him, like, he throws you, but,

3:56:29

like, you almost feel like you're caught in a ballroom dance like he threw you,

3:56:31

and now his hands are outstretched to you to come back. Yes.

3:56:37

And and you just see me,

3:56:39

like, steady myself against that winch

3:56:41

was a cuck, cuck, cuck, cuck,

3:56:44

cuck because I'm like, pulling it

3:56:46

down and then standing. And just

3:56:48

with unlike eerie calm in the

3:56:50

middle of all of all this

3:56:53

insanity. Yeah. I'm fully seeing like a

3:56:55

like you just see him dust himself off and kind

3:56:59

of, like, straighten the mustache, like,

3:57:01

extend his hand to you, click

3:57:03

his heels, like bow. Oh, yeah. He just he just

3:57:07

kind of walks towards you with his hand

3:57:09

out stretch. Now, get it away from get it. Okay.

3:57:11

It's a slap of hand when you do that. what? It's nine

3:57:14

five of them.

3:57:16

Yeah. Harper's accusing

3:57:18

him of the man. nothing to

3:57:22

fear. Nothing at

3:57:24

all to fear.

3:57:27

So what do you do? Do

3:57:31

you think he's walking

3:57:33

to me? I

3:57:35

feel he's a mile away from a distance. I walked oh, yeah. walked to

3:57:39

him and tried taken by tried to take

3:57:41

him by the hand and grab it. Yeah. Just

3:57:43

come to answer with me. But I'm still under the effect of the of my head,

3:57:48

it wound. Yeah. Sure. Give me a

3:57:50

strength. Just a strength. a strength check, Rob. Give me a stink check.

3:57:55

No more luck to really

3:57:58

work here. Forty nine hundred seventy. Did you

3:58:01

ever think that the

3:58:04

final boss would be

3:58:06

each other? forty minute now when I think about American politics. Chano

3:58:09

and pedantic. Alright.

3:58:12

So that's a

3:58:15

regular success. And Would you get there

3:58:17

Bonnie? I've got a MS of

3:58:20

an old sixty seven hundred and seventy

3:58:22

five. Another regular success. The aggressor wins

3:58:25

so he just he grabs you. And

3:58:28

like, Carter, you feel like you're being

3:58:30

swept up in a dance. It is so weird and, like, unsettling.

3:58:32

When did you

3:58:34

get the strong geez. And it is like

3:58:36

it is like I'm kind of turning you ballroom

3:58:38

style arm, like at the at the at the

3:58:41

base of your back, but the

3:58:43

grip on your hand is, like,

3:58:45

way too hard. I I say

3:58:47

no to you. and you turn him

3:58:49

around towards the pit and you see

3:58:51

all those faces in the pit and they

3:58:54

just look like a gallery of well dressed people

3:58:56

like Oh, so

3:59:03

beautiful. It

3:59:07

is now Margo's

3:59:10

turn. Margo, you are

3:59:12

one successful

3:59:15

hit. Oh god. Away

3:59:17

from death. What's going through your head

3:59:20

right now? through

3:59:23

marked through my head or

3:59:25

through marked my head. Both. Fucking my

3:59:27

head. I'm just kind of like, well, If

3:59:30

I wanna aim the

3:59:32

shotgun, that means I lose my

3:59:34

extra dice. I only have twenty five in shotgun.

3:59:40

but I've got forty one in

3:59:42

brawl. Yeah. And you've gotta spend you

3:59:44

gotta spend this long around reloading because

3:59:46

you shot last You're showing us

3:59:48

useless to you now. Oh, well,

3:59:50

this makes my choice really easy. Marga, what she's thinking about fight. Holy

3:59:56

shit. I'm gonna die right

3:59:58

now. I don't friends die. She

4:00:02

takes out her to reload that.

4:00:05

one round with a penalty. He says Michael Michael chimed in said

4:00:07

you can reload and shoot one

4:00:11

shot with a penalty. High risk -- Yes.

4:00:13

-- simply high reward, but you have to kill that's to be a kill shot. I think it's too high

4:00:16

risk because of

4:00:20

the fact that I have a twenty five. So if

4:00:22

I don't have the extra bonus i point and aiming Correct. it's really to hit. I think

4:00:24

she going

4:00:27

to take out her combat knife. Like, I

4:00:29

imagining she's, like, on the ground or something and Millie is, like, on top of her. Like, she's trying to get

4:00:32

at her. and

4:00:36

she just like wiggles to the

4:00:38

side and takes out her knife and then just tries to just get a ray in the head you

4:00:40

know, you

4:00:45

gotta Right in the dome. Right? That's the only thing that's

4:00:47

gonna actually do damage. So

4:00:50

that will be a penalty guy to

4:00:52

aim at the head. Cool. Okay.

4:00:54

I'm gonna die. You wanna

4:00:57

you wanna target a specific

4:00:59

part of the body? The

4:01:01

good news is she's not fighting

4:01:04

back. Okay.

4:01:06

Okay. No. This is

4:01:08

the best option. and here

4:01:11

we go. Here we go. There

4:01:13

both of the dice

4:01:15

are the same again

4:01:18

and it's an eighty eight

4:01:20

over forty one.

4:01:23

So So

4:01:25

that's a fail.

4:01:27

That's a fail. Milly

4:01:31

Adams turn. No. Hey, yeah.

4:01:33

Oh, boy. You go to stab and you

4:01:35

just, like, just, like, miss. and

4:01:39

she just, like, claws at

4:01:41

your face and her fingers are, like, pushing against

4:01:44

your eyeballs. And

4:01:48

as she's doing it,

4:01:50

you're like seeing yourself painting this portrait of a

4:01:52

creature clawing

4:01:55

your eyeballs. You're like regarding

4:01:58

it as it's happening to you. You wanna fight back or try to

4:02:00

dodge her.

4:02:05

Kill shot. I

4:02:08

can roll two

4:02:11

ones. But if a successful

4:02:13

hit, the average damage would be a

4:02:15

kill shot. So dodging the hacker

4:02:20

wins, fighting back.

4:02:24

I mean, what's

4:02:26

better. I mean, fighting back, the

4:02:28

good thing about that is if

4:02:30

you have a higher success, you'll do damage. I'll

4:02:33

do that. But the bad thing

4:02:36

is, like, if I tie you,

4:02:38

I do damage. Dodge, you've just gotta tie me and you'll mess. So it's

4:02:43

fighting back as high risk high

4:02:45

reward. Let's do dodge. Mhmm. You wanna get out of dodge? Alright.

4:02:47

Here we go. Full

4:02:51

manned. I'm pulling for your margot, but

4:02:53

it's not up to me. Do you need to roll anything? Yeah. I got a roll to attack.

4:02:55

Mhmm. I could miss the attack. Yeah.

4:03:01

She's trying to clamp down your

4:03:03

face. She's a she's a slow

4:03:05

old zomboon. She might not make

4:03:08

the attempt. What did you roll? Got

4:03:10

a hard success at twenty five

4:03:13

hundred fifty two. And I

4:03:16

failed. Yes. I live another round.

4:03:18

Maybe. Give us one more

4:03:20

clip. Your sweaty face sheet.

4:03:23

Her hands slide off of it.

4:03:25

And it is Feirou's. Feirou's. Please save

4:03:27

us. Do a stuff like Feirou's. Screw

4:03:29

that fire in there. Give me another

4:03:31

d a worth of damage. Okay. From

4:03:33

the fire, that's just consistent

4:03:36

word. Oh, god.

4:03:38

Another eight. Another 862

4:03:41

point six. Of damage.

4:03:44

It's just melting. You smell

4:03:46

burning flesh and hair.

4:03:48

Just filling up the entire room. What

4:03:50

do you do? Is is Carter and

4:03:52

and fucking Vaughan or, like, fighting near

4:03:54

the pit right at the edge? Right

4:03:56

at the edge? and Mulev Margo and Millie

4:03:58

Adams are on the ground wrestling. Okay.

4:04:02

Explain the situation. Is this

4:04:05

like Is it by a rope that's lowering

4:04:07

this down? That's So

4:04:09

this is like a mirrored winch pulley

4:04:11

system that, like, when when Carter threw

4:04:13

Vaughan into it, it, like, lifted it

4:04:16

off the ground. And now

4:04:18

the next phase would be lifting

4:04:20

it down. But you remember when you were

4:04:22

here the first time, it took two of

4:04:24

you to, like, combine strength to do it.

4:04:26

But is this a thing where it's like

4:04:28

I cut a rope, it just falls

4:04:31

down. Oh, that's interesting. Yeah.

4:04:33

Because I have a knife on

4:04:35

me and I wanna climb up

4:04:38

and just hacked that thing off. So it just falls down. Okay. That's interesting.

4:04:44

Alright. So you move over

4:04:47

there. you climb up to where that you're, like, looking at this, you're starting to like, you

4:04:52

know, quick calculations on this give me a

4:04:54

strength check to try and cut through this thick cool

4:05:01

mirrors. You got it.

4:05:03

I rolls a twelve under seventy five. That is extreme success.

4:05:08

An extreme success. You've found

4:05:11

a strength. You didn't even know you had -- Yes. -- slice through this and just,

4:05:13

wham, this stone

4:05:16

slab goes down

4:05:19

and you just you smell that

4:05:22

burning underneath that continues

4:05:24

to burn this

4:05:27

creature got a smoke card going. The Mokanga Madari called the

4:05:29

Chikota. Smoke just

4:05:32

like spilling out

4:05:35

between the cracks that seems to be

4:05:37

out of the way which

4:05:39

could very well save Carter's life,

4:05:42

but Margo is still in a tough

4:05:45

position and now

4:05:49

it goes to

4:05:53

Carter. No longer

4:05:55

afraid about being thrown in this

4:05:57

pit. But -- Yeah. -- things aren't good.

4:05:59

You've grown close tomorrow too. Yeah. So you're torn. Margo,

4:06:03

I'm coming for you. This is my next round I'm coming

4:06:05

for you. Yeah. I wanna try to break away I'm

4:06:07

trying to break away from arm.

4:06:13

Yeah. Okay. So it gets stronger.

4:06:15

strength or bra versus

4:06:18

strength or bra versus strength.

4:06:20

Braul? Well, what are you trying to do? If you're just

4:06:22

trying to break away its strength. Okay. Then, yeah,

4:06:25

I'm trying to break away. Okay. He has comparable

4:06:27

strength, so it's just like, god, love me. street

4:06:29

pressure free. on. I've just had enough of the

4:06:31

shit. It's been a

4:06:34

long day. There's a lot going

4:06:36

on. Margo needs us. asshole. You just

4:06:38

hear me whispering, like, up on the heels,

4:06:41

down on the toes. There you go.

4:06:43

That's where it goes. That's how

4:06:45

to do the varsity

4:06:48

ride. And I'm, like, pushing

4:06:50

you closer. I got

4:06:52

a regular success. And I got what they

4:06:54

call a failure. So you break

4:06:58

away, one round away

4:07:00

from being back to his

4:07:02

senses. Vaughan, it's back to

4:07:05

you. Your your dance partner

4:07:07

is being a bit Coy.

4:07:09

No means no. Scott

4:07:12

can't. Yes, of course, but

4:07:14

you're not speaking in

4:07:16

your voice. Like, I I'm I'm compelled. I'm going

4:07:18

for it. Of course. Man, trust me. Get

4:07:22

me, like, zoom into Von's mind.

4:07:24

Yeah. While he does some sort

4:07:26

of post strength of the spell. Yeah.

4:07:29

Yeah. If only, I

4:07:32

could go into my

4:07:35

mind palace from, pushing against

4:07:37

this. Right. So you're coming

4:07:39

at me to grab me.

4:07:41

Yes. And then So then I'm doing Troy, I'm doing a bra or a strength to

4:07:43

This is versus strength

4:07:47

here. I

4:07:50

got a regular

4:07:52

success. I failed. Alright. So it's

4:07:54

it's cat and mouse, but like

4:07:56

what you've done, Carter, by having

4:07:58

little successes along the way, is

4:08:01

just kept yourself alive, and now the

4:08:03

pit is closed off. So he's grabbed

4:08:05

you again, but you know that, like, whenever bonds have these

4:08:07

episodes, they don't last forever. And

4:08:10

so you're just hoping it will

4:08:12

end, and it does end next

4:08:15

round. However, that's not the problem anymore. The problem is Margo

4:08:19

and this creature Margo.

4:08:21

Now, it's going to fight

4:08:23

back against you. if

4:08:26

you try to strike it,

4:08:29

what do you do? Run away. Just riding.

4:08:31

Just walk. War away. Well, so Let's

4:08:36

see. If I wanna

4:08:39

try to get

4:08:41

away like flea,

4:08:43

I'm not grabbed. We just narratively

4:08:45

said you guys were struggling on the ground, but that struggle

4:08:47

could have gotten to its feet. flea

4:08:52

would be like a

4:08:54

sex. Oh. Right? Oh. Yep. Yep. Sorry.

4:09:00

Just throwing it out there. No

4:09:02

flea. You can just run. Just get out of there. Like you did against that

4:09:07

serpitt. And I don't need to worry about

4:09:09

it. Sometimes running away is the best thing you can do. And I don't need the only thing because we're not actually grappling. Right. You're grappling. It's

4:09:12

totally different so

4:09:18

you could just die. burn away. You break you break

4:09:20

away. And

4:09:22

you hope that your friends can

4:09:24

save the day. However, now you've

4:09:26

exposed your friends. to this creature and this creature goes to bite one of

4:09:31

your friends and I'd like you to

4:09:33

roll AD60 shit. On

4:09:35

A12 it's Vaughan, on A34 it's on A56

4:09:38

it's Pharrus. I personally

4:09:40

am going to need

4:09:42

a sanity roll after this.

4:09:44

I feel that's true.

4:09:47

That's not fair. One,

4:09:49

two, Bon, three, four,

4:09:51

Carter, five, six, Feyruz. I

4:09:54

roll the six. It goes to But

4:09:56

she's up on top of the thingy. I am on top of the thingy. She

4:09:58

is on top of the thingy. So that would have been 123 von

4:10:03

456 Carter. Oh. So

4:10:06

it sounds after Carter. Oh, I forgot I forgot about the thingy. So one thing is everybody

4:10:08

wanna Carter,

4:10:13

you can fight back or you

4:10:15

can dodge. I think my fight

4:10:17

back is better. That's a bra.

4:10:19

Right? Okay. High risk, high reward.

4:10:21

Yeah. Let's roll my friend.

4:10:24

Millie. I tried

4:10:26

to help you just

4:10:29

for the record.

4:10:31

regular success. I got a hard twenty

4:10:33

nine hundred seventy seven. Oh

4:10:36

my god. So you fight

4:10:38

back and you do damage. Momentum.

4:10:41

Alright. So what do you She's

4:10:44

really heart jeez. Dude, I thought that

4:10:46

was a fail from you. So so yeah. So

4:10:48

she Well,

4:10:50

I mean, will she try to take

4:10:52

a bite out of me? Yeah. And then there's

4:10:54

like this, you know, like, we're a kind of

4:10:57

buy the closed hatch, there's like a

4:10:59

winch thing. Right? Like an arm that comes

4:11:01

up and over the the the hatch. Yeah. That's for

4:11:04

a favorite Cruises. I'm finally

4:11:06

moving the ponds around. Yeah. So I mean, Carter

4:11:08

just kinda moves away while she goes, like, a thing snap and

4:11:10

I just take her head and go, it was and,

4:11:12

like, smash it

4:11:14

against the arm. Right. Okay.

4:11:16

I like it. Alright. Give me damage.

4:11:18

Mainly damage. Plus your damage bonus. Alpha

4:11:23

flex egg. Okay. My d

4:11:25

b be AD4 plus

4:11:27

your DBAD4

4:11:32

plus my d b. My d b is

4:11:35

AD4 as well.

4:11:39

So two dashboards. Yep.

4:11:41

Four. Okay. So you just boom. And you just see, like, a piece of

4:11:43

her head fall off

4:11:47

and, like, just gray matter leaking

4:11:49

out inside. She's in rough shape. above

4:11:57

all the lawn. I'm going to

4:11:59

take my gun out that I had

4:12:01

in my pocket -- Mhmm.

4:12:03

-- and aim at her

4:12:05

from the the high up

4:12:07

high up thingy officially what it's

4:12:09

called now. Mhmm. And I'm gonna

4:12:12

shoot at her from there. So

4:12:14

from a top, the high up thingy. Yeah. You draw your gun and

4:12:16

aim She

4:12:19

does not dodge. She does

4:12:21

not die for cover because

4:12:23

she's a fucking zombie fire away. Alright.

4:12:27

Got to roll under

4:12:29

a sixty seven. And I rolled

4:12:31

a twenty one. nice

4:12:35

color. Gimme the damage. Alright. Let me

4:12:37

see what this damage is. It's A1D60I

4:12:40

got three.

4:12:44

I could fire three times. Pop up

4:12:47

pop at a penalty for

4:12:49

each. Yep. Okay. So the first

4:12:51

one is six points of damage.

4:12:53

Okay. But roll the penalty just to make sure

4:12:55

you hit. Okay. That's for the first

4:12:57

one. That's for the first one. Yeah. But

4:13:00

he's saying that to hit is the penalty.

4:13:02

Right. If you wanna unload your cartridge, your royalty dies. Okay. So I

4:13:05

what I rolled was at twenty one. I

4:13:07

gotta roll that at what what again? Just

4:13:10

roll the twenty part again and it says something one.

4:13:12

Okay. I

4:13:17

rolled lower I rolls a twelve. Yeah. Alright. So that's AD6

4:13:19

worth of damage. Alright.

4:13:24

So the second one? Yep.

4:13:26

That one does not make it. Okay.

4:13:30

The third one. last

4:13:33

one with a penny

4:13:35

die. Okay? That one makes it, but let's that for the penalty. And

4:13:41

I rolled it two, but

4:13:43

the third higher one is the thirty two, so I I still get to roll on that Alright. So that's gonna

4:13:45

be 2D6 worth of

4:13:47

damage. Okay. So that second one

4:13:50

is a three, so that is

4:13:52

a a total of nine

4:13:54

points of damage to the head.

4:13:56

Faireus just went up there with fucking

4:13:58

herculean strength. Cuts through this corded rope

4:14:01

Bobboom, the thing falls over

4:14:03

the burning Chikoda, and then

4:14:06

you aim at Milli Adams and fucking blow

4:14:08

her head

4:14:10

off. Oh my god. Oh,

4:14:13

yeah. Vaughan and Carter are still struggling, but seconds

4:14:15

later, Vaughan, you come to. and

4:14:20

you you just see a room

4:14:22

of carnage. You feel like you're

4:14:24

back on the battlefields of World

4:14:27

War You just see my

4:14:29

hands to head, like, sink

4:14:31

down and just like, No. No. Also,

4:14:34

maybe, like, I'm against the wall too,

4:14:36

just, like, holding my stomach. Just, like, oh, god. Like, I'm sitting

4:14:38

down -- Oh, yeah. -- that I can relax. Also

4:14:43

before we get into the real

4:14:45

the good shit. Does does Nora have to roll anymore like

4:14:47

fire damage on that thing? way,

4:14:51

you think it's that thing's

4:14:53

just burning. Under new heartburn now. Yeah. There's

4:14:55

an impression of this cooking. Alright. But

4:14:58

Vanya, you're you're taken from

4:15:00

this, like, beautiful dance into a

4:15:02

battlefield. Hey, dude. What's the name? your

4:15:06

Obrad's beautiful face just dissolves

4:15:08

it to me, like, with my mask, like,

4:15:10

half of this every little bit. Blotted

4:15:15

guts everywhere on the

4:15:17

floor. I was like, no. No. No. No. No.

4:15:20

No. No. Are

4:15:25

you god? You okay?

4:15:27

You back? And I'm

4:15:29

just, like, stooting away

4:15:31

from you. Like, who

4:15:34

was? No. What did he What did he do to me? Wait. Wait. You see? And I see him, like,

4:15:41

splattered up against the wall, like, oh.

4:15:43

My god. Yeah.

4:15:46

God did you

4:15:50

do it? Are you are you alright? Jesus, do you

4:15:55

have control of of

4:15:57

your mind again? I feel as though

4:15:59

I've done something terrible once more. But

4:16:03

I almost killed tilling

4:16:05

ass. God. God. God. And I and I'll stand up and just, like, take you by the arms

4:16:07

and it's and it's

4:16:10

way too much like it just was when I

4:16:12

was pulling you around. I'm just like, till against your must fight

4:16:14

it and your heart to forgive me. I don't know. He he

4:16:17

did did something to

4:16:20

me. I he

4:16:23

reached into my mind. I know,

4:16:25

baby. It's alright. I I believe

4:16:27

you. We've seen enough shit. I

4:16:29

got you. I got you. And then

4:16:31

Carter is like, You're good.

4:16:34

And my Oh, god.

4:16:36

My income. to the side.

4:16:38

And going straight to Margo. Yeah. And

4:16:41

I grabbed Margo's face in

4:16:43

both of my hands. And

4:16:45

I'm just like, are you okay? I'm

4:16:48

a nod. I'm

4:16:50

very hurt. I'm very wounded.

4:16:52

Yeah. I just keep brushing your face

4:16:55

like your lips. Stop. I'm brushing my

4:16:58

face. Sorry. I didn't hear you. Are you alive

4:17:00

here? Okay. I mean, I'm alive right now, but I need to

4:17:02

go to get I need to medical attention she's,

4:17:06

like, holding her side. Oh, yeah. Maybe.

4:17:08

Yeah. Yeah. So no. Yes. But get her

4:17:10

to the hospital and some some bloody thing.

4:17:13

struck me upside the head. Oh, I'm sorry

4:17:15

about that. My friend, I was trying to

4:17:18

get keep you from throwing Miss Tilly

4:17:20

House into that pit. Oh,

4:17:22

fickle. Thank you. Thanks

4:17:24

for that. Oh, what

4:17:27

a lovely septure. I'm kicking this. Does Troy,

4:17:29

does it make sense to do

4:17:31

a first aid on Margo here?

4:17:33

Is she in a spot where is Yeah. I mean, she's as long

4:17:35

as there's no other further attacks, she's

4:17:39

not going to bleed out. Okay. But she's

4:17:42

in rough shape. girl. She's she's taken a major wound and she's just,

4:17:47

like, holding her side and

4:17:49

you just look around and there's carnage, but

4:17:51

you all hear like

4:17:57

a really

4:17:59

rapid sound of breathing and you as you

4:18:01

start to quiet and

4:18:04

take in the scene,

4:18:07

that's when you really comes

4:18:10

to and you look over

4:18:12

in the direction of Mcconka

4:18:14

Madarrie, who was blown away by

4:18:17

Margo at point blank range in point

4:18:19

blank range with two shots from her shotgun. I mean,

4:18:21

he's got a a hole in his chest. You can almost

4:18:23

see through him. but

4:18:27

somehow he is still

4:18:29

like clinging to life and

4:18:31

he's just like, And

4:18:34

he he, like, lifts

4:18:36

his head up and he's

4:18:38

talking and he's like, my goodness.

4:18:42

so busy. Get out of

4:18:44

here. Speaking to someone. He

4:18:46

goes, oh my god. Get out of you. God. Your loss or tab.

4:18:52

he screams

4:18:55

and then dies. And

4:19:01

the only sound left in the

4:19:04

room is

4:19:07

that of a ticking

4:19:10

clock. And as Wakanda Madaric screams me arlithotep praying

4:19:15

to him perhaps just

4:19:17

as Augustus Larkin did,

4:19:19

when he prayed to the father of maggots to save him or

4:19:25

was that the Carcere

4:19:27

he prayed as well. We go into the alcove and go

4:19:30

all the way

4:19:33

down on the

4:19:36

back roll. where we just

4:19:39

see that chronometer.

4:19:44

Blacka. and

4:19:51

that is the end of season one. Oh my god. Of

4:19:55

time for

4:19:59

chaos. This story has just begun.

4:20:02

Before we end the

4:20:04

episode though, I just

4:20:07

wanna get a sense of everyone's

4:20:09

life after this, like AAA

4:20:12

very, like, broad strokes picture of,

4:20:14

like, after this moment, and I'll start.

4:20:18

Like, we just see, like,

4:20:20

these series of scenes. And

4:20:22

one is, like, lights come up on sing sing prison. and

4:20:28

we see a car waiting outside of

4:20:30

a long road that leads to the gates of Sing Sing.

4:20:36

and the door opens up and

4:20:38

it's Rebecca Schosenberg and she's

4:20:40

standing there and we see

4:20:42

the tiny little door of the

4:20:45

prison gate house. open and a

4:20:47

policeman walks out and

4:20:49

then Hilton Adams walks

4:20:52

out with a small

4:20:54

little box of his belongings in his hands. And he looks

4:20:59

back at the police

4:21:02

officer who just shuts the door

4:21:05

like he was never

4:21:07

there. And then it's

4:21:09

just this wide shot

4:21:11

where you see Rebecca Rosenberg standing at her car in this long row with

4:21:13

Hilton Adams and he

4:21:16

walks about ten feet

4:21:18

and sees her in just

4:21:21

crumbles to his

4:21:23

knees and starts

4:21:26

wailing and

4:21:28

crying and screaming to

4:21:31

the sky. Let

4:21:33

me black out

4:21:36

from there. What

4:21:39

happens tomorrow after all

4:21:41

of this? She's hurt. Where did

4:21:43

she go? Oh, god. She's

4:21:48

hurt. I mean, she goes to

4:21:50

the hospital and tries to get better, but I feel like

4:21:55

She hasn't had a lot

4:21:57

of sanity loss, but a

4:21:59

recurring theme is that people are always watching. Mhmm. And

4:22:04

I feel like it's like starting to like

4:22:06

manifest in like a little of paranoia. Even if it's not a true kind of like psychotic has that type of

4:22:13

a trait or

4:22:16

anything. I

4:22:18

also feel

4:22:21

like there may have been some sort of

4:22:23

initiation ceremony with

4:22:28

the order. Perhaps now they

4:22:30

have done what they

4:22:32

needed to do. She

4:22:34

paid some dues in

4:22:37

blood She's shown that she's willing

4:22:39

to do what needs

4:22:41

to be done. To get

4:22:44

things done, So perhaps there's like a

4:22:47

scene where she's just like

4:22:50

in this dark room

4:22:52

like vague columns around lots of

4:22:54

people with just like anonymous

4:22:57

hoods and she's going through

4:23:00

some sort of initiation with

4:23:02

that, moving up the rank. And

4:23:06

maybe at the end

4:23:09

of this ceremony, We cut

4:23:11

back to a flashback of you after this battle, after

4:23:13

the sky yelled in the

4:23:15

arm of the tip of

4:23:17

you guys looking through the

4:23:20

Al Cove. and finding that

4:23:22

cage mask that you never

4:23:24

put on, that you never

4:23:26

took a photograph of yourself for.

4:23:29

and you staring at it,

4:23:31

and then you go back

4:23:33

to the initiation ceremony where you open a bag and present

4:23:36

this mask. to

4:23:40

the order, and just

4:23:42

a bunch of people in robes and masks like not at what you've

4:23:44

done. not

4:23:49

very approving. Okay. I would

4:23:52

have. I think she stays

4:23:54

in America. I'm not sure

4:23:56

if she stays with any one,

4:23:58

I kinda wanna let them play out their thing first,

4:24:02

but I do think that as

4:24:05

part of her epilogue, and something that I

4:24:07

meant to do during play, but didn't play out.

4:24:13

I feel like She still has the gold

4:24:15

mask, and it still pulls to her. And after

4:24:17

all that she's been

4:24:19

through, I feel like

4:24:22

maybe the epilogue like for

4:24:24

her. blacks out at her

4:24:26

putting it to her

4:24:29

face. Oh, one last

4:24:31

one last look. No.

4:24:33

She's never put it on. Oh, she's never

4:24:35

put it on. That's right. She's really stared

4:24:38

at it so like we just see her. Now

4:24:40

she's be become initiated and

4:24:42

she has that mask.

4:24:45

Blackout, and we cut

4:24:47

two Carter Tilling asked. I

4:24:54

mean, so So I guess part of this, I don't really know what everyone else is doing. Like, I

4:24:59

don't know I'm not trying to

4:25:02

straight planet. I know I'm not trying to get this information from you, Troy, but it's

4:25:05

just like, are we going our separate ways or

4:25:08

not? That's like that's like a big thing, I

4:25:10

guess. It feels like you're not. It feels like there is time,

4:25:14

you're you're going to need time

4:25:17

to recover I mean, Vaughan is sitting at, like,

4:25:19

mechanically, very low, Sandy. Like,

4:25:21

to even go on with this

4:25:23

mission is going to require, like,

4:25:26

taking some time. Yeah. But ultimately, if you are to follow in Jackson Alias'

4:25:31

wishes, which you don't have

4:25:33

to, you've just begun. Okay. Alright. So so here's So also

4:25:36

helps like I thought, like,

4:25:38

if we stayed together, maybe

4:25:40

we get an apartment in

4:25:42

New York together. If that's of

4:25:45

being the Fun.

4:25:47

Well, the kids have

4:25:50

come. Yeah. Okay. So so

4:25:54

This is all I'll say.

4:25:56

So so Carter is is they're back in their

4:25:58

whatever hotel room. They're not walled over story room.

4:26:04

It's kinda like packing his stuff. So we don't

4:26:06

really know where everyone else is in this

4:26:10

moment. It's kinda packing his stuff

4:26:12

up. And and comes across like

4:26:15

a bundle of letters. Right?

4:26:17

And, you know, they all

4:26:19

say to like dear myrtle or whatever.

4:26:21

They're like his old letters back and forth when he was conning

4:26:24

this woman.

4:26:28

And we flash back to

4:26:30

Carter in Myrtle's estate house

4:26:33

reading finishing reading

4:26:36

the letter that

4:26:39

came from Jackson. The telegram. The telegram.

4:26:41

Yeah. That's, like, come to

4:26:43

New York, stop, you know, Carlisle.

4:26:46

Have information concerning Carlisle expeditions. Stop.

4:26:48

Yeah. need reliable

4:26:50

investigators. So we're back in that

4:26:52

moment. When Carl when when Carter

4:26:54

first read that, he sees it and,

4:26:57

like, he got super excited and he was, like,

4:26:59

pumped to see his friends again and pumped to, like,

4:27:01

he'd spent all these years, like, wanting to do good and and now is the chance to, like, get

4:27:03

back at it. So he

4:27:07

had yelled up like, Bernal, I'm gonna

4:27:09

need a trade ticket. First class. So clever. And then which is what I think we saw back

4:27:11

when that happened. but

4:27:16

now the scene stays go like, it keeps

4:27:19

going. And he's like, Myrtle, maybe.

4:27:21

And he walks up the stairs. and

4:27:24

he goes into the master

4:27:26

bedroom and myrtle is in bed and she's dead. And

4:27:30

Carter sits there

4:27:33

and he's looking

4:27:36

at her. and

4:27:38

this was everything that he wanted.

4:27:40

This was like the whole of Khan was his

4:27:42

finally, it took way longer than he wanted to and

4:27:47

it got a horse

4:27:49

hoof in his face.

4:27:51

But it's finally happened. And he's at her. and

4:27:56

he just walks up to her and

4:27:58

he like gives her a kiss on

4:28:01

the forehead and then he packs the

4:28:03

personal shit that he had before they

4:28:05

ever met. and he puts it in the bag and he leaves. And

4:28:07

he never looks

4:28:11

back. He never tries to get

4:28:13

the inheritance. He knows that he's in deep with the

4:28:16

mob, the whole

4:28:18

reason he was

4:28:20

trying to make

4:28:22

this money. And he leaves, and then

4:28:25

goes to New York, gets

4:28:27

involved in all of

4:28:29

this shit. And and

4:28:31

maybe the thing we see him do is

4:28:33

he's packing up the duffle bag and maybe

4:28:35

he's like looking out to the other rooms

4:28:38

where he thinks everybody is. And he walks up to

4:28:42

Margo, and

4:28:47

he just goes, Tell me

4:28:50

about this order.

4:28:53

And then that's

4:28:56

that's ferrous. You

4:28:59

survived. What's your

4:29:02

life like after this

4:29:04

moment? After

4:29:06

we do this little,

4:29:09

silent, sad montage of

4:29:11

us getting our apartment went

4:29:13

together. Just haggling with landlords. Thirty

4:29:16

dollars a month that you gotta

4:29:18

get by. You know, there's a sad,

4:29:20

like, putting a

4:29:22

picture frame of Jackson

4:29:26

Elias on a fireplace

4:29:28

mantle but we we

4:29:31

see that we

4:29:34

cut to this, like, ferrous

4:29:36

looking out the window of

4:29:38

a train, taking a train

4:29:41

back to miss Catonic. Oh, I

4:29:43

like that. And she has And

4:29:46

then next, we see her in

4:29:48

the library in this very dark

4:29:51

corner. And this is like at

4:29:53

hours and hours, like, the sun

4:29:55

goes up and down of her,

4:29:57

like, pouring over these books that that they've collected over time. And then

4:29:59

we cut to an another

4:30:03

scene of her packing little things.

4:30:05

She's not like moving out. She still has a space at Miskatonic to call

4:30:08

her own but

4:30:12

she's packing little things and

4:30:14

she does see this like

4:30:17

picture frame and it's like

4:30:19

a two sided fold up

4:30:21

one and it's of her

4:30:23

mom and dad on one

4:30:26

like a like an old

4:30:28

wedding photo. And the other

4:30:31

one is of her mom holding favors as a baby. Mhmm.

4:30:35

And she kind of folds that,

4:30:37

puts it in her bag And

4:30:39

she's like, has this

4:30:43

feeling in the

4:30:46

pit of her stomach that something

4:30:48

is still not right. And she thinks

4:30:51

about the order that was there watching

4:30:53

her and her dad being there, that

4:30:55

night. And finally,

4:30:58

she goes to

4:31:00

see her

4:31:03

dad. And it's kind

4:31:10

of like I'll see you when I see you.

4:31:12

And she

4:31:17

takes from her bag the scepter

4:31:20

that she

4:31:22

found. And she says

4:31:25

to her father, Whatever it

4:31:27

is that you and the order are doing

4:31:32

and are not telling

4:31:34

me. Never forget that you need me. You need me.

4:31:39

And she's like gesturing with

4:31:41

this scepter. You meeting me.

4:31:44

And I imagine in

4:31:46

that moment you feel

4:31:49

power over your father, like a queen, like the queen

4:31:52

that you felt you

4:31:54

were when you first

4:31:56

grasp the scepter and

4:31:59

you feel like confident. But then

4:32:01

we turn to your

4:32:03

father's perspective. And

4:32:06

he looks at you who has

4:32:09

been, I imagine pouring

4:32:11

over these books that

4:32:13

you found in Carlisle's

4:32:15

safe of all the people here, you're the one that's been delving into these. It started

4:32:17

with Africa's dark sex

4:32:20

that you found in

4:32:22

the basement of juju house. now

4:32:24

you've been dealing with these

4:32:26

other books. And as you

4:32:28

continue to read these

4:32:31

books, you but you feel

4:32:33

like drawn into something.

4:32:36

So you think

4:32:38

you're this I'll tell you

4:32:41

that it turns to look from

4:32:43

your father's perspective and you've got

4:32:45

like bags under your eyes. and your skin

4:32:47

is salo, and your eyes are as as macung medaris,

4:32:50

and so you

4:32:53

see fear in

4:32:55

your father's eyes. and he's

4:32:58

just nodding. Okay.

4:33:02

And then we cut.

4:33:06

to Von Dillard's who has defied

4:33:08

all odds and survived. Oh, okay.

4:33:10

The prologue in the first chapter

4:33:12

of this adventure and is now

4:33:15

down to a gentleman's what?

4:33:17

Seven, Shannon. I'm getting

4:33:20

there. Eleven. Bakersfield?

4:33:24

Fourteen. Fourteen. Lucky

4:33:27

fourteen. Respectable fourteen.

4:33:29

So what's your

4:33:32

life like here? I

4:33:34

think Margot comes out of

4:33:37

in an aesthetic

4:33:40

haze in a

4:33:42

New York hospital.

4:33:45

and hears murmuring

4:33:47

and sees hunchkins chair

4:33:50

to her unaware of her

4:33:52

consciousness. Fond

4:33:54

failures like we're pushing beads through his

4:33:56

palm, just loving father touch her now

4:33:58

with your healing hands. I believe that

4:34:00

you will for me, for her as to be

4:34:03

well in bodies sold in mind to cover her

4:34:05

with your most precious blood. Your son, I'll say

4:34:07

for you, Jesus Christ. He's just retreating

4:34:10

this this prayer of healing.

4:34:12

Then we cut out of

4:34:14

that, and then we cut

4:34:16

to the the purple ask out

4:34:18

of Bradley Gray. Dinner on Monday

4:34:21

night and who is like laughing

4:34:23

and telling a story. And

4:34:26

as as Vaughan is just kind of like

4:34:28

swirling a drink in one hand and looking

4:34:30

through him with like a thousand yard stare.

4:34:33

And I'm just like, man, he's so

4:34:35

poor. Traum Traumming story. Then you

4:34:37

see the maybe the two of

4:34:40

them walking and

4:34:42

entering an apartment, the door

4:34:44

shutting, and going dark. And

4:34:47

then you see one in

4:34:49

a confession booth, And you don't

4:34:51

see what he's saying, but as it moves through and you

4:34:54

see the priest just recoiling in horror, it was like this

4:34:59

will eat me of thing. This

4:35:01

is coming. This is

4:35:04

not. And then finally,

4:35:07

just in a paying some money

4:35:09

at the door of a speakeasy. All

4:35:12

all alone. probably

4:35:16

having having fronted money for

4:35:18

a lease in a for

4:35:21

an apartment in New York.

4:35:23

And walking up to a band leader and, like,

4:35:25

slipping a coin to them. And then and just again,

4:35:27

like, sitting thousand

4:35:33

yards there, smoking, someone comes over

4:35:35

and just, like, waves them away.

4:35:37

And the band picks up, and

4:35:39

Von just walks out into the

4:35:41

floor, and holds no one and just begins to dance like me and

4:35:44

my shadow. walking

4:35:50

down the other, new

4:35:52

feet, and my shadow,

4:35:55

hall alone in our

4:35:57

so blue. is dancing to everyone around as though he's dancing with a

4:35:59

ghost. And we

4:36:07

cut too black. Ladies

4:36:11

and gentlemen, thank

4:36:15

you for sticking with us one of longest apps done in long time. And mean, I go for another five fucking

4:36:24

hours right now. This felt like

4:36:27

I'd see by. Oh my god.

4:36:29

That was so wonderful. Thank you,

4:36:31

Kate, Rob, Ross,

4:36:33

Nora. Joe behind the scenes is

4:36:35

like, Taiwan got a bad eye

4:36:38

message. Michael was fucking sharp all

4:36:40

day long, all season long, Thank

4:36:42

you. The people who have fallen in love

4:36:44

with time for chaos. We are just beginning

4:36:46

and we will see you next year.

4:36:50

First season two. Where do

4:36:52

we go next? Where do

4:36:54

we go next? Can I

4:36:57

everybody. Thanks for listening to

4:36:59

the Glass Cannon Network. For

4:37:01

more podcasts and live streams

4:37:03

with the Glass Kennan network

4:37:05

dot com. And for exclusive

4:37:07

shows and content you can

4:37:09

find anywhere else, subscribe today

4:37:11

at patreon dot com slash

4:37:14

glass kennan.

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