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1:05

Hello, and

1:06

welcome back for Voyager's of the

1:08

jump. I'm Matthew Copacaz and

1:10

I have no idea what to talk about right now.

1:15

I try I try to generally have like

1:17

a couple topics at the ready versus just

1:19

to break the ice and to ease this into

1:21

the game. Mhmm. And sometimes something comes up

1:23

before the before the show. And I'm like, oh, no. I'll just

1:25

use that. And

1:26

today, I

1:27

got nothing. And No.

1:29

A real a real, like, rod sterling

1:32

opening, though. I I felt like you were gonna

1:34

go into something, like, could you believe

1:36

this to be true? Like, tell something weird.

1:38

It's very strong. Get a really strong opening.

1:40

Imagine if you will. Yeah. Yeah.

1:42

You're about to enter the mention of light and sound.

1:46

I listened to a really great rod serling,

1:48

a podcast about rod serling. It was the

1:50

imaginary world's podcast. I think we've

1:52

talked about on summer shows, and it was really good

1:55

Maybe

1:55

I love the one thing that listen to that. It's

1:57

it sounds awesome. It's awesome.

1:59

You were

1:59

talking about I forgot.

2:01

We did talk about it. I wanted to listen

2:03

to. I love

2:04

Rotsdam. Who also of also

2:06

fellow Ethoca grad like our own

2:08

friend, Grant Burger? Is

2:09

that true? Yeah.

2:10

Or

2:11

he taught think he he taught it at the academy.

2:14

Yes. No. I don't I think they're different

2:16

classes, but Rod certainly went back to

2:18

school many many years later. John

2:20

Todd, my my aunt was in one

2:22

of his classes, actually.

2:24

Oh, really? That he taught. Yeah.

2:26

What's your

2:27

favorite twilight zone episode again? I feel like

2:29

we maybe danced around this where we haven't

2:31

monsters

2:32

are coming to Maple Street. What

2:34

was that one? Good. And there's another one

2:37

that I that I sort of have a fondness

2:39

for which is the the robot baseball player.

2:41

Have you seen that one? No. But you I

2:44

guess I have heard you talk about. Yeah. They build

2:46

they they build like a robot I think it's

2:49

what's his name from Psycho?

2:52

Probably not, Denny. No.

2:55

Anthony Perkins. No. I was like because he played

2:58

Tom Purcell in the Tom Purcell story,

3:00

which is crazy that he played.

3:02

Tommy Purcell, but or

3:04

Jim Jim Jim Anyway, that's

3:07

a really fun story. It's like they build a robotic

3:09

baseball pitcher And it's

3:11

a fun like AI kind

3:14

of sci fi stories. Mhmm.

3:15

Plus plus sports. Yeah. That's good.

3:17

I

3:18

have a I have a we we I think we definitely

3:20

have talked about it on this podcast, but I have a fondness

3:22

for to serve man. Oh, yes.

3:24

Oh, yeah. Yeah. And I thought

3:26

it was an utter limits episode, and it's not.

3:28

It was it was it was,

3:30

twilight

3:31

zone. Do you

3:32

guys remember the episode

3:35

where it's like it takes place in the country

3:37

and there's a little blonde boy and

3:39

he can control things with his mind, and

3:42

everyone's afraid of him.

3:43

And he, like, these people. Yeah. Yeah.

3:46

The cornfield. Yeah. The cornfield.

3:48

So good. He's like

3:50

a creepy little kid and he wants to watch like what

3:52

he wants to watch on the television set and he

3:54

wants to listen what he wants to listen to on the radio

3:56

and whole family is like,

3:57

Okay, Johnny. Anything for you,

3:59

Johnny?

3:59

Yeah.

4:00

And then, like, someone will be, like,

4:02

I don't like like Johnny scares

4:04

me, and he'll, like, look at the camera and be, like, What

4:07

did you say? And then he'll just,

4:09

like, blow them up with his mind or something.

4:11

It's such an odd episode. I love it. I think

4:13

it's They vanish. They go into the cornfields. Oh,

4:15

literally seen again.

4:16

vanishes them. Right? I'll put you in the cornfield.

4:19

Yep. Had

4:19

you ever used in the movie,

4:22

wasn't it? The

4:24

the the Oh, was that something? failed

4:26

every yeah. Except he, like, put somebody

4:28

like a cartoon and stuff. I mean, it had a lot

4:30

of other effects.

4:33

Yeah.

4:33

Wow. It's been so long since

4:35

I've seen that movie. I've ever seen the movie in

4:37

since entirety. I'm watching

4:38

an Accurate too. An Accurate.

4:40

Also, people died for that movie.

4:42

Yeah. There was the It was a

4:44

old helicopter accident.

4:47

Yeah. That was that was horrible.

4:49

It was horrible.

4:50

no Yeah.

4:52

It was it was awful. And it was it was

4:55

Victoria. Right? And Victoria,

4:58

in two children. He was I mean, there's two he

5:00

was two ter he was he was carrying two

5:02

children, I think, when the the helicopter dropped

5:04

on them. Oh

5:05

my god. Awesome.

5:06

And that's that's a dark way

5:08

to start this episode. Yeah. Yeah.

5:10

And now, wait a minute. On all of

5:12

it. Have any of you read any

5:14

of the the Hellyans series

5:17

from the new the new Dawn of X or

5:19

actually I think that's Rain about or one of the one of

5:21

the new XBend runs no.

5:23

Okay. It's great. Zev Wells is Wells wrote

5:25

it. And it's Oh, oh, yeah. Empath

5:27

is one of the characters and one of the kind of underlying

5:29

questions is

5:30

is he a sociopath Is

5:33

he just a sociopath who has this mutation

5:36

or is that his mutation making a

5:38

sociopath or did his mutation with

5:40

no ability to live like, for

5:42

any to live with anybody who could control

5:44

him or show a good example, cause him to

5:46

be a psychopath. So it's it's a rhino.

5:48

That's why it's a Interesting. Yeah. Interesting.

5:50

zeve

5:51

Wells is he's very good, and he

5:54

he went to my high school. He we

5:56

both we both

5:57

went to Colin Biden. Oh,

5:59

And for his senior year,

6:02

he did he did, like, a parody

6:05

of

6:05

the new

6:06

kids on the block video, I

6:08

think. Okay. Hold

6:11

on. That Why? It's very

6:13

funny, but probably

6:15

should never be shown again. it

6:18

was it was very funny, but it's Yeah.

6:21

Were

6:21

you were you the same year? No.

6:24

No.

6:24

No. I I he graduated

6:26

we never wore their their their together.

6:29

I think he he

6:31

started, like, five years after I left or something.

6:34

Got it. Yeah. But we've we've met

6:36

and he's really

6:38

cool guy and excellent writer.

6:40

Very

6:40

good writer. Yeah. Well,

6:42

am

6:44

yeah. That's all I got. I have a show and

6:46

tell. I have a show and tell thing.

6:48

Oh. So before I forget not so Seth

6:51

has the coolest a spaceship

6:53

model of all time that I'm super

6:55

envious of. Yeah. But I

6:57

I keep forgetting Samantha for my

7:00

birthday got me this.

7:01

Oh. Let me see.

7:04

Let me see. The

7:05

rossi the rossi. Yeah.

7:07

Yeah. It's the rossi. Look at that. I

7:09

love it. I love it so

7:11

much. It's bristling with guns.

7:14

It's one of the coolest ships like

7:16

in sci fi ever. It's just

7:19

You know, the ship It

7:21

has to be a character, like, in their story,

7:23

and this is a great character.

7:25

Yeah. I just finished the book

7:27

series. Like, about three

7:29

weeks ago. It was kind of like

7:31

saying goodbye to some old friends

7:33

because, you know, I I would watch the seasons

7:35

when they came out and then I do the book because

7:37

you're always just point if you do the book first.

7:40

So I just choose to watch the show and

7:42

then do the book. So once they

7:44

finish the show off, there's three more books. So

7:46

I was like, well, Let's

7:49

dive in. And so I just I just finished

7:51

the final buck a couple weeks ago. I was like, oh,

7:53

damn. I

7:56

missed them. Was it

7:58

good? Yeah. Yeah.

7:59

And I hope they keep making the show. I hope

8:02

they they

8:03

Well, because the It's a story line fast

8:05

forward. It's like thirty something

8:07

years. sykes. They're they're all they're all

8:09

old when it starts and

8:11

I didn't know.

8:13

Because, you know, they had to, like, show this kind

8:15

of aggression. But, like, the the weird thing that

8:17

in the file season with the two kids, that's a big

8:19

deal in the later ones was like, where are

8:21

they planning? I'm still going? Otherwise, why did they

8:23

have that little story line with two kids

8:25

on the planet, the the weird dog thing.

8:27

So Yeah. I think they were, like, kind of

8:29

laying laying bait

8:31

for someone to pick them up that they

8:33

would be like, oh, enough interest and people would

8:35

be like, what's with those kids that, like, would be there

8:37

would be more demand for them

8:40

to do another season, which I hope

8:41

they do. Are you

8:43

two? I have to catch up with my electricity. I'm gonna see

8:45

his mind. It's

8:47

slow. It's good. It's interesting you mentioned

8:50

things

8:51

ending.

8:51

That's my

8:53

segue. Hey. Alright.

8:57

What a pro? Well,

9:00

last week

9:00

was a bit of Like, the Jack Nicholas

9:03

of his segues. That's

9:05

exactly what III I'm the Jack

9:07

Nicholas hair style and all.

9:09

Toddress

9:12

shorts and all. Anyway,

9:15

last week's episode was a bit of a

9:17

hum dinger. or at least it turned out to be.

9:20

So as you all recall,

9:22

after

9:22

interrogating the surviving mercenary,

9:25

one Evelyn Jones, and

9:27

learning that he was part of the a raiding party that was

9:29

hired by the Floridian government.

9:31

The crew of the Katz Gambit finally

9:33

got some well earned arrest And

9:35

however though they however though however

9:37

they worked at a wake

9:39

I'm gonna

9:41

take a minute. I'm just gonna reflect upon

9:43

the fact that I can't form a sentence, but we'll go back

9:45

We can cut all this out. We can

9:47

start the whole thing over from the very

9:49

beginning. If you really well, now we found our

9:51

banter topic. Let's go back. Anyway,

9:55

however, the next morning they

9:57

woke up to discover the Jones

9:59

had died of what they

9:59

eventually found out was a massive cerebral

10:02

hemorrhage in the brig. Rather, the hemorrhage was in his

10:04

head, he was in the brig. And but

10:06

no one was seen entering. in the guards

10:08

who as well as the black marketing

10:11

marketeers dracks and collars who were

10:13

locked up, thanks to your intervention. they hadn't

10:15

seen anything either, and you all had a

10:17

number of theories. I think

10:19

you you talked about the supposedly airlock

10:21

drugs that dracks and collars had been struggling

10:23

on board, poison I think came up and then

10:25

also psionic attack. However,

10:28

the big the big thing became that when

10:30

Captain Yang confronted you about the death, you

10:33

learned exactly what the captain

10:35

was currently dealing with, which is

10:37

that she had received

10:39

authenticated orders deploy the

10:41

Ellison's complement of biological weapons and

10:43

wipe out the world of low carb,

10:45

which was a planet a core word planet with

10:47

a population of over one hundred million

10:49

that had affected rumblings

10:51

of separatism. So you

10:53

were

10:53

eventually able though to convince the captain

10:55

to risk court marshal and potential execution.

10:59

to

10:59

first travel to the nearest Imperial Naval base

11:01

to verify the current date and if the orders

11:03

were still valid.

11:05

And having I guess, saved

11:07

the population of low class at least

11:09

for

11:09

the moment you all regrouped on the Katz

11:11

gambit and retreated to your respective corners.

11:15

when Fylo stepped onto the bridge.

11:17

He found someone sitting at the pilot

11:19

station and when he reached out to turn the cedar out,

11:21

he found he suddenly couldn't move.

11:23

And as

11:23

the chair swiveled, revealing it was the

11:26

Ellison's tactical officer, sub

11:28

lieutenant Hale Volman, waiting

11:30

for him and Goldman

11:30

looked at him and said,

11:33

we should

11:33

talk. Man. Well,

11:36

let's leave that for the moment because

11:40

Why jump right in when we have three other

11:42

crew members who are on board and let's see

11:44

what's happening with them. Yeah. Who's the

11:46

car? that's what I'm really curious. are doing. Yeah.

11:48

Who which one of which one of you was going to

11:50

check on the car? Artibus is in the

11:52

cargo bay. Alright. How what are you doing

11:54

in the cargo Well,

11:55

I think she is sue I

11:57

don't know what's going on upstairs, so I can't medigame

11:59

this, but she

11:59

assumed someone would be hiding in the

12:02

cargo bay in if this is the

12:04

approach that they were gonna take. So I

12:06

think she is

12:09

walking through the car of a with a flashlight.

12:12

Maybe there's

12:12

a hand maybe there's a hand print. I'm on the

12:14

windows. She looks over. Oh, like

12:16

Titanic.

12:16

Yeah. Wait a second. Who's in

12:19

that car? wraps on the window.

12:21

Better not see any doomed lovers in

12:23

there. Get out of their kids.

12:26

You're from different social standings. You

12:28

can't be doing it. social classes.

12:30

Get out of there. But maybe she

12:32

does buy the car spot the car. She's

12:34

like,

12:35

nobody's around. I could

12:37

just drive it around the cargo bay. Oh,

12:39

man. Awesome. I'm trying to do

12:41

it a halo. Donuts. Yes.

12:46

Alright. But she doesn't do

12:46

that. She looks around to see if anybody's down

12:48

there, and she looks for anything out of place.

12:50

RO recap.

12:51

Okay. See,

12:55

what's my recon? One.

13:02

That's gonna

13:03

be a nine. You don't

13:05

see anything out of place. Okay.

13:08

Everything is as it should Everything

13:10

is as it should be. Our

13:12

comms are working. Right? Yeah. Yeah.

13:14

I come and I say, all

13:17

clear in in the cargo bay.

13:20

What's

13:20

going on upstairs? Let's

13:22

move over to to

13:25

puffer. Where where where did you

13:27

go? I

13:27

was I was check

13:29

out the engine because we saw this two Marines

13:32

outside the relay. Yes. I

13:34

did. Anakin mode. So,

13:36

yeah, puffer is Going through

13:38

the the power plants and the

13:40

drives, he's making sure everything is in

13:42

order, you know, no

13:45

Nobody's suspiciously flipped two

13:47

wires around or something. So

13:49

he's he's digging through all that, making sure there's

13:51

no one there, but also no sabotage.

13:53

Alright. Roll or you are a mechanic or

13:56

engineering? Either

13:58

one.

14:02

E. Everything

14:04

looks fun.

14:06

the Alright.

14:09

and Gigi, where are you? Okay.

14:11

Gigi only had one thing on her mind. I

14:13

don't know if you guys recall that when

14:15

they were forced to give up their

14:17

weapons, JJ had to give

14:19

a a

14:20

wrench that meant something to her. So

14:22

she's gonna move her log back move

14:25

her log back on the ship, she's gonna

14:27

start looking around and she thinks I think she

14:29

was allowed to throw it, like,

14:30

in her quarters, so she's gonna find

14:32

it, like, clang, clang, like, in

14:35

their doorway. of a room and she's gonna pick it

14:37

up. She's so

14:39

happy to see it. She's gonna put it back,

14:41

wonder woman style where it was originally.

14:43

just gonna go walk around

14:45

the room to see if there's anything odd or misplaced

14:48

in there. And I I

14:50

don't think there's anything, but she does

14:52

notice an old lottery

14:54

ticket. And she wonders

14:56

if

14:56

she won, what, forty,

14:58

seventy years ago, and she

15:00

has put it down in the desk. to

15:03

hear is ARTEMIS'

15:04

transmission. Look

15:06

around the room one more time and she

15:08

just going to walk out of the quarters, or

15:11

where whoever the loudest is, I probably toured

15:13

the bridge, I think. Where

15:15

where my Lewis. Okay.

15:17

So you walk up to the bridge. Mhmm.

15:20

And you get there, and

15:22

you see FILO is just standing

15:24

there, frozen, and you see

15:26

sublieutenant Bohlen, sitting in the pilot's

15:28

chair.

15:31

the

15:32

lieutenant? What

15:34

are you doing in the case hand

15:36

it. And she's gonna look at FILo

15:39

questioningly. FILo,

15:41

you can't

15:42

move.

15:45

Guys. Oh,

15:47

turn. What's

15:51

the most amazing gift ever? I

15:54

got ready to go. I did.

15:56

I was like, oh, that's at the old

15:58

library already.

15:59

Okay. So Gigi is just

16:02

gonna walk up to them carefully.

16:04

Look at file over. Look at the

16:06

lieutenants there. lieutenant

16:09

you have some explaining to do

16:12

and

16:12

then realize they're not even blinking, reach

16:15

upper hand in

16:17

front of silo space. Oh,

16:20

he

16:20

can't -- miss. -- he won't -- Of course. -- be able to

16:22

move until I until I release

16:24

him.

16:26

they don't move? He

16:28

move the Bowman can move. He's

16:30

he's not frozen. Milo however is

16:32

frozen. And he says he won't move until I release

16:35

it. It would

16:38

be best if you didn't draw the

16:40

wrench that you have on your back

16:42

and probably easier if you just

16:44

get on the comms and invite your crew your

16:47

fellow crew members up to the bridge.

16:52

You wanna

16:52

take a minute and explain what's going

16:54

on

16:54

here before I invite everybody up for

16:56

your little party here on the bridge? What are you

16:59

doing here? That

17:01

isn't exactly what I wish to discuss.

17:04

However,

17:04

however perhaps it would

17:05

be best to do it

17:06

all at once. Don't

17:09

move.

17:11

artem it ARTEMIS,

17:12

harper puffer.

17:13

Y'all got me? We got

17:15

a situation here on the

17:17

bridge, get up

17:17

here immediately.

17:22

Running

17:22

running up

17:23

Yeah. Yeah. He offers drop

17:26

in whatever he's looking

17:28

at as as as running.

17:30

By putting cup. I will My

17:32

my staff. She

17:35

knew. Did she knew? She was like, oh,

17:37

for put this

17:39

is not the die. I know what

17:41

you're doing right now.

17:43

Exactly. That that last reactor, the power

17:45

plant. It's just a refrigerator in

17:47

camouflage. You're aware. That's put a stack. She's

17:49

the mainframe. Mainframe

17:51

for that. That's highly radioactive. Don't

17:53

touch it. I really wanna touch

17:55

it.

17:56

Matthew, this is a question. If I

17:59

would I still have

17:59

my golf rifle from the fight, or is

18:02

that like I had put it down? We talked to the

18:04

captain so much time has passed? Maybe don't have that on my

18:06

person? I would I would guess you'd

18:08

probably return those weapons since you borrowed them

18:10

from the elephant, the golf

18:12

cart. In that case, when she's

18:14

running she knows there's a situation on the bridge.

18:16

She's grabbing her gosh pistol that

18:18

she left and she plunked onto the

18:20

floor before stepping off Kate

18:21

Gambit that she's running.

18:24

Alright. You the so

18:26

puffer and Artemis, you guys

18:29

get to the door to the bridge, which

18:31

is open.

18:33

DG. DG's a stand in there

18:36

like

18:36

this. he

18:38

waves both of you in. It seems

18:40

we

18:40

got a visitor here

18:43

on Kate Gambit. ARTEMIS

18:46

comes

18:46

in with her pistol out.

18:48

Now you see

18:51

I

18:51

haven't even have any.

18:54

if

18:55

you're putting cup.

18:57

Yeah. Phoeedy looks in. I'm afraid

19:00

it's open. Why did

19:03

size. The pudding that would

19:05

be amazing if the pudding finally had some,

19:07

like, like, lot resonance out the

19:09

yellow star. Pickups put it.

19:11

I'm I'm hoping we take the bad gap by running them

19:13

over with the ATV. Like That

19:15

would be even amazing.

19:20

try to soundically control this.

19:22

So when you

19:25

walk in you walk in

19:27

guns drawn, And Bowman

19:29

just looks at you, Artemis. And

19:31

he's he just seems so

19:33

disappointed in a way. And he's

19:35

he's like, really?

19:38

Really? Yes,

19:40

really. Lieutenant Coleman?

19:44

That

19:44

actually isn't my name, but we'll get to that. If

19:46

you don't mind, and all of a sudden, you

19:48

have no control over your body and

19:51

you just take you sit you you the the

19:53

pistol goes up in the air, you put the safety on it, and

19:55

then you you drop it on the counter next to you and

19:57

walk away from it. Fuck.

19:59

Go

20:01

Okay. Damn it.

20:04

This call you. This

20:09

is

20:09

the guy. And then he releases

20:11

but he releases you FILO and he really

20:13

releases you IRS. You can move. You can

20:15

you can speak.

20:18

there. I

20:19

thought perhaps we should

20:22

have a conversation just

20:24

the five of us. As

20:26

long as you're

20:28

not

20:28

gonna freeze any of us

20:31

anymore, you release artemists

20:33

I'm good now.

20:37

I think perhaps this

20:41

will be easier if I can show you

20:45

with

20:45

your permission.

20:48

and

20:48

suddenly without even the slightest

20:51

motion. And and he

20:53

doesn't even like tilt his head nothing.

20:55

You all find yourselves out in

20:57

the void of space. Well,

21:00

whoa. Not even in space. We're somehow not

21:02

even in space. We're somehow kind

21:04

of part of it. Like, you're not bobbing out

21:06

there in the void. You're just kind of there

21:08

and part of the fabric of

21:11

whatever. Like, in the

21:13

next scenario. What's

21:15

that? Like in the

21:17

planetarium. Exactly. Like in the planetarium,

21:19

except, you know, for

21:21

real. Right? And then

21:23

all of a sudden, you start to

21:26

move. Like, the or the the space kind of

21:28

unravels around you. And

21:30

the stars that are twinkling out

21:32

in the vastness there, they're getting

21:34

closer and rearranging and you can

21:36

actually feel and see and

21:38

sense that you're getting closer to

21:41

them. You must be I mean, if you're moving,

21:43

you must traveling at inconceivable speed.

21:45

But there's no ship, no vessel,

21:47

no nothing. And then the

21:49

dark vastness of space begins to

21:52

like dimple

21:52

almost. And the starscape

21:54

begins begins to warp and

21:57

skew and in an instant you're somewhere

21:59

else. Maybe

21:59

space or no,

22:02

it's it's not space, but it's

22:04

kind of the psychedelic rainbow swirl

22:07

of colors. In colors, like, in

22:09

spectra, you have never seen that you shouldn't

22:12

have the biological capability to

22:14

see as humans. It's

22:15

just so bright. so so bright. It should be blinding you,

22:17

but it doesn't. And this,

22:20

Artemis might recognize as

22:22

an aggregator,

22:23

as jump

22:24

space. Mhmm.

22:27

How can

22:27

we talk? Like, what are

22:29

we like? You can talk.

22:31

Yeah. Sure.

22:34

my

22:34

god. This is full of stars.

22:37

How

22:37

was how was they? He was like, I did this

22:39

at a PawLoke and Fold Show.

22:44

been here before. Yeah.

22:46

We've lost some glow sticks

22:48

like, oh, it's terrible.

22:51

I came prepared for this. Okay.

22:56

So do we have bodies

22:58

or is this consciousness? You are

23:00

you are floating? Are we, like, looking

23:02

at each other? No. You're all

23:04

kind of sharing the same consciousness

23:07

right now. role I mean, I don't even know

23:09

what to have your role. Any

23:12

kind of science role maybe? Or

23:15

yeah.

23:17

k.

23:18

I'll do a Jack of Altrade's education

23:22

role. Great.

23:26

Can I do

23:26

my Aspiration or just a sign? Do

23:28

Aspiration if you want. Nine?

23:31

Okay.

23:35

Huford is convinced they fucked with this pudding cup.

23:37

Okay. This is

23:41

contentious driving. teaching. That's

23:43

an eleven when I include

23:45

my education. Nice. Okay.

23:48

Nice. So you you recognize this as

23:50

gem space. Seth and I were

23:52

talking about this before the show. Apparently, it's in it's canon

23:54

that some escalators in their training have

23:56

to look upon this. You know,

23:59

they have to kind of it should be blinding and should

24:01

kind of have a really trippy effect.

24:03

But

24:03

you and you

24:04

can use it and just

24:09

Yeah. You can get some of my

24:11

universes.

24:11

Ordinarily, are there like is

24:14

it like blackout curtains, like,

24:16

in a ship when you're traveling through it. Like, you don't there's no

24:18

windows or anything you don't look at us. It's

24:20

normal. shutters come down.

24:22

And then, you know, a lot of the windows are

24:24

also just really

24:25

cool cameras, but the the

24:27

actual windows to shut her up.

24:29

Right. Okay.

24:31

it was a riddick movie they did that in. We're

24:33

like, they go into jump space and all these shutters are

24:35

sliding. Yeah. Yeah. That sounds familiar.

24:38

There's a great try China naval novel called

24:40

embassy town where they there's

24:42

a the way you travel faster than light

24:44

in that ship is also, like, a very

24:47

psychedelic kind of you,

24:49

like and you get incredibly specialized

24:51

training that also might kind of a science and

24:53

kind of an art and is

24:55

so funny. I think it all goes back to dune.

24:57

I think it all goes back to like -- Yeah. --

24:59

herbert, you know, or is this, like, a

25:02

psychedelic, like, kind of experience

25:04

and that being how

25:06

the navigators, facilitate enter

25:09

at the plant, enter yeah. Interstellar travel.

25:12

It's like that idea goes back to

25:14

that. You got for the sixties Yeah.

25:19

So, Adam, it's with your role. You I

25:21

mean, you recognize this as John's John's

25:23

Space. you also recognize that, like, the one time you've maybe seen

25:25

this, you were violently ill, or you like,

25:27

you were you react your body reacted

25:30

in such kind of primal, your physiological

25:32

way, and it's not doing that here.

25:34

And the feeling you all get

25:37

is if you had to make a guess, you

25:39

are experienced a memory of

25:41

sorts, but from consciousness that's not

25:43

human. So like

25:45

this

25:45

like you are you are and you don't have a

25:47

form. Like, you're not like you can't like you're like look down and

25:49

see a, you know, see a body. You're like you're just

25:51

kind of a

25:53

energy energy. It's

25:54

the best you can guess. What

25:57

is the

25:59

what are you

25:59

meaning of this? Can you guys

26:02

hear me?

26:03

You all see what I'm seeing, man.

26:05

Yeah. It is. We're, like, thinking, like,

26:07

no one's talking. What a weird thing is that we're

26:09

all gonna hear each other? I

26:11

think if if you were to speak, you, like, hear each other's thoughts. It

26:13

almost is like you could you're, like, sharing a

26:16

consciousness. What's crazy

26:18

is,

26:18

like, I think for Artemis, you guys

26:20

hear, like, racing thoughts. Like, she

26:22

is thinking of her own memory of, like,

26:24

being in school, seeing jump space,

26:26

like, feeling sick, talking

26:29

with a friend about it, going to a party. Like,

26:31

she's just thinking about things

26:33

in, like, stream stream of

26:35

consciousness. So if you hear anything, it's just like, Oh my

26:37

god. It looks just like that time. What I I don't know what

26:39

happened. I would have never seen her again, but this

26:41

isn't doesn't feel like much like it's just like

26:43

causing

26:43

the chatter. Yeah. Oh.

26:45

Pampers is like, oh my god. Oh my god. Is this

26:47

what death is like? What was in that pudding cup?

26:54

So after a moment, you

26:56

see a ship

26:57

seizure and you hear this the faint

26:59

sound of sirens. outside in the

27:01

streets of Brooklyn. Jesus. Anyway,

27:05

you see a

27:07

ship, and it seems to make sense to the

27:09

truth. Yeah. So Okay.

27:11

What's all the cargo hauler?

27:13

This

27:13

is just a simple cargo hauler, and

27:16

you are kind of aware of it's crew. Like,

27:18

you're not looking at it, but something you're aware of the

27:20

crew on board just, you

27:21

know, operating their stations and making repairs

27:24

and eating meals and living out there week in the

27:26

jump space and all of them they're gone. And then

27:28

it things shift again and you feel

27:30

like you're experiencing a series

27:32

of memories. You're starting to understand, like, you kind of feel

27:34

them all at once, but there are there

27:36

is a sequence. Because

27:40

now because you're not only

27:42

experiencing what you like see and

27:44

hear and feel but almost like

27:46

this the emotion of it almost. And again,

27:48

it's not a human instead

27:50

of emotions, so it's kind of hard to grasp, but you can you feel it more

27:52

than you could articulate it. And you're

27:54

experiencing a series of these junk bases,

27:57

and you're Travelling somehow

27:59

into jump space as various ships enter

28:01

an exit and making their

28:03

routine jumps across the chartered space.

28:06

And all of a sudden, there's the

28:08

Alison. And then

28:09

there's the Alison again. And then

28:11

there's the Alison again, making jump

28:14

after jump their job. And

28:16

urine

28:16

treat, so you

28:18

get closer.

28:21

And now

28:22

you're observing the

28:24

officers and the crew, the people you've gotten to

28:26

know on this mission. And of course, the people you

28:28

didn't, you see Captain Montgomery, who's

28:30

a tall, very clean-cut

28:33

a classic naval officer look on the bridge and

28:35

his first executive officer, a man you suddenly

28:37

know though you haven't heard this name before is

28:39

lieutenant commander Hexan. and you see

28:41

him hanging awake in his quarters and unable to sleep

28:44

in the isolation of this mission just

28:46

working on him and slowly destabilizing

28:49

him. you see lieutenant Damon down working out in

28:51

the cargo bay with with sub lieutenant

28:53

Coleman. And you see chief notes though

28:55

recording a series of video logs for her kids

28:57

back home and lieutenant commander Wilks can

28:59

meticulously plot and jump after

29:01

jump after jump. And then

29:03

you see lieutenant commander hex are

29:05

resigning. Again, this is all happening that you can deal

29:07

the sequence it's kind of swirling at

29:09

you. And you see lieutenant

29:11

commander Yang arriving by covert transport and

29:13

relieving him. You're just

29:15

you're kind of

29:16

roving throughout the ship

29:18

unseen, unnoticed again, like, you're almost like pure energy.

29:21

And you're also kind

29:22

of one with the ship. You start to like, can you

29:24

not just with the people, but with

29:27

mechanics. And

29:29

there's a there's this

29:31

in the

29:32

machines that you recognize are pushing

29:34

this vessel into its pocket dimensions and in

29:36

and out of space and time, these

29:39

jump drives that they're calling

29:41

them a flaw.

29:44

a flaw they don't seem to detect and you

29:46

you know

29:47

if you deserve some more

29:49

that they'll never detect It's

29:51

just too deep and too tiny and yet you can

29:54

see the cascading possibilities

29:56

of what will happen. This will eventually result

29:58

in catastrophe, just total

30:00

annihilation. And yet, you're you

30:03

feel there's nothing you can

30:04

do. And you're filled, like, as much

30:06

as this surprises you with this

30:09

deep

30:09

deep despair. You can

30:11

feel you

30:12

you feel like you have immense power.

30:14

You are power. That is what you are and

30:16

yet you also are helpless.

30:19

But you also and you just you feel like you're interested

30:21

in what's what's happening and you're attached and you

30:23

don't wanna leave and you don't wanna watch these

30:25

these beings end and you

30:27

don't wanna leave You wanna help them,

30:29

but you can't help. And then

30:32

all of

30:32

a sudden, you're inlieutenant Coleman's

30:35

cabin, and you're aware of

30:37

something wrong in Him.

30:39

And your your conscious that's the right

30:41

word of every living being on the

30:43

vessel, like, every breath in and out. You

30:45

feel it. And now in

30:47

lieutenant the the like, the core of lieutenant

30:49

Bowman in his chest something is

30:52

gathering

30:52

and

30:53

clotting and constricting. And

30:55

he staggers and his fingers are gripping the back of his chair.

30:57

And then you feel as his heart is

30:59

starved of oxygen, and he's he

31:01

just falls, gasping, and pain. There's

31:04

nothing you can do again but

31:07

watch until he's

31:09

gone. And then you

31:11

make a decision. And

31:13

suddenly, you're almost like that thing

31:15

that you are like collection of

31:17

things that you are

31:20

are almost merging with Bowman every single one of his

31:22

cells and you're pouring the energy that is you

31:24

into this body that once was him,

31:28

and you open your eyes as

31:31

Vollman. And for

31:31

what make it feels like the first

31:34

time ever after

31:36

a very, very, very, very long

31:38

time. You take

31:39

a breath. And

31:41

then you find yourselves

31:43

back on the bridge of the Katz gamut.

31:48

oh man

31:51

Perhaps you have questions.

31:54

Is it anything to do with the valet checks that we

31:56

found in the closets.

32:01

ignore that

32:03

question. What

32:06

what was that? It's

32:08

not the basics. What was

32:10

that? Was that better you and

32:12

where are we? I

32:15

thought it easier to show you and

32:17

to tell

32:20

you.

32:20

That was That was

32:23

you. Yes.

32:26

Why? And

32:29

what

32:32

What

32:33

the fuck

32:35

are you? That is

32:38

an

32:38

excellent question. Good question.

32:41

Question I, myself,

32:43

I'm not sure I can

32:45

fully articulate. We, my

32:48

people, we call ourselves though

32:50

the a sigh. A

32:51

sigh. We have

32:53

been

32:53

traveling from dimension to

32:56

dimension to dimension for what

32:58

you would call

33:01

millennia. We have

33:03

seen life before life

33:06

in all manner of forms and

33:08

definitions, life and infinite number and

33:11

variation.

33:11

And we

33:13

have stepped in to help or

33:15

so we thought. It

33:17

was much in the way

33:19

perhaps that your ancients did.

33:21

But we

33:22

are the effect of our help was

33:25

far, far, far, or more destructive.

33:28

And

33:28

we have in our arrogance and our attempts

33:30

to influence the way of things.

33:33

destroyed. We are we have despite

33:36

our best

33:36

efforts, we are destructive force. And

33:39

so

33:39

we, Lisai, disbanded. elected

33:42

for ourselves a life of solitary wandering

33:44

and for thousands and thousands and

33:46

thousands of years now, we have

33:48

committed ourselves only to explore.

33:51

only to

33:52

observe.

33:54

As I

33:58

said, it's difficult to put into

34:00

words.

34:04

Armed

34:04

withstoodstoodstoodstoodstoodstoodstoodstood spikes.

34:08

You know, you're you're back

34:09

in regular space. You're you're still you're on the bridge of the

34:11

Kate scam, but it's actually what buffer's

34:14

asking. Oh, are we in

34:16

jump space? No. You

34:18

now

34:19

are not. Okay.

34:22

Gigi literally

34:24

is is angry at that she's

34:26

going to rush toward him and

34:29

like say, so you're responsible for what's happened to

34:31

this ship and to all

34:34

of us? This is

34:35

your fault. You could make that argument, but

34:38

not I yes, but not in the

34:40

way you

34:42

mean.

34:42

I So

34:44

are we just your ant farm?

34:46

Something doesn't

34:48

I'm Okay.

34:50

So you found the ship. You

34:53

took over Volman to

34:55

save the

34:56

ship from a disaster you felt

34:58

was coming that you sense.

35:00

I I don't understand how you kept

35:03

the ship suspended in in

35:06

time.

35:06

And

35:08

why? Why did you do that?

35:11

We

35:14

are

35:16

flaw beings, suicide, or

35:17

I am a flaw being. You

35:19

would think that after

35:21

all this time, the

35:24

lives I encounter would feel

35:26

much the same and nothing would

35:29

be

35:30

new. But

35:32

then

35:32

I Yes.

35:34

I'm sorry. What what is your

35:36

what is your name? What is your name? Well, who are

35:38

you? What is your name? I know what you not

35:40

even told us, but what is your name? Will you? I do

35:42

not have a name. You I am

35:44

I am Lisai. I am Lisai. I

35:46

am one of many, and I am one.

35:49

I'm trying

35:52

very hard not to attack you right now

35:54

because you've destroyed a lot of lives in an

35:56

attempt to help us and you're not giving

35:58

us any idea

35:59

of why really.

36:02

I'm trying to explain. I encountered

36:04

this ship in the jump space and I

36:06

began to watch. And I thought.

36:09

I couldn't

36:12

There is

36:14

no possible way

36:16

not to interfere.

36:18

You are

36:20

a remarkable

36:24

lifeline, violent, reckless,

36:28

arrogant, and soft.

36:30

Quick to slip into dysfunction, easily

36:32

swayed by outright untrue capable

36:36

of whims of cruelty and horror

36:38

are greater than anything

36:40

in my people's history.

36:44

But also, You sacrifice for

36:46

one another. You live for one another.

36:48

You love and live with such

36:50

intensity and for so brief

36:52

of time.

36:54

One cannot help but be swept up in

36:56

the ragged jolt of your

36:58

lives. And so, yes,

37:01

I failed. After all I could not bring myself to do

37:03

nothing I thought I might join you for

37:05

a time. And With

37:09

all these people, I

37:12

could not

37:14

I wondered if perhaps if I gave them

37:16

a bit more time. maybe

37:20

somebody would be would come

37:22

along and

37:24

help them. And

37:26

I've for the past seventy three of what you would

37:28

call years, I've been dipping the ship into and out of pocket dimensions

37:31

like a needle through fabric staggering

37:33

the progression of time. in

37:36

hopes that I might give them a more hours,

37:39

a few more days,

37:41

one more day. Of

37:44

course, this is Stalin. Yes.

37:47

Sorry. Yes. Yes. Did

37:49

you

37:50

did you kill captain Montgomery? Was

37:52

that an attempt to

37:53

stop what you thought was gonna

37:56

happen? Did you take

37:58

over

37:59

hemp and changed the course of their history and their life

38:02

and and -- Oh. -- destroy someone

38:04

else's in

38:06

the process?

38:06

And you can see, like, if like,

38:08

this creature is not human, but it seemed I'm,

38:11

like, it's in Valmont and, like, you manipulate

38:13

most, like, Valmont looks, like,

38:15

completely deflated by this. that

38:18

it perhaps is the

38:20

greatest of my mistakes. I yes.

38:22

I did think I might be able to help them.

38:25

and when Hempt

38:28

was running these

38:31

routine processes I

38:33

I attempted to influence her and

38:35

perhaps set set her set her

38:37

and her patriots on the course to repairing

38:39

the drives, but and

38:42

is not like you. There was

38:44

something something different about

38:46

her mind

38:48

and she

38:50

resisted. and

38:52

soon

38:53

the captain was dead

38:55

and it was it

38:57

was my fault. just

39:00

wanted to help, but as history keeps

39:02

reminding me there is no there was

39:04

no way to help. There is only

39:07

the passage of time and the

39:09

events

39:09

within them. So we

39:12

were

39:13

like a little experiment for

39:15

you? No. No. Nothing nothing like that.

39:17

I all I wanted

39:20

was this is

39:21

a lonely existence. and

39:23

I

39:23

hoped for

39:25

company. You say the

39:28

the the the Ellison It's

39:32

doomed. Right. Come

39:34

again? Sorry. You said

39:36

the Ellison is doomed. It's doomed. Yes.

39:39

There's You you

39:41

know what

39:43

the flaw is

39:46

that you Ellis?

39:50

Or would we make

39:54

these people off of the doomed ship and

39:56

rescue. I can

39:59

no

40:00

longer interfere. I

40:06

my

40:06

plan is to attend

40:10

the

40:10

service for all of the fallen crewman.

40:12

through people tomorrow or it is today, actually. And you you glanced

40:14

over at the time and, like, that whatever that vision

40:16

was, it did it took you overnight.

40:19

Like, we've we've we've now

40:22

is known. We must be

40:24

starving. We must be starving. Oh, yes. Entire.

40:28

Yeah. offer is

40:30

it. He's his android. because he

40:32

got home. I was making it

40:34

work. My my putting his

40:36

whole drive. got that creepy skin on it.

40:38

Like, I shall attend the

40:40

services and then I shall

40:42

depart and submit myself

40:44

to my people's judgment. And if

40:46

a living awaits me,

40:47

perhaps that'll take comfort in the fact that

40:50

I'm What is the

40:52

cause you all are? What

40:54

happens in you to earned.

40:57

Nothing. I have not been ever

40:59

since you arrived, I thought perhaps

41:01

you might be.

41:02

the help the ship needs,

41:04

and I have not been manipulating

41:06

the

41:06

ship's passage through time.

41:09

You are in your own time. You

41:11

always have them. Well, this

41:12

like woman just dropped to the floor and

41:14

the ship explode. Like,

41:18

what? Well,

41:19

if the ship's If the ship entered and

41:21

if the ship enters a jump, it

41:23

will implode. But

41:25

they're repairing the drives. I'm

41:27

overseeing the repairs. I'm I'm watching

41:29

them. You're you are

41:30

limited beings,

41:32

and you have not

41:34

as much as I hoped you have

41:36

not been able to detect this

41:39

kind of flow. I will not help you.

41:41

I'm sorry I can do no nothing further. If you

41:43

choose to save the crew as I

41:45

hope I I cannot influence you

41:47

either

41:48

way. So to my

41:50

last

41:50

question, I mean, as lovely

41:52

as a

41:53

story as you were telling us

41:55

why, like, why should we

41:56

believe anything you say right

41:58

now?

42:01

And this isn't actually,

42:02

this makes him kind of smile. He

42:05

was like,

42:06

I cannot tell

42:08

you. This is what

42:10

I have found so compelling

42:12

about you. One of them.

42:14

They're gonna come in

42:16

pause craziness and leave?

42:20

I am not the cause of this. I

42:22

had aggravated things considerably, but

42:26

the the the

42:26

flaw is your own. You've

42:29

been living

42:30

with the people on this ship.

42:32

You've offended them

42:34

or or gain their trust or made

42:36

enemies, whatever. You've become

42:40

partly human.

42:42

whatever that means to you, what we are. And

42:44

you

42:44

know the danger that the

42:46

ship is in. We just fought

42:48

mercenaries from a planet trying to

42:51

destroy them, there's more on the

42:54

way. And you know

42:56

that, and you're leaving them to

42:58

die. You're not

43:00

helping them.

43:01

Perhaps that is one way

43:03

to see it.

43:07

Many,

43:10

many, many places I have been,

43:12

the universes I have seen. So many things are so

43:14

interconnected. One thing affects another

43:16

affects another in ways one

43:20

being cannot comprehend. I

43:23

cannot interfere

43:26

any further.

43:28

This can't be

43:30

it. This can't be just the end.

43:33

There's gotta be something that we

43:35

can do. And Gigi's gonna just

43:37

look at artemis and Filo and puffer and,

43:39

like, reach for his pudding cup.

43:41

There's gotta be something that we

43:43

can do here. You

43:48

If do you

43:50

care

43:52

about these people like you kind. You actually care about

43:55

them. I care more

43:57

than I ever thought

43:59

I would. You don't care enough to to tell

44:02

them.

44:05

I'm

44:05

telling you and very few

44:08

of you believe me. How do you think it

44:10

would seem if I were to

44:12

tell a

44:13

crew, a worship?

44:16

It threw you in

44:17

the brig, but yesterday. If

44:20

if these

44:22

people die,

44:26

you say you care for

44:28

them and you didn't care for

44:30

them. I have

44:31

been trying for

44:34

decades. to help them.

44:37

I have not been able to I have not been

44:40

able to do so.

44:42

I believe I am a destructive force.

44:44

Why did Evelyn die in

44:45

their cell? Is that you

44:47

too?

44:51

I thought perhaps No.

44:53

There is no excuse.

44:56

As I said, I am flawed and he hurt

44:58

so many of those

45:00

I found that I

45:03

cared for. What

45:06

is

45:07

wrong with you? You pick and choose

45:09

when you

45:09

wanna care about something, you come in and you ruin a

45:11

bunch of people's lives, but the fuck

45:13

is

45:13

wrong with

45:16

you. If I ever see the Lesai people,

45:17

you said we're interconnected, will you better

45:19

fucking hope you don't run into humans

45:21

in the future

45:22

again? You not

45:24

see me again.

45:26

Good. That's what

45:26

I said. I said it

45:28

first. You're you're

45:29

not smart than ice.

45:32

As you have it.

45:36

Oh, did

45:37

you hear that? We'll be

45:39

back, Gigi. Hang on. Gigi's

45:42

gonna grab artemis like

45:45

Okay. Mister Lesai, you're gonna jump, ship, literally,

45:47

and kick off. If you had to

45:50

offer any advice whatsoever,

45:52

what would be if

45:55

we we were

45:57

to attempt to fix this situation. Nah. What could

45:59

we

45:59

do? How could

46:02

I possibly

46:02

answer that for you? I

46:04

am not you and you and

46:08

that it may be our

46:10

only salvation.

46:11

that you would approach this

46:12

in a way I would never conceive

46:15

of. We would approach

46:17

it. You mean

46:20

as as how actual

46:22

humans, we would approach it differently than

46:24

you. Yes.

46:26

That is my hope. But again,

46:28

I You're saying it's difficult.

46:30

You're saying that we, the four of

46:32

us, may have may have the answer. I

46:35

do not

46:37

know. This

46:40

is something I've learned from you learned from your form life

46:42

form that the capacity

46:45

for hope engenders

46:48

interesting

46:52

Consequences. Come

46:52

if we wish, see, wish

46:55

to attend the service, we

46:57

must go down. and he stands and just blocks

46:59

out the bridge. Walk out on the bridge. We should

47:02

I and he looks at the rest. He says,

47:05

like, I I I'm trying

47:07

to understand.

47:10

III thank

47:12

you. Or

47:14

what you may see as an attempt to help us

47:17

a chance to

47:20

boil our

47:22

doom. And I

47:26

wish to give you a gift in return before

47:28

we continue on before this

47:32

ends. Yes?

47:34

I

47:36

wish to give you a name.

47:39

A name. You

47:40

have no individual name

47:42

of your own. I wish to give you one. Alright.

47:47

right

47:47

What will

47:50

what would be be?

47:52

Shaquille Shaquille It

47:57

is an ancient name, a storied one. I think it is

47:59

fitting for one such

47:59

as you.

48:05

I was

48:07

trying. I was trying.

48:10

I thought he was just an

48:12

ancient Really old day. Yeah. Or

48:14

something. To kill. Yes.

48:17

For some reason, I feel

48:19

this suits me.

48:19

It it is a warrior's

48:22

name. The one

48:24

who strives. I think it is a fitting gift. This

48:26

is our moment of

48:28

passion.

48:29

I thank

48:30

you. I thank you

48:32

for your yes. We'll know what

48:34

you put in your grave. Start after this. Ah.

48:37

Yeah. You are

48:40

welcome, Shaquille. we'll do our

48:42

best to save ourselves and our

48:44

new friends on this fate.

48:49

Alright.

48:49

Do you

48:52

go to do you follow --

48:54

Dash? -- Shaquille to the

48:58

funeral? Yes.

48:59

Alright.

49:01

I was

49:04

not planning on

49:05

it. Okay. I don't know

49:07

where you're gonna do. other words

49:10

you like to

49:13

eat. So this

49:16

is actually Upper's view is we can

49:18

either, you know,

49:20

get the hell out

49:21

because when this

49:24

thing jumps, if we are

49:26

on it or attached, we're dead. If they're jumping after the

49:28

funeral -- Mhmm. -- we're dead.

49:32

So it could either be. We could

49:35

mess with this the

49:37

the the drives and and

49:39

take care of it. I

49:42

I can't think of any way to ask the whole crew unconscious,

49:45

load them into low birds, wield them

49:47

on the Katz gamut and fly away. Haven't been

49:49

able to figure that one out.

49:52

I was thinking about doing a vac suit walk and

49:54

screwing with everything from the outside while

49:58

everybody was Doing

50:00

the moon

50:01

their thing

50:04

because they can't lock doors on me

50:06

if I'm on the outside of the ship.

50:08

And

50:08

actually, if we are able to save the crew letting the

50:10

ship go to jump and destroy itself

50:12

would be a really effective

50:16

way of to arm

50:18

the ship and take that out of the equation.

50:20

Yeah.

50:20

So nobody else gets it.

50:22

Right? It's

50:23

very much appreciated. breaking up.

50:26

mess

50:26

with the life

50:27

support. We we we could override the

50:29

life support

50:30

so it doesn't tell us that

50:32

it's it's actually just kind

50:34

of messing with the oxygen levels, puts them

50:36

to

50:36

sleep, and then we could very quickly

50:38

shuttle them into low births or

50:41

or something. Yeah. That

50:42

could work. That could work.

50:44

Perfect. We have room in

50:45

the cargo bay. I mean, we could.

50:47

Oh, yeah. I mean,

50:48

that that that ATV holds, like,

50:51

eat people. Yeah.

50:54

With the lopards in the eighteenth.

50:56

If we can get to the

50:58

lopards aboard the ship, we can think you You

51:00

can wield them. I mean, they're they're big and clunky, but you

51:02

can actually just wield them. We could literally fill our

51:04

cargo berks -- Yeah. -- or cargo hold up with --

51:07

Yeah. -- pros and pros and

51:10

people. mean, at

51:10

that point, just lower the oxygen, put them in their low dose,

51:13

lower the gravity.

51:14

It just pushes

51:16

them down the hall. Oh my

51:19

god. What's that? What's that? What's that looking at the the broom and the

51:21

Early. Oh, early. Oh my god. I was one

51:23

of the curly with needle. Curled

51:25

them into her. in

51:28

the cargo bay. The ice wheelers. Everybody grabs the whole tank and

51:30

you run and then just hop

51:31

on and you just

51:33

stir it down. That sounds like

51:36

a blast. Ellison's last

51:38

day will be magnificent. Oh, this is

51:40

insane. Yeah.

51:42

So so puffer would like

51:44

would like to to

51:46

try to

51:47

mess with the life support on he if if

51:49

if I can get to engineering to do it or

51:51

if I have to do this on the outside of

51:53

the ship, Matthew, what What do

51:56

I need to role

51:58

gauge what the best way

52:00

of doing this is? Also, as

52:02

we don't wanna wear back suits or something. Yeah. Accident. Oh,

52:05

yeah. Yeah.

52:05

Yep. Okay. A lot of the ship

52:07

armor actually just does have oxygen

52:09

mass instead of because

52:11

I'm not gonna crush your eyes.

52:14

Right. So I would say roll

52:16

naval tactics to see,

52:18

oh, like, if

52:19

you're doing a funeral, what kind

52:21

of, like, what's the what's the what's the protocol

52:23

procedure and protocol for keeping things guarded,

52:26

man? What, you know, what kind of, you know, that kind of

52:28

role the naval tactics would you make us? And

52:30

I'm

52:31

and scared you might

52:32

need to help me here.

52:37

I was evidently detained before I

52:39

learned to that part as my naval -- Scott. -- whereas

52:41

I or, like,

52:43

I think the put

52:45

them in a torpedo and they shoot them and shot them. It gives

52:47

a really good speech and Yeah.

52:50

Yeah. That's

52:51

all I remember. So,

52:54

yeah, four. Four?

52:55

Okay. Skid are you in a row too?

52:58

Yeah. Eleven.

53:01

eleven Okay. You

53:03

would know

53:03

and you would guess, and based on

53:06

where Bowman is going, you know that the the

53:08

funeral will be held will be held on

53:10

deck ten. at the

53:12

missile bay. And, yes, they actually are going

53:14

to shoot them out the missile at the missile

53:16

tubes. Yep.

53:18

Exactly. beings I haven't counted. The souls I haven't counted is was

53:20

the most human

53:23

human. You

53:27

know that even though this is a

53:29

you know, the full crew is invited

53:31

to attend, that does not

53:33

mean there isn't

53:36

a standard watch on all major stations.

53:39

So engineering will be, you

53:41

know, will be staff,

53:43

there will be people there will be plenty of people

53:46

there. You could

53:47

the I mean, like,

53:49

you they you also know that if you open

53:52

the airlock, someone would sit,

53:54

like you're so either way. Not

53:56

exactly the bridge. I would

53:58

actually want to what what I would like to do

53:59

is mess with the sensors so their

54:02

alarms go off. and literally

54:04

start messing with oxygen nitrogen

54:07

levels of we're

54:09

going to everyone

54:12

to sleep slowly. Okay. Great. We don't

54:14

hit don't

54:14

hit lethal. I got jeez.

54:16

I hope I don't screw this roll up.

54:18

I don't want to get lethal.

54:21

But would like to

54:24

drop it in a way

54:27

that they just or sleep

54:30

without alarms going off going, oh

54:32

my god. Alright. So

54:34

I would say Wanna do what I've accidentally done,

54:36

but recreate.

54:39

Horrible hindsight. I've done

54:41

it. That horrible hangover accidentally gave us

54:43

a call. about your past

54:46

comes out in this moment, you're like, it won't be like the last time. No.

54:48

Like the last time.

54:50

Alright. So what I

54:53

think you you could do is get to engineering.

54:55

So you would go to engineering. You you would

54:57

need to somehow gain

55:00

access to a console. So you would need

55:02

to persuade whoever is on

55:04

watch there to give you access to a

55:06

console. Then I

55:06

wouldn't I'm gonna need a task

55:09

chain. I'm

55:09

gonna need a medic check to help to

55:11

give you to help guide you in

55:13

what the proper oxygen level should

55:16

be. And then it'll just

55:18

be either a computer's electronics or a

55:20

mechanic for you to manipulate. levels and such that

55:22

you could put everyone to sleep.

55:24

Okay.

55:24

Now, this

55:25

is also

55:26

a very important question, guys. We

55:28

need to go

55:29

down memory lane about that

55:32

time that we did this

55:34

before. Right. And not

55:36

all the skills that we need to

55:38

done this. Right.

55:40

Yes. Right. there

55:41

was that time.

55:43

There was that time. On

55:45

that planet, I forget

55:47

the name. Rigel seven.

55:50

time. Right to seven to seven. It's

55:52

when Gigi it's when Gigi's hair

55:54

was short, so that's

55:56

my time frame when you had

55:58

that short hair g t. Why? I was

56:00

back. Yeah. I was because I was taking a

56:02

shot of what made it look like that. Yeah.

56:04

Right. Right. Oh, god. He was

56:06

a mess. he

56:06

was a mess. It is good that you left him there. That

56:08

is good. You better without him go.

56:10

Yeah. I beat his ass in

56:12

public. It

56:13

was embarrassing, but, you know, for

56:15

him. I you look cool and tell. I just gotta

56:18

say. Yeah. Alright. But

56:20

about

56:20

what we were doing. The idea I would

56:22

say. is that

56:24

your absence, the funeral, would be

56:26

conspicuous. Right? But just

56:28

his absence,

56:29

we would still be

56:30

if you don't. Well, you're gonna need you're

56:32

probably gonna need two people. I'll go -- That's true. --

56:34

I'll go to the funeral. Alright.

56:38

I'll go to the theater. I have an

56:40

English accent. So Wait. Okay. I'll go. Yeah. Usually go

56:42

to the theater. But okay. So, wait, should the person

56:44

who goes with Puffer have, like,

56:48

something.

56:48

They Life support life support

56:50

engineering

56:51

would be real handy. A bad

56:53

engineering, but don't have Life

56:56

support. So I'd be doing engineering, life

56:58

support, zero. So I

57:00

would let you roll I would let you roll magic

57:03

Oh, you are very sorry. MediQ one,

57:05

but but because engineering is

57:07

broken at all the subs. I've got

57:09

j drive, m drive, all the others,

57:11

I have zero. I don't. My life support is zero. I go

57:13

home education. It's just one. I

57:16

mean, jack

57:18

hall trades.

57:19

No. I mean,

57:20

I could I could I could I could

57:22

make a shift. You have engineering.

57:25

Right? I do. Two in engineering,

57:27

and I have a zero in Jacket

57:30

too. Right. I think we're in the mountains.

57:32

Well, is your engineering

57:34

specifically jump drive or j drive or

57:36

m drive? My electronics

57:37

is computer. Oh, I don't have

57:38

engineer. Yeah. I don't have engineer

57:40

at all.

57:42

I I actually

57:44

have I wonder why I have why

57:46

do I have engineering? Maybe it's because I was

57:48

Was the bus driving? No. Yeah. You

57:51

bet. You bet. That's

57:54

right. No. It was some bus driver. No.

57:56

Got hit by a bus. She got hit by

57:59

a bus mechanic. They

58:02

No. I was

58:03

living with the with the the professor. Yes.

58:05

The professor. One of one

58:06

of our professors is professor. One

58:09

of my professors. faster.

58:12

And that's how we met.

58:14

Basically,

58:14

he was a ship

58:17

builder. And in living with

58:19

him, he gave me small job, you know, after life on to come in.

58:21

It was I was

58:21

welcome to that. And I

58:24

learned to take Did you get did you get mechanic from

58:25

him or to engineer

58:28

from him? I got

58:29

engineering from him and both from

58:31

him,

58:31

I think. Oh, no. I got my panic from when

58:33

I left and I was sort of doing,

58:36

you know, stuff on my

58:38

own, you know, hit jobs and stuff

58:40

like that. I never got caught though. You didn't hear

58:42

that.

58:42

Alright. So do who wants

58:44

to do Puffer, do you wanna use your

58:47

connections rule to get yourself engineering life support?

58:50

the I've

58:51

used one connections rule to

58:54

get drive earlier with

58:56

JJ. Did I use I I honestly

58:58

don't remember. Did I use my second one

59:00

yet? I I think you

59:02

can. I don't think so. We

59:04

haven't really We were skiing through the

59:06

last night. Yeah. We haven't talked

59:08

about it. a number of you have a talk

59:10

because it's always Seth. He's like, well, we could remember that one time.

59:12

Right? Oh, yeah. Yeah. Seth is

59:14

the other one who remembers that that's a thing

59:17

in this game. never. So But I

59:20

mean, Seth, what do you call Piper just did,

59:22

like, open heart surgery and stuff. He's

59:24

basically a

59:26

doctor now. Well well,

59:28

that's just because I had MEDIC one and my

59:30

dice were very nice to

59:32

me. I did get I took a

59:34

teamwork naval tactics one. I got as

59:36

a yes. Those are true. I remember that. Yeah. So why don't Seth,

59:38

why don't we'll just rule you can if you wanna

59:40

use it to get engineering live support one

59:43

that that tracks for me. I'll I'll take it

59:46

because so I've got I've

59:48

got the medic one, engineering life

59:50

support one.

59:52

if

59:52

if we'll have to

59:53

take care of whoever is on watch.

59:55

I mean, I've got stunned fist, you

59:57

know, I found But

1:00:00

but if some people

1:00:04

would like to help me with

1:00:06

that, but we also might

1:00:08

need to lock everyone in that room. That

1:00:10

way we can if anybody

1:00:12

panics because they realize they're getting

1:00:14

dizzy, we'll just

1:00:16

this

1:00:18

Alright. So the

1:00:20

plan is,

1:00:22

who's cup Who's

1:00:23

coming with you?

1:00:25

Gigi or Arlie's? wants

1:00:27

to maybe accidentally kill everybody.

1:00:30

Well, I feel like I

1:00:31

should go to the

1:00:34

funeral to show face, but also because of I have, like,

1:00:36

a friendship with Arturo now. And

1:00:37

I feel like it would be weird if

1:00:39

you need to say that

1:00:42

I'm not where's my hottie? He's

1:00:43

gonna be looking for me. I mean, he's gonna be up for

1:00:45

me. Yeah. Alright. So g

1:00:47

g and follow with

1:00:49

the funeral, artemis, and

1:00:52

puffer are going to go to engineering where they they're going

1:00:54

to attempt a sweet talk show. Oh,

1:00:57

I'm sorry. GG and puffer are

1:00:59

going to engineering. RMS as

1:01:01

well are going girl. In engineering, Gigi and Puffer are going

1:01:03

to sweet talk their way up to a

1:01:06

console and

1:01:08

then perhaps attempt to

1:01:10

lower the oxygen level on the

1:01:12

ship in such a way that they will

1:01:15

render

1:01:15

everyone unconscious and then transport

1:01:17

them in low bursts onto the

1:01:19

Katz Gambit, scuttle the ship save everyone. That's the plan.

1:01:21

That's all we

1:01:22

can do. That's that's so slow.

1:01:26

So so so And what could go wrong? We'll need comms.

1:01:28

You guys will need some sort of

1:01:31

emergency oxygen, and

1:01:33

I'll need you In

1:01:35

case it happens, we managed to get the door

1:01:38

locked. Nobody can get out of the

1:01:40

funeral. Like They like

1:01:42

the gates. Alright.

1:01:44

So let's listen to Mark Marron.

1:01:46

You you have a plan.

1:01:49

a bad play.

1:01:49

And we'll see what happens after the

1:01:52

break. Okay.

1:01:57

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do when you wake up,

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Alliance ATM. Welcome back.

1:03:17

Okay. So in our ad break,

1:03:19

we did discover something. So Alethia, do you wanna talk do

1:03:21

you wanna talk about it? I

1:03:23

do have a

1:03:24

life support engineering and it comes

1:03:26

from the fact that I was basically

1:03:28

part of putting together a commune

1:03:31

and make sure people could exist and live in different

1:03:33

planets. That's actually what she studied in school.

1:03:35

So that's why I'll be

1:03:37

going down with with

1:03:39

Puffer. So you'll

1:03:39

end up making the the

1:03:42

engineering life support role, which will be the final

1:03:44

role. Okay.

1:03:45

Chapter a, you'll you'll do

1:03:47

the magic role as part of task

1:03:49

him before that. I am

1:03:50

so happy that pressure's off and I

1:03:53

could just pass that pressure to Alicia.

1:03:55

I thank you. Alright. Oh,

1:03:57

what? So here's what? We're so

1:03:59

we're gonna cut back and forth between the two

1:04:02

scenes. So we'll start at the

1:04:04

funeral. So

1:04:06

artists and follow. You you follow sublieutenant

1:04:08

Bowman in, or being you

1:04:10

now know as Shaquille. of

1:04:13

the locai.

1:04:15

man Mhmm. And,

1:04:16

yeah, the officers and crew,

1:04:18

like, the bulk of them have gathered

1:04:20

the four of Deck ten is at the missile

1:04:22

pace. And Captain Yang is standing before seven

1:04:25

coffins, each laid out in front

1:04:27

of a missile tube. And the

1:04:30

other officers and crew are all standing at attention before her. And

1:04:32

she takes a moment and she

1:04:35

looks up and starts making

1:04:38

eye contact she delivers her eulogy. Just

1:04:40

everyone on this boat

1:04:40

volunteered for this mission, this

1:04:43

mission. Every one of you

1:04:44

has chosen to be here for our

1:04:47

for your worlds or the imperium

1:04:49

for each

1:04:49

other.

1:04:50

And of course, when

1:04:52

we accept this mission, we

1:04:55

know it may be our last. We know

1:04:57

that we have pledged our lives in service

1:04:59

of something greater for the

1:05:02

preservation of peace, for the protection

1:05:04

of those we love and the lives we will

1:05:06

never know. The people we do not know

1:05:08

exist, we stand for them at no matter

1:05:10

the cost.

1:05:12

and she

1:05:12

looks out over the conference. Geryn

1:05:15

Cole,

1:05:15

Nord Eileen, Simon

1:05:18

Aldine, Donna

1:05:20

Freed,

1:05:20

Paxiid,

1:05:23

Wille Hemt, and

1:05:25

Bruno Wilkes, gave

1:05:29

what one ancient Terran leader called the

1:05:32

last full measure of devotion for the

1:05:34

sake of our

1:05:36

mission. And

1:05:38

from there, we'll go

1:05:41

down to engineer. We

1:05:43

not. Okay. Wait. But also real

1:05:45

quick, Matthew. Hemp died. Hemp

1:05:48

died. Mhmm. in the

1:05:50

fight? She was she was sprung from the

1:05:52

brig for the the engineer

1:05:54

for help in the repair. I

1:05:56

was gonna ask because I never saw her in

1:05:58

the So Yeah. Do you guys now want to talk to

1:05:59

her?

1:06:01

Oh, we wanted to, but she died

1:06:04

from my neglect. People

1:06:06

in cash it's kind of neglect.

1:06:08

I'm tired of PC neglect. I'm tired of lonely PC

1:06:11

neglect. Shit. No. She

1:06:13

was she was at she

1:06:15

was sprung into help in the repair, and then she actually took

1:06:18

up arms and was killed in

1:06:19

the in

1:06:22

the firefight.

1:06:23

Yeah. Yeah. Fuck that one

1:06:25

up. Are you the only one

1:06:27

of you that could resist the sciatic

1:06:29

and the sciatic episodes

1:06:31

of the sci? art of his whispers

1:06:33

of Milo. Oh, we really fucked up. We were supposed to talk to him to worry.

1:06:36

Oh, right. She

1:06:38

died. I didn't know

1:06:42

that. Well, that's a surprise.

1:06:44

I was just I

1:06:45

was talking to Joe and the most recent

1:06:48

candidate I was on, but he was asking

1:06:50

about, like, with, like, what

1:06:52

the effect of, like, I

1:06:53

was writing something and then getting to play it. And

1:06:55

I was, like, there's a lot of stuff I like, back

1:06:57

stories that I worked on that they just never

1:06:59

want them to interact with. Which

1:07:02

I'm not holding as a grudge or anything,

1:07:04

but Sorry about you. I

1:07:06

might murder a PC just because

1:07:08

I know how frustrating that could

1:07:10

be. She was always going this is always

1:07:12

gonna be her story unless you interfere with

1:07:14

someone. So it is right. Anyway,

1:07:17

back in engineering. Puffer and

1:07:20

Gigi, you come to

1:07:22

the door and it is

1:07:24

locked. Okay. You're gonna have to hack the

1:07:26

lock again.

1:07:26

Didn't think of that. Dig it. Okay.

1:07:30

okay

1:07:31

again Okay. It'll

1:07:32

be electronics, computers. Okay. Well,

1:07:34

that's this is

1:07:35

what Puffer

1:07:38

does. So I

1:07:39

have

1:07:41

my my computer,

1:07:42

then my little suit that I

1:07:45

can do this with with my intrusion program

1:07:47

give me a plus one. I

1:07:49

have nutrition.

1:07:52

Sure. Okay.

1:07:54

And

1:07:54

I will Do

1:07:56

you want that or a boone? Would you go maybe you

1:07:58

could get a boom

1:08:00

instead for that. I'll take whatever I

1:08:02

can

1:08:02

get. Take a plus one. Okay.

1:08:06

And then with

1:08:08

whoever is in there.

1:08:10

Gigi, if we need to.

1:08:12

I I have my stun gun fist, but

1:08:14

I would prefer if we could just

1:08:17

get them to not interfere as

1:08:20

quickly as possible. We can put them

1:08:22

in the leaving or what? We have any

1:08:24

ideas.

1:08:26

Digi is gonna, like,

1:08:28

turn to puffer and, like, grab him by the

1:08:31

shirt and, like, pull him closer

1:08:33

and say puffer.

1:08:35

This was your idea. Alright? I think

1:08:37

it's a

1:08:38

good idea. I think it's a great idea, but it's still

1:08:40

your

1:08:41

idea. Do

1:08:43

I need you to know what the heck

1:08:46

is happening here. Okay? Just in general. I'm here to help you because I believe

1:08:48

in you.

1:08:48

But at the same time, I wanna

1:08:50

kick

1:08:50

your ass. She's gonna shove that.

1:08:54

Gigi is such an insane

1:08:56

crewmates that have. I totally

1:08:58

love this. My mom said same

1:09:02

thing when I went off to college.

1:09:04

I think it's a good

1:09:06

plan, but it's your plan. don't

1:09:09

wanna kick your ass.

1:09:11

Don't kick your ass.

1:09:14

Okay. I will try to

1:09:16

unlock the

1:09:18

right door.

1:09:21

Right. Nine

1:09:24

Okay. Yes. You were able to

1:09:26

hack the door and the door to engineering slides

1:09:32

open. Meanwhile,

1:09:33

back at the funeral.

1:09:35

The captain is still

1:09:35

continuing. Maybe

1:09:39

learn from their sacrifice and really dedicate

1:09:42

ourselves to the great and terrible and often invisible

1:09:44

responsibility

1:09:45

that we

1:09:48

all share. the name of their memories,

1:09:50

and the name of the many systems and souls. And you

1:09:52

at this moment, you notice her eyes

1:09:54

fall on you, Artemis, and you

1:09:59

silo. We have sworn

1:10:02

to protect. Meanwhile, back

1:10:04

in the

1:10:06

engineering, Alright. You walk in. And there's it's not a full

1:10:08

crew. Like, it wasn't like when they were doing

1:10:10

the massive repairs, but there's still a detail.

1:10:13

And lieutenant Damon is there. he's he's he's

1:10:15

supervising the repairs to the

1:10:17

jump valve.

1:10:18

I should've went there. So

1:10:22

you there are consoles about, you know, you you know

1:10:24

your way around engineering by now. But if you were

1:10:26

to just walk up to a console, you

1:10:30

probably would get notice So

1:10:32

do with that

1:10:33

information as you may.

1:10:35

Okay. Okay. Do well for

1:10:37

me. I say we'd walk

1:10:39

in just like like like,

1:10:42

what was supposed to be here?

1:10:47

Maybe and

1:10:50

not to not

1:10:53

to Damon. And let's

1:10:56

let's talk Alright.

1:11:00

That's gonna go.

1:11:01

You go up to

1:11:03

Damon. Oh, hey. I

1:11:06

thought you would be at the service. I wish I could go, but the the captain said, ordered me to

1:11:08

stay here and and we

1:11:09

gotta finish their repairs. We gotta make the jump

1:11:11

as soon as, you know, as

1:11:15

possible. Yeah. And well, actually, we were we actually since

1:11:17

I finally got a lot to go to the game, but

1:11:19

we're able to get our tools. And we

1:11:21

wanna see if there's anything we can do

1:11:24

to help it out. But John's

1:11:26

gonna be immediate. We didn't want anything like that. And I'm happier here in your world.

1:11:28

Here's the core of seeing you

1:11:30

at the funeral. I think she's

1:11:34

Yeah. So What's your

1:11:37

story by the way? Oh, that

1:11:39

is a long one, but I

1:11:41

tell you what, I don't think

1:11:43

it's my place to go. Okay.

1:11:45

What though if if you like,

1:11:47

this is all this

1:11:50

is all I'm not the guy

1:11:52

that you should be asking. It's

1:11:54

not my own story. I Tell him I'm I'm not the expert. Everything

1:11:58

is good.

1:11:59

I'm watching. I

1:12:02

can I can cover this if you wanna go and see her. Is that that

1:12:06

must be?

1:12:08

That's very sweet, man. But I I the

1:12:11

cap I'm on here under captain's orders. I can't just abandon my post. That be that

1:12:15

would be insane. Yeah. Anyway What

1:12:17

are you talking about Damon? I mean, and and did you

1:12:20

short? So did

1:12:20

you sort of step around and say,

1:12:22

what

1:12:22

are you talking about? I mean, The

1:12:26

captain's not gonna fault you for wanting to attend

1:12:29

this service. And at the same time, you could

1:12:31

get to sort of, you know,

1:12:33

rub shoulders with them when you find attractive.

1:12:35

I mean, it's a bonus, but it's not like you're

1:12:37

gonna get in trouble. And besides, she's

1:12:39

gonna just, like, sort of, like, shove,

1:12:42

puff her and say, I mean, you

1:12:44

got someone here who's

1:12:46

well qualified who can take over for you while you're gone. Oh, no. No. I I

1:12:49

really appreciate the

1:12:51

offer, but III

1:12:55

maybe you you are familiar with, you

1:12:57

know, chain of command things, but

1:12:59

she literally could throw me in the brig for

1:13:01

leaving this post. So III do have to

1:13:04

finish my I appreciate it. But I yep.

1:13:06

Thank you for the tools thing. That's super sweet of you. Right. I think we're in pretty

1:13:08

good shape, honestly. He's like looking

1:13:10

around. He's like, I think everything's gone.

1:13:14

on, you know, we're on schedule. So

1:13:16

many people are on a teacher. Was

1:13:18

that

1:13:18

How many

1:13:19

people are on AAA

1:13:21

engineering teacher? How many people? I'm gonna roll I'm gonna roll two

1:13:23

d to answer that question. Oh my

1:13:26

god. It's gonna be bad.

1:13:28

Seven people,

1:13:32

including Bill. Okay. And they're sort of spread out that way?

1:13:34

Yeah. They're all they're all kind of working on the job working

1:13:36

on the drives. They're all they're all over.

1:13:38

And they, you know, they all they

1:13:41

some of them are waving, but

1:13:43

then they get back to the

1:13:45

world. So are there consoles that are

1:13:48

kind of out of the

1:13:50

way that if I but my idea is if I could get him to come with

1:13:52

me,

1:13:56

It's done

1:13:57

just and then allow me to

1:13:59

work

1:13:59

on it. Are

1:14:05

you gonna get up to come with you? Okay. Yes. So I'm gonna

1:14:07

yes. You can we can Please

1:14:11

eat his fingerprints. So we'll need a

1:14:13

persuade to get them to come with you to the to the to get them to come with you to the console. And then

1:14:15

I'll need a stealth

1:14:20

to, like, get yourselves to a consult on scene.

1:14:22

That's the big I'm, like, I'm sure you could find one, but let's do a stealthy to attract attention.

1:14:24

Right? So

1:14:27

who's gonna

1:14:27

do the persuade role? And then what

1:14:30

do you say?

1:14:36

Me,

1:14:36

me What am I

1:14:38

supposed to say to persuade

1:14:39

Perming. Tell me. You

1:14:43

let a whole cult. We did

1:14:46

one man do a console. Why am I here a filo in my head? Let

1:14:52

me probably getting this addition to some of

1:14:54

the stuff over on the on the on the power plants or something over

1:14:56

here. Like, hey, what

1:14:59

did you notice this? lieutenant

1:15:01

Damon, you know --

1:15:04

Yeah.

1:15:05

--

1:15:07

you

1:15:07

you are you know, you

1:15:09

seem to know a lot about computers. There's a few things

1:15:11

that I don't really know. I was wondering if there's something that

1:15:15

maybe you be the big strong science

1:15:17

engineering, application, man fly, and a

1:15:20

spaceship could explain to

1:15:22

me, you

1:15:23

know, over there, there.

1:15:26

Look over there quick over

1:15:28

there. Alright. Roper's weight, and

1:15:30

we'll see how how he responds.

1:15:33

Look. It's a bad idea, paprika.

1:15:35

It's your idea again.

1:15:36

when you idea i guess

1:15:40

And

1:15:40

it happens, wait. Okay. You

1:15:43

can use Jackalope trains. Yeah. Use Jack. Yeah. Oh, okay. Ruth, yeah, rather

1:15:48

you you reduce

1:15:48

the penalty.

1:15:49

Right. So he is

1:15:52

nine. Okay. Okay.

1:15:54

Yeah. He's like, oh, I

1:15:56

mean, I'm I'm just an engineer,

1:15:59

but I'm

1:15:59

sure I could I'm

1:16:02

sure I'd be able to show

1:16:04

you a few

1:16:06

things. You know, we're here. Come over to this console and your gestures to one that's

1:16:08

out in the

1:16:11

open. Oh, no.

1:16:12

oh I'm gonna

1:16:14

look at the hospital. What

1:16:17

does

1:16:17

this button do?

1:16:19

Okay. If she's distracting him

1:16:22

and pulling his tension of her might just take

1:16:24

that opportunity to try to stealth away. Like,

1:16:26

okay. That's not what I was expecting, but

1:16:30

Guys attention. I

1:16:32

would like you to

1:16:34

hopefully slip away and

1:16:36

do the devil's

1:16:39

work.

1:16:39

Roll it yourself.

1:16:48

Is that our

1:16:49

answer? He trips and falls at

1:16:51

home. Yeah. The

1:16:54

ducks over or something.

1:16:57

Meanwhile, back at the

1:17:00

finish. The captain is finishing. And he

1:17:02

says, we thank them now and commit

1:17:04

them.

1:17:05

the great and final sleep so

1:17:07

that they may rest in the past.

1:17:09

And with

1:17:11

that she nods and crew

1:17:13

members in the front line all step forward into in perfect unison. And they

1:17:15

lift the coffins and slide them

1:17:18

into the missile

1:17:20

tubes and load them and shut the,

1:17:22

you know, shut the doors and the captain turns and salutes the coffins in the entire room like an

1:17:25

exact use and

1:17:28

joins her. and then the the captain,

1:17:30

you can tell her voice is like because if she's really struggling, but her voice is still, still

1:17:33

bad ass. It's

1:17:36

like, fire. and the coffins are

1:17:38

launched out into space. And you can see them through the ports and the missile tube doors,

1:17:41

like the

1:17:44

one that that Damon showed artists to

1:17:46

look out at the the simplest stars, and you see them kind of just

1:17:48

rocketing toward

1:17:51

the system's gas giant. Meanwhile, I'm

1:17:54

back on engineering.

1:17:56

Puffer tries

1:17:59

to

1:17:59

slip away. and

1:18:02

lieutenant Damon

1:18:02

says, oh, hey, where are you going?

1:18:05

Do you

1:18:08

need something?

1:18:09

Well, yeah, I was I

1:18:10

was I was actually just wanting to to check the diagnostics before we go because I don't make sure

1:18:13

that they keep

1:18:16

being attached the ship is gonna be

1:18:18

able to throw off the balance when we enter the jump bubble. Because we have an oblong jump bubble, you know, that can cause all sorts

1:18:20

of problems. And we have two hundred shut

1:18:22

tons that are hanging off the side that

1:18:26

your ship wasn't expecting before we did a

1:18:28

jump. So I just wanted to verify

1:18:30

that everything on that is is is

1:18:33

looking good because we don't want an

1:18:35

oblong bubble Roper's win. Man. That sounds totally right. That's

1:18:37

what I mean. That's what I mean. I don't want

1:18:39

an I don't want an oblong bubble. You get a

1:18:41

balloon on that because that was, like, that was a

1:18:43

great use of Tekno

1:18:46

Bible. Yes. Tekno Bible. Oh, thank god for the moon. Okay.

1:18:53

Are we doing social or intellect? Okay. social. Okay.

1:18:55

Well, that's no plus there.

1:19:00

Eleven. Hey, that's awesome. That's

1:19:02

pretty great. He's like He's like, oh, yeah. I mean, I don't know. That's

1:19:04

awesome. Yeah. You you heard

1:19:06

about Wilkes. Right? You heard Yeah.

1:19:11

The surgery, I guess, went well.

1:19:13

But then last night, yeah, late last

1:19:15

night, he coded and

1:19:17

he's my

1:19:18

god. Yeah. So so yeah. So we're running, you know,

1:19:21

with

1:19:22

a we're

1:19:24

running not

1:19:27

with a full complement of our aspiration crew. So actually, it's good

1:19:29

that you thought of that. So would you

1:19:31

mind yeah. Okay. That's great.

1:19:34

Thank you. You could you could check

1:19:36

That'd be great. Okay. Yeah.

1:19:38

Yeah. As I said, just just wanna make sure because yeah.

1:19:41

So we'll just

1:19:44

plug in. Alright. What's

1:19:46

going on back at the funeral? It's the funeral is now breaking up

1:19:48

and what do you

1:19:50

what do you guys do?

1:19:54

We're wait. Our plan is to keep people in the room.

1:19:56

Right?

1:19:57

Yeah. I'm I'm

1:19:59

gonna start, like,

1:20:00

start ah like

1:20:03

Phyllis is this is have something

1:20:04

I'd like to say. And

1:20:06

art of his as Phyllis

1:20:09

says if art

1:20:11

of his And and,

1:20:12

like, everyone kind of, like,

1:20:14

turns and they've already launched

1:20:16

the the, like, the

1:20:18

coffee down the space and

1:20:21

Art of it

1:20:23

says, we may we may have only recently

1:20:25

we may have only recently

1:20:27

boarded your

1:20:29

ship, and I'd like to think joined your crew in a way.

1:20:32

But

1:20:33

right

1:20:35

this was a this is

1:20:37

a hard thing on all of us.

1:20:39

Final go ahead. Yes.

1:20:39

I I'm

1:20:42

sorry and I'm like

1:20:44

gesturing to artists that,

1:20:46

like, support me. Like, I'm I'm I'm I'm very visibly, emotionally, like,

1:20:52

overwhelmed. And

1:20:52

and final

1:20:54

got do you want me to say it?

1:20:56

No. I just I

1:20:59

just hold hold my hand, please.

1:21:01

Just just be there for me,

1:21:03

please. I got I

1:21:03

got you. And she holds his hand with

1:21:05

both her hands, like, kind of padding it. And

1:21:07

she's like, it's really hard

1:21:10

on all us when we lose ones we

1:21:12

care about. I know I've made friends

1:21:14

and she looks around the room

1:21:17

at no one who is her friend. She's like, I know

1:21:19

I've made friends with

1:21:21

many

1:21:23

of you.

1:21:24

Kylo, go ahead. your

1:21:28

devotion,

1:21:28

the duty. At the

1:21:30

principles

1:21:31

that the Empire holds

1:21:33

dear, I'm sorry, to

1:21:35

see if someone lost the

1:21:38

prime of life.

1:21:41

And

1:21:43

he just starts it's,

1:21:45

like, sobbing. And he starts, like, hyperventilating. Oh

1:21:47

my god. And so he

1:21:50

put, like, it goes into

1:21:52

his survival

1:21:54

bag and, like, he pulls out an

1:21:56

oxygen mask, like a like a

1:21:58

survival mask, like

1:21:59

And he

1:22:03

just, like, starts like making its

1:22:06

way through the crowd towards towards the

1:22:08

door. What

1:22:11

would you like to roll?

1:22:14

Naval tactics.

1:22:17

Alright. If

1:22:20

you can make a

1:22:23

case for why you're really

1:22:25

naval tactics, I'll let you know.

1:22:27

It's the speaker gambit. is something

1:22:29

we learned at the academy, disrupting funerals. And Now,

1:22:36

actually, Alright. Let me

1:22:38

see here. I think

1:22:40

I will I'll

1:22:42

just do a social

1:22:44

standing roll.

1:22:47

Yeah.

1:22:48

I'll just do

1:22:50

a social. Maddy twelve.

1:22:53

Hey. Polaris cars. Yay. Alright. Alex cars. You

1:22:56

your speech and

1:22:58

raw display of emotion seems

1:23:02

to visibly move some of the people in the

1:23:05

in the in the eye some of the some

1:23:07

of the crew that -- Okay.

1:23:08

-- you would let that you would feel

1:23:10

so deeply about and they don't notice your

1:23:12

oxygen math. Okay.

1:23:13

So I'm I grab Artemis by

1:23:15

the hand and break for the door sobbing. I

1:23:19

wanna, like, just get on the other side of

1:23:21

the door, close it immediately, and then block

1:23:23

it. Okay. You

1:23:26

break for the door, meanwhile, down in engineering.

1:23:28

Do I press

1:23:31

the red button in? So

1:23:34

it's tougher. You're gonna roll the medic. You can roll the medic check. And that will

1:23:36

task Jane. Then we somehow

1:23:38

need to

1:23:39

get GGG at

1:23:42

a console where she can roll her engineering check. But we'll

1:23:44

do first roll your medic check now that you

1:23:47

have access to the console. Okay. because,

1:23:50

yeah, it'll have to be, like, setting

1:23:52

the Yeah. You're,

1:23:54

like, doing the you're,

1:23:56

like, doing the calculations for,

1:23:58

like, for people on board, you know,

1:24:00

etcetera, etcetera. Okay.

1:24:01

So

1:24:02

I'm too. Dad,

1:24:05

Okay. This was gonna be difficult difficult checks.

1:24:07

You hit it exactly. Awesome. Alright. So

1:24:09

the the thing is that now, how

1:24:11

are you getting that GGG to

1:24:14

be able to engineer this to happen? Okay.

1:24:16

I

1:24:16

I actually want to just

1:24:19

pull Gigi over at

1:24:22

as a as She's

1:24:25

obviously as you. She knows the

1:24:27

rash. I'd add BI

1:24:31

like Gigi. Yeah. I

1:24:34

I didn't get it to to look at this, but also double check

1:24:36

my numbers because, you know, a good

1:24:38

engineer somebody should double check us.

1:24:41

So as I We we kinda kinda call her over. So could you just

1:24:43

just look at this? Make sure everything that I'm doing is correct. We don't wanna

1:24:45

have it don't wanna have that

1:24:47

problem, like, last time. Oh,

1:24:51

yeah. I remember, you you were telling me about

1:24:53

this. This gives me an opportunity to practice some of

1:24:55

the things you told me. Okay. And

1:24:57

okay Lieutenant

1:24:58

Damon walks over with you.

1:25:00

like, just eager puppy dog, like, eager to see

1:25:02

how that, like, do what you're working on. Okay. And, like, actually, watched

1:25:07

the ten Tim, and he makes me nervous. Actually, III wanna step

1:25:09

back and say, hold on. Actually, what let's say,

1:25:11

I I basically wanna kinda give

1:25:14

the We we double check each other. We

1:25:16

know what if what's because it's also we

1:25:18

kinda help train each other. It's kinda the I

1:25:21

think the two person

1:25:24

engineering group That's where we do that.

1:25:26

It's just our roller skating rink. Mhmm. Look over there.

1:25:28

Sounds that again. Totally reasonable.

1:25:30

You have to look over there. Yeah.

1:25:34

That's Is

1:25:36

there anything I got a seven.

1:25:38

Is there anything I could add?

1:25:41

No. No. No.

1:25:43

Tripping over console. he's like, no, I mean, I

1:25:45

get it, but, yeah, I mean, I can't I

1:25:48

mean, why don't you want me

1:25:50

to look at the the consult?

1:25:53

because I don't

1:25:54

want you to I I don't want her to see any reaction off you and give her

1:25:59

any sort of steps because

1:26:01

that's a a good way to influence her into

1:26:04

an answer if

1:26:06

she sees it on

1:26:08

your you're you're obviously more

1:26:10

school. She's gonna be looking at you. And if you give an unconscious nod or is there anything you're

1:26:12

looking at that could that could give

1:26:14

her a tip. So actually, I still

1:26:19

wanna let her look at it, and

1:26:21

if we can look at

1:26:23

it, decided. Got it. Did most

1:26:25

of the taught you in the academy? That's

1:26:27

a hit me. He gets call

1:26:29

on his communist. He's like, just excuse

1:26:31

me, one second. Oh, yeah. Yeah. Yeah. Simple ways.

1:26:34

Yeah. Yeah. Simple.

1:26:36

Meanwhile, back on at the funeral,

1:26:39

you guys reach

1:26:42

you are you reach the doors the doors. And

1:26:44

what what do

1:26:45

and what do you do? If

1:26:47

we could

1:26:48

just

1:26:50

walk through them and then lock them from the other side. I think that's the

1:26:53

plan. Do we know that's a possibility? I would

1:26:55

have assumed we, like, scouted

1:26:57

it. Yeah. before. You'd be you'd have

1:27:00

to, you know, grow you'd have to hack the the system,

1:27:02

but you could -- Yeah. -- yeah. So you open the doors

1:27:04

and walk just walk out as if,

1:27:06

like, you just over overcome. Yeah. And I think doing like like, artemis is now in on

1:27:08

it.

1:27:08

She understands what's going on. She's like, sorry.

1:27:10

Sorry. Sorry. Sorry. It's too much.

1:27:12

Okay. So

1:27:15

you have electronics. Right?

1:27:17

Yeah. And I have electronics computer so I can hack. Yeah. Hack the door. At that

1:27:20

moment, however, when

1:27:22

you open the door, Oh,

1:27:26

no. You opened the door to come face to face

1:27:28

with a battalion

1:27:31

of the ship's marines. weapons

1:27:34

drawn and are pointed

1:27:36

at you. And meanwhile, down

1:27:37

on engineering. Am I doing

1:27:40

this right? Gigi

1:27:43

goes to the consoles that starts to begin her check

1:27:45

and all of a sudden lieutenant Damon has

1:27:48

his side arm

1:27:50

drawn. He goes Step away from the console, please.

1:27:53

Stunches. Alright. Oh.

1:27:57

Roll for initiative.

1:27:59

Oh my god.

1:27:59

Wow. Oh my god. Oh my

1:28:02

god. Let me see what it is.

1:28:04

Wow.

1:28:07

Endrumor, you can

1:28:08

roll intellect or --

1:28:11

Right.

1:28:11

-- or decks.

1:28:14

What'd

1:28:16

you get?

1:28:23

5808 Okay.

1:28:27

Not good. Alright.

1:28:30

gosh. Okay.

1:28:32

Damon

1:28:35

roll

1:28:36

Damon

1:28:39

roll the twelve. Oh. For as

1:28:42

as for what what

1:28:45

we're gonna do?

1:28:47

But alright. So Damon sees you, like, sees you start,

1:28:49

like, raising your stump face and

1:28:52

he points his

1:28:54

weapon directly at your face. he and he and he he

1:28:56

hits a panic button on his

1:28:58

on his on his calm. Oh,

1:29:01

shit. So

1:29:04

And a similar battalion to

1:29:06

marines comes rushing into the rushing into engineering.

1:29:08

Let's to explain why this

1:29:10

is happening because you're all enrolling rather

1:29:14

well. However, I'd like to

1:29:16

take you back to

1:29:18

episode four. Hold on. Let

1:29:21

me just confirm with my

1:29:23

notes here. When you this was

1:29:25

when you were rolling to forge the

1:29:28

documents to prove that you

1:29:30

could get on the ship. For

1:29:32

Grola. as you recall.

1:29:34

If we roll up -- Yes. -- Sydney, you had the final role. Yeah. And

1:29:40

who g g rolled first and gave a

1:29:42

boot gave AAAA plus two effect to Seth's role, who gave a plus two

1:29:46

effect to Skid's role.

1:29:48

skiing however a roll of five.

1:29:51

Mhmm. And gave Sitt gave Artemis a minus one to

1:29:53

her role to finish the

1:29:55

forgery of the documents. That

1:29:58

was a difficult check and you

1:29:59

rolled a knife. Oh,

1:30:02

you just missed it.

1:30:04

So you just missed it

1:30:06

because of me. And after after your conversation

1:30:08

with the captain, she decided to

1:30:10

have the have the documents reanalyzed.

1:30:14

And

1:30:14

she noticed that they were forced to roll

1:30:17

up. No. It's either for roll

1:30:19

up, didn't she? She she licked

1:30:21

it, and

1:30:21

she was, like, wait a second. These aren't documents

1:30:23

at all. This is a very long

1:30:25

story. When you guys did that when

1:30:27

you guys made that role, I was so

1:30:29

happy. I was like, I'm gonna fail them

1:30:31

for, like, seven Wow. 0000

1:30:36

Me here's So, yeah,

1:30:39

brutal. Upper Damon take a

1:30:42

step takes a few steps away from you with this gun trained

1:30:44

on you and it's just like, I will

1:30:46

shoot you. I will I will fire.

1:30:49

And

1:30:49

in the marines, they're rushing in to back them up. They're they're, you know,

1:30:51

they're carbines

1:30:52

and a salt

1:30:54

weapon's trained on you as

1:30:56

well. It

1:31:00

is your Well, let's go let's let's

1:31:02

hold there. Go back to file an artist. What

1:31:04

do you to do? I look

1:31:06

at the scenes, like, you're missing the funeral. Yeah. And then you've visited. You're

1:31:09

lost

1:31:10

judge. And captain

1:31:12

Yang's steps forward

1:31:14

and says, your theatrics aside. Your treasury

1:31:15

will

1:31:18

no longer back anything

1:31:21

that happens on the ship. She looks and she looks to

1:31:23

and she looks to the crowd

1:31:23

of her officers and crew members.

1:31:26

We have all let these

1:31:28

indolope or

1:31:31

our

1:31:31

ship and pretend

1:31:33

to befriend us. They

1:31:34

are working against the

1:31:38

imperium.

1:31:38

Why Marines through the brig.

1:31:40