Episode Overview: In this episode, Micah and Molly wrap up the season and talk about how season 2 recordings went and Molly shares more about her personal journey, GBC’s vision and how the podcast fits into it.

More about the speakers:

Micah’s bio/links/etc. A US-born transplant and newly ecstatic resident of Ottawa, Micah Jondel DeShazer (micahjondel.com), over the last 15 years (between New York, Phoenix, Los Angeles, Chicago and Madison) has developed into an accomplished actor, director, musician, artistic leader and educator. He had quickly immersed himself in the Ottawa theater community, acting in several local works, musical directing at Orpheus Theatre (Memphis), and directing independent works (Puzzles, Ottawa Fringe Festival 2022.), while staying plugged into his roots in Phoenix through his continued work with GBC. Always seeking the unexpected and drawn to passionate artists, Micah is honored to have been an ever growing list of so many. Notable projects include: The Tempest (Torchlight Theater - Company of Fools), Matilda (CTM), Passing Strange (iTheatre Collaborative) & Native Son (ariZoni, Best Actor).

The body of work by Molly W. Schenck (MFA, MEd.) is rooted in a quest to understand humans. She is fascinated with human movement - whether that is a social justice movement, individuals persisting through systems, or how a body moves through space and time. She is also interested in what interrupts the full expression of movement (stress, trauma, burnout, injuries, chronic pain, etc.). This has guided the evolution of her studies and career path. She worked in higher education as an adjunct professor and administrator for ten years. She taught mind body and group fitness classes for twelve years. She specializes in the intersection of creativity and trauma and is the creator of Trauma-Informed Creative Practices. She is the founder of Grey Box Collective (an interdisciplinary, experimental, post-dramatic, trauma-informed arts organization that devises original performances around topics of social and emotional wellbeing i.e. makes weird art about tough stuff). She is the author of ‘Trauma-Informed Teaching Practices for Dance Educators’. She is a certified Trauma Support Specialist, Personal Trainer, a 500-hour experienced yoga teacher (focused on asana, pranayama, and meditation), Certified Teacher of BodyMind Dancing™, a registered somatic dance educator and a Dynamic Embodiment™ Practitioner. For more information visit: mollywschenck.com

Producing Company Bio: Grey Box Collective (GBC) devises interdisciplinary, experimental, and post-dramatic work about social and emotional wellbeing (i.e. we make weird art about tough stuff). GBC finds innovative ways of exploring, challenging, and igniting difficult conversations. This is achieved by living in the messy grey areas of life and tackling socially relevant topics such as hate, shame, sexual violence, depression, and anxiety. GBC was founded in 2016 by Molly W. Schenck. Since then, GBC has produced over 20 new works, created by nearly 100 artists, and partnered with a dozen local organizations. GBC has presented work at the Boulder Fringe Festival, the Network of Ensemble Theaters’ annual conference, Scottsdale Museum of Contemporary Art, and at the Phoenix Center of the Arts while in residency with nue[BOX].  In response to the pandemic, GBC expanded it’s digital offerings by hosting virtual workshops on Trauma-Informed Creative Practices, opening an online store with devising tools, and launching a podcast. For more information, sign up for GBC’s newsletter, check out GBC’s website, and follow GBC on social media.

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