One of the all-time most distinguished producers of independent film — who has somehow never received a best picture Oscar nomination, despite credits including 'Boys Don't Cry,' 'Far from Heaven' and 'Carol' — reflects on meeting Todd Haynes and abandoning early ambitions to become a director, how 'New Queer Cinema' came to be and why she still bets on first-time filmmakers like Celine Song.Learn more about your ad choices. Visit megaphone.fm/adchoices