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0:00
Academy Award nominee Carrie Mulligan and
0:02
Emmy nominee Zooey Kazan starring
0:04
Xi said as New York Times reporters Megan
0:06
Tuohy and Jodie Kantar who together broke
0:08
one of the most important stories in a generation,
0:11
a story that shattered decades of silence
0:13
around the subject of sexual assault in Hollywood.
0:15
and ignited a shift in American culture
0:18
that continues to this day. The film
0:20
CoStar's Oscar nominee Patricia Clarkson,
0:22
Emmy winner, Andre Brauer, and Tony winner
0:24
Jennifer Eli with Academy Award nominee
0:26
Samantha Morton. She said arrives
0:28
in theaters Friday.
0:30
When you sign up for BP
0:32
knee rewards, you can get five cents
0:34
off every gallon of gas every time at
0:36
BP or Amoco stations. That means
0:38
more savings and more whatever you'd
0:40
like to use your savings on. So treat yourself.
0:43
It's on us. Visit b p dot com slash
0:45
save to learn more. Today
0:46
on basic, Chelsea Handler.
0:49
I'm more comfortable in front of the camera than I am
0:51
out of it. Like half the things I do
0:53
on camera, I probably wouldn't do it in a life
0:56
Everyone, I always think everyone's success happens
0:58
quickly because you just didn't hear about the person and
1:00
then you see them all stop.
1:01
But I did
1:03
stand up like seven or eight years before
1:05
anything started gaining traction. And
1:07
then I started getting little things and everything
1:09
would lead to something bigger. but it
1:11
was a grind because you're waiting tables
1:14
and you're doing stand up and you're just wondering
1:15
what if you have to wait tables for
1:17
the rest of your life.
1:18
I think I was doing that sketch show and the
1:21
sketch show wasn't performing well on e.
1:23
This was the man who became my boyfriend. He
1:25
was like, you should have your own nightly show and
1:27
the fact that we could make it thirty
1:28
minutes of fast fun and it was like it was
1:31
so easy for me to do and it was
1:33
just an instant success. And so
1:35
I never even thought twice about it. Yeah. It was
1:37
like in a frat house. All we did is play practical
1:39
jokes on each other. From, like, the minute
1:41
I got to work, I would just start sending out emails
1:44
from different people's accounts. I mean, we
1:46
did things that we would be arrested for today.
1:48
Hey, everyone. Welcome to Basic,
1:50
the official podcast of the unofficial history of
1:52
cable television. I'm Doug Herzog, former
1:54
TV executive, and like our guest today.
1:56
I'm from Jersey. And
1:57
I'm Jen Cheney, TV critic for Vulture
1:59
in New York Magazine, and I'm not from
2:02
New Jersey, but I have visited New
2:03
Jersey. It's a lovely place, Jen. Our guest
2:05
today is a top stand up comedian, a bestselling
2:08
author, and hosted one of Cable's most memorable
2:10
talk shows. Chelsea
2:11
handler hosted her own talk show, Chelsea
2:13
Lately on e competing with the high
2:15
profile late night boys club of John Stewart,
2:17
Conan O'Brien, and Steven Colbert. and
2:19
more than holding her own.
2:20
So we'll talk to Chelsea about that and much
2:23
more, but just a quick disclaimer before we
2:25
get started. When we recorded this
2:27
with Chelsea, She was with her boyfriend at the time,
2:29
Joe Coy. They have since parted ways.
2:31
So if you hear a reference to Joe, no,
2:33
they're not back together at least as far as we
2:35
know.
2:36
and hang around after when Doug and I
2:38
will gossip about everything we talked about with
2:40
Chelsea.
2:44
Welcome
2:44
Chelsea Hamler to Basic. Hi.
2:47
Welcome. Thank you. for
2:49
thanks for joining us today. So Chelsea, As
2:52
you know, we
2:53
talk about basic cable TV here. So
2:55
the first question we ask everybody is,
2:58
do you remember when you got cable television?
3:01
basic cable?
3:02
Yeah. It's kind of a vague
3:04
Did you watch a lot of TV when you're grown up?
3:06
I did. I did watch a lot of TV.
3:09
but
3:09
I watched a lot of, like, three company reruns.
3:12
Right. And by that time, I don't know when did
3:14
basic cable come on the scene?
3:15
Dawn of the eighties is I like to say. You know, MTV
3:17
started a couple of years. So I
3:19
think once I started, it was happening
3:21
because I was six. And I was born
3:23
in nineteen seventy five. a basic cable was
3:25
on the
3:25
scene before I got there. So what you're saying is
3:28
you're a lot younger than me.
3:29
Yeah. Well, who isn't that?
3:30
Exactly.
3:34
Chelsea, this is what a white guy unemployed white guy
3:36
do for living now. Podcasts? Podcasts. Exactly.
3:38
That's where we That's what everyone does for a living
3:40
now is
3:40
podcast. my dog has a podcast.
3:42
I know you even
3:44
probably as more listeners than us. So
3:45
Chelsea, you grew up in New Jersey, and then I believe
3:48
you moved to LA when you were, like, nineteen
3:50
or so. Is that right? Yes. I did. When
3:52
you moved to California, did you have, like,
3:54
a specific plan about what you were going to do?
3:56
It was just, like, basically, to become really
3:58
successful full. Like, that was my goal. There was no
4:00
specificity. I just was like, I'm gonna
4:02
just go and express myself.
4:05
And I think I'll be doing the world favorite.
4:07
Like, I had that kind of misplaced confidence,
4:09
and I believed it. So, like, I think if you
4:11
really believe in yourself that much, it just becomes
4:14
your reality. You know? I didn't know how I
4:16
was gonna do that, but once I found stand
4:18
up, like, you know, somebody suggested
4:20
that I do it, it wasn't even my own idea.
4:22
I realized, oh, what an opportunity? Like,
4:24
you write your own material. You don't have to say
4:26
anything. You don't feel like saying. You're just
4:28
expressing your opinions on things.
4:31
how great is that? And you're on stage with a
4:33
microphone, and no one else is on
4:35
stage with you. That was just like,
4:37
oh, well, that seems like the right medium
4:39
for me. Mhmm. But did you have any idea, like, how to
4:41
even write stand up? Like, how do you even start
4:43
doing that if you've never done it before? I think
4:45
I was doing stand up for a long time before
4:47
I did stand up. I was going to
4:49
dinner parties and, you know, being the person who had all
4:51
the funny stories and I knew when, like, there was
4:53
a punch line and basically standup
4:55
is either joke writing or storytelling. So
4:57
if you're good at either one of those things, then
4:59
you're gonna be good at stand up most likely. And
5:01
if you're good at both of those things, then you'll
5:03
be successful as well. because, you
5:05
know, it is observational. You're choosing
5:07
the lens within which you see things.
5:10
So it's an opportunity to
5:12
be as, like, true to yourself as possible.
5:14
Mhmm. What was the stand up scene like in LA
5:16
when you jumped in? And and what was it like for
5:18
a young woman like yourself that time coming
5:20
literally straight out of the Jersey suburbs. It
5:22
was fine. You
5:22
know, I was, again, like, very arrogant.
5:25
Like, I really believe, like, I have something
5:27
to say, you know, so anyone
5:29
that was done on my team, I didn't care. I
5:31
didn't care that. It was just didn't they didn't
5:33
matter that. You know? And if there were people
5:35
that didn't like me or were my fans, they
5:37
also didn't matter. Like, I just focused on
5:39
the people I did have as fans and just
5:41
kind of like being really authentic no matter
5:43
what anyone said, like, just be authentic
5:45
and be yourself that's what people respond
5:46
to. She's had a curiosity. Would you like an
5:48
improv person or a comedy store person
5:51
or the Improv. Last actor took
5:52
a while to get into, but Improv took a while
5:55
to get into So comedy stores where I
5:57
started started. And then I kinda transitioned over
5:59
to
5:59
the improv more.
5:59
And now if I go and I go to the laugh
6:02
factory with Joe because he loves it there.
6:04
But Yeah. When I was coming
6:06
up, there wasn't a lot of women. There
6:08
was, like, Sarah Silverman, you know, Kathy Griffin,
6:10
and, like, some other people. Not many.
6:12
yeah, that wasn't a lot, but it didn't
6:14
feel like I I wouldn't say I felt
6:16
like I was in a boys club. Like, I knew I was
6:18
in a boys club, but I just, like, I
6:20
didn't focus on that part. I didn't hang out
6:22
at the comedy store or hang out
6:24
with a bunch of male comics a lot. I
6:26
had guys that are close friends of mine that are
6:28
comics But as a whole, there's a
6:30
pretty depressing group of people. You know what I
6:32
mean? Comics can be pretty dark.
6:34
So it's like I was like,
6:36
yeah, no problem. I don't wanna sit here and smoke cigarettes.
6:38
You know, they didn't want me there. And I was like, okay.
6:40
Sure. So it was that kind
6:42
of vibe. And girls weren't looking out
6:44
for each other in the way that they should have been.
6:46
You know, we were in such a boys club that you
6:48
end up thinking you're the only female
6:50
that can survive or succeed, and
6:53
So you end up not being generous, and
6:55
that's a real, like, unfortunate thing as that's
6:57
the a number one rule is to help
6:59
other women. Yeah. So when you're in an environment
7:01
like that, it doesn't bring out the best and people. You were
7:03
doing some acting as well. You got on a
7:05
show on oxygen called girls behaving badly.
7:08
Now did that feel like a big break at the
7:10
time? Or what did that feel like when you got that
7:12
show? It felt like a cable show, like a
7:14
really cheap cable show. Like, even
7:16
getting it, you were like, oh, this is really cheap.
7:18
You know what I mean? It
7:20
was fun. We lads so much fun. I
7:22
mean, I laughed so hard on that set. Like, I think
7:24
I'd peed in my pants twice in the middle
7:26
of a scene because we were laughing so hard.
7:28
it was so ridiculous. And it was
7:30
a great tee up for my Chelsea Lately
7:32
show because that was also more of
7:34
the same, but in a more organized manner,
7:36
you know, with a budget. Mhmm. Yeah. girl's
7:38
baby ballet was like a hidden camera show and there's
7:40
four other girls and myself. And we
7:42
would just basically play really stupid pranks
7:44
on people and try to get them to believe
7:46
that, like, I was a makeup artist
7:49
for newborn babies, like the minute they're
7:51
born, I would do their makeup. You know,
7:53
stupid stuff like that, or I'd be at pregnant at
7:55
a bar, ordering shots, waiting for someone to say
7:57
something to me. Stuff like that. It was
7:59
really fun. It was a very big
8:01
learning opportunity because
8:03
it was four women, you know, and not everybody
8:05
got along great. So it was
8:07
like, whoa, you don't ever wanna
8:09
be in a dynamic like that for
8:11
your long term job. that is not
8:13
healthy for any person to be in a
8:15
situation where they don't like someone they're working with.
8:17
A couple of questions. I should know the answer to this by
8:19
the way. Was oxygen the Oprah network?
8:21
Yes. Did you ever meet Oprah? I've met
8:23
Oprah. She interviewed me
8:24
once at my house. No. Honestly, my
8:26
long term memory
8:27
is questionable. I keep
8:30
telling stories. It's been like, that's not what happened. I'm
8:32
like, oh, Oopsie doodle. Yeah. That's been
8:34
my experience doing this show. I was like, I don't remember eighty
8:36
from the eighties. So being
8:38
on oxygen and on girls behaving badly, and then
8:40
you were also doing pretty quickly some stuff
8:42
for e, for tonight showed you were
8:44
getting a lot of TV experience pretty
8:46
quickly. Were you immediately
8:48
comfortable in front of the camera having come
8:50
from just being a kind of a
8:52
newest standup Well, I'm more comfortable in
8:54
front of the camera than I am out of it. Like,
8:56
half the things I do on camera,
8:58
I probably wouldn't do in real life personally.
9:00
It's just a good avenue for
9:02
exploration. It wasn't,
9:04
like, overnight. Everyone, I always
9:06
think everyone's success, like, happens
9:08
quickly because you just didn't hear about the person and then you
9:10
see them nonstop. But
9:12
I did stand up for, like, seven or eight
9:14
years before anything started, like, gaining
9:16
traction. and then I started getting little
9:18
things and everything would lead to something
9:20
bigger. But it was a grind
9:22
because you're waiting tables and you're doing
9:24
standup and you're just wondering, what if you
9:26
have to wait tables
9:27
for the rest of your life? How long do
9:29
you felt it took you to sort of get to that
9:31
Chelsea voice and point of view that we
9:33
all know and love today? Like, how
9:35
long it take you to find that? I don't
9:36
know. I mean, that voice is always in me. I guess
9:39
you just refine it and refine it as you
9:41
age. Right? You get better at speaking
9:43
and better
9:43
at expressing yourself. So
9:46
you always have your own voice, but you just
9:48
hopefully become more elegant, not
9:50
less. That could go either way
9:52
though. Academy
9:53
Award nominee Carrie Mulligan and Emmy nominee
9:55
Zoe Kazan starring Xi said
9:57
as New York Times reporters Megan Tuohy
9:59
and Jodie Kantor who together broke one of
10:01
the most important stories in a
10:03
generation, a story that shattered decades
10:05
of silence around the subject of sexual
10:07
assault in Hollywood, ignited
10:09
a shift in American culture that
10:11
continues to this day. The film
10:13
CoStar's Oscar nominee Patricia Clarkson,
10:15
Emmy winner, Andre Brauer, and Tony winner,
10:17
Jennifer Eli, with Academy
10:19
Award nominee Samantha Morton. She
10:21
said arrives in theaters Friday.
10:23
When you sign up for
10:25
BPME rewards, you can get five
10:27
cents off every gallon of gas every
10:29
time at BP or Amoco stations.
10:31
That means more savings and more
10:33
whatever you'd like to use savings on. So treat
10:35
yourself. It's on us. Visit b p
10:37
dot com slash save to learn more.
10:43
So you were your sketch show at e first,
10:45
and then the opportunity to
10:47
do Chelsea lately came along. Did
10:49
you ever think about trying to do, like,
10:51
a late night talk show? Was that a form
10:53
that was interesting to you, or was it just somebody
10:55
suggested it to you? And then it was like, oh, I guess
10:57
I'll do that. I don't know. Yeah. I think
10:59
I had thought about it. It wasn't a
11:01
necessary
11:01
goal of mine. I'm like, oh, I have to do
11:04
this. But I had thought about it. Like, oh,
11:06
I like to run a conversation I know how to
11:08
listen to people and I know how to be in the moment
11:10
and be engaging. I'm like, that sounds
11:12
fun. I I think I was doing that
11:14
sketch show and the sketch show wasn't performing
11:16
well on e, and they were like, we think you would
11:18
be better on a nightly show. This
11:20
was the man who became my boyfriend.
11:22
And he was like, you should have your own nightly
11:24
show. And I was like, how would that work? And
11:26
the fact that we could make a thirty minutes of fast
11:28
and fun, and it was like, it was so easy for
11:30
me to do. It was just
11:32
an instant success. And so I
11:34
never even thought twice about it. I mean, even when I
11:36
was doing it, I was like, oh, this is gonna be awesome.
11:38
Mhmm. And everyone's gonna love it and
11:41
it was. It was just, you know, a total cultural
11:43
moment. I wish I had your confidence. You were just
11:45
so
11:45
sure. Yeah. Yeah. And you look like you were having a great
11:47
time every night on that show. Like, if you having
11:49
friends over? Yeah. I was,
11:50
like, being in a frat house. All we did is play
11:52
practical jokes on each other. From, like,
11:54
the minute I got to work, I would just start sending
11:56
out emails from different people's accounts
11:58
I mean, we did things that we would be arrested for
12:00
today. So but to answer your question, it was
12:02
very easy to be on camera. That's very easy for me.
12:04
I I'm not self conscious of that way.
12:06
Big commitment. too. Right? To be
12:08
doing it five nights a week, probably forty
12:11
plus weeks a year. Right? Oh, yeah. It
12:12
was ridiculous. So you're just, like, chained to
12:14
Los Angeles, which is, you know, not the worst thing in
12:16
the world, but I like to travel, and I like to
12:18
bounce around. And I think I once sent in
12:20
a cardboard cutout of myself to host
12:23
the show, and they did that one day because I wouldn't
12:25
come back from Hawaii. I was like, I'm too
12:27
happy right now. I can't come back. You have to
12:29
get a cardboard cut out. So they made one.
12:31
And they're like, okay. We'll give you one more day.
12:33
And I just was like, oh god.
12:35
Yeah. After seven or eight years of that
12:37
and doing book tours, like, I did four
12:39
books in that time, which
12:41
led to book tours, which is a stand up
12:43
tour, which is on top of the four nights a
12:45
week. So I burned out pretty quickly well, not
12:47
pretty quickly. It took about seven years to burn
12:49
out on all of it. I was like, I'm
12:51
done. I need a vacation. And obviously,
12:53
on that show, you interviewed a lot of different
12:55
people. I'm wondering if you can remember
12:57
an interview that just went completely
12:59
south that didn't go how you wanted it to, and
13:01
then one that was amazing and great.
13:03
Tillis tequila was big at the time, and
13:05
she came on the show. And I I think she fell
13:07
asleep during the interview, or
13:09
She was on something. It said that was a disaster,
13:11
but I mean, not that much of a surprise at
13:13
the time. It was kind of like expected.
13:16
And then what's something that went really
13:18
well? I mean, Will Farrell and
13:20
Kevin Hart are pretty much the two
13:22
best interviews. they just are
13:24
so stupid, buddy. And they're
13:26
so easy to make fun of, and
13:28
they're just good sports. So
13:30
they're fun. Mhmm. I think those are the two
13:32
best interviews. I'm wondering, is it better
13:34
or more fun to interview comics because they
13:36
are improvisers and they can just roll whatever
13:38
you toss at them? Yeah. Yeah.
13:40
That's a good way to put it. I mean, most
13:42
comics can. Some comics can, actually. Mhmm. But,
13:44
yeah, that's a nice skill set. It's
13:46
to be able to improvise.
13:47
Mhmm. This was also what
13:50
turned out to be, like, the peak
13:52
time for, like, basic cable late night. So there was
13:54
you, there was John Stewart, there was
13:56
Colbert, there was Conan, was on
13:58
TBS, and you guys were all winning.
14:00
did you ever feel like you're in competition with those
14:02
guys? Or there wasn't something you or your staff
14:04
were thinking about on a daily basis?
14:05
Only because there was an Echelon, you
14:08
know, like a pecking order of
14:10
what shows you could do before you did other shows.
14:12
So that was annoying because if there wasn't their
14:14
competition, who cares if Santa Bullock was
14:16
gonna come on my show first or whatever,
14:18
So it was kind of like you had to
14:21
cultivate lots of relationships with
14:23
famous people to help service
14:25
your show. It was basically what it comes
14:27
down to that nobody wants anybody to go
14:29
first. So that that in that sense, it
14:31
felt like, well, are we are you guys really
14:33
worried about me? I'm on e. Like,
14:35
come on. I guess it's just
14:37
an exposure thing. But I know.
14:39
I didn't spend a lot of time thinking about, like, me
14:41
being one of the boys. Oh, I was just having a great
14:43
time. Mhmm. That's one of the good
14:45
things about doing a show like that. It's
14:47
available for everyone there to enjoy,
14:49
which just spreads good fun
14:51
vibes. Mhmm. I mean, even if you weren't
14:53
fixated on being the only woman in
14:55
this group, it must have felt good to
14:57
know that you're one of the few women who's ever
14:59
successfully had a show like that.
15:01
Still? Yeah. Totally. I think
15:03
of it that way now for sure. Mhmm.
15:05
And going back to the e of it all, were
15:07
they, like, super hands on
15:09
involved in your show, or did you pretty
15:11
much get to do the show you wanna do.
15:13
I had a
15:13
lot of authorship over everything. They didn't I
15:15
mean, they would argue with me about language and stuff,
15:18
you know, every afternoon. We get all the booths
15:20
to talk about what I could say, what had to
15:22
sleep, or if I said the word pussy
15:24
whistle, why I would have to bleep
15:26
pussy, but I could leave whistle.
15:28
like conversations like that, I'm
15:30
really good at arguing. So I I took a
15:32
lot of pride in that element and aspect
15:34
of things. But Ted Harbour was
15:36
very involved in the show. He's like
15:38
spearheaded the whole thing, but let me pick out
15:40
what we were gonna do, set
15:42
wise, and creative wise, all
15:44
our job was just to make it funny. That's all
15:46
they cared about. They're like, however you wanna do
15:48
it. After you left, you were
15:50
speaking at some event I think it was
15:52
Code Media, and you said something to
15:54
the effect of I'm smarter than that show was and I
15:56
wanna be doing a show that is smarter than I
15:58
am now. Do you still feel that
15:59
way about the
16:00
e show at the time I was just done
16:02
with the circular conversation of celebrities.
16:05
Mhmm. Alright. Enough already. Can we
16:07
talk about anything a little bit more important?
16:09
I just felt I was getting dumb. You know, I wasn't
16:11
challenging myself. You actually had to read
16:13
those magazines for that job.
16:15
Right. So you do
16:17
get dumber if you read those magazines.
16:19
Speaking
16:19
of not being dumb, you've written a
16:22
bunch of bestselling books. So
16:24
how did all that start for you and is writing
16:26
something that comes naturally? Given the amount of
16:28
books you have written, it seems like it might.
16:30
Yeah. I mean, I love writing. I mean, writing it all
16:32
bleeds into each other. You know, the
16:34
standup and the writing of the books
16:36
and all of it goes together.
16:39
right now I have my last book. Life will be the
16:41
death of me. We have it at peacock where we're
16:43
writing a script for it. That's been a
16:45
stand up special. It's been a book. It's now
16:47
gonna be a TV show. I like
16:49
things that aren't just one dimensional.
16:51
It lasts for a while. I've taken
16:53
on the road and then I turn it into a
16:55
standup act, you know, and then I take the special
16:57
And so I like the fact that everything
16:59
bleeds into everything. And writing, I think, is
17:01
at the base of all of that. You know, when
17:03
you're comedian, you're writing your jokes, whether you
17:05
write them down or you're a writer.
17:08
Jokoi doesn't write anything down
17:10
ever. I go, are you serious? I had
17:12
like nine pages of notes when I started
17:14
my new hour. that I would just at.
17:16
I bring on stage for the first month,
17:18
and he doesn't ever write anything down.
17:20
I mean, what free and
17:22
see
17:22
are you on? That's gonna be tough when you want to write his book, though,
17:24
I'll tell you that. That's so interesting. Wow.
17:27
Exactly. Just to fill people in
17:28
who may not be in the know, Joe
17:31
is your boyfriend who also was on your show
17:33
as a contributor? Yeah. Absolutely. Yes.
17:35
I'm curious. Do you guys, like, bounce
17:37
comedy ideas off of each other? Like,
17:39
that approach obviously you just described of not
17:41
writing things down is not your way of doing
17:43
things, but are there things that you pick up from him and
17:45
vice versa that you kind of used to
17:48
develop your comedy? Yeah. Totally. I mean,
17:50
we're both in the same world. So, like, he just
17:52
shot his special. I'm about to shoot my
17:54
special. He's directing my special. So
17:56
he's -- Oh, wow. -- definitely he's
17:58
got an eye for that sort of thing. I do
17:59
not. I don't like dealing with any of
18:02
those issues. I just wanna go out
18:04
and perform. Somebody can pick it all out
18:06
and just make sure it's
18:07
this tone of thinking or
18:09
this tone of color. But yeah.
18:12
No. We bounced off of each other all the time.
18:14
I mean, we're kind of like turning into this little
18:16
double
18:16
So I'm sure we're gonna end up touring together
18:18
because we just wanna be together all
18:20
the time. And it's like, he packed an
18:22
iceberg. Like, he melted me.
18:23
So it's People are down with
18:26
it. They wanna hear about it. It's so
18:28
cute. Like, people are so inspired. They're like, oh my
18:30
god, a few fella. It can happen
18:32
to anyone. I like it. You and
18:34
Judd's gonna be, like, Beyonce and j
18:36
z's tour except for Calvin. Exactly. Now
18:38
we just have to have a baby. That's gonna
18:40
be tough, Doug. because I'm forty seven
18:42
years old. Never say never, Chelsea. Never say
18:44
never. Are you working on a a new book at
18:46
this point?
18:46
Yes. I am. It's called the Filipino in
18:48
me, a love story. And what's
18:50
it about?
18:50
Sounds like better than Joe Koi.
18:52
Yeah. It's about my relationship with
18:55
Joe Koi and falling in love and,
18:57
you know, just life, all
18:59
of the good stuff. That's great. So I'm
19:01
curious, obviously, after you left e, you
19:03
went to Netflix and did a show for
19:05
them, and other things for
19:07
them too, did you
19:08
feel like a difference between
19:10
working in basic cable and then going to Netflix? Was
19:12
it a culture shock? Or was it really just doing the same
19:14
kind of thing, but in a different format?
19:16
it was very new. You know, I went
19:18
to Netflix before anybody did. And
19:21
it was just new, brand
19:23
new. So In terms of the talk show
19:25
experience, if you could say more of a corporate
19:26
environment than universally, it would
19:29
felt even more corporate. Really? It just
19:31
felt so new it felt slightly
19:33
sterile because of the newness, you
19:35
know. Whereas e was something that was nicely
19:37
worn in. That's
19:39
interesting. I
19:40
watched Hello Privilege.
19:41
It's me, Chelsea, the documentary
19:43
you did about White Privilege. Yeah. And I'm
19:45
wondering what you went through in terms of
19:47
deciding to specifically approach that
19:49
subject matter because that came out in twenty nineteen.
19:52
And honestly, the conversation around
19:54
white privilege has only gotten louder
19:56
and more contentious. Since
19:58
then, I feel like, but you were really
19:59
talking about it even before George Floyd and
20:02
conversation got louder. So why did you wanna
20:04
explore that? because I just thought nobody was
20:06
gonna have the balls to do it. Mhmm.
20:07
I just thought, you know, this is our
20:09
white person's problems. So I
20:12
thought, why not just start talking to white people as a
20:14
white
20:14
person. Because I was as curious as anyone
20:17
else's about what
20:17
the definition really is,
20:19
it's a spectrum white privilege. It's not just
20:22
one thing or one family. Like, I always
20:24
thought white privilege meant like the Rockefeller
20:26
family or you know, some legacy
20:28
family who's been around for,
20:30
you know, centuries and has
20:32
old money. Like, I thought that was
20:34
way privilege. Way privilege it
20:36
turns out that it's a daily occurrence every minute,
20:38
you know, you're experiencing privilege
20:40
in this country and most of the world
20:42
when you're white. So I
20:45
wanted to learn with my audience. I knew my
20:47
audience was like come with me, you know, because I
20:49
have people who wanna think and get smarter too.
20:52
And so I just thought, yeah, I
20:54
thought no one's gonna ever do this. I should do
20:56
it. And no, everyone told me, you know, of course,
20:58
not too, but everyone always tells me to
21:00
do anything.
21:00
They were just like, oh, you're gonna get
21:02
so
21:02
much backlash. I'm like, good. Who cares?
21:04
Like, I'm curious. I wanna be better
21:07
at being a human being. much
21:09
backlash can I get, you know? Mhmm.
21:11
Eventually, you can reason with people and they
21:13
realize it's not that big of a deal.
21:15
It's good to have the conversations
21:17
that ignite other conversations Sure. What
21:19
what kind of feedback did you get? I got
21:21
a lot of positive feedback, actually. I mean, some
21:23
people, like, there was a girl in the film even who
21:25
was, like, this is your privilege that you get to
21:27
make a documentary. Right. I could have made a but
21:30
I also could have made a documentary about anything in
21:32
the world, and I chose that because I want to
21:34
do that. You know, I wanna learn, I wanna
21:36
get better, this was an ego
21:38
project. I would go do a documentary
21:40
about my dog and how much they don't respect
21:42
me. But it was very
21:45
illuminating, and I was so glad I did it. I made a
21:47
lot of really good long term friends from
21:49
making that movie -- Oh, cool. -- people that I
21:51
didn't know and I wouldn't have known had
21:53
I not made that movie. there's a of women Orange
21:55
County that you interviewed. Yeah. I'm not friends
21:57
with
21:57
them.
21:59
Did you ever talk to them after the documentary
22:02
came out? or hear from them or
22:04
anything? No. We were supposed to connect about doing
22:06
some, like, local funding for something, but
22:08
no. I don't think we did.
22:10
Okay. Yeah. I was just curious how
22:12
they they felt about it because I'm sure they're exactly the same. Yeah.
22:14
I'm I would imagine so. But
22:16
maybe not. Maybe not. I mean, not everybody
22:18
stays exactly the same. Yeah.
22:21
never say never. The world is an increasingly
22:24
complicated place. Why did something happen? I'm
22:26
sure something has happened in the past
22:28
thirty seconds. But comedy is a pretty
22:30
complicated world these days. A lot more complicated, I
22:32
think, but it used to be. I'd love to know what you
22:34
think about that just in terms of
22:36
sort of the specter of canceled culture and, you know, whether it's
22:38
Dave Chappell and people losing their minds over what
22:40
he says on a Netflix special or more
22:42
recently Ricky Gervais Is that something you
22:45
think about as you are hitting the stage
22:47
these days? I
22:47
don't think there's any need to,
22:50
like, talk about any marginalized group
22:52
at
22:52
all in any way. We can all be more
22:54
clever than that. That's good to
22:56
have to be a little bit sharper. All what
22:58
people are saying
22:59
is to not be racist or
23:01
sexy, or discriminatory. That's not that tall of
23:03
an order, and I don't have to think hard about
23:05
that. On stage, it's a pretty
23:08
easy pivot.
23:09
Academy Award nominee Carrie Mulligan and Emmy
23:12
nominee Zoe Kazan starring Xi
23:14
said as New York Times reporters Megan
23:16
Tuohy and Jodie Kantor who together broke one of the
23:18
most important stories in a
23:20
generation, a story that shattered decades of
23:22
silence around the subject of sexual
23:24
assault in Hollywood and
23:26
ignited a shift in American culture
23:28
that continues to this day. The film
23:30
CoStar's Oscar nominee Patricia
23:32
Clarkson, Emmy winner, Andre Brauer, and Tony
23:34
winner Jennifer Eley with Academy
23:36
Award nominee Samantha Morton. She
23:38
said
23:38
arrives in theaters
23:39
Friday. I don't
23:44
know
23:45
if there would ever be a circumstance where you would
23:47
have to worry about this, but do you have any
23:49
concerns about, like, somebody coming on stage
23:51
like what happened with chappell at the Netflix
23:54
as a joke event? Or do you
23:56
still feel pretty comfortable? I mean,
23:58
yeah, you everyone's beefed up their
23:59
security that's on the road. I mean, that's
24:02
unfortunate, but true. Like, anyone who
24:04
tours you already have security and you just have
24:06
to get more security. So So
24:08
I thank Will
24:08
Smith for that. And then just
24:11
in terms of what you're getting back from your
24:13
audience when you're out there, do you feel
24:15
like it's the same as it was pre
24:17
COVID or has it changed or
24:19
evolved in a different way over the last couple of years?
24:21
Everyone's
24:21
just looking to forget everything.
24:23
Everything is such a mess.
24:25
in this country specifically. Never
24:28
mind the world. So, yeah, I think
24:30
people just wanna go out to a show and
24:32
relax and forget about it. and
24:34
relate. There's a definite, like,
24:36
vibe and energy, and it's a good one. Mhmm.
24:38
It's a good energy because, you know, you're
24:40
with, like, minded people. Yeah. I think a lot
24:42
of people are just happy to be out of house doing
24:45
anything. How
24:45
long will you be on the road,
24:47
Chelsea? How long are you booked for at this point?
24:50
I've
24:50
done about sixty
24:52
five shows, and I think I have about thirty
24:54
five
24:54
more. Holy cow. So yeah. I
24:56
take couple of months off in
24:58
between though. So ski season, I took
25:00
two months I'll take a month off at the end of summer,
25:03
and then I'll go back and do the fall. And
25:05
then I'll probably take a break and not tour again
25:07
until I have my next book come out. Got it.
25:09
And when
25:09
you're on the road, how often many
25:11
will you do in, like, a row or a week? Three to five
25:13
shows
25:13
a week, depending if we add second shows
25:15
and stuff. Yeah. I usually do about
25:17
three to five. Cool. You've talked about
25:19
this publicly. Your brother died when you
25:22
were, I think, like, nine years old, pretty
25:24
young. And you've talked about the impact that had on
25:26
you, like, personally and your relationships.
25:29
I'm wondering if it affected what
25:31
you decided
25:31
to do as a career. Did it give you
25:33
any sort of, like, carpet dam feeling
25:36
that that made you the kind of person who was so confident that you would
25:38
just be like, yes, I'm going to go be a
25:40
success. Yeah. Perhaps, you know, I can't
25:42
really speak to that. I mean,
25:44
who knows? with my my
25:46
personality would have been a lot different. Had he not died?
25:48
I mean, I think I always have this kind of
25:50
personality, but, yeah, the drive to be independent,
25:52
the drive to not have to rely on
25:54
a man. definitely was spurred
25:56
from him dying, you know, and
25:58
disappointing me and me thinking,
25:59
oh, shh, I'm
25:59
gonna have to grow myself up. You
26:02
know, I'm the one I could count on. Don't rely
26:04
on anyone else and certainly don't rely on
26:06
men. Mhmm. I think it definitely added to
26:08
my ambition and drive. When
26:10
I
26:10
work, I work hard, and when I don't work,
26:12
I don't really hard
26:13
as well. Mhmm. So I'm in I have a
26:15
good relationship with work and myself, you
26:18
know. It's not unhealthy. because
26:20
no one's ever gonna tell you to take a break but you. No
26:22
one no agent is like, hey, I think you should
26:24
take some time out. They don't unless, you know,
26:26
you have some problems. Mhmm. Yeah. I need to
26:28
learn that lesson. Yeah. It's a good
26:30
lesson to learn because I feel so healthy. I mean,
26:32
I'm just like, if I wanna read a book, I can read
26:34
a book. Like, now I'm about to gear up for, like,
26:37
a heavy workload. but it's all
26:39
phasing out nicely because now I have my set down. I'm about
26:41
to fill my special in Nashville at the Ryman.
26:43
I don't have to write or worry or
26:45
curate that anymore. That's down.
26:48
So now I move to the book. Now I can focus my days when
26:50
I'm on the road on that. Mhmm.
26:52
It's not always time to be so busy. Mhmm.
26:54
But there are times when I'm
26:56
extremely busy, and I'd like to be as present as
26:59
possible and, like, as healthy as possible.
27:00
Sure. You're shooting at
27:02
the Ryman. That's so cool. What a great
27:04
venue. Yeah. I know. I'm so It's gonna be beautiful. It's beautiful.
27:06
Awesome play. I've been there, Jen. It's an awesome play.
27:08
I have not. I've never been to Nashville. She
27:10
got Nashville's a die Oh, you
27:12
gotta go. Nashville's where it's at. Yeah. A lot of fun. A lot
27:14
of fun. So we finish on a much lighter
27:16
note, Chelsea, which is to ask
27:19
our guests Do you
27:21
have an all time favorite
27:23
basic cable show, not including your own of
27:25
course? God, I hate to
27:27
disappoint you guys, but it's just like I can't I don't
27:29
know the difference between basic cable
27:30
and cable. So as I like to tell people, it's not HBO or
27:33
Showtime. So, you know, is there like a
27:35
reality show? I
27:37
know. I know. I already learned that
27:38
lesson at the beginning of the podcast. No. I
27:40
don't watch reality TV. I have no good
27:42
answers for you. Can you give me
27:45
an answer? What about something on MTV?
27:47
Something on Comedy Central? No. I
27:49
never watched any of that stuff. Really? Something
27:50
else on E. No.
27:52
No. Well, then just Can we just let her
27:54
pick a TV show of all time? What doesn't have to be
27:56
caving? Sure. What's your
27:56
favorite TV show? The love boat.
27:59
Yeah. It had
27:59
all the ingredients that I
28:02
need. Luxury, interpersonal
28:05
affairs, crew, and
28:07
cabin mixing that was below deck,
28:09
you know, I loved it, and
28:11
a vacation. all in one. And great
28:13
guestars every week. Yeah. And a regular
28:15
doctor. That's
28:15
what I love that.
28:20
So Chelsea Handler, Jen, you know,
28:23
who really made her career in cable. She sort
28:25
of went up this, like, weird cable ladder
28:27
back in the day, you know, whether it was oxygen and
28:29
then e and bunch of different things,
28:31
ultimately landing her own late
28:33
night talk show on e,
28:35
which was kind of a big deal as it
28:37
turned out. And
28:37
it still is a big deal because there are not very many
28:40
women in late night as we've talked about before on
28:42
this podcast. I mean, you have
28:45
Samantha b, you have Amber
28:47
Ruffin, who both got shows after
28:49
Chelsea did. Back in the day, Joan
28:51
Rivers had a show for, like, a minute. Right. And she used
28:53
to sit in for Johnny Carson a lot? but
28:55
it's remarkable how few women have
28:57
had the opportunity to do what
28:59
Chelsea did.
28:59
And she did it very successfully. That show was very
29:02
popular for, you know,
29:04
many years she did it at a time when competition was pretty
29:06
stiff as we talked about. You know, she was up
29:08
against Colbert and John Stewart and
29:10
even Conan. on
29:12
TBS. It was like the cable landscape. Forget
29:14
about the network landscape. It was pretty
29:16
crowded back then. And she kinda did it her own
29:18
way. She didn't really do a show like any of
29:20
those guys, honestly. No.
29:21
And I think that's what probably stood out to a lot of people
29:23
and a lot of fans of that show is that it
29:25
was it had more of a
29:27
casual vibe and it
29:30
was not political in any way unlike, you know, The
29:32
Daily Show, which it was competing again.
29:34
So for people who wanted to just avoid
29:36
all that kind of stuff, Chelsea
29:38
lately was where you went. She has an
29:40
awful lot of confidence, doesn't she? Unbelievable
29:42
amount
29:42
of confidence. I will never have
29:45
one eighteenth of her confidence. When she
29:46
said, she just kinda took off out here
29:48
at nineteen, and she was just like, I'm gonna be
29:50
rich and famous. I don't know how.
29:53
but I'm gonna be she was was of ahead of her time because I feel
29:55
like that's whatever influence her things here.
29:58
Almost all of them, not as talented as
29:59
Chelsea Handler, but I feel like that's the
30:02
way people approach the world a little bit these
30:04
days. True. But even
30:05
the influencers know how they're gonna do
30:07
it. It almost sounded like Chelsea was like, I'm just gonna
30:09
do that. I don't know how. I don't know what the careers
30:11
path is gonna be. I just know I'm gonna
30:13
be successful.
30:14
Yeah. Man, she was.
30:16
You know, it seemed like it happened overnight. She
30:18
did go make a point to say it took her six
30:20
or seven years to do and stand up to kinda
30:23
finally get on TV and find her footing, but
30:25
it it did seem to happen pretty fast.
30:27
I also found an interesting, you know, her
30:29
response to, you know, what's happening out there in the
30:31
comedy landscape with culture and,
30:33
you know, sort of the position she
30:35
takes, I often find
30:37
comedians for the most part
30:39
they don't publicly comment on those
30:41
things like, you you know, they're they're making the news
30:43
these days with Chappell and Ricky Gervais. Mhmm.
30:46
Essentially, what
30:46
she was saying without using this term
30:49
was just don't punch down. It's not that hard
30:51
to not punch down or at least it shouldn't be.
30:53
Right. And
30:53
it doesn't sound like that's what she does and
30:56
It was it was it was just very interesting to to your point of
30:58
view and all that. It feels like every day
31:00
with each new Netflix special, there
31:02
seems to be another semi
31:05
controversy. Mhmm.
31:06
But they all blowover sort
31:07
of. Have you seen the Ricky's or vice
31:09
special?
31:09
I've read about Ricky's special. I have not actually
31:12
watched well, actually, no. it it auto loaded for
31:14
me once when I was signing into Netflix.
31:16
So I saw, like, a little bit of it, but
31:18
that's it. I mean,
31:19
not unlike
31:20
Chappell, it's Ricky
31:22
Jervais. I think you know what you're gonna get when you go through that
31:24
door. It's gonna be very hard hitting.
31:26
It's gonna be a little dark and it's
31:28
not for everybody. Yep. So
31:31
But anyway, I I don't know. That's
31:33
just one of my things about comedy. I'm I'm always like,
31:35
are there comedians? And if you know
31:37
what the brand is, you
31:39
get to turn the channel. Well, that's
31:42
true. You just agree with it, but
31:44
they're allowed to do what they do and
31:46
you're allowed not to like it.
31:47
True. But I think sometimes
31:50
what comedian say can have ripple
31:52
effects that extend well beyond
31:54
that. Fair enough. Not to, like, get to
31:56
in the weeds. But for example, I'm sure
31:58
you read about people who were very upset
32:00
that Chappell opened for John Milaney
32:02
recently -- Yeah. -- because they had paid to come see
32:04
John Milaney and they weren't expecting to see Dave
32:06
Chappell. And if they had known they were paying for Dave Chappell,
32:08
they might not have done it because they are
32:10
very, you know, upset by what he says about
32:12
trans people. that's a very different scenario
32:13
to me. And an interesting one too, when you
32:16
think about it. Yeah. You know, I was thinking
32:17
about, like, you know, I'm sitting in that audience. I'm
32:19
a Jabaleni fan. I
32:22
don't really go for that chappell
32:24
stuff and then all of a sudden chappell shows up.
32:26
Right.
32:26
And it's just well, I don't wanna make
32:28
this about Dave chappell because it's supposed to be about Chelsea
32:30
Handler. I'm a fan of but I just don't understand why he keeps
32:32
going back to the same jokes that are clearly
32:34
upsetting people. I don't get
32:37
it.
32:37
after he said he wouldn't, by the way. Yeah. My bad analogy is
32:39
it would be as if you went to a
32:41
power station concert and Arcadia showed up. So
32:43
It went that's a terrible
32:44
analogy because I would also be happy
32:46
about Oh, you would
32:49
be. Okay. You appreciated the both. I
32:51
appreciated them both. I
32:51
was more power station because John
32:54
Taylor
32:54
was in power station, but
32:57
It's
32:57
not like I would be offended
32:59
if Arcadia showed up. It
33:01
is bad analogy. Well, stay tuned
33:03
for more bad analogies. and join
33:05
us next week on Basic.
33:08
Basic is a pantheon media production
33:10
in partnership with SiriusXM, hosted
33:13
by Gen Jamie. And
33:14
Doug Herzog, produced by Christian
33:16
Swain and Peter Ferryoli. Lily
33:18
Erlick is our assistant producer.
33:20
Mixed mass and music by Jerry Gandelson, edited
33:23
by Zach Schwissner. You can find
33:25
basic on
33:25
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33:32
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to follow the show, so you never miss
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an episode.
33:41
Academy
33:41
Award nominee Carrie Mulligan and Emmy nominee
33:43
Zoe Kazan starring Xi said as
33:45
New York Times reporters Megan Tuohy
33:47
and Jodie Kantor who together broke one of
33:49
the most important stories in a
33:52
generation, a story that shattered decades of
33:54
silence around the subject of sexual
33:56
assault in Hollywood, and ignited a shift in
33:58
American culture that continues to this
33:59
day. The film CoStar's Oscar
34:02
nominee Patricia Clarkson, Emmy winner, Andre
34:04
Brauer, and Tony winner, Jennifer
34:06
Eli, Academy Award nominee Samantha Morton, she said
34:08
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34:10
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