Chelsea Cain's HEARTSICK is at once a recognizable and very original addition to the serial killer genre. While the principal plot twist (a detective working to stop a serial killer must consult with another killer already behind bars) reminds us of Thomas Harris's RED DRAGON, Chelsea Cain's detective Archie Sheridan has suffered at the hands of killer Gretchen Lowell in ways that create a terrible intimacy exceeding any penned by Harris. HEARTSICK is also atypical of serial killer books in its strong sense of place, and the fact that the investigation focuses almost entirely on insights into character. For these reasons the book often recalls the work of Raymond Chandler more than that of Harris or Bret Easton Ellis, and Gretchen Lowell is in many ways more typical of a film noir femme fatale than a literary serial killer. With its superbly crafted characters, taut pacing, and highly visual prose, HEARTSICK seems destined to become a pop culture phenomenon. This podcast is brought to you by Clute and Edwards of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Behind the Black Mask: Mystery Writers Revealed" at btbm.libsyn.com.