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disastrously awry to the untimely death
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a treasure trove, mishaps and meltdowns.
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Harford host of Cautionary Tales The
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get your podcasts. Previously
1:01
on not all propaganda is.
1:04
Aren't. People
1:06
are gonna wrap up going to
1:08
enjoy life upping the that liberate
1:11
Dunlap washing machine or contraption, other
1:13
gadgets that we've. got all
1:15
the buying guy or add
1:17
more not co. A freedom
1:19
which we can do. What will I can
1:21
exploit our problem However, we like a lot
1:23
of the grind. what about our nobody has
1:26
so far left brain. We
1:29
underestimate the strength and important a
1:31
working class culture if we think
1:33
it can disappear before the impact
1:36
of the washing machine photos day
1:38
in our advertising in connection with
1:40
almost any product, whether it's food
1:43
or an automobile aura. An
1:46
automatic washing machine is designed to
1:48
make. Everyone more
1:50
sexually attractive. Welcome.
2:05
To the ninth and final installment
2:08
of Not All Propaganda Is Art.
2:11
The. Cultural Cold War Podcast Group Biography
2:13
that I've been running on The
2:15
Theory of Everything Seed for the
2:17
past three months. I.
2:19
Do hope you have enjoyed the
2:21
nine plus hours we spent together.
2:24
Listening back on the years. Nineteen
2:26
Fifty Six to Nineteen Sixty. And
2:28
my case, It's. Been four years.
2:31
I'm ready to move on as well. But
2:34
I do have a proper conclusion
2:36
for you. Dear listener, it's waiting
2:38
at the bottom of this episode.
2:41
First. We're. Going to Say
2:43
Goodbye to are three main cast
2:45
members: Dwight Macdonald, Kenneth Tynan, and
2:47
Richard Wright. And. We're
2:50
going to begin with Kenneth Tynan,
2:52
who on May fifth, nineteen sixty,
2:54
was on a witness stand in
2:57
a Senate hearing room in Washington,
2:59
Dc. Gives. A
3:01
Court Reporter? your full name Please.
3:04
Kenneth. Be Tynan. Your. Address:
3:06
Fifty Six East Eighty Ninth
3:08
Street, New York City And
3:10
your business or profession. I'm
3:12
a drama critic and author.
3:15
Kenneth. Tynan went to Washington
3:17
D C on May fifth,
3:19
nineteen sixty because he was
3:21
subpoenaed by Sen. Tom Is
3:24
Dogs powerful Internal Security Subcommittee.
3:27
And what is your present immigration status
3:29
here in the U S? Might.
3:32
Present one entirely due to an
3:34
oversight on my part and my
3:36
employers is be one and to.
3:38
Have been employed on an H One
3:41
Visa expired last October without either myself
3:43
or my employees realizing it. I've
3:46
enlisted Kenneth Tynan son Matthew
3:48
time in to help me
3:50
recreate this hearing. Math is
3:52
actually a lawyer. Probably.
3:54
Could have helped his dad out on immigration
3:57
day but I would have said could propel
3:59
sort of. I'm voicing Mister
4:01
J. Sour Wine Senator Dodd,
4:03
Chief Attorney for the Internal
4:05
Security Subcommittee. Mister. Tynan
4:08
did you produce a broadcast
4:10
entitled We'd It sent for
4:12
the Associated Television Limited, the
4:15
British Television Network on January
4:17
Twenty Seventh? Nineteen Sixty. Is
4:20
yes I did. Was. This,
4:22
a broadcast which served to
4:24
bring the United States into.
4:27
Disrepute. Suddenly not.
4:30
I suppose you know what I
4:32
am had to say about the
4:34
program that overtones.and can avoid him
4:36
to. Asked.
4:41
In Episode Seven, I Told
4:43
You A Story about We
4:45
Descend, a documentary film about
4:47
American nonconformist Kenneth Tynan produced
4:49
for British Tv. I
4:52
made the case that we
4:54
descend with part of a
4:56
British propaganda campaign designed to
4:58
combat anti Americanism in the
5:00
Uk. Well, when America as
5:02
cold warriors read about, we
5:04
descend in the press. They
5:06
blew their don't Senator Dodd
5:08
was so angry he even
5:11
spoke out on the Senate
5:13
floor. This is why our
5:15
man was summoned to Washington.
5:18
Here are a few key
5:20
excerpts from Dod Speech: I
5:23
consider this program to be
5:25
a prime example of the
5:28
kind of irresponsible criticisms that
5:30
undermines the Western Alliance by
5:33
weakening the fabric of mutual
5:35
respect. Senator Dodd only saw
5:38
Anti Americanism and Kenneth Tynan
5:40
documentary about American descent. I
5:43
challenge the programs contention that
5:45
our proud, legitimate tradition of
5:48
dissent is in any way
5:50
represented by a communist party
5:53
liners and a convicted perjurer,
5:55
Spice beatniks, eccentrics, a dope
5:57
addict, and an expert. On
6:00
sex deviation. Senator Dodd
6:02
was is specially appalled
6:04
that the film included
6:06
an interview with King
6:08
of the hipsters Norman
6:10
Mailer. A
6:13
nationally telecast program like this
6:15
could only dispose those who
6:17
feel negative about America to
6:19
feel more negative and those
6:21
who are neutral or friendly
6:24
to feel on easy and
6:26
who gains from all this.
6:29
The. Chair of course is correct I
6:31
will ask this question is if we
6:33
are back in the courtroom Now I'm
6:35
doing sour one again. Was
6:38
this film intended to
6:40
bring the United States
6:42
into disrepute? By no
6:44
means I should say rather the
6:46
opposite. It's aim, if I may,
6:48
continues to correct a distorted image
6:50
of America that I've noticed to
6:52
my horror and a great many
6:55
countries in Europe. The. Idea
6:57
is that America as a country
6:59
of conformists, an organization that. I.
7:01
Know this country well enough to say
7:03
it is untrue. Mr.
7:06
Sour wine with actually one
7:08
of Sen. Joe Mccarthy's original
7:10
bulldog attorneys. and he relished
7:13
going after journalists. And.
7:15
Kenneth Tynan felt this In
7:17
an article he wrote about
7:19
this hearing. He noted that
7:21
defending a Tv show to
7:23
accusers who had never seen
7:25
it was worse than Mccarthyism.
7:28
Kenneth Tynan came to Washington with a
7:30
speech of his own. A
7:33
speech he hoped to read and to
7:35
the official record. But. Mr.
7:37
Sour Wine refused this
7:39
request. So. Matthew.
7:42
Time and will now read
7:44
his father's remarks into our.
7:47
Amended Historical Record.
7:49
Of this hearing. As.
7:52
An English journalists, I have paid regular
7:54
annual visits to the United States the
7:56
past nine years. I
7:59
spent the past. The Winters Here as guess
8:01
Drama Critic of the New York. During
8:03
this period I have also been employed
8:06
by The Observer, a London weekly newspaper.
8:08
I am a visitors The United States
8:10
have never grants or resident alien. Nor.
8:13
Have I done anything during my stay to
8:15
belie the statement I made when my visa
8:18
was first granted. Namely. That.
8:20
I am not and never have been
8:22
a member of the communist party or
8:24
have any affiliated organization. This.
8:27
May not have been the precise terms the declaration
8:29
I was asked to make the that as I
8:32
recall was their imports. It may
8:34
be worth adding that the only organizations
8:36
to which I pay dues our eye
8:38
bleeds: the Royal Society of Literature. The
8:41
Critics Circle and The Ducks Club. And.
8:43
Answering the questions that the committee may
8:45
put to make, I'm perfectly willing to
8:48
apply to any questions about my activities
8:50
in the United States. I
8:52
have no intention of invoking any of the
8:54
amendments to the constitution. Should
8:57
like however. To. Express my
8:59
regret that the committee should have
9:01
seen fit to employ it's authority
9:03
to subpoena of visiting journalists. It
9:07
is not done so before to
9:09
the best to my knowledge and
9:11
I respectfully suggest that there may
9:13
be better way of demonstrating to
9:15
the world this country's traditional and
9:17
splendid regard for freedom of speech.
9:21
And you please state your full name and
9:23
address For the record. My
9:26
name is set for it's fresh. Living.
9:31
At. Thirty
9:33
Five. Said
9:35
it is set. In
9:38
eighteen, Forty seven, Kenneth Tynan, zero
9:40
Bertolt Brecht with some into Washington
9:42
to testify in front of the
9:45
House of Unamerican activities. Like
9:50
Tynan back to is
9:52
also accused of pushing
9:54
anti American propaganda realize
9:56
a voice. Bread
10:01
with the U S the day
10:03
after his interrogation and like was
10:05
Kenneth. Tynan departed soon after his,
10:07
but he threw a party first
10:09
for two hundred plus guests at
10:11
the Forum of the Twelve Caesar's
10:13
in Manhattan. There
10:16
were a lot of theater
10:18
people Vivien Leigh, Stephen Sondheim,
10:20
and Play Right Caddy Frings.
10:23
Tynan. Was one of the
10:25
only critics who had praised her adaptation
10:27
of Richard Wright novel The Long Dream
10:30
when it debuted. That said, be wary.
10:33
Never. Before have I seen a
10:35
trenchant exposure of the mutual degradation
10:37
that ensues when the black man
10:39
six wealth by crawling to the
10:41
white and aping his techniques of
10:44
corruption. Time in, wrote in The
10:46
New Yorker lamenting that the play
10:48
had only lasted five performances. I
10:50
wish you could have seen it.
10:55
Also at this party where
10:57
James Baldwin and Richard Gibson
10:59
both Tynan in Baldwin were
11:01
signatories of a letter Gibson
11:03
a just published in the
11:05
New York Times calling for
11:07
fair play for Cuba. Last
11:12
episode, I told you about
11:14
the essay Richard Gibson wrote
11:16
about Island of A Hallucination.
11:18
Richard Rights unpublished novel. Well,
11:20
that essay includes a very
11:22
curious remark about our men
11:24
Kenneth Tynan and the Cia
11:27
is covert support for the
11:29
Congress for Cultural Freedom. One
11:32
person who was aware of who
11:34
Pay the Piper was Kenneth Tynan
11:36
Gibson Road he freely admitted to
11:39
James Baldwin and me at a
11:41
party in New York City. Congress's
11:43
British literary publication Encounter was Cia
11:46
funded, but added that he would
11:48
continue to contribute articles. Do it
11:50
because it was a fine magazines
11:52
and not filled with American propaganda.
12:03
A large number of Kenneth Tynan colleagues
12:05
from The New Yorker also came to
12:07
send them off at the Twelve. Caesar's.
12:10
including. Our. Man Dwight
12:12
Macdonald. Dwight.
12:15
Was still sore at Tynan
12:17
for not including him and
12:19
his documentary about American nonconformists.
12:21
But. Still, he presented during and
12:23
with a copy of the
12:25
New Spring Nineteen Sixty issue
12:27
of Partisan Review. Which. Contains
12:30
the first part of
12:32
his dissent on American
12:34
masses and middlebrow culture.
12:44
When the Twelve Caesar's shut
12:46
down, the festivities moved elsewhere
12:48
Cent on his way home
12:50
in the early morning light
12:52
Kenneth Tynan compose a mental
12:54
draft of memoir to Manhattan
12:56
and as a holiday magazine
12:58
would publish the following December.
13:02
It is at night that a
13:04
Londoner is most aware of missing
13:07
New York. London, on the whole,
13:09
closes down soon after eleven pm.
13:11
But New York is open twenty
13:14
four hours a day. It is
13:16
a nocturnal city constructed to look
13:18
more enticing as darkness envelops it.
13:22
In Times Square, a dusty
13:25
obscenity by day is a
13:27
whirlpool of temptation by artificial
13:29
light. and to survey the
13:31
midtown spires at night is
13:33
the feel a gregarious hunger
13:35
for human companionship so many
13:38
and so inaccessible or the
13:40
lives that are flourishing or
13:42
savings or crashing to disaster
13:44
inside those pillars of gleaming
13:46
windows. The
13:50
streets are flooded with the blue
13:53
of dawn and the crawling wine
13:55
of the garbage disposal trucks. I
13:57
suddenly remember the mythical in perturb.
14:00
More broadway character who stepped on
14:02
the sidewalks and nearly had his
14:04
toes amputated by a truck whereupon
14:07
he remarked with the faintest of
14:09
shrugs that show business. Day
14:14
has broken now. the streets of
14:17
lost their echoes. Before long they
14:19
will be filled with early New
14:21
Yorkers. I look at their faces
14:24
as I ride back to my
14:26
apartment and their unmistakably it is
14:28
the familiar Manhattan look. A pet
14:30
is slightly resentful sound as if
14:33
a great promise had somehow not
14:35
been quite so. Cells. In
14:38
the midst of prosperity people look
14:40
as if they have been robbed.
14:44
But I am speaking mostly of the
14:46
middle aged. My
14:48
cab passes the United Nations
14:51
buildings the longest besides the
14:53
river and at once I
14:55
brightness thinking of the younger.
15:02
Mr. Time When did you visit the
15:04
United States the first time? For twelve
15:06
years ago, and I've in return ever
15:08
since. It's annual in terms. Of
15:11
which parts of the United States seduces
15:13
New York, Chicago, California not. I'm afraid
15:15
of anything anywhere in between, but you
15:18
only state in Iraq for any length
15:20
of time. Yes, this is the real
15:22
Kenneth Tynan but this time is not
15:24
in court is being interviewed by a
15:26
radio host name Franz Josef. Or
15:29
mans on a book tour talking up
15:31
as nineteen Sixty one collection curtains. What?
15:33
Was the main purpose of your
15:35
visits I've I've that's nearly always
15:38
come over here to look at
15:40
the. Bravo
15:42
seems to English eyes and to
15:44
and to with to get some
15:47
sort of an account of into
15:49
the English Reader mister Time and
15:51
your books, curtains and a tip.
15:53
the consent up as you seem
15:55
to indicate that the American Theater
15:57
is com funded was too dangerous.
16:00
I one is production for the
16:02
market which. Leads. To commercialization
16:04
into vulgarization and the other
16:06
you seem to describe as
16:08
the tendency of odd work
16:10
to become more and more
16:13
a private fantasy. Would you
16:15
like to explain this? Yes,
16:17
I think. Any
16:19
culture in which drama
16:22
and tyson answer inseparably.
16:25
Wedded to each other is rapidly
16:28
I'm heading for some sort of
16:30
and pass that they are refers
16:32
to the tendency. To produce for
16:34
the market to consider the taste
16:36
of the masses. So now the
16:38
other side of fewer the second
16:40
danger you refer to would you
16:42
like to come in unless I
16:44
think that is a tendency that
16:46
American players take as they're here
16:48
as him to minister disturbed. Individual.
16:51
In a high status hysteria. Ah,
16:53
and to explain it, employ internal
16:55
fans, but there is no tendency
16:58
are hardly any to analyze what
17:00
is wrong with the individual in
17:02
terms of the society outside him.
17:14
On May twenty ninth, Nineteen Sixty,
17:16
the London Observer announced Kenneth Tynan
17:18
return to his old post as
17:21
the papers teen drama critic. Along.
17:24
With a new article dining room
17:26
called Bouquet for the British. And.
17:29
This one's he tried to explain what
17:31
he had learned about America during his
17:33
two years in New York. It.
17:36
Has not been easy for me to
17:38
be candidly critical without feeling rather like
17:40
a weekend guest to sneer at the
17:42
linen. Our man called the
17:44
Nineteen, Sixty Eight and Fifty Nine
17:46
Broadway Seasons. The clanking
17:49
ten can of commercialism. And.
17:51
America's inability to produce
17:53
politically and socially engaged
17:56
art Preset be quizzed
17:58
by Senator Mccarthy. The.
18:01
Ideological problem that hinders the
18:03
American theater can be simply
18:05
stated in Room. Materialism
18:07
as out metaphysics are in.
18:10
or to phrase it more
18:12
modestly, it is not within
18:14
the power of social and
18:16
political change to heal the
18:18
eternal sickness of the individual
18:20
soul. This
18:25
article from May Nineteen Sixty is
18:27
a very prescient piece of writing
18:29
on these so called cultural turn
18:31
of the late Nineteen fifties. In
18:34
fact, I. Think Kenneth Tynan
18:37
might be one of
18:39
the very first intellectuals
18:41
who understood that the
18:43
cultural turn was not
18:46
a turn towards artistic
18:48
and cultural protest, but
18:50
rather a turn inwards.
19:12
Another. Critic who understood in
19:14
Nineteen Sixty that the times
19:16
they were a changing was
19:18
the young Michael Billington. In.
19:21
Nineteen Sixty when I was an undergraduate
19:23
at Oxford Feeding English, I'm the Observer
19:25
had the competition and the competition was
19:28
of a parody of a new of
19:30
their regular contributors. So what did I
19:32
do? I wrote a parody of Kin
19:34
Tynan and said to column. We.
19:37
Heard from the great British drama
19:39
critic Michael Billington in episode three.
19:41
As. A young man, he idolized
19:43
Kenneth Tynan. And in nineteen
19:46
Sixty, he sent the Observer a parody
19:48
of his era. I. Had to
19:50
convince some plays with time and might
19:52
be reviewing and I visited states as
19:54
Innocence and had just written a take
19:56
one way pendulum so I invented a
19:59
play called to. The a Stretcher by
20:01
Michael Nw seven am I just been
20:03
by began buzzing I'm guessing for you
20:05
worried about end up yousef of this
20:07
is meet. With a big
20:09
time, it's good. it's that was often
20:11
how he would begin a review with.
20:13
what I'd that hit, declare some some
20:16
out or hesitation or whatever and my
20:18
astonishment done, amazement. I. Won first
20:20
prize or the competition. And
20:22
my Parody of Time and was published. The
20:26
title of Michael Billington parody
20:29
was protesting too much. I
20:31
think they earned five pounds.
20:33
It's my first earnings in
20:35
Jefferson. The
20:57
saga of Dwight Macdonald same
20:59
assess a mass called Metcalfe
21:02
begins with a solicitation from
21:04
the Saturday Evening Post. In.
21:06
Nineteen Sixty Eight. The post was
21:09
running a series of think pieces
21:11
called Adventures of the Mind, and
21:13
on September thirtieth, they reached out
21:16
to Dwight Macdonald with an invitation
21:18
to participate. Your. Own
21:20
qualifications are so comprehensive
21:22
wrote editor John Cobbler.
21:25
That we feel sure you can
21:27
produce a forceful essay in the
21:29
field of letters, sociology or cultural
21:31
taste. the enigma of best seller
21:33
them might appeal to you. Dwight
21:36
Sound Cobblers offer twenty five hundred
21:38
dollars for a five thousand word
21:40
article. Extremely appealing and
21:42
with an eye towards preempting
21:45
editorial conflict, Cobbler established a
21:47
few ground rules for Dwight
21:49
Essay on the dangers of
21:52
mass and middlebrow culture. Illustrate
21:54
some of your points through
21:56
analysis of specific well known
21:59
literary news. The work that
22:01
path for art. and we
22:03
do not wish to be
22:05
unkind to Mr. Norman Rockwell,
22:07
our cover artist who is
22:09
unhappily well aware of the
22:11
dichotomy you explore. Also, avoid
22:13
the taint of intellectual snobbishness.
22:15
All that glitters and the
22:17
ivory tower is not gold.
22:19
And finally, there is no
22:21
deadline or hurry. This
22:24
last piece of advice with a
22:27
mistake on the part of Mister
22:29
Cobbler as the correspondence shows, can
22:31
we expect to hear from you
22:34
soon Cobbler wrote on February seventeenth,
22:36
nineteen Sixty Nine. Alas, not very
22:38
sound. Our man replied. On
22:42
April twentieth, Dwight wrote the cobbler
22:44
to inform him that his article
22:47
on mass culture was still unwritten.
22:49
However, he added i'm leaving this
22:51
week for two months semi holiday
22:54
in England and I can and
22:56
will write it there. We will
22:58
be happy to see your article
23:00
at any time. Cobbler replied may
23:03
too many weeks however not go
23:05
by. During
23:07
his semi holiday in London,
23:09
Dwight delivered the America America
23:11
lecture we talked about in
23:13
episode six at The Universities
23:15
and Left Review Club, but.
23:18
He. Made no progress on his article
23:20
for the Saturday Evening Post. Are
23:22
we to give you up for
23:24
lost cobbler? Inquired on September tenth,
23:26
No, don't give up Dwight replying
23:28
the very next day I've begun
23:30
the piece, have about a third
23:32
done, hope to get the rest
23:35
and of finished form and not
23:37
over two weeks. I didn't write
23:39
you because I was ashamed of
23:41
all my earlier unmet schedules, but
23:43
it's now going well, that is.
23:45
I only get stuck three times
23:47
a day. I. Do. Think it will
23:49
be in your hands shortly. And
23:52
it was. And. That is when
23:54
the real trouble began. Since about
23:56
eighteen hundreds, we really hard on
23:58
the Western world. The coaches one
24:01
of them are kind of send
24:03
a text books which I call
24:05
high culture or serious cuts are
24:07
high culture or the other mass
24:09
culture which seems to be on
24:11
a surface just like high culture
24:13
that is a site though A
24:15
novels written, an act of of
24:17
paintings painted a Norman Rockwell's covers
24:19
this out in imposed on excellent
24:21
example of mass culture. This is
24:24
from a lecture Dwight Macdonald gave
24:26
on December since Nineteen Sixty Nine
24:28
at a symposium at Iowa State
24:30
University called the Positions of the
24:32
Writer and America As you can
24:34
hear, Norman Rockwell is no longer
24:36
off limits evidence that his relationship
24:38
with Mr. Cobbler. Had passed.
24:40
It's breaking point is you have a
24:43
the real thing. I culture another but
24:45
Norman Rockwell's was not the cause of
24:47
the wrist. The issue was mid court
24:49
but we now have certain with something
24:52
even more insidious amount is work for
24:54
mid called are middle about culture you
24:56
have ah the exploitation in the same
24:59
way that mascots exploits will cause. If
25:01
you have the exploitation of high culture
25:03
you have what seems to be a
25:05
rise in a level of culture but
25:08
was actually is not. In
25:14
the first draft Dwight Macdonald
25:16
submitted to the Saturday Evening
25:18
Post, he analyzed the number
25:20
of American magazine' Harper's The
25:22
Atlantic, The Reporter, and The
25:24
Saturday Evening Post in an
25:26
attempt to illustrate the pernicious
25:28
qualities of Middle. Cobbler
25:30
question why the New Yorker was
25:32
missing from the list. We.
25:35
Are quite resigned to having you
25:37
kick in the teeth practically every
25:39
other publications in the country including
25:41
the Post, but not as long
25:43
as you exempt the periodical with
25:45
which you are associated. By your
25:47
own definition he insisted be New
25:50
Yorker would be a glittering a
25:52
pit a me of mid forties
25:54
him and honestly the man's it's
25:56
inclusion with two or three sentences
25:58
of analysis. Dwight
26:01
tried to wriggle out of the
26:03
situation. He explained the cobbler that
26:05
he'd already gone on the record
26:07
and defended the New Yorker from
26:10
charges of mid cultures I'm in
26:12
an article called amateur Journalism that
26:14
he wrote First Encounter Magazine back
26:17
in Nineteen Fifty Six. We talked
26:19
about this one back in episode
26:21
two, but Cobbler refused to budge.
26:24
Dwight Explain all of this in
26:26
a letter he sent on November
26:28
ninth, Nineteen Fifty Nine to Ben
26:30
Hibs cobblers boss at the Saturday
26:32
Evening Post. Dear. Mr.
26:35
Hips Dwight wrote i think I've
26:37
been treated unfairly by your Mr.
26:39
Cobbler who has just rejected an
26:41
article mascot and mid called I
26:44
wrote at the post invitations for
26:46
your Adventures of the Mine series.
26:48
The sole reason for rejection is
26:50
that I was unwilling and indeed
26:52
unable to change my opinion of
26:55
The New Yorker to agree with
26:57
Mister Cobblers. This strikes
26:59
me as unjust, and also as
27:01
a method of editing a series
27:03
that is supposed to present serious
27:05
thoughts. Absurd. What kind are writers?
27:07
Are your editors used to dealing
27:09
with. I don't think I should
27:11
let this kind of thing go by without
27:13
at least a protest. and your the logical
27:15
person to protest to. A
27:18
month after Dwight wrote this letter
27:20
to Mr. Hibs at his lecture
27:22
in Iowa City, someone in the
27:24
audience asked if he considered the
27:26
New Yorker high culture. Sadly,
27:29
This part wasn't recorded, but according
27:31
to the transcript, this is how
27:33
we answered. The. New Yorker as
27:35
a middlebrow but with a difference. And
27:38
the difference is essentially that the other
27:40
middlebrow magazines like Harper's are frightened to
27:42
death of their readers. Were, as a
27:45
New Yorker, pays almost no attention to
27:47
it's readers. It never makes an attempt
27:49
to get subscribers. For instance, Doj
27:52
Mcdonnell also brought up the Saturday
27:54
Evening Post rejection of his article
27:57
during this audience Q and A
27:59
session. They rejected it, he
28:01
said on the grounds that I was
28:03
covering up for The New Yorker. I
28:06
think personally, that they didn't want to
28:08
print it because it was a thoroughgoing
28:10
attack on mass culture and middlebrow culture,
28:12
and this was the way they figured
28:14
out how to put me on the
28:17
spot. Doit.
28:19
Spent a few months ceiling
28:22
out editors at other magazines
28:24
the Atlantic Esquire. he even
28:26
tried encounter. But. They all
28:28
said no. In the
28:30
end, William Phillips, one of
28:33
the editors at Partisan Review
28:35
convince doit. To. Let him publish
28:37
it. And. On March
28:39
eighth, nineteen sixty, William Phyllis recorded
28:41
the financial agreement he made with
28:43
Dwight Macdonald. We will pay him
28:46
approximately three hundred for the peace
28:48
two sections in a five hundred
28:50
dollar advance on the pamphlets which
28:52
we will publish in the fall
28:55
charging probably seventy five cents per
28:57
copy and we get hands. This.
29:01
Is a far cry from the
29:03
twenty five hundred dollars the Saturday
29:05
Evening Post had promised. Plus.
29:08
William, it's only paid twenty
29:10
two hundred. Although
29:12
he did throw me a
29:14
giant stack of pamphlets. Partisan.
29:24
Review Published the first half of
29:26
Mass called Mid Cold in It's
29:28
Spring Nineteen Sixty issue. As I
29:30
mentioned earlier, Dwight give Kenneth Tynan
29:32
a copy before he left town
29:34
for London in May. In.
29:37
The introduction, Dwight, recounts his
29:39
long history with the subject.
29:42
I. First crystallized my ideas about
29:44
mass culture in an article
29:46
in Politics And February of
29:49
Nineteen Forty Four, an article
29:51
called A Series Of Popular
29:53
Culture. Politics with
29:55
the name of Dwight Macdonald
29:57
own little magazine. He shut
29:59
it down. The in Nineteen forty
30:01
nine because he decided to
30:03
turn from politics a culture.
30:06
My. First Article and Popular culture
30:08
Dwight Contingent in his introduction to
30:11
Mascot Midcourt Part one was recapitulate
30:13
it with extensive additions and deletions
30:15
for an essay called a Theory
30:18
of Mass Culture published in the
30:20
summer nineteen fifty three issue of
30:22
Dial Deniers. Curiously,
30:25
this nineteen fifty three piece
30:28
was supposed to runs in
30:30
a Ford Foundation funded cultural
30:32
Cold War magazine called New
30:34
Perspectives Usa, but the editor.
30:36
James Laughlin refused to publish
30:39
it. He passed it off
30:41
instead to a Unesco funded
30:43
friends journal called Dyad Nice.
30:46
Do I got his revenge in
30:48
Nanking? Fifty Five when he profiled
30:51
the Ford Foundation for the New
30:53
Yorker. Mister Laughlin, having become alarmed
30:55
by the Congressional Investigations of Foundations,
30:58
has tended to exclude material from
31:00
new Perspective Usa critical of the
31:03
American way of life. These
31:07
are the same charges Dwight
31:09
leveled as Encounter Magazine and
31:11
Nineteen Sixty Eight when they
31:13
receive to publish his article
31:15
America America. And at
31:17
the Saturday Evening Post. When.
31:20
They refuse to publish Mass Cold
31:22
Mid Called a year later. In.
31:25
Fact: The entire history of
31:27
Dwight Mcdonalds critiques of mass
31:30
culture is a story about
31:32
rejection and marginalization. But.
31:34
As he zoom in on the years
31:37
he was involved with the Congress for
31:39
Cultural Freedom From Nineteen Sixty Six when
31:41
he went to London to finish his
31:44
Critique of American Mass Culture book to
31:46
the publication of his essay Mass Cold
31:48
Mid Cold in Nineteen Sixty. Oil.
31:51
Another. Descriptive reveals itself,
31:55
Containment. In
32:00
the summer of Nineteen Sixty as
32:02
Mass Cold Mid Cult Part One
32:05
was circulating, the Congress or Cultural
32:07
Freedoms celebrated it's ten year anniversary
32:09
with a giant intellectual conference in
32:12
Berlin. Mass Culture was one of
32:14
the main topics, and Edward Sales,
32:17
the Ccf guy who ran the
32:19
Nineteen Fifty Nine Mass Culture Conference.
32:21
We talked about an episode six
32:24
was once again that chair and
32:26
host and Dwight Macdonald with once
32:28
again not invited. Doit
32:31
expressed his frustrations and offered
32:34
explanations for his exclusion. In
32:36
a letter to a friend,
32:38
William Phillips was invited to.
32:41
I wrote because after all
32:43
the Congress publishes partisan review.
32:46
And form at least. The.
32:50
Second half of mascot midcourt
32:52
ran in the Fall Nineteen
32:54
Sixty issue of Partisan Review.
32:56
It contains Dwight Mcdonalds
32:59
critique. Of middlebrow culture.
33:02
Mid. Cult Mid Brown Earth or
33:04
Midcourt rather combines the waist features
33:06
of high culture. A mass culture
33:08
at combines the pretense of this
33:10
of high culture and of our
33:12
gowdy of mascots. Dwight
33:14
Macdonald concept of mid cost is
33:16
what distinguishes him from all the
33:18
other critics of mass culture from
33:20
this period. And. This essay
33:23
is really the only time
33:25
he attempts to explain his
33:27
idea using examples. I.
33:29
Believe we have the Saturday
33:31
Evening Post Mister Cobbler, To.
33:34
Thank for that! Oh.
33:37
Here's some scenery for those of
33:39
you who think you have to
33:42
have scenery. One of the examples
33:44
Dwight chose to write about was
33:46
Thornton Wilder play Our Town. My
33:49
stuff in order me what I heard
33:51
somewhere that I'm i want to numbers
33:53
match and it's it's most obvious connection
33:55
with our town and the covers by
33:57
Norman Rockwell. Up for this Out of
33:59
him. Because both of them have
34:01
an athlete. Perfect ice For all the connie
34:04
cliches about American small town life, the out
34:06
I just as situations I'm and for the
34:08
that drugstore seeing you know the guy with
34:10
his girl on the dog so and bashful
34:13
it's someone are you So you don't have
34:15
a money and out of pay for the
34:17
saudis and felons almonds it's all just we've
34:19
seen it. I don't think any small town
34:22
I never loved one but about of New
34:24
York City. but I can't believe that the
34:26
fabric of Little could have been as cliche
34:28
as that at any time. On
34:32
the other hand are town also has you
34:35
know a technical innovations are rather watch would
34:37
have been at one point or the audio
34:39
the stage manager you know on of plywood
34:41
survive on the same making comments was because
34:43
he got from his chinese territory of her
34:46
out and also for the john instead of
34:48
the imaginary steps and pop since. But
34:51
on the other hand stays manages a
34:54
manager who wizard technical innovation. Himself
34:57
is so reassuring because you know is one
34:59
of these. Are small town editors
35:02
us smoking his pipe and
35:04
lamanite ruminating on am very
35:06
mellow and philosophical of got.
35:11
Our town Dwight Macdonald
35:13
says exhibits mid colts
35:15
to primary characteristics. In
35:18
techniques, they're just enough advance to be impressive
35:20
to the middle bows, but not enough to
35:22
really worry them. Ah
35:24
Andrus as as one thing
35:26
and secondly this technique is
35:29
is the allied to very
35:31
familiar ultra American seems they're
35:33
all very malik and in
35:35
quotation marks. Now
35:40
I don't believe any is Dwight
35:42
Macdonald. Critics ever dug too deeply
35:45
into the difference between his conception
35:47
of mass and middlebrow culture. And.
35:50
Fact: It's pretty obvious that is
35:52
far as they were concern, all
35:54
of it was anti American. But.
35:58
His warning about. Metcalfe the
36:01
False Good masquerading as the
36:03
True Good as he called
36:05
Fallen Wilson's Nineteen Fifty Six
36:07
book, The Outsider is not
36:10
only one of the best
36:12
descriptions of America's culture industry,
36:14
it's also an incredibly easy
36:16
to grasp definition of propaganda.
36:19
Actually, to our midfield is
36:21
that it isn't Popular guys
36:23
are doesn't give you a
36:25
simplified version or of elementary
36:28
version of a reality. On
36:31
the contrary, it really affects and
36:33
chains is this aesthetic reality? In.
36:36
The first episode of the series
36:38
I promised you a story. The
36:40
real story about how the debate
36:42
over mass culture ended. I.
36:44
Teased a story that
36:46
involves psychological warfare, covert
36:49
propaganda, and Cold War
36:51
secret intelligence agencies. And
36:54
while both Cia and I
36:56
are the play significant roles.
36:58
The. Key acronym in this story
37:00
and the other two stories in
37:03
this mini series is our oh
37:05
I. An. Episode
37:07
Six, I introduced you to
37:09
Dwight Mcdonalds enemy Edward Sills
37:12
and the network of Cold
37:14
War sociologist and propagandists who
37:16
had their own theory of
37:18
mass culture and mass media
37:20
to promote. A theory
37:23
that forever changed the sealed
37:25
of Mass communications. When. The
37:28
sociologist Paul Lazarus Felt published
37:30
his Nineteen Sixty Five books.
37:33
Personal. Influence. Here's
37:36
communication scholar Jefferson, fully
37:38
again explaining the importance
37:41
of tall as ourselves
37:43
series of personal influence.
37:46
In the late thirties, working with
37:48
Frank Stanton, their future Cbs President,
37:51
he had found that to his
37:53
surprise radio broadcast don't tend to
37:56
change people's opinions much. He also
37:58
found that attempts to. Change
38:00
people's opinions face to face tend to work
38:02
a little bit better and what he was
38:05
then proceed to do is relate those two
38:07
things together in different ways with different conclusions.
38:09
So in the one hand he could say
38:11
something like. Here's. A blueprint to
38:13
do propaganda. It's really hard because mass
38:16
media doesn't work on a tone. However,
38:18
If you want to influence
38:21
Indian intellectuals, make sure you
38:23
send an American message through
38:25
credible third party Indian opinion
38:27
leaders and that will be
38:29
effective. It away that American
38:31
messages wouldn't be. On
38:33
the other hand, he could
38:35
take the same basic idea
38:37
that priscilla influence more powerful
38:39
and treat personal influence the
38:41
small social groups as a
38:43
buffer between the mass media
38:45
and the local community as
38:48
reassuring evidence that the fears
38:50
of domestic from has media
38:52
influence are overblown and that
38:54
we need not be worried.
39:02
In Dwight Macdonald archive
39:04
at Yale I sound
39:06
another articulation of this personal
39:08
influence theory. In. Fact:
39:10
It's the very first item he
39:13
added to a mass culture research
39:15
folder he created in Nineteen Sixty
39:17
Six, just before he left for
39:19
his year at Encounter in London,
39:23
It's a news clipping from the June
39:25
Twelfth Nineteen Fifty Six edition of The
39:27
New York Times. And. Article
39:29
about Cts President Frank
39:31
Stanton. Testimony before the
39:33
Senate's Interstate and Foreign
39:36
Commerce Committee, a committee
39:38
that was threatening America's
39:40
television industry with anti
39:42
monopoly regulation. Thanks
39:44
Then testified that regulations would not
39:46
only be a colossal backward step
39:49
for America, they were also unnecessary.
39:51
The public dictated what was put
39:53
on the air because it always
39:56
turned off the show it did
39:58
not like. He does. The I'd
40:00
Love You Are Not the Network
40:03
Executive as the industry's monitor in
40:05
chief. Dwight
40:07
Macdonald highlighted that part with a
40:09
red pen. Frank.
40:12
Stanton. Began. His career
40:14
working as Jefferson poorly just
40:16
noted in Paul Lazarus Selves
40:18
lab at Columbia University. And
40:21
during his June Nineteen Sixty Six
40:23
testimony. Frank. Stanton brought
40:25
up personal influences core arguments
40:28
again and again to debunk
40:30
the argument that a television
40:33
monopoly was inherently dangerous to
40:35
the Americans. You were. And
40:38
these arguments. One. Over
40:40
the committee. It's
40:43
great pleasure Judgment introduced to your doctor
40:45
Frank state. And
40:48
ninety sixty Two friends certain delivered
40:50
a lesser en Mass Media and
40:52
Mass Culture at Dartmouth College is
40:54
brand new culture hub the Hopkins
40:57
Center that is one of the
40:59
most hopeful signs of our times.
41:01
I think Frank Stanton was actually
41:03
supposed to deliver a lecture at
41:05
the Nineteen Fifty Nine Mass Culture
41:07
Conference. We talked about an episode
41:09
six. But. He bailed at
41:12
the last moment when he learns
41:14
that his boss, Williams Haley, had
41:16
already called Dibs on the Cbs
41:19
Private Jet. Deeper understanding? Of
41:21
American Culture. This Nineteen
41:23
Sixty Two lecture, while similar to the
41:26
one he wrote for the kids debate
41:28
in the Poconos, is more like a
41:30
victory speech. Our man
41:32
Dwight Macdonald great. Steven gets a kick
41:34
in the teeth. Writers have had a
41:37
field day visiting new deformities upon the
41:39
English. And such
41:41
point words as Mass called
41:43
admit Cold but threatens or
41:45
survive more for their ugliness,
41:48
Van for the role of.
41:53
The Chairman of the American
41:56
Library Association Broadcasting Committee has
41:58
said dramatization of fast. On
42:00
Television inspires people to read
42:02
or re read. Books, Public
42:04
affairs commentaries and documentaries have
42:07
been sending people back the
42:09
history books. We look upon
42:11
television as a tremendous motivational
42:13
force, and we haven't even
42:15
scratched the surface. On
42:35
November eighth, Nineteen sixty, Richard Wright
42:37
delivered a lecture at the American
42:39
Church in Paris. He. Called
42:42
it the Position of the
42:44
Negro Artist and intellectual and
42:46
American Society. It
42:48
was his final public
42:50
appearance. And I seem
42:52
far as published novel or maybe some
42:54
for some reason the book of the
42:57
month plus the left that law of
42:59
us far as that of this this
43:01
ancestors of the halls of schools and
43:04
libraries in the white Americans. There
43:06
was little so. You.
43:09
Can hear him reading from the
43:12
pages of the manuscript that in
43:14
his archive at Yale. This one,
43:16
like many of the writings we've
43:18
talked about over the course of
43:20
this series, has never been published.
43:23
But a wise to say
43:25
no the rabbit public recognition
43:27
that far and Richard Wright
43:29
often used his famous book Native
43:31
Son as a starting point to
43:34
introduce himself and his own position
43:36
in literature that have a radically
43:39
independent free. Thinker. I
43:41
can safely say stop until the fuck
43:43
the tenth know maybe some they had
43:46
not been written a distributed in the
43:48
United States on a national scale model
43:50
that does not reflect I was the
43:53
church and Pluto. The new route of
43:55
and to the the philosophically minded are
43:57
determined know things are subsidized mean really.
44:01
In his essay, how Bigger Was
44:03
Born, Richard Rights explains how he
44:05
came to write his radical novel.
44:08
In. This lecture, He wants to
44:11
explain the consequences that came
44:13
from writing such a radical
44:15
novel. For the appearance
44:17
of a book that I'm not going
44:20
before mean it or meaning that he
44:22
realized is that the time realize until
44:24
I the on of missing the Dean
44:26
of American Sociologists i'm a doctor Robert
44:29
a Pop out of coffee of them
44:31
are walking into the living room with
44:33
a community center that evening and being
44:36
greeted by and infirm wire haired old
44:38
gentleman who insisted with a cane he
44:40
was a seminar of and rising from
44:43
is sad risk may I ask him
44:45
remain seated. Are rising
44:47
your deposit. I thought that was
44:49
not necessary and Dr. Fox and
44:52
me with hard i said hi
44:54
the hell did you apple. I
44:57
admit I didn't know what he met
45:00
and told him. so don't know. Doctor
45:02
Paul Mcgann, The Sap. Forty five million
45:04
dollars over Valve and the bad news
45:06
it out before you. We've been spending
45:09
millions of dollars left. By the way,
45:11
you use Rosenwald fundraising. He wrote this
45:13
book you have written was supposed to
45:15
be done by Rise as We Help
45:17
you wrote a book in Mesa Problem
45:20
National. What Happened. I
45:22
knew matter what, the good doctor Miss. I
45:25
was afraid independent minds negro the
45:27
Doctor pocket ever met. Last line,
45:30
And he was just with bathroom. He
45:33
has to be. Suppose.
45:35
Negro literature in the United States
45:37
were no longer under the control.
45:40
Rak the interests of institutions influenced
45:42
farmers in our a Negro leadership
45:44
enjoys pricey by being subsidized by
45:47
the of Britain was what was
45:49
that Researchers said. Richard.
45:53
Wright grew up in the
45:56
racist and corrupt American South,
45:58
and in his autobiography. The
46:00
boy He credits the poverty
46:02
and neglect he suffered as
46:04
a child for turning him
46:06
into a radically free thinker,
46:08
And this lecture. He takes
46:10
this ironic reasoning even further.
46:13
I'm sure of for me what university
46:15
and I were got hope of me
46:17
or a high school Latin that I
46:20
would have been to conditions would never
46:22
written a single book I've written. You
46:24
have the right to say that what
46:26
I've written is that a fact which
46:29
kept failing was controlled by the influences
46:31
x that in the blacksmith's it was
46:33
a free expression in the ones used
46:35
Roosevelt. Maybe I was nowhere near me
46:37
when I sat down. Julius
46:41
Rosenwald the Chicago Millionaire comes up
46:43
a number of times in this
46:46
lecture. And Nineteen seventeen,
46:48
Rosenwald invested some of his
46:50
millions into a fund to
46:52
support African American writers, artists,
46:55
musicians, researchers, and intellectuals. And
46:57
Nineteen Forty eight, the Rosenwald
47:00
Fund ceased operations. One.
47:02
Of it's final grantees. Was.
47:04
A young James Baldwin. In
47:07
fact, Baldwin used his Rosenwald money
47:09
to buy his plane ticket
47:11
to France. This
47:16
lecture is actually the piece of
47:18
writing that contains Richard Rights version
47:20
of the fight he had with
47:22
James Baldwin over the essays Baldwin
47:25
wrote about Richard Wright shortly after
47:27
his arrival in France. We.
47:30
Talked about this site in episode One.
47:33
Unfortunately, I can't
47:35
play the audio because. Someone
47:38
cut section. From
47:40
this recording. I
47:44
can however read you what Richard
47:46
Wright wrote. Here's
47:48
his set up. One
47:51
night, Richard Wright and his friend
47:53
Chester Homes were drinking at a
47:55
Parisian cafe, the legendary The Mega.
47:57
They were then joined by James Bond.
48:00
The one. Who. Were accompanied by
48:02
a white woman named Mrs.
48:04
Putnam. For. Some
48:06
reason Richard Wright removed the d
48:08
from Baldwin's name in this text.
48:11
so in the interest of accuracy,
48:13
we will do the same here.
48:16
The four of us sat sipping be yours
48:19
for to write wrote. I
48:21
wanna talk to you Baldwin said to
48:23
me why not I said I'm here
48:25
Where did you think of that article
48:27
I wrote about you fall When asked.
48:30
Ball when. I didn't know what
48:32
you're talking about in that article I
48:34
said softly, trying to smile to cushion
48:36
the shock of my statement. Ball
48:40
when glared at me don't take
48:42
me for a child he warned,
48:44
what are you talking about I
48:46
asked laughing. a bet. That did
48:49
it. My laughter spurred him to
48:51
rage. He left to a seat
48:53
and pointed his finger in my
48:55
face and screamed, i'm going to
48:58
destroy you I'm going to destroy
49:00
your reputation. You'll see. Alum
49:03
Jimmy tell them the white woman
49:05
balance friend egg them on. Why
49:08
don't you tell me I challenge
49:11
to her. He's telling you for
49:13
me The white lady said. I'm
49:17
sure that by now describing has
49:20
not been publicly forty four The
49:22
recording resumes just after this story
49:24
know why seals the deal about
49:26
the size of black intellectual he
49:29
says of blacks to do that
49:31
job Point that the having the
49:33
midst of a neat rows some
49:35
neat row who is willing to
49:38
states that point of view. I.
49:41
Told you about the history of
49:43
James Baldwin essay Everybody's Protest Novel
49:45
in episode One, as well. He.
49:48
Was first commissioned by Partisan Review.
49:51
The. Same little magazine that published
49:53
Moscow Medical. They. Commissioned
49:55
this before James Baldwin left
49:57
New York for Paris. They
50:00
ran it in their June nineteen
50:02
Forty nine issue after it debuted
50:04
in Zero, a Paris based little
50:06
magazine. In. Nineteen Fifty
50:08
Two New Perspectives Usa ran it
50:11
as well. That's actually the same
50:13
Ford Foundation funded magazines that
50:15
refused to run Dwight Mcdonalds Critique
50:17
of Mass Culture, and Nineteen Fifty
50:20
Three. James. Baldwin is
50:22
one of the only two African
50:24
American writers who were ever published
50:26
in New Perspectives Usa. Everybody's.
50:29
Protests novel was paired with a
50:31
short story about a black rider
50:34
who did not want to write
50:36
protest fiction. a story called a
50:39
Know to Nothing by Richard Gibson.
50:42
Adding. That part of his. Life
50:44
with a strict control over
50:46
money that fail. They are
50:48
many rows not even need
50:50
to be sold at somebody
50:52
bought. A
50:55
new arrivals And this money he
50:57
had and close to be that
50:59
I've seen one of his own.
51:03
Copious notes Princess a Ponzi
51:05
take that same game and
51:07
it is assumed a that
51:09
for me that a reward
51:11
would. Have been posted for his capture.
51:19
James. Baldwin wrote a second
51:22
attack on Richard Wright.
51:24
This. Essay called many thousands
51:26
Gone and it's a very
51:29
strange piece written from the
51:31
perspective of a white person.
51:34
On. November eighth, nineteen fifty. He
51:36
sent it to Partisan Review. this
51:38
time. Unsolicited, With.
51:40
A note. The enclosed as
51:43
say represents to have something of
51:45
an imposition for what I would
51:47
like from you is not a
51:49
simple yes or no, but some
51:52
idea of what you think. is
51:54
it Baldwin teased it is not
51:56
quite literary criticism nor altogether social
51:58
criticism. I wouldn't. Like it to
52:01
be read as an attack on
52:03
Richard Late. nor am I in.
52:05
perhaps. I should say that this
52:07
letter is confidential to quite possibly
52:10
unlucky a sex such a beast
52:12
as this may have in such
52:14
a highly charged social situation. But.
52:17
I do think that it says
52:19
or at least suggests certain things
52:21
of value which have not been
52:23
said or suggested and one might
52:25
as well begin. Partisan.
52:27
Review responded on January twenty
52:30
fourth, nineteen fifty one writing:
52:32
"We like your article very
52:34
much, would you allow us
52:36
to edit?" James
52:38
Baldwin replied on February twelfth, consenting
52:41
to the editorial request and asking
52:43
if he could be paid in
52:45
advance for the peace. And
52:48
even though Partisan Review had
52:50
a strict policy of only
52:52
paying on publication, They. Paid
52:54
him. In advance. On
52:58
June eighteenth, James Baldwin wrote
53:00
a note of thanks. This.
53:03
Is belatedly to thank you for the
53:05
checked and also I hope you do
53:07
not intend to wait too long before
53:09
publishing it. I would like if you
53:11
know what I mean to get it out of my
53:13
way. Give my love to the
53:16
boys in the back room and thank you.
53:21
For hot a while to say, you
53:23
realize that they. Saw:
53:25
mobilized foods and gendered among
53:27
negroes conflict sackboy among them
53:30
By this system of it
53:32
is a definite five would
53:34
probably rather than which sets
53:36
of files are now I
53:39
want black to allow box
53:41
where about caught a few
53:43
of us. Another
53:47
section: a Richard Wright lecture missing
53:49
from this recording is something he
53:51
called in a margin note he
53:54
made with a red pen the
53:56
Problem of The Blacks by. All
53:59
people. It like spies but
54:01
speaking ironically and facetiously, I'd like
54:04
to ask you to view the
54:06
blacks by with some degree of
54:08
compassion. This is a most
54:11
difficult job. Spies if they are
54:13
going to be good ones must
54:15
have what is known as cover
54:17
stories. For. Your edification. I'd
54:19
like to tell you that we've
54:22
spotted several blocks buys operating here
54:24
in Paris. How did we do
54:26
it by listening carefully? To.
54:28
Their cover stories. In
54:32
his own published novel about
54:35
black spies in Paris island
54:37
of Hallucinations Richard Wright provides
54:40
mechanical the novel's villain, an
54:42
agent provocateur with the cover
54:45
story of writer. And
54:48
just to make sure there
54:50
is no confusion as to
54:52
which Black rider Richard Wright
54:54
was referring to, he tells
54:56
us that mechanical once went
54:58
to jail in Paris for
55:00
stealing bedsheets from a hotel.
55:02
a detail he lifted right
55:05
at a James Baldwin March
55:07
Nineteen Fifty Five autobiographical story
55:09
equal in Paris. Richard
55:13
Wright also warns in
55:15
his final lecture that
55:17
black spies often pose
55:19
as revolutionary communist. I'd
55:22
go as far to say said
55:25
most revolutionary movements in the Western
55:27
world our government sponsored. They.
55:29
Are launched by Agent Provocateurs to
55:32
organize the discontented so that the
55:34
government can keep an eye on
55:36
them. If you fail to
55:38
grasp the meaning of what I'm saying,
55:40
I can only recommend that you read
55:42
a classic in this field. Gk.
55:45
Chesterton, the man who
55:47
was thursday. Violence
55:54
and chaos. and the console
55:56
eleven days as an official
55:58
independence. Newton
56:00
Eight. I began a wave of attacks
56:02
and looting throughout the far flung sectors
56:04
of the former colonies in November of
56:06
Nineteen Sixty. When Richard Wright deliver this
56:08
lecture, the Congo crisis was at it's
56:11
peak. The. Belgians, the British, the
56:13
friends, and the Americans. We're all
56:15
working behind the scenes to separate
56:17
the mineral rich region of Khatanga
56:19
from the newly independent Republic of
56:21
Congo. Western. Spies. We're
56:24
also trying to assassinate the
56:26
popular Congolese leader Patrice Lumumba.
56:29
The. See I tried to kill
56:31
him with poison toothpaste. Harsher
56:33
weakening to reality from northern
56:35
for hims of independence. Has
56:42
the grass our address, crimes
56:45
or whatever other. One of
56:47
the most amazing thing about
56:49
this recording of Richard Rights
56:51
Final Speech is that it
56:53
also includes audio from the
56:55
audience discussion that followed. But.
56:57
Part of the problem as voices
57:00
all underlie voice overs Really say
57:02
I was because well why is
57:04
this as the fights don't want
57:07
that we get to hear among
57:09
Richard Wright interacting well some of
57:11
the individuals who came to the
57:13
American Church in Paris to hear
57:16
him speak up. Right
57:18
now lot and maybe not but
57:20
I want them to play bar
57:22
and in someone even a them
57:24
about the moon But and the
57:26
Congo crisis aguirre about the what
57:28
you might think about the moon
57:30
but I have noticed that some
57:32
of the said the ports them.
57:35
And I understand I don't know what. I
57:37
don't know quite how to understand why this
57:39
the for him. I got this be very
57:42
fault new something but he was clearly undesirable.
57:44
Well as were from the when he's been
57:46
reported in the flesh. you could help with
57:48
the okay I i want our know what
57:50
what what lullaby the pan Africanist the didn't
57:53
lot. Of Congo with the
57:55
size of in the is interesting.
57:58
Is no doubt it. Perhaps
58:00
not well qualified. His yacht of
58:02
the to Belgium songs that, but
58:04
he was fine with me. He
58:06
keeps his legal states is he
58:08
in head inside. And out
58:10
his are very bad press in the west
58:12
somewhere around and called a very big of
58:14
a a five then the Congo. What I've
58:17
been explaining to you lied about. the black
58:19
boxes are now divided up among them fight
58:21
each other's the was as easy yeah I
58:23
do, I know the and some a lot
58:25
of the private minded sellers rather rather felt
58:28
as if. That was the
58:30
president. On
58:33
November twenty seventh, the day before
58:36
Richard Wright death, the number was
58:38
convinced to flee the safety of
58:40
his you unguarded prison. He
58:42
was then caught, been beaten and
58:44
tortured and executed. It's
58:47
still unclear who aided Mobuto
58:49
more the Americans or the
58:52
British. A. Daphne Park,
58:54
the M I Six Leopold
58:56
Ville Station chief during the
58:58
Congo Crisis confided to a
59:00
friend before her desk that
59:02
See organized the killings. And
59:04
in an interview she did for the
59:06
B, B C, and Ninety Ninety Two,
59:09
she pretty much. Explains.
59:11
How. Punk of
59:13
assess what it calls swaths of
59:15
action which which means the cook
59:17
cook for such. Very
59:21
good. If
59:24
only because once you get
59:26
really good insight and services.
59:28
Thought any proof. You
59:31
are able to learn was to leave
59:33
as a thaw and put. Each
59:36
man says from another. And
59:38
fought Each man is capable will
59:40
fit as another man was actually
59:43
prefer. Theory is all a matter
59:45
of inside knowledge. To
59:47
destroy things and then. You
59:51
sit people say to speak since
59:53
one of the thought. That
59:56
I enjoy each other as you did
59:58
you say that A as. Why
1:00:00
is? Not a pretty the phone.
1:00:03
So the phone district. Not
1:00:06
much more a close that a much more sophisticated.
1:00:08
Operations on that the says ruff so
1:00:10
kind of the presidential office. Ah,
1:00:13
that I couldn't hospital. In
1:00:27
the last episode, I told you about
1:00:29
letters Richard Wright wrote to his friend
1:00:31
in Dutch translator Margaret, dissembling air during
1:00:34
the last year of his life. I
1:00:37
strung together all the references
1:00:40
he made to his doctor,
1:00:42
Vladimir Schwarzman in order to
1:00:44
illuminate this strange relationship. The
1:00:49
last two letters also shed light
1:00:51
on richard rights relationship with the
1:00:53
Congress for Cultural Freedom. At the
1:00:55
time of his death, On
1:00:59
November twenty third, Richard Wright wrote
1:01:02
Margaret in response to an article
1:01:04
she sent him my a Dutch
1:01:06
Rider name map look. An
1:01:08
article about the weekend she spent
1:01:10
with Richard right when he came
1:01:12
to Indonesia, and Nineteen Fifty Five
1:01:14
to cover the band Don't Conference.
1:01:18
That looks wrote that
1:01:20
she and other Indonesian
1:01:23
intellectuals were shocked by
1:01:25
Richard Wright ignorance and
1:01:27
insensitivities about racial issues.
1:01:30
And she called the book he wrote
1:01:32
about his Indonesian travels, The Color Curtain.
1:01:35
Distorted and an.
1:01:42
While. The article you sent was
1:01:44
not unexpected. richer right road. I've
1:01:46
been attacking here in Paris, both
1:01:48
in writing public speeches and on
1:01:51
the radio, and I knew that
1:01:53
it was about time for a
1:01:55
counter attack to start. Now
1:01:58
Margaret, listen carefully. The
1:02:00
tactic of the Americans today is
1:02:02
to attack those who disagree with
1:02:04
them from the last, an anti
1:02:07
communist left which they have bought
1:02:09
and which they control. I'm sure
1:02:11
that if you look into the
1:02:13
background of bed book you'll find
1:02:16
that See is backed by the
1:02:18
Congress for Cultural Freedom which has
1:02:20
it's headquarters here in Paris. The
1:02:24
following day, in his final letter
1:02:27
to Margaret discipline. Richard.
1:02:29
Wright brought up best again.
1:02:32
Find out what organizations this woman
1:02:34
works for. If see is a
1:02:37
member of the congress or cultural
1:02:39
freedom, then all is clear. Some
1:02:45
of Russia Rights biographers believe that
1:02:48
in the fall of Nineteen Sixty,
1:02:50
he somehow found out that the
1:02:52
Congress for Cultural Freedom was an
1:02:55
appendage of the Cia rather than
1:02:57
the Us. State Department. But.
1:03:01
I believe this change of
1:03:03
heart was do more to
1:03:05
an inner revelation. A
1:03:07
revelation that the little support and
1:03:10
patronage he received from the Congress
1:03:12
for Cultural Freedom. Was.
1:03:14
Always meant only.
1:03:17
To contain him. On
1:03:27
December second, Nineteen Sixty, Gene Hunt
1:03:29
one is the Cia agents in
1:03:31
charge of the Congress for Cultural
1:03:34
Freedoms Paris office sent friends on
1:03:36
Monday, the editor of the Ccs
1:03:38
since journal proves an emergency telegram.
1:03:42
I'm sending was to you urgently because
1:03:44
Mrs. Right has asked his. you could
1:03:46
say a few words at the cremation
1:03:48
services of Richard Wright. The
1:03:50
services will take place at nine forty
1:03:53
five am tomorrow at the Crematorium and
1:03:55
the pair of the Says Cemetery. The
1:04:04
Congress for Cultural Freedom published
1:04:07
it's final words on Richard
1:04:09
Right in the April Nineteen
1:04:11
Sixty One issue of It's
1:04:13
British Magazine Encounter, These
1:04:16
were written by James
1:04:18
Baldwin. I'm
1:04:21
gonna read any of us. And
1:04:26
we're going to say goodbye
1:04:28
to Richard, right? with a
1:04:30
reading of the end of
1:04:32
his final lecture. It's another
1:04:35
allusion to the Black Spies
1:04:37
and Agent Provocateur Earth of
1:04:39
Paris. Unfortunately
1:04:41
this to was missing from
1:04:43
the recording. In
1:04:49
conclusion, Richard Right Road I
1:04:51
could also paraphrase from Shakespeare's
1:04:53
Macbeth by saying corruption and
1:04:56
corruption And corruption eats and
1:04:58
petty hearts from day to
1:05:00
day that the last jingle
1:05:03
of the cash register and
1:05:05
all our allusions or leading
1:05:07
fools the way to moral
1:05:10
death. Our informers
1:05:12
make life but are walking
1:05:14
charade a poor pretense that
1:05:16
struts and frets. His hour
1:05:19
of deception and then
1:05:21
slinks from our view
1:05:23
it as a tale
1:05:25
told by the trailers
1:05:27
full of double crossing
1:05:29
signify deceit. Okay,
1:06:03
So. Now that we have bid farewell
1:06:05
to all three of our main cast
1:06:07
members. I've got a proper
1:06:10
conclusion for you. And. Eight
1:06:12
and a half minutes story Similar to
1:06:14
the introduction back at the top of
1:06:16
this mini series. And. Attempt.
1:06:18
To. Illuminates connections between our
1:06:21
world and the world
1:06:23
of Nineteen sixty. We're.
1:06:26
Going to end Dear listener as
1:06:28
we began. with a movie.
1:06:31
A movie set in the
1:06:34
final days of But He
1:06:36
Says Cuba and filmed just
1:06:38
after Castro's revolution. Graham Greene's
1:06:40
Nineteen Sixty Black Comedy about
1:06:42
Cold War spies Our Ma'am
1:06:44
Mm, how bad. The
1:06:48
film is about James Wormhole,
1:06:50
a British mild mannered vacuum
1:06:52
cleaner salesman. Did
1:06:56
you. Want a vacuum
1:06:58
cleaner? Away one
1:07:00
day and m I six chief
1:07:02
named Hawthorne walks into warm old
1:07:04
Havana shot and recruits him to
1:07:06
become a spy for England. Hundred
1:07:08
and thirty dollars a month and
1:07:10
expenses, old man. That's
1:07:13
free. World
1:07:15
who knows nothing about spycraft or
1:07:18
intelligence says yes because he's a
1:07:20
single dad with a seventeen year
1:07:22
old daughter named Millie who loves
1:07:25
to shop. There is one thing
1:07:27
I want. The I something
1:07:29
like Canada as a Christmas present to and next
1:07:31
to them easier to that's. Really? what have
1:07:34
you bought? It
1:07:38
to happen Next A Horse is
1:07:41
a barely disguised autobiographical reference he
1:07:43
sees back in Nineteen Fifty Six.
1:07:45
Writer Graham Greene's daughter Lucy wanted
1:07:47
a horse ranch, and so he
1:07:50
sold the film rights to his
1:07:52
novel The Quiet American to the
1:07:54
highest bidder. This turned
1:07:56
out to be a disastrous
1:07:59
decision because. In Nineteen Fifty
1:08:01
Eight, Joseph make oh it's
1:08:03
with help from the Cia
1:08:05
transformed Greens anti American novel
1:08:07
into a pro American movie.
1:08:11
Graham Greene was so enraged
1:08:13
he decided to personally manage
1:08:16
the film version of this
1:08:18
Nineteen Sixty Eight novel Our
1:08:20
Man in Havana. Nuclear
1:08:27
science fiction writer. Illustrating
1:08:30
my own words, the movie
1:08:33
like the Book as Esquire
1:08:35
Magazine newly hired some critics
1:08:37
know Dwight Macdonald noted was
1:08:39
a peculiar combination of spy
1:08:41
thriller and offbeat comedy. Or
1:08:43
sea that pretty horrifying official
1:08:45
into the Boffins fabulous aspects
1:08:47
about Mormons and London drawings
1:08:49
of mysterious installation, the hidden
1:08:51
in the Cuban mountain of
1:08:53
a man things or results.
1:08:55
In reality, sick of of these
1:08:57
fast cleaner vacuum tubes he sells
1:09:00
and shot what did the premises.
1:09:02
He said some of these toys
1:09:04
reminded him of a gigantic vacuum
1:09:06
sealer. London,
1:09:08
Send the beautiful Beatrice to Havana
1:09:10
to assist warm of but you
1:09:12
have every reason to be confident
1:09:15
if pulled a big scoop. Your
1:09:17
amen and Havana The best agent
1:09:19
in the Western Hemisphere. The. Film
1:09:21
is incredibly faithful to the novel.
1:09:24
For. Example The speech World makes
1:09:26
at the business luncheon after he
1:09:28
realizes Carter, the man from New
1:09:31
Cleaners Fast Cleaners competitor is trying
1:09:33
to poison him is an almost
1:09:35
word for word rendition. We hear
1:09:38
a lot. Not as
1:09:40
about the Cold War. That
1:09:44
any trade will tell you that
1:09:46
the wall between two manufacturers. Can
1:09:49
be quite a hot for. Sorry.
1:09:56
I take Sauce Clean as a nucleus
1:09:58
for as there's no fun. The mental
1:10:00
difference between the two machines
1:10:02
anymore than that is between
1:10:05
to human beings. When
1:10:11
our Man in Havana the book
1:10:13
hit shelves a young British get
1:10:16
rich quick scheme and named John
1:10:18
Bloom Reddit and was inspired he
1:10:21
renamed the Dutch twins have a
1:10:23
washing machine. He was selling door
1:10:25
to door the Electro Matic and
1:10:28
on September twenty four, nineteen fifty
1:10:30
eight, he spent four hundred and
1:10:33
twenty eight pounds on a full
1:10:35
page ad in The Daily Mirror
1:10:37
offering housewives, home demonstrations and a
1:10:40
direct to consumer. No middle
1:10:42
man involves low low price.
1:10:45
A direct challenge too. Hot point.
1:10:47
England's establishment washing machine
1:10:50
dealer. By
1:10:53
Nineteen Sixty, when Our Man
1:10:55
in Havana debuted in cinemas,
1:10:57
England's Washing Machine more was
1:11:00
in full swing. And. John
1:11:02
Bloom was a multimillionaire. As he
1:11:04
wrote in his autobiography, it isn't
1:11:07
a sin to make a profit.
1:11:10
And while I can't confirm the
1:11:12
veracity of this connection the Graham
1:11:15
Greene it is similar to the
1:11:17
stories John Bloom liked to tell
1:11:19
about himself, to the celebrities and
1:11:21
young girls who frequented the wild
1:11:23
parties he threw at his Park
1:11:25
Lane Manson and the early Nineteen
1:11:27
sixties. Guess. Included
1:11:30
The Beatles. The National
1:11:32
Theaters new Dramaturgy Kenneth Tynan.
1:11:35
And Christine Holford who was later
1:11:37
sought to death by her husband,
1:11:39
Harvey Holford after see taunted him
1:11:42
over her lover John Blooms sexual
1:11:44
and business prowess. When
1:11:47
Harvey Hofer was acquitted of
1:11:49
murder, the public gallery erupted
1:11:52
with applause suggesting that they
1:11:54
liked The judge also saw
1:11:56
the man with the golden
1:11:58
Washing Machine cufflinks. As
1:12:00
the sordid affairs true them.
1:12:07
In. Graham Greene story the British Secret
1:12:09
Service assess the significance of their Man
1:12:12
in Havana. What else Using equally flawed
1:12:14
reasoning that a good trip or better
1:12:16
as you to come over to the
1:12:18
spot of bother oh yes about does
1:12:21
construction. Frankly they're reminded me of parts
1:12:23
of of accuracy and I mean you
1:12:25
thought that I have tried to pull
1:12:27
the length of the Secret Service or
1:12:29
did it at we're forced to live
1:12:32
on the others admit of events to
1:12:34
murder of really proves that runs a
1:12:36
genuine. This is another
1:12:38
autobiographical no I don't know of
1:12:41
Graham Greene new to well how
1:12:43
badly the real M I six
1:12:45
have been play with demonstrated that
1:12:47
organization by the other side spies
1:12:49
the Cambridge find a way you
1:12:52
know to complement your dangerous mouth
1:12:54
but after the other side assassinate
1:12:56
wormholes friend doctor have a backer
1:12:58
were mode consensus that his reports
1:13:01
were fate and his drawings vacuum
1:13:03
tubes. But. London's Smite. She's
1:13:05
decide to carry on with the
1:13:07
false narratives we've been considering. Your
1:13:10
last report: When I said that
1:13:12
confession, it was the first your
1:13:15
new As confession was never received.
1:13:17
Understand That said, they never received.
1:13:20
I'm. Speaking of something quite different the report and
1:13:22
of which was said the construction of approved
1:13:24
have saved up I never said anything of
1:13:26
the thought. On the contrary,
1:13:28
at the works, whatever they were had
1:13:31
been dismantled. If you have
1:13:33
that we decided to shut down your post. We
1:13:35
think the best thing for your the way I
1:13:37
say about our man in Havana is a comedic
1:13:39
heads up. A. Jovial warning that
1:13:42
any history of the late
1:13:44
Nineteen sixties Cold War era
1:13:47
at math for downplays the
1:13:49
influence of the spies foreign
1:13:51
journalists is total bullshit. Says
1:13:55
as he starts Destroy That must never get out
1:13:57
of. Quickly
1:14:08
and fit his clothing. In
1:14:12
the late Nineteen Fifties,
1:14:15
America was determined to
1:14:17
roll back and destroy
1:14:19
the Soviet Union. The
1:14:21
West cultural cold warriors
1:14:23
and covert propagandists used
1:14:25
this broad ideological remit
1:14:27
to target communism as
1:14:30
well as anti americanism,
1:14:32
anti colonialism and peaceful
1:14:34
coexistence. The
1:14:36
profound legacy of all this
1:14:39
propaganda the are, oh I
1:14:41
extends far beyond Cold War.
1:14:43
Triumph is built the world
1:14:46
we live in today. Not
1:15:02
all propaganda. His art was
1:15:04
researched, written and produced by
1:15:07
me. Benjamin Longer Andrew Calloway
1:15:09
Mixed and sound design the
1:15:11
whole thing. Special thanks to
1:15:13
family and friends for the
1:15:16
support over the long course
1:15:18
of this project and to
1:15:20
everyone who is in the
1:15:22
series especially Jim Campbell Mercedes
1:15:25
is Us and Jefferson Pooley.
1:15:29
You can find more information
1:15:31
about the series in the
1:15:33
show Notes and the special
1:15:36
audio footnotes companion podcast I
1:15:38
created for the series propaganda
1:15:40
notes and sources. Also
1:15:44
thanks to everyone at Radio Topeka
1:15:46
from P R X for all
1:15:48
the care and support getting this
1:15:51
into the world. And
1:15:53
now that this mini series is
1:15:56
complete please fearlessness, share it with
1:15:58
a friend and rated. On
1:16:00
what ever thought that. He.
1:16:23
I'm. Lindsey Graham to host of Wonder
1:16:25
is American history tellers. In our latest
1:16:27
series we explore the emergence of a
1:16:29
covert network a secret routes in safe
1:16:31
houses known as the Underground Railroad which
1:16:33
worked a shepherd, fugitive slaves to freedom
1:16:35
and the decades before the Civil War.
1:16:37
Listen to American history Dollars on the
1:16:39
Wonder yeah or wherever you get your
1:16:42
podcasts. And Radio.
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