Episode Transcript
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I'm Kate Winkler-Dawson. I'm a journalist
0:37
who's spent the last 25 years writing about
0:39
true crime. And I'm Paul Holes, a
0:41
retired cold case investigator who's worked
0:43
some of America's most complicated cases
0:46
and solved them.
0:47
Each week, I present Paul
0:49
with one of history's most compelling true
0:51
crimes. And I weigh in using modern
0:53
forensic techniques to bring new insights
0:55
to old mysteries. Together, using
0:58
our individual expertise, we're
1:00
examining historical true crime cases
1:03
through a 21st century lens.
1:05
Some are solved and some are cold,
1:07
very cold. This is Buried
1:10
Bones.
1:28
Hey, Paul. Hey, Kate. How are
1:30
you? I'm doing well. How are you? I
1:32
think you're busy is what the rumor
1:35
is. I am quite busy. You
1:37
know, my paperback just came out, and
1:41
it's unmasked my life-solving America's cold
1:43
cases. But we added a chapter.
1:46
Oh. You know, so it has new content in it.
1:49
It's another case. But I
1:51
am now having a little bit of a break.
1:59
doing book tour type of events. Do
2:02
you ever get tired? And the
2:04
correct answer is no, you never get tired of
2:06
meeting with fans and listeners and readers.
2:09
But secretly you can just tell me,
2:11
does it get tiring doing all the traveling
2:13
that you do? Because I don't even
2:14
do a quarter of what you do and it's exhausting
2:17
for me. There's no question the travel beats
2:19
me up and book tours are especially
2:22
onerous because I'm having to be in a different
2:24
city, you know, every other day.
2:26
So I'm on a plane every other day at an airport
2:28
every other day, you know, changing hotels.
2:31
The events are fun. Meeting the fans are fun,
2:34
but I'm an introvert. And
2:36
so like when I now, in addition
2:38
to being, you know, in front of 500 people and then now
2:41
I have 500 people who are coming up and
2:43
getting their books signed and we're talking,
2:47
I'm exhausted by the end of those days. I go
2:49
home and I curl up into a fetal position
2:52
and I just crash. This
2:54
is your second book tour, right? Because this
2:56
is your first book. It's my first book. So I did,
2:58
you know, with the, when the hardcover
3:01
was released, I did a book tour then and
3:03
I didn't realize it, but the publisher said,
3:06
Oh, by the way, you're doing a book tour when the paperback
3:08
gets released. So it's for the same,
3:11
essentially the same book, but my second book tour.
3:13
So is there going to be another book in the works?
3:15
Do you have another lifetime worth of stories
3:18
in you? Paul
3:18
Holes is what everyone wants to know. You
3:21
know, there has been some discussion. There was
3:24
a fair amount of material that was written
3:26
that never made it into unmasked
3:29
and that's where, you know, there
3:31
is at least some already
3:34
written material that we could start a second
3:36
book. But as you know, Kate,
3:39
writing a book is hard. It's time
3:41
consuming. It is? Oh no.
3:45
It may be a bit before, you know,
3:47
a second book is even really
3:49
in earnest being talked
3:51
about, but there's a possibility. If
3:54
I had my druthers, I'd be out in the field
3:56
visiting a crime scene. You know what I mean? I
3:58
know.
3:59
We're trying to get you in the... the field Paul, I'm trying my
4:01
best.
4:01
It's hard when they're set
4:03
in 1885 like this
4:06
story coming up is. Oh
4:07
well, you know
4:09
I'll go out and visit the crime scene even
4:11
if it's just this big metropolitan area today
4:14
and it was a field back then.
4:16
It's still informative. Okay we're
4:17
on. Well this is set in Gilded
4:20
Age New York which is just my favorite time period
4:23
ever. I know it sounds like I say that with every single
4:25
case we have. This is the best one. No, this is the
4:27
best one. But Gilded Age New York
4:29
is what I've written about a lot. So this is going
4:31
to be a really interesting case. So this will
4:34
require some travel but it's the
4:36
best kind of travel because we're just
4:38
going to go back in time and talk about a really great
4:41
story. Oh
4:41
time travel. I like it. Oh
4:43
wait, don't we do that every time? I think you
4:45
have to pack now.
4:48
We do do that every time. Okay let's
4:51
go ahead and set the scene. So
4:54
this is in the Soho section
4:56
of New York in the Gilded Age
4:59
just a few blocks from Chinatown as I
5:01
always try to do. Let me explain what the dynamics
5:03
are of the neighborhood and where all the action is
5:05
here. This story for me is a good old
5:08
story about good old-fashioned police work
5:10
and really following the witnesses. So
5:12
you'll have a lot of questions that many
5:14
of the witnesses will be able to answer. There's
5:17
not a ton of forensics in here. It's a nice
5:19
little mystery and it is another
5:22
unsolved case. I told you I was
5:24
going to try to get more of these for you despite
5:27
my resistance to
5:29
unsolved cases. I want to try to get some more
5:31
in there because I know you like them. Well
5:33
yeah that's that's what I did
5:35
my entire career and I
5:37
think the fascinating aspect about the
5:39
unsolved case is really the the puzzle
5:41
solving you know and trying to lay
5:44
out okay that these are the facts then
5:46
this is how to how you could take
5:48
those facts how you can take the you
5:51
know the hunches that as an investigator you
5:53
have and start developing
5:55
the leads that you want to pursue or
5:58
forming opinions as to what
6:00
suspect or what type of suspect
6:02
pool we should be looking at.
6:04
And whether these cases are solved
6:06
or unsolved, I still walk away
6:08
from every episode learning a little bit more
6:10
about crime
6:13
and crime prevention and investigation
6:16
and victimology and crime profiling and
6:18
forensics. And that all is just so
6:20
helpful for me and what I do even outside
6:22
of these podcasts with books and everything else.
6:24
So I'm excited about this case.
6:27
So as I mentioned, we're in Soho. This is 1885 New
6:29
York. And
6:32
this is happening in a basement
6:34
restaurant, which is really interesting.
6:37
So this is on the corner of Spring
6:39
and Worcester streets. And here's
6:41
what the area is like. In the
6:43
1880s, Soho was going through a lot of change. There
6:46
is now a textile industry that's swooping
6:48
into Soho. And all of these brick buildings
6:50
that were beautiful are torn down
6:53
and made way for factories and
6:55
lofts. And over the next few decades,
6:58
the area really starts to decline.
7:01
And unfortunately, what that means
7:03
in New York is when I say decline,
7:06
it usually means lots of crime. And
7:09
the immigration community that moves
7:11
in is getting the brunt of it. So
7:13
a lot of people with Italian heritage, Sicilian
7:16
heritage, Irish, Puerto Rican, Cuban,
7:19
Dominican, and there are more immigrants
7:21
from Asian countries. So this is truly
7:23
a melting pot. Soho is a melting pot.
7:26
But it is often also
7:28
filled with people who are in tenements
7:31
and row houses, who are blue
7:33
collar workers, much less income,
7:36
more crime. There's a lot happening
7:38
in Soho in this time. Just so you know kind
7:41
of where we're coming from. Have you been to Soho before
7:43
in
7:43
New York? Believe it or not, I have.
7:46
What? You know, I had never been
7:49
to New York City or in particular
7:51
Manhattan up until
7:53
literally the day after I retired.
7:56
I got pulled out to New York, was
7:58
so impressed. you know, just by the immensity
8:01
of the city and the history. But I
8:03
did go down, I've been
8:06
to Soho a couple of times. Well,
8:08
let's start with the main character here.
8:10
He's
8:11
a restaurant owner and his
8:13
name is Antonio Saloa
8:15
and
8:16
he's from Cuba. He lived in Cuba. He's
8:18
from Cuba. And in November
8:20
of 1885, he's 40 years old.
8:23
When he was in Cuba, he made a living
8:25
by rolling cigars. And when
8:27
he comes to Manhattan, he does
8:29
that there too until he decides he wants to
8:31
own a restaurant. So he bought
8:34
a restaurant which was called Restaurant
8:36
Cubana and it was also
8:38
where he lived and this would have been very common.
8:40
This is a small joint. My mom
8:43
is a huge fan of really kind of tiny
8:46
home feeling and that
8:48
was this place. This is very small,
8:51
less than a thousand square feet which included
8:53
not only the restaurant but where he slept.
8:56
So he slept in a 60 square
8:59
feet area and the kitchen was
9:01
about 50 square feet and the
9:03
kitchen and Antonio's sleeping
9:06
area were kind of crudely partitioned
9:08
off from the dining room with tall walls.
9:11
But this was his pride and joy, this
9:14
restaurant. And this is an immigrant who came in and
9:16
is trying to create out
9:18
of nothing a really nice
9:20
business and it's a popular place.
9:22
Well, yeah, I'll tell you, I haven't
9:25
had much Cuban food. Here
9:27
you have authentic Cuban
9:29
food being served at this restaurant and guess
9:31
what my favorite sandwich is? The
9:34
Cuban. I
9:36
did not know that. A good Cuban
9:39
cannot be beat.
9:40
So you know I learned all this forensics
9:43
and everything at the end of the episode and I do learn
9:45
a little nugget about Paul holes
9:47
by the end of every episode. Okay, so I didn't know that.
9:50
Wait, so what is it? Is that ham? What is that?
9:51
You know, it's I think it's several
9:54
different meats including ham
9:56
but you know for me it's just that combination
9:59
with the cheese. the sauce, the fact
10:01
that it's been kind of pressed and
10:03
grilled. You got the mustard, the pickle. It's
10:06
great.
10:06
Leave it to you to wax poetic about
10:08
a sandwich, but I'm
10:10
glad you're Perky because
10:13
this story becomes pretty unpleasant
10:15
pretty quickly. So Antonio
10:18
is a thriving restaurant owner. He lives
10:20
at this place. It's in a basement. It's
10:22
in an area that's thriving but also
10:24
struggling at the same time. He
10:27
really tries hard to make this a nice restaurant. It's
10:29
adorned with pictures of George
10:31
and Martha Washington. There was a birdcage
10:35
that was there hanging from the ceiling.
10:37
You know, there were only four tables, but
10:39
they could total seat about 30 people. They
10:41
could squeeze 30 people into this restaurant. And there
10:44
was a large water jug by the restaurant's front
10:46
entrance for people who were thirsty.
10:48
There was a stove that couldn't even fit in
10:50
the kitchen. They had to put it in the center
10:52
of the dining area. And then
10:55
in the corner, there's a drawer that
10:57
Antonio used as a cast register.
10:59
So this is a very tight restaurant
11:01
that turns into a very
11:03
small crime scene, which
11:05
makes it even more interesting
11:06
for me. So this is
11:08
when the murder takes place. Sometime
11:11
between 2 p.m. and 3 p.m. on November 2nd, 1885. Between 2 and 3,
11:13
there's a vegetable
11:18
vendor named Thomas Daley who arrived
11:20
at the restaurant. And he goes downstairs
11:23
into this basement restaurant to see if
11:25
Antonio needed to place an
11:27
order for vegetables, which is likely because
11:30
it's a popular restaurant. There's all sorts of people
11:32
who come in and out. And most
11:34
of them are from the Cuban-American population.
11:37
So when Thomas Daley goes downstairs,
11:40
he's shocked to see the scene.
11:43
So Antonio is lying
11:45
on the restaurant's floor. He has been brutally
11:47
beaten. You know, the police come
11:50
and they identify him
11:52
pretty quickly from the neighbors. Let
11:54
me tell you what the injuries were like. He
11:56
was so severely beaten that his face
11:58
was like jelly, quote unquote. and
12:00
his left eye had been knocked out of its socket
12:03
lying in his long blood-soaked
12:06
hair and he had been stabbed ten
12:08
times. I want you to pay attention
12:10
to these injuries, not that you wouldn't normally,
12:12
but pay attention because I need to know about blood
12:15
and the likelihood that the offender
12:18
would have a lot of blood
12:20
on him because we've talked about this before,
12:23
but before you talk about that, you know, this
12:25
is somebody who's been beaten, he's been
12:27
stabbed ten times. If I as
12:30
a layperson were looking at this, I would say
12:32
this is overkill, right, and I would
12:34
say this has to be personal, not
12:36
a professional hit or not a robbery.
12:39
Am I wrong in making that assumption?
12:41
And I know that you will probably say
12:43
there's always exceptions to everything,
12:46
but does this spell personal to
12:48
you? Stabbed ten times and beaten
12:50
so bad that his eyeball is popped
12:53
out.
12:53
Yeah, you're wrong. There's
12:59
so much that goes into assessing, like
13:01
in an unsolved case, you know, what is
13:03
the motive of the offender and just
13:06
the modalities of cause of
13:08
death. The bludgeoning and the stabbing is not
13:11
enough to try to discern, you know,
13:14
is there anything that indicates there's some sort of
13:16
interpersonal aspect between the offender
13:18
and the victim. The initial assessment
13:20
that I'm going to be doing is going to
13:22
be, okay, I've got a male victim. Now,
13:25
is there evidence that there was a struggle
13:27
between this male and the offender, the
13:30
victim and the offender? Is this an ongoing
13:32
struggle? Because now I have maybe two
13:35
equally capable combatants
13:38
where this is going to be a prolonged battle
13:40
between these two individuals. This
13:43
is where you start to see greater injuries
13:46
to the victim. Now the offender is likely also
13:48
receiving some sort of injuries during
13:51
this battle if both combatants
13:53
are equal and it's a
13:55
fair fight. You know, sometimes you'll
13:57
get the blitz attack where the victim is
14:00
incapacitated right away. But
14:02
also now it's like the focus of the violence.
14:04
We have bludgeoning to the head. Well, that's how you kill
14:06
somebody, right? Of course, most
14:09
bludgings are to the head. If
14:11
you have, let's say, something like a hammer,
14:14
you could be beating them all day long in the chest,
14:17
chances are you're not going to kill them. You need to be hitting
14:19
them in the skull. So that's
14:22
not something that really gives
14:25
me much information in terms of
14:27
the relationship between the offender and the victim.
14:30
The eyeball being out, I mean, I
14:32
can tell you, I was at a bar shooting and
14:35
then I had a deputy who confronted a guy who
14:37
was just walking by. I go outside
14:39
and this guy's eyeball is
14:41
hanging down by his cheek. He
14:44
had just gotten into a fight several
14:46
blocks away and the deputy saw him
14:48
and going, hey, do you need some help? And
14:51
then it's kind of escalated in terms
14:53
of guy with eyeball out of his eye
14:55
socket ends up being arrested. That's
14:59
not real indicative of the force
15:01
being used. The stabbing is
15:04
where I would want to evaluate
15:06
are the stab wounds anti-mortem? Are they post-mortem?
15:09
Are they clustered in a particular area? Are
15:11
they spread around the victim's body like the
15:13
victim is still struggling and moving as he's
15:15
being stabbed? And one of
15:17
the things that I always, when I train people
15:20
who are now trying to assess injuries,
15:23
particularly stabbings, we have so
15:25
many jail shankings on video.
15:29
People go, well, it's 10 stab wounds. This
15:31
is just dramatic overkill. It's like, well, no.
15:34
Watch a shanking in a jail. 10 stab
15:37
wounds occur in seconds. I
15:39
have to look at the totality
15:41
of everything before I could start going,
15:44
yes, I believe that the offender
15:47
knew the victim, was angry with the victim. That's
15:49
why there's so much violence. Or was
15:51
this a situation where
15:53
they're just incapacitating a victim who's struggling?
15:56
Or is there an aspect where there's torture,
15:58
where they're trying to extract it? information from the victim,
16:01
it's more complicated than just bludgeoning
16:03
and stabbing.
16:04
Well I think I have a lot of answers for you. Now
16:06
I have so many answers that you need to tell
16:09
me where you want to go first. I have
16:11
the coroner's report from the autopsy.
16:13
I have whether
16:15
things were taken, what the possible motive was,
16:17
you know, what they find or don't find
16:20
at the crime scene. And I also have the
16:22
sheer amount of damage that clearly
16:25
was like a brawl between
16:27
these two men inside this tiny
16:29
restaurant in the middle of the day in Soho.
16:32
Which one of these three things
16:33
do you want to talk about first? We are going to
16:35
just implement the way I approach
16:38
unsolved cases and the way I approach
16:40
unsolved cases is first I want to know what's
16:42
happened to the victim because that can
16:44
often be informative and it helps
16:47
me assess the crime
16:49
scene. So I do need to know the autopsy
16:51
first and this is what I always do when I approach
16:54
an unsolved case. I look at the autopsy.
16:57
I need to know what has happened and what injuries
17:00
the victim has and that helps me interpret what I'm seeing
17:02
at the crime scene. Then I look at the crime scene.
17:04
Then I look at forensic lab reports. I
17:07
don't look at investigative stuff or potential
17:09
suspects until I have formed
17:11
opinions as to what I think
17:13
is going on. And so let's
17:15
kind of go through this process step
17:17
by step. Okay so I'm gonna
17:20
start reading it's about a paragraph long. There's
17:22
a lot of detail. I'm sure not enough for you
17:24
always. I know you want
17:25
as much detail as possible. Put
17:27
your hand up if you need me to pause because you need
17:29
to comment on something but they go through an awful
17:31
lot of the injuries here. Okay you ready? Yep.
17:34
Okay the coroner conducts this autopsy
17:36
and he finds that both the frontal
17:39
and occipital bones were fractured.
17:41
The upper and lower jaw bones and
17:43
the nasal bone were crushed while
17:46
from three knife wounds on the
17:48
left side of the head portions
17:50
of the brain were oozing. On the
17:52
left side of the chest were ten
17:55
knife thrusts extending from
17:57
the third to the eighth rib. these
18:00
ribs were cut through. One of these cuts
18:02
penetrated completely through
18:05
the heart, while two others went
18:07
through the lungs and touched the heart.
18:10
The diaphragm was severed and the liver
18:13
and intestines had been reached
18:15
by the blade. The hands had
18:17
been cut evidently while
18:19
Antonio was endeavoring to gain
18:22
possession of the knife.
18:24
End of report. Okay. Now,
18:26
you know, with the types of injuries
18:29
to his face, to his skull, you
18:31
know, obviously from a bludgeoning instrument,
18:34
this is where when you have a pooled
18:36
blood source, and you have a blood force instrument
18:38
strike that pooled blood source, this is where you
18:40
get this blood spatter pattern. That
18:43
informs me, okay, I've got blows
18:45
to his face, to his head. I would
18:48
expect that there potentially
18:51
is going to be spatter pattern within the
18:53
crime scene that helps me place
18:56
where his head was at certain
18:58
moments in time during the commission of the
19:00
homicide. Now, the stab wounds
19:02
are interesting. We've got stab wounds to
19:05
the left side of his head. You know, the sequence,
19:07
if you have a distribution of the stab
19:10
wounds, let's say the stabbing is occurring first,
19:12
and I don't know if that's happening or not, but
19:14
it sounds like it very well may be
19:16
with the defensive injuries to his hands,
19:19
because I would imagine, you know, with
19:21
the types of fractures to his frontal and occipital
19:24
bones, he's going to be incapacitated
19:27
and likely has lost consciousness. So
19:30
it may be the defensive injuries to his
19:32
hands is that the offender is initially attacking
19:34
him first with a knife, and then
19:37
whether the victim is still upright,
19:39
still conscious, don't know without assessing
19:41
the crime scene, but now you
19:43
have the massive blows being inflicted
19:46
to his head causing
19:48
these skull fractures. So
19:51
now let's go to the crime scene. Let's see what they
19:53
say about the crime scene and any blood patterns
19:55
present. Hmm,
19:56
okay, I don't know about blood patterns, but they
19:58
do try to assess. where all this
20:00
happened, they don't have to look for
20:02
a murder weapon because there
20:04
is a bloody 15 inch, 15
20:07
inch knife sitting right next to Antonio's
20:10
body. Before you ask, I don't know if this
20:12
is Antonio's knife or it was brought. Here's
20:14
what was something that was interesting and you can tell me if this
20:17
tallies with the coroner's report. They said
20:19
that the knife itself was bent
20:21
as if someone had twisted it in
20:24
Antonio's body during the attack.
20:26
Is that kind of the rib thing that they were talking
20:28
about? All the ribs were cut?
20:29
No, we frequently see
20:32
knife blades damaged or broken
20:35
and stabbing and it's not so much from
20:37
hitting the bone. Think about this and
20:39
this can be a little graphic for some people. This
20:42
is a 15 inch long knife. During
20:45
the stabbing with the victim on the
20:47
floor, that blade is passing potentially
20:50
all the way through the victim's body and then impacting,
20:53
I'm assuming it's a cement floor. At least
20:55
it's a hard surface underneath him. When
20:58
that knife suddenly stops as the offender
21:00
is thrusting the knife through the victim, this
21:02
is when you start to see knife blades being
21:05
bent or broken. Also, when you
21:07
start to see the offender's hand slipping
21:09
off the handle and going on the blade
21:11
and they get cut themselves, that's what we always hope
21:14
for in stabbings is now we have an offender
21:16
who's bleeding. Sometimes striking
21:18
bone will cause that, but this is
21:20
a significant knife. If the offender's
21:22
holding onto it and thrusting with
21:24
force, 15 inch blade, I think
21:27
it's going all the way through the victim's body
21:29
and striking the floor.
21:31
Now, we'll talk about forensics a
21:33
little bit. Not that they were able to
21:35
do anything in this case, but you could tell me what's possible
21:37
here. The stove,
21:40
which we said was too big to be installed
21:43
in this tiny little kitchen, it's in the center of the dining
21:45
room, had been dented by a blow,
21:47
we're going to presume from his head,
21:50
had blood and hair stuck
21:52
on it. Meanwhile, remember
21:54
there was this communal jug of water
21:55
that Antonio had kindly put by the
21:58
front door so people could come and get some water.
21:59
It was a dull red color. You
22:02
know, I think the thought was that whoever did
22:04
this put his hands in to
22:05
maybe wash the blood off
22:07
and there was a nearby towel that had
22:09
several bloody finger marks on
22:11
it. Can you pull fingerprints off
22:14
of a bloody talc? I mean, what would be useful
22:16
today aside from DNA, of course?
22:18
Everything.
22:21
Well, I guess your last detail
22:23
first, you know, the blood on
22:25
this towel. Generally towels,
22:28
even if they have a fabric
22:30
that has the tightest weave
22:32
possible, it's still not going
22:34
to be possible to get a
22:37
print off of such a textured
22:39
surface. So chances are
22:41
what you've got is just some bloody fingers
22:46
grabbing the towel. You can tell. I mean, you see
22:48
this all the time. You know, somebody
22:50
has grabbed a surface and you can see the
22:52
outline of fingers or a thumb or something. There's
22:54
just no ridge detail to be able to do
22:57
anything with. The dent
22:59
in the stove with the blood
23:02
and hair is interesting. This
23:05
could be from, you know, he's receiving
23:08
blows while he's still upright and he
23:10
falls and hits his head on the side
23:12
of the stove, but I would not eliminate
23:15
the possibility without knowing more
23:18
of the offender taking the victim's
23:20
head and ramming it into
23:22
the stove. Yeah. And you would get the
23:24
same type of damage
23:26
as well as blood and potential
23:28
hair transfer. So right now I
23:31
can't say one way or another, you know, and
23:33
this is where I'm wondering
23:35
is there evidence that a separate
23:37
bludgeoning instrument was used or do
23:39
we have an offender grabbing the
23:41
victim's head, hitting it on the stove,
23:44
hitting it on the ground, which happens
23:46
and can cause blunt force trauma
23:48
like what we're seeing in this case.
23:50
Police do not have any
23:52
information about another weapon. The only
23:55
thing is this knife that has been left
23:57
behind and that's it. Let's
23:59
talk about. motive because it seems
24:02
like robbery was the motive because
24:05
the front door had been busted open
24:07
which suggested a forced entry.
24:10
One thing that a witness will tell us later is
24:12
that Antonio had a habit of shutting down
24:15
right after the lunch rush, locking
24:17
the door, leaving and then coming back. So
24:19
anybody who knew his routine, you know,
24:22
knew that the door would be
24:24
potentially locked even if he was inside until
24:26
he opened the doors up again. Everything in the restaurant
24:28
of value had been taken. His pockets
24:30
had been emptied out, a trunk in
24:33
his sleeping area had been ransacked, the
24:35
restaurants register had been cleaned out.
24:37
Anything that was worth anything had been
24:39
taken and there were
24:42
things that were stained with blood all over
24:44
the place. Little cards and strips of paper
24:46
were stained with blood that were presuming the
24:48
killer sort of rifled
24:50
through and and left Antonio's
24:52
blood or his own blood behind.
24:55
So if he takes the time to rob
24:57
this place, it sounds like pretty thoroughly,
25:00
but he doesn't take the knife. That
25:02
seems weird to me. Does it not to you or do
25:04
people just don't think that way? I think about stuff
25:07
like this.
25:07
Leaving the knife behind,
25:10
I think we also have to remember
25:13
when this case is occurring. You know,
25:15
what kind of evidence could be used during
25:17
this era to identify who
25:20
the offender was based on him leaving
25:22
the knife behind. There was nothing that they could
25:24
do. I mean we're even in the
25:26
infancy of fingerprint technology
25:29
at this point and the offender
25:31
likely is completely unaware of fingerprint
25:34
technology during this time.
25:36
Yeah, it wouldn't have been available in 1885 at all.
25:38
I mean, Oscar
25:41
Heinrich innovated fingerprinting
25:43
in the United States and that was
25:45
like 1910. I mean it was very much
25:47
later on so they really were pretty
25:49
clueless I think at this point. So
25:52
what they want to know is
25:54
they want to really try to figure out
25:57
how the killer got out.
25:59
There's only one way to get in and get out of this
26:01
restaurant. How they got out without
26:04
being noticed that this was a
26:06
very bloody scene. Would the killer
26:08
not have been completely covered with
26:10
blood? It didn't appear like
26:13
he changed and put on Antonio's clothes
26:15
and walked out completely clean.
26:17
And I don't know if you had answered this earlier
26:19
and we've talked about this before. Is it possible for
26:22
him to have gotten away after this raucous
26:25
that happened in the middle of this tiny restaurant
26:27
without a significant amount of blood
26:30
on him or at least maybe be able to pull his
26:32
jacket over a shirt that got bloody
26:34
in the middle
26:35
of this? No, absolutely. The
26:38
misperception out there is
26:40
that when you have the super
26:43
bloody crime scene that the offender must
26:45
have blood all over them. There are
26:47
times that yes the offender gets very
26:49
bloody. However, most of
26:51
the blood at any of these types of crime scenes,
26:54
particularly if there's large blood pools,
26:57
those formed after the offender was long
26:59
gone. Right? The body is just laying
27:01
there bleeding out and the offender has already
27:03
escaped. He's never had to step over
27:06
that blood pool. He never had to interact with the victim
27:08
with that blood pool present. In
27:10
this situation, let's talk about
27:12
a stabbing. Generally,
27:14
stabbings don't produce
27:17
a lot of bleeding that
27:19
is going to get onto the offender.
27:22
There are times where, of course, you
27:25
can get some, as you
27:27
have multiple stab wounds in the same location,
27:29
the knife starts getting bloody. You
27:32
start getting some drops that could end
27:34
up on the offender. But oftentimes,
27:37
if you have, let's say, stab wounds that are distributed
27:40
across the body and not clustered into one
27:42
location, you don't have
27:44
like this real bloody
27:47
area that the knife is constantly going in
27:49
and out of that's causing a lot of blood
27:51
to get onto the blade. And generally,
27:54
outside of cast off, stabbings
27:57
don't produce like blood spatter.
28:00
that is flying everywhere.
28:01
Even if you're hitting an artery
28:04
or, you know, I mean, I know that there are parts of your body
28:06
that you can hit where it spurts, even if
28:08
that happens?
28:08
That can happen notably with the neck.
28:11
Okay. You know, that's really in stabbings.
28:14
If you hit the carotid, there's
28:16
a possibility you can get what we call an arterial
28:19
spurt. And if that happens
28:21
to get on to the victim, that would be a little
28:23
bit more significant amount of blood. But
28:26
more typically what happens is you
28:28
have stabbings in which the knife blade
28:30
goes in and it comes out. Of course, that
28:32
wound starts to bleed. But as the blade
28:35
comes out, notably like
28:37
the fat layer, which doesn't
28:39
have a lot of blood in it to begin with,
28:42
kind of wipes with the knife blade
28:44
clean. And then you stab somewhere
28:47
else and bring it out. So you're not getting
28:49
a ton of blood that
28:51
most people would expect. Now
28:53
the bludgeoning is a little bit different because
28:56
you can start getting spatter
28:58
as you beat somebody on, let's
29:00
say, their face and their head, and you start
29:02
getting some pooled blood sources
29:06
that the more blows you inflict, the
29:08
more spatter you get. Most
29:10
of the time, though, that spatter is shadowed
29:14
from the offender by the weapon itself.
29:17
So the weapon, let's say it's a baseball
29:20
bat. Well, oftentimes that
29:22
baseball bat will prevent
29:25
much of the blood droplets from flying
29:27
back onto the offender because now the droplets
29:29
are going out away from the
29:32
head and can't
29:35
come back at the offender because the bat
29:37
is in the way. But I would expect,
29:40
in this case, that the offender,
29:42
without seeing anything, that's
29:44
my caveat. If the offender had blood
29:47
on him, he likely had
29:49
some spatter low down
29:52
on his shoes, on his pant legs,
29:55
because I think the victim is attacked
29:57
initially with a knife and then is
29:59
even Eventually either bludgeoned
30:02
or stomped to death on the head and
30:04
then the offender has a few drops of blood
30:07
on him And possibly could easily
30:09
just walk out of the shop, you know But then
30:11
up his sports coat and walked down the
30:13
street and nobody would know that
30:16
he had been involved in any act of violence
30:18
Well, the police don't know that because they
30:20
are assuming that this guy is a ghost that
30:23
he would have left bloodied head to toe None
30:26
of Antonio's clothes were missing and nobody
30:28
knows what happened when the police start canvassing
30:31
I think this is an interesting story about
30:33
witnesses when the police start canvassing
30:35
They start gathering more and more information
30:38
about Antonio, which makes this case
30:41
a little more complicated So
30:43
they start asking with neighbors Antonio
30:46
is the only employee of his own restaurant.
30:48
He has no family. He's not from New York
30:50
He lived in Cuba and he's well
30:53
liked but people know he has a
30:55
lot of money and he's kept a lot
30:57
of money There is a woman who
30:59
said that, you know, she thinks
31:02
he was targeted specifically because
31:04
the restaurant does really well even though it's tiny
31:06
and That she was afraid that's
31:09
why he was gonna get killed and that she's
31:11
not surprised that he was a target considering where they
31:13
lived And in this time
31:15
period, you know, particularly in this area
31:18
He would have been a target they tracked down
31:20
a guy named Julius daikon who
31:22
was someone who knew Antonio really well
31:25
And he had eaten at the restaurant about
31:28
an hour or two before Antonio
31:30
was murdered And he said he
31:32
actually watched Antonio lock up the restaurant
31:35
when Julius got up and left
31:38
Antonio got up and locked the restaurant and
31:40
left the property at about one o'clock He
31:43
said that this was a big part of his routine
31:45
as I told you you always left the restaurant for a break in
31:47
the Middle of the day. So let's talk about routines
31:50
because we've talked about this with many other cases.
31:52
I don't think this was random I think this was targeted.
31:55
How important is it when you're
31:58
investigating to know? Who
32:00
would have known the person's routine? Is
32:02
it a bad idea for us to all have routines?
32:05
You know, I mean it makes me paranoid about
32:07
am I leaving the house at the same room? What if somebody
32:10
is watching me and the routine part of
32:12
this is interesting. Somebody knew when
32:14
to get back to this restaurant. Somebody
32:16
knew when he would come back. Well,
32:18
this is this all goes into victimology.
32:21
Victimology is just not who
32:24
is this person, but it is, you know,
32:26
what is their life? What is their lifestyle? The
32:29
daily routine is a big
32:31
part of it in assessing this
32:33
case when the offender seemingly
32:36
knows when to attack. You
32:38
know, that would indicate that the offender has
32:40
become aware of the victim's
32:43
routine. Now, does
32:45
that mean the offender knows the victim? Absolutely
32:47
not. This could just be from
32:50
just simple surveillance. You know,
32:53
somebody who is in this case, this
32:55
guy has some significant financial
32:58
assets that are inside the restaurant. I'm
33:00
going to watch and plan, you know, and
33:02
that would tell me I'm dealing with an organized
33:05
offender. This wasn't a spur-of-the-moment
33:08
type of attack. If the offender
33:10
is taking the time to watch the victim,
33:13
figure out the routines, plan
33:15
how to get in and carry out this
33:17
crime, and then clean out this
33:19
restaurant. It's not just grabbing, you know,
33:22
the cash out of the registrar or they're
33:24
cleaning out this restaurant. They're taking
33:26
time to do that. So
33:29
that tells me yes, this is a,
33:31
you know, there is a financial aspect to
33:34
the offender's motive, and there's
33:36
also some level of planning.
33:38
But you could also just have somebody who
33:40
was a customer who the victim
33:42
is like, okay, time to close, and the customer
33:45
is like the last one in there going, no,
33:47
you're not closing right now. In fact,
33:49
I'm going to take, you know, all your money
33:52
and kill you, and then I'm gonna lock up after
33:54
the fact.
34:09
Well, the police continue to canvass and they
34:11
are talking to the many shop owners that surround
34:14
the restaurant. They contact
34:16
this guy named Patrick Ryder, who was a plumber.
34:19
So he was one shop level
34:21
above Restaurant Cubana and
34:23
he heard glass breaking around 2.20 p.m.
34:26
It was enough for Ryder
34:29
and his coworker to step outside the shop
34:31
and onto the street level but remember
34:33
Antonio's restaurant was basement level. So
34:36
they just sort of looked around and didn't see anything.
34:38
And I don't think they could tell that it was coming specifically
34:41
from his restaurant. So
34:43
they didn't notice anything out of the ordinary
34:45
but they did hear glass break. So
34:47
police now are operating under the
34:49
idea that this is a robbery, that
34:52
he walked in on someone
34:54
breaking through his door and he
34:56
walked in and there was a robbery happening
34:59
at the same time. So far, does
35:01
that make sense to you, Paul?
35:03
That absolutely does make sense. Okay.
35:05
Things get a little bit more complicated for
35:07
the police because they are talking
35:09
to a lot of different people and they
35:12
discover something interesting about Antonio
35:14
Saloa. That is not
35:17
his name. He
35:19
is not Cuban. He is
35:21
from China. And his real name
35:24
is Chong Ong. So
35:27
he did live in Cuba. He did rap
35:29
cigars. That was his job in Cuba. But
35:32
he was from China. And
35:34
he came and changed his name. And
35:36
the police are now wondering if he was hiding
35:38
under the identity of Antonio
35:41
Saloa and they
35:43
want to know if this really is a
35:45
robbery or if this was something
35:47
politically motivated or a personal
35:50
vendetta that they can't even sort
35:52
out because they assume that this was
35:55
a neighborhood robbery and it becomes
35:57
more complicated because I don't
35:59
know. if they've really heard of someone
36:02
not only just changing their name but changing
36:04
their you know identity, their racial
36:07
identity. While we're sort
36:09
of moving forward because I don't want this to be a red
36:11
herring, it doesn't sound like he
36:13
was a criminal. It sounds like when
36:16
he went to Cuba from China, he identified
36:19
with the Cuban culture and when
36:21
he came to New York, he changed his name
36:23
to sort of become that. He
36:26
loved Cuban food. He knew how to cook it.
36:28
He wanted to assimilate in that way and
36:31
nobody seemed to question him that he was
36:33
not Cuban. So this is still
36:36
a mysterious man and it's part of
36:38
victimology. It doesn't seem nefarious
36:41
but it is interesting and it does say
36:43
something about Gilded Age New York where you have all
36:45
of these immigrants coming in and you
36:47
can be anybody. Sure.
36:48
Do you know how long he was
36:51
portraying himself as this
36:53
Cuban Antonio?
36:55
The entire time he was in New York and
36:57
probably when he was in Cuba too. So it
36:59
sounds like years. I don't think this was a new thing.
37:02
Okay. And you know and I'm looking
37:04
at again this intersection
37:06
where his restaurant was at and there
37:09
happens to be just one of
37:11
the buildings at this intersection.
37:14
Today it's Mackage but there
37:16
is a basement level at this location
37:18
whereas the other three corners I'm not
37:20
seeing basement level. So I'm thinking I found the
37:22
location of where this Cuban restaurant
37:25
was at.
37:26
So based on what you're looking at now
37:28
knowing you know how New York works with the basement
37:30
level stores and
37:33
everything else would it be easy
37:36
to have a massive
37:38
fight like they were having and not
37:41
be heard? I guess with bustling Soho
37:43
all around you in shops. I mean it just seems
37:45
like inexplicable to me that this happened at 2
37:48
p.m. on a busy day in a restaurant
37:50
even though it was below ground.
37:52
No I think it would be easy. You
37:54
think about this being down in the basement
37:57
you know the audio aspects there
37:59
is going to be. just a natural muffling
38:01
of any screams the
38:22
carriages being drawn over these
38:25
paved roadways. I
38:27
think it would be very easy to get away
38:30
with the crime down in the basement and
38:33
at least today you know I'm looking at
38:35
where somebody would come up out of that basement
38:37
location you know and they would just
38:39
simply walk out onto the sidewalk
38:42
and blend into the crowd and disappear.
38:44
Well the police now are surprised
38:47
that Antonio is not Antonio but
38:49
they move along operating under
38:52
the assumption that that he is a good
38:54
man as everybody has said around him and
38:56
just sort of putting aside the fact that he had changed
38:58
his identity which again I don't think was nefarious
39:01
I think he just wanted a new identity
39:03
here. So they start
39:05
interviewing more and more witnesses and our witnesses
39:08
get a little more high quality which
39:10
is great and this is where I really do want you to start
39:12
talking about witnesses and their reliability.
39:15
The biggest break in the case so far comes
39:17
from a guy named William Schripper and he
39:20
owned a shop directly across the street
39:22
and he actually goes to the police and
39:25
he has a 15 year old employee named George
39:27
Mann's and George had
39:30
gone to William his boss and said I saw
39:32
something weird and he said he
39:34
saw Antonio chasing
39:37
someone up the restaurant stairs
39:40
and he said that there was
39:42
an altercation which is very violent
39:45
when I describe it to you. It sounds
39:47
like what the police thought had happened
39:49
had happened that this mystery person
39:51
had broken through the door because that's the
39:53
evidence they saw had gone and ransacked
39:55
everything and Antonio
39:58
caught him and then chased him
40:00
up the stairs. Okay? So
40:02
what happens next is
40:05
he described this man as a tall Cuban
40:07
man with a scar on his
40:09
face who was running up the stairs being chased
40:11
by Antonio. And he said
40:14
that the Cuban drew a big knife,
40:16
thrust it into Antonio's breast, and
40:19
then seemed to have difficulty drawing
40:21
it out. Then the Cuban
40:23
ran down to the basement again and Antonio
40:27
turned to follow him but fell headlong
40:29
down the stairs. And then they don't know what happened
40:32
after that.
40:33
The specific details about the long
40:35
knife, and we know we have a 15-inch
40:37
knife that is found in
40:39
the crime scene. So that is a
40:41
detail that I put a lot of weight on. And
40:44
most certainly after a single
40:47
stab wound, the victim could continue
40:49
to function and remain
40:51
conscious. And so if now
40:53
you have the offender running back
40:56
down and Antonio followed
40:58
him after being stabbed and the knife still
41:00
embedded in him, now he's
41:03
easily drug back into his own shop
41:06
and that knife is pulled out and more
41:09
stab wounds are inflicted. I think
41:11
that's the sequence. I think you have the stabbing
41:13
first and then you fundamentally
41:15
have this bludgeoning of some
41:18
sort that is occurring. So right
41:20
now I'm liking that witness statement.
41:23
So here are two things. George is across
41:25
the street. So it says a
41:27
shop directly across the street from
41:30
what's happening at Antonio's
41:32
restaurant. And George says two
41:35
things that he gives information
41:37
to police to help them identify
41:39
this tall Cuban man with the very long
41:42
knife. He says he had a scar
41:44
on his face and he had a unique
41:47
watch chain. How can
41:50
all of that happen and you pick up on those
41:52
two specific details? Does that seem
41:54
odd to you? No. Really? I'm
41:56
looking at the street. Small, huh?
41:58
It is narrow.
41:59
You know, so this isn't
42:02
like a standard, you know,
42:04
big city wide street.
42:08
This street looks like it's about half
42:10
the width of what I
42:12
was expecting to be frank. You
42:14
know, so the witness is reasonably
42:17
close and is remembering
42:20
some specific details that
42:23
could very readily be seen from such
42:25
a close distance. Now, is
42:27
he accurately remembering them? You know, we know
42:30
witnesses, you know, especially during something
42:32
like this, which is like you see it and
42:35
you're shocked, right? Because this isn't
42:37
a normal thing. And
42:39
you're not necessarily paying attention to
42:41
the types of information that
42:43
needs to be conveyed to
42:45
help law enforcement. You are just like
42:48
absorbing what you're seeing. But
42:50
certain aspects, the scar,
42:53
if this offender does have a
42:55
significant scar, just when
42:57
we walk down the street, when we see
43:00
somebody who has that type of deformity,
43:02
it stands out. It's something
43:04
that our eyes just kind of go, oh, you know,
43:07
we see it. And then this watch
43:10
chain, that must be something that was
43:12
somewhat unusual, I imagine,
43:15
and that's why this witness, his eyes
43:17
picked it out. Again, we
43:20
know that there is inaccuracies
43:23
with what witnesses think they saw
43:25
versus what actually occurred. But
43:27
it is something that I would put some
43:29
weight on, like, okay, that's such a weird
43:32
thing to convey. It's such
43:34
a weird thing to make up. Yeah.
43:37
You know, so now I would probably
43:39
put some weight on that.
43:41
Okay. Well, the
43:43
police are saying, oh, shit, okay,
43:45
it's a Cuban guy. So this is 1885 New York. What
43:49
are you going to do when you're going to try to find
43:51
someone? You have a witness who says, yes,
43:53
I think I can identify this tall Cuban
43:55
man with the scar and the big knife. They
43:58
take him on a tour of New York factor. factories
44:00
where all the Cuban workers are. I
44:02
would not say a word if I saw the guy with
44:05
a big scar, but they take him to all these factories
44:07
and he can't identify anybody.
44:10
No shit. I would be scared to death. I
44:12
don't know if I would be able to identify anybody, but he is
44:14
not picking out anyone as
44:16
they are taking him from factory to factory
44:19
to scan the faces of all
44:21
of these guys. What do you think about that technique?
44:24
If that was the culture,
44:27
I guess, if somebody
44:29
was Cuban that they more likely than not
44:31
worked in the factories, I could see
44:34
where there would be value with that. But
44:36
also, one of the things I'm
44:38
wondering would be, well, let's
44:41
post up some undercover officers
44:43
in the blocks around this neighborhood just
44:46
for the next few days and see if we find
44:49
somebody who matches that description with the scar
44:51
on their face just wandering around. This guy
44:53
may be a routine customer of the restaurant
44:56
and lives in the area. So let's
44:58
just have some eyeballs out there and
45:01
see if it's such a distinctive feature
45:04
that there's a chance that you could easily spot
45:06
him. It'd be sort of like today
45:09
we could go to the surveillance videos,
45:12
but back then you use
45:14
these undercover officers as
45:17
your own sort of pseudo video surveillance
45:19
cameras.
45:20
Well, what the New York City Police Department
45:22
decides to do is they really
45:25
talk, frankly, with members of New
45:27
York's Cuban community and say, who
45:29
do you know who could have done something
45:31
like this with this level of violence? We think you're
45:33
all good people. We are not saying
45:36
that this is what all Cubans in New
45:38
York are like, but help us identify
45:40
this guy. The detectives are given a
45:42
group photograph from a Cuban-American
45:46
organization. It sounds like it's a social
45:48
club, but it also sounds a little political
45:51
against communism political. And
45:54
in this photo, there are a lot
45:56
of men. They show it to
45:58
George Manse, the way they do it.
45:59
witness, and he points to one
46:02
guy named Augustine Rebel.
46:05
Now, is that called a six-pack? What is
46:07
that when you're identifying somebody with that kind
46:09
of fun? And that's not a good method, right? Like, okay,
46:12
which one of
46:12
these guys looks most like him? Well,
46:14
it's, yeah, it's not a six-pack.
46:17
For the listeners, the six-pack
46:20
was, and still is in some areas,
46:22
a method in which, let's
46:24
say, a suspect is identified. So,
46:27
a photograph of that suspect, and
46:29
then five other similar-looking
46:31
individuals, or should be similar-looking other individuals,
46:34
are arranged with these six photos,
46:37
one being your suspect, and then the other is
46:39
non-suspects, and then presented
46:42
to the witness. The problem
46:44
with this approach, and you
46:46
kind of mentioned it, is that
46:49
witnesses in this situation, when
46:52
presented with the photos all at once, have
46:54
a tendency to pick out the one
46:57
that looks most similar, but
46:59
not necessarily is the person.
47:02
An improved method, but not infallible,
47:05
is a sequential six-pack, where
47:08
in essence, the witness
47:10
is given one photograph after another,
47:13
and ideally,
47:15
this photo-pack is given to the witness by
47:17
somebody who doesn't even know who the
47:20
actual suspect is in this photo.
47:22
So, there isn't any subconscious
47:25
clues that the witness might key in on,
47:27
whereas an investigator who may be invested
47:29
in saying, I really want this guy to pick out the
47:32
suspect, he kind of leans
47:34
in when the suspect's photo is sequentially
47:36
laid down, and the witness picks up on that. There
47:39
have been improvements in terms of
47:41
how to get witnesses
47:44
to look at suspects and pull the
47:46
suspect out of a photo
47:48
lineup. In this situation,
47:51
you have this group photo, and
47:53
the concern would be, it's sort of like how
47:56
the six-packs have been used, where you just throw
47:58
the six photos in front of the... person and
48:01
it's like he's the most similar but
48:03
is he the one that you remember? Human
48:05
memory is elastic
48:08
and so once the witness sees somebody who
48:10
looks similar it's very possible
48:13
that their memory ends up getting molded
48:16
to now that person is who
48:18
they think they saw when in fact
48:20
it isn't.
48:21
Well let's talk about Augustine who is our suspect.
48:23
He was a cigar factory worker. He did
48:26
have a scar on his face, a very large
48:28
one. He had a violent
48:30
history. He had been convicted
48:32
of assaulting his wife. He served prison
48:35
time, very violent. He had
48:37
the watch chain that the 15
48:40
year old kid had said the killer
48:42
had. George Mantz had also
48:44
described the clothing that the
48:46
tall Cuban man with the scar had been wearing
48:49
and Augustine was even wearing
48:52
the same clothes when they talked to him
48:54
that day that George Mantz
48:56
said the man had been wearing when
48:58
he attacked and killed
49:01
Antonio. So all of this
49:03
is circumstantial but all of it sounds pretty
49:06
good
49:06
so far, right? It definitely does
49:08
sound good. Now it's a
49:10
matter of okay so now
49:12
it comes down to okay so what was Augustine
49:15
doing at the time of the homicide because
49:17
you have a pretty narrow window
49:19
the afternoon in which
49:22
Antonio had been killed. Do we have
49:24
people that have enough independence
49:26
to be able to say that Augustine was at
49:28
work during that time? These
49:31
clothes that are similar to what the 15
49:33
year old said the the offender was wearing?
49:35
Is there any evidence of blood on those clothes?
49:38
You know he starts seeing okay based
49:41
on the circumstances of the case is there something
49:44
that starts adding up on
49:46
Augustine?
49:47
Well funny you should ask about Alibis. So
49:49
he was supposed to be at the cigar factory
49:51
that day. He said I was
49:54
working give me a break. I was
49:56
there look at the books you'll
49:58
see that I had been there so they look at the books
50:00
and it did establish that Augustine
50:03
had made 100 cigars on
50:05
the day that Antonio
50:07
was killed. This seems like this is
50:09
a day's worth of work. So it seems
50:11
kind of locked that he was there, except
50:14
his supervisor said that
50:17
Augustine was really good at making cigars and
50:20
he could have done 100 cigars in half
50:22
a day. And there was no one monitoring
50:25
when he left. He just got the
50:27
work done and they confirmed he did 100 cigars,
50:30
but no one can confirm when he left
50:32
for the day. He just got them done.
50:34
Yeah. And this is where
50:36
really digging into the veracity
50:38
of any alibi becomes important.
50:41
My first question is, is, well, how do they know
50:43
he made 100 cigars that particular
50:45
day? And then, of
50:48
course, we're not dealing with a situation
50:51
where there's going to be video that shows him
50:53
coming and going. So now you're relying on
50:55
witnesses. How many witnesses
50:57
saw him come and go? What are
50:59
their allegiance to him? You
51:02
have people who will cover up. At
51:05
this point, there appears
51:07
to be at least some question as to his
51:09
whereabouts during the afternoon of the
51:11
homicide.
51:12
And then on top of that, how would
51:14
he know Antonio? And the police
51:16
start asking more witnesses. And this is why
51:18
witnesses are the only good thing in this story,
51:21
because we don't have forensics or anything else. And
51:23
they start asking witnesses, and they found
51:26
out that Augustine loaned money
51:28
out to a lot of different people, including
51:31
Antonio. And he
51:33
had not paid back Augustine an
51:36
unknown amount of cash, which is weird
51:38
because Antonio made... I
51:40
sounded like a pretty good living. We don't know enough about
51:43
Antonio's life to know whether
51:45
or not he was gambling or what he was doing.
51:48
We just know the rumor with a lot
51:50
of people, particularly in the Cuban-American community,
51:52
is that Antonio owed his
51:54
killer, most likely, Augustine a lot of money.
51:57
So now we at least have that to know.
52:00
connection and you know, I
52:02
was questioning the anger, the amount of blood,
52:05
but George Mansa's story really does
52:07
kind of solve it. I mean, he walked in
52:09
on somebody. He walked in on this
52:11
guy breaking in and it was a big
52:14
fight and lots of violence and
52:16
blood.
52:16
Yes. Why would Augustine, a factory
52:19
worker, have enough money to loan
52:21
out? What's going on with him?
52:23
You know, between his background
52:25
of violence and his mysterious
52:29
nature, I don't know, but I
52:31
would guess there's probably some illegal activity
52:34
going on maybe with Antonio
52:36
also. Yeah. So is
52:38
Augustine arrested? Is he convicted
52:41
of this case? Nope.
52:42
Because politics. Because
52:45
New York's Cuban American community
52:47
came out in droves. The politicians
52:50
did, the common people did,
52:52
and said that he was being scapegoated
52:54
for being Cuban
52:56
American. The police said, we have
52:58
witnesses who talk about how bad this guy
53:00
is, Augustine, how we
53:02
are sure that he's connected, but when
53:05
they went to the witnesses who were, it sounds
53:07
like part of the Cuban American community, it
53:09
just shut everything down. Nobody would
53:11
testify. They were scared. They were all scared.
53:14
I mean, I wouldn't be surprised if he were connected to a
53:16
mob type situation, you know?
53:18
So I would say, you know, based
53:21
on, you know, you have witness statements, you
53:23
have some circumstantial aspects, but
53:25
the case is weak at best on Augustine.
53:27
Yeah. I'm not even sure there's PC
53:30
there in order to affect an arrest
53:32
today. There would have to be more
53:35
for me to have the confidence that he's
53:37
responsible, but he's in play for sure.
53:39
Yeah.
53:39
I think that this case was interesting
53:42
for me to read through because
53:44
there are a lot of mysterious characters,
53:47
but I like cases where it's sort of
53:49
witness-based, where the story starts
53:51
to unfold, the more people you talk
53:54
to. I think we get a lot of witnesses
53:56
who are not credible, but in this case, we're
53:58
starting to get, with George Floyd, we're And
54:01
you know, these people coming forward, for a man
54:03
who was an immigrant with a very mysterious
54:05
background, people wanted to help
54:08
to an extent. And then when they find
54:10
out that somebody like Augustine is
54:12
involved, who obviously is
54:14
incredibly violent, even
54:17
George Mance, this 15-year-old kid who
54:19
came forward, they were all very scared.
54:22
So it just shows that the whole
54:24
investigation essentially shut down
54:26
once the Cuban-American
54:28
community in 1885 got involved. Or
54:31
maybe he was being railroaded, we don't know. I
54:33
mean, we certainly know people, police in 1885 were
54:36
heavy-handed, to say the least. But
54:39
it's interesting how you have these cultures that are
54:41
sort of coming together to try to help
54:44
a victim, but at the same time also protecting
54:46
probably the offender. I mean, there were a lot
54:48
of connections between this case and
54:51
this guy.
54:51
Yeah. You know, this 15-year-old
54:54
witness, you know, I'm looking at the crime
54:56
scene today, and I've had
54:58
people in the past tell me, you know, it's been
55:00
so long, it's no good to go
55:02
back out because so many things have changed.
55:05
But I'm looking at this very
55:07
old brick structure. It's obviously been
55:10
re-faced, you know, but there's
55:13
a staircase that comes up from the basement-level
55:16
area. I'm not sure if it's another
55:18
shop or storage or what, that,
55:21
you know, right across the street is a very small
55:23
vacant lot that I'm assuming where this 15-year-old
55:26
witness was at, and everything he is
55:28
describing about what he could see, you know,
55:31
with this scar-faced Cuban
55:34
coming up these steps, you know,
55:36
and getting into a confrontation, and then
55:38
watching, you know, a single stab wound
55:41
to the victim, and the victim, you know, collapsing
55:43
and basically going headfirst down the steps,
55:46
it adds up. I completely
55:48
believe, you know, this
55:50
15-year-old could see what he saw based on
55:52
what I'm seeing today and, you
55:56
know, if he is bona
55:58
fide in picking august, out
56:00
of this group photo, they may have at
56:02
least landed on the right guy. It's just unfortunate
56:05
that they weren't able to prosecute.
56:10
Boy, I bet 15-year-old George Mance
56:12
was not sleeping easy after this.
56:14
I mean, he just fingered this
56:17
guy and nothing, it never
56:19
came to fruition. Yeah, this was a hard
56:21
case just because this someone,
56:23
Antonio or Chong Ong or whatever
56:26
we want to call him, was hard-working
56:28
and trying to create a new life and
56:31
seemed really committed. We don't know what was happening in
56:33
the background, but enough people
56:35
came forward where they really wanted to see justice
56:37
and they just didn't have it. It's still officially an unsolved
56:39
case. Wow. So there you go. Welcome
56:41
to New York, Gilded Age New York, Paul. It's
56:44
skeezy and gross. Someday
56:46
I'll take you uptown where all the wealthy people, the
56:48
boss tweeds, live with their
56:51
diamond cufflinks, but I think we're going to be slumming
56:53
it every time we come to 1800s New York from now on.
56:56
Well, we'll
56:58
have to get out there. I'm sure it'll be a fun time.
57:01
Oh yeah. All right. Well, thank you. All
57:03
right. Thanks, Kate.
57:08
This has been an Exactly
57:09
Right production. For our sources
57:11
and show notes, go to exactlyrightmedia.com
57:14
slash buriedbones sources. Our
57:16
senior producer is Alexis Amorosi.
57:18
Research by Maren McClashen, Ali
57:21
Elkin, and Kate Winkler-Dawson. Our
57:23
mixing engineer is Ben Talladay.
57:25
Our theme song is by Tom Breivogel.
57:28
Our artwork is by Vanessa Lilac. Executive
57:31
produced by Karen Kilgariff, Georgia Hart
57:33
Stark, and Daniel Kramer. You can follow
57:35
Buried Bones on Instagram and Facebook
57:38
at buriedbonespod.
57:38
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57:40
recent book, All That Is Wicked, a Gilded
57:42
Age story of murder and the race to decode the criminal
57:45
mind, is available now.
57:47
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57:49
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57:52
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