Charlotte Mason Poetry Team
Charlotte Mason PoetryEpisodes
Episodes of Charlotte Mason Poetry
Mark All
Editor’s Note. Today we share the ninth chapter of Children and the Stress of Life by Dr. Helen Webb. This chapter also appeared in the Parents’ Review in 1914 and 1929. For more information about Dr. Webb and her book, please see last week’s e
Editor’s Note, by Art Middlekauff In 1929, the PNEU published a small hardcover book entitled Children and the Stress of Life, composed of chapters by Dr. Helen Webb. I was thrilled when I finally got to see this little volume in 2023. Dr. Webb
Editor’s Note. Today we conclude our Advent series of sermons by Rev. Francis Lewis. See the December 10th episode for more information about this dear friend of Charlotte Mason. By the Rev. F. Lewis The Parents’ Review, 1920, pp. 399–402 “Flow
Editor’s Note. Today we continue our Advent series of sermons by Rev. Francis Lewis. See last week’s episode for more information about this dear friend of Charlotte Mason. By the Rev. F. Lewis The Parents’ Review, 1918, pp. 425-429 There is a
Editor’s Note, by Art Middlekauff Rev. Francis Lewis was the headmaster of a grammar school in Ambleside for eighteen years. During this time he became an examiner for the Parents’ Union School and then a part-time instructor at the House of Ed
Editor’s Note, by Art Middlekauff Joseph H. Allen was a Lancashire educationalist who lectured on educational topics and was also known for his service to the elderly.[1] He contributed multiple articles to The PNEU Journal, and his 1975 piece
Editor’s Note, by Art Middlekauff On August 14, 1913, Avice M. Cox became the wife of A. V. Cecil Moore.[1] Avice was a House of Education graduate from the class of 1903[2] whose work had appeared in The Parents’ Review.[3] Her groom was a tea
Editor’s Note, by Art Middlekauff Miss B. E. Moore was the headmistress of a girls’ elementary school “in one of London’s most needy districts.”[1] In the early 1920s, she decided to adopt the Charlotte Mason method. Soon afterwards she gave a
In most schools today, technology is king. All students are given tablets and everyone learns to code. We are told that this approach gives kids an advantage. It prepares them for a future that is becoming more and more digital every day. Other
Editor’s Note, by Heidi Buschbach Last week, Part I of this article was posted, so if you would like to read more about the history of Morris Dance or the Espérance Club, or the reasons why we include folk dance in our Charlotte Mason curriculu
Editor’s Note, by Heidi Buschbach Why do we dance? Why was folk dance included in Charlotte Mason’s programmes? Why would an article which describes the history of collecting folk dances matter enough to be included in a Parents’ Review article
When Charlotte Mason published her fifth volume in 1906, she seemed to have decided it was time to move on to other projects. With the publication of Some Studies in the Formation of Character, the Home Education Series was complete. Having app
Editor’s Note, by Art Middlekauff Last week we shared Arthur Burrell’s “Recitation: The Children’s Art,” the ground-breaking 1890 article that paved the way for his 1891 book Recitation: A Handbook for Teachers. In this book, which was heartily
Editor’s Note, by Art Middlekauff The inaugural issue of The Parents’ Review appeared in February 1890. The second issue, published in March, contained a groundbreaking article that initiated reverberations which continue even to our day. The a
“Who aimeth at a star, Shoots higher, far, Than he who means a tree.” Charlotte Mason quotes this phrase from the poet George Herbert when describing “the power and beauty of a holy youth” (Formation of Character, p. 209). She chides us for not
Editor’s Note, by Art Middlekauff The May 1952 “memories” issue of The Parents’ Review offered many vivid recollections of the early days and later developments of the Charlotte Mason movement and the House of Education. Our final transcription
Back in 2021 I interviewed Anesley Middlekauff when she had just completed her first semester at Iowa State University. We talked about the enormous transition from a Charlotte Mason high school to a campus of 30,000 students. At the time I cou
Editor’s Note, by Art Middlekauff In the November/December 1971 issue of The PNEU Journal, Joan L. Molyneux concluded her systematic overview of the educational philosophy of Charlotte Mason. In this final chapter, she explains how Charlotte Ma
Editor’s Note, by Art Middlekauff In the September/October 1971 issue of The PNEU Journal, Joan L. Molyneux continued her systematic overview of the educational philosophy of Charlotte Mason. In this chapter, she explores the third instrument o
Editor’s Note, by Art Middlekauff In the July/August 1971 issue of The PNEU Journal, Joan L. Molyneux continued her systematic overview of the educational philosophy of Charlotte Mason. In this chapter, she explores the second instrument of edu
Editor’s Note, by Art Middlekauff In the May/June 1971 issue of The PNEU Journal, Joan L. Molyneux continued her systematic overview of the educational philosophy of Charlotte Mason. In this chapter, she explores the first instrument of educati
Editor’s Note, by Art Middlekauff In the March/April 1971 issue of The PNEU Journal, Joan L. Molyneux continued her systematic overview of the educational philosophy of Charlotte Mason. She called it the “Masonian” philosophy, a term we do not
Editor’s Note, by Art Middlekauff Joan L. Molyneux (1908–1986) once wrote, “I have always lived within the sphere of influence of Charlotte Mason, as my parents became PNEU members before I was born.” She “was taught at home by a PNEU governess
Editor’s Note, by Art Middlekauff E. C. Allen was a student at the House of Education from 1897–1898 where she interacted extensively with Charlotte Mason. During that time she also met Julia Firth, a student of John Ruskin who became a major f
Why and How We Started Writing Poetry The word poetry can conjure up many thoughts and emotions in different people. Some remember with fondness a favourite poem or two; others reflect on a favourite poet; there are those who can recite any num
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