Guest Director, Vanessa Mildenberg, whose work focuses on creating multi/cross disciplinary international work that’s both physical and text-based, blows our minds with detailed descriptions of her particular rehearsal formula. We dive into the challenges of creating trust in the room and discussions of the global research that has allowed Vanessa to discover techniques based in dance, movement, improvisation and collaboration, giving way to fresh, inventive, highly physical productions of Shakespeare’s plays.

King Lear: Edmund - Act I, scene ii