A&V coach Emma Magnus, a New School graduate, on the dizzying effects of speaking your monologue REALLY QUIETLY to a stuffed animal. Actors often go big when working a text but what can we learn from taking that in the opposite direction, after
A&V coach Peren Yesilyurt, a University of Southern California drama student, on how working through the sounds in the language can unpack the ideas in a super visceral way. What does it feel like to run an “r” up your spine and an “oh” through
Guest Director, Vanessa Mildenberg, whose work focuses on creating multi/cross disciplinary international work that’s both physical and text-based, blows our minds with detailed descriptions of her particular rehearsal formula. We dive into the
A&V coach Maddie Powell, a Northwestern student, on a technique that makes Mrs Stupid looks like a rave. Get ready to DIG IN on a method that takes apart the text in grisly detail only leaving you wanting more. This episode does not require a l
A&V coach Joey Nasta, a Fordham grad, on the most annoying but super helpful exercise that’s like a specificity pill. Swallow that thing and BAM, you are suddenly dragged out of being general and into really thinking about what the heck your ch
A&V coach Anita, a high school junior, on the Princess monologue from Loves Labours Lost. Using a technique that assigns a location to each noun and pronoun, whole worlds of questions open up and Anita’s room gets covered in a ton of stickies.
Victoria and Amanda interview each other, giving the listeners a view into their backgrounds, training and philosophies. A&V agreed, early on, they didn’t want the pod to be about them, so this episode kills a couple birds here: learn about the