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Inner Geographies

Inner Geographies

Released Saturday, 12th September 2020
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Inner Geographies

Inner Geographies

Inner Geographies

Inner Geographies

Saturday, 12th September 2020
Good episode? Give it some love!
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This episode of constellations we’re mapping ourselves, from the outside in. Relax your need to understand everything and listen to yourself, your body, loosen the need to analyze.

Featuring:“Necropolis 2: Cruise Control” by Kamikaze Jones“A Sound Poem” by Axel Kacoutiéand“Necropolis 3: Planet of the Gapes” by Kamikaze Jones.

Axel writes: “We are wrong to look for uniformity and objectivity. We have all mapped associations to what our subjective experience is like.

My experience of the colour red is different from yours. Our brains light up the same way when hearing water but our relationship to its sounds will never be the same. Because of this, I wanted to illustrate how I've mapped mine using abstract terms like solitude, sunbathing, patricide etc. All as an attempt to say, "you don't have to understand, I just want to connect and have you see (listen) how I relate to the world."

“Necropolis 2: Cruise Control” —> This piece is composed from Grindr chats, sex toy Yelp reviews, and hold music from gay phone-sex hotlines. It imagines a queer hauntological underworld mediated by the technologies of yesteryear.“Necropolis 3: Planet of the Gapes” —> This piece is a more meditative, cosmic manifestation of the Queer Necropolis, and is comprised entirely of acoustic instruments played with a vibrating butt plug.

Kamikaze writes: “My original intention was to create an immersive sonic environment that was representative of the darker, more infernal channels of the collective queer subconscious. My work as a performance artist and extended technique vocalist over the past year has been focused on explorations of queer madness, and supernatural manifestations of queer erotic identity. My objective was to create a mythological sonic territory that addressed the sublimated ghosts and demons of our shared history. I quickly realized the boundaries of my own subjectivity in the compositional process and, embracing the queer art of failure, realized that the project would undergo a kind of conceptual mitosis, splitting into two separate but distinct companion pieces, each radical interpretations of what a “Queer Necropolis” could sound like. (for more, head to our website)

constellationsaudio.com/sounds

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