Episode Transcript
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0:02
Hey, you're listening to the Creative
0:04
Pep Talk podcast. We help you build
0:06
a thriving creative career. I'm your host,
0:08
Andy J. Pizza. You can stay up
0:11
to date with all things Creative Pep
0:13
Talk by following me on Instagram at
0:15
AndyJPizza. Let's jump into
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for that. Let's
2:40
get into today's episode. If
2:45
it is creative career success
2:47
that you seek, the
2:50
three creative career journeys
2:52
you must complete, the
2:55
journey of the gift,
2:57
the journey of the
2:59
craft, and the journey
3:01
of innovation. If
3:04
ye has yet to find the
3:06
success that you seek, it
3:09
is one of these
3:11
journeys you've yet to
3:13
complete. I'm
3:18
stroking my beard, twisting
3:22
my mustache. You
3:25
get it. Back
3:33
in the summer, we did
3:35
a Kickstarter for this thing
3:37
I called the Creative Career
3:39
Path. It was a seven-step
3:41
process to creative career success,
3:43
striking the balance between business
3:46
and art. You
3:49
could call it the balance between authenticity
3:53
and resonance with an audience. I
3:55
have the seven-step process that I
3:57
developed over the past couple of
3:59
years. We did a Kickstarter, raised
4:01
about $30,000 to print this little
4:03
handbook that goes along with the podcast series we did
4:05
at the beginning of last year. I think it's episode
4:07
171 to 176. I
4:12
also offered some personal pep talk, coaching
4:16
calls, some portfolio reviews and
4:18
strategy sessions. I've just
4:20
finished up all of those. I believe maybe
4:22
one or two is lingering. They're
4:24
kind of hard to get into the schedule. We
4:29
scheduled those out. It just
4:31
occurred to me as I'm working through
4:33
this process with these various people that
4:36
I deeply believe
4:39
in this process. It's
4:41
not because I think I'm so
4:43
smart or clever, but it's because
4:45
I forever see this process
4:50
lived out by
4:52
those creatives that have hit
4:54
their purpose or their inflection
4:56
point, their tipping point, that
4:59
moment where everything starts working.
5:02
I listen to these podcasts
5:04
with artists, comedians, writers, actors,
5:06
and they all tell the
5:09
same story. It's the story
5:11
that I cataloged
5:13
in this creative career path. Then
5:16
as I'm explaining it to these people over
5:18
the calls, I'm realizing that it's
5:21
probably necessary to explain some of this in
5:23
a totally different way and hit it from
5:25
a few different angles. Actually, I
5:27
have some in the future that I'd like to explore, but
5:29
I have one now that I want to share with you.
5:32
Basically, it is the first three steps
5:35
of the creative career path, but I
5:37
want to explain it in a different
5:39
way and actually focus in on it
5:41
and help you identify which
5:44
of these three parts, which of these
5:46
three journeys are you stuck on? It's
5:49
my belief and it's my experience, and it's what I've
5:51
seen and witnessed that if
5:53
you go through these three
5:55
journeys, You will hit
5:57
your inflection point. You will hit that moment.
6:00
Where everything starts working in any my
6:02
mind what it looks like to me
6:04
as if you go through these three
6:07
journeys as a creative person, it's where
6:09
it is. That moment in the hero's
6:11
journey were all of a sudden. It
6:14
hits them and their it's what we've
6:16
been talking about in past episodes with
6:19
their eyes change and they believe in
6:21
themselves and their feeling in the flow
6:23
state and they're like you know It's
6:25
when Neos one step ahead of the
6:28
agents from the Matrix and he can
6:30
actually have his arm behind his back
6:32
and is just all the moves are
6:34
just coming to. i'm Santa Me hi
6:37
Chipset Me Hi says in his book
6:39
slow. He says that it's like the
6:41
songs right themselves because you're so in
6:43
that inflection. Point. So in that
6:45
sweet spot that it's just your
6:48
subconscious is doing the work for
6:50
you and it's been my experience
6:52
in it's been what I've witnessed
6:54
That getting to that state requires
6:56
three journeys and that's what we're
6:58
gonna talk about. This episode. I'm
7:00
gonna describe all three journeys and
7:02
you're going to do a self
7:05
diagnose as a self audit to
7:07
say which of these journeys have
7:09
you yet to complete. So
7:11
the free journeys are the journey of
7:14
get the guest. The. Journey of
7:16
the Craft and the Journey of
7:18
Innovation. And if you are not
7:20
feeling in that flow, if you
7:22
feel like things are out of
7:24
whack, if you feel like you
7:27
haven't quite hit it yet, it
7:29
is my assumption that on some
7:31
level you haven't gone on all
7:33
three of these journeys. So that's
7:35
what this episode is about. and
7:37
I. One. Of the things I
7:39
want to articulate was that. The
7:43
eye of the you know this A This
7:45
came to me and this all clicked for
7:47
me when I was at the blackboard teaching
7:49
a class at at an art school. And
7:52
I was showing them. We
7:54
were reviewing all these artists
7:56
that had clearly found their
7:58
sweet spot Bound. transcendence
8:03
as a creative where it was just working
8:05
and they were in their sweetpot and
8:07
they and they started you know people got
8:09
what they were doing don't you want people
8:12
to get what you're doing don't you want
8:14
that oh man that's the good stuff that
8:16
resonance with an audience and I was
8:18
just showing them videos and we were looking
8:20
at these web pages and we were studying
8:23
everybody that seemed to have this X factor
8:26
and at some point I was going over one
8:28
of the videos and it just clicked and
8:31
all three parts of this
8:33
process to get the craft and the innovation
8:35
I saw it clearly for
8:37
what it was and
8:39
that was one of the first
8:41
real seeds to unearthing this process
8:43
and since then I see
8:46
people living out this process I was
8:48
listening to the WTF podcast with Mark
8:50
Marin him interviewing Billy Eichner and actually
8:52
this happens all the time but it
8:55
was so apparent in this interview and
8:57
Billy Eichner tells his story if you
8:59
don't know it's Billy on the street
9:01
he's also I think his name's Craig in Parks
9:04
and Rec and he's really loud and
9:07
I regret it every day of
9:10
my life that's the tear not
9:12
even considered an impression that's I
9:14
don't know what that's like anyway
9:16
Billy Eichner hilarious angry guy on
9:19
the street interviewing people I love this guy
9:21
he's gonna be Timone in the new Lion
9:23
King anyway I digress
9:25
he's in this interview with Mark Marin
9:27
and he literally goes through step
9:30
one to step seven of the
9:32
creative career path he talks about
9:34
finding his gift finding
9:36
where it fits finding how it's
9:38
different creating a goal
9:41
creating a project finding
9:43
a weak spot an entry point
9:45
into the market and then slowly
9:47
but surely working it into his
9:50
ultimate goal and I hear this
9:52
process from people who have found
9:54
that creative transcendence over and over
9:56
and over again and actually I
9:58
think there's a simple simpler way to
10:00
explain it, which is what we're going to
10:02
do today. We're going to talk about the three journeys you must
10:04
go on. All three of these journeys
10:07
require you working it out in the work.
10:10
Not just going on these journeys in
10:13
your heart or in your mind, not just navel
10:15
gazing and trying to figure it out with
10:17
a career aptitude test in an afternoon or
10:19
by looking yourself deeply into the mirror, which
10:22
every once in a while I catch myself in the mirror and do that. So
10:25
I can go months and months and months without really... Have
10:28
you ever just looked at yourself for
10:30
real? I mean the person behind your
10:32
eyes. I
10:35
don't know where this is going. But
10:40
we're going to go deep into not just thinking
10:42
about it, but working it
10:44
out in the work because each one of these journeys,
10:46
you have to do it through a process of making
10:48
stuff. It's an
10:50
active process. It's an active journey.
10:53
Boots on the ground, eyes
10:55
on the stuff, doing it. We're going
10:57
to talk about working it out in the work at the
10:59
end of this episode, but let's
11:02
go to journey one. Now
11:05
remember, you're supposed
11:07
to identify which of these
11:09
journeys have you really yet
11:11
to complete and
11:13
identify which one it is and
11:15
then develop a project or
11:18
a body of work that will help
11:20
you bridge
11:22
this gap and break through and
11:24
complete this journey so that you can move
11:26
on to the next one and find your
11:28
creative transcendence. Let's
11:32
do it.
11:36
The first journey that a
11:38
creative has to complete to
11:40
find their creative transcendence is
11:43
to find their gift. Now
11:45
what is your gift as a creative person? What
11:48
do I mean by that? I
11:50
mean your innate specialness.
11:53
What makes you special As
11:56
a person in terms of your DNA and
11:58
your experience or all the. The up
12:00
on a molecular level. The saying that's on
12:02
this planet right now. Why is it real?
12:04
Why is it different? What's. Special
12:06
about it now. I'm a
12:09
good. Good Good Good. Burger
12:13
Believer. And an Ass. The
12:15
growth mindset. Cell growth mindset comes
12:17
from a person named Dr. Carol
12:19
Dweck. She has a book called
12:21
Mindset and it's virtually growth mindset
12:23
versus the fixed mindset you've probably
12:25
heard me talk about I'm Show
12:28
before. Just a quick summary. Growth
12:30
mindset means that you believe that
12:32
your abilities and who you are
12:34
has the potential for dramatic growth.
12:36
And so when you had a
12:38
challenge you think ooh, good he
12:40
a challenge, A chance for me
12:42
to get better even if I
12:44
fail. Now be of the fixed
12:46
mindset. You think your basic abilities,
12:49
your talents, your skills, your intelligence,
12:51
whatever is fixed young. it's like
12:53
and every test. Every challenge is
12:55
a pass or fail and if
12:57
you fail, it means you don't.it.
13:00
right? So when it comes to creativity, it might
13:02
be like. It. You
13:04
know, when I was doing public
13:06
speaking for the first couple times,
13:08
I failed big time and my
13:10
fixed mindset said, don't do public
13:12
speaking because you clearly suck this
13:14
on a molecular level. No chance
13:16
to change. Don't do it anymore.
13:18
It hurts because it makes you
13:20
feel terrible because you don't have
13:22
any ability to grow. Now.
13:25
I'm glad that I didn't same effects
13:28
mindset because public speaking ended up being
13:30
one of my main bangs and that
13:32
only came from having a growth mindset
13:34
saying if I. Keep. Working
13:37
at this thing. Than.
13:40
I. Can get better at
13:42
it and sell. One of the things
13:44
I don't like about this discussion about
13:46
the gift. Finding your gift is that
13:48
it can gets you into. That
13:52
it can get you too far
13:54
into the fixed mindset too focused
13:56
on talent in a neat strengths
13:58
and not enough on your ability
14:00
the to grow. But actually I
14:02
think it's unavoidable and it is
14:05
important to think about what a
14:07
neat. Feals. To an
14:09
advantages do you have as a person
14:11
because building on that as a foundation
14:14
is the smartest thing. Abuse socket math
14:16
if you are just you know all
14:18
through school you sucked at mass if
14:20
not the growth mindset to go into
14:23
the field of accounting or finance right?
14:25
That's just stupid and so. I
14:28
I spend my experience that
14:30
your Dna, your experience your
14:33
molecule later own man molecular
14:35
bonds substance that pulsing through
14:37
your atoms in this bag
14:40
of molecules the to call
14:42
a person. using.
14:45
It's a neat. Disposition
14:48
to your advantage, Understanding what your
14:50
strengths are, understanding what your gift
14:52
is is the truest best way
14:54
to start your journey. And if
14:57
you don't have a sense of
14:59
what makes you special versus other
15:01
people other creative people if you
15:03
don't know what your towel and
15:05
to that's what you have a
15:07
special taste for. If you don't
15:09
understand that you need to go
15:12
on this journey. If.
15:14
You're not sure that you at you know
15:16
out of one hundred and fifty people you'd
15:18
be the best at this thing. Like.
15:20
Maybe not in the world could will get
15:23
the house. You don't have to be the
15:25
Michael Jordan and me does Rodman car thing
15:27
where you need to be the best basketball
15:29
or basketball Bad blood blood last best basketball
15:31
player of all Pounds to go into the
15:33
Mbs. right? But.
15:35
You do have to be good. You. Do have to have
15:37
an innate. You. Know it, A lot
15:39
of people say anybody can be creative
15:42
will everybody has the potential to participate
15:44
in creativity, but not everybody is especially
15:46
creative. Now. Don't let that
15:48
get your fix mindset move and right I
15:50
am I created luck you can learn it
15:52
you can find a place for you can
15:54
thrive but it saying everybody be can be
15:57
a creative as the same way as same
15:59
thing as saying. The body can be an
16:01
athlete, not true. Not. Everybody's an
16:03
athlete. Everybody can do some
16:05
athletics but not everybody is an
16:07
athlete and so we gotta figure
16:10
out where are you? Where's your
16:12
strength As a creative athlete, Does.
16:15
That make sense. That's the first journey. You've
16:17
gotta figure out what are some of your
16:19
real to base talents and Franks and a
16:21
half? Some questions that can help you on
16:24
this path. as you
16:26
go to do the to work it out in the
16:28
work. Obviously. Talent.
16:30
What have you have talent for? What have
16:32
you noticed that you just naturally better than
16:35
others? What should taste? Would. Have
16:37
good taste and what if people
16:39
ask you for recommendations and knowing
16:41
what's good? In. Any given
16:43
medium music like I feel I
16:45
got. A lot of
16:47
you know music or. You. You
16:49
can make hit music. Without.
16:52
Knowing how to play an instrument if you know what's good.
16:54
For. It and that's taste. You know Gordon
16:57
Ramsay when he's asked what are you look
16:59
for in a chef that you know could
17:01
be a great chef? What starts with the
17:03
foundation of taste they have to have a
17:06
pallet not everybody's palate is since it up
17:08
sensitive enough to pick out different ingredients and
17:10
know what's good. And if you don't know
17:13
what's good you can't make good food. You've
17:15
gotta have that innate talent. Have a tape
17:17
of case than a. Pallet.
17:21
Palette tastes as
17:23
the taste talent
17:25
tolerance. What? Do you
17:28
find yourself just being able to tolerate
17:30
an enormous amount of my buddy cow?
17:32
Seeley? Does it. Talk about. Finding
17:35
your creative Gift and he
17:37
talks about how he noticed
17:39
that he could watch this
17:41
Wayne White documentary. Over.
17:43
And over and over about this
17:45
guy who makes cardboard staff and
17:47
ah p we play how Sad
17:49
and does these paintings and whatever
17:51
and he could watch the documentary
17:53
a million zillion times. Way.
17:56
More than his wife. and probably way more than anyone in the
17:58
world. And that was just a towel. The just ridiculous
18:01
tolerance to go deep on something.
18:04
What? About temper. What? Makes
18:06
you mad sometimes. Whoop Eat You
18:08
know your taste in your tempers.
18:10
panic connected were. What
18:13
makes you mad is like really
18:15
really bad stuff. like are there
18:17
it? Maybe if your talent. And
18:20
your gift. His music. Bad music
18:22
just drives you completely mad. So
18:24
for me, one of my. Talents.
18:27
Is not being boring? You know? I have
18:29
a lot of weird. Kind. Of
18:31
almost borderline tips and terms of my
18:33
weird behavior and that can be hellish
18:36
talk and as the same inflection point
18:38
for very long it's I'm always just
18:40
mix of enough and be and we're
18:42
why? Because I have a D H
18:44
D and it's one of my my
18:46
temper is anything that's boring, I hate
18:49
boredom and if you hate boredom you
18:51
can be entertaining. Snow. I might not
18:53
be funny, I might not need a man,
18:55
I'll be hilarious. I might not be profound,
18:57
but I but I can be entertaining. It's
19:00
just and so far. As I'm not
19:02
boring. And. I definitely not born
19:04
uma hate me but I will boreal. And
19:07
that what my temper goes up my
19:09
says boredom. Now know, boredom. So.
19:12
Could be what makes you mad. That could be a
19:14
clue. About where to explore
19:16
your gift. And
19:19
so the first turn you gotta go
19:21
on his to find your guest. It's
19:23
the journey of of the gift is
19:25
the journey of finding a strength. It's
19:28
the journey of knowing what do you
19:30
have a base foundation of talent and
19:32
now it's Doesn't mean that you. A.
19:34
Doesn't mean that you're already amazing at this thing and
19:37
ready to be a pro When it, when you're ready
19:39
to compete with the big dogs is just the foundation.
19:42
In the if you're stuck there and you
19:44
don't we haven't really worked that out. You
19:46
don't have a clear sense of the value
19:49
you can provide Humanity by your specialness years
19:51
into your dna, the rarity of your dna.
19:54
The new need to work it out in the work. You
19:57
need to do a project, you need to come up with
19:59
a hypothesis. And you need work it out.
20:01
The work. We're going to get to that at the end. But
20:03
if you don't have a clear sense of what is actually special
20:05
about you, and here's the thing about that. Let me just go
20:07
into this rock like. Something
20:10
I see a lot of times where
20:12
people haven't really found their guest As
20:14
it goes back to this quote each
20:17
hear me say a billion times Joseph
20:19
Campbell quote and ads the that. The
20:23
cave we fear to enter holds the
20:25
treasure we seek. And
20:27
one of the reasons why people avoid
20:29
going on the first journey, why they
20:32
avoid going into that cave than the
20:34
cave is the question. What's my gift?
20:36
As they believe that the cave is
20:38
empty, They're afraid that there is no
20:40
gift that they don't have any pill.
20:42
And so they survived this far by
20:44
Bs ing their way. And they're afraid
20:46
if they actually ask themselves what am
20:49
I actually good out, what the hell
20:51
you can actually provide that the question
20:53
is nothing. There's. Nothing
20:55
in that case. But
20:57
I can guarantee you your
20:59
dna is completely and utterly
21:01
unique on this planet, and
21:03
therefore even just by sheer
21:06
rarity. You are valuable.
21:08
You are more valuable than
21:10
a diamond. You're more valuable
21:12
than ah. It's
21:14
know anything on the planet because
21:17
you are completely and utterly unique.
21:20
In it's about figuring out what that
21:22
code is good for. Useful for what
21:24
kind of value does that code provide?
21:27
Do not be afraid to enter that
21:29
at their if you can not tell
21:31
me. When. I asked
21:34
you, what are you good at Really? what
21:36
are you better at than most people If
21:38
you T V. P
21:41
Three sustain this gift. You
21:43
need to go on the journey of the guest. Journey
21:49
numbers. The
21:52
Journey of the craft. I don't remember if
21:54
that was the voice that I was doing
21:56
earlier, so I apologize for any of you.
21:58
see it or geek. that are like,
22:00
hey, that's out of character. That wasn't
22:04
consistent. The
22:08
second one is Journey of the Craft. And
22:10
the journey of the craft is, okay, you know your gift,
22:13
and you go in and your gift
22:15
determines your industry. That it goes along
22:17
with that step in the creative career
22:19
path. That's the first journey, figuring out
22:21
what your gift is. If you know
22:23
what that is, then you say, who
22:25
have a gift like me in this
22:27
industry? Let's say your gift is illustration,
22:30
and or your gift is music, or your
22:32
gift is design, or your gift is
22:35
screenwriting. Well, what type
22:37
of screenwriter? What genre are you going to
22:39
write movies in? What, what, where's
22:41
it fit? Who are your people?
22:44
That's the journey of the craft. The
22:46
craft is getting up to snuff. No
22:50
learning your craft as good
22:52
as your people, the people that have
22:54
a gift like yours.
22:58
It's the 10,000 hours from
23:00
Malcolm Gladwell. It's
23:03
the 10,000 hours getting good bridging
23:05
the gap. You
23:07
know, Jack Antonoff, he wrote
23:09
the song, Brave by
23:12
Sarah Berry Ellis, Barry
23:14
Ellis, Aurora
23:17
Borealis, something like that.
23:19
You know that song? I don't
23:28
remember if that's exactly how it goes. And
23:31
I do think I maybe missed a few
23:33
notes there. However, that song
23:35
was I believe co written by Jack
23:37
Antonoff. He was the guitarist of the
23:39
band Fun. Then he went on to
23:41
make his own band called Bleechers. I'm
23:45
a big fan of this man. He's
23:47
written a bunch of Taylor Swift songs,
23:49
some Lord songs. Anyway, super talented dude,
23:51
a bunch of hits under his belt.
23:54
He really knows his stuff. He's hit
23:57
his creative transcendence. And So he's
23:59
someone I've studied. The and I've tried
24:01
to pick up when I can
24:03
and one of the things he
24:05
talks about his finding his people
24:08
being part of this inflection point.
24:11
He said that when they had the band's fun.
24:14
He saw the lead singer make.
24:17
Room. As I think of name is
24:19
he the lead singer of Fun Witten
24:21
started recording with paying Ken a bunch
24:23
of other people and he could see
24:25
like he'd found his people and he
24:27
was heading this whole new level and
24:29
he didn't really know who his people
24:31
were any thought to any define my
24:33
people and then the following years he
24:35
found his people. People like Taylor Swift
24:37
and Lord These and I Carly Rae
24:39
Jepsen these are has people these were
24:41
There are his writing partners as the
24:43
person that helped him become who he
24:45
wanted to be. And so
24:47
after you find your guest, you
24:49
have to find your people. And
24:52
once you found your people, you
24:54
have to work on your craft.
24:57
To be as good as
24:59
the people. In. Your
25:01
market. And so what
25:04
you need a deal is once you
25:06
go out that we need to work
25:08
out in the work you need to
25:10
go find out. Who do you think
25:12
you're people are what market or they
25:14
and you find for those people Five
25:16
of those people sex Or those people.
25:18
Seven of those people. eight as. One
25:22
of us gonna reach out, slap me in
25:24
the face you knew as going to just
25:26
keep going. That's kind of weird absurdist non
25:28
comedy that I enjoy app. But. You
25:31
find the say fine for those
25:33
people your people in the area
25:35
of your gifting and you go
25:37
study them and you say what
25:39
did they haven't com and if
25:41
that stuff that they have in
25:43
common it is not original or
25:45
you need to their style it
25:47
is what makes them your people.
25:50
It's. What know? it makes the movement that they're
25:52
a part of, that makes the market that their
25:55
own. Of you
25:57
final four people and they have five!
25:59
Thanks! all in common with each other.
26:02
Those are things that you need to bridge
26:04
the gap on. That's the craft.
26:06
That's how you have to get up to
26:08
snuff. That's the journey that you need to
26:10
go on. If you're a rebel, this step
26:13
might be the hardest step for you. If
26:15
you're a rule follower, you're gonna love this
26:17
step. And guess what? Both rebels and rule
26:19
followers make great creative people, but they have
26:21
to go on all three journeys regardless. I'm
26:25
getting really passionate about it, man. I'm
26:29
serious. So you
26:31
find your people, you see what they have in
26:33
common. You see what the difference between you and
26:36
the work you make and them, the work that
26:38
they make, and it's time to go on a
26:40
journey. This is journey number two to bridge that
26:42
gap. It's the journey of the
26:44
craft. Ira Glass calls it
26:46
the gap. He says that Ira
26:49
Glass says, it's all of good
26:51
creativity, good creatives start with good
26:53
taste. They know what's good and
26:55
they see their people. These people
26:57
are good. And then they
26:59
say, how do I bridge the gap between
27:01
what I know is good and my work,
27:03
the fact that my work is bad? How
27:06
do I make my work as good as my taste?
27:09
This is Ira Glass's, I've talked about it
27:11
before. It's the gap. He has a little
27:13
video I'll put it in the show notes
27:16
if you wanna look into that more. But
27:18
this is how, he talks about the gap.
27:22
I wanna tell you how to bridge it. You bridge it, bridge
27:24
it by finding
27:27
your people defining who's
27:30
good, seeing what
27:32
they have in common. Let's say if
27:34
your people are hand letterers, well,
27:36
you take your four favorite hand letterers and you say,
27:39
what do these people have in common?
27:41
They should have a bunch of differences.
27:43
If they've really hit their transcendent creative
27:45
work, then they have gone on the
27:47
third journey, the journey of innovation. So
27:50
they should have major differences. But in
27:52
terms of the way they present themselves,
27:54
the posts that they make, the stuff
27:56
that they create, stuff in the work,
27:58
stuff in the work. About them
28:00
as a person stuff. About. The way
28:02
they present themselves. All that's a
28:05
look at everything. Their website, stub,
28:07
their videos or photos, their avatars,
28:09
their everything. Behind. What these
28:12
people have and com and make
28:14
a list and then label everything
28:16
on that list Gap or Innovation.
28:19
Gap is everything that you have to bridge.
28:21
It's a saying that you have to develop
28:23
the craft things that you haven't done. If
28:25
you have things on this list that you're
28:27
not up to snuff with, let's say it's
28:29
you know, some kind of technique that you
28:31
don't know that they now. It's
28:34
some kind of ah you know, theory you
28:36
don't understand. Classes you after takes the next
28:38
journey. you have to go on his bridging
28:40
the gap between what you know was good
28:43
and your work, bridging the gap between you
28:45
and them. How do you make them? Your
28:47
people. There
28:50
make sense to you. If.
28:53
You have If if you have a
28:55
big gap between you and your people,
28:57
you have to go on the journey
28:59
of the craft. it's it's putting working
29:01
it out in the work getting better.
29:04
At. This thing so that you
29:06
can be so they can really
29:08
be your people. That's. The
29:10
second journey. Through.
29:13
Not as good as your people.
29:15
That's the journey you're stuck on.
29:18
And if you're a rebel, And you
29:20
don't like the idea of having something in common
29:23
with another creative person? I wasn't until yet. Our
29:28
you're making me mad right now. I
29:31
have seen this process worked out in
29:33
so many people and the rebels avoid
29:35
this part of the process and in
29:37
a lot of it comes with impostor
29:39
syndrome you know say and ah I'm
29:41
totally original. I've never been anything like
29:43
anyone by at my my boys came
29:46
to me and a dream my creative
29:48
work. That's how I hit my inflection
29:50
point. know every great creative got to
29:52
where they are. Maybe. not every i'm
29:54
sure there's exceptions are or zero is our but
29:56
most got to where they are by learning from
29:58
other people first book Or they go
30:01
on the third and final journey,
30:03
the journey of innovation.
30:06
So maybe you're stuck on the journey of the craft. No,
30:10
you already done that? You're already as good as your
30:12
peers or almost as good or you fit in? Let's
30:14
talk about the next journey. Last
30:17
but not least, the third
30:20
possible journey that
30:23
you may need to go
30:25
on to reach your true creative inflection
30:27
or transcendence. Number
30:30
three, the journey of innovation. I
30:36
don't like that voice. It's supposed to be
30:39
more mysterious. Hmm, the
30:42
journey of innovation. I
30:44
don't know. Whatever,
30:46
you're not interested in my voices. What
30:48
you're interested in is my hot, fresh,
30:50
steaming hot, fresh content right in your
30:52
face. Raw content. Here
30:55
comes the content. Look out. I'm
30:58
not really recording this
31:00
part. You can just deal with it. The
31:02
journey of innovation. After
31:04
you have found your gift, you have developed
31:06
your craft, you have developed your creative, you
31:10
have developed your creative, you
31:12
have developed your creative, you
31:14
have developed your craft, you have developed your craft to fit in with your
31:16
people. It's time to create your
31:19
niche. You do this by
31:21
innovating. You have found your gift. You
31:23
fit in. Now
31:26
it's time to stand out. And
31:28
this is the order in which I believe it really
31:30
happens. I was watching a video,
31:32
an interview with George Carlin, famous
31:35
comedian. You know him only
31:38
because he completed the third
31:40
journey. In this video,
31:42
he talks about how he'd done something like
31:45
200 television appearances, but he still hadn't
31:47
really done it. He hadn't
31:49
really hit the creative transcendence as it
31:52
were. He doesn't use those words, but
31:54
I do. But he's saying he still
31:56
hadn't attained that thing. You know what?
31:58
Let me just say this right now. If you're great
32:01
a person's I know you know
32:03
what I'm talking about When I
32:05
say creative Transcendence That saying? That's
32:07
what we're looking for. that self
32:09
actualization and self transcendence. that thing
32:11
where it's hidden. that sweet spot
32:13
that blows statements. authentic, but it's
32:16
resonating. Voice:
32:18
Very intense, determined voice that I'm going
32:20
with right now. And
32:23
he said he hadn't hit it. whatever that thing
32:25
as. And I think
32:27
he said he wanted his whole career. He
32:29
wanted be like Danny Kaye Danny Kaye I
32:32
don't know that as but I'm assuming he's
32:34
a comedian and he said that this guy
32:36
had this mass market appeal, he was like
32:38
sitting in the system and like do you
32:41
know appealed everybody and to add this wide
32:43
success and he was trying to replicate his
32:45
hero and he was doing an okay job
32:48
at it. And there's this moment actually where
32:50
ah. When.
32:52
He realized that he was a hippie
32:54
and he was against the system and
32:56
it always been a rebel. So why
32:58
was he trying to be Danny Kaye?
33:00
And it was this moment and he
33:02
actually went on live T V and
33:04
he took a cardboard cut out of
33:06
his past self, his mass market Danny
33:08
Kaye impersonator South and he threw it
33:10
off stage and said that George Carlin
33:12
is dead. And
33:15
actually, you can't start there. You
33:17
have to go through the process
33:19
of becoming like your people before
33:21
you can go on the journey
33:23
of innovation and reach that transcendence.
33:25
But there comes a time where
33:27
you have to do what your
33:30
heroes would not do. I
33:32
say it's it's Yoda. It's when Yoda
33:34
tells Luke Skywalker that he has to
33:36
stay and finishes training and Luke says
33:38
no way. I'm going to say it's
33:40
a new loop, turns into a horse.
33:44
And stuff though I do that was
33:46
that Bucks A Luke says now I'm
33:48
going to save Layer and Han And
33:50
it's this moment where you disobeyed your
33:52
heroes. When you do what Danny
33:54
Kaye wouldn't have done, that
33:56
you become you as the path
33:58
of an array Maybe
34:01
you need to go on a journey, working it
34:03
out in your work. What does it look like
34:05
to do things that your heroes would never do?
34:07
You also hear the same thing with Eddie Murphy.
34:09
Eddie Murphy says, and by the way, you might
34:11
not know this now that he's mostly known for
34:13
Daddy Daycare, but Eddie Murphy was
34:15
a legend in the
34:17
comedy space, like beyond
34:19
belief. And
34:22
he said his first few years of
34:24
comedy were trying to be Richard Pryor.
34:26
And Richard Pryor says his first few
34:28
years of comedy were trying to be
34:30
Bill Cosby. And it didn't hit that
34:32
inflection point until they went on journey
34:34
three. Journey of
34:36
innovation, doing what their heroes wouldn't do,
34:38
being themselves, not just fitting in, but
34:41
standing out. And it happens in this
34:43
path. And the reason I'm so freaking
34:45
crazy passionate about this is because I've
34:47
seen it so many times, this
34:49
pattern. I believe this is the
34:51
secret sauce, these three journeys. And
34:55
so if you're in a place where you're as
34:57
good as your peers, you're up to snuff, you
34:59
can do the lettering techniques, you can do the
35:01
jokes, you can do, you can do, you've got
35:04
the craft, but you're still not seeing
35:06
it. It's time
35:08
to disobey your heroes. If
35:11
you say, well, I'm kind of
35:13
like this, or I'm kind of interested in that,
35:15
but nobody ever does that where I'm from, nobody,
35:17
my people don't do that. You
35:20
know, that's not an obstacle.
35:23
That's an opportunity to be totally
35:25
different than everyone in your space
35:27
to break out into that next
35:30
stratosphere. For me, it was a
35:32
podcast. Illustrators don't make business
35:34
podcasts. For me, it was emotional
35:36
talks, like designers and illustrators, they get up and
35:38
they show their portfolio. They don't get up and
35:40
cry about their mom leaving
35:43
them and having a drug habit. And
35:46
I thought about it. I thought, I really want to do these
35:48
emotional. I'm crying on
35:50
stage, sharing my heart, trying
35:53
to say something profound about
35:55
the human experience on creative
35:57
professional stages and conferences like
35:59
that. And I felt like, yeah, but
36:01
nobody, none of my people do that. And when
36:03
I said that, I realized that wasn't a gap.
36:06
That wasn't one of the gaps that I had
36:08
to bridge. That was the key to my innovation.
36:11
And it's what, it's this is, you know,
36:14
it could be something you learn in a
36:16
different industry. You know, I learned
36:18
a lot from all kinds of different,
36:21
growing up in different places and going
36:23
through different industries and being privy to
36:25
different cultures and all that stuff and
36:27
finding things that are very human,
36:29
things that resonate on a human level that
36:31
people aren't doing, my people weren't doing, and
36:33
then doing it there. It's
36:35
like Dusty Crop Hopper from the movie
36:37
Planes. It's a
36:39
Disney movie. He uses
36:41
his crop dusting techniques to win his
36:44
race, to win race
36:46
planes, the planes are going on a race. I
36:48
don't know, I don't know if planes ever do
36:50
race, kind of seems like a stretch to me,
36:52
but he uses his background
36:55
in farming, the thing that
36:57
makes him different to find that transcendent moment.
37:00
And so if you have found your gift,
37:02
you've bridged the gap, you've developed that craft,
37:05
it might be time to disobey your
37:08
heroes. Call yourself Andy J.
37:10
Pizza. None of my heroes would. All my heroes
37:12
would be like, whoa, what? Come
37:14
on, get serious. But that's me,
37:16
that's my path, that's my journey. What's
37:19
yours? What are you gonna do that
37:21
no one's ever done? Instead of saying that as an
37:23
excuse to not be yourself, that'd
37:25
be the thing that propels you into creative
37:30
transcendence. Okay,
37:36
so those are the three journeys. And
37:39
the thing about these journeys is it sounds, you
37:41
know, what's my gift? You
37:45
know, what's my craft? What's my innovation? Sounds like
37:47
something you could do in an afternoon. Rog, you
37:50
can't do it in an afternoon. Sorry for shouting
37:52
at you. Let
37:55
me try that again. I don't think
37:57
that's correct. You're gonna have to
37:59
go on a journey. And then journey
38:01
is going to be. L
38:04
A journey of making are not
38:06
a journey of thinking you're going
38:08
to have to do what I
38:10
say again, just working it out
38:12
and the work. Seth Godin. Has
38:15
this idea and I caught the taste
38:17
test and society of that. You
38:20
created. You have a hypothesis. You create a
38:23
thing, You give it to ten friends and
38:25
you see if they give it to anybody
38:27
else. If they don't give it to anybody
38:29
else, your hypothesis was wrong. Is the test
38:32
a cunt as can be a taste test.
38:34
It's were you saying. I think this is
38:36
good that what I think is good writing
38:39
this is. I think this is a good
38:41
short story. I think this is a good
38:43
piece of illustration. I think this is a
38:45
good brand. The. Give it
38:47
to Ten friends, Athena, give it to
38:50
anybody else. You're wrong. Go back to
38:52
the drawing board. quite literally. if you
38:54
happen to be an illustrator. And
38:57
so. You. Take you say
39:00
if you're after if your journey
39:02
one you're gonna make a project
39:04
and you're going to say I
39:06
sank this is my guest. If
39:08
you're in Journey To and you're
39:10
trying to get better at the
39:12
craft of writing jokes, making illustration,
39:14
conceptual works, whatever it is you
39:16
say make a project. Give
39:19
it up your followers aka are your friends you put
39:21
put him out there. And
39:24
that they don't share. it's they don't.
39:27
Rave. About it because they don't remark
39:29
opponent it's not remarkable as Gordon would
39:31
say. That's.
39:33
The taste test. You. Think: I
39:35
think I know what innovation is. Make.
39:38
The project doesn't resonate.
39:41
Is. It authentic to people remark
39:43
on it. That's how
39:45
you work it out. Because the
39:47
first your first i first
39:49
hypotheses will not be right.
39:54
And so ah, If
39:58
you get, if you're. Hey let's say
40:01
you are n one of these
40:03
journeys and you've got a few
40:05
different ideas of projects you could
40:07
create. Here's what I suggested you.
40:09
I say you create. Two
40:12
pieces would say there's three albums you
40:15
could make. Let's say there's three lettering
40:17
projects you can make. Let's say there's
40:19
three four stories you can make. I
40:21
say. If it short stories
40:23
wanted to put out to blog posts that
40:25
are in the vein of the first idea
40:28
to blog post that are out in the
40:30
plane of the second idea to blog posts
40:32
are in this vein of the third idea.
40:34
See how they resonate, see how authentic they
40:37
feel to make you get the flow, stay
40:39
are you playing? Have been a good time,
40:41
test a few different paths, see which one
40:43
of them hit hardest and then go deep.
40:46
Go on that journey. Get.
40:48
Outta your head get on did
40:50
the page and baby minute ride.
40:54
You just thought yourself. what Is that
40:56
song? The anything? Not Solve Yet I
40:58
just invented it. Work it out
41:00
in the work. To the taste
41:02
test gone, the journey. If
41:05
you don't know, Have I tell my guest?
41:07
Have. I develop my craft. Have I
41:10
really innovated? If you're asking yourself that
41:12
questions, the answer is no you haven't because
41:14
it's a long journey and once you've gone
41:16
out at your sure of that you're like
41:18
man, that was a heck of a journey.
41:22
Know beyond all that. Maybe
41:24
you've done that all before? Maybe you
41:26
should. And inflection point? Maybe your past
41:28
and inflection point. I was just watching
41:30
a video with Will Smith Him talking
41:32
about what it was like to beat
41:34
make an Independence Day and and make
41:36
Hims Men in Black and saying that
41:38
he felt like every basketball he saw.
41:41
When in. Until. I
41:43
met Wild Wild West and he turned
41:46
down The Matrix and at that point.
41:48
He'd already gone through binding as
41:51
guest. He'd already gone through. Finding
41:53
his craft, he'd already gone through
41:56
innovating. I
41:58
might be the first person. They called Men in
42:01
Black Innovation, but I am. I'm sticking to
42:03
it. And
42:06
that times. Guess what? You
42:08
gotta go all through it again. You're different person.
42:11
After that much time your gift is gonna change
42:13
for you. Gone through new experience your different on
42:15
a molecular level. Every seven years
42:17
yourselves regenerate in the same.
42:20
Person you are Seven years ago and
42:22
Lorne Michaels said. About.
42:25
Chevy Chase. He said the promo Chevy Chase
42:27
was that he never reinvented himself. People like
42:29
Steve Martin, he had Astana career, he a
42:31
comedy movie career and then at a serious
42:33
movie career. Know the banjo player who knows
42:35
what's going on. There are no foul. The
42:37
Banjo world. But you've
42:39
got to if you've done all
42:42
three and now you're feeling like
42:44
inflection moment has passed. Might be
42:46
time for reinvention. You
42:59
might have noticed that I've. Got
43:02
a little bit excited from time
43:04
to time on on this episode.
43:06
Act to get a little bit
43:08
passionate when it comes to the
43:11
three journeys. Why? Why? Why do
43:13
I care if you find your
43:15
creative transcendence? Well, I'm gonna break
43:17
your heart real quick if now
43:19
because I love creative work that
43:21
much. Although I do, I do
43:24
of creativity and I do love
43:26
when people are making their creative
43:28
work. But the but not the
43:30
cause is because. i believe
43:32
that are really bring em really
43:34
mean this and i it's hard
43:37
for me to be this serious
43:39
on the podcast when i'm sat
43:41
here by myself not talk and
43:43
any body but i'm trying to
43:45
realize that i am in your
43:47
ear bad right now in your
43:49
head bone in your studio speaker
43:51
and we're having a moment right
43:53
now me a new and i'm
43:56
gonna try to get my most
43:58
sincere as hard because i know
44:00
that I believe that
44:02
these three journeys are
44:04
the reason why we're on this planet.
44:08
I developed this process several
44:10
years ago, over several years, and honestly
44:12
it wasn't so much developing it as
44:15
it felt like uncovering up this
44:17
pattern of finding your gifts, developing
44:19
your craft, innovating into an original voice. And
44:21
as soon as I uncovered it, I saw
44:23
it everywhere. It felt like seeing the matrix
44:25
for the first time. It felt like Emmet
44:28
on the Lego movie where he's seeing all
44:30
the numbers and he becomes the master builder.
44:32
I could see it in philosophy. I could
44:34
see it in religion. I could see it
44:36
in the lives of my creative heroes.
44:38
I could see it in mythology. I could see it in
44:41
the hero's journey. And
44:43
I discovered that quote from David Ascot.
44:46
I almost fell off my chair when I saw it for the
44:48
first time because the purpose of
44:50
life is to discover
44:52
your gift. The work of
44:54
life is to develop it. The
44:57
meaning of life is to
44:59
give your gift away. That's
45:01
it. It's
45:03
my worldview. I believe in this
45:05
thing. The purpose of life is
45:07
to discover your gift. This
45:10
journey taps into your desire.
45:13
We can't live without desire. They did an
45:16
experiment on rats where they took out the
45:18
dopamine, the desire in their brain and guess what? They
45:20
gave up. They quit eating. They
45:22
quit exercising. They quit doing anything. This died.
45:25
We have to have that desire and that
45:28
journey to find what our gift
45:30
is. It inflames that desire.
45:34
It gives us purpose. The
45:37
work of life is to develop that gift
45:39
once we find it. Developing
45:41
a craft that we get so good
45:43
at that we lose our sense of
45:45
time and space. The
45:48
songs write themselves. The pictures draw themselves.
45:50
We're in touch with that deep subconscious
45:53
craft where it knows how to do
45:55
the thing better than we know. and
45:57
it's called the flow State. Life's
46:01
truest sources of joy. That's
46:03
a scientific fact. The
46:07
meaning of life is to give your
46:09
gift away. Not somebody elses guess, not
46:11
your heroes. Guess not the people you
46:13
learn the craft from. It's your gift.
46:15
and nothing is more meaningful than knowing
46:17
that you have worked that. if you
46:19
don't show up and do it, no
46:21
one's gonna do it. Like.
46:25
It if if someone doesn't draw
46:27
invisible things. Make. Him things
46:29
visible through drawing them. Someone tackle
46:31
that. We're that. so traffic strained
46:34
work. nobody's gonna do that. If
46:37
somebody doesn't show up and make this
46:39
weird creative career podcast. Where you cry,
46:41
Where I cried and I laugh at
46:43
I'd act strange and I try to
46:45
get that perhaps president in your step
46:47
every single week if I don't show
46:49
up. Nobody. Will. In
46:53
it's that unique gift. Know.
46:55
But it could make a podcast like this.
46:57
Nobody could draw these invisible saying these weird
46:59
things that I'm drawing. It gets me out
47:01
of bed in the morning. Because
47:03
me meaning to do a project that
47:05
only I can do. So that's what
47:07
it's about. That's what I get. So
47:10
pretty stoked about this. So
47:14
what's stopping you? Because.
47:18
And you've got this stuff. when
47:20
you've got your gift to you,
47:22
developed and you've invaded and it's
47:25
yours. It's your creative voice that
47:27
fuel is the most concentrated, cleanest,
47:29
purest fuel known to man. It's
47:31
built the best things that humans
47:33
have ever built. And.
47:36
I personally love when I meet somebody
47:38
and they are drink been with the
47:40
guest in the craft and the innovation.
47:42
You can see their own store in
47:44
a transcendent state. And boy do I
47:46
love meeting people like that. A boy,
47:48
do I want to meet more people
47:50
like that. Want more people to become?
47:52
That's that's what I'm talking to you
47:54
right now. slightest. I'm selfish and I
47:56
freaking love meeting people like that. And
47:59
I need more. And I want
48:01
you to become one. Or. Become
48:03
one again. If you're reinventing
48:05
yourself, So. What's stopping you
48:07
from going on these three journeys? Their
48:10
threshold guardians the guardians blocking the gate,
48:12
blocking the pass on the identify some
48:14
of them for you that you might
48:17
be facing. If you're too afraid to
48:19
go on the path of finding your
48:21
gift, you might be facing a threshold
48:23
guardian known as the fear of not
48:25
having a guest. Is there someone stopping
48:27
your path and ogre a crawl under
48:30
the bridge that says you don't want
48:32
to go down that path, you don't
48:34
wanna go in that cave. Keep
48:36
be asking, keep pretending like you
48:39
already found the gift, you know
48:41
that. And Epicurious Aperture Epicurious at
48:43
the magazine about something or other
48:45
baby food Epicurious of says name's
48:48
i have no scholars are he
48:50
was lost for he said you
48:52
can't learn what you think you
48:54
already know and if you keep
48:57
going around Bs and like you've
48:59
found your gift when you know
49:01
you haven't. You
49:03
can only get so far and you'll never hit that.
49:05
and slideshow never. Had that transcendence. and if you
49:07
listen to that troll this as you don't want
49:10
to look in that cave bat cave where you're
49:12
looking for gift you might buy nothing. Will
49:14
let me tie sudden. You
49:16
are on this planet. You have
49:18
a unique code, nobody has the code
49:20
or the experience of that you have,
49:23
and you are specially equipped with special
49:25
strength that nobody else has. There
49:27
is something in that cave push that
49:29
fear of not having a get
49:31
past. What?
49:35
About the lie of pride. Maybe you were brought
49:37
up in a. Situation. Where
49:39
believing that you are special or had some
49:42
kind of strength was looked down upon
49:44
looked as egotism or pride are. Oh Tall
49:46
Poppy Syndrome? Ever heard of that? You
49:48
know the poppy that grows the Tos
49:50
gets the most abuse gets cut down by
49:52
Go. You think you're so special with
49:54
your special guess what? Guess what? I do.
49:58
i'm gonna do at first i believe I'm
50:00
really cute. Now, I wasn't proud
50:02
of it for a long time because I'm a
50:04
32-year-old man and typically, 32-year-old men
50:07
don't pride themselves in being cute, but guess
50:09
what? That's what's special about me. When you
50:11
take a photo of me, I look like
50:13
a seven-year-old kid because of the
50:15
joy that's beaming for my face. And
50:18
that's special. I can make
50:20
really cute drawings of little cute cloud
50:22
characters cuddling each other and
50:24
it warms your heart. I've got cuteness.
50:27
I've got the gift of cuteness. I've
50:29
got the gift of weirdness. I can
50:31
be not boring for long periods of
50:33
time. It's
50:37
one of my gifts. I'm owning it. What are yours?
50:40
You've got some. Quit believing the
50:42
lie that having the confidence in
50:44
your special unique superpowers is some
50:46
kind of sin. It's not. It's
50:49
why you're here. Push past that troll.
50:51
You're going to say, look,
50:54
this is why I'm here. You
50:57
don't want to go on the journey of finding
51:00
your craft, developing your craft. Maybe
51:02
it's imposter syndrome that says, you're
51:05
not allowed to learn from anybody else. You
51:07
can't be like anybody else. Well, we wouldn't
51:09
have Eddie Murphy if there was no Richard
51:12
Pryor. We'd have
51:14
no George Carlin if there was no whoever else
51:16
he said. You've got
51:18
to learn from people. I don't care what anybody
51:20
says about creativity. You've got to learn from people.
51:22
And it starts with being a little bit of
51:25
an imposter, learning from somebody else before
51:27
you have your gift. You've got to get that
51:29
before you transcend to the next stage. Maybe it's
51:31
because you're a rebel. Maybe you say, I don't
51:33
even, you know, from Family Guy, there's a kid
51:35
in high school that says, I
51:37
don't play by anybody's rules. I don't even play by my own
51:39
rules. I
51:42
don't remember what the punch line is there, but maybe
51:45
that's you. Maybe
51:48
the punch line is me being such an idiot, thinking
51:50
I had a joke in my bag
51:52
of tricks and I didn't. Maybe
51:56
you don't play by anybody's rules and
51:58
it's time you become humble. enough to
52:00
be a student and
52:03
quit saying, I'm so original nobody
52:05
teaches me anything. Well, you're
52:07
not going to make it to the final journey. Journey
52:11
number three, what's stopping you? What are your
52:13
threshold guardians? Maybe
52:15
it's a, maybe
52:18
you think, maybe the troll is this thing
52:20
that says, what if I make a mistake
52:22
by breaking the rules? Well, you've done two,
52:24
right? You're going to make a mistake. That's called
52:26
breaking the rules. If you're not
52:29
making a quote unquote mistake, you're
52:31
not making creative work. The
52:33
only way to be creative is to break
52:35
the rules. You've got to
52:37
make mistakes, get dirty, mess it
52:40
up. Well,
52:42
maybe you won't go on that path
52:44
cause you think, maybe I'm not unique.
52:47
Well, below me, you're definitely unique. You
52:49
have DNA that no one
52:52
in existence will, has ever had
52:54
or will ever have. And
52:56
your experience is unique to you. And
52:59
maybe one individual trait here
53:01
or there isn't that unique, but the sum
53:03
of your parts, it's never been done. A
53:12
quote by Howard Thurman goes, don't ask
53:14
what the world needs, ask what makes
53:16
you come alive and go do it.
53:18
Because what the world needs is people
53:20
who have come alive. I
53:23
love that quote. And
53:25
it gets to the last thing I want to say to
53:27
you, which is, and I get a lot of, I
53:30
get some mail, some
53:33
actual mail, emails, messages, DMs, if
53:36
you will, that say, thank
53:38
you so much for this selfless thing
53:41
that you do with this podcast. That
53:43
you're giving out this advice and you're
53:45
showing up every week to help us
53:47
come alive. And I just think, man,
53:50
should I tell them the truth that this
53:52
is the most selfish endeavor I
53:55
could possibly be doing? And
53:57
what do I mean by that? I mean that. What
54:00
makes me come alive is
54:03
watching other people come alive. My
54:05
life, me coming alive,
54:07
my life depends on your life, it
54:09
depends on you coming alive. And
54:12
I gotta tell you something, that threshold
54:14
guardian that's stopping you from going on
54:17
your three journeys, it's
54:19
not a troll under the bridge. It's
54:22
in you, it's you. And
54:24
you have got to get out of your
54:26
way so you can get on your way.
54:28
And if you don't get out of your
54:31
way, I'm gonna push you out of your
54:33
way because you coming alive is what makes
54:35
me come alive and my life depends
54:37
on it because you know why? Because
54:40
I need more podcasts to listen to. That
54:45
might not make sense, but you know what I
54:47
like to listen to? I like to listen to
54:49
podcasts with creative people
54:52
who have gone on these three journeys
54:55
and they are alive. And let me
54:57
tell you, sometimes it's hard to find
54:59
a podcast with one of these
55:01
pulses, one of these people who are just
55:04
brimming with life, who have gone on the
55:06
journey, they are battle worn, they have got
55:08
blood, they have got guts, they have
55:10
done it, man. They pushed the
55:12
troll one, troll two, troll three
55:14
out of the way and baby,
55:17
they are transcending and I need
55:19
more podcasts to listen to and
55:21
that's why I'm here talking
55:23
to you, pushing you past
55:26
you and saying check it out.
55:30
We're gonna get you to transcendence
55:32
baby. We're gonna get you on
55:34
these podcasts because I need some
55:37
more people alive so that
55:40
I can live. Thank
55:54
you. you
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