Episode Transcript
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0:03
On the creative journey, it's
0:06
easy to get lost. Or
0:08
don't worry, you'll lose. Some
0:12
signs you just means it's
0:14
creative. So. Who
0:19
you're listening to? Creative Pep Talk:
0:21
A weekly podcast companion for your
0:24
creative journey. My name is A
0:26
J Pizza. I'm a New York
0:28
Times bestselling author in illustrator. This
0:30
show is where we explore what
0:32
it takes to build a thriving,
0:34
well balanced creative practice. Let's go.
0:40
As far. As I can tell we are
0:42
currently in a time where there is
0:44
a lot of change and it seems
0:47
like for a lot of creators their
0:49
back as against the wall because what
0:51
used to work. Just.
0:53
Isn't cutting it anymore? And
0:56
when you find yourself in that
0:58
space where you have to try
1:00
a new thing, a new path,
1:02
it can be incredibly overwhelming and
1:04
actually pretty scary. How
1:07
do you find it within
1:09
yourself to take action and
1:11
be brave creatively when you
1:13
are in a place within
1:15
your practice where everything feels
1:17
uncertain? It's. Hard to
1:19
try new things when your current
1:21
thing is no longer working, because
1:23
when things aren't working, it doubles
1:26
your pessimism. And. It can cause
1:28
you to feel this type of fatalistic
1:30
mindset that says, if the old things
1:32
aren't working, why risk a new thing?
1:35
What's different about this new thing other
1:37
than it's nail. It's.
1:39
Easy to try new things when things
1:42
are going great, but when things are
1:44
starting to lock up and you need
1:46
to try something new, sometimes that's the
1:48
hardest time to try it. And
1:52
I think the further you are in
1:54
your path as a creator, the more
1:56
difficult this can be because charting a
1:58
new direction in life. When
2:00
you're further on in life can
2:03
start to feel much more make
2:05
or break. So how do you
2:07
find a strategy that allows you
2:09
to find the bravery that is
2:12
necessary to navigate all the ups
2:14
and downs, dead ends and transitions
2:16
that you are absolutely guaranteed to
2:19
face when charting a creative pass.
2:22
I personally found some inspiration in
2:24
a recent conversation I had with
2:26
author and podcast or Todd Henry
2:28
Todd is a rarity on a
2:30
couple levels. One, he's one of
2:32
those rare souls that has managed
2:35
to write and publish. Box.
2:37
Not just Box, but Seven Box.
2:40
And even more than that, he's
2:42
one of the few people I've
2:44
talked to that has been in
2:47
podcasting longer than I have. He
2:49
has been podcasting for I think
2:51
eighteen years, like all the way
2:54
back to when podcasts started. Completely
2:56
incredible. Most. Of that
2:59
time was working on a
3:01
show called accidental Creative. However
3:03
just. At. The start of
3:06
this year they blew up that
3:08
format completely and started over with
3:10
a totally different format and a
3:12
new name, releasing a small daily
3:15
episode under the new and very
3:17
appropriate title Daily Creative. With.
3:20
All the chefs and apps and
3:22
technology and the economy. I thought
3:24
it was a perfect time to
3:26
have a chat with Todd because.
3:29
First. Of all you just made the
3:31
sewage brave leap himself. And.
3:33
Also his new book is
3:36
all about bravery. It's called
3:38
the Bravery Habit. A
3:41
guide to courageous leadership and
3:43
it comes out February tenth,
3:45
Twenty Twenty Four. This book
3:47
and reset reinvention that Todd
3:49
went through with the podcast
3:51
perfectly speaks into some of
3:53
those anxieties that we're keeping
3:55
me from moving forward and
3:57
my own practice. And I
3:59
think. They might do the same
4:01
for you. There's. Some really
4:04
good examples that Todd shares
4:06
that helped transform some of
4:08
those fears and to creative
4:10
inspiration. and by the end.
4:13
He's gonna give you an actionable way
4:15
to right size, some of those paralyzing
4:17
questions that you're currently facing and then
4:19
all come back all the way up.
4:22
And to turn that into an exercise
4:24
I'm calling bite size to right size
4:26
and you can immediately act on this
4:29
idea of right now top you find
4:31
enough bravery and your creative practice to
4:33
take some speedy actions today. So.
4:37
Just. To set the scene a little
4:39
bat, right as we started chatting, I
4:41
was saying that I didn't know if.
4:44
This. Topic of bravery sell especially
4:46
poignant to me because of
4:48
the way that the world
4:51
is right now. or if
4:53
it's a combination of that.
4:55
And the fact that I'm just getting
4:58
older and older I get in some
5:00
ways. The. More afraid I get
5:02
for a number of reasons. And
5:05
his response kind of helped
5:07
me. Understand what
5:10
might be happening. He
5:15
said well as I get older I
5:18
get more afraid as I think that
5:20
to some says that's a perfectly natural
5:22
thing As and so I think about
5:24
that in terms of a creative process
5:26
rate. when you're young you you don't
5:28
know what you don't know. I'm think
5:30
about like your your kid taking it's
5:33
first steps, raise your kids takes his
5:35
first steps is like oh everything's great
5:37
of the fallen their buy and sell
5:39
a there's this like look of like
5:41
what was that? That was pain that
5:43
was terrible. They didn't know that. Was
5:45
a possibility. I'm. When.
5:48
You're young, as an artist, you're You're kind of naive.
5:50
You know you come in and you don't know what
5:52
you don't know and it's like oh I'm going to
5:54
do all these things. Look, this is really easy and
5:56
in the first time you fall on your but you
5:58
realize oh. There's. some risks involved in doing
6:00
that. And so I think
6:03
we often conflate boldness with bravery. And
6:05
boldness is a kind of naivete, right?
6:07
Like, I'm just going to go out
6:10
and do stuff and make everybody react
6:12
to me. Well, that's not necessarily brave.
6:16
As you get older, you understand more the
6:18
cause and effect and the consequences and all
6:20
those things, what could possibly go wrong. And
6:23
at that point, you
6:26
need bravery in your life, because at that point,
6:28
you realize there's a cost to this. Something
6:30
could go terribly wrong. And
6:33
art that's made with that cost in
6:35
mind, in my opinion, is
6:37
far more valuable than art that is
6:39
made out of a place of naivete
6:42
and boldness. You know,
6:44
you see people all the time doing things and
6:46
people will say, Oh, that's such brave art. That's
6:48
so brave what they did. And I'm like, I
6:50
don't think that's really brave. I think it's just,
6:53
it's just bold. They were just trying to stick
6:55
a finger in somebody's eye, right? But like, where's
6:58
the nuance? Where's the empathy? Where's the
7:00
risk in the art? And, you know,
7:03
just doing something and saying, haha, react
7:05
to that, right? That's not necessarily bravery.
7:07
It's bold, maybe. And we see this
7:09
all over all over the all over
7:11
the world and all over the marketplace.
7:13
And so Steve Martin has
7:16
a great quote, and I'm going to butcher
7:18
it because I just came to mind just
7:20
now. But in his phenomenal, autobiography
7:24
called Born Standing Up. It's one of my
7:26
favorite books. It's on my reading list. It's
7:28
I and I've been thinking about it more
7:30
and more. Actually, I keep thinking about him
7:33
generally, the fascinating character and
7:35
his creative journey is very, very interesting
7:37
knowing all the different things. He's such
7:39
a polymath. Like think about what he's
7:41
done. Like the guy was like basically
7:43
took stand up comedy to a completely
7:46
different level. I mean, nobody
7:48
was filling stadiums until
7:50
Steve Martin came along, right? And
7:52
now he's not filling like stadiums,
7:54
like arenas with people to
7:56
hear stand up comedy. And then right
7:58
at the peak of his fame. He quits and
8:01
he starts like writing novels and movies and making
8:03
movies and then right at the peak of all
8:05
that he quits and he Forms a bluegrass
8:08
band and he wins a Grammy, right? And it's
8:10
just like oh my gosh. Are you
8:13
kidding me? but he said
8:16
What I lacked in talent I
8:18
made up for in naiveté that
8:20
special quality that basically You
8:23
have as a way to remind you
8:25
that you have no idea what you're about to get yourself into
8:27
and I think
8:30
there's something about that when you're young You don't
8:32
know what you don't know and so that naiveté
8:34
can actually be really valuable because it allows you
8:36
to do things that Increase
8:39
your capacity to help you find your voice,
8:41
you know, you try things you fail you
8:44
experiment you risk you fail And you sort
8:46
of develop your voice You have to be
8:48
a little bit naive to think that you're
8:50
gonna put something into the world that's gonna
8:52
impact other people, right? We're a
8:54
little bit naive right now recording this podcast conversation
8:56
thinking that anybody wants anything to do with what
8:58
we have to say, you know But
9:03
but you know all good art
9:05
requires that kind of beginner's mind
9:07
that naiveté the challenge
9:10
is as you get older you understand the
9:12
consequences and You know when
9:14
you go through these phases of developing your
9:16
voice as an artist You know you go
9:18
through the phase of like I emulate other
9:20
people and I'm still copying other people And
9:22
that's kind of how I find my skills
9:24
and my platform and then you find your
9:27
voice like you're you're sailing perpendicular You you
9:29
diverge you begin to develop your own unique
9:31
innovative style and then you become known for a thing
9:34
And that seems like a wonderful place because I'm
9:36
known for a thing But that's actually a really
9:38
dangerous place and that's I think what you're describing
9:40
because once you become known for a thing What's
9:43
your instinct Andy when you become known
9:45
for a thing? You well you want
9:47
to well you need to stick at
9:49
it, but really that's killing your it's
9:51
killing your creativity Yeah,
9:53
you try to protect that thing right you have to
9:55
sustain it you have to keep it going Well,
9:58
that's fine and a lot a lot of people
10:00
ride out their career that way. You know, their band's still
10:02
touring on the hits they made back in the 70s. I
10:05
mean, it's fine, nothing wrong with that. You make a
10:07
living doing that. But that's
10:09
what I call crisis phase. It's that place where
10:11
you get to where you realize, like, I know
10:13
there's something more I could be doing. I
10:17
know that there's another place I could go to creatively,
10:19
but in order to do that, I'm gonna have to
10:21
let go of some stuff and I'm gonna have to
10:23
take some risks. And ironically,
10:26
often the most difficult time to take a risk
10:28
is once you've already proven
10:31
that your stuff is valuable. Because
10:34
that's the moment where you feel like you have the most to lose.
10:36
I mean, Seth Godin, I remember one time, said to me in an
10:38
interview, he's like, people say to him all the time, well, that's easy
10:40
for you, you're Seth Godin. He's like, it's
10:43
precisely not easy for me because I'm
10:45
Seth Godin, right? Because I have something
10:48
to lose. And so I think we all have to keep that
10:50
in mind. And that's where bravery comes in. It's
10:54
so true, so relevant to
10:57
where I'm at right now, even like
10:59
thinking about, my dad brought it up
11:01
recently because I was kind of lamenting
11:03
and venting and all that stuff about
11:06
some situation I was in. And
11:09
he's like, yeah, the difference is when you were
11:11
starting out, you didn't have anything
11:13
to lose because you didn't know if you could gain anything.
11:15
You were trying and you just thought, well,
11:18
I'll try that, I'll try that, I'll try
11:20
that. Because you didn't know that anything might
11:22
work out. Whereas now you just feel like,
11:24
yeah, you've got so many things to lose
11:26
and you don't see that coming as a
11:28
creator. You just think, oh, won't it be
11:30
great to be known for something or to
11:32
succeed at something? And that's precisely
11:35
what makes Steve Martin such an interesting character
11:37
to me and why I've been, I'm gonna
11:39
put that book up higher in my reading
11:41
list because the thing that
11:44
blows me away is nine out of
11:46
10 people I talk to don't
11:48
even know that Steve Martin did
11:51
stand-up comedy. So that right
11:53
there. Yeah, like, it's true. And
11:56
I think people that are like, Readers
12:00
and and really like to kind of.
12:03
The. Now take apart people's journey and
12:05
stuff like that. I think he's just
12:07
south same as within that world for
12:09
all the different things that he's done.
12:12
And by. Most
12:14
people I talk to. Or.
12:16
Not even aware of Steve Martin outside
12:18
of like a. Yeah. Sure
12:20
they know he may be was and
12:23
same as on some late night tv
12:25
staff or whatever but. They. Think
12:27
of like cheaper by the doesn't but you
12:29
know like and which he knows is a
12:31
crazy thanks but to know that this guy
12:34
know this of them she was old at
12:36
at the peak of being a legendary stand
12:38
up who reinvented the form. Walked.
12:41
Away and did something else. And now I did
12:43
he do that. He did it over and over
12:45
again. And if and for those of us that
12:47
are most interested in a crate of practice that
12:49
has long gemini that want to. Spend.
12:51
Time on the past. Like. This
12:53
is a guy that's worth paid attention to
12:56
for sure. Absolutely so I'm I'm
12:58
going to say I'm. A. Know
13:00
I'm talking about my book the Brave Habit
13:02
Before you buy the Brave Habit all of
13:04
you listening go by born standing up and
13:06
real downturn and interesting little by the Breathe
13:08
habit. Okay so how did you can go
13:10
by Michael cassette player the As because he
13:12
walks through the very beginning of developing practice
13:14
like he he get a job a good
13:16
doing magic is a teenager at Knots Berry
13:18
Farm like that's how he had a started
13:20
out in a lot of his early stand
13:22
up evolved from like bits he would do
13:24
to try to get people's attention while he
13:27
was doing magic through his Cadillac. Almost this.
13:29
Out of necessity he developed
13:32
a voice a unique style
13:34
because he wasn't like. Trying.
13:36
To do stand up comedy. One. Un
13:39
Unreal. Fascinated by. The.
13:41
can have side doors that yeah yeah
13:43
yeah there's a way where you have
13:45
to sneak into your creative self like
13:47
there's that you have all these defenses
13:50
whether it's the baggage or whatever it
13:52
is there's a bunch of reasons why
13:54
when you say ominous a down be
13:56
creative there so many sayings in yourself
13:58
that's trying to stop that and I
14:01
totally have experiences like what on a much
14:04
smaller scale than Steve Martin but in that
14:06
way of him saying oh he was being
14:08
funny while he's trying to get people to
14:10
pay attention to his magic act and all
14:13
of a sudden that opened up this side
14:15
door of like well there's no stakes I
14:17
can do this thing like I'm just you know having
14:19
fun and there and following that those side
14:21
door to side door ways of like oh
14:23
I'm just doing banjo because I already did
14:25
movies I don't need to make money who
14:27
cares like I'm just like all like there's
14:29
a there's something there that's I'm
14:32
gonna be thinking about it as I was
14:34
working on the brave habit in the book I
14:36
challenged people to ask a lot of really like
14:38
dangerous questions like some brave questions because I
14:40
think that the questions we ask ultimately define
14:42
who we are who we become and if we're
14:44
not willing to ask brave questions then we
14:47
often end up in places we never intended to be
14:50
and so one
14:52
of the questions I asked in the book that I ended
14:54
up asking myself was if I were to start over would
14:57
I be doing things the way I'm doing them and
15:00
the uncomfortable answer
15:02
I came to was no I
15:05
wouldn't I would be doing things the way I'm doing
15:07
them I would be doing something very different which then
15:09
of course raises the question well then why are you
15:11
doing things the way you're doing them you know and
15:14
the answer to that is well I mean
15:17
I've been podcasting for 18 years it's always
15:19
been this format we've got a lot of
15:21
advertisers who place ads on our show and
15:23
they love our show and they have been
15:26
advertising for years and I've
15:28
got you know we've got 20 million downloads
15:30
of the podcast and people love the show
15:33
we've got this loyal dedicated audience and all
15:35
this stuff and
15:37
all of the answers had to do with
15:39
stuff I'd done but had nothing to do
15:42
with my vision for like how I could
15:44
serve the audience and so the that was
15:48
the insight the insight was I wouldn't be
15:50
doing what I'm doing right now it's fine
15:52
but I'm doing fine but I don't think
15:54
it's the
15:56
right thing to get to where I want to be
15:58
you know in terms of service people that want to
16:00
serve. So I just drove a
16:02
semi truck through 18 years of work
16:05
on the podcast and
16:07
you know not literally but like
16:09
figuratively we gutted the
16:12
show. I completely eliminated 18 years
16:14
of back episodes which amounts to
16:16
you know I can't
16:18
even count how many downloads a month
16:20
that we just literally just took off
16:23
the table because you know we're
16:25
not gonna do that anymore. I completely
16:28
reinvented the show in a more like
16:30
storytelling format. We stopped doing advertising on
16:32
the show at least for a while
16:35
we're not gonna do advertising because I
16:37
want it to be something completely different
16:39
which means forfeiting what
16:41
would amount to like a really
16:43
good salary for most people that
16:45
were forgoing in advertising every year.
16:47
So there's
16:50
like some real skin of the game. There's
16:52
some real cost to this. That's not insignificant
16:55
but if I hadn't
16:57
done that I would have felt
16:59
like the biggest hypocrite in the world putting out
17:01
a book called The Brave Habit and then
17:04
not acting on the very thing I'm challenging
17:06
other people to do which is to make
17:08
brave choices in their life to pursue a
17:10
vision that they believe is right and so
17:13
that's what I'm going through right now and
17:15
that big aha that you asked about was
17:18
if you were doing things if
17:20
you were to start over again would you be doing it the
17:22
way you're doing it right now and I think that's a good
17:24
question for any of us to ask like you know if you
17:26
have if you have a spouse or partner like if
17:29
if I were to start my marriage
17:31
over again would I be relating
17:33
to my partner the way I'm relating to them right now?
17:36
Yeah because you have history you got all this stuff
17:38
all this residue that builds up right same in your
17:41
in your work workplace if I were leading my team
17:43
if I were to start over fresh would I be
17:45
doing the things I'm doing right now? Right I
17:48
think it's a really great question to ask but it is a
17:50
great question but don't ask the question
17:52
unless you're willing to deal with the answer that you come
17:54
to that's the brave part of it. That's a tough one
17:57
And I It makes me think of one of my
17:59
favorite. Analogies is that I think about Ally
18:01
is Sam the Mall by Stage Rocket. The
18:04
idea that that thing that gets you off
18:06
the ground isn't gonna get you to way
18:08
you're trying to go and and in f
18:10
you hold onto it you hold on to
18:12
that engine as get you're not gonna be.
18:14
Ah, the brakes, atmosphere and I think. For.
18:17
Me and All creators. It's.
18:19
So hard to get one saying that
18:21
works right now. getting one thing that
18:23
works is is difficult and so when
18:26
you get something that works. You.
18:28
Like I'm never letting this go and
18:30
it's a thing that will just ultimately
18:32
poisoned year. creativity. Good. that's the opposite
18:35
of between creative stuff right? It is
18:37
your we just we as story on
18:39
the on the next to the podcast
18:41
has released yet but about the Chevy
18:44
Nomad to which was basically Chevy's attempt
18:46
to create a minivan like in the
18:48
late Nineteen seventies like this was gonna
18:50
be the thing with was going to
18:53
be like the Car of the Century.
18:55
You know it's agree that be loved
18:57
It. Was amazing in all
19:00
this stuff. but the problem
19:02
was Gm had developed. A.
19:06
Of. Of real hold on the station
19:08
wagon market so they really have dominated
19:10
the station wagon market. The Station Wagon
19:12
Blake the choices he though the boomers
19:14
parents ah and so when the time
19:16
came to release a nomad to they
19:18
were really worried that the nomads who
19:20
was going to cannibalize sales of the
19:23
see him wigan so they never released
19:25
it. and then a couple years later.
19:27
Chrysler. Comes out with the. The.
19:29
Car. Owes every
19:32
boomers dreams rates ah at
19:34
a good the Chrysler Chrysler
19:36
release their minivan. Edit: Absolute
19:39
proceeded to dominate the market
19:41
and completely. Revitalize the
19:43
company and Gm because they were
19:46
so concerned that this idea my
19:48
cannibalize their existing product missed out
19:50
on probably what would have been
19:52
the biggest opportunity and the company's
19:55
history. And so I think that.
19:57
he though the point of because of making that up the so
20:00
is like many of us are
20:03
white knuckling a station wagon when we could
20:05
have had a caravan, right? We could have
20:07
had a Dodge Caravan, but instead we're white
20:09
knuckling a station wagon. And the thing is
20:12
station wagons don't even exist anymore. They
20:14
don't even exist. Like it's not even a
20:16
market. I mean, all of them are like
20:18
crossovers or whatever. It doesn't even exist anymore. And
20:20
yet, at that point, it seemed like how
20:22
could we possibly let go of the station
20:24
wagon, you know? And so I think
20:27
many of us in our lives, in our creative lives, we
20:30
don't develop the ability to
20:32
psychologically break-iate. Break-iation means the
20:34
ability to let go of one thing while
20:37
grabbing onto another. If you don't, you get
20:39
stuck. And so many of
20:41
us are white knuckling two different things because
20:43
we're afraid to let go. But if you
20:45
want to move forward, you have to let
20:47
go of something. That's where every creative I
20:49
know is in a place of, uh, well,
20:51
you know, Instagram just dramatically changed.
20:54
Like it became, I like to
20:56
think of it as like public
20:59
access TV. It's now like America's
21:01
funniest videos and televangelists. And like,
21:04
if you're an illustrator, like there were
21:06
illustrators that became household names because of
21:09
Instagram. And then now the format's different.
21:11
And so you got to
21:13
let go of that bar. And it's difficult,
21:15
obviously. You know, I think a lot of
21:17
people, they set like five-year goals or, you
21:20
know, even one-year goals. It's like,
21:22
I don't, I have no
21:24
clue. Like half of Europe could be
21:26
invading one another a year from now. Like I have no
21:28
clue what's going to be going on a year from now,
21:30
but I have a pretty good sense
21:32
of what's going to be happening like probably three
21:34
months from now. Like generally speaking, like that timeline,
21:36
like I can, I can work in that timeline
21:39
and I definitely know what's happening today, you know,
21:41
cause this is what I have. And
21:43
so I tend, I don't set
21:45
yearly goals. I don't have yearly plans. I
21:48
tend to set, actually I do trimesters. I
21:50
do three trimesters a year. So I have
21:52
three months of hard work and a month
21:54
of planning, three months of hard work and a
21:56
month of planning kind of thing. The reason I do
21:58
that is because What I find
22:00
is that if if I start working
22:03
on something and I produce something and I
22:05
realize yeah This maybe this isn't
22:07
really the direction I should be going I can either
22:09
pivot or I can just say I'm gonna scrap it
22:11
and start over at the worst
22:13
I wasted maybe a couple of months of work
22:16
That's it at the worst and then I can
22:18
I learned something and I can move on but
22:21
people who set these like year-long goals and then you get
22:23
to the end of the year and you're like Well, that
22:26
didn't work out right? Well, that's a year
22:29
is a lot of time to spend doing
22:31
something that's not gonna work I'm really inspired
22:33
by all that you're doing man. So keep
22:35
it on. Thank you. Yeah Okay,
22:42
I'm back with your CTA your creative
22:44
call to adventure for today your call
22:46
to action it's called bite size to
22:48
write size and I'd
22:51
like to just take that last
22:53
bit that Todd left us with
22:55
and Turn it into
22:58
an exercise that might help you
23:00
Write size the creative challenge that
23:02
you are facing today. Here's what
23:04
I want to highlight I love
23:06
the idea that Todd had about
23:08
breaking down your year into smaller
23:12
Chunks, it reminds me of
23:14
another book called the 12
23:16
week year Which is
23:18
essentially encouraging us not to create
23:20
new year's resolutions and goals for an
23:22
entire calendar year But rather
23:25
to break it down into quarters
23:27
and make smaller bets and more
23:30
Experiments, I think the
23:32
reason why this inspired so much
23:34
renewed courage in me in
23:36
this moment Was that it
23:39
ultimately cut the fear way
23:41
down? By lowering
23:43
the stakes because now I wasn't trying
23:45
to find a new path in
23:47
this particular Section
23:49
my you know little section of my
23:51
creative career. Don't worry. I'm not blowing
23:54
everything up I wasn't trying
23:56
to find something that was gonna set the tone for
23:58
the year or the plan for the next five
24:00
years or even the next seasons of
24:02
my life, all I was doing was
24:04
taking a look at the problem that
24:06
I was facing today and coming
24:09
up with the best solution I
24:11
could imagine without needing to know
24:13
if I was banking everything on
24:16
it before I got started and
24:18
took action. I
24:20
could start to take action
24:22
and experiment instantly today because
24:25
I'm not betting the next chapters of my life
24:27
on this thing. I'm just betting the next 12
24:30
weeks. So I
24:32
think instead of trying to come up with
24:34
your next huge pivot or how to get
24:36
through the changes in the app that you
24:38
poured all this time into or
24:41
develop your new master plan of
24:43
how you're going to find this whole
24:45
new career, what would it
24:47
look like to say, how could I
24:50
be in a much better place in
24:52
these issues 12 weeks from now? What
24:56
action could I take immediately that
24:58
would improve my standing with the
25:00
obstacle that I find myself in
25:02
front of today without
25:05
too much more second guessing or
25:07
analysis, you can get
25:09
to work on this thing right
25:12
now. So that's your
25:14
creative call to adventure this week,
25:16
break down your year into smaller
25:19
chunks that you can chew and
25:21
swallow. Maybe that's a 12
25:23
week thing, maybe it's a month, maybe it's
25:25
a week, maybe it's a day.
25:29
Hey, like most creators have been in
25:31
those tough dark
25:33
spots where we
25:36
need to break it down and just
25:38
get through right now. And
25:41
so your next challenge is to
25:43
put these into bite sized goals.
25:45
And don't worry if they're right
25:47
or wrong because ultimately they're an
25:50
experiment and that experiment is going
25:52
to give you data that
25:54
will help you make a better plan when you
25:56
get to the other side of that small. exercise.
26:02
I hope this episode was extremely helpful to
26:04
you. I know that for a lot of
26:07
creators right now, we are in
26:09
the thick of it. There are
26:11
so many changes happening and it's just a
26:13
lot. And so I hope this is giving
26:15
you an action plan, a new thing to
26:17
try out today. And
26:20
if you're still feeling overwhelmed, which I'm
26:22
guessing to some degree, you probably are.
26:24
I just want to say, hey, me too. And
26:27
I'm just hoping this episode and these
26:29
ideas have armed you with a renewed
26:31
sense of inspiration, no matter
26:34
how big or small that might be. Massive
26:37
thanks to Todd Henry. Go check
26:39
out the new podcast, Daily Creative,
26:42
for some daily chunks of creative
26:44
inspiration that you can chew and
26:46
digest on a regular basis. And
26:49
if you need an extra dose of
26:51
bravery to tackle what you're facing right
26:53
now, go check out his book, The
26:55
Bravery Habit, A Guide for Courageous Leadership.
26:58
And as a creator, whether you realize it or
27:01
not, you are a leader. The
27:03
job of the creator is to enter
27:05
the wilderness in those dark places
27:07
where nobody else is and find a
27:09
new path forward. And if that's not
27:11
the definition of a leader, I don't
27:13
know what is. Creative
27:19
Pet Talk is your weekly podcast
27:21
companion for your creative journey. I'm
27:23
your host, Andy J. Pizza. I'm
27:25
a New York Times bestselling picture
27:27
bookmaker and illustrator for clients like
27:29
Xbox and Apple. I pep
27:31
talk teams at creative hubs like Warby Parker
27:33
and Sesame Street, and I make this podcast
27:35
because for me, it takes a whole lot
27:38
of creativity just to get out of
27:40
bed in the morning sometimes, let alone attempt
27:42
to create a thriving creative practice. This
27:45
show is just me sharing the things that seem
27:47
to be helping in case they help
27:49
anybody else. Shout out
27:51
to Yoni Wolf and the Band Y for
27:53
our theme music and soundtrack. Huge thanks to
27:56
Connor Jones of Pinning Beautiful for the sound
27:58
design and editing the show. Massive
28:00
thanks to Katie Chandler and Sophie
28:02
Miller for podcast assistance of all
28:04
kinds and thanks to you for
28:06
listening And until we speak again
28:08
stay passed up
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