Episode Transcript
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0:00
Welcome, welcome, welcome. This is the
0:02
Distraction Pieces podcast episode 545. And
0:06
I'm not going to give a long intro here because
0:09
this one's been a long time coming. If
0:11
you're just tuning in, if
0:13
you've not heard the Rosie Marcell episode on
0:15
Wednesday, go back and listen to that or
0:17
listen in any order actually. In
0:19
that episode we discussed how
0:21
we recorded an episode back in 2019 and
0:25
we spoke about some really important stuff
0:27
but we couldn't release it for a
0:29
few different reasons. But
0:32
we're releasing it now and here it is. As
0:35
ever we're brought to you by speechdevelopmentrecords.com
0:38
where you can get all
0:40
your Christmas goods. patreon.com/scroobiestpip
0:43
yo and twitch.tv/scroobiestpip yo.
0:46
So how do patrons
0:48
just patreon.com/scroobiestpip. My apologies.
0:51
Check out Pip's Twitch clips on
0:53
Instagram and YouTube for
0:55
free. But let's get on with the episode. As I
0:57
said this was recorded way back in 2019. I
1:02
felt this conversation was really important. The
1:04
discussions on mental health, the
1:06
discussions on dogs. A
1:08
lot of things discussed here made it
1:10
feel like a genuine classic Distraction Pieces
1:13
episode and then we never got to
1:15
release it. But that's all changed now
1:17
so get comfortable and have
1:19
a listen. This is the lost
1:21
episode. Distraction Pieces podcast episode 545 with
1:23
Rosie Marcell. Right
1:47
and we're rolling. I'm here today with Rosie
1:50
Marcell. How are you? I'm very good. Very
1:52
good. How are you? I'm good. We've
1:54
just had to start recording because we were having too much
1:56
of a catch up just casually beforehand. So I was like
1:58
right we need to get Absolutely.
8:00
Yeah, which is a massive thing, but it's still every now
8:02
and then I'll mention that and someone will be like, Oh,
8:04
right. No, I just got my, my kids a
8:07
puppy from a breeder and things like
8:09
that. And again, it's that simple thing
8:11
of when there's so many dogs that
8:13
need adopting, there's no need to breed
8:15
breeders in general, even if they're certified,
8:17
I'm kind of against, but there's a
8:19
lot that aren't certified. And therefore, particularly
8:22
with again, partly the dawn of Instagram
8:24
because of cute dogs that then get
8:27
overbred and have really bad, bad health
8:29
issues. Yeah. So is that
8:31
something that you've always
8:34
been kind of passionate about? Because again, all of
8:36
your dogs, I mean,
8:38
I've tried to, you know, yeah, their
8:40
rescues of sorts. You know, Eric, Eric was the
8:42
product of a divorce, you know, so he needed
8:44
a home. So we had him, you know, Henry
8:46
was the run to the letter that nobody wants
8:48
because he had a broken tail and he was
8:50
a funny shape. So we had him. Yeah. The
8:52
Hebrews owner was dying of cancer and he needed
8:54
a new home. And so we gave him a
8:57
home. Subsequently, she didn't die and she went on to buy
8:59
two more dogs. So that's quite interesting. And
9:01
then, you know, Arthur is from Romania. He's
9:03
in the pap project and he was a
9:05
litter found in a plastic bag in the
9:07
woods behind the shelter. And
9:10
originally called Aramis, but couldn't leave him with that name
9:12
because it was the art of shave my dad used
9:14
to wear. And so
9:16
he actually became Arthur. Yeah. You
9:18
know, I'm a big believer in adopting. I
9:21
think breeding is about money. Yeah. I
9:23
think a lot of things come down to money these
9:25
days. I really, really do. You know, we have to
9:28
pay to get the dogs out of the shelter. You'd
9:30
think it would be free, but it's not. And I
9:32
just think it's very sad. And I think, you know,
9:34
we could be a little bit more like America, although
9:36
America does have, you know, kill shelters and things like
9:38
that. And they're, they're put to sleep policy is pretty
9:41
rife as well. I think they've banned selling
9:43
dogs in shops now or selling dogs
9:45
together. It's all about rehoming now. And
9:48
I think we could certainly follow suit
9:50
and also certainly have a tougher punishments
9:52
for animal abusers as well.
9:54
100%. And I think people
9:56
misinterpret rehome
9:59
dogs. or rescue dogs and
10:01
thinking that they're dangerous or more
10:04
likely to be dangerous
10:06
or attack in some way. In
10:08
many ways, it's kind of the opposite.
10:10
Because number one in general, most rescue places
10:13
will go through a lot of training and
10:15
talk you through all the problems.
10:17
Whereas a puppy, you've no idea. You've
10:20
not, but it's all gonna be down to how you nurture it.
10:23
And again, I kind of part of me
10:25
wishes that you had to get
10:27
a license to get a dog and things like
10:29
that. So because again, most of the
10:31
problems with dogs is the owners, not the dog.
10:33
All of the problems is the owners, not the
10:35
dogs. There are no bad dogs, there's only bad
10:37
owners. Yeah, and there's, I've known
10:40
a load of different staffies over the
10:42
years and Rotties and all of these
10:44
dogs that are seen as these dangerous
10:46
scary dogs. And then the ones I've
10:48
met have been the most adorable, friendly,
10:50
loving, cute dogs. They just happen to
10:52
be built. Yes, the way they are. Really
10:54
muffly in the way they are. And that means that
10:57
there's a lot of people who will say, well, they
10:59
should have muzzles, they should have this, they should have
11:01
that. No, the owner should know. How
11:03
to train. Should have a harness for them rather than a
11:05
lead and should know all the different things to be
11:08
able to actually control them rather than just
11:10
sort of sling them out in the world.
11:12
And then the dog gets the blame for,
11:15
yeah. It's always the humans. Dogs come to
11:17
you like babies do. You know, you're just, it's
11:19
about how you treat them and how you train
11:21
them and all that, all of that kind of
11:23
stuff. You know, there are no bad dogs, there
11:25
are only bad owners. It's really
11:27
easy to screw up a dog in a really
11:30
short amount of time. And then people panic and
11:32
they're like, I don't want it anymore, I don't want this hassle
11:34
anymore. And they hand them over. You
11:36
know, and it's a really sad fact,
11:38
but like Staffordshire Bull Terriers, they were
11:40
originally bred to look after children. They were called nanny
11:42
dogs. Yeah, they're nanny dogs, yeah, completely. Which I just
11:44
find fascinating. And now, you know, people use them
11:46
for fighting. It's crazy, isn't it? Again,
11:49
all of the ones I've met have been
11:51
the biggest idiots you've ever met of a
11:53
dog. They're such stupid little animals. They're so
11:55
soppy and loving. It's like, this is
11:57
meant to be a scary. This is what I grew up knowing.
12:00
is one of the scariest. Yeah, stay away
12:02
from that dog. Vitedia is scary. Yeah. Anyway,
12:06
let's talk about acting as well, rather
12:08
than just a whole podcast about dogs.
12:10
Another thing that we were discussing before
12:13
we got started was the constant appearance
12:15
in your life or the constant presence
12:17
in your life of acting if you
12:19
are an actor, even when you're not
12:21
acting, if that makes sense. Because as
12:24
you were saying, particularly if you've been in a
12:26
series for a long time, even if you've got
12:29
a day off, you might not have a day
12:31
off. You might find and again often quite
12:34
late because if shooting wraps late
12:36
in the evening and
12:38
they've overrun or something else, you might find out
12:41
late that night that you're in tomorrow or you're
12:43
not in tomorrow and you thought you were. How
12:46
do you find that as a person
12:49
with a family and with animals and with
12:51
all sorts of other stuff? How do you
12:53
find that? How do you do this? I
12:55
guess at this stage, we'll go through the
12:57
rest of your life, but at this stage,
12:59
it seems like the best
13:01
point to yeah, it's really hard.
13:03
I mean, there really isn't any
13:05
balance for someone who's quite OCD,
13:08
and loves the list and loves to
13:10
plan. It's really, really, really difficult. The
13:12
job I do is 52 weeks a year, you're
13:17
paid to be there every single day. It's
13:19
six o'clock in the morning till seven in
13:21
the evening and then as you know, you're
13:24
learning lines for the next day. So it's
13:26
a really, really, I think people don't actually
13:28
realize what a big job it is and
13:30
how long the hours are. They sort of
13:32
tend to focus on what you get paid or what's
13:34
in the news that what you get paid and they
13:36
go that's outrageous. And then when you tell them you're
13:38
doing 80 to 90 hours a week, all
13:41
of a sudden it makes sense. But you
13:43
know, like today, for instance, having today off,
13:45
I've been up since six, I've walked three
13:47
dogs for an hour, then one dog for
13:49
half an hour because he's got a slip
13:51
disk. You know, I thought my house
13:53
is a tip. So I quickly cleaned the house. I
13:55
quickly washed my hair. I thought he's going to want
13:57
to have a picture. So I better wax and make.
14:00
up on. You know, and the
14:02
rest of my day is planned out. Yeah, you
14:04
know, I've got to see the doctor this afternoon, I've
14:06
got to go and get a dentist appointment. And then
14:09
but then you know, I don't have
14:11
a dog walker today. And then there was a possibility
14:13
the other night that I was going to be working
14:15
tonight. I was like, No, I don't want to work
14:17
today. I've got this plan, this plan, and this plan.
14:19
And it's chaos. It's absolute
14:22
chaos. It's completely handing over any kind
14:24
of scheduling or routine
14:26
that you might want to have and go
14:28
in here you go. Mess
14:31
that up however you wish. Yes. And
14:33
it happens frequently. And it's
14:35
really hard, I suppose as well when you have
14:37
a kid because she's nearly five
14:39
now. And when she was a baby, you
14:42
know, she didn't notice though, I wasn't there,
14:44
or I wasn't putting her to bed or
14:46
whatever. Now she really notices,
14:48
you know, and she can talk about how she knows that your
14:50
mommy, you're never there. And you never take me to school
14:52
and you never bring me up from school and things like
14:54
that. And I think that's
14:56
the reason I sort of comes the decision
14:58
to exclusively tell you that I decided to
15:01
leave Holby. Right. So yeah, I just
15:03
signed my last six month contract and I'm going
15:05
to leave in May and it's time for me
15:08
to spend some time with her. Oh, wow. That's
15:10
huge. And again, that's been a huge part of
15:12
your life for such a long time. So that
15:14
must have been a big, it was 14 years.
15:17
I've been there. Yeah. And I think
15:19
it's a culmination of things, you know,
15:21
had a restressful storyline recently that I
15:23
wasn't particularly keen on doing, but
15:26
I did in the end. And it was sort of the nail in the
15:28
coffin for me, because I think, you know, you know,
15:30
this as an act, you give so much
15:32
of yourself to the job. And
15:34
I think we're all guilty of giving far too
15:37
much and having nothing left. And that's what I've
15:39
been doing. Yeah. And it's time to
15:41
be a housewife. There you go.
15:43
I mean, it feels
15:45
like a perfect point to
15:47
make that decision as well. Not only
15:50
because of the toll it will
15:52
have taken a view, but the storyline itself
15:55
has been, you know, a really
15:57
praised one and an important one in the
15:59
press. what
18:00
I was doing and I felt
18:02
for weeks that I wasn't right and something
18:04
was wrong and I felt like something was
18:06
coming and I didn't know what was coming
18:08
and then I just had this meltdown on
18:10
set and I was subsequently sort
18:12
of walked off set by a lovely director called
18:14
Steve Ritt who said just go and get some
18:16
help and I did. I went to my doctor
18:19
and he signed me off with stress and
18:21
I was supposed to start therapy like two days
18:23
later but that night I walked out the
18:26
house in my pajamas without my
18:28
phone, without any shoes, didn't know where I was
18:30
going. Thankfully ended up at a friend's house a few
18:32
miles away who then called my partner to come
18:34
and get me and it turns out I
18:36
was suffering from depersonalization and depression and
18:39
so having been through that and sort
18:41
of coming out the other side and
18:44
doing sort of intensive therapy and you
18:46
know Holby knew about that because I
18:48
was obviously off from work. All the producers knew
18:50
about it. Abruptly as well. And abruptly you know
18:52
they had to write me out and it was
18:55
very important to me that they knew that
18:57
and then all of a sudden three years
18:59
later they sit me down in office and
19:01
they say so Jack's gonna have a nervous
19:03
breakdown and I literally just went what?
19:06
Excuse me. What? Why?
19:08
And they were like well
19:10
we think it's important you know and she's been going to
19:12
all of this stuff and I was like
19:14
but you know that I've been through this so
19:17
why would you choose the person who's been really
19:19
sort of out there shouting about mental health the
19:21
last three years and has mental health issues. Why
19:23
would you choose me to do this when
19:26
you know that this is an issue for me? And
19:28
they didn't really have an answer and that really bothered
19:30
me and it made me very angry. Yeah.
19:33
And I sort of went out of that room
19:35
and called my agent instantly and just said I'm
19:37
not doing this. I think this is too much
19:39
to ask of me. I don't want to put
19:41
myself in that situation again and it got pretty
19:43
heated actually. It got to a point where I
19:45
nearly quit. Right. Wow. And especially when they told
19:47
me that I was going to be sectioned and
19:50
my mother's been sectioned many years ago and I know
19:52
how hard and awful that is.
19:55
And in the end it was Kate
19:57
Oates who called me up. She's the new head
19:59
of Continuing drama. That's the BBC. She called
20:01
me up and she was the first
20:03
person to actually go, I had no
20:05
idea. I'm really sorry. If you don't
20:08
want to do this storyline, we will
20:10
absolutely pull it. And I sort
20:12
of talked through all the reasons why I didn't want to
20:14
do it, etc, etc. And she was pretty amazing. She used
20:16
to be a Samaritan. I don't know if anybody knows that,
20:18
but I did. So she was kind of talking me down
20:20
in some ways. And she, you know,
20:22
she gave me the options. She said, look, I
20:25
get all the reasons that you don't want to
20:27
do it. We can completely pull the whole storyline.
20:30
We can make the storyline much
20:32
less than it is so that you don't
20:34
put yourself in any danger. Or you can
20:36
take a look at all the scripts in advance. And we do
20:38
it the way you want to do it. And
20:40
you know, you'll get your weekly therapy sessions that
20:43
we will pay for, which they did, because obviously
20:45
I needed it at that point. And
20:47
she gave me a couple of days to think about it.
20:49
And I was a no up until about 10 minutes before
20:51
the next conversation with her. And then I decided that I'd
20:53
do it. And the reasons
20:55
I decided to do it was because I'm
20:57
a woman who has a very impactful job
20:59
in some ways to a lot of people
21:02
and a lot of have a voice that
21:04
I can use. And it's a
21:07
very hard job. It's very long hours.
21:09
And I wanted to go out there
21:11
and I wanted to show women and
21:13
men as well that this can happen
21:15
to the strongest people. And
21:17
it's very hard to be a wife
21:20
and a mother, and to bring
21:22
money home and do all of those things and
21:24
not have anything left for yourself. And
21:26
it can you know, it can affect your mental
21:29
health. And I thought, well, if this reaches some
21:31
people, and if this does some good, then is
21:33
it worth doing? Yeah. And it was
21:35
in the end. And it was
21:37
really, really bittersweet for me, because I
21:39
did have to go to therapy every week. It
21:41
was such importance that I went
21:43
and I had those sessions to talk myself
21:46
down out of what I was doing. And
21:48
then to see the episode go out last
21:50
Tuesday night. And apparently we trended
21:52
number one on Twitter for something
21:54
like six hours or something. I mean, I don't
21:56
know anything about Twitter. So apparently that's good. But you
21:58
know, I have no idea. Yeah, and
22:01
the BBC Commissioner sent me an email and Kay
22:04
Oates sent me an email I've got the
22:06
most amazing messages from people and probably about a
22:08
thousand messages on Instagram And
22:10
I sort of dipped into them because you can't
22:12
read them all and they were all from people
22:14
saying I'm gonna go and get help And you
22:16
know, I watched your stuff tonight And it made
22:19
me realize that I've been ignoring how I'm feeling
22:21
and in been ignoring what I'm Going
22:23
through and thank you for being so
22:26
strong and getting out there and doing it
22:28
Even though you didn't want to and that makes
22:30
it worth it. Yeah me, you know, so
22:32
yeah again It's
22:34
horribly bittersweet because I don't want to say I love
22:36
doing it and I'm really glad I did it Because
22:39
I didn't yeah love doing it, but
22:41
I'm glad I did it for the people that
22:43
it will help It's
22:45
a really interesting thing that I think it's over
22:49
Looked a lot, but there's certainly a
22:51
certain area of society who will be
22:53
able to be reached through drama Who
22:56
wouldn't be reached through documentaries or through
22:58
if you wrote an amazing article about?
23:02
What you've been through personally or even if
23:04
you did a documentary about what you've been
23:06
through person There's certain people who would go
23:09
unless that's not my kind of
23:11
thing, but we'll watch a drama on us The subject
23:13
is why I think a lot of the the
23:16
great true life stories The
23:19
what was when they see us
23:21
I've recently on Netflix again They've
23:23
been documentaries about that but that
23:25
could be in dramatize reached
23:27
that many more people and I think it's
23:29
a similar thing here and as horrible as
23:31
it was for you to go through it
23:35
Will have reached people that couldn't have been reached
23:37
by you doing pieces about mental health and doing
23:39
all these different things that So many of us
23:41
try and do and try and get out there
23:43
that they are things that will be Scroll
23:46
past as they can. Yes, whereas a
23:48
storyline in something that they're Invested
23:50
in and watch week in week out and
23:52
I want to scroll past they have to
23:54
watch and take it in and accept anything
23:57
kind of the reasons
24:00
that can have a bigger impact than people
24:02
might realise when they're writing it or
24:04
making it or people who don't watch
24:06
that particular show might realise, might not
24:08
realise if you know what I mean.
24:10
So yeah, I think that's an amazing
24:12
thing. Yeah, it's the silent thing, isn't
24:14
it? I think again, it's the reason people
24:16
don't, it's not got enough attention because it's
24:18
the silent, it's a silent killer,
24:21
it's a silent problem. You know, people
24:23
just don't understand it. And
24:25
again, there's so much, as a female
24:27
British character, there's so many reasons
24:30
it's important to address that because
24:32
for a long time, women were
24:35
told to write all their trials in a diary
24:37
and never let anyone see it and have a
24:39
lock on your diary and it's hidden away. All
24:41
your writing, all that kind of, it's all this
24:43
personal hidden thing. So there's that to get over.
24:45
And then there's the British specifically.
24:49
We don't complain things to get over.
24:51
So there's two big hurdles there, which
24:54
makes it that the right character and
24:56
you the right person to kind of
24:58
have told that story. But again, something
25:00
that people overlook as
25:02
acting has become content and
25:04
entertainment more than are, which
25:07
again, I think is a shame, but
25:09
that's how it's viewed so much. Because
25:11
we have so much of it, you
25:13
take for granted what may go into
25:15
it. Absolutely. Again, particularly like me and
25:17
Brett Goldstein, who does a great podcast
25:19
as well. He always talks about how
25:21
he never likes to talk negatively about
25:23
a film. Because even if he watches
25:25
it and hates it, he knows how
25:27
much work I went into that and
25:29
no one was planning on because he's
25:31
been there. He's like, oh, that's and
25:34
because as he will admit, he's been in some
25:36
bad films. And he's gone, well, we all
25:38
worked really hard on that. And it's
25:41
really bad. That wasn't expected. So I
25:44
think they're not realizing the art side
25:46
of it. It's weird timing because I
25:48
saw Honey Boy last night. Oh my gosh, I
25:50
really want to see that it blew me away.
25:53
And it's about that. It's written by
25:55
Shia LaBeouf. And you realize at the end that it's
25:58
essentially the story of this fuck-up
26:00
childhood that made him such a good actor.
26:02
And there's a point where there is some
26:05
therapy there where he's saying, you can't fix
26:07
me because I won't be good at my
26:09
job anymore. And it is that weird thing
26:11
of, one of the most
26:14
emotional and amazing performances are because
26:16
of some really tough things in
26:18
the past. And that really rings
26:21
true with that Holby storyline is
26:25
the brave choice that you took to take on, because again,
26:28
it would also have been fine if
26:31
you had said no, because well, your
26:33
real life is more important than any
26:35
of that. But the choice of going
26:37
through that, it then made you the
26:40
perfect person to play that storyline because
26:42
you had so much that you could
26:44
tap into and draw upon, I guess. But again,
26:46
that doesn't mean it's taking you back to that
26:49
place. It's not just turn up, do
26:52
your thing and cut. And all right, guys, I'll see
26:54
you all tomorrow. No, no. That
26:57
was fun. Definitely not. It was a good 20
26:59
minutes after that scene where I was finally able
27:01
to sort of pull myself off the floor. Yeah,
27:04
yeah. And again, it's
27:07
what gets those amazing performances. Yeah, I guess that
27:09
was kind of the point there. It's easy to
27:11
watch that. And I think that
27:13
we've all filmed on TV these days. It's so
27:15
easy for us to watch it and move on.
27:17
I really enjoyed when Gaspenau
27:21
was doing interviews after Irreversible. And
27:23
it got a lot of stick
27:25
because there's a really uncomfortable and
27:27
unpleasant and unflinching, a
27:29
rape scene in it. And
27:31
people were saying it's horrific to watch. It's
27:34
rape. Yeah, it's
27:36
basically. It should be horrific to watch. Right, you
27:38
meant to, I don't want you just continue
27:40
to eat your popcorn again. All
27:43
right, I wonder how they're gonna get revenge because
27:45
it's where everyone's like, no, it should be horrific.
27:47
And it was put
27:49
perfectly. And that can, again, it's a
27:51
fine line. Yeah. And kind of grief
27:53
porn or any of these other things
27:56
is a weird one, but yeah,
27:59
it's exactly. It's meant to have
28:01
these impacts and it feels like that, particularly
28:03
from the reaction online that storyline had
28:06
that impact and caught people off guard
28:08
a little bit. So yeah, it's an
28:10
amazing one. Well, let's rewind
28:13
that and kind of, because as
28:15
you said, you've been, I mean, you've been in Holby
28:17
for 14 or 15 years. 14
28:19
years. I'm on my 14th year.
28:23
And you've been acting pretty
28:25
much your whole life. So what was kind
28:27
of the starting point in that? Both your
28:29
parents were in the industry in one way
28:31
or another, right? Yes. So my dad was
28:34
a director and my mom was an
28:36
actress. Yes. And my mom never
28:38
did a huge amount of work. My
28:41
dad was sort of, you know, directing weird, crazy 80s
28:43
films like Hawke the Slayer and things like that, and
28:45
then sort of went on to do, you know, the
28:47
bills and all that sort of stuff. Cat's
28:49
Eyes, great series like that. And I
28:52
think, you know, mom was a housewife and it
28:54
just seemed like a natural thing for her to
28:56
kind of push us into acting. And it certainly
28:59
was, I don't remember having a choice. Yeah. And
29:01
I know that all three of us did it for a
29:03
certain period of time. And she was our chaperone.
29:06
So yes, since three. So three, 39
29:08
years. Yeah.
29:11
Where's my OBE? Yeah. So yeah, it's
29:13
a really, really long, long, long, long
29:16
time. Yeah. But again, the weird part
29:18
there is it's, I guess it's all you've
29:20
ever known as well. Yeah. Because from such
29:22
an early age, it not being an option.
29:24
It's just, well, this is, this is what
29:26
I do. And my life is, and this
29:28
is what I do when I draw from
29:30
these. Yeah. I go out there and perform.
29:33
Was it exciting at first or was it?
29:35
Yeah. Yeah. I mean, I think
29:37
one of the first jobs I did when I was
29:39
about three was play a fairy at the National Theatre
29:42
for Gavin Miller and a Midsummer Night's Dream. And, you
29:44
know, no three year old is going to be like,
29:46
I don't want to wear fairy wings and prance
29:48
about on a stage. So I remember all
29:50
of that stuff being really, really fun,
29:52
you know, and doing the Bergeracs and
29:54
weather in the streets and what the
29:57
dickens and working with amazing people like
29:59
Joanna Lumley. Ben Cross
30:01
and people like that. And, you
30:03
know, not going to school and
30:06
going to a set and dressing up
30:08
and getting gifts and things like that and
30:10
doing stuff like that was really fun. And
30:12
getting praise. Again, it's something that I talk
30:14
about on the podcast a lot because I
30:16
always remember really early episode
30:18
when I had Riz Ahmed on, he said he
30:20
did a play at school and it was just
30:23
another thing at work. And then he got an
30:25
email of one person to say it was good.
30:27
And he realized that at that point as a
30:29
kid, he wasn't told he was good much. You
30:32
know, he didn't get loads of people always saying, Oh,
30:34
you're wonderful. Someone told him he was
30:36
good in that one play and it's changed his whole
30:38
career. Because he's like, all right, I want more of
30:40
that. I want people to tell me this more often.
30:43
It's a rewarding thing, particularly
30:46
for a young mind. So yeah, I can completely
30:48
see how and the kid on set is always
30:50
going to be the one that people are like,
30:52
Oh, isn't she wonderful. I get to
30:54
be that person. I go on there and everyone adores me. Yeah. So
30:57
I've got that horrible stigma and I believe in that stigma, you know, I'm
31:00
a middle child. I'll get no attention. So this is about me. No, I
31:02
mean, I just loved it. I just remember just having a great time. Shiree
31:05
Shiree, one of the coppers. She played Adrian, right? Oh, wow. And
31:07
all the rest of the film is about the best. And I think that's a
31:10
great thing. I think that's a great thing. I think that's a great thing. I
31:12
mean, I just loved it. I just remember just having a great time. Shiree
31:15
Shiree Shiree, one of the coppers. She played Adrian, right? Oh, wow.
31:17
In all the Rocky films. Yes. And
31:21
I played an alien and we shot in Canada for
31:24
two months. What age was that roughly? I was eight.
31:26
I was eight and it was incredible. And
31:29
I was like, Oh, wow. And I was like, Oh, wow. And I was
31:31
like, Oh, wow. And
31:33
it was incredible. just us having
31:35
fun. bow on it. at
31:39
the Sun Silly 80s film. And we'd like play baseball games against them. And
31:41
we all had t-shirts and hats made in court. And we had a lot
31:43
of fun. And we were like, Oh, wow. And we were like, Oh, wow.
31:45
And we were like, Oh, wow. And we were like, Oh, wow. And we
31:47
were like, Oh, wow. And we were like, Oh, wow. And we were like,
31:49
Oh, wow. It
32:01
was like working on a
32:03
film as well that had a really good budget and
32:05
things like that. It was really interesting at that
32:07
age too. Yeah. I've been
32:09
putting on stuff actually since I was
32:11
three. Yeah, constant, right? But obviously
32:14
having to go to school and doing GCSEs and
32:16
trying to find something to fall back on that
32:18
I was good at as well was pretty
32:20
tough. How were you at school in
32:23
study rather than performance? Not
32:26
good. No. I mean, I was very
32:28
good at art. I was good with
32:30
English. A lot of everybody in my family is pretty
32:32
erudite. I mean, look at my sister for
32:34
God's sake. Previous guest, Kelly Marcel. Yeah,
32:38
overachiever of the family. And
32:41
she's terribly well-read and well-written and everything.
32:46
And so we've always had that. My mother's a
32:48
very intelligent person. My father's very clever as well.
32:51
But no, not good at school. Didn't
32:54
have a lot of friends because I was apparently up my own
32:56
ass because I was good at school. I
32:58
was constantly not there and sure I was wonderful
33:01
and all of that stuff, which was not true
33:03
at all. It's a fascinating one. How
33:05
often do you hear that? I remember on
33:08
hearing on Vicki
33:10
McClure on on the How to Fail
33:12
podcast talking about because again, I assume
33:15
anyone who's a successful actor as a child, they're going
33:17
to be the cool kid at school. But
33:20
that seems to really be the case.
33:22
And so as Zari Ashton's book is
33:24
amazing and it addresses that,
33:26
that she was a complete outcast
33:29
because she was on TV.
33:31
And it's a weird one. But
33:33
also it's fascinating hearing there,
33:35
the becoming articulate and
33:37
well-read through being around articulate and
33:40
well-read people rather than through the
33:42
school system. I've got a lot
33:44
of issues with our school system
33:46
and how so much of it
33:48
is memory based rather than
33:51
education based and things like that. And
33:53
that's a great example because both you
33:56
and Kelly, the most articulate people
33:58
I talk to and. and
34:01
all sorts of things. And it's like, to hear
34:03
you didn't do great in school is
34:06
fascinating because it's like, right, so what's the importance
34:09
of that shift when if you're around people who
34:11
are talking and growing your
34:13
brain in a way that can't be
34:15
marked on a list and say you're
34:18
this level, then that's the important part.
34:20
Absolutely. You know, you're in rooms with very grown up
34:22
people and you have responsibility at a very, very young
34:24
age and you learn very quickly and you grow up
34:26
very quickly as well, which is kind of the sad
34:29
part of it, but you have to learn to hold
34:31
your own in a room, pretty
34:33
early on. And while
34:35
that stands you very well when you're
34:37
in a classroom of other 12 year olds, you
34:40
know, and you're the brave one and the one
34:42
who can stand up and go, I know, and
34:44
have ideas and it
34:46
doesn't stand you well as you know,
34:49
with friendships and with actual GCSE. I
34:51
got one GCSE. Wow. You
34:53
know, that's it. Yeah. And then I
34:56
worked hard and I went to college and I,
34:58
you know, I retook and I got A levels
35:00
and things like that. And all the while, if
35:02
a job came up, I'd be going for that
35:04
job. The acting always
35:06
came first because it was a
35:08
way of earning money. I did
35:10
enjoy doing it. I don't think I'm similar
35:13
to other actors in that it's what drives
35:15
me and it's what I live for. That's
35:18
not the case for me at all. I
35:20
enjoy what I do and I love what I do and
35:23
that's great, but it's not, or never has been
35:25
the be all and end all for me. It's
35:28
fascinating to think of, I mean,
35:30
we started off kind of talking about
35:33
life now, how you have to draw
35:35
up everything in the role comes up, but it's
35:38
fascinating to think of that in school years
35:40
because of course you're not going to be
35:42
able to make many friends or
35:45
maintain friendships because at
35:47
the drop of a hat, you're in Canada. Yeah. Doing
35:50
a film and you're missing
35:53
Claire's birthday and all
35:55
these other things. And again,
35:57
there will always be that jealousy. as
36:00
if you're thinking you're not there because you're better
36:02
than these people or whatever else. No,
36:04
I've got work. But as kids,
36:07
you can't comprehend someone saying I've
36:09
got work with kids. Absolutely. Work
36:12
isn't a thing for kids. It's not
36:14
something that we understand yet. So having
36:16
that from such an early age, that's
36:18
such an unusual and unique juxtaposition, I
36:20
guess. Yeah, absolutely. So one
36:22
of the things on my list, I wrote
36:25
three exclamation marks and big question marks because
36:27
as I mentioned earlier before we got rolling,
36:30
it hadn't twigged, but press gang. How
36:32
was that to be part of? Oh,
36:34
God, it was so good. Because I remember that
36:36
as watching that
36:38
and it being so exciting. And
36:41
Dexter Fletcher again, and another
36:44
previous guest, he's in both of
36:46
the ones I looked to, but Bugsy, Meline
36:48
and press gang were the two things
36:50
that his kids went, I know, I
36:53
know. That's people like us. That's
36:55
not these growing up actors or
36:58
cartoons. It's us and
37:00
our generation. What was fascinating as
37:02
well, I talked about press gang the other day and hadn't
37:04
talked about it in years. And I was good
37:06
because I was in Romania with this film crew and one of
37:08
the guys was about 37, 38. And for some reason I said,
37:11
I mentioned press
37:14
gang and he went, what's that? And I was just like, oh,
37:17
it's like an audible gasp. That only sort
37:19
of a such a small period of three or four
37:22
years and people don't know what press gang is. And
37:24
it was groundbreaking. It was visceral
37:28
and it was intelligent and it was about
37:30
this school paper and it was addressing issues
37:32
that we hadn't talked about on telly and
37:34
it was kids talking about it. And
37:37
to be involved in that as this
37:39
kind of naughty school girl, if I
37:41
say that now, it's fine.
37:44
But as a young girl
37:46
who got to play tricks
37:48
on everybody and work with Paul and
37:50
people like that, it was such
37:52
a great job. And we were
37:54
at Pine with Studios doing it, Memphis Bell
37:56
was shooting there. So people like Eric Stoltz
37:59
walking about. It was just
38:02
probably the time of my life actually working
38:04
on Press Game because every episode we
38:06
were doing something stupid, every
38:08
episode we were doing something fun
38:10
as his lackeys. You know,
38:12
I've got pictures of me dressed up as a giant turtle. That's
38:16
what I think is great about it
38:18
because again at that point anything the
38:20
kids were in, they were playing quite
38:22
straight playing school children. And
38:25
although you were school children and if you
38:27
weren't straight playing school children because it was
38:29
more than just a student magazine
38:31
or wherever it was. So
38:34
much bigger and so much grander and
38:36
so many bizarre situations to get in
38:38
that, yeah, I
38:41
hadn't seen that before. Again, you'd always
38:43
had your Grange heels and your stuff like
38:46
that, but that was, well, that's school.
38:48
That's what we were at. That's so
38:50
familiar. Yeah. So yeah, that
38:52
must have been an amazing one. And everybody was amazing
38:54
as well. There wasn't like, you know, you often go
38:56
onto a job and there's sort of this one bad
38:58
egg. There's always one bad egg.
39:00
But on that, I just don't remember anybody not
39:03
just having the best time of their lives. You
39:05
know, and Dexter was wonderful and Julia was wonderful
39:07
and everybody was just welcoming
39:09
and lovely and sweet. And it was
39:11
just, it was one of those
39:13
jobs and they're very, very rare where you look
39:16
forward to going to work, you know, and you
39:18
look forward to what you're shooting that day and
39:20
you go home with a big smile on your
39:22
face. Yeah. And that's what was great
39:24
about Press Gang. I love it. I love
39:26
it. So, I mean, again, we've discussed
39:29
the constantness of working in acting, of
39:31
it being this constant thing. Having
39:34
started at such a young age is
39:36
kind of telling that the only real
39:38
time off you've had over your career
39:40
has been for health issues.
39:42
Yeah. So, so kind of how's that
39:45
been to kind of, because it has
39:47
been stopped starting that way. It's
39:49
actually a long career, but there's been a few different
39:51
points along the way that you've had to stop for
39:53
extended periods. So how's that been for you
39:57
in having to have those things that pull
39:59
you away from. and put you back and
40:01
pull you away and put you back. It's
40:03
frustrating. There aren't a kind
40:05
of, I'm choosing to have a break from this
40:07
now. It'd be different if it was like, oh,
40:09
I took a couple of years off because this
40:11
happened, or I did this or did that. It's
40:13
like, no. It's frustrating. Yeah. I
40:15
think, you know, health problems obviously is not
40:18
something any of us can control, you know,
40:20
and I had a really amazing career up
40:22
until that point as well. You know, I'd
40:24
never ever stopped working. It was absolutely
40:27
brilliant. And
40:29
to suddenly get sick and sick
40:31
for no reason with no sort of warning
40:33
is frightening and frustrating and,
40:35
you know, blew the bank balance.
40:37
Anything I'd ever saved was gone,
40:39
you know, and that's hard. It's
40:41
a hard thing to deal with, you know, because
40:44
you can't really support yourself or anything like that
40:46
as well. So, you know, I think it's very
40:48
difficult for anybody who gets sick in any
40:50
industry, not just the acting industry, to
40:53
lose your, you lose your sense
40:55
of being and your sense of self-worth.
40:57
And, you know, I remember being on
40:59
disability for a couple of years and
41:01
to get that check
41:03
was, they made it
41:05
so difficult. It's difficult,
41:08
you know, to be someone who's on disability. You're
41:10
looked at like you're a piece of rubbish.
41:13
Yeah. And more and more so in
41:15
recent years, with so much
41:17
going on in the government, it became in this harder
41:19
thing. And again, there was a period, I think, when
41:22
there was the media propaganda
41:24
of benefit cheats and all this kind
41:26
of thing, that then just it made
41:28
the general public okay with how hard
41:31
it is for people who need these
41:33
things. It's like, yeah, well, we need
41:35
to, we don't want these fictional people
41:37
scamming all these men. It's like, no,
41:39
it's people who need the support and
41:41
you're making it, humiliating
41:43
and challenging and
41:45
horrible in any way. It ruins
41:47
you, you know, and it's so debilitating
41:49
and it's so bad for your mind and
41:51
so bad for your body. And you just
41:54
feel, you know, you
41:56
feel terrible and it's really, really hard to,
41:58
you know, sort of get help. It's interesting,
42:01
and it's a funny thing to sort of throw
42:03
it to. But when I post about the dogs
42:05
in Romania, I had a lot of people say to me, what
42:07
about dogs in England? You shouldn't be promoting dogs
42:09
in Romania. And I never respond
42:11
to anybody on Instagram. But I put, oh,
42:13
what? Remaining dogs coming over here and stealing
42:15
our jobs. And
42:17
that's how you're sort of similarly looked
42:20
at when you're an ill person who
42:22
needs money from the government for you
42:24
to survive. And I've always been, you
42:26
know this from me and Kelly
42:28
and Luke, you know, we're very
42:31
independent people. We have, although
42:33
we've had, you know, a father figure
42:35
throughout her life and a mother figure up to a certain
42:37
point until she decided to leave,
42:40
which was obviously the best thing for her, we
42:42
have grown up extremely strong,
42:44
independent people. And
42:46
to my own detriment sometimes, as well, you know, because
42:48
I'm incredibly good at putting walls up. But
42:51
to be such a strong person through your entire
42:53
life, to be so
42:55
sick to the point of nearly losing your
42:57
life, you just felt
43:00
like such a weak human being. And
43:02
it's just, and it's really, really hard.
43:04
So most of my spare time now
43:06
is spent trying to stay healthy. Yeah.
43:08
You know. Yeah. I mean,
43:10
there's a couple of interesting things there
43:13
of the naturally putting walls
43:15
up. And I think that, you
43:17
know, that can be a family
43:19
thing at times. Not
43:21
specific to your family. No, anybody.
43:24
In general, if you've had such
43:27
a unique life in that way, again,
43:30
I talk a lot about how the weird
43:32
intensiveness of friendships on set that
43:34
are then over, that they're gone, and you invest
43:36
yourself and then bear on to the next role
43:39
and you've not got a next role. I've lost
43:41
that many things that we were really close to.
43:44
And fitness. So, I
43:46
mean, how have you found all that in recent
43:48
years in having, you
43:50
know, a partner and a life? And
43:53
the reason it came to mind is
43:55
he's in fitness. He is. That's
43:57
kind of handy. It means that there's that extra,
43:59
that someone helping you along. Because I think that
44:01
on fitness a lot, for some people, for me,
44:03
it's very much I need to get my mind
44:06
in place. And I've not been one that I'd
44:08
rather work out alone than with other people and
44:10
so on and so forth. But also, I'm also
44:12
aware that it's also quite common and quite natural
44:14
that if you've got someone else kind of going,
44:17
let's keep this up and keep that. So it's
44:19
like helping your relationship as
44:21
part of life, rather than you both being
44:23
again, rather than like, I have problems at
44:25
times with me and my partner that will
44:27
be like, or if we go on an
44:29
unhealthy binge, it will be a really unhealthy
44:31
binge for a really extended time. And we
44:33
won't stop until we're apart. And then we're
44:35
apart, and we'll both go, right, I'm going
44:37
to eat healthy again. Yeah, but if we
44:39
go into that, and yeah, so it's kind
44:42
of it's those weird things that can be
44:44
positive and negative, I guess. Interestingly,
44:46
when I first met Ben, here
44:48
I am a horrible cliche that ended up getting together
44:51
with my personal trainer. And I'm
44:53
much older than him. So I could get a boot. I
44:56
was very, very into the workout.
44:58
Yeah, I was like, you know, this
45:00
guy's hot, I'm going to impress him, you know,
45:02
work my ass off for him in those sessions.
45:04
You know, I do anything he told me, he's
45:07
like, give me 20 birthdays. I was like, yeah,
45:09
you know, and I get down and give him
45:11
20 birthdays. And now we're married and been together
45:13
such a long time. If he, if I work
45:15
out with him and he tells me to do
45:17
something, I'm like, No, why? Yeah, just because
45:19
you're married to me doesn't mean you can boss me about. Now
45:22
it's oh, it's completely different. He's like, no,
45:24
because it's part of the work. And I'm
45:26
like, No, I don't feel like doing that.
45:29
So actually, I find it easier not to
45:31
work out with him now. You
45:33
know, and also he's rather lovely to look
45:35
at. And if he starts sweating it, you
45:37
know, it's very exciting to me. So
45:40
I try to do as much exercise as I can.
45:42
But again, with the schedule that I have, it's
45:45
nigh on impossible, even with a gym
45:47
sitting at the bottom of our garden.
45:49
Yeah, I'm not in there. Yeah, you
45:51
know, I've hovered the kitchen and exercise
45:53
for the day. But I
45:55
take a huge array of
45:57
vitamins every day. Because with
46:00
my various diseases, it's very hard for me to hold on to
46:02
any sort of vitamins in my body.
46:05
So I do that and I have every
46:07
intention to find myself a treadmill at some
46:09
point or going running with one of the dogs. But
46:12
when I do have extended periods of time
46:14
off, I had three weeks off after the
46:16
big storyline and I just got straight back
46:18
into exercising and I was exercising three to
46:20
five times a week. And doing
46:23
CrossFit, which you do as well, actually
46:25
your body stays in relatively good shape
46:28
even when you're not working out because it's
46:30
so intense. And because it's all functional. Exactly.
46:33
So it's preparing you for what you're gonna be
46:35
doing day to day, therefore if you're just active
46:37
day to day, it's keeping it topped up. Exactly.
46:40
Now as long as you're healthy with it and stuff like that. Yeah, and you can
46:42
get back into it quite easily as well. And the other thing
46:44
about CrossFit is, you know, you go and you do a class
46:46
and it doesn't matter what level you're at. There's
46:49
people at, you know, super high levels in those
46:51
classes and there's people like me who are the
46:53
last finishers, but everybody's standing around me going, go
46:55
on Rosie, you can do it. And
46:58
clapping you along. And I think that kind
47:00
of exercise is really good for you. And
47:02
mentally as well, it's my
47:05
go-to. If I'm not gonna go and have therapy, I'm gonna
47:07
go and do some exercise. Yeah, I think those
47:09
two things comes so hand in
47:11
hand or can do. Again, I think there's also
47:13
a problem with people shaming
47:16
people into exercise and at the moment, and I
47:18
don't agree with that either. I think there
47:20
is a balance, but do you
47:22
think the health issues that you've had in the
47:24
past are something that have
47:26
motivated you to be healthy
47:29
and live to your best? I mean, I know you've
47:31
done some martial arts over the years and stuff like
47:33
that. Do you feel any
47:36
of that is from that period where it was
47:38
kind of taken away from you for an amount
47:40
of time? You couldn't do these things? Yeah,
47:42
absolutely. I mean, again, very determined
47:45
and very stubborn and won't admit
47:47
I'm hurt at any point, have
47:50
had to take these periods of enormous
47:52
rest. And it has kind
47:54
of galvanized me to do better for myself,
47:56
but also I think having a child as
47:58
well. several of my
48:01
diseases have probably cut my life short by about 10 to
48:03
20 years. Yeah. You know,
48:05
and so I'm going to lose that time. And so I
48:07
need to do whatever I can to extend my life as
48:11
such. So yes, I do try and
48:13
stay healthy for those reasons. And
48:16
I simply won't be told I can't
48:18
do something either. It really,
48:20
really irritates me, you know, and
48:22
Ben is very similar in that sense, you know,
48:24
he won't work out for months, and then he'll
48:27
go and do a competition. And he's so annoyingly
48:29
determined that he'll win. And then
48:31
he'll have like rhabdo or something for
48:33
two days. Yeah,
48:35
I think I think I just
48:38
have to I'm just one I simply refuse to
48:40
lie down. And yep, I'm
48:42
sick, and I have several diseases and
48:44
problems with my body. But I'll be asked
48:46
if I can't carry on with my life.
48:48
Yeah, and do what I want to do.
48:51
And I don't have a choice. Yeah, that's
48:53
the other part. I don't have a choice. Yeah,
48:55
you know, I have mental health issues.
48:57
I have health issues. I have
48:59
a choice. I make a choice every day
49:01
to not be depressed.
49:04
Yeah. And get up and do something
49:06
about it. And that's it. It's sink or
49:08
swim. And I have my low days like
49:10
everybody else does. But it really
49:12
is about making choices. Yeah. And
49:14
that's where your control comes in. I think completely
49:17
right. A breakthrough I had on on
49:20
the fitness front is the easiest example
49:23
was removing choice from
49:25
stuff. So rather than do I want to work out
49:27
this morning. So I've got to do that. So now
49:29
and then once that's out the way I can get
49:31
on with the rest of my stuff. So rather than
49:34
it being our figure just psychologically going right, it's not
49:36
a choice I've got to and again, people say that's
49:38
not as easy to do. But you
49:40
will do that for some job that you're
49:42
in that you don't love. And you
49:45
don't like the manager and you're not getting any of
49:47
your you're earning someone else money. You will do stuff
49:49
in that that you've not got a choice. Yeah, equally,
49:51
you've got a choice now you could not do it.
49:54
But you've been told you have to. So I think
49:56
so much like it's hard. It's psychological. Yeah, I tend
49:58
to think about the end result. as well.
50:00
So I there
50:02
are mornings where I'm like, I don't want to go to that. I hate
50:04
going to them. Even putting on my trainers and
50:07
my trousers. I'm like, no, no, find a reason not
50:09
to go. And then I think
50:11
about that feeling you have afterwards where
50:13
you're just like, I'm so glad I did that. I
50:15
feel so good after that. And you have that rush
50:17
of endorphins. And that's what gets me
50:20
to go knowing I'm going to have that feeling at the
50:22
end of it. It's going to
50:24
sound mad, but my biggest motivation these
50:26
days about over a year ago now,
50:28
I got into ice cold showers. Oh,
50:30
yeah. After a workout. I had Wim
50:32
Hof on the podcast and he's this
50:34
jigz on it all. And now there's
50:36
points where I don't want to do
50:38
my workout, but the feeling of an
50:40
ice cold shower after a workout is
50:43
just amazing. Now, previously it was this horrible thing, but
50:45
now and I had someone on the podcast and talked
50:47
about it. He said the way he puts it is
50:50
he's never felt worse after
50:52
a cold shower. He's
50:54
not saying it's a soulful and will always
50:57
be never felt worse after one. And yeah,
50:59
it's exactly that has now become my I
51:01
don't want to do my work. But if
51:03
I get a real sweat on and then
51:05
have this cold shower, just the feeling is
51:08
this euphoric thing. Well, before we break things
51:10
up, I want to jump back into acting
51:12
because no matter what actors
51:14
I've had on that are British, from
51:17
your Michael Fassbenders to
51:19
your James McAvoy's or whomever else in
51:22
America, you've got all these acting schools
51:24
and all these different ways of training.
51:27
In England, you've got the bill
51:29
and casualty and whole v city
51:31
like literally everyone it makes me
51:35
sad that they're vanishing.
51:37
Yeah, because literally you there'll
51:39
be an act of that you'll think is the
51:41
most method and all this telling you, I was
51:43
in the bill for three episodes. And things like
51:46
that. It's this a
51:48
key part of our diet
51:51
training, I guess. And you've done
51:53
the big three essentially in
51:56
the bill and casualty and of course, a little
51:58
bit of whole. And So
52:02
how were they to be part of? Because
52:04
again, that must have felt like almost the
52:06
going from school to college. As
52:08
acting had been your school, did
52:11
that feel like, oh, right, I'm now in this
52:14
next area of it all? Yeah, absolutely.
52:16
I mean, the bill and casualty and
52:18
whole, we have always been an active
52:20
staple. So
52:22
when anybody, when they were all around,
52:25
thankfully, two of them are still around,
52:27
just about, you'd always say to your agent
52:29
when you had a period of no work,
52:31
you'd be like, well, can't you get me a bill?
52:33
Or can't you get me a casualty? Or can't you
52:35
get me a whole? But something just had tied me
52:37
over. And to have those great shows that have always
52:39
been there, to bring you that little
52:41
paycheck and give you that little job that you need
52:44
is so comforting. And
52:47
to go into an episode of the bill is
52:49
just was amazing. And I think I did my
52:51
first one with my dad, I think, my dad
52:53
was directing the first one I did. I think
52:56
I auditioned like everybody else because there's absolutely no
52:58
nepotism in my family whatsoever, which
53:01
is absolutely right and how it should be. I do
53:03
agree with it. And yeah, so to do
53:05
a job with him was amazing. And to be around all
53:07
of these kind of like big actors and you know,
53:09
because the bill was a big thing, you
53:12
know, in those days. And sadly, you know,
53:14
whole being casualty of kind of, you
53:17
know, just dropped off that list a little bit,
53:19
you know, we do sort of tend to start
53:21
people's careers. Joy McAvoy was on
53:24
an episode last last week. I mean, she was shooting
53:26
the episodes that won't be on for a few months,
53:28
you know, it took me forever to realize who her
53:30
brother was. And so that was such an idiot. And
53:33
not that her career is just starting, but it's
53:35
a really great place to get your
53:38
profile up and get your profile out there because
53:40
it's watched by an inordinate amount of people. I
53:42
think you can completely right in that
53:45
it's a shame that it seems to
53:47
be losing that part of itself, not
53:49
that it's losing anything in general, but
53:51
I think because there's now so many
53:54
channels and so many outlets
53:56
and just online types of
53:59
things as well. on
56:00
Holby another actor taught me about
56:02
cut points and it was something I'd never thought about
56:04
and I was always like why is he always doing
56:06
that? You know he'd do
56:08
that, he'd put something down, he'd do something
56:11
funny or move something and I was like
56:13
he's giving them a cut point so he's
56:15
making sure that the scene ends on
56:17
him. This is Luke Roberts by the way
56:19
and he played Joseph Ben and I learned from him
56:21
and the really funny part was for the last year
56:23
that he was there we were always doing cut points
56:26
and so he'd do a cut point and then I'd
56:28
do a cut point and he'd say who's going to
56:30
win? Who's going to get it to end on them?
56:32
It's fascinating because that's the stuff that
56:35
you can't see until it's been
56:37
shown to you. I was on set
56:39
as we recorded earlier this week and we
56:41
were doing a scene and it was going
56:44
well and the director came up after a
56:46
couple of takes and said to Sarah who
56:48
was obviously after this
56:50
particular line if you can do it naturally could
56:52
you blink because he had a little bit he
56:54
wanted to flash in. He knew in the script
56:56
he needs to flash this in. He's like if
56:59
you could blink that's all I need. To get
57:01
the edit in. Other than that it's
57:05
going to feel false. So hearing
57:07
just such a small little instruction it's
57:09
like all I need is a blink
57:11
and then probably watching you'll barely
57:13
notice that that was where the edit is but it
57:15
will have led you there and will allow that to
57:18
flow and stuff like that. That's the fun
57:20
stuff. That's where you're learning. That's the best.
57:23
That's the fun stuff too because you can
57:25
be in the background of a scene and
57:27
you can steal it just by dropping
57:29
something in the scene or falling over or going
57:32
one way and going the wrong way and going
57:34
the other way. I mean the amount of times
57:36
I've seen people do that. We had an essay
57:38
do that the other day who totally stole
57:40
the scene from me and Guy Henry
57:42
just by walking past us in the
57:45
background. It's just brilliant stuff like
57:47
that. That's what makes it fun and that's what
57:49
makes you find the reason to go
57:51
in because you know you're going to do something interesting or
57:53
fun that day. I love it.
57:55
My third acting gig was
57:57
on taboo and thankfully I've paired up with Stephen.
58:00
Graham and he just took me under his wing so much.
58:02
But we've been doing this scene and we've been going on
58:05
for ages and then he leans over to me and we're
58:07
about to start and he pulls me
58:09
over like two steps. I was like, I've always
58:11
done that but all right, I'm doing as I'm
58:13
told. And then when we could, he was like,
58:15
we're finally doing the close up and
58:17
because I've got the dialogue, if you
58:19
move over two steps, you're going to be in the background
58:22
and it's going to look great. If you're there, you're not
58:24
in it. You'll be in a few of the wides, but
58:27
they probably won't use a lot of wides on them. So,
58:29
it's a good job. He knew that although
58:31
we've been doing the scene for ages, this was
58:33
the one that counted to be in the background,
58:35
on the key line, in the key moment. And
58:37
he just kind of edged me over and I
58:40
was like, oh, that's mad because I was so
58:42
much as like, all right, I need to, as I'm in
58:44
the background, I need to make sure I'm losing myself
58:46
in the world. I'm not trying to be in the background.
58:49
I'm trying to go, look, here I am in the background. I'm
58:51
like, no, I'm in the world. I'm just sitting on with stuff.
58:53
And he's like, no, it's a balance of that. You
58:56
are in the world just getting on with stuff.
58:58
But at this point, you should be here because
59:00
then you're part of it and you're on screen.
59:03
That's so nice. It's so nice as well when
59:05
you work with people like that as well
59:07
who don't have ego and are
59:09
willing to teach and willing to help people.
59:12
And I love that. That's part of
59:14
my favorite, favorite thing. And having
59:16
been at Holby for such a long time now, I've
59:18
kind of become the matriarch and Hugh Quashy
59:21
is the patriarch and people come to
59:23
him and I for different things and different
59:25
reasons. And a young
59:27
actress, she was just struggling with sort of finding
59:29
what she was doing with her character. And she
59:31
was like, I don't know what my character is going and they're not really telling
59:33
me. And I said, make it up. So do
59:35
your own thing. I said, because if you put it
59:38
in there, they'll think it's their idea and
59:40
that then suddenly they'll start writing you like this.
59:42
And unfortunately, you know, that sounds a bit rude,
59:44
but with Holby, because there's 52 episodes a year,
59:46
you have to put things in that are
59:49
going to make sense and are going to galvanize
59:52
you to want to go in and do that work. And it's
59:54
completely true in a massive lesson
59:56
because the writer, no matter how great they are,
59:58
has to worry about it. about everyone's
1:00:00
storyline. Exactly. If you worry about yours,
1:00:03
then you can give more focus than
1:00:05
the writer could possibly give a more
1:00:07
background. Again, it's going back
1:00:09
to Stephen Graham on my
1:00:12
first day on the set, he walked
1:00:14
into makeup, introduced himself and
1:00:16
said, right, how do we meet? And I was
1:00:18
like, but we met once a few years back, but I don't think
1:00:20
you remember that. He was like, no, how do you make characters meet?
1:00:22
And he was between us, we
1:00:24
came up with this huge backstory of how we met.
1:00:27
And it meant that the first time
1:00:29
we're on set, we're all mates. And
1:00:31
there's all of
1:00:33
this there. And it's, yeah, I love the
1:00:35
little things like that, rather than I'm here
1:00:38
to do my scene. Exactly. Yeah,
1:00:41
I love it. Well,
1:00:44
I'll wrap things up as we've gone over an
1:00:46
hour now. What's
1:00:49
the plan? I mean, is there anything, 14 years
1:00:52
in a huge
1:00:54
show like Holby is a massive
1:00:56
achievement? But also, it's a massive
1:00:58
restriction. There's going to be a lot
1:01:01
you won't have been asked to either professionally
1:01:04
or personally. Have
1:01:06
you got stuff in mind already? Or are you
1:01:08
kind of a, well, no, when this is done,
1:01:10
and I've now set my date, I'll then start
1:01:12
to think of what I
1:01:14
want to do next? Or is there already a kind
1:01:17
of I'd love to do something in this area? Or
1:01:19
I'd love to do nothing and just not act for
1:01:21
a bit and have some time off from acting where
1:01:23
I'm not ill for the first
1:01:25
time in my life. Yes, exactly. All of
1:01:27
that. Everything you just
1:01:29
said, I'm a big faith list. So I am, you
1:01:32
know, what will be will be if someone
1:01:34
offers me an amazing job, and I feel like it's the
1:01:37
right time to go for it, then I will. I'm
1:01:39
very lucky they're putting me up for a
1:01:41
BAFTA for this performance, which is very sweet.
1:01:43
They put me forward. It doesn't mean I'll
1:01:46
make the shortlist at this point, you know,
1:01:48
we'll see what happens. We might know by
1:01:50
January whether I've made the shortlist or not
1:01:52
having seen Glenda Jackson's performance the other day,
1:01:54
though, I'm highly unlikely. So,
1:01:57
you know, if I am lucky enough to make a shortlist, that will
1:01:59
make a huge difference. to my career, but taking
1:02:01
this break was about getting healthy and spending
1:02:03
time with my daughter. So my intentions
1:02:06
at the moment are to take a couple of
1:02:08
months at least where I'm not doing anything. I
1:02:10
can get my health back on track, you
1:02:13
know, down the suffragettes just for five minutes and take
1:02:15
us back 10 years, you know, women's rights and all
1:02:17
that. And I want to be a frickin' housewife. I
1:02:20
want to take my kid to school. I want to walk my
1:02:22
own dogs. I want to clean my own house. And I want
1:02:24
to make dinner for my kid and my husband when they get
1:02:26
home. That's what my plan
1:02:28
is to do for some time. Is
1:02:30
there any fear in the excitement of
1:02:33
that? Because again, having
1:02:35
been the one out at
1:02:37
work for the first few
1:02:40
years of your
1:02:42
daughter's life, it's
1:02:44
going to be a new thing. It's exciting. But again,
1:02:46
it's going to be a new situation. Yeah,
1:02:49
I mean, I'll probably hate it. I'll
1:02:51
be like, God, get me out of this
1:02:53
situation. Especially seeing as I'll
1:02:55
have the entire summer with her as well. So
1:02:58
there is fear in it. But
1:03:01
I've spent so much of my life being
1:03:03
afraid and not understanding who I am
1:03:05
and sort of finally getting to a point
1:03:07
where I do know who I am. And
1:03:09
I'm actually quite like myself, you know, after
1:03:12
many, many, many years of disliking myself intensely.
1:03:14
And of course, being in an industry where
1:03:16
you're told you're not good enough constantly. And
1:03:19
I think one of the great benefits of being
1:03:21
in Holby for 14 years is I haven't had
1:03:23
to be a jumping actor and I haven't had
1:03:25
to put myself out there for rejection for such
1:03:27
a huge amount of time. So nothing really frightens
1:03:30
me now. And in
1:03:32
that 14 years, I've really honed my craft.
1:03:34
And I know that if I
1:03:36
got offered a spotty dream spotter
1:03:39
or any other random role, I could
1:03:41
play it now better than I could
1:03:43
have done 14 years ago. So
1:03:45
fear isn't really a factor for me. He
1:03:48
will be a factor. But
1:03:50
I have a very wonderful husband who's looked
1:03:52
after our daughter and holds down two gyms
1:03:56
The entire time I've been working. He's been
1:03:58
incredible. And I Know he will. My rough
1:04:00
and that would be absolutely fine. And he's
1:04:02
doing that says I get the. Opportunity to
1:04:05
finally take the rest the
1:04:07
I need here So. No.
1:04:09
Fear and anything really for has declined. Clean houses
1:04:11
again. I will. Automobile the May I
1:04:13
love it but a very excited for over
1:04:16
his ahead and thank you very much as
1:04:18
a for your service Been an absolute pleasure
1:04:20
think he thinks is. A
1:04:37
few days since his
1:04:39
Scabies pets distraction pieces.
1:04:42
They we go. That was the last
1:04:44
episode. Hope you enjoyed that. I'm so
1:04:46
glad he got to be out. There
1:04:48
remains so many poor things discussed in
1:04:51
my opinion. So yeah, I'm once again
1:04:53
I love Rosie daily. So great to
1:04:55
sit down and have these two conversations
1:04:57
stretched our over time. So yeah, amazing
1:05:00
stuff and I'll be back next week
1:05:02
for my final guest of the year
1:05:04
before we hit drunk cause season. So
1:05:07
worm sesame to be excited about! You
1:05:09
know I'm going to end on. A
1:05:11
good and this is a guest star.
1:05:13
Think I've been season since the first
1:05:16
or second year of the podcast and
1:05:18
have never made the own until now.
1:05:20
So yeah, tune in next week for
1:05:23
that. I'll see you then. Until then,
1:05:25
stay safe and stay sane thicker.
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