Episode Transcript
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0:00
The cure for postpartival depression is
0:02
here. Postpartival relief. Read
0:04
the memories of the rose. Spirits
0:29
come alive. Everybody breaks.
0:31
It's
2:19
know. I can't get all of it.
2:22
Yes. I don't you. Let
2:25
me down again. Because
2:28
I decided menu so you better
2:30
come through this time. Let
2:37
you go Even
5:30
though I never want to change this up to hold.
5:36
The web be beach at all. Are we
5:38
bringing sun up to the beach at all?
8:18
Damn. Damn. This ditches up. Damn.
8:21
Damn. Damn. Damn. Damn. Damn.
8:23
Damn. Damn. Damn. Damn.
8:26
Damn. No.
9:46
We don't take it.
10:18
Fun. Everybody
10:33
on their web Don't
10:45
move. Short as we read this up by
10:47
heart. Don't check. Short as we
10:49
read this up and get ready.
10:52
Get ready. Get ready.
10:54
Fuck. Everybody and then win.
11:07
Music to my plan. Can you be this
11:09
very good in music to my plan?
11:12
Can there this everybody.
11:40
Should be regret it for the body. We
12:28
are trying to be young. We are trying to
12:30
be young.
12:32
We are trying to be young. Connected near
15:00
like a bomb, dink, dink with an explosion,
15:02
dink, bink, bink, bink, bink, bink, bink, bink,
15:04
bink, bink, bink, bink,
15:05
bink, bink, bink, bink, bink, bink, bink, bink,
15:07
bink, bink, bink,
15:53
I'm not going a small fat. Let me extend
15:55
my lipology. It's only big fat with big flag
15:57
going overhead cannot
15:59
be ragged in my back pocket with our white vest
16:01
sneakers and one of these, knife tips, and tight
16:03
pants, I never really written on a deal. I
16:05
come from processing
16:56
when one bedtime we start a soccer
16:59
sprint. So we go. We we we we
17:01
you know, that's why we know question mark. We take,
17:03
one with apostrophes, and done with more
17:06
than we said,
17:44
no, everybody free up on this. Thanks
17:47
for something I love it. Thanks
17:49
for something I love it. Thanks for something
17:51
I love it. I
17:59
Yeah. His mask get ready fast.
18:01
His room is woman, with pop in
18:04
heart,
18:04
expand, explore, explore, explore, explore,
18:06
explore, explore, is that enough to fit in,
18:08
you stop in,
18:09
prestige, turn up the vibes, turn up
18:11
the vibes, turn up the vibes, turn
18:14
up the vibes, turn up the vibes, turn up
18:16
the vibes, and then
18:33
I see you. You're looking like trouble. Why
18:36
is that in your hand? It's looking like power.
18:38
I'm looking like paint. You have to be mad. You have
18:40
a cane and look like you're ready for my
19:49
Got bit. Got bit. Got bit.
19:52
Got bit. Got bit.
19:54
Got bit. Got bit. Nobody's
20:17
push. Something in the is
20:20
very loose.
22:26
Private Ryan excess, the instant
22:29
remedy for stiff waistlines, anti
22:31
social behavior, and a bad sex
22:33
life. In
23:02
the engine room. In the
23:04
engine room, we go time instead. And
23:17
bonmejibati in the engine
23:19
room. Well,
24:02
how else we will survive? If we
24:04
don't begin. Bye bye. This is a
24:06
big part of you like to book up
24:55
are. No cops. We come
24:58
out of my bottles. Tell me
25:00
my kids and tell them,
25:02
please. We don't want no
25:28
cost. We come out of
25:30
our high bottles. Tell me my kids.
25:32
We
25:43
I'm tonight. We're road like buses. Yeah.
25:46
Accept all our Sydney price. I mean,
25:48
don't care when the car
25:49
says. We have to clean my sausage.
25:52
We made the y'all leopard. We
25:54
made the y'all a leopard. One
26:44
more time.
30:02
She won't get she could do it again this
30:04
show. She didn't want to live on
30:06
update on. What she won't
30:09
get on? Love
31:51
all true. And I
31:54
got all these sweetness. I
31:56
could be We
32:20
won't make contact with you problems. So
32:22
she look him to find me. Bye.
33:55
I got my baby brother. Welcome
34:24
aboard everybody in the spot. What
34:29
comes on this? Can
34:39
we go in? I
35:29
don't walk their flight. Tell my
35:31
friends and family. Touch
35:41
dog. We pump it.
35:45
And if you hear them, welcome. Welcome.
35:47
Welcome to the line of color. So I feel like
35:49
you're touching where done. We're done. I
35:52
hope that you're more than fit on ready
35:54
because it's well room. Well, and
36:49
everybody turns it down. Look
36:54
at the people coming down. That
37:06
I get an always strong. I hear
37:08
a distant melody.
37:12
Look through the ears of love and tea.
37:16
Music, blah, blah, blah, and sweet.
37:20
And when you rhythm started the lead, trying
37:55
to know. I
38:15
know it's true. I'm hoping not to
38:17
wear the words. I'll find
38:19
you. Because
38:23
me and you love me. Just don't leave
38:25
me to go. Too
38:44
soon. That's where you are. Yeah. Yeah.
38:47
Always going too long when you're going away.
38:49
Oh, Right
40:05
now, we need the boat. Let me go. Let
40:07
me go. I think It's
40:54
too real. It's dangerous. I wonder
40:56
why it wasn't okay, dangerous. wonder why
40:58
it wasn't convenient, dangerous. I wonder why it wasn't nice just want
41:00
to bang on you because it's too real
41:02
in Dangibles. I wonder why you're gonna look
41:04
at Dangibles. I wonder why you're gonna go be
41:06
Dangibles. I just want to bang on you.
41:23
You only looking on my my
41:34
contact. I want you to watch your contact,
41:36
so when you start a fling I
42:09
contact. I go make you feel my contact.
42:11
I want you to watch your contact. So when
42:13
you I
43:43
look in
45:35
Follow one on YouTube, Twitter,
45:38
Facebook, Twitter, TikTok, Instagram,
45:41
Spotify, SoundCloud, and Mix
45:43
cloud at d j private Ryan.
46:19
I am a fugitive. Make
46:51
me my kid up for god. One
46:56
pack. Make me my
47:06
device command on. Device
47:08
command on. Device
47:14
tension. Fenty one now and Jed Wuman.
47:16
Oh, gee bikes. Yeah.
47:19
So nice. We
47:22
go fly tomorrow. We
47:25
hire like a guy.
47:29
We go rise tonight. The
47:33
five. Hit the right
47:35
side. Where
48:02
do you guys I'm
51:30
gonna whatever
53:02
I'm out there. I think something, man. We gotta
53:04
wait. Whatever
53:09
I'm out
53:34
I know she did. Sure. Sure. You're
53:37
not alright. You're not
53:39
like a party. You're all set
53:41
up. This
53:51
one is a EVO cham. I
53:53
want it. This one is a EVO
53:56
cham. I need it.
53:58
This one is a EVO jam. I
54:01
want it. This one is an eagle
54:03
jam. I need it.
54:05
Watch it. I want be wrong. I
54:08
want all of these slapstick. I want
54:10
all of them for young. Thank you, like
54:12
you practiced. I want to be cheering for
54:14
you. I want to play a place.
54:33
Guys. This is all I want. No. No.
54:36
No. No. No.
54:39
No. No. No. No. No. No.
54:41
No. I'm not. I'm
54:43
not. I'm not.
54:45
I'm not. I'm not. I'm
54:48
not. I'm coming over.
58:41
Out. It's sweet. Not
58:43
this what I'll have him carrying on. It's
58:46
sweet. Too much about having
58:48
something
58:48
out. How about you, sweet? And fitnessing.
58:52
Hey, comment. Look at issue,
58:54
guy there, guy then. Look at issue, guy, guy then.
58:57
Look at issue, guy guy then. Look at issue, guy
1:00:18
wait on the ball. I
1:00:21
know I'm prepared. Wait.
1:00:24
Here's up your cupcakes on your everybody
1:00:36
just take in shots, shots, shots, shots,
1:00:38
click up with me. Everybody come there, gosh,
1:00:40
shot, shot, shot, shot, shot, shot, get a lot
1:00:42
of changes on your list. Of
1:02:50
money. We will prove it. But tonight,
1:02:52
don't let me do this.
1:03:43
Thank you for the for
1:03:46
all the memories. And if this
1:03:48
is
1:03:48
Audrey, I don't want to wait. This
1:03:50
room on his way. When
1:03:57
me son, Santa Raz, I could
1:03:59
be in the spirit.
1:05:54
Spirit taught me under it. I
1:05:56
don't handle limit when I come This
1:05:58
is no visit. Every place, we have no
1:06:01
longer. Test.
1:09:05
Talk about this. Talk about this. Talk about
1:09:07
this. Talk about this. Talk
1:09:09
about this. Talk about this. My
1:09:13
voice I'm
1:09:17
taking I'm taking I'm taking I'm I'm taking I'm
1:09:20
I'm now it, and then I need to put
1:09:22
on the manta. I take it a
1:09:24
little jump. Guys, manta jump.
1:09:27
I don't want someone to work. I'm a two
1:09:29
calendar. And
1:10:03
did you debate? No. But right now, didn't
1:10:05
they last. So if they were to change,
1:10:08
we will party all in the room.
1:10:10
Hey. Yeah. We put up the ramps
1:10:46
not take my best song I hit my band. No.
1:10:48
No. I've
1:10:51
got nothing. I've got nothing.
1:11:38
Item up everything I know. Everything
1:11:40
I know. This is this woman.
1:11:43
This is Vajana. This is woman. So as
1:11:45
for it, this woman. Let it
1:12:15
She says she ready to get
1:12:17
her. She came to my You
1:12:28
see that guy? You ready. You ready.
1:12:31
You ready. You ready. You know. Just
1:12:34
like that, you ready. You
1:12:45
got it. Everybody's
1:15:04
thinking about it. My So
1:15:55
we can be You go meet us on
1:15:57
the way. Is we going to every bed.
1:16:00
Yes, we come in home again. I'm
1:16:02
a big boy that play.
1:19:07
So I don't know about what I'm
1:19:09
saying for the dollar. Right? And
1:19:11
I want to speak officially make a true for the
1:19:13
dollar moon name and with the letter a.
1:19:18
Honestly, your neighbor will have to end with letter
1:19:20
a. But you saw her name? It
1:19:22
got a through the end, like
1:19:24
a shot, ninja, kishapen,
1:19:27
right over, Rashima, Natura,
1:19:29
kari's top end by on
1:20:13
Phibbita, don't know. The current silence, Phibbita,
1:20:15
don't know. When I take your hands on your
1:20:17
nerves, my I
1:21:01
tried to warn your son, they promised
1:21:03
me people nothing. You
1:21:06
might be thinking I didn't go for it. Right
1:21:10
at why
1:22:14
we drink until we started to do the fucking
1:22:16
thing. We watch all blast night. Sure.
1:22:20
That's why we drink until we started
1:22:22
to do the fucking thing. Home, switch
1:22:25
off. Boom, switch off.
1:22:27
Hey. Yo, Phoebe. I see Harry. What's
1:22:29
your dream? So I'm gonna see another home
1:22:31
switch off. Oh, switch off.
1:23:05
Hey, it's me. We are watching the scene.
1:23:07
We are speaking everything I need. Why
1:23:54
When listening to this mix, behavior
1:23:57
is optional. Listening to question
1:23:59
is because I feel like, I don't
1:24:04
want gold. Soul. Because
1:24:08
I feel like, because
1:24:17
I've been like, wait. Because
1:24:26
I've been, like,
1:24:58
or someone I'm like, no. In makeup, I
1:25:00
can see all your P and A. Tell
1:25:02
the DJ to play my tool. Don't
1:25:07
wanna see my lifetime soon.
1:25:09
Because I've been like, This
1:28:03
is my message by And
1:30:05
You creating
1:30:56
my love. You do
1:30:58
other fights are zombies without talking
1:31:01
involved. You need Miranda
1:31:03
Monty Street. Tell
1:32:27
me maybe do you see it. Fire
1:32:30
words in this guy when we wear
1:32:53
Yeah.
1:34:17
Anyway, any way, any way,
1:34:20
any way,
1:34:26
any way, You're
1:34:40
welcome. I
1:38:45
want to be the outside
1:40:31
Yeah. Have to believe me. It's
1:40:33
happening. The only
1:40:35
woman hung up tight. It
1:40:37
was so frightening. So
1:40:39
it's happening I didn't. She
1:40:41
catch me my surprise. She
1:40:44
was I didn't then disguise, girlfriend.
1:40:51
I need to see another day.
1:42:38
And she want to sit down and move her.
1:42:42
Say having a party. It's well
1:42:44
done in a circle. On one friend
1:42:46
wearing bow bow. She begged more and she
1:42:49
like Danny. She loved the drink that can
1:42:51
carry. A punch is back to come closer.
1:42:53
I'm in my hands. She just was what she wanna
1:42:55
jump. She
1:42:59
wanna jump. She
1:43:03
wanna
1:43:21
She said, inside of your bedroom. I said,
1:43:23
wake up. But just see me. She go bring
1:43:25
her French lips and chorizo. So
1:43:29
put your honeydae egg in
1:43:37
For bookings, email, d j project
1:43:40
ryan at g mail dot com.
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