A film that was able to silence a group of chatty teens and get them to stop checking their phones? Yes, we are dealing with powerful stuff here.

But which of this week's films has that level of power.

Two films that return to familiar territory.

First up is Guy Ritchie's return to London crime capers, The Gentlemen. The other is the genius new take on an old classic, Leigh Whannell's The Invisible Man.

Hugh Grant expands his repertoire with some lengthy tales, while Elizabeth Moss thinks that something is there in the corner of the room.

Jonathan Roberts reviews both

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Produced by: Jonathan Roberts

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