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Impossible Things with Sonsational Creations Artist SONJA HOWARD

Impossible Things with Sonsational Creations Artist SONJA HOWARD

Released Thursday, 14th March 2024
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Impossible Things with Sonsational Creations Artist SONJA HOWARD

Impossible Things with Sonsational Creations Artist SONJA HOWARD

Impossible Things with Sonsational Creations Artist SONJA HOWARD

Impossible Things with Sonsational Creations Artist SONJA HOWARD

Thursday, 14th March 2024
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0:01

Wonder Curiosity Connection

0:03

. Where will your adventures take you

0:05

? I'm Dr Diane , and thank

0:07

you for joining me on today's episode

0:09

of Adventures in Learning . So

0:20

welcome to the Adventures in Learning podcast

0:23

. When we were in New Zealand , I

0:25

got to go to the Weta Workshop and

0:27

while I was there I fell

0:29

in love with our next guest . Sonja

0:32

Howard is a very cool

0:34

artist . The stuff that she makes

0:36

is just mind-boggling

0:38

in its detail and it really got

0:40

me thinking about the idea of STEM

0:43

and STEAM from a whole new light , realizing

0:46

that those of us who are artists

0:48

can also contribute to making

0:50

things and creating things and

0:53

being part of something really

0:55

magical . So , sonja , welcome from

0:57

New Zealand . Thank you for getting up this

0:59

morning to be on the podcast . I appreciate

1:01

having you here .

1:03

Oh , thank you so much for the invitation . It's a pleasure

1:05

to be here .

1:06

So I'm wondering when you first

1:09

were on our tour , you introduced yourself

1:11

by sharing your villain origin

1:13

story . Can you share your

1:15

origin story in terms of how

1:17

you got to where you are today ?

1:20

Absolutely so . Yeah , I'm

1:22

originally from Australia . I grew

1:24

up in the wild rainforest

1:27

, full of all sorts of real monsters

1:29

, and my dad was a crocodile tour

1:31

guide . So it's kind of no wonder

1:33

that I wanted to start making creatures

1:35

of my own . And because I'm autistic

1:37

, when I get passionate about something , I

1:40

get really passionate about it

1:42

. So I decided from a pretty young

1:44

age that I want to make monsters for a

1:46

living , and the best place in the world to

1:48

do that is Squatter Workshop right

1:50

. So years I heamed

1:53

and I saved up and I finally

1:55

moved over . I was so excited it was going to

1:57

be great and COVID

1:59

hit Great timing right . But

2:02

I was lucky enough to run into Richard Taylor

2:04

one day when I was walking my dogs and

2:07

I decided you know what stuff it this

2:09

is my chance Walked up to him , introduced

2:11

myself , introduced my dog and after

2:14

I could maybe drop off a portfolio , and

2:16

he said , yes , I

2:19

also included a block of

2:21

bribery chocolate when I dropped off the portfolio

2:23

, just to you know , meet in the deal . And

2:26

I guess it worked , Because a

2:28

few weeks later he called me up and asked if I wanted

2:30

to make a bunch of creatures for unleashed . He

2:34

actually only gave me eight minutes

2:36

notice to get down to the workshop

2:38

. I was sitting in my fluff

2:40

pit working on a little rat dragon and

2:43

suddenly it was like oh hi , it's Richard

2:45

, when can you come down ? I got something

2:47

that might be of interest . Can you

2:49

be here in eight minutes ? So

2:52

I frantically got changed , sprinted

2:54

down the road , made it just in time to hear about all of

2:56

the cool stuff that he wanted

2:58

me to make . So my

3:00

work on that project led to work in the head apartment

3:03

on Rings of Power at the workshop , where

3:05

I was basically spending about 50

3:07

hours a week in a room lined with

3:09

orchids . We're all

3:11

just sort of daring at me all

3:14

day as I tied individual

3:16

strands of hair on the near invisible

3:18

way to give them all the most glorious

3:21

headings in all of middleer

3:23

, Only for

3:25

them all to wear a helmet

3:27

. So you can't see

3:30

any of it , but

3:32

you know we had a good time . So

3:34

I've worked on a few bits and pieces since then , but most

3:36

of them are still very top secret . Yes

3:39

, that is my super villain origin

3:42

story .

3:43

I love your origin story and I'd like to circle

3:45

back to growing up in

3:47

Australia and sort

3:49

of the inspiration for your creatures , as

3:51

well as being a child

3:54

with autism , and how that impacted

3:56

your decision to go into making monsters , because

3:59

I think that's really interesting . Can you go

4:01

a little deeper on that ?

4:02

Absolutely Certainly . See , I

4:04

was a really weird kid . I

4:06

always thought that I was going to be a

4:09

zoologist , so going into like

4:11

studying animals and stuff and the place I

4:13

grew up , mission Beach , is full of

4:15

both artists and scientists . So

4:17

I had this really amazing community around

4:20

me that were like encouraging my interest

4:22

and supporting me when I

4:24

wanted to pick up a lot of roadkill and sort

4:26

of you know , pull it apart and have a look at

4:28

how different creatures worked and stuff , and

4:31

would often like give me random skulls

4:33

and things to study . So

4:35

, yeah , I was just really really

4:37

supported by the community and thought

4:39

, you know , I'll go into sciences and then

4:41

got right to the point of like graduating

4:44

, getting into the universities that I wanted to , and

4:46

then decided , actually now I want to make creatures

4:48

instead of studying them and so I sort of

4:50

pivoted all of a sudden . But

4:53

, yeah , I was really really fortunate to

4:55

have that incredible supportive community

4:57

around me . In terms of

4:59

sort of autism and stuff , I

5:01

thought I was diagnosed when I was I

5:04

was well

5:06

and

5:08

I was basically having really really bad

5:10

anxiety after a massive cyclone

5:12

hit the region and

5:15

basically destroyed the high school

5:17

like two weeks into my first year of

5:19

high school and so I ended up

5:21

getting diagnosed and it

5:23

was amazing . It was just like oh

5:26

, oh , there's actually . I'm

5:28

not just like oh , we don't miss it , there's a reason

5:30

. I mean , I'm also a weirdo miss it

5:32

, but like there are others , and

5:35

so , yeah , that was really amazing and really

5:37

really helps sort of unlock a

5:39

lot of who I am . Yeah

5:42

, that was very cool .

5:44

And tell us a little bit about the kinds

5:46

of creatures you love to make today

5:48

. What are , what are , some of the things that you're

5:50

interested in making ?

5:53

Okay , so I have sort of two mainstream

5:56

the fluffy , cute , ridiculous

5:58

little creatures that you saw at

6:00

the Wettum Cave they've

6:04

all become known as flutes because

6:06

they're fluffy and then there's the skeletal

6:09

creation where I basically get

6:11

ethically sourced to remain usually

6:13

rat , my brode , kill bird , that sort

6:15

of thing and I feed them to

6:17

my colony of flesh eating beetle . I

6:20

clean the bones and reassemble them into

6:22

little fantasy creatures , which

6:24

is a very good fun .

6:26

Okay , wait . First of all , let's back up for a minute

6:28

. You have plenty of flesh

6:30

eating beetles .

6:31

Do tell , yeah yeah

6:33

, they're actually surprisingly easy to

6:35

get . My first colony

6:38

I got over in Australia when I did this amazing

6:41

little two day mouse articulation

6:43

workshop with a guy who goes

6:45

by articulated imagination and

6:49

there was a take home kit involved and

6:51

I was like , oh sweet , that'll be , you know some chemical from

6:53

tools . Oh , I'll get the take home kit . Turned

6:56

out it was a colony of flesh eating beetles that I then

6:58

had to get on a plane , which

7:00

was concerningly easy , like

7:04

custom , or it wasn't custom , it was domestic

7:06

.

7:06

They didn't care , they were like all right , I was going to say

7:08

domestic doesn't care . Had you been international

7:11

, they would have given you more grief . Yeah .

7:14

Yeah , you can't bring anything international

7:17

into New Zealand . So when I moved over

7:19

here I had to get a new colony and

7:21

I ended up trading a

7:23

little skeletal creature with the

7:25

Dunedin Museum of Natural Mystery

7:27

and he sent me a bunch of flesh eating

7:30

beetles in the mail , as you do .

7:32

So , and those creatures are amazing

7:35

. I mean , they're so , they're

7:37

lifelike , but they've got that fantasy

7:39

spin to them and I

7:41

could see sort of that fascination with

7:43

creatures and science coming through

7:45

in that work . Am I right ?

7:48

Absolutely . Yeah , I love thinking of sort

7:50

of ways that they could be sort

7:52

of evolutionarily possible

7:55

, if not likely . So

7:57

trying to sort of think about how things would actually

7:59

move and stuff within those sort of constraints

8:02

of our world doesn't

8:04

always work , but that's the aim . Do

8:07

you have a favorite ? That's

8:11

like picking a favorite child . I

8:15

really enjoy doing little fantasy

8:18

griffins where I

8:20

basically get like a bird

8:22

and give it depending on its size . Oh gosh , sorry

8:24

, my dog's just appeared , so

8:27

should I just start that again ?

8:29

You're fine , the dog is welcome

8:32

to join us .

8:33

Yeah Well , yeah , little fantasy griffins where

8:35

I take a bird skeleton

8:37

and , depending on its size , either add sort

8:40

of mouse or rat front

8:42

limbs or , if

8:44

I don't have those available because you know

8:46

skeletons , I'll

8:48

use a smaller bird's legs

8:51

as sort of the front limb paternum into

8:53

little griffins and stuff , and ideally with like a little

8:55

mouse or rat tail to give it a long tail

8:57

. And it's sort of my twist on

8:59

like a little common griffin .

9:02

That is so cool and

9:05

in terms of inspiration for

9:07

your work , do you draw on

9:09

the environment ? You draw on nature , like

9:12

what are the inspirations you bring into it ?

9:15

Yeah , absolutely so

9:17

. I love thinking about fantasy

9:19

twists on real animals and

9:22

how fantasy adaptations

9:24

and stuff could be scientifically

9:27

explained . I actually

9:29

did an assignment in high school

9:31

where it was like a myth busters unit

9:33

and I was looking at the evolutionary

9:36

possibilities of the existence of dragons

9:38

, which I sadly concluded

9:41

was not really possible

9:43

, but like looked at like how could they breathe fire

9:45

? And like how could we explain

9:47

a creature that's got six limbs , because

9:49

they've got the wings as well as the four legs and

9:52

stuff , and going into ludicrous

9:54

amount of detail around that

9:56

, which was very good fun .

9:58

I love it . I was going

10:00

to ask you , as I'm sort of thinking about

10:02

you're now at Weta Workshop and you got

10:05

there because of your body of work and

10:07

your portfolio , as well as your

10:09

guts , in approaching Richard

10:11

Das for a job what

10:13

did you have to do sort

10:15

of leading up to that moment ? What kind of

10:17

training or what kind of experiences

10:19

went into that ?

10:22

So I moved down to Brisbane

10:25

where there was going to be sort of more opportunities

10:27

and I met some guys from the workshop

10:29

at a convention and they sort of gave me the advice

10:32

that if you want to get into the film

10:34

industry you have to have a really amazing portfolio

10:36

and get like professional quality

10:38

images of your work . So I sort of took that the heart

10:40

and I went off and I studied , I

10:42

did a diploma in screen and media

10:44

specialist makeup services at

10:48

the Australian Institute of Creative Design

10:50

, so it was a full six month diploma

10:52

. That sort of taught you the basics of like prosthetic

10:54

makeup and stuff and through

10:56

that they let me use their

10:58

professional photographers to put up , put together

11:01

a portfolio to enter some

11:03

international makeup competitions . So there

11:05

was one in Sydney and one over in London

11:07

and so that helps

11:09

really build up that sort of like portfolio

11:12

level images of the stuff that I'd made

11:14

. And then I like sort

11:16

of spent the next couple of years working on

11:18

a bunch of short film projects as well

11:20

as continuing to make and sell my creatures

11:22

like the little fluffy ones and

11:24

, yeah , just sort of cobbling together a bunch of different things

11:26

and working on upskilling . I spent some time

11:28

with a manual art teacher

11:31

to learn how to make knives , which was

11:33

very fun and

11:35

yeah . So just sort of cobbling together a bunch

11:37

of different fields and skill to give

11:39

myself the best chance before I took

11:41

the lead and moved over .

11:43

That makes sense . And so if a child wanted

11:45

to sort of follow in your footsteps , had a

11:47

passion for monsters or a passion for

11:49

creatures , what would you recommend

11:52

that they do to get to that , that

11:54

level eventually ?

11:58

Just try as many

12:00

things as you can and figure

12:02

out what your passion is and

12:04

work to create high

12:07

quality things that

12:09

spark your imagination . Not just

12:11

doing just

12:13

the boring everyday things that people

12:15

tell you to do in art classes , but going out

12:18

and experimenting and playing

12:20

around and figuring

12:22

out what really makes you go . Wow

12:24

, Okay .

12:27

And I understand you're also a novelist , is

12:29

that correct ?

12:31

Yes , so I recently got a

12:33

literary agent and we're working

12:36

on edits to the manuscript at the moment

12:38

and hoping to send out to publishers

12:40

within sort of the next couple of months

12:42

.

12:43

So I think it's crossed , so

12:45

what is the ?

12:45

book about . So

12:48

the book it's working title is

12:50

A Melody of Souls and

12:52

it's about a young soul grafters

12:54

fight against poachers that

12:56

attacks sort of the mythical creatures in

12:58

her area and how a

13:00

dead human makes for an unlikely

13:03

ally . So it's basically

13:05

Interesting . Yeah

13:07

, it's such an interesting

13:09

world full of fantasy creatures that

13:12

I'm hoping to illustrate . It's

13:14

super queer and the main character is autistic

13:16

, like me , so

13:18

I'm hoping that people who don't

13:20

often get to see themselves in novels

13:23

will get something out of that

13:25

as well .

13:26

Oh , that's wonderful . Yeah , we talk a lot

13:28

here about windows and mirrors and

13:30

books that allow you to see

13:32

yourself represented but also

13:34

provide a window into other cultures

13:36

, and it sounds like that's a lot of what you're doing

13:38

in terms of your novel and

13:41

your advocacy work .

13:43

Yeah .

13:44

That's the aim . Yeah , that sounds

13:46

wonderful . So let's

13:48

talk a little bit about your

13:51

favorite fantasy creatures . You're

13:53

at Weta Workshop and I'm

13:55

wondering do you have a favorite

13:58

genre of fantasy that you

14:01

are drawn to or that informs

14:03

your work ?

14:05

Oh , good question . I mean

14:07

, I love dragons , all dragons

14:09

. I'm also like a massive fan

14:11

of practical effects and really

14:14

like immersive environments where the creatures

14:16

have their own ecosystems and stuff and

14:18

it's not just like a monster sleigh , but

14:20

it's like a full , living , breathing world

14:23

. But things like the dark crystal , where

14:25

you get to see all these little creatures

14:27

scurrying around in the bushes , and stuff that basically

14:30

add nothing to the plot but make

14:32

the world feel so rich and

14:34

vibrant .

14:35

Yeah Well , I love that You're just

14:37

thinking again about STEM and STEAM . Often

14:40

we ask kids to think about animal adaptations

14:43

, we ask them to think about habitats , and

14:46

why not go from a fantasy point

14:48

of view , apply as you were saying about the dragons

14:50

, apply what you know and

14:52

create a whole world where it

14:54

needs to make sense in

14:56

terms of the creatures that are living there . I

14:59

think that could be a really fun thing for the creatures to

15:01

try . I love it .

15:03

Oh my goodness , If I had been

15:06

given that opportunity and stuff in either science

15:08

class or art class , I would have just lost

15:10

my mind . That would have been so cool .

15:13

Yeah , here's

15:15

a question for you . Where are you hoping to go

15:17

career-wise from here ? You're so young

15:19

and you've got your entire career in front

15:21

of you . What are

15:23

your big hopes and dreams from here ?

15:26

My biggest one is I really want to work on Doctor

15:29

who . You

15:31

have a favorite Doctor . I

15:34

mean , I have many . I

15:37

really really love things

15:39

like I've watched all the classics . So

15:41

like the second doctor is

15:43

amazing and the sixth doctor , fourth

15:46

doctor , is sort of a bilgitry . And

15:49

then also I really enjoyed , like

15:51

Max Smith , the 11th doctor and

15:53

the current doctor , shudy Gatwa , is oh

15:56

, my goodness , I loved the recent

15:58

ones .

15:59

David Tennant was one of my favorite doctors

16:01

, but I love this , yeah , his excellence

16:03

so much . All right , so I'm sorry I

16:05

interrupted you . Back to Dr who . You want

16:07

to work on Dr who ?

16:09

Yes , I would love to work on Dr who Also

16:13

. I want to do all the things . I want to be able

16:15

to make sort of cool

16:17

fantasy creatures go like bigger scale

16:20

, smaller scale , doing more

16:22

skeletal stuff , more exhibitions , write

16:24

a whole bunch of books . Yeah

16:26

, I'm sort of at the stage where it's like there's all of

16:28

these really , really cool things that I could do and

16:30

I just want to do all of them .

16:33

Based on your portfolio and everything I've

16:35

seen , I think anything is possible . Cool

16:39

, well , thank you

16:41

so much for joining us on the Adventures in

16:43

Learning podcast . It has been such a treat

16:45

and I'm going to drop your website

16:47

in the show notes so

16:49

that people will be able to follow you and

16:51

hopefully we'll be able to eventually

16:53

see your stuff on the big screen as well . I

16:57

think it's crossed , thank you very much . Thank

16:59

you for joining us today and have a wonderful

17:02

day over in New Zealand . You

17:04

too , thank you . You've

17:17

been listening to the Adventures in Learning podcast

17:19

with your host , dr Diane . If you

17:21

like what you're hearing , please subscribe

17:24

, download and let us know what you think , and

17:26

please tell a friend . If you want

17:28

the full show notes and the pictures , please

17:30

go to drdianadventurescom . We

17:33

look forward to you joining us on our next adventure

17:36

.

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