Episode Transcript
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0:14
design for you wow,
0:16
that is right and theme
0:18
with other interview today, amazing
0:21
guest
0:27
name chris and
0:29
he needed and size five
0:32
narrative podcast time some amazing
0:34
people generally i have
0:36
such as helen hunt elena
0:39
humming stephanie beatrice are
0:41
some other fan folks were in like ghosts
0:44
amazing stuff going on and
0:46
it sounds amazing as
0:48
well amazing scary right choice
0:51
that was scariest he that's just
0:53
a genre that scares you
0:56
so nice i would call a hard psi
0:58
phi it's kind of in the
1:01
guise of being trapped on trapped ship
1:04
and the science behind that the
1:06
level of
1:07
how did you married or grab and
1:09
moon was and spacewalks and all that like
1:11
an uber
1:12
an immersion and
1:14
immersive experience
1:16
thanks to and brilliant credible audio
1:18
and
1:19
very claude juncker so
1:22
stick around listen to our interview with chris
1:24
supporter on solar on
1:26
been showing isles want to talk events and something's
1:29
happening
1:30
the during his world
1:32
the
1:33
the only to the radio federal speaking of from
1:36
the as you said entered to
1:38
jump into
1:39
i think it's
1:41
i mean it's a super holberg amazing
1:44
writers contributed to this bug and
1:47
the radiant citadel is also something
1:49
new hello for all you dungeon
1:51
masters out there that are just looking for ways to
1:54
add
1:55
cool things fear him he's even
1:58
up just like pluck out
2:00
the radiant citadel and as use it in your
2:02
game now and
2:04
then go
2:05
please and thank you and
2:08
, adventures are just full of
2:11
amazing cultures and thing that you know
2:13
not deterred a typical western
2:16
com fantasies stereotypes you've seen
2:18
there's tons of things that will be resonant
2:20
for people all over the world so i'm excited about that
2:22
part of it to like to bury the house
2:25
we are at we it he play dd
2:27
for a long time he candidate used as some of the
2:30
the archetypes and are out there
2:32
and loves them i love playing with them but here's
2:34
a way to get some of those fancy archetypes and
2:37
you make them up mobile
2:39
the new cultural touchstones in there
2:40
very poor but lots of like
2:43
any anthology both are says a
2:45
lot of bits and bobs in there for
2:47
you to use and your campaigns and just
2:50
candid about
2:51
there are at least three characters named bob
2:54
and as soon i think members
2:58
we're not getting
2:59
rebuild their literal bits and bobs in there
3:02
are needed birds as them in the market
3:04
as market d first
3:07
manager saw the legacy
3:08
yum yum
3:10
yum yum yum yum also have
3:12
still jammer adventures in space
3:14
spin spin speaking of space
3:18
on the horizon the horizon
3:20
event horizon name is about it
3:23
yeah i'm yeah modelling
3:25
the sixteenth
3:27
really happening facedown
3:30
murdered hundreds of my faves
3:33
very , wales states
3:35
files
3:36
you seem like nowhere else right
3:39
and how big their here now thing
3:43
yet they just exists
3:46
among you system as you're just paying
3:48
it off oh and the the deck
3:50
of a spell jammer to such big giant
3:52
space well my
3:54
combine face hamsters
3:57
with are
3:58
the giant
4:00
four minutes or
4:00
in or manager giant pentagon
4:03
the woman
4:04
some plasma
4:07
now
4:08
among you as well
4:09
have you always want to play like jello
4:11
character and i can
4:13
i i mean i didn't know i wanted
4:15
to until i did saw
4:18
our i currently am asked like whereas
4:20
this character been my whole life
4:22
it's like those betty
4:25
crocker nineteen fifties kickboxer
4:27
like everything can be a jelly
4:28
i'm left and then in the mold the fleet
4:30
what to bring to your fourth of july party
4:33
is a ruse i could just like smash
4:35
myself into a mold until i got
4:37
bundt cake
4:38
on a boat a move the earth
4:40
the kind that have like the little designs
4:42
printed on the side like some for
4:44
some like autumn leaves like embedded
4:46
in their
4:47
that
4:48
when i come out of the more they have little
4:50
leave
4:51
i remember those things called them salads
4:53
to and like that there's not a valid
4:56
i mean it ah thanks
4:58
the entirely
5:00
we fight for stuff inside of it and you
5:02
can see it in articles that i can
5:04
mandarin oranges was are actually delicious
5:07
best in marshmallows
5:09
or whatever people put inside of
5:11
and it's like that consistency
5:13
that's like little little all that's the found
5:15
it makes and but you ain't seen
5:18
kinda like a gelatinous cube like you can see
5:20
what what's in it a lot
5:22
actually that's how we were the inspiration
5:24
was for a gelatinous cube in the seventies
5:27
in our hands full circle on will be able to play
5:30
a plasma it
5:31
in adventures in space wow
5:33
really fun i am playing
5:35
when and sometimes i
5:37
like to be and my gooey shape and
5:39
sometimes i like to be and like a humanoid shape
5:42
and when i become a human i had i like to
5:44
make sound effects when my limbs
5:45
now
5:49
i love that design is the
5:51
through nine podcast
5:54
i know chris porter might want to hire
5:56
me for the nes as next
5:58
the for season two
5:59
the get into a solar because i'm
6:02
available and you can seventy
6:05
plasma it's out there i'm
6:07
available to do the effect of
6:09
them
6:13
i mean the images
6:15
that are conjured up in my mind is immediately
6:17
otherwise my curriculum
6:22
and forget
6:23
now
6:24
we were able to paint a picture with
6:27
i am now a very tired
6:30
plasma it and her name is jelly
6:32
that
6:36
hurt me physically jelly
6:39
do is the name of
6:42
a i'm sure your
6:44
dungeon master because the love all of these
6:46
puns
6:47
the fellas other his
6:50
leg
6:50
gallagher who do you wanna do members
6:53
can do that
6:54
now can do that
6:56
that ah ,
6:58
he doesn't say that he's wonderful so that's
7:00
amazing well that will be coming
7:02
out very soon as i said in august
7:05
we've got ready and citadel in so
7:07
why and
7:09
you know some lance of dragons
7:12
lance of horizon
7:14
as well
7:15
maybe
7:16
we unfortunately do not have a be segment
7:18
for you here we com be segments
7:20
and of of the as another one lump inside baseball
7:23
here but we are excited to jump right in
7:25
have our conversation with chris
7:28
porter
7:29
the we hardly could have gotten my dad
7:31
come back with as
7:33
the kind of like thinks he's a big
7:36
deal now
7:36
he is a big deal he was wearing
7:38
a young dmd t shirts all around town
7:40
people love him
7:41
yeah he's
7:44
just like telling everybody is like a
7:46
podcast or maybe that's
7:48
where you've heard of ma'am like the episode has anyone come
7:50
out yet okay well nowadays
7:53
by the shows were like no one's even hurt nobody even
7:55
knows
7:55
they were
7:57
on the same as
7:58
i'm like a level
7:59
a mouse
8:00
i'm gonna die hard at
8:03
it
8:03
party award winning
8:05
the award winning dad my
8:08
dad's the as amazing
8:10
well i use great and
8:12
i believe our next guest is also be
8:14
great
8:15
agree everyone
8:18
, welcome chris porter to dragon
8:24
dragon and they have
8:26
audiences to yeah
8:28
there am very excited to have you
8:30
here no an
8:32
amazing
8:34
hi fi adventure
8:37
flash thriller podcast solar
8:41
the main why don't you tell us
8:43
a little bit about
8:45
polar absolutely i
8:47
, is a twelve episode plus bonus
8:50
content there's what we call recovered audio assets
8:52
between each episode that reveal little bit more
8:54
of the story story it's about
8:56
a spacecraft and close orbits the
8:58
sun the got overpowered by an enormous
9:00
solar flare that also hit earth so the
9:03
people who survived on boards don't
9:05
know if there is an earth that they can even reach
9:07
out to for health when their ship is stalking close
9:09
orbits the orbits i day
9:11
i bet surviving crew members are also
9:14
stuck on opposite sides of the ship as they're
9:16
trying to help each other so it's it's it's
9:18
sort of a big survival story of
9:20
what story , it take to
9:22
survive in a circumstance like bad
9:24
the frail humans just insects the positions
9:27
of us very large uncaring
9:29
son with unfathomable unfathomable
9:31
power
9:33
i'd up and yellow light
9:35
and yeah
9:36
the happy it's i
9:39
am so there's
9:41
who
9:43
the topics to
9:45
i'm know but i'm what's the very
9:47
easy word is that has escaped me bus
9:49
two types of a verb things
9:52
that give me anxiety like
9:54
in terms of like movies books at
9:56
john tv whatever one is
9:58
anything about
9:59
women's prison i'm i
10:02
don't ever wanna go to prison ever to i
10:04
was and like ever since i was a little girl
10:06
and like walked in on like something
10:08
that an adult was watching and it was a scene
10:10
from a woman's prison alec i'm never going to prison
10:13
i ever
10:14
on i've always read
10:16
our rules person ever since and so
10:19
it's actually really was keeping
10:21
me but the other one is like being lost and
10:23
says like that
10:25
proponent of gives me great anxiety
10:28
and i will say that the first two minutes
10:31
of the pilot episode of sorts
10:33
was go dislike like
10:35
the
10:37
it was so anxiety
10:41
ridden the i've molson
10:44
all just site sort of beware
10:47
if you're driving i don't know
10:49
that you want to listen to those first few
10:51
minutes of the car
10:52
right i mean we do you put a disclaimer
10:54
in front of every episode i saying like just
10:57
be aware that there will be sounds all around you
10:59
and also headphone listening is is suggested
11:01
obviously wants you to listen to it no matter what i
11:04
but we do try to warn people were like we we
11:06
really tried to mix this and three sixty degree
11:08
sound so please don't
11:10
crash require
11:11
oh i mean you you really
11:14
feel like you are there on the
11:16
spacecraft and things are happening
11:18
all around you it was incredible and
11:20
so the weldon i'm assuming that is the
11:22
emotion that you're trying to elicit from
11:24
here we ask our listeners but
11:27
yeah and we like to say sort of
11:29
our i
11:30
more overview pitch of it is that it's supposed
11:32
to be a journey to the center of our solar system and and
11:34
exploration of the vastness of the human spirit
11:37
and so that covers both
11:39
pay you know the science part of like hey we're
11:41
going to the some let's explore with the sun means
11:43
to mankind but then we also really
11:45
wanted to use the stress of that situation
11:48
in the isolation away from safety
11:50
and earth and people that you love to
11:52
really drive at home of why what
11:55
your self worth is and who you are as a person
11:58
so we really tried hard to explore both those paths
12:00
simultaneously like
12:03
gravity meads orange is the new black
12:06
for me as
12:09
sounds that i had a lot of anxiety
12:11
i will say it is not a space prison
12:14
but assassin i swear job
12:16
the board but there are other apps that are those
12:18
in noida as a of yeah there but i'm
12:20
really excited about the temporal
12:23
distortion polarizing
12:25
of his i'd something know as a reasons as enemies
12:27
obviously we're talking a lot about psi phi
12:29
i was in the guise of spell jammer now
12:31
can be used with the a d but like i i
12:33
am also like is huge hard side by
12:36
nerd sometimes and so that idea
12:38
of though like a search
12:40
again enterprise going
12:42
around the sign in like new taking advantage
12:45
of that temporal drivers hundreds of the theory
12:47
of relativity there is that part of way
12:49
it is that a component of this
12:51
it is and as a quantum
12:53
mechanics and i will just have to
12:55
like leave some blank spaces america
12:57
the delegates who spoiler is how that relates
13:00
becomes more important later on by
13:02
i even him the first episode the
13:05
non linear story so we're hearing recordings
13:07
of specific days and it always begins with a time
13:09
stamp from the ai system aboard
13:12
the seventies name is eight alleys from the eighth
13:14
on language interface ah who and
13:16
coincidentally is voiced by my code records
13:18
any curtis on i have but she gives a
13:20
time stamp so if people wanted to they could actually
13:22
map out on a calendar and figure out
13:24
what day and twenty forty five these different
13:26
events were happening i
13:29
button as with that like because
13:31
of that temporal thing it at first it feels like
13:33
it's it's almost the gimmicks because of how it's something
13:36
around but the longer you go into the story
13:38
the more important time becomes
13:40
and the way that we perceive time becomes nice
13:43
i will say all episodes are available now so
13:45
like it's feel free to binge it and then go back
13:47
and try to reorder it because we definitely
13:49
tried to leave clues and bread crumbs that you
13:51
wouldn't realize where there until your second
13:53
listen through
13:55
oh cool
13:57
yeah
13:58
right well now it's got a bit then
14:00
mixed in there soon as i as
14:02
syllabus possible
14:04
, what i
14:06
mean i can we be talking about this for five
14:09
minutes and we haven't mentioned this amazing cast
14:11
and again or or
14:13
these are all folks that people know what were we
14:16
were some of the amazing stories my have
14:18
i'm working with them i so i just
14:20
to run down the list real quick for listeners are stephanie
14:22
beatrice alan cumming selling hunts
14:24
i jonathan banks as the unknown but i'll
14:27
we were able to fit him into the groove because he just
14:29
works so well with with the combination
14:31
of voices of , honestly
14:34
i huge part of the story of the making
14:37
of solar is the fact that it happens
14:40
the pandemic so to speak i
14:42
wrote the first draft of the first four episodes
14:44
me at a table read of those in february
14:46
twenty twenty million three weeks later
14:49
ah the world like completely up ended
14:51
and sat down and it was like now me
14:53
writing the story about people in isolation
14:55
to can't talk to the rest of the world suddenly had a very
14:58
different tone smile at it i
15:00
was going into like some personally dark places
15:02
i just because it was it was
15:05
the nature of the story and i am not going to say that
15:07
it's an allegory for the pandemic to that was never
15:09
intended to be that is just the idea of isolation
15:12
and survival through it and trying to work
15:14
together was more resonant
15:17
posts pandemic era i
15:20
so we we then were able once
15:22
we got the script than we we did like table reads
15:24
over zoom for the entire as
15:26
season and that's when we started
15:28
reaching out to the larger name actors
15:30
we did either since for some of the smaller i names
15:33
that like the be less people are
15:35
but for these big lead roles
15:38
we sent out offers along with
15:40
some samples of the scripts and i
15:42
still remember stephanie beatrice was the first a
15:44
list actors who said yes the end
15:46
i remember i was out for a walk when we got
15:48
that email and i just like sat on somebody sends
15:51
out jenny my co director was like did
15:54
you get this email and she hadn't opened hadn't yet so
15:56
like we just had just had of just freaking out on
15:58
the sewn together like i believe this
16:00
is gonna happen i and then it happened
16:02
again without coming in and happened again with helen hunt
16:04
and we were just floored and flabbergasted
16:07
and it was just a huge honor to work with all of them
16:10
grammar or yeah the only by
16:12
we we also left out resumes in cook stirring
16:14
to in the pandemic so they couldn't
16:16
the out doing things so they were much more willing
16:19
to like
16:19
it was go to the can find studio the following
16:21
all the cdc protocols let's
16:23
do this thing where i'm in a booth alone and the directors
16:26
on directors other side of other glass so it's all completely
16:28
safe like hives so they would like
16:30
table next every what they it was a good timing
16:33
in regards to getting these people also
16:35
stephanie beatrice i hadn't been in
16:38
in cancer yet she had already done voice but there
16:40
are so animating at some i so
16:42
we kind of got her right before
16:45
her out the flight
16:47
launched with and current though and it was just good timing
16:49
on that front i that being
16:51
said the only person who couldn't come into
16:53
our studio in north hollywood to record and
16:55
was allen coming who
16:58
i had to record from his home i
17:00
i in new york ends
17:03
there is one day in particular because we only had
17:05
him for three days to record all his i'm
17:07
materials and one day it was raining
17:10
and we could hear it on the recording and we
17:12
were like it's were so sorry allen
17:15
we can schedule this for another day whenever
17:17
it's convenient for you we just can't do it as we
17:19
can hear it is no no no no i i got this
17:21
the disappeared for five minutes came back with two
17:23
giant quilt blankets and put it over him
17:26
and his microphone in his scripts and he recorded
17:28
for the whole day underneath these quilts just so
17:30
that we could get it on my man
17:33
that's that's a pro right best ones
17:35
and like a little money or no matter what
17:38
mighty do and how did his performances of
17:40
it zero and i would he said
17:43
see anything with angry frustrated
17:46
that so great
17:47
ah yeah this is amazing
17:49
i would actually my quilting was all you
17:51
needed to be down for the booth
17:54
now
17:55
buying you never told us that
17:56
ah
17:59
the about six
17:59
equipment and it's
18:02
so interesting to me that you are writing
18:04
the so
18:05
during covered like when things started
18:08
locking , and all of the similar themes
18:10
do think that it would be
18:13
could the sorry be different
18:15
if it weren't like during the normal times
18:17
it it this the plot wouldn't
18:19
be different but the way that they talk about
18:21
the isolation would be difference i
18:24
have for me i'm someone who in
18:26
my own personal writing process i have to
18:28
really find myself in that particular
18:30
character and it's not all of me but it's just like
18:32
oh here's the me in this particular character
18:35
the when some of the characters
18:38
talk about isolation
18:40
it was much
18:41
less
18:43
meaningful and person on the first drafts
18:45
where it was just more like oh i've
18:47
been alone for a long time yeah
18:49
whereas now it was like oh i'm is
18:51
going to restaurants like i miss
18:54
i miss that aspect of being social
18:57
and so as a result i think the characters
18:59
did get deeper because of the
19:02
writing failed to change
19:04
the make sense
19:05
yeah you're her everywhere it absorbs
19:07
the stuff is happening around you and kind of puts it
19:09
into the art the you're grading on the store at
19:11
your time around the indeed a vice
19:13
versa i am
19:16
the so yeah as i mentioned earlier
19:18
you know be have a spell jammer adventures and
19:20
space coming out very ,
19:22
and one oz
19:26
really important aspects
19:28
of it is of course i was like this fantasy say five
19:31
to end we don't necessarily go deep
19:33
into the kind of hard sigh five this but i
19:35
wonder if you at a d d player yourself
19:38
have any thoughts on how to
19:41
perhaps use his bit of like isolation
19:44
or like you know be lost to the and
19:46
the astral see with a spell jammer
19:48
how you can kind of get some of those aspects
19:51
of of side by story telling the haven't really been
19:53
able to able explored in in fantasy so
19:55
much i mean i
19:57
i don't know that this is gonna be universally
20:00
but hopefully someone will will connect with it bites
20:02
i just sort of like to look at
20:04
like what like when i was even conceiving
20:06
this way back when and twenty nine scene of
20:09
or what is the sorry that i wanted so and space
20:11
i just was initially like ours was
20:13
a story about them going to the far edge of the universe
20:15
or about them going to colonize alpha centauri
20:17
or whatever and then i was like oh no actually
20:20
haven't seen that many stories about going into
20:22
the sun obviously there's movies like sunshine but
20:25
i haven't seen ones exploring like what the sun
20:27
is of you know an actual
20:30
cosmic force so that's kind of
20:32
the inspiration for that so i in
20:34
some ways if it's like setting up your character
20:36
to do the thing
20:38
that you want to see and science fiction
20:40
like what is what is the thing that you want to explore
20:43
is it cools you explore
20:45
wetsuit is like is like like know what
20:47
ways they're cool hunting party but you could the
20:49
you i don't know if that's how for this kind of
20:52
the were would start
20:53
but in particular i mean just
20:56
playing as a playing as someone with
20:58
real emotions in an unexpected
21:01
space and i is really
21:03
valuable part in this
21:05
is gonna go to i the
21:08
campaign it's almost and we were playing the the stride
21:10
campaign the the
21:12
end there is this one moment where
21:15
out , is good friends name
21:17
is michael he's on our team of people
21:20
i his character is very
21:22
egotistical and it's he would always
21:24
do the thing that would give him the most power and
21:27
he picks up some weapon the chance
21:29
margaret vitamins some sort of a tree and
21:31
first them forever and i was my
21:34
character was livid as
21:36
him because it was such a dumb idiotic
21:38
thing to do and
21:40
yet the me part of me the
21:42
chris part of me was like michael played that
21:44
perfectly like he did he did
21:46
exactly what his character would you even though
21:48
it was the dumbest crap i've ever seen in my life
21:51
ah but it's exactly what decades to redo bit
21:53
like as like as it gave me
21:55
this weird sense of like oh now
21:57
i know how to tap into that the
22:00
anger as a character without
22:02
it being damaging to me cause i'm not angry
22:04
at michael my character was angry
22:06
at his chest and ,
22:08
that that sense of which isn't isn't
22:11
relegated to any of their settings
22:13
per settings it's just an emotion butts playing
22:15
the emotions real and interacting
22:18
that's true your characters possible i think is
22:20
the most helpful that interesting
22:23
yeah
22:24
we pride people talk about am lead
22:27
the for right where you're playing
22:29
at m b a even this and getting that example
22:32
it somehow chris
22:34
with angry with michael even own was your character's
22:37
rak a were interacting that way and how it's important
22:39
to you
22:41
brag about barriers add
22:43
to make it happen but i like where you're saying which is
22:45
like sometimes that allows a more freedom
22:48
to explore those motions
22:50
ah brand out you know
22:52
i mean that's mean that's you get into a deep sorting it's
22:55
almost like the bill i mean i don't know
22:57
what what ida alan cumming character
22:59
is like by incoming the person
23:01
was very helpful and try to help the
23:03
production happened yes when he could be playing
23:05
a big ass all that everybody hates right
23:08
an invalid yeah it's that we're dichotomy
23:10
are making art with with billions in
23:12
it in that you have you
23:14
know you'd be are offset everybody's lives
23:16
in congenial or whatever ah
23:18
and and is what you but once
23:21
the cameras are rolling in was the makes are going or
23:23
once the theater performing starts okay
23:25
know you a that person for all those things
23:27
right and such as we're dichotomy the only really
23:29
happens when you're oh i i personally
23:31
hate it and theater when the guy who plays
23:33
the villain where the woman who plays a villain comes out
23:35
and everybody booze at them because i'm i
23:37
know you you hear them they did their job
23:39
well like why hershey who are
23:41
, at the end of it and yelling yelling
23:45
know they did a good job like to do them when they're the
23:47
villa not when they're the actor who did the villain comes
23:52
to say but anna in wrestling like
23:54
that's the kind the kind as our the as like renowned
23:56
and cheering for my yeah in a negative do
23:58
today
23:59
the
23:59
open it on the right
24:02
there's so much
24:04
the know i don't know can i haven't read all these
24:06
different aspects of reform
24:09
how when you're
24:11
when people are doing this as
24:13
a
24:14
hard cash and they're all that so
24:16
they're not together when they're recording as
24:18
everyone record all separately or are they ever together
24:21
though i i do due to the covered
24:23
restrictions at the time everyone has a record
24:26
entirely separately i will
24:28
agree that there is a one scene in the entire series
24:31
where they did records together but they were actually
24:33
in separate boost across the hall from each
24:35
other as i sold their
24:37
in i won't tell you with seen it was easier
24:40
imagination and figure out which one it is i
24:42
but i i everyone had
24:44
to recorded entirely separately
24:46
that is alex just an additional
24:49
challenge for us the director and how
24:51
the part of
24:52
that he on acting as interacting
24:55
with each other responding to the other
24:57
person
24:57
i am era and so it's
24:59
this is where i think i was incredibly
25:01
brilliant and asking jenny decoder exodus with
25:03
me danny curtis i who
25:06
actually isn't actors or she has an
25:08
actress backgrounds i just to fill you in a little bit more
25:10
about me as well i work with the speaking as
25:12
a society here in los angeles which is an immersive
25:14
entertainment company either creates
25:16
three sixty a merciless i projects
25:19
and immersive theater for anyone who i is doesn't
25:21
know what that is it's where they're basically
25:24
not only the not a fourth wall but there aren't any walls
25:27
where the my actors will actually interact
25:29
and pull you into a space and walk around
25:31
and like ask you questions and your answers
25:34
may actually impacts the way the scene unfold
25:36
i , with you as an as an audience
25:39
member actually a part of the story
25:41
that's unfolding i so jenny
25:43
and i actually met through that where i don't i'm
25:45
not an actor but eyes and associates artistic
25:48
director for speak easy and they let me do a lot
25:50
of the writing in the music for that company
25:52
eyes console jenny was an actress though
25:54
it's or see got to perform a lot of my stuff and
25:57
so when i was looking to do
25:59
this to do that
25:59
didn't i say to i'm a
26:02
podcast companies ends i
26:05
hi i was like hey would you want to create
26:07
the thing with me now the thing i didn't
26:09
realize is that when we were going into a record
26:11
things this is the part that i didn't plan ahead but it just was
26:14
serendipitous i only
26:16
one of us was allowed to be in the recording
26:19
engineer booth at a time so you have the place
26:21
where the actor records that sealed off and
26:23
any of the place where it's like all the levelers
26:26
in the the guy who runs the board and everything
26:28
so only her or myself were allowed
26:31
in that space with the engineer at
26:33
any given time during the process i
26:35
the other person could join be a zoom and there was
26:38
never any question that jenny was gonna be the
26:40
in person director for these
26:42
actors there's being an actress herself
26:45
she could perform the other parts with
26:47
the people and she could help guide the performances
26:49
the way that she always pictured of the dialogues
26:51
going and i'll be sitting there listening and
26:54
if something would come up that i think was not
26:56
working with the script the be like hey can we tried this
26:58
way and i would offer my input and things i
27:00
her strength though is in that performance in the
27:02
production and of things and mine is more in post production
27:04
since our so come from a background of music and sound
27:07
design soon i so we had
27:09
this incredible i sound designers
27:11
name is cj drew miller in
27:13
he got what we were trying to do
27:15
and he figured out how to make it work with the of
27:17
yarn atmos and dolby atmos and
27:20
how to make it does three sixty all around you
27:22
sound and how to use different sounds
27:24
too actually telegraph
27:26
what space your and and things like that i
27:28
so i was more working with him
27:31
in tandem to get the sound design to
27:33
a level where journey than was offering the comments
27:35
as opposed to the when see was working in tandem
27:37
with the actors to get the performance while i was offering
27:40
comments and that's how he kind of arrived at the end products
27:43
hi
27:44
though it was very much all of
27:46
us think having a lot of conversations
27:48
and sending a lot of emails and notes trying to figure
27:51
out how to do the best way forward but in
27:53
the end it really we're very proud that
27:55
it sounds like it's all unified no
27:58
boy what a surprise record
27:59
the every person alone
28:02
it is also be so in that
28:04
there are they are alone no procedure
28:06
and suffer
28:07
how so there is only one scene where
28:09
they recorded at the same time and different booth
28:11
but i every other seen is
28:14
only one person at a time
28:16
no the screen to give me an
28:18
idea now for a
28:20
d indie game and so are we are as
28:22
i many let's see cel jammer unless as copy
28:25
or idea
28:26
gilbert lesser role player ideas
28:28
suicide
28:29
we have like a cast a crew
28:31
of for people something
28:33
happens there on a a spells
28:35
yammer but they can't communicate with each
28:38
other
28:38
the say science what
28:41
do you know what would happen as a dungeon master
28:43
if like you are if you really played
28:45
at were
28:47
instead of us are being around the table or on
28:49
zoom together the dungeon master really
28:51
only interacted
28:52
what each player individually
28:55
and gave them a scenario and i'm
28:57
up here be so there's one
28:59
there's one day i mean something happens
29:01
there that could impact the next
29:04
player but you don't you
29:06
don't know if you don't know the results of your absence
29:08
until like the ends and then
29:11
what would that look like if you can
29:13
you or maybe it's just like for
29:15
a part of your campaign like
29:18
even just one encounter this is a thing that
29:20
happens and you're you're all separate
29:22
and then you are some get back together
29:25
but like so so much as scenes
29:27
and because of things that you did that you didn't know
29:29
what impact other people on things that
29:31
are impacting your actually the result of someone
29:33
else
29:33
so ingrained might not that are
29:35
you with that play out i wonder if
29:39
i feel like that is something that would definitely benefit
29:41
from a zoom like if you're doing
29:43
it over zoom seek out break out room to jump
29:45
yes i said that were you were having
29:48
to like get up from the table and move
29:50
on a timer pretend like you aren't hearing and
29:52
i also feel like in addition to
29:55
tracking with the characters would do you would wanna
29:57
already have wanna plan for things that will happen
29:59
to the ship
30:00
regardless of their actions
30:02
right like an asteroid hits the zipper something like
30:05
abided by round three the asteroid it's descent
30:07
or somewhere that where they have to than
30:09
response to it and the choices they've made up
30:12
until that like if one person lowers
30:14
the seals are one person raise the shields or something
30:16
like that
30:17
the protection against an asteroid
30:19
i
30:20
they would do we have different consequences
30:23
yes for some
30:25
reason its reminding me of the
30:27
role playing zero and is and sandals
30:30
yeah where there are certain
30:32
things that are outside of what
30:34
you actually get to choose like even when of your character
30:36
traits i don't aspire like can it's
30:39
a big with the big the press moments you're playing
30:41
than candles i but there there's there's certain
30:43
elements that are outside of your control and i think
30:45
that would actually be really cool and i would love to do
30:47
that i don't see that being done
30:49
on a a a like i play by post
30:52
thing or something where it's not couldn't
30:54
contemporaneously yeah that's the way i yeah
30:56
right so that you could you know have individual
30:58
sessions with people and then a
31:01
or it'll have them post videos
31:03
or whatever and then and then deal with it i
31:05
mean almost reminds me of the way diplomacy
31:08
works at board game diplomacy works we are putting your
31:10
order yeah no one knows what your orders are going
31:12
to be and then you all reveal them later like having that
31:14
kind of happen yeah yeah i'm and
31:16
i agree with you shall i could probably work better than
31:18
encounter or as like and aspects
31:20
of yeah a campaign i don't think i would play
31:22
the an entire campaign like this it
31:25
doesn't really go be a one off or something like yeah
31:27
even if it was just like i
31:29
the next four hours were going to be doing this
31:32
mm an aisle yeah
31:34
rebuilding interesting
31:36
and i wonder like as a player
31:38
what would i like it when you could even have somebody
31:40
says not
31:42
i'm not fair for the party and
31:44
they could actually be trying to sabotage
31:46
you know
31:47
the road throw keep going
31:49
down this blue sky sessions i
31:51
i i even wonder about legs and in
31:53
the among us emergency meetings right were
31:55
like after x number of one on
31:57
one moments is the dm his legs
31:59
and i are on the mess hall
32:01
in and like a this is the situation
32:04
of their ship at large like what
32:06
would you fess up if you realize you completely
32:09
screwed the goat on something he would
32:11
you actually fess up to it or would you
32:13
try to cover it off our and against
32:16
an , as you buy them as much as a friend
32:18
a break
32:19
that's why not confessing
32:21
i'm around and cyber to
32:23
aggravate the with communications
32:25
, is really important in stranger things do about
32:27
like having to to
32:29
the first season summer spoiling anything
32:31
right like iraqi me getting back avoided
32:33
in the upside down and ah
32:36
the normal world and there's and aspect of that this year
32:38
to write were like to write because
32:41
you can communicate with your party members that when
32:43
you do is be such a powerful moment i
32:45
am that , are there are
32:47
i as i mentioned in the in that plot
32:50
synopsis stood there are two surviving astronauts
32:52
from the flair who are trapped on separate parts of the ship
32:55
down when the story first begins
32:57
i'd they've stopped communicating with each other
32:59
for reasons that will become on taxes
33:01
you go down the line by you what you're saying
33:03
is totally true that when i was writing a to was like but
33:05
why would this person reach out at this
33:08
moment to say this or why would this person
33:10
turn down this call in this moment to say this
33:13
and what exactly are the steaks that are changing
33:15
for these people at any given moment
33:17
the how many great
33:19
i mean i mother a story that
33:21
has multiple points of view i and
33:23
so that are separate and then when they interact
33:25
and come together mean as such
33:28
a great job and it's something we don't necessarily
33:30
explore that much in enough
33:34
tabletop roleplaying because everybody's around the group and everybody
33:37
can talk to each other and there's always like in
33:39
that aren't fun and beginning but i like this idea of
33:41
are splitting off am especially
33:43
for a spell jammer type thing where that's
33:46
a lot more possible when you're just a ship hurtling
33:48
through the astral see
33:51
the i'm so as a d and eve
33:53
santa and yourself when you were writing this
33:56
did you have like it gives
33:58
us this
33:59
being
33:59
the role playing game when nike i could see
34:02
this being as ago campaign setting
34:04
honestly i love that idea and never occurred
34:06
to see him while
34:09
while i was i i was riding miss
34:11
riding miss
34:12
that was when we actually started i doing
34:14
a new distraught campaign they
34:17
didn't start out with strive we started just and like the
34:19
regular sandilands i but i
34:22
we started doing them over zoom during the pandemic
34:24
in sodium the actually became my leg
34:27
respite it was denied that i didn't
34:29
have to stay up to eleven pm working
34:31
on the script where i could just like i'm
34:33
, going to take the next three hours gonna you
34:35
know have some nice drinking gonna sit there and
34:37
play this game with my friends i
34:40
though for me the india map in that
34:43
particular moment was my saving grace
34:45
as opposed to me saying like how
34:47
could this be a role playing game but now the sad
34:49
as the greatest aggressive o'clock
34:51
they got your next
34:52
combine your work with your hobbies
34:54
as much as i have nothing
34:57
, i'm not working from home i clearly
34:59
of good you know good boundaries
35:01
for for a piano
35:04
as i write my been shy of the last
35:06
year were going on going on i can't
35:09
, won't stop by
35:11
is so you got into the india lodgings
35:13
pandemic did you play beforehand were you a player
35:16
or you know before twenty twenty
35:18
so might have to deal with a little unconventional
35:21
in that i actually i mentioned i did a lot
35:23
of work with theater and one point i had and gig doing
35:25
music i as i
35:28
long beach and yes you long beach
35:30
ends i phone when he doesn't know
35:33
that's maybe thirty miles
35:35
away from l a but at the same time and take you
35:37
an hour as to get there so
35:40
i had a lot of time going back and forth
35:42
to do this so at this i theater
35:45
in long beach and i i
35:47
initially the first couples rises like we're just gonna
35:49
listen to music to the distilling music and
35:51
then i was like know like need something long
35:54
form it's going actually carry me through and
35:56
so i started listening to the adventures
35:58
own by the macro brother
35:59
the balance arc and i
36:02
caught up literally two weeks after
36:05
they've released the last of that particular
36:07
arc i just remember
36:11
i'm i'm a sucker for story like
36:13
any good story i so i
36:15
was just like weeping in my car
36:17
at the climax for that particular podcast
36:20
i i n's i
36:22
was like this like this and i started selling all of my
36:24
friends as like you have solicitous he has to listen
36:26
to this podcasts and thank goodness some
36:28
of them dead ends they were like oh
36:30
we actually really enjoy this and we will be released it
36:33
to do the
36:35
in the campaign and i was like great
36:37
i'm going to come up with it ends it's
36:39
ask about homebrew this was like homebrew and homebrew
36:41
and homebrew were like i went into this
36:44
with them i was like you guys are my friends you're not gonna
36:46
judge me none of us know how to play this
36:48
game very well stories from
36:50
the game mechanics any point times as as
36:52
you can do something and if it benefits the story
36:54
and makes sense will figure out a way to make it work together
36:57
i , it was just it was a hot
36:59
mess it was it was all over the place
37:02
and like powers were crossing levels were all
37:04
over the maps but we were having just a
37:06
blast playing in this little world that i
37:08
created in exploring the different characters
37:10
that they had created i'm some
37:13
day i promised them we will go back
37:15
and finish it but i had a couple projects come up and
37:17
we had to back burner that's i
37:19
and then then i switched
37:21
jobs to work it does bike as company and then
37:23
the pandemic happen so as a result that
37:26
whole game just is indefinitely south
37:28
for the moments are but it was then during
37:30
the ah ah during the early days
37:32
of the pandemic where the same group was like
37:35
hey why don't we actually do this and we're going to invite
37:37
you know someone who actually knows the insists
37:40
on them and anchors you gets actually just play
37:42
the game this time i ends
37:44
and as i find it just as
37:46
joyful and an entertaining and i
37:49
playing this game with these people in and
37:51
not doing it with the homebrew and homebrew and homebrew selection
37:54
a high it makes it a lot easier i'll say
37:56
that easier
37:58
in the sense of i understand what's happened
37:59
as a perfume
38:02
the throw came at a while and see what sticks hi
38:05
to be fun and games but i give him oh yeah
38:07
a in that i know where'd
38:09
where'd where my game was going so i promised
38:11
my group if we don't return to the game within
38:14
five years i will actually write them out one
38:16
would happen what would have married and our eyes
38:19
, the day will actually know what happens to their characters
38:21
to the did have a plan for where i wanted them to go
38:24
go yet notice this day we've
38:27
been doing the stride campaign now for a
38:29
while when the more traditional set
38:31
up and i think we only have one in two sessions
38:33
last oh wow i am
38:35
miraculously we've all kind of survives
38:38
i died but then was real vilified
38:40
i believe was the was i
38:43
said that there's something very wrong with my character that
38:45
even i don't understand yet at this point i'd
38:47
a i'd m knows but i just have knows but in the back
38:49
of my head nets or s taiwan
38:53
our as the face and the front of your head
38:55
yeah and i
38:57
target the facing the back of my head's an asshole so that
38:59
son
39:00
a lighthouse off a mind our
39:03
own good guys taught in the his people
39:05
and make sense and it's great
39:07
that is great i dea am snap
39:09
on an island he has a lot of on with that
39:12
guy i n but in another
39:14
one as i grabbed a lot he is running that's
39:16
the when the grub body's own i've aga santa
39:18
i am
39:20
the to write it off with fire hazard than
39:22
and at the maybe
39:25
grow saving throw this every the most out
39:28
of it yeah it yeah he's he's just a delight
39:30
and he he very quickly
39:32
learns what we were stir
39:35
in the game where is he like learned
39:37
that i really like having inner
39:39
player character dynamics and so he gives
39:41
me opportunity for that and he discovers that
39:43
the guy who plays the wizards the the
39:46
ah michael who grabbed the
39:48
amulet when he soon as i discovered
39:50
he loves doing stuff like that so he keeps
39:52
giving him opportunities on like it's
39:54
just these like wonderful little touches where
39:56
it's like he's listening to us and actually
39:58
playing the game casinos the
39:59
once us the have a good time
40:02
and at the same time we still completely surprised
40:04
him all the time
40:06
they were like a can
40:08
do you guys just did that escorting like yep
40:10
we did assess sorry
40:14
immense amount
40:16
is their similarities you see as like
40:19
as like as like arrives are
40:21
like yourself with being a director
40:23
as loans a way that you interact with characters
40:26
and both
40:27
them i mean definitely ah
40:29
it's it's a sense of play for for having
40:32
that willingness and storytelling we
40:35
obviously you're focused on like the our tour director
40:37
kind of concept where the director comes in
40:39
and he's like i know division that i want i know
40:41
this and you have to perform give me one thousand
40:43
and six of this one line until i hear it exactly
40:45
the way i wanted it soon enough people
40:47
do exists i i i
40:49
think it's a lot more fun for everyone involved
40:52
it went in there is that level of like talk
40:54
to me and i'm going to talk to you and
40:56
we have to create this thing together i
40:59
and i think that did that that may help
41:01
obviously like we couldn't has improvisation
41:04
and solar because we ,
41:06
everyone separately we needed the scripts actually line
41:08
up with i each other
41:11
the having met freedom
41:14
the creation is just a good
41:16
exercise in general i
41:18
it for any eight for whatever field your enjoy
41:20
exercising the creative muscle saying what
41:22
are you doing what am i doing and how is this helping
41:25
the thing that were doing together is just it's a
41:27
wonderful
41:28
wonderful thing
41:30
i like the i mean the i've i've been
41:32
in theater in other situations where you have
41:35
those directors that you're talking about
41:37
that are a little bit more no
41:39
stringent right yeah to get
41:41
my vision and everyone must be subservient
41:43
to it and i really appreciate the
41:45
folks that come up from attack
41:47
usually like i have you were mentioning having
41:50
i sound background and i've loved
41:52
working with directors
41:53
that
41:55
understand that there are just part of a team
41:57
they might you know b c
41:59
we're in the arbiters of like what finance have been
42:02
nothing but it is about getting ideas
42:04
from everyone and adapting
42:06
them arm and like a said people
42:08
who come from like a lighting designer ah ah
42:11
it even an acting background
42:13
sometime by as as your code record and like
42:16
just as much more of a that language they're able
42:18
to reacted to communicate better
42:20
with artists like that rather than just
42:22
being you know my where the highway
42:25
in in sometimes
42:27
not that i'm trying to brag about myself and come
42:29
from the post presence but is it
42:31
does give more freedom
42:33
to find the ways that the different many
42:37
years overlap mean right like
42:39
how how does music and sound actually
42:41
worked as as solidified unit
42:43
as opposed to you have sound and then you have music
42:46
night and my how how you
42:48
know if you do a late teens and you have a sound
42:50
que that matches the light seems what does that actually
42:52
means to an audience member i
42:55
it it it up that line of
42:57
thinking and i i find great
42:59
excitement in that as well you
43:01
can slow down tech rehearsal a lot or yes yes
43:04
yes whereas like i'm worse
43:07
ottawa performance motor i'm the director blood yes
43:09
or no that's get us to your problem but i've
43:11
been we're actor is actor serial killer
43:14
again like league it me to db
43:16
in that speaker okay no minus two db
43:18
and that's be does not have enough to plus ten
43:20
in this bigger was younger i'm like ok guys less
43:24
accurate yeah but
43:27
what's interesting is that was probably the show
43:29
ah probably game ah specific one game
43:32
called nocturne that was actually written
43:34
by anthony ramps brother oh
43:36
out of all it's so weird the
43:38
undies lasts for trade yeah i to makes
43:40
yeah i stuff our latest it's
43:43
all related but that one
43:45
was all related you're saying like was really had
43:47
the impact of the audience in mine
43:49
and how the three sixty sound could
43:51
make you feel a certain thing was more like i was
43:54
i guess you play inside this guy's head and his memories
43:56
and and and how he was processing
43:58
them and so ah
44:01
i love doubt now the dungeon masters
44:03
can take some of the those skills
44:05
and bring them timetable we've young
44:09
used , like siren sounded like you know
44:11
i i've ambient noises
44:14
to kind of bring to life that that
44:16
that immersion in ways that we're
44:18
not really possible you know the my ten years ago with
44:21
my technology we have now when i was a
44:23
d am i from our game i was
44:25
writing my own music cues for the different sequences
44:27
that i wanted to have haven't of course i
44:30
so he took me like twice as long to get
44:32
a game red colors like
44:34
was nice to get the whole soundless ready but
44:36
now i love aspects i love it when
44:38
people do that
44:39
yeah you a tech rehearsal for you didn't he sustained
44:41
yeah that's ,
44:45
a love that though i mean it's part of his way i have
44:47
this game room do with all these a
44:49
colored lights in here was to try to do
44:52
some of that as well and to give you the
44:54
tools to do it on the fly is our
44:57
it's a super by now it's super by it doesn't
44:59
take a lot to make just magic from out of nowhere
45:02
i remember the first time a
45:05
dungeon master dungeon master me a know
45:07
my character like actually been said
45:09
resale like either the know he actually put
45:11
a note my hand and i was like who
45:16
ever it only followers and
45:18
discusses the paper we've come a long way since
45:20
then but
45:21
no i mean i immersive
45:23
theater like we like we we
45:26
will hand people notes and it still feels like magic
45:28
is yeah we've we've become so
45:31
separated from their art that
45:33
it's when it's hands you a note it's something special
45:36
yeah
45:37
no going back a little bit too solar
45:39
cars i i still keep rattling
45:41
around in this in this kind of idea to do
45:43
and and how it relates to dmd and
45:46
little bit of this topic of did
45:48
, create a map of what
45:51
the ship looked like cited
45:53
really mad about where people are and how they
45:55
could communicate or not with each other i
45:58
i did i will probably
46:00
be a long time from now before so anyone
46:02
that drying because i am not
46:05
an artist's individual sense in any
46:07
way shape or form i you don't
46:09
want me to paint my own room let alone actually
46:11
be graphic designer i buy
46:13
like so i had a sketch to so that i could
46:15
say this is what the zip looks like when they say the network
46:18
arm this is where the network arm mrs with this looks
46:20
like this is how they're deploying the mission and
46:22
that became really useful with i see
46:24
their sound designer where i could be like
46:27
there any capsules their fifteen by sistine
46:29
the have you know plastic was of to a certain
46:31
point in his metal walls and their fans of their
46:33
the do the summits i so that he
46:36
could figure out how to sound was bouncing off the
46:38
walls and things like that i
46:40
but there there was there there is
46:42
like a map of the ship out there just
46:44
probably won't so it seems to frequent
46:47
and assess like to wear to wear of
46:49
but that's okay because i am too and when your
46:52
dm sometimes it doesn't matter you does
46:54
i need to convey the information and
46:56
in a when his eyes are doing that than as
46:58
it's an effective man
47:00
the
47:01
the but yeah definitely like trying to figure out how long
47:04
and like mapping out because there's
47:06
certain spacewalks to happen over the course of
47:08
the season i and if you listen to actual
47:10
spacewalks they're very long and they're
47:12
not that exciting ninety
47:14
nine percent of a time it's like
47:17
the you'd rather
47:19
using a few data excuses
47:24
and it's like you that the has to be precise because
47:27
like obviously there are lives on the line but it's like
47:29
we like we took liberties with that
47:31
and like mapping out how fast it someone reasonably
47:33
move and like and i just
47:36
because it we'll
47:39
it's an audio medium we got a guy here's
47:41
get has hours our brain right leg when the
47:43
we lose we lose gravity of see signs
47:45
throughout the show and so i suzanne
47:47
i had actually have a discussion of like what
47:50
does zero gravity sound like because
47:52
nothing , not the right answer for a podcast
47:55
i so the stuff like
47:57
that where we did take liberties we
48:00
know that you don't really hear sounds and space but
48:02
that's okay eyes but definitely
48:04
mapping it out to make sure all of that was in place
48:06
and
48:07
with him
48:08
go now i want the the addition
48:11
to the
48:12
the order
48:14
remix already podcast to get
48:16
an autograph large order now in was a real
48:18
time like twenty four version where
48:20
i get that you to stay my ocd and then be bold
48:22
enough to be like it's gonna be quiet for an hour and a half
48:25
or i
48:27
will say that there's as on guard
48:29
oh yes i will say that there's that seen
48:32
an episode as five the episodes
48:34
called the anniversary party where
48:36
we hear the titular i anniversary
48:39
party and when i was writing it i was like it
48:41
be really cool if all these conversations
48:43
happened at once and we get to hear from
48:46
the different microphones around the room so
48:48
we get to hear this conversation over here in this conversation
48:50
over here and in the background we keep hearing the other
48:52
conversations and i remember writing
48:54
and thinking like what that's cool that's neat hi
48:58
and then when we went to edit together the
49:00
voices i was like well this is a nightmare
49:03
us you know embedded out
49:05
like all of the people and figure out like
49:08
where they are so i can minded up for sound designer
49:10
to be able to space woolly place them and
49:13
, i had to write the music that's happening at the party
49:15
that would be replayed after every single one and
49:17
it and they on a was an idiot made
49:19
the characters talk about that parties
49:21
i talk about the music and how they didn't like it
49:23
so had to be just bad enough for people
49:26
to not legit but not bad enough for the items
49:28
to stop listening i was just i
49:30
whole thing where it was like oh like wrote
49:32
myself into a nightmare but when i think of
49:34
it that's the moment where i'm like where would love to just
49:36
year the entire anniversary
49:39
party happen at once for real life where
49:41
it's like all of the conversations is happening
49:43
at once i and that's yeah definitely
49:47
drive me nuts that boy am i a hard
49:49
things to do and parties in general
49:52
or hours loud bars right
49:54
side high can't hear you
49:56
the present i can do because there's a conversation happening
49:59
behind me that it out loud enough
50:01
where i can't not pay attention to it yep
50:03
right and so that sounds like torture but i
50:05
love the idea of
50:07
the getting added the control to the audience rain
50:09
like so yeah i'm forgive those old wendy's
50:13
became like the brain is and people do they are you looking
50:15
camera one or came into came camera three like
50:17
maybe you could do that me like me like the course
50:19
of his party raised into different
50:21
the number to definitely one of the pipe dreams
50:23
of audio that caesar was talking about
50:26
the used to be our eyes the equipments
50:28
to space ally room so he was
50:30
saying like is there a world where this could actually just
50:32
be a vr experience and you
50:34
can actually like lock on the person talking
50:36
and new oc over there and listen to this conversation
50:39
like ten or town so yeah and
50:41
it's very cool we did we were not
50:43
able to do that but it's very
50:46
good idea
50:47
living somewhere that this type
50:49
of content could go in the future right
50:51
as vr becomes more prevalent
50:54
in an empty for getting ensure that you start having
50:56
instead of just an audio podcast it's a it's
50:58
a vr content experience
51:00
i think that would be
51:02
very cool
51:04
i i also love the idea that i
51:07
love the idea that you could even do temporal stuff
51:09
with that where you can be in the room after the
51:12
event the are listening to his happens
51:14
hi
51:15
the that you can hear how the room got to be
51:17
the way that it is i love that kind of thinking
51:19
for sure i , know how
51:21
that would work with so in particular but there's actually
51:23
a world where you are storytelling
51:26
will move in a slightly
51:28
different way than just being a game or just being
51:30
a story and will be how you experience sorry
51:33
yeah
51:35
the iguana like an event happened at a party
51:37
right murder like a murderer's oh my god or something
51:40
happened right and then right
51:41
then all within the incidental conversation
51:43
the haven't before and really more important
51:46
and for you want to go back and times and blitz into
51:48
those to right predict the
51:50
clues
51:51
our yeah but that
51:53
could also be done in done in deep setting
51:55
to re like i have a good idea of there being
51:58
something that occurs
51:59
maybe light hearted mean is that a party the maybe says
52:02
by go you're in a tavern things are happening then
52:04
bam let's think about that will was actually
52:06
happening right here even i just summarized
52:09
it the dm as i as a sentence
52:11
or two but now okay my knowledge zoom in
52:13
or like gibbs give their players a magic item
52:15
where they could zoom in and temporarily
52:18
to okay what was the barmaid same to the
52:20
tavern keep exactly yeah i'm
52:22
if you think of a i videogame cells
52:25
from the over dean was it called they
52:27
were know it's it was it's i
52:30
don't know that i can spread it but it's basically about a
52:32
ship that was attacked by a sea monster but
52:34
you have to work your way backwards through
52:36
the logs and figure out who was
52:38
were when to get the full story of
52:40
what's happening okay now and i was more
52:42
like a narrative yeah im experience
52:45
yes
52:46
one lot of awards remember like it yeah i mean
52:48
visually it's absolutely stunning down
52:51
percent
52:52
very cool i mean that's how my dad was the only plus
52:54
it's not it's a very good get him to sing like visually
52:57
was very stunning so
52:59
now you've done this experience of of of
53:01
working and audio or any
53:04
brady in d have you ever thought
53:06
about doing more of of alive
53:08
play though the
53:11
and even podcast or anything like that oh
53:13
i mean i would i would love that i
53:15
don't know that there's the means at the moment
53:17
to do that with the company that we work with i
53:20
i but i what you know
53:22
alan cumming and how and hand will i'll jump
53:25
when an ass on at least see sense
53:27
of reality i
53:30
think there will be really exciting how it i would love
53:33
to do it as the short answer to that there's
53:36
no definite plans and also say that like we would love
53:38
to keep telling stories in our solar universe
53:40
i i'd we're working on that
53:43
as we speak who has gone
53:45
name
53:46
what am so
53:48
i'm curious about your at the writing for
53:50
the for solar when you're writing for twelve
53:53
episodes and are
53:55
you writing everything euro everything
53:57
at once did you write it out
53:59
right solder and
54:03
like and i think there's probably some similarities
54:05
with how a dungeon master mate
54:08
right at first
54:10
session center for yeah there's like similarities
54:13
there any tips that you
54:14
definitely
54:16
i definitely i the idea of
54:18
our enemy campaign with a little hook or ending
54:20
a session with a little hook right now you always
54:22
want to end , episode with a little hook
54:25
i sometimes it's a really big one likes is
54:27
a really big cliffhanger after i had the end
54:29
of episode one of solar because we wanted
54:31
to keep coming back to take an hour episodes
54:33
use i i but
54:35
some of some of them are smaller sometimes it's just you
54:37
know someone makes i i com
54:39
and that is suddenly it's you weird i
54:42
made all of that is to see swords the idea
54:44
of wanting them to come back like wins and accessing
54:46
going to be when's the next episode gonna be as
54:49
for me both in my when
54:52
i was doing my damning campaign ends
54:55
in solar isn't stories are in
54:57
general i always loved to know
54:59
the general direction where i'm heading
55:01
hi
55:02
don't know is i you've ever heard this
55:04
term but stairs and writers were architects
55:07
in there some writers who are gardeners i
55:09
, the gardeners are people like george
55:11
rr martin where they plants all the seeds
55:14
and i just hope the plants grow and to see
55:16
what happens and how the story unfolds unfolds
55:18
n's there's a lot of value and sprite
55:21
work being done in that field architects
55:23
are more the people who were like i have the hero's
55:25
journey ends i have the three act structure
55:27
and this is the event that happened here and this happens
55:30
on this page this this happens here and
55:32
they make the story and plug it into that
55:34
ends that's where you get stories
55:36
like star wars there's not really
55:38
like a right or wrong answer to that
55:41
i like to say that i'm i'm
55:43
more like gardening using calluses where
55:45
it's like i i want the plants to
55:47
grow but i need them to grow in the specific
55:49
saber the designers of this
55:51
particular wall i that's
55:53
the way the i like to work so usually when i start
55:56
writing start writing well this is where i see
55:58
the overall arc of the season going and
56:00
then i start going from their ends mapping
56:02
out will the speed is important here disputes important
56:04
here but we have space in here in i want
56:07
to explore this moment with this character here
56:10
i which is a little bit more freeform and
56:13
you'll see some of that the further on in the
56:15
story because you start meeting more and more of the crew
56:17
over the course of season one us alerts and
56:20
i as you get to know them dirt
56:22
everybody has a little moment where they kind
56:24
of gets her present
56:26
themselves to the audience exclusively
56:28
and say this is who actually am i
56:31
in these various ways and those
56:33
are the moments where i've tried to be more of a gardener
56:35
unless of a an architect so
56:39
i think that also applies to suffer you back to the in this
56:41
makes me was in the conversation but
56:44
it is like that's the way i like to the in
56:46
the that when i was doing my campaign my campaign the
56:48
general point that i wanted them to get to
56:51
but i didn't care how they got there
56:53
i would give the multiple avenues and say
56:55
take your pick do what you want
56:58
we were going to go on this ride together and
57:01
a lotta times they would do
57:03
that that was ten times more creative than if i
57:05
had been trying to dictate what they should have been during
57:07
the entire time
57:09
the more i'm a gardener yeah of
57:11
a dungeon master i i there
57:14
is there is a running joke that for wow that
57:16
in my campaign i didn't someone
57:18
was like i'm going to use the restroom and i was like we're not going
57:20
to the restrooms in my world there's
57:22
nobody goes to the bathroom i let us i
57:25
and so in protest the first time one of them
57:27
came across the bedroom he immediately said i'd
57:29
like to take a nap
57:30
then he rolled and he gets take a two hour naps
57:34
for , character and it's like like
57:36
didn't yeah that was a petty protests but
57:38
like of what's hilarious the hijackings
57:41
is that like that's hilarious to me and i
57:43
loved it so much that all these
57:45
other characters were doing stuff and he was the think i'm
57:47
taking a nap and i'm fine with it i would
57:49
be a role the dirty like man i
57:51
defeated in defeated off
57:53
right doesn't have the like sometimes
57:55
like ah this is worked and
57:58
what you say worked figure a guard
57:59
or an architect
58:01
the now hundred percent are attacked
58:03
you know that i want to be more gardener
58:05
but i definitely
58:07
and to structure i'm
58:10
, opposite i the guy i'm gardner
58:12
here i go i'm like you are a doctor
58:14
and gardener with choices migrate
58:16
i think i have maybe
58:18
an idea of how to get bear in
58:20
in both my damning style as
58:23
well as in a narrative storytelling
58:25
but like it is very much
58:27
like or know or even ah the ending is really
58:29
going to guides know the ending of going to has
58:32
you know these three aspects of it
58:36
light up to be there that would be a that
58:38
would be michael was rising them
58:40
the rain his book together because we get our combine
58:42
our forces into a tramp
58:45
an architect
58:46
we now
58:46
really like i mean
58:48
every beautiful home needs a beautiful
58:51
garden so we can
58:52
we all have our our
58:54
differences
58:55
i'd like to be like i think maybe
58:57
now i'm like an architect's
59:00
but i mean i haven't
59:02
saved and printed by
59:05
month it said
59:06
i forty so i always
59:08
like we're still like in designs
59:11
year ago i know things can change and
59:13
that's okay that's okay
59:15
it's okay
59:16
yeah as a better big thing to has been willing
59:19
to just when you have the architecture
59:21
so down that you're like i don't
59:23
know the snow this puts this off by one
59:26
the moment and beings like no no instinctual
59:28
just been will say like that's okay yeah right
59:31
i were like our our them the midpoint
59:33
of the season a solar happens a little
59:35
bit later than you would normally do it on paper
59:37
but i'm like know it feels better where it
59:39
is now so we're just gonna
59:41
though were fed yeah
59:43
that's a question so
59:45
isaac as creative as well as dn dmd
59:48
person
59:50
you often are well
59:53
agreements a my you're listening to other people's contributions
59:56
to the storytelling and think and think to give can
59:58
be this way i think it should be this
59:59
but as a director in a word
1:00:02
or writer creator about a lie or the dm you
1:00:04
the ultimate arbiter of like are we out as
1:00:06
a good idea to start a good idea
1:00:08
how you make that call it is it
1:00:10
just feel as you're saying of the just instinct or
1:00:13
or do you deliberate
1:00:15
on a do you like do pause and are
1:00:17
you like whom was table and like me think about
1:00:19
it for twenty four hours and come back to it like what's
1:00:21
your process like there for both the storytelling
1:00:24
as well as the am and how you decide what's right
1:00:26
for your story of a lot of times
1:00:28
instinctual he is the first choice and
1:00:30
working towards that's our but then
1:00:32
when i get see back i will often sit
1:00:34
on it and and figure out a way to incorporate
1:00:37
it's a lot of times where it's not even just
1:00:39
like he
1:00:41
just take this idea but like how do we take that
1:00:43
idea and and make it something even more
1:00:45
special where i have
1:00:48
i have aspects of i'm aoi
1:00:51
vs on language interface and solar for instance
1:00:54
i him she gives
1:00:56
these help desired temperature readings
1:00:58
of the capsules i when
1:01:00
the ship's not working on the different sides of the sept
1:01:02
so you can actually hear what the temperature difference is
1:01:04
between the two sides of the shifts out
1:01:07
and at first it was like oh we just need
1:01:09
to hear that the ship is more
1:01:11
damaged like need to figure out a way for
1:01:13
the ship to be more damage that was the new after the
1:01:15
first asked to them really well let's
1:01:17
say it was do temperature readings within like
1:01:19
a way to temperature readings actually tell you how
1:01:21
hotter cool it is at any given moment any
1:01:23
way to temperature readings actually give you actually spatial
1:01:26
guide for how far away it's
1:01:28
castaway so when you're in capsule when you're can hear
1:01:30
a capsule serious i and so
1:01:32
it kind of bloomed out from that and that was not the original
1:01:35
the idea that came from a note that we got where
1:01:37
it was like
1:01:38
make it work there the ship is damage than it
1:01:40
was figuring out the way to do that the make it
1:01:42
the coolest way possible
1:01:46
i i
1:01:47
also i there's we
1:01:50
had about halfway through of i really schedule
1:01:52
season once someone on our
1:01:54
twitter posted this series of what
1:01:57
was going to happen and some of them
1:01:59
were oh awesome and some
1:02:01
landlords wholly wrong and some of them i was
1:02:03
like i wish we had the mets are that the
1:02:05
fact is that of the show is done at that point like it
1:02:07
is it is what it is and you can't have that
1:02:09
remorse after the fact it's it's either
1:02:11
so you just gotta have confidence that you
1:02:13
knew what you're doing but i
1:02:16
i in you can
1:02:18
do i hated thursday it on anyone but
1:02:20
last you can do the last thing where they're like oh
1:02:22
no that's not it and the not have a cooler answer
1:02:25
i mean okay if it is the same thing that
1:02:27
someone's it's it doesn't it's not bad of
1:02:29
someone predicts the ending if you it's a really cool ending
1:02:31
like that's that's okay the
1:02:34
runway that's where people want in story to young
1:02:36
they want to be able to feel smart and few
1:02:38
read a predicted and as you have to
1:02:42
throw so many curve balls at the end it doesn't
1:02:44
feel satisfied oh
1:02:46
right and i that's good for damning to like
1:02:48
sometimes you know i've
1:02:51
i play with demons who who have tried
1:02:53
to subvert archetypes when
1:02:55
i usually and like all
1:02:57
yeah down doing so
1:02:59
that's around him like you know i actually really just
1:03:01
want to meet a paladin just good
1:03:04
say a satellite dish include like
1:03:06
night lease and in around one
1:03:08
day i'll people are in and be altruistic
1:03:11
idea you don't always have to have already oh
1:03:13
it's breakers every russia has absolutely
1:03:15
yeah yeah
1:03:18
it's about finding out how to give those
1:03:21
roby endings are trilby things in
1:03:23
a way that still feels
1:03:26
likely original even though rail it's it's with
1:03:28
the or retreaded ground
1:03:30
mom get we felt like solar is
1:03:35
you know about the breaking some
1:03:37
of those molds in a didn't feel like even though i'd be
1:03:39
i guess compared to other things
1:03:41
it does feel like it is this weird measure that i've never
1:03:43
quite heard hopefully i mean like of i'll be
1:03:45
the first to admit like we drew inspiration
1:03:48
from a number of sized by sources
1:03:50
i like ali is obviously
1:03:53
some form of descended from house he's a very
1:03:55
different characters and how but like any time you
1:03:57
have an ai aboard a spacecraft immediate
1:04:00
everyone's gonna say oh that's like house
1:04:02
so it's like yeah let's hope is there like
1:04:04
we can avoid that but hopefully
1:04:06
we do some things with alley that are unexpected
1:04:09
holly lives
1:04:10
that's right my
1:04:15
, i'm so
1:04:18
we
1:04:19
we do have to ask because
1:04:21
we
1:04:22
we need to ask this question
1:04:25
the about about your new car yes so
1:04:29
, as i am and i mean mean
1:04:32
i do says and the same with drugs
1:04:34
is coming to an end very soon and
1:04:37
we've been through enough campaigns with their current
1:04:39
characters has been kind enough to let us know
1:04:41
that like we're kind of becoming super powered
1:04:44
ends at that point it's best to retire
1:04:46
those characters i
1:04:48
in the way that we played the indy
1:04:50
we played that we're not just walk into
1:04:53
any situation in can immediately test three spells
1:04:55
and resolve it some i so he's
1:04:57
like we may be restarting miss so just
1:04:59
be prepared to this may be the end of your character
1:05:01
which also was great because that means any of us could die at
1:05:03
any given
1:05:04
hi
1:05:05
but i've been playing now for like a year and a half
1:05:07
two years as agree extra
1:05:09
lock out blue dragon born
1:05:11
barred i n's he
1:05:13
is he is so
1:05:16
much a part of me and i
1:05:18
i that of who i would
1:05:20
like to be someone who is much more confident someone
1:05:22
who is able to walk into a room and
1:05:24
tell a story or joke and everyone's just like yes
1:05:27
this is wonderful i that
1:05:29
i was like i don't wanna say goodbye to him yet
1:05:32
so earlier this year i was looking for
1:05:35
a car and i ended up getting i it's
1:05:37
not even an extra hundred car just a toyota chr
1:05:39
i twenty twenty it's a red car and it has
1:05:42
this blue trim inside and
1:05:44
for whatever reason i was like i
1:05:46
think the cars name is greg man
1:05:49
so i just started calling it reacts it was like
1:05:51
oh that's great so now it's like you know where did where did reacts
1:05:54
i n's i it's somehow
1:05:56
is this wonderful little tribute to the characters
1:05:58
were just grown so loving and have
1:06:00
that he didn't want to say goodbye to yet so now having
1:06:03
for probably another decade the say
1:06:05
, never going to mount a par with the size raised
1:06:08
i entered it was very difficult
1:06:10
trying to explain trying my family why i've
1:06:12
read car was named after named blue dragon
1:06:15
named grads by necessary
1:06:18
it works i love
1:06:20
that animals that related people who name
1:06:22
their vehicles in those who don't ah
1:06:25
family has always been
1:06:28
bolland him by name i don't know why we
1:06:30
have you
1:06:30
we are definitely of the naming of the car
1:06:33
yeah far we've got renner we get to
1:06:35
read guys we get silly and route
1:06:37
ruby
1:06:39
the
1:06:39
the my name million ruby
1:06:41
we had i'm sylvie and
1:06:44
hershey nicely about
1:06:48
how they just recently got my car oh herself
1:06:50
as a result science park the car and so
1:06:53
i had my father just recently got father white carney named
1:06:55
at all us and ah
1:06:58
the
1:06:59
where are we call the white doves
1:07:02
for some reason
1:07:03
very poetic as though
1:07:06
, came here he was so quiet welcome as as
1:07:09
a client like it when when
1:07:11
you know it's a white doves and to slice
1:07:13
smell of i had a parent or well as
1:07:15
quiet like it was pissed
1:07:19
and criminal big dogs
1:07:21
were there are digitally quiet but it was wary
1:07:23
rats an hour of swing
1:07:26
would have been choir i like using all those document
1:07:28
is like how their i know you and everyone
1:07:30
listening as and again and as wasn't all
1:07:32
the know he al all was
1:07:34
how we our that would have been have good name yeah
1:07:37
next we can we i'll bear neck out
1:07:39
there you go all back to
1:07:41
dmd i'm
1:07:44
so solar is out
1:07:46
there ever been to listen to it but you're also
1:07:48
game zoning it as it as your account
1:07:50
on this year right that's right we're going to be on a
1:07:52
panel with these so car serum
1:07:55
you know how i know them or yeah
1:07:57
which is which is fully i fantasy
1:07:59
we
1:07:59
the recorded at i i'm the
1:08:02
only when he says as but i feel like they're sister podcasts
1:08:04
ah because we record is at the studios
1:08:07
where the that are owned by the guys who made
1:08:09
car serum god i've seen indo
1:08:11
i eyes and zoc indo homes and
1:08:14
i i they were producing the
1:08:16
second half of their there's
1:08:18
first season while we were recording
1:08:21
our dialogue
1:08:23
so as a result or shows kind of like
1:08:26
somehow in my brain coexist together
1:08:28
and i together we're doing
1:08:30
a panel on audio storytelling
1:08:33
creating for the imagination i
1:08:36
unfortunately they're releasing they've
1:08:38
asked everyone to release the schedule late
1:08:41
i because they still moving things around to get
1:08:43
everything defense so i don't know the exact
1:08:45
time and place but if he would follow either solar
1:08:47
the podcast on any platform where
1:08:49
on facebook twitter instagram i
1:08:52
we are i hadn't or car
1:08:55
serum which is c a r
1:08:58
e r e m
1:09:00
hi if you fall either one of those will be posting
1:09:03
as soon as we know where were we will be so
1:09:05
i have added about that's talk about
1:09:08
audio dramas and when i you have people
1:09:10
follow you and and on the housing the undies
1:09:12
does this last i five podcasts
1:09:14
you making you bet i am
1:09:17
i chris porter on facebook
1:09:19
there's probably a lot of chris porters so just kidding
1:09:21
around i've lived here i
1:09:23
, doesn't help my images a little robot sort of
1:09:25
the matter assassins on
1:09:28
instagram i am at kosar zero
1:09:30
to see away s t e r zero
1:09:32
two two then this one's
1:09:34
really trippy but on twitter i am magnificent
1:09:37
beast with all the vows removed from the word
1:09:39
magnificent high status
1:09:41
because they were a lot of for supporters
1:09:44
and a lot of coasters and i got to the
1:09:46
game of twitter to wait so twitter had to get
1:09:48
really outside of the box
1:09:50
ben ali's do not you know chris porter
1:09:52
sixty nine or madre which
1:09:55
, pretty sure authority to say to have
1:09:57
say to at the first ones like man
1:09:59
well done ah
1:10:02
i'm excited i am looking for new
1:10:04
podcast so i think going to jump in our to
1:10:06
listen dishonored sounds amazing from how you described
1:10:08
it and i can't wait to
1:10:10
have that anxiety than i know
1:10:13
the a dress be riding your bike or drive
1:10:15
just for the first up on
1:10:18
that don't agree with that c
1:10:20
or anywhere in
1:10:22
, in the words some be an orange is the new
1:10:24
black black settling
1:10:27
down with titles anyway
1:10:29
modern massive i was watching as
1:10:31
a new mom as well so i was already
1:10:34
insists about that and ramon all
1:10:36
and night the woman's prison say it was
1:10:38
it was tough mean away maybe
1:10:41
i wasn't and exists mom maybe was because i
1:10:43
was blessing oranges than average
1:10:46
because i am i was blaming myself
1:10:48
that was really just my tv watson
1:10:50
mccracken glad
1:10:54
, could bring that right lads around to women's
1:10:56
prison prison
1:11:00
well thank you so much goes for taking
1:11:02
us all to this women's prison we really we my
1:11:06
pleasure to have to break out
1:11:08
today although drains present
1:11:11
or it is a user buskers marcel
1:11:13
dead meeting you like way
1:11:16
i enjoyed jogging to chris so
1:11:19
much
1:11:20
while fun
1:11:22
the creative dude
1:11:23
really just love
1:11:25
anyone who names their car specially someone
1:11:28
who names their car after their deity i
1:11:31
know that johnny mayday
1:11:33
i had a car named boomer named
1:11:35
after a character belasco
1:11:37
star galactica
1:11:38
oh i am a car name bomber
1:11:41
the was enormous
1:11:45
that way named a bomber to the yeah yeah
1:11:47
like out like i'm world war
1:11:48
you bomber it was just
1:11:50
i can to
1:11:52
yeah ford granada
1:11:55
the seventies oh and it
1:11:57
was actually quite cool
1:11:59
the about
1:11:59
while
1:12:01
they'll be like very it wouldn't sit down
1:12:03
seattle's
1:12:04
oh
1:12:09
yes then
1:12:10
we do never be able to parker
1:12:12
i can certainly i can even minute oh
1:12:15
hundred percent yeah i mean it was like a boss
1:12:17
that it was my dad wanted me to have
1:12:19
a say
1:12:20
are no friends
1:12:23
the i say it's with lots
1:12:25
of see still a lot of room in the backseat new
1:12:27
i can ah have
1:12:29
, thought of that dragged dragged
1:12:32
to take all your friends to the
1:12:35
water park
1:12:36
there is to
1:12:39
they have water parks and bring up the
1:12:41
he was in africa when i have this guy
1:12:43
oh god
1:12:44
them and i don't know because my dad
1:12:46
said i could only drive that far from home
1:12:49
to school and back in it will it
1:12:51
and you were rules follow are so you did not
1:12:53
die as laziness and lady present
1:12:56
with your for i
1:12:58
wonder what i saw as a child
1:13:00
i was hard to think about why what
1:13:02
was
1:13:03
no wonder was like a big the locker
1:13:06
what i don't know what a bit of a stake in
1:13:08
the cafeteria and like
1:13:10
i remain biting like
1:13:12
physical fights and food flying
1:13:14
everywhere live where is of
1:13:16
an anger and i just couldn't
1:13:19
imagine being there are it like
1:13:21
in the gray sweatpants was actually is
1:13:23
kind of comforting
1:13:24
i've actually been wineglass dvds
1:13:27
a separate of our fired i can relate
1:13:29
else what is the elderly by a british
1:13:32
prison where miss piggy is able to break
1:13:34
out of in the game up game caper
1:13:38
i always thought the criminals in that scene where
1:13:40
very polite but then i just realized they were just british
1:13:42
yeah no , guess maybe
1:13:44
or a british women's prison with
1:13:46
these other federal know i
1:13:49
go and ago
1:13:51
are we going to send your the dragons our correspondent
1:13:53
to the prison in my hometown
1:13:57
i would go and you
1:13:59
know this
1:13:59
the and bring the indy bucks
1:14:02
accent or that you know
1:14:04
would you know that you know what i am
1:14:07
free the other while lamb guess
1:14:09
he is for my area and
1:14:11
he didn't entire book that was doing
1:14:13
creative writing classes with a
1:14:16
winner the women's prison in my home and
1:14:17
the thing amazing oh really
1:14:19
yeah because it is like i've been working
1:14:23
are you needed people still need to create
1:14:25
art sometimes when they're incarcerated oh my gosh
1:14:27
probably more sell their problems
1:14:30
and everything that was like it was really great ah a
1:14:32
therapeutic thing for for for them
1:14:34
are just so as a sign of just
1:14:36
like the indy to be exactly yeah
1:14:38
storytelling and that way
1:14:40
yeah yeah but i don't want i'm
1:14:42
just i'm just like scared
1:14:44
harrison sides i just don't think i would
1:14:46
do well in that environment that's all
1:14:48
you know you like paper here
1:14:50
like how piper was yelling at him think i was going to be in prison
1:14:52
but now i am
1:14:53
yeah but she handled it better than
1:14:55
oh thanks way
1:14:57
yeah i know you'd i think i see i want to receive
1:15:00
a story don't know regen not
1:15:02
all birds labour like a character like shelley
1:15:04
who got everything right
1:15:07
but in his wrongly accused and guess
1:15:09
into a prison and then asks you
1:15:11
said happen either way out
1:15:13
don't know right by i think i would just feel like
1:15:16
i would
1:15:17
curl up and i would try to get a job in the kids
1:15:19
yeah
1:15:20
read it was rad below cooking
1:15:23
the line way
1:15:24
i just oh my god no i
1:15:26
can't i'm not said
1:15:27
well i'm not going to do the trope
1:15:31
starting your dmt character
1:15:33
in a prison them
1:15:35
yeah because as you know the
1:15:37
preview things like this is a air
1:15:39
not a safe space epics
1:15:43
just as scared of scissors
1:15:45
does he over the nonexistent campaign repurchased
1:15:48
efforts think yeah very
1:15:50
much slow thank you all of you for listening to
1:15:52
our ramblings on this here
1:15:54
episode we all love it episode
1:15:56
we you we love that we are able
1:15:58
to you have
1:15:59
conversations with the the
1:16:02
in the community if you want to jump in and join
1:16:04
follow us on a wizard underscored
1:16:06
the and d on twitter you can join
1:16:08
our discord which has got tons of people
1:16:11
in there looking for new games
1:16:13
and reaching new audiences are previous
1:16:15
gusta the ,
1:16:17
general glenn goddard he found a lot
1:16:19
of the people that he currently placement there and you can't
1:16:22
do do jump on the
1:16:24
discord and follow us on twitter like
1:16:26
twitter said or follow me i am at greg
1:16:29
tito on twitter greg
1:16:31
underscore tito on instagram
1:16:34
then there's another person
1:16:36
me if you
1:16:37
i am silly move
1:16:39
on twitter and instagram
1:16:42
you remember when we had long
1:16:44
for like amazon or is done on
1:16:47
august and craig mazin
1:16:50
fine friends get know can you it i guess
1:16:54
ah , started listening more to give
1:16:56
knows these like all six years back as a
1:16:58
guy member that joke that we had for like six
1:17:00
years ago make a better than hers is ah
1:17:04
no
1:17:06
don't remember sexy saying i'm only
1:17:08
gonna go back in back to the archives
1:17:10
it was a bad position back then i'm
1:17:15
all right you're all wonderful people and now it is time
1:17:17
to see what is going on with
1:17:19
junkie to shoes are yeah
1:17:22
alright so you have completed your
1:17:24
task that was given to you by level so
1:17:26
brand the open lord of water deep
1:17:28
and you are currently in castle on are deep
1:17:31
the naps
1:17:33
then someone our
1:17:35
knocked at the door
1:17:37
then you're following them i believe you had rolled
1:17:39
a success a dad else check a crit
1:17:42
nine twenty on
1:17:44
a stealth sector follow them
1:17:47
they were going up a tower look
1:17:49
like they're going up a staircase
1:17:51
that was whining around and around up into a tower
1:17:55
so you re
1:17:57
i did morning time a young
1:17:59
a little bit i can do do
1:18:02
happening outside and i it is
1:18:04
bright new nice france you know from
1:18:06
as i did yesterday to
1:18:08
alter i see that like tons of
1:18:11
cat naps i over the course of an
1:18:13
entire thing sleeping on the four poster down
1:18:15
agreed he said he slept in the the
1:18:17
roof of a four poster better supply than as a cat
1:18:19
island which makes sense
1:18:21
the following feather falling through energy
1:18:24
fine and pop , yet right right
1:18:27
so yes morning time john guards
1:18:29
are moving this way man if you like the council's
1:18:32
coming to life and breakfast and
1:18:34
being served contest know served wafting from
1:18:37
the kitchens i'll be coming up
1:18:39
this tower beautifully known can hear
1:18:41
you and then at then top of
1:18:45
they are you have been hearing the footsteps of the
1:18:47
person that you are falling up there and
1:18:50
die easter hearing
1:18:52
recession and hushed tones
1:18:54
you know what you're saying but yet but
1:18:56
they are
1:19:00
entropy
1:19:02
the
1:19:03
when you do and i get a little closer with
1:19:06
, extra hi ah
1:19:11
, it's
1:19:12
make me yourself check
1:19:15
and
1:19:16
i can okay oh dear i
1:19:19
growled so you you're very
1:19:21
hungry i'll listen to the have been sleeping for a while
1:19:23
but you do still kind of creep up you hear
1:19:25
you hear have a i have a of
1:19:27
a single
1:19:30
they are as you're going up but it's not
1:19:32
too loud and it could just be a bird flapping
1:19:34
by
1:19:35
the ain't gonna unload a closer and
1:19:37
you're able to can i can train your neck
1:19:39
around and ,
1:19:41
a view of what you see and it
1:19:43
is a human woman
1:19:46
woman robes on
1:19:49
different from little sober and kind
1:19:51
of like more raggedy can brown roads
1:19:54
speaking to something
1:19:56
that is outside the tower
1:19:59
you can't get [unk]
1:19:59
you on it but it does is used doesn't
1:20:02
actually speaking to anything
1:20:04
from anything from vantage point but she's like some kind of straight
1:20:06
ahead out at sea and to the west
1:20:10
and here i'm saying
1:20:11
the see my season a trans or something
1:20:14
or like really
1:20:15
no actually she seems pretty agitated eyes
1:20:17
is is no are around and i am
1:20:20
not well well
1:20:23
are you have
1:20:26
okay
1:20:28
hi i'm going to make my way back down the stairs
1:20:31
okay
1:20:33
i am i right the railing
1:20:35
the whole way of
1:20:39
of as well as
1:20:41
to demagogue about assert their arrival
1:20:43
bigger acrobatic such as you try to go down the stairs are
1:20:45
still going to be stealthy his friends that i'm sorry
1:20:48
i'm trying your fast of trying gotta tell
1:20:51
you how to generate subspecies used
1:20:53
i didn't he hit the been as our our
1:20:56
our but used to continue to go down home
1:20:58
and tiny and like leading her years overdue and
1:21:01
damage but you know down to bonobo you're not know
1:21:03
don't think you are very bright about it
1:21:05
and and you hear footsteps coming down
1:21:08
from atop the tower either a high
1:21:10
i need to i'm going to go try to find lara
1:21:13
right ah so you see a
1:21:16
guards and can a dignitaries passing
1:21:18
by here this is generally a public
1:21:20
places aren't careful
1:21:22
that
1:21:23
the word were all can you put him in a letter of law or
1:21:25
on this overhand silver hands and as liberal there's
1:21:28
miss liberals or hands slow so
1:21:30
i am i gotta say alvin
1:21:34
one and a half old woman comes up to you and says or
1:21:36
as i'm sorry what it used earth are you
1:21:38
just to randomly naming are open
1:21:40
lord
1:21:41
looking for her
1:21:43
can you please bring me too
1:21:45
yo you are
1:21:46
then he chooses
1:21:48
i'm her guests
1:21:49
he i think i would normally
1:21:52
have thrown you out with that name but i do
1:21:54
remember the hearing
1:21:56
that you have done something important and
1:21:58
right
1:21:59
and maybe we should be a little more
1:22:01
open minded when it comes people's names with
1:22:04
zero and ah my name
1:22:06
is amethyst
1:22:10
that's actually really beautiful name
1:22:14
i used to seeing
1:22:17
a farm with me having how fast
1:22:19
i says she takes you and has been
1:22:21
withdrawn and will pick withdrawn up next time
1:22:25
okay okay
1:22:28
, wish i stayed but whatever i'm
1:22:31
hungry yeah i mean
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