0:11

He is drink chants, motherfucking podcast makes

0:14

He's a legendary queens rapper.

0:17

He ain't say greed as your boy in O R E.

0:18

He's a Miami hip hop pioneer

0:21

put up as d J E f N. Together

0:23

they drink it up with some of the biggest players

0:25

you know me and the most.

0:26

Professional unprofessional podcast

0:29

and your number one source for drunk drink

0:32

chans mocads New Year

0:34

c that's it's time for drink

0:36

champs.

0:37

Drink up, motherfucking mother.

0:46

You ain't m make some motherfucking noise,

0:50

Yo, shout out.

0:51

Carlos any fighte South, that's home team my

0:53

head and again makes the noise any by sound right?

0:55

We're here.

0:56

It's a skill, bro.

0:58

I love the eighty five South niggas the

1:00

new face, a new face.

1:01

It ain't happening unless new faces here.

1:04

Okay, Well, who do we have here?

1:06

What us man? Who

1:09

do we have here tonight?

1:10

Introducing me FN We

1:12

got the legendary It's not just

1:14

the South, it's not just New Orleans. This

1:17

is hip hop icons. We

1:20

got juvenile and Manny Fresh

1:23

makes some noise, Yo,

1:26

get my whole.

1:27

Hey, what's

1:29

your name?

1:29

Boris?

1:30

Get my home right there, though.

1:31

The come

1:34

on, man, we ain't complete unless we're making some motherfucking

1:37

noise.

1:54

What I'm saying you heard me, y'all

1:57

know this is this is different for drink champs.

2:08

There's like corporate drink Champs.

2:09

Right now, I'm not gonna lie to you.

2:13

This is probably one of the

2:15

fantastic moments for me as

2:18

a hip hop artist. I

2:20

used to go to New Orleans all the time,

2:23

yes sir, and I used to try to

2:25

discover the new ship. And

2:28

when I came to New Orleans this one time,

2:30

there was this Puerto Rican woman.

2:32

She had gold.

2:34

Fronts in her mouth and

2:36

she was body buff for sure, and

2:38

she said, and

2:41

you know, you're

2:46

just respecting the God.

2:47

And I was like what I was like, yo?

2:50

She said, you need to understand what

2:53

juvenile them niggas is doing over there.

2:56

And I did not understand until

2:59

I understood. And

3:01

let me tell you something, y'all,

3:03

niggas changed the face of fucking hip

3:06

hop.

3:06

Y'all changed the face that

3:09

changed the face of everything.

3:14

And I want to salute you face to face

3:16

man, the man like a like a

3:18

real nigga, and tell y'all, holy

3:21

moly, guaca moly, no

3:26

real ship.

3:26

Because.

3:31

Said, by the way, you know what I bung

3:33

out today.

3:34

You know what this is especially oh

3:36

the fucking oh man Winkle. Yes,

3:39

that's ship right there, that's the old fucking somebody

3:42

got killed behind that ship.

3:45

Mandy Fresh went too far, talk

3:48

about it. What is this? What is this that? When

3:50

I said what is that, I don't know what.

3:52

Listen, this is this is this is God

3:55

man, he tell you.

3:56

So this this ship, like maybe it's

3:58

age, but it was a story about some dude

4:00

who stole the barrels and all of that ship. He worked

4:03

for them, and this ship

4:05

was like the craziest ship in the world. It came

4:07

from Kentucky, right, Yes, yeah, it's

4:09

a Kentucky whiskey or bourbon or

4:11

whatever the fuck it is.

4:13

But it's this.

4:14

Crazy ship that these fucking

4:16

lawyers attorneys and all of this ship was fighting

4:18

over the half. And there was one

4:20

dude who had barrels of this fucking

4:23

ship that he stole. And now

4:25

this ship is the most sought after ship in the fucking

4:27

world.

4:28

Drinking a drinking

4:30

this mother.

4:34

Shot said look jewy like fucking k

4:37

juvy jewey.

4:38

I'm gonna be honest, you give it once everybody.

4:40

I bought my own ship.

4:42

I'm gonna drink you got some beer, right,

4:44

I'm gonna drink your ship. Juy jew,

4:46

I've just seeing the juwis juice you've been wanting on.

4:50

I had a six pack and drink.

4:51

I drank so so what explain

4:54

to us? What is juwbie juice?

4:55

It's a Celsius like on the Palmer Celsa

4:58

right, Okay, they got it, man, you gotta take.

5:00

It's a hard passage to me.

5:02

All right, but but let's let's let's just let's

5:04

just stow it out there.

5:05

Hold on, yeah, past to me, stow

5:07

it out there, and we need home.

5:10

Definition is getting that is?

5:12

Home is home?

5:14

Yeah, I'll brough a home. There's

5:19

a room that's a that's a tour going

5:21

hot noise, it could happen.

5:24

Y'all know ship now we we we got you

5:26

know, lawyers and ship crossy Tea's got your

5:28

ships different Now.

5:29

Ship is different. I'm a grown ass bag. Can't

5:31

just shake my fucking hand. I

5:34

need that money.

5:37

Jesus,

5:41

it's going on. That's gonna happen.

5:45

Uh, you got a cup?

5:47

I got a cup? Right?

5:48

Let me give you a cup? Is this, that, this that, Oh,

5:51

you're pouring it in a cup.

5:52

He's like, let me get some, let me let me try this

5:54

craziness, please me.

5:55

Alright, good look at that.

5:56

Okay, okay, let's just smell

5:58

different.

5:59

Yeah.

6:00

This that this that that ship.

6:02

Here's the nose hairs.

6:04

Yeah yeah yeah, hold on, man, you

6:07

ain't You ain't help me.

6:08

Out at all, man, And you brought

6:10

this for what reason?

6:11

I bought this because these niggas from New

6:14

Orleans and they're gonna

6:16

appreciate this ship.

6:18

Y'all drink whiskey like that in New Orleans.

6:19

Hold on, god, what I'm drinking. I'm drinking what you got?

6:22

Let's go.

6:24

Cheers.

6:24

Cheers to that. Cheers

6:27

y'all.

6:28

Legends to

6:30

the legends.

6:34

Yeah, so, Julie. Oh,

6:38

they said.

6:38

Wow, that ship

6:41

is different, and many took it like

6:43

a chance because you

6:45

know what it is.

6:46

Yeah, Ubi, They said, you're

6:48

the only person to

6:50

make a record.

6:52

What a rhetorical question? Huh?

6:57

The first person I ever heard break this?

7:02

Did you know that you knew the answer to every question

7:04

on that record?

7:06

Said they?

7:07

They said, you a rhetorical question.

7:09

Yes, that's because you didn't really

7:12

care what anybody asked you after

7:14

you.

7:14

Asked that question, right,

7:17

right?

7:19

How does that feel?

7:20

That's crazy?

7:21

Man?

7:21

You got me looking at that ship differently.

7:23

Right, But Julie, break down

7:25

that whole record.

7:26

I'm sure you've done it a million times, but for right now, for

7:28

right here, break down that record.

7:29

How you came up with that record talking about how backup

7:32

ask?

7:32

Yeah?

7:32

Yeah, absolutely.

7:33

But the whole hot thing was, you know, I

7:35

wanted to relive the Soldier

7:37

Rag thing. I don't know if you ever heard the Soldier Yeah, absolutely,

7:40

Social Rag was kind of like the song that kind

7:42

of broke down a lot of doors for us, right. So

7:44

it was like when we got with Universal,

7:47

I was like, damn, you know, I want the whole

7:50

country to hear me in this form, right,

7:52

So I'm like, how the fun can I follow up

7:55

this song and make a song like that? And

7:57

the whole thing was, and I told, man,

7:59

They're like, man, just do one of them beast close

8:01

to like Soldier Rag, but many made

8:03

to be totally different and faster. So

8:06

it brought on another challenge to where I

8:08

was. It was to the point to where I wasn't following the

8:10

beat when I recorded. So leave

8:13

it up to your man, right, make

8:15

my job harder. But that's how the song

8:17

came about. It was it was a follow up to the Soldier

8:20

Rags.

8:20

Now, Manny, i'mna be honest with you. Yeah.

8:22

I've interviewed a lot of cash

8:25

money artists and all that

8:27

they do is say it's always.

8:29

Manny's fault.

8:33

In a good way. They're like, yo, whatever

8:36

I say.

8:37

If I say I want to do rose

8:40

at the end, man he knows how to

8:42

facilitate that. A

8:44

lot of ways, I apologize for making

8:46

this reference, but a lot of ways

8:49

people say that you are the New Orleans doctor

8:51

Dre. Yeah, that's a fair

8:54

that is to me.

8:54

That's bro, that's that's an honor. You feel me.

8:58

We makes a noise for that.

9:01

Oh yeah, you know what I'm saying.

9:02

That was the South doctor for me.

9:04

But born on the South, grew up on doctor

9:07

Dre. So you know, like I fuck

9:09

young me, mimick doctor Dre. You know what I'm

9:11

saying. I wanted to be doctor Dre. So

9:14

that is fucking the honor to me, you feel me?

9:16

And even with how I remember when

9:19

Julie was saying the ship clowning, I

9:21

was beating on the table somewhere and he was

9:23

saying the ship and I was with the high record. Yeah,

9:26

it was let's be honest, it was a joke at first. Yeah,

9:28

it was kind of like.

9:29

All our songs kind of like start off

9:31

from y'all gotta stop.

9:32

Yeah, y'all gotta It was just fucking up

9:36

serious, everybody

9:38

in the studio, serious as motherfucker

9:40

y'all in there playing around and making

9:42

hit records.

9:43

I was like, we're gonna record that ship. M

9:53

yes, sir, No, I'm saying, so y'all

9:56

in the studio, Uh huh. He's

10:01

how does this start? How does this start? Our

10:03

process? So I think what

10:05

made them incredible songs was we

10:08

was always in competition with each other, with

10:10

each other, with each other. If I felt

10:12

like, he will tell you, and I'm going to show

10:15

Wayne Turk.

10:16

Beats all competition every time

10:18

we'll.

10:18

Tell you, let me say something, let me say something that's

10:20

an outside of looking in. We always thought y'all

10:22

was in competition with cash.

10:25

No, we was in competition

10:27

with each other in the studio. So

10:30

if Julie did some ship and I felt like it

10:32

beat my fucking beat up or fuck my feat

10:34

up, the song would sound completely different.

10:37

The next day.

10:37

You never was looking at beats

10:39

by the pound like Saint. That's competition, no

10:42

at all.

10:43

No, we had enough competition to get us

10:45

narrow.

10:45

You to that. Right, we turned in, We

10:47

turned in the album, so four hundred

10:49

degrees right, we went.

10:51

To amazing album by the way.

10:57

So we in Nashville and we got to turn the album

10:59

in money and this Saturday and

11:02

man in Fresh turned on back

11:04

that ass up, which I recorded like two

11:06

months earlier. Right, he turned it on.

11:08

I'm listening to the song. I'm like, damn, bro, you

11:11

changed the beat. That ain't so

11:14

he killing me? He killing me? You

11:17

know, y'all the beat you all listening to. Now, that's

11:19

the beat I'm listening and

11:22

I'm doing some move. Man. I don't even remember

11:24

the ship I did. It wasn't the ship

11:26

I said that, y'all here Now, I wasn't

11:28

saying the bat you're working with some ass at your

11:30

bad. I ain't say none of that ship. It was like a

11:32

regular verse. When I heard that ship that said,

11:34

hell no, bro, when you heard that, you

11:36

got to give me another shot at it.

11:39

So in Nashville, same

11:41

thing happened with her high and people

11:43

don't know how hind.

11:44

Back way too fast.

11:47

Watch hind back that ass I was

11:49

the last two songs recorded on for one

11:52

of the degrees right, and it was recorded

11:54

in Nashville.

11:54

And it was because

11:57

listen, they could change the beats to both of

11:59

them. Yeah yeah,

12:02

wait, so wait, those verses had other beats

12:04

on them that it.

12:05

Was other verses.

12:06

His verse was different, but I felt like they was better

12:08

than my beat. So I changed the beat

12:10

and then he won. He changed the verse, he

12:12

changed the verse. Can I say

12:15

so?

12:15

His changed right there?

12:17

Yeah, let me tell you something, Julie.

12:20

If you ever seen a regular girl

12:24

regular, he love her, man,

12:28

she ain't got nothing to do with nothing.

12:30

But then back that ass up. Come on, this

12:34

girl becomes different. She's

12:36

different, she becomes.

12:41

She backed that ass up.

12:43

And you telling me you made that by

12:45

mistake.

12:47

It's kind of what he said. Yeah, you tell

12:49

you, but I don't want to hear this.

12:53

At the hook now, yeah the who

12:55

the hook was that?

12:55

But the different song though,

12:59

just because we had friendly competition,

13:01

that always made the song so much better.

13:04

Like you know what I'm saying.

13:05

It would be a moment where you had to go to the corner

13:07

and be like, man, what the fuck he doing like he really

13:09

trying to embalance.

13:10

But Mike, Man, the friendly competition is

13:12

within y'all, yeah, within us.

13:14

But man, I just wanted to do one

13:17

yard something. There's a there's a footage.

13:20

There's a US Army member that

13:22

he stands there.

13:23

You got military footage, Yes.

13:25

Military footage, a US Army member.

13:28

Yeah, then you go.

13:32

Don't start dancing.

13:32

No, no, I can't do it. But in my

13:35

mind he stopped playing back that ass up.

13:37

He just.

13:39

Y'all didn't see that.

13:40

I saw it. I know what you're talking about. Man.

13:42

I always seen stuff to me. Yeah, like

13:44

you send me the lady on the ground.

13:47

Yeah, I don't know.

13:48

I don't know what she was at a party of Yeah,

13:50

on the ground she was. She was not on

13:53

the beat, but it

13:55

was carrying on the ground.

13:56

Y'all saw it.

13:57

Y'all saw it. You know what I'm saying.

13:59

Look, look, look where my engineer

14:01

at. I hope you got has it

14:03

it sounds? Can you get back that ass

14:05

up?

14:06

Ready?

14:06

Come on, Jesus,

14:08

that's that's it.

14:09

I want to see weird.

14:10

If anybody, if these women

14:13

in here, look at them, look at them.

14:14

They are disappointed.

14:16

They're looking like Norri. We don't

14:18

want to disappoint our husbands.

14:20

They already having no woman,

14:23

can they get they.

14:25

That's baby making music.

14:26

Let's say that's the greatest love Listen. No

14:29

woman can act normal when

14:31

back then? Ass come on, but

14:33

hold the whole look at them, look at them.

14:37

Don't do it the original version. You have

14:39

that original vision as well? Like is that does

14:41

that exist somewhere?

14:42

No, because because it was that real

14:44

with it.

14:45

No, we just would do that

14:47

ship.

14:48

Get rid of that ship. Let's go.

14:49

If I did a beat that I felt like it was, it

14:52

was whack, I would be like, get rid of that ship.

14:53

Y'all can't y'all can't hear because I would

14:55

have heard that original version.

14:57

We was using two inches.

14:59

So let me find out a hardcore

15:01

version of there's.

15:03

A lot of ship that a lot of folks don't know, you know,

15:05

like our city, the heritage is so crazy.

15:08

My dad was a street dj. My

15:12

dad knows Julie as to Nook.

15:14

That's that's

15:17

your original name. Wise, that's

15:19

that's his nickname.

15:20

All the black Okay, So he

15:23

was DJing, I mean he was

15:25

doing ship like block parties. When my dad

15:28

was djaying with

15:30

your dad. Yeah, working on ship

15:32

that you know, just working on his craft.

15:35

Then this ship just evolved to some

15:37

other ship.

15:38

You know what I'm saying.

15:39

And it's just not the same.

15:44

It's not it.

15:45

It's not gonna it's not it's not gonna transcend.

15:47

Right, and how relax, buddy, fall

15:49

back? Yeah, because because

15:51

I want to hear that real back the ass time?

15:53

Right, clar

15:58

Hey, can somebody give me some ice? I came to drink

16:00

too.

16:01

He got any dog? Can you have another?

16:03

Dy?

16:04

Yeah?

16:04

I want to shame right, Yeah, absolutely,

16:07

I need.

16:07

To drink something. I won't say I got another gift.

16:09

Let me get some juwvy juice. Damn

16:13

this nigga, I threw it.

16:14

That's a hit different damn bro.

16:16

Yes, yo, do you remember

16:19

that to be a jewy juice?

16:20

Because you ain't drinking that ship I'm drinking. Give me give me

16:22

that ship.

16:22

Man, all right, I'm about to hit my dog in the head.

16:25

Yeah, I'm trying to get yourself.

16:27

What what what is?

16:29

Turn it over? No, you gotta upside

16:31

down.

16:32

It's different the other way, the

16:34

other way, man.

16:35

You gotta upside down, man,

16:37

other upside down.

16:42

I see you smoking, man. I brought to some of

16:44

my smoke.

16:45

That's what's it called?

16:47

One hundred.

16:49

Makes a noise?

16:54

Hey, growing in the babe.

16:56

So let me ask y'all. BG

16:59

just came home, yes.

17:00

Sir, Yeah, welcome, Welcome to BG.

17:02

It's rumors, Yeah,

17:05

it's rumors that it's a BG cash

17:07

Money tour.

17:09

M h.

17:10

It's juvenile Manny fresh on

17:12

this tour. Hell yeah, you.

17:14

Can't do it without us.

17:16

Ship happened without it?

17:18

Is that me and Manny

17:20

already on to it right now? Pretty much?

17:23

Now y'all been on the run, like I see NPR.

17:25

Y'all just going in.

17:26

We so.

17:30

Listen, no fucking

17:33

anywhere they got that bulet that gwop

17:36

me and this nigga getting it.

17:40

This is my partner crime maint rhyme.

17:43

We're getting it.

17:43

You're so

17:46

so let me ask y'all like to be one

17:48

hundred with y'all.

17:49

Right?

17:49

As a fan, cash

17:54

money has been known to like get

17:56

the most money in the world.

17:59

Just been just represse of

18:02

people saying, you know, what is this?

18:05

This, this and that.

18:07

You YouTube brothers seem to be happy

18:10

as how Yeah,

18:13

uh.

18:14

What is what is your take on that?

18:16

We grew up?

18:17

Bro?

18:17

We understand that as black

18:20

men or any man, fuck it,

18:22

black white with all of that. You know, I

18:24

know dude made some mistakes

18:27

and it took him some time to figure that shit out. That

18:29

he made some mistakes. But we also grew

18:31

up because his kids growing

18:33

up with my kids and everybody

18:35

else kids growing up with everybody else kids.

18:38

So you know what I'm saying.

18:39

We could sit around and we could be angry

18:41

and talk about fuck area, and we could get money.

18:44

I talked to him all the time. Man, we found

18:46

man with me.

18:47

You know what I'm saying. So we are not the flue

18:49

who hate each other. We have figured that

18:51

shit out. We get money.

18:53

Hey, look, if you know anything

18:55

about you, if you know anything about me and

18:57

my character, you know it's family first

18:59

with me. And you know I treat everybody else like

19:01

fam and I look at them the same way. So it's nothing.

19:03

Nothing that went on in the past effects my feelings

19:06

right now.

19:06

Is love.

19:07

Yeah, love, it's all what's

19:09

different about us, you know, as a group

19:11

that you know the world never got to see

19:14

all our mamas and daddies.

19:15

Know each other.

19:16

You know what I'm saying, We second generation

19:18

people. Our parents was counting

19:21

on us to get out the hood. They was counting

19:23

on us to do some great ship because they like nigga,

19:25

we tired of this shit. Y'all better get

19:27

out there sing and fucking do something.

19:32

Man.

19:32

So now here tell you you know me, you know

19:34

me being a philanthropist, being a business

19:36

man, My focus is all about generational

19:38

wealth bo helping out the youth,

19:41

bringing them to making sure they

19:43

don't make the same mistakes weeping right, That's

19:45

why I'm at with it.

19:46

Yeah, and I think we have to say,

19:48

like, and I'm not making excuses for people

19:50

doing anything foul, but people

19:52

was young, making a lot of money, you

19:55

know what they was doing, consulted

19:57

by people.

19:58

That didn't have their best interest.

20:00

Hard And I'm not gonna say this works for everybody.

20:02

But forgiveness, Yeah,

20:05

you have to giveness. You gotta move plastic

20:07

a lot of these young crews. I'm not saying

20:09

you you have to, even

20:11

if you don't fuck with that person no more,

20:14

forgive them. It's the only way you're gonna get where

20:16

you need to go.

20:16

Being able to live enough to learn

20:19

to forgive after that really sunk

20:21

down in your heart. I think that means a lot that

20:23

that moves mountains.

20:24

So let me

20:27

ask y'all something though, how did

20:29

how did you jewy?

20:30

Specifically?

20:31

And then Manny when it comes to the production, because

20:34

in New Orleans the bounce just like in

20:36

Miami where I'm from the base,

20:39

How y'all, how did you come into.

20:41

The lyrical side of the Jewy?

20:43

Because I'm gonna just tell you from my point

20:45

of view, you're one of the most lyrical

20:48

artists as far as I'm concerned.

20:50

You're You're in the top tier lyric system, right,

20:56

how did you get there?

20:57

I love hip hop? I love hip hop,

21:00

but.

21:00

How did it go from bounce to what you

21:02

got? Where y'all got.

21:03

Well before it got the buck. I kind of like used

21:05

used being in the club and doing bounce music

21:08

as my stepping stone to get to doing

21:10

what I really want to do, to be honest,

21:12

But it always have been you

21:15

know LLL Cool J Cool Mods,

21:17

you know the Furious Five. You

21:20

know I used to I used to be a Meley Male

21:22

fan back in the day, So you know what I'm saying. I

21:24

like ice Cube, I like uh

21:27

scarf face and my listens long man

21:29

when it comes down. I listened to everybody d

21:31

O C and the listens on I

21:34

was one of them cats.

21:37

Gig exactly bro

21:40

live.

21:41

You just want to perpetuate that listen.

21:43

I lived across the street. I lived in a project.

21:46

I lived across the street from the record store, so

21:48

I got the opportunity to hear everything and see you. So,

21:51

you know, when all this came in town and it came to

21:54

the hood, I got a chance to see a lot

21:56

of them. So I grew up just feeling

21:58

like I liked everybody. I would really stuck

22:00

on one thing. You know. They used to say,

22:02

tupac up big, and I'm like, why not both?

22:05

I gotta juice make no noise for that.

22:08

Yeah.

22:09

I always been like that.

22:10

Man.

22:10

I like music. I like when if I hit us a hit

22:13

from my philosophy call rest went

22:15

BDP. That was our lung when I first

22:17

started, I had to we had to write all the lyrics down,

22:20

and I'm me and all my homies we recited. That was

22:22

the thing in the beginning.

22:23

And you made like, how did you transcend from Bounce

22:25

to what the production?

22:26

How did your production involve from Bounce?

22:28

One of the cool things about New Orleans was

22:30

we played everything as small as

22:32

the city is. East Coast, West

22:34

Coast Records, all of that, like Julie's telling

22:36

you all that story. But the one thing,

22:39

you know, I guess he didn't

22:41

say was every fucking thing

22:43

played in New Orleans, East Coast,

22:45

West Coast, Miami Base.

22:47

All of that.

22:48

We played all of that shit, and we just

22:50

took bits and pieces from it and made gumbo.

22:53

You heard me, It's

22:56

just my favorite dish.

23:00

You gotta get the flowers, man, We

23:03

got the flower.

23:04

Gotta give them they flowers.

23:05

The flowers, whore they flowers at man.

23:07

Come on giving speech, my brother, give me.

23:09

Flowers that listen our show about

23:12

giving brother they flowers? Ye

23:14

live, yes, and we want This is

23:16

all y'all flowers.

23:18

This is y'all live where y'all

23:20

sitting there and Snoop Dogg

23:22

said, thank y'all,

23:26

this is better than the Grammy.

23:28

Snoop Dogg said, it's better than the Grammy because

23:30

it's coming.

23:30

From y'all people. You gotta believe it.

23:36

Y'all changed the game.

23:37

What y'all did to the game, y'all

23:40

came in pause.

23:42

Yeah,

23:45

why did you pause on that one?

23:46

Because I love I don't understand the pause.

23:48

That's what and his

23:51

his his his show, So

23:53

I gotta got the possem that one expected.

23:56

Get it and get it.

23:58

But what Norrid telling

24:00

y'all like when we first kind of got on,

24:02

he was one of the first brothers that embraced

24:05

us. He was just like from your yeah,

24:07

from embrace, here's a motherfucker.

24:10

Hey, I'm gonna tell you, hey,

24:13

inviting me down. That

24:17

only invited me down, put me on song

24:19

winning.

24:20

Yeah.

24:21

You know what I'm saying, pid

24:23

that bag and everything took

24:26

me to the rack. You know what I'm saying. You know they was calling

24:28

it Iraq. You know what I'm saying. Took me to the rack

24:31

and everything showed me man long man.

24:33

Yeah.

24:34

From day one, Yeah, from day one, this brother

24:37

embraced us.

24:38

When when when the rest.

24:39

Of the world was like, I don't know what the fun they knew

24:41

it. Nor It's like, I know what the fun? That's

24:44

my bro, you fuck

24:46

out. I

24:51

didn't want to stay it. I

24:53

didn't want to stay it.

25:00

Cash money to the world,

25:04

Hold up, buddy, not to the world.

25:07

You w

25:11

w ship right now, I'm being honest.

25:14

Let me tell y'all a crazy ass story.

25:16

So you remember, we done the tunnel,

25:19

right, So we done the tunnel right.

25:21

And the exit was like the tunnel in New York.

25:23

Yea, the tunnel of New York

25:25

was fucking notorious.

25:27

We gotta tell you, I don't even

25:29

know that ship.

25:31

It was New York, Bigga.

25:32

After New York, Ya, niggas ain't gonna make it tonight if.

25:36

You get out of here as an accident. Niggas.

25:39

Yeah, I had one song, nigga, What

25:42

nigga got me?

25:44

Damn yo yo,

25:46

y'all spending the tunnel was benaea,

25:49

but the fact that we was in New York that

25:52

was enough for us.

25:53

We was just like we fucking and there.

25:55

Y'all was already happy about We was

25:57

like, we see, bro, I'm trying to tell you

25:59

this about the you don't listen,

26:02

Bro, You don't fucking listen at the

26:04

time.

26:05

You don't want listen.

26:06

Man, right, you're right, but not right. Sorry,

26:08

it's internal beef.

26:09

Yeah. So I think the first

26:11

song we opened up with was huh and the fucking

26:14

crowd went crazy.

26:16

Nigga, we could have cried on stage

26:18

because you didn't believe that.

26:20

We didn't believe like York

26:22

was showing so much money, Like you know what I'm

26:24

saying.

26:25

We sung one I think one or two more songs,

26:28

but we had to sing high like full more time.

26:30

So this is before you had jay Z

26:32

all the remix rights

26:34

before and I was gay.

26:36

Yeah, he jumped on the remix. That

26:38

was, but it was one of them things where you're sitting inside

26:41

they say jay Z on the remix. I'm like, yeah,

26:44

I'm trying to be cool in front of every ship.

26:47

Another crazy, crazy fucking

26:49

story. Right, So Jove

26:51

of hip hop head, he know everything. He

26:54

knows fucking k rs

26:56

jay Z, like he said, but

26:58

baby and them just cash

27:01

money. They just been day motherfuck No,

27:03

listen to what I'm saying. They don't

27:05

give a fuck about nothing outside

27:08

of our city list.

27:10

He really didn't know who jay Z was.

27:13

He did not understand, you

27:15

know, so we going, jay

27:18

Z just jumped on this motherfucking

27:20

read.

27:36

Only gag

27:39

us on the cash like, man, I don't know none

27:41

of that ship. It was like, dog, this is it right,

27:46

damn it?

27:46

I don't know.

27:47

But did you know, Manny, when when jay

27:50

jumped on the joy what did you think that meant?

27:52

I knew that ship was like a whole nother

27:55

fucking world. Like you know what I'm saying,

27:57

because It wasn't like

27:59

it was just fucking so generic,

28:02

like he just sent that bitch back. We didn't ask

28:04

him to do it or none of that. Oh you didn't

28:07

know he We didn't even know he did

28:09

it, almost like a surprise. Yeah,

28:11

but what was it a freestyle or did he send it

28:14

to y'all before it came out? Nah, he sent

28:16

that ship to you universal like this ship needs

28:18

to happen. They sent it to us,

28:20

and it was just like, wait, jay Z.

28:22

Jumped on this. That's

28:26

different.

28:26

Yeah, yeah, hold on, hold on

28:29

because every he just said, baby didn't

28:31

know.

28:32

But when you heard that jay Z jumped.

28:35

What did you?

28:36

I went back to the Hey,

28:40

bro, jay o my ship. I gotta get

28:42

my ship together now. He wanted

28:45

to read you your verse and that niggas a lyricist.

28:48

I gotta get my niggasna.

28:51

Nigga's gonna be own me now, bro, I tell

28:53

him all that it was funny as Yeah.

28:54

Wait, wait sure you don't you you don't know what

28:56

your record is doing across the world.

28:59

I don't know. I don't know. I don't know how they're taking

29:01

me to New York. I don't I know. I

29:03

did I know they like, uh,

29:05

the higher record, but.

29:06

I don't I don't how big it

29:08

is, how big. I'm gonna just be honest.

29:11

I didn't know who you were right at the

29:13

time, but I went to Angie Martinez.

29:15

Show at that time. Yes, please

29:17

pull me a shot. We're doing this, y'all.

29:20

We're taking shots.

29:23

Just so you know. This is before. And

29:25

I paid y'all niggas.

29:27

Yes you have for the record that

29:29

I got with y'all.

29:30

I paid every one of y'all niggas. You

29:33

paid, and Lou Wayne was

29:35

the first.

29:35

You didn't pay the record label Paige relaxed,

29:38

buddy, that's me, that's

29:40

my paid.

29:42

That nigga always showed up for everything. We

29:44

don't know he was there. And let me just be honest,

29:46

be honest with y'all. Y'all niggas the

29:48

only niggas I've ever seen.

29:50

Or the pizza what.

29:53

Pork with pork

29:56

is that the niggas had sausage with sausage.

30:00

I never saw that and on pizza, like

30:03

on the pizza like you just

30:05

pepperoni and that's it.

30:07

I have pepperoni sausage,

30:14

Yeah I had. I was the amount

30:16

of talk I

30:19

wasn't eating that, the amount of bullshit we

30:21

have sorry

30:24

cheers, Sorry, but cheer

30:27

y'all. But

30:29

I knew, I

30:32

knew.

30:34

Jumie Juice,

30:36

jo.

30:40

Jun Jews off the chain, Julie Juice under

30:42

change, but I knew. But I'm

30:45

gonna be honest, be

30:48

honest. Please, No, I needed, I need that. I need

30:50

to ask this questions because.

30:53

That record was ringing only

30:55

in down South.

30:57

Which record you're talking about though, huh okay.

30:59

Yeah, it was only bringing the underground

31:02

down South?

31:03

Yeah, but me, I was in

31:05

underground down South because it was I

31:07

had the super Dog Records.

31:09

What what what? And that ran to us downside.

31:11

I ran right down I

31:13

knew, I know what it was.

31:15

But what happened was I had

31:17

to an unofficial version of

31:20

the record of huh.

31:23

I didnofficial. It never reached them.

31:27

It didn't reach.

31:29

I tried to do the remix first version.

31:32

It didn't work out for me. You're coming

31:34

at me, just leave it alone.

31:37

Yeah, we'll play the record

31:39

reached this record, but

31:43

I was like Skull Douggle, he was standing.

31:47

Penal g. I was trying to get to them. It didn't

31:49

work out. Just leave me alone. It didn't

31:51

work out. But when

31:54

jay Z calls and says, I

31:57

want to be a part of this record.

31:59

We ain't call them. He just sends it into

32:01

here's his son.

32:02

That's what I'm saying, all right, So what do you think.

32:05

I get to the office and they play it to

32:07

me. I got one respine

32:10

because I'm I'm a jay Z fan. Already they

32:12

not you.

32:14

Are you the only one in the corner up

32:16

on Jay?

32:17

I'm on him already.

32:19

Nobody else believes they

32:21

don't see your vision.

32:22

I knew from a DJ, and he said

32:25

that's cool.

32:26

Because he said that's cool.

32:27

I knew from a D.

32:29

He was the only hip hop head because

32:31

the rules in cash money was cash

32:34

money.

32:35

That's the rule.

32:35

The rule is cash money. Yeah, money

32:38

you got to think about for fucking eons.

32:40

We never had no motherfucking

32:42

outside people that did anything,

32:45

you know, Like, we didn't have no features from nobody,

32:47

you know what I'm saying.

32:49

Self sufficient?

32:49

Yeah, b b Yeah, but Bun

32:52

was ship his officially cash money.

32:55

Bun was in the group.

32:56

Bun b is officially Drew

32:59

Berger's is a part of y'all. Yeah, yeah,

33:01

Buns ship fuck it.

33:02

Bun is.

33:04

Juice tat this jewvy juice

33:06

to this this Jewy juice holy

33:09

ship. Yeah, I gotta finish it.

33:11

Man, a little different, man, that's

33:13

I like it.

33:14

Look at y'all, everybody looking like that's ship

33:18

Jewie like that is that's from

33:20

New Orleans.

33:21

You need to take a shot of that old rip.

33:24

We I'm from New Orleans, bro from Hell

33:27

of Sleep.

33:27

That's what we're talking about.

33:32

Well man, rip rip.

33:34

Van wake hell Listen, that ship is not from New Orleans.

33:36

Don't listen to this guy.

33:38

Yeah, Kentucky. Yeah, one

33:40

M talking about the Rio.

33:43

Was this fucker that slept for twenty years

33:45

and sh the history.

33:47

Of Yeah, let's

33:49

get back to jay Z beyond the record, all right, so

33:53

y'all get jay Z on the record. He's saying universal

33:56

jew be sees the vision. The rest

33:58

of cash Mic doesn't really see the vision.

34:01

Yeah, oh no, Slim

34:03

all right, Slim new So

34:06

do you see it or not? Yeah?

34:08

Because I'm a DJ, I know who I know who

34:10

all of these people are. But what I'm saying

34:12

was Juvie was our closest

34:15

reality to real songs and everything

34:17

else that was going on.

34:18

Everything happening outside of it.

34:19

Yeah, yeah, or but none of them listened

34:21

to anything else.

34:24

He knew KRS one.

34:25

He knew I could tell by songs that Juvie

34:27

brung over that I was like, this dude is a hip hop fan.

34:30

You know what I'm saying.

34:31

I could tell by his cadence and shit that he

34:33

was doing everybody else grew up in New

34:35

Orleans. The rule was don't leave New

34:38

Orleans. And it was a beautiful thing. No,

34:42

No, it was just a mentality there. You gotta

34:44

think, like fucking Hurricane Katrina. What made

34:46

us fucking crazy ass beast was we never

34:49

been at our neighborhood.

34:51

We never been off a street. You know what I'm

34:53

saying.

34:53

If you in New Orleans, you shop in your neighborhood,

34:56

the grocery store in your neighborhood, the station

34:59

in your neighborhoo, all of that. So to

35:01

go somewhere else in the world, you just like, what the

35:03

fuck is going on in the world? You

35:06

feel what I'm saying.

35:06

A lot of people left New Orleans and never came back

35:09

because of that.

35:10

So let me ask you.

35:11

So the record comes out, it's the remix jay

35:13

Z's on the record, How does that change

35:15

everything?

35:16

It really didn't change everything. It's just solidified

35:19

to us that we are on our way.

35:21

Truthfully, truthfully, be honest. It helped jay

35:23

Z a lot too in the South.

35:25

Absolutely, I believe

35:27

that.

35:27

I believe that.

35:28

Because he wasn't They wasn't listening

35:30

to him, We wasn't listening. I'm gonna be honest, I

35:33

was listening to him, but a lot of people.

35:34

And showed that he was in tune with the South at a point.

35:37

Yeah, but it also also

35:39

differentiated because

35:42

it was like, who is the two

35:44

people from the South?

35:45

Is it master p, is

35:48

it no Limit?

35:49

Or is it so you're thinking jay Z sign

35:52

cash?

35:53

You're right. Yeah, for a long

35:55

time, for a long time, especially

35:58

from the beginning for us, that's

36:00

what we always was up against. And we really didn't

36:02

want that, you know, we wanted to make our own.

36:04

Yeah, we grew up with everybody that was on no.

36:07

Limb because I used to go out with

36:09

a lot half the people on limit.

36:10

There was no beef. Really, that was no beef.

36:13

It turned into that, but there was no beef.

36:15

We grew up with all of these dudes either DJ'd

36:17

in the club with you, shook hands with you.

36:19

You just picked the side. You went that way,

36:21

you know, or I went this way.

36:23

And it's like the two record labels that were just

36:26

went that way. Yeah.

36:27

But we but like he said, literally

36:30

we so small. We all grew up together.

36:32

It was little things that rubbed us, rubbed

36:34

us both the wrong way on both sides, you know.

36:36

But it was up to us to entertain

36:39

it or not. You know, people fan base. It's

36:41

kind of like we was pitted against each other,

36:44

you know, and the fans wanted to see

36:46

us go against

36:48

each other.

36:49

And now early on our

36:51

blueprint, our blueprint, suave

36:54

House, rap a Lot.

36:55

Absolutely, yeah, you know what I'm saying.

36:57

We grew up.

37:00

Watch Draper and we watch

37:02

fucking rap a Lot do some incredible

37:04

things, you know what I'm saying. And

37:07

it's still strive like you know that family This

37:10

is what y'all need to do. Y'all gotta be a family

37:12

house to make this one.

37:13

And cash Money took it to the next level.

37:14

Yeah, absolutely, yeah, Yeah.

37:18

It was all love though, man, fun doing

37:20

it and if you actually

37:23

I probably wouldn't do it no other different

37:25

way because it gets me to be right here.

37:27

Fuck it, Yeah, y'all. Yeah,

37:32

quick time, Slim, I'm ready.

37:34

You got a quick time, and Slim, we got

37:36

a quick time.

37:37

With slime.

37:38

Real correct, we're doing a quick time of slim. Give

37:42

it to what slim?

37:46

Are you all ready?

37:47

Get ready? I guess we got a quick time of slime?

37:50

All right?

37:51

Now we got the rules, y'all know the rules about quick time

37:53

of slime? What's the rules? Well, give you two

37:55

choices.

37:56

You pick one, be good? Yeah if

37:59

you say both or neither?

38:00

We drinking.

38:01

All of us are drinking, damn, oh

38:04

man, and the whole audience is drinking.

38:07

Look on, look on the your feet. You

38:09

got a shot? No, I can't, and

38:12

I would be that would be the als quick

38:14

time with slime. Ever, she

38:16

all get fucked though.

38:18

They don't have nothing to drink. But this is this

38:20

is a scam.

38:21

Can I still get some ice? I just want

38:23

some ice?

38:24

I gotta take them humongous?

38:27

Yeah, yeah, I drink you ready?

38:29

Yeah, let's got a case on the way though.

38:32

All right, So we're gonna

38:34

let you either or could answer this jay Z

38:36

or NOAs.

38:40

Listen when you guys can't answer for

38:42

that, okay for

38:44

me?

38:45

Well how about you know I'm making

38:47

it easier Juvie jay Z or

38:49

NOAs jay Z?

38:52

All right, manny

38:55

Jay, all right, I'm gonna

38:57

switch it up on you.

38:59

Oh you shut up on me?

39:00

What's my what's my course on scarfacer

39:03

cube face?

39:05

Dang you good a

39:08

Juvie who

39:11

wrote this ship?

39:12

Bro, I'm gonna have to fight motherfuckers

39:15

after you see your.

39:15

Kevin Kates ousy

39:19

Hey, yeah,

39:24

man Wade

39:26

or drinke Way.

39:31

Young Wayne and your brain.

39:35

Listen, we don't write this ship. It's these fucking

39:37

idiots back here. So we're

39:40

production crew. Julia, are

39:42

you ready? Let's go out castle

39:44

u g K damn damn

39:49

son. You wear your cap

39:51

you can say both that we're drinking. Booth,

40:00

got your drink under your chair?

40:01

Hey man,

40:05

both, fuck that was

40:07

tough going doll alright manny.

40:11

N b A what.

40:14

Alright, let's let's le let's young

40:16

Charlie had the same as eight

40:19

ball or three six months.

40:22

M j G.

40:23

Both. That's Memphis at their best.

40:25

Man, we're drinking on that all.

40:28

Let's drink. We all gotta drink. We all got drinks.

40:33

Charlie. Fuck you bro, Hi

40:38

Juvie n b A young boy or

40:40

Kodak.

40:42

Yeah, both

40:47

cheers to the youngins my buddies

40:50

man, both, damn

40:53

I'm drinking.

40:54

Get the yeah, y'all won't give me no ice? All

40:56

right?

40:56

Man? Are you ready?

40:57

Yeah?

41:00

Organized noise or beats by the pound?

41:03

Damn it gets about a

41:05

pound.

41:06

Are you okay? You stay? You stay in New Orleans?

41:09

Man, I got home team.

41:10

When I get home, I gotta fight them niggas.

41:15

I thought I was.

41:17

I love both of them, alright,

41:20

I still live in New Orleans.

41:21

I got.

41:24

Julie, what's up? Baby?

41:27

And Slim?

41:29

Damn shot?

41:33

They shot?

41:33

They go together?

41:35

Shot?

41:35

We got fucked up?

41:36

Man shot?

41:38

I don't like these dreams?

41:40

Who wrote these questions? What the fun?

41:43

Yeah? We got some weird people.

41:45

I'm not they give me slice

41:47

broro, thank you, sir.

41:49

Oh no, I don't want to. I'm

41:52

I'm young.

41:53

Too late, it's too late.

41:54

Ju that's it. That's it.

41:55

He want

41:59

to fall in.

42:01

Many they got, they got, they gotta performed

42:03

tonight.

42:04

Guys. Let him, let him let drinking

42:06

whiskey, bro Let's go love Juvie.

42:08

Alright, many for you b

42:12

g or turk.

42:13

Both come on, man, we drinking

42:15

both. Let's drink drink

42:17

both. That's not matter at.

42:19

It this man, I gotta drink.

42:24

Oh fuck, all

42:26

right, Juvie, you ready, let's

42:29

Jesus loves me.

42:34

Y'all like the game? All

42:37

right? Cool, Juvie, what's

42:39

up bad boy of death

42:42

Row.

42:44

Damn damn that

42:46

role?

42:48

I like.

42:49

I like Biggie so booth. I

42:51

was drinking the game.

42:54

Nothing alright.

42:55

That's like saying two biggie.

42:57

That's the same truth.

42:59

Yeah, true, I told you

43:01

I like them both for a minute.

43:02

All right, man, he is on you now, Okay,

43:06

okay, this this this is my three

43:08

or five family right here.

43:10

So trick Daddy or j T Money poison

43:12

Clan damn trick Trick

43:16

t.

43:19

Who know? But that that's that's JT.

43:21

Money you're saying right now.

43:22

But I'm saying right

43:25

now, I'm making everybody

43:27

happy.

43:31

All right, all

43:33

right, you be you ready?

43:35

JEZU or T I.

43:38

Say it again, Jesus g z O

43:40

T I C I that's my

43:42

dog T I.

43:47

I don't like this one.

43:48

Guys. This is our family that passed

43:50

away. Bro, so rest in peace. This

43:53

for you, Manny Gangsta Bull or

43:56

Mex Damn Bro.

43:58

Both they deserve that both.

44:04

Who Yeah, all

44:09

right, Julie, what's up jay

44:12

Z or rock him.

44:15

Jay z Man jay

44:18

Z Okay,

44:22

thinking of a master plan.

44:24

But let's ask you.

44:28

That.

44:28

That was like a uh, like

44:31

that's crazy. Nor

44:36

is like what the fuck just happened right that?

44:39

No, I'm being honest, like, you know, you're

44:44

a new artist and

44:46

this is the number one artist from

44:49

New York City.

44:51

How does this phone call happen? Who

44:54

calls you?

44:54

Who? J Jason? No?

44:56

No, who calls you from your camp?

44:58

Jay Z didn't call him?

44:59

Though, I'm asking.

45:01

They said again, I didn't.

45:03

It didn't happen.

45:03

Bro, I'm

45:06

a new.

45:07

Artist, y'all know, Nord saying ship y'all

45:09

gotta figure it out.

45:10

Give I gotta do Dad.

45:12

Even do what I'm saying, j I mean,

45:14

Jazy got different stories on this.

45:17

I'm asking they.

45:21

I don't know who called who. I don't even know how

45:23

to order win.

45:23

It just happened, Bro. They just said he sent the

45:25

verse.

45:26

They said that they played it to me. I don't know. I

45:28

don't know if it was somebody and a something talking

45:30

to him. You know, they's they told us the story

45:33

one way. They said he did it. He shaped

45:35

it to us.

45:36

I was asked if I had

45:38

an instrumental to hunt and I was like, yeah,

45:40

I didn't know who the fuck it was going to.

45:42

Oh, they asked you for instrument Yeah, you the

45:44

league, so.

45:47

Instrument y.

45:52

Yeah, So I said, I didn't know who the instrumental

45:54

was going to. I just thought the record label needed

45:56

an instrumental.

45:58

So I yeah, I did

46:00

not know. Yeah, yeah

46:03

listen.

46:05

Yeah, and he knew it was going fresh

46:07

like Manny beech chain and freeze. You

46:09

know what I'm saying, We're fucking you're

46:12

a blessing.

46:12

You're good.

46:13

Yeah, yeah, man, he knew it

46:15

was going.

46:16

To yeah, somewhat

46:18

some and what I had an idea, but

46:21

I'm like, damn, he sent that bitch back.

46:25

That's bad ass.

46:28

We had a classic record out of it. Hey,

46:32

no, he's just happier than in the world.

46:34

I'm I'm happy.

46:36

Yeah, you're not happy, you know. After

46:39

let me ask you something when what

46:42

what?

46:43

What?

46:44

What?

46:44

When that ship took off, y'all niggas

46:46

is in the desert dancing and all kinds

46:48

of ship. And when that ship took off, how

46:51

did you find stand up and do that dance? Just

46:53

because I was kidding?

46:57

What what?

46:58

What?

46:58

What?

46:59

What? What?

47:03

You know?

47:05

That was that was y'all ship and that was for

47:07

real ship. That was the big hold on hold just

47:09

let me just say something.

47:11

When cash Money was

47:14

lit and they had the

47:16

best ship in the world. There's no one

47:19

in the world that could ever fuck

47:21

with cash Money. Everybody stand

47:24

up and makes a noise. Fucking cash

47:26

Money.

47:29

Thank y'all.

47:31

Juve now, and motherfucking

47:34

many fucking up. We

47:40

love these motherfuckers here.

47:43

They tried to put it on me, but.

47:45

It ain't got nothing like own.

47:47

You know what they got to do with? Yeah,

47:51

you motherfuckers. You

47:53

motherfuckers changed the game.

47:56

Change the motherfucking game.

47:57

They changed the motherfucking game. Hold

48:00

on, but New Face. You here, broyeah,

48:02

it's New Face.

48:03

Let's go New Face Face shows

48:05

were about to add this.

48:05

Right now, right

48:08

show the show happened to New Face

48:10

albums. New Face, you got the albums?

48:12

Yeah, you ain't got the albums. Come on, show them

48:14

the albums.

48:15

Yeah, we're about to wrap it right now.

48:17

Show them the album Look, that's my bro rights.

48:21

One hundred degree Face got the classic

48:24

We got your classic albums.

48:26

Take something noise for New Face, please show

48:32

man New Face.

48:33

Yeah, you let me tell

48:35

y'all.

48:35

Without hip hop and historians like New Face,

48:38

we lose our history.

48:40

New Face, you got the black tang and Swiss armor.

48:44

All right, you got the class. Give

48:47

him a mic. Goddamn look

48:50

look at this man.

48:53

Yeah, what is that like? Man?

48:58

He already have the autoicor have on it.

49:01

Yeah.

49:01

That brother everywhere, that brother everywhere.

49:09

We want to say, say

49:11

from New York, what you know about this

49:15

down that's too good about

49:18

that?

49:18

Yeah him?

49:21

Hell yeah, brother, yeah Yo.

49:25

Let me just tell you something. We're

49:29

here with

49:31

motherfucking many fresh.

49:33

Give him a second shoall the time

49:36

and juvenile.

49:38

We let him know.

49:39

What we want to say is we

49:42

love you, motherfuckers, and

49:45

we love you mother and we love

49:47

you.

49:49

Thank you, guys, thank you motherfuckers.

49:53

But this is like, like you

49:55

know, this is a pre We're gonna

49:58

do this to get in Miami.

49:59

Were gon four hours of debauchery?

50:01

Fucking right, we are, But we love y'all.

50:04

Come on, make love y'all.

50:05

Make something.

50:12

Drink Champs is a drink Champs LLC

50:14

production and association with Interval

50:17

Presents hosts and executive

50:19

producers n O. R E and dj

50:22

e FN from Interval

50:24

Presents executive producers Alan

50:26

Coy and Jake Kleinberg.

50:28

Listen to Drink.

50:29

Champs on Apple Podcast, Amazon

50:31

Music, Spotify, or wherever you

50:33

get your podcasts. Thanks

50:36

for joining us for another episode of Drink Champs,

50:38

hosted by Yours truly, dj e FN

50:40

and n O r E. Please make sure to follow

50:43

us on all our socials That's at drink Champs

50:45

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50:47

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50:49

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50:52

on ig at dj e FN

50:54

on Twitter, and most importantly, stay up to

50:56

date with the latest releases, news and

50:59

merch by going to drink Champs dot

51:01

com.

51:03

Mm

51:08

hmm