0:11

He is drinks chests, motherfucking podcast make

0:13

si He's a legendsary

0:16

queens rapper.

0:17

He ain't agree. That's your boy in.

0:18

O r E.

0:18

He's a Miami hip hop miioneer.

0:21

What up his dj E f N? Together

0:23

they drink it up with some of the biggest players,

0:25

you know what I mean?

0:26

And the most professional unprofessional

0:28

podcast and your number one source.

0:31

For drunk drinks chans mother Posca

0:33

das New Year's c That's it's time

0:35

for drink champions.

0:37

Drink up, motherfucker mother? Would

0:43

it good? Be hoping this willa should be? This your boy in O

0:46

R E? What up is dj E f N? And this

0:48

is militimic crazy World Happy Hour drink

0:50

Champs Jampion hour makes up? No right

0:56

now?

0:57

Who were about to introduce? He's

0:59

a rapper, an

1:02

actor to

1:05

be starved, magazine

1:09

owner a

1:11

couple of different times, website

1:14

owner, entrepreneur,

1:20

legend produced

1:23

on some.

1:24

Of the producer Lotti I

1:26

don't know, out.

1:26

There producing shit with some of the greatest artists of

1:29

all times. He's

1:32

out here, monkey foot in the

1:34

game, still knocking

1:37

down doors, innovative

1:41

and his name is relevant as

1:43

hell. Everyone who is

1:45

relevant has either spoke about him, spoke

1:47

about a situation, or spoke about around

1:50

him, because he's out

1:52

here more than thirty years of the game excellence

1:55

and being that guy.

1:57

In case you don't know.

1:57

Who we're talking about, were talking about the one,

2:00

the fucking boss his own Yeah,

2:05

bro, yeah, yeah, yeah, you've been doing

2:08

it, jeez, Louise, Papa cheese. So

2:10

I heard off Top I said, Xino's coming

2:12

to drink.

2:13

Yeah, yeah, shop a shot. But

2:15

I want to do I want to remind you shop

2:18

a shot. I want to remind you, off Top. Do you remember

2:20

that time he was hanging out and you left you

2:25

don't need to recreate and you

2:27

left in the wheelchair? The

2:31

wheelchair? Bro? No, okay,

2:34

just this yo,

2:36

But how you want? I want my drink too? But

2:38

how you talking about drinking?

2:40

Man?

2:40

How you doing man? How's yeah? You can

2:42

drink waiting? Okay, cool,

2:44

let's go shot a shot? No, no, you

2:46

got a lot of things to talk about.

2:48

Drink yeah yeah yeah, But

2:50

but but the wheelchair thing was my fault.

2:52

Right, You couldn't walk, it's your legs fall.

2:59

Like.

3:01

I didn't even know what that was. I just kept drinking that

3:03

ship drink.

3:07

That's good. That ship is not that's

3:09

nothing about you is like it's either you don't

3:11

drink or you do drinking.

3:13

You go all the way. So what's

3:15

been going on? Man? Man?

3:17

I know, first of all, I appreciate y'all. Come

3:19

on, God damn, I'm saying, yeah, came here, man, y'all

3:21

are the motherfucking number one.

3:25

You know what I'm saying.

3:26

Yeah, yeah, everybody else is

3:28

way the funk behind.

3:30

I want to say that. Yes, yes, you know what I'm

3:32

saying. And you got podcasts going at YouTube.

3:34

But hold on, let me go get to that killing Jo.

3:36

We're keep killing

3:38

Ki. Yeah,

3:41

it's established that killing. Yeah,

3:54

hold on, let me ask you, let me ask you before.

3:56

But other than the controversy, what's going.

3:58

On like with with you?

4:00

Everything's good, you know what I'm saying. You

4:03

know, I'm in Atlanta. Yeah,

4:05

my girl just had a third year anniversary,

4:07

my actually, my.

4:08

Beautiful vege three

4:11

years you know. You know that's.

4:16

Yeah, yeah, yeah, you

4:18

know, And man, everything's

4:21

good man.

4:21

Just being the father of course, you know all my kids, you

4:24

know what I'm saying.

4:24

Yes, And working on a

4:26

couple of things, working on the Source Awards

4:29

documentary, working hard

4:31

on that for like seven months eight months now.

4:33

So let me ask you, that's a great that's a

4:35

great segue for me. So

4:38

you for some things that Source Awards

4:40

documentary not working on, not.

4:44

Just the Source, it's the war.

4:46

It's just it's just really it really

4:48

focuses around the ninety five and a little bit of

4:51

the ninety four just because that ninety five

4:53

one was when, you know, like it

4:55

kind of changed hip hop, Like that's when Shoke

4:58

said what he said, the.

5:00

Outcast moment, Sugar.

5:02

But when you look at it in the significance

5:05

of that night, it really was the first

5:07

time that a lot of artists seen

5:09

each other, you know what I'm saying, because they was from you know,

5:11

because New York has always been running shit.

5:13

The West Coast just started coming.

5:15

Up and now it's like the South got something

5:17

to say, you know what I'm saying. So it really

5:19

was that night. It really it's kind of like when hip

5:21

hop went national, you know, when

5:24

when it just wasn't New York anymore. And

5:26

like a lot there's like a lot of within

5:28

the big story, there's a lot of little stories, little

5:31

a little different joints like I didn't know that, you

5:33

know, like like Wu Tang had issues with Biggie

5:35

that night until later on, you know what I'm saying,

5:38

So, you know, different things.

5:41

The guys from Chicago. You know what I'm

5:43

saying.

5:43

I think Ice Cube had issues with phone

5:46

thugs that night.

5:46

I mean it was it was all kind of a little different

5:49

issues.

5:49

Of course, it was the bad Boy and

5:52

you know, Pok was locked up, you know what I'm saying, But

5:54

it was the bad Boy, death row,

5:56

East Coast, West Coast, things just brewing.

5:59

So that night was real significant. I've seen

6:01

you say that one time. You

6:03

thought that Outcast was almost speaking

6:05

to you when he said the South got something to say.

6:07

Yeah, because you know, so very

6:12

that's a very bold statement because you know.

6:14

I wanted to you know, and you know, I've never

6:16

spoke spoken to Andrer, I've

6:18

never spoken to Big Boy, and especially since

6:20

I'm in Atlanta. Yeah, I'm dating

6:23

an Atlanta woman, so I'm kind of I've been down there

6:25

almost like ten years, loving hip hop Atlanta,

6:27

so I'm really part of the Atlanta's situation

6:30

down there. So I felt like it was

6:32

just right to say this because at

6:35

the time it was kind of eating me up, like damn,

6:37

you know, all those years,

6:39

I felt like I was responsible, but I kind of kept

6:41

it to myself because nobody else knew. And it

6:44

was a thing where when when when

6:46

the five mics? When they was because they got

6:48

five mics? No, no, no, they got four and a half. Oh

6:50

that year they got four and a half. Later they got that

6:52

five. Yeah, but okay, I didn't know the

6:54

first one. It was you know, it was a thing where okay,

6:57

yeah.

7:00

It's not specifically you whoa,

7:02

whoa.

7:02

It was my It was my fault because because

7:05

because they wanted, there was talk of giving them

7:07

five, and I kind

7:09

of put myself in the equation.

7:11

I never do that when it comes to the mics. And I think

7:13

I told you that before, Like you get yourself

7:16

because you're mad at me. I

7:20

didn't like you because he thought that I was a smoking

7:23

about it.

7:23

You responsible for him not winning the walk.

7:26

But Mike, shit, I'm like, bro, I didn't have nothing

7:28

to do with that. Yet he was arguing about totally

7:31

different. I was like, I

7:33

was like, what are you talking about?

7:34

I said yeah, because I don't like like, honestly,

7:36

like one hundred and ninety two issues. That

7:38

means that there was one hundred and ninety two mic ratings,

7:41

and I think eminem

7:43

one, the Outcast one, and I think

7:45

there was one with Little Brother and Jeesy.

7:47

Those are the only three that I stuck my.

7:50

Neck, but specifically on the Outcast

7:52

one, I stuck

7:54

my neck.

7:55

You know what I'm saying. Yeah, I got a mat.

8:02

Around and

8:05

and and I felt bad about it because

8:08

I think, like I didn't hear their music

8:10

at the time, and I think I was just adamant

8:12

on like, nah, why should they get five mics

8:14

because this just don't this ain't hip

8:16

hop, This ain't And and I

8:19

fucked up.

8:20

I fucked up, and I made a mistake.

8:22

And I think the editors at

8:24

the time, I think

8:26

they somehow they got they got

8:28

to Andre. I think they told him that I had something

8:30

to do it that somehow, some way, I

8:33

think they knew it. Now, now, I could be wrong.

8:35

I could just be snitching on myself what I'm

8:37

saying, but but I just

8:39

wanted.

8:40

To get that out there.

8:40

And you know, and I want to apologize to hip

8:43

hop into them. I haven't seen them personally

8:45

to do it, but I'm sure they've heard.

8:47

You know what I'm saying right now, I want to do it again because

8:49

you know I didn't. I didn't hear

8:51

it. Did you hear it out Cast? Did you hear out Cast?

8:53

Back then with oh.

8:54

Yeah, I have been in Miami. To me, what

8:57

about you?

8:58

That question? Yeah yeah to me was

9:01

amazing.

9:01

So the first album you felt from

9:04

that Southern Player list.

9:05

Music, yeah, if you could have get

9:06

it, like.

9:08

Yeah, So y'all thought every single song

9:10

on that album was like that album as.

9:12

A complete project. Okay, Yeah, ain't

9:14

gonna lie.

9:16

Because the Ghetto Boys had to come out before that, right yeah,

9:18

yeah, right, So I believe Ghetto Boys is

9:20

my first like South

9:23

album, and I believe Southern Player Listic kinda

9:25

like music was my second one, like like the eye

9:27

Board. I was listening to the album, but it wasn't

9:29

that.

9:29

You probably heard Two Live Crew, which is before around

9:32

the same time.

9:32

Again, I don't think.

9:33

I don't think I bought a two Live Crew hour at

9:36

that time. You know what I'm saying, No, all love, all

9:38

love, but okay, boom bouncing around.

9:41

We talked about the Source Awards. I

9:44

always heard that that was like more of your thing,

9:46

the Source Awards.

9:50

You know, the very

9:52

first Source Awards was on your TV raps

9:54

people didn't know it was. They was just

9:56

giving out like reading and kind of giving

9:58

it out over. It wasn't like an a It wasn't awards show,

10:00

right. I think that might have been in ninety one ninety

10:03

two. Ninety four was the first awards.

10:04

Now.

10:05

The reason that we did an award

10:07

show was because of the Grammys

10:10

of how the Grammys was disrespecting hip

10:12

hopping and we felt like, yo, like

10:15

they're not even like you know, I

10:17

mean there's like two categories

10:19

like this best hip hop, you know, best

10:22

hip Hop and Best Rap, And I'm like, what the fuck does

10:24

that mean? Like what is best hip

10:26

hop? And then what's the best rap? I

10:28

used to get confused, and then and then as

10:30

the years win, it was like, yeah, they're not they're

10:33

really not respecting hip hop. So I

10:35

was just like, we need to do our own award show. It started

10:37

like that, like you know, we could do the same

10:39

thing. I mean, Soul Trained been doing it for years,

10:41

so we could take that blueprint of

10:44

just you know, get you

10:46

get celebrities.

10:47

To come and give out the awards.

10:48

You have performances, and you pick

10:50

who wins the awards, and it's usually not rock

10:52

and sciencests, who was in their

10:55

respective categories, who was the dopest?

10:57

I felt like people from the street US go

11:00

hip hop at the Times Street. I felt like there

11:02

was no way that a

11:04

national platform and white folks was

11:06

giving us a chance to really shine. And

11:09

I just felt like it was time. And you know, the first

11:11

one Bernie Mack hosted, Rest

11:13

in peace to Bernie Mac. We had a lot of problems.

11:15

The lights was going off. We was in Madison

11:17

Square garden. You know, it was crazy, but you

11:20

had the first one in the garden.

11:21

Yeah, it was. It was the it was

11:24

yeah, the guard It was in the garden. The first

11:26

two were in the garden.

11:28

Wow at the Paramount Theater. And

11:31

I'm gonna throw this on you. You could say yeah, yeah your

11:33

name.

11:34

You can't get it. Yeah, you

11:36

canna say yeah your name? Are you telling me

11:38

right now? You know why I fuck with you for you

11:40

to say that, because you fuck with the same niggas.

11:43

It's the same.

11:44

Cool,

11:48

it's the same niggas.

11:49

Man, hold on, hold hold on, Are

11:51

you saying to me right now that you invented

11:54

the hip hop awards?

11:56

Yes?

11:57

Hands down, hands hands

11:59

down, no equivalent cases. I don't

12:02

know invented that hip hop awards.

12:04

Yes, period, period.

12:10

Period.

12:11

Now that being said, the

12:13

hip hop award shows you see now, particularly

12:16

b T. I see you had a lot

12:18

of things to say about it. When BT Awards came

12:20

on, you tweeted a couple of things. What

12:23

do you what do you think about nowadays hip

12:25

hop awards?

12:27

It's just warded down and like with the

12:29

culture, because the culture is so different.

12:31

You know what I'm saying, hip

12:35

hop is all over the place right now. You know, you have

12:37

a you have a you have a group

12:39

of older people like us. You ain't take

12:41

a sip of your drink yet. Oh let's called go

12:44

ahead,

12:57

come here and talk. Okay,

13:04

okay, but yeah, you say hip Bob's

13:07

water down. You say, now, I would say, I'm just

13:09

saying hip hop's all over the place. It's like you have us,

13:12

the older cats, the older generation, you have the middle

13:14

generation gen zs and

13:17

nowadays. What I would do you would have

13:19

to make sure that everybody gets recognized

13:22

in their perspective generations. And

13:24

I don't think that BT is recognizing that.

13:27

I think BT just want to take whoever

13:29

is hot. See the internet, is hip

13:33

hop used to be the leader and

13:35

everything followed it everything Right

13:38

now, the internet's.

13:39

The leader and hip hop's following the Internet, and that's

13:41

the first time it's happened.

13:42

So now what's going on is there's more

13:44

personalities that's popping than there are are actual

13:47

dope MC's dope artists.

13:49

And it's not to take anything away from

13:51

anyone, but that's what these award

13:54

shows are catering to. They're catering to the personalities

13:57

of the Internet rather than the

13:59

art. And I think that we

14:01

always have to preserve the art, and

14:04

I think that's what the Source did. No matter

14:06

what, we always no matter how good it was.

14:08

See, a lot of people don't understand the artist

14:11

isn't the issue. It's

14:13

all their niggas.

14:14

That you know.

14:14

The Source Awards was like, yeah, okay, the

14:16

artists come, but they come in with thirteen, fourteen,

14:19

twenty thirty niggas, half of them

14:21

been locked up, half of them on cases.

14:23

So we have to be able to deal with that.

14:25

And I think being who I

14:27

was, I think that was the element that was

14:29

able to deal with that

14:31

type of situation because

14:34

not everybody can deal with guys

14:36

from the street and they guys no matter

14:38

what event it is right, you know what I'm saying. And that's

14:41

the hard thing, you know what I mean. But we kept

14:43

everything in control. Shout to Minster

14:45

Fara Khan because we always had the FOIS

14:47

security, which you know what I'm saying.

14:49

Yeah, always from a bounce

14:51

of viland a little bit right.

14:53

Elliott Wilson says something the other day that

14:55

I saw on the internet, and Elliott Wilson said, my son.

15:00

Son, that's my son. Like

15:02

no, no, no, let's make no mistake about it. That's my

15:04

son. Like Elliott started with us,

15:07

learned the ropes, then went to ex excel.

15:09

He that's my that's one of my sons.

15:12

Yeah.

15:12

He said something the other day. I thought it was very very interesting.

15:15

He said, until now, journalists

15:18

were like the cornballs. They were like the people who

15:20

went to school, and the

15:22

journalist was always the enemy. People

15:24

of media was always the enemy until now

15:27

where people were making it cool. I thought that was very

15:29

interesting, and I thought it was true. It was accurate. I think

15:31

that was accurate. Do you think that was accurate?

15:33

That was always the problem with Benzino and

15:35

Dave's relationship and all these guys

15:37

from Ivy League and good colleges.

15:39

Okay, saying, what do you mean by that?

15:40

Because I'm a street nigga, right, They

15:43

college niggas at that time.

15:46

That was the as far as black especially

15:48

Black men, that was the divide. You had college

15:51

niggas, the Spike Lee movies. Then

15:53

you had the street niggas, the men's societies,

15:55

and the boys in the hoods, and that was

15:57

the split, even though it could

16:01

have been your brother in the household and you were street

16:03

just like boys in the hood Ice Cuba

16:05

Street, Ricky Ricky was

16:07

was college, you know what I'm saying.

16:10

That's what was the split. And hip hop. You had your conscious,

16:12

you had all you know, you know what I'm saying.

16:14

Then you had old Boy that's call him ice Cube in the movie

16:16

Boy, Yeah boy.

16:18

So so you had your conscious and you had your

16:20

your conscious and

16:22

kind of political hip hop at the time, and then you

16:24

had your gangster ship and that was like

16:27

if if Now not saying

16:29

that you couldn't be from college and love the gangster

16:31

ship, because that's what was going on and vice

16:33

versa is all right,

16:36

but the problem is that the

16:40

gangster ship people out there really living

16:42

that. It's a real life, So it's

16:44

not just music and

16:46

That's where things got because

16:49

you know, these college kids didn't

16:51

you know, like the early source journalists like they

16:53

hated me.

16:55

They didn't like me.

16:56

But the early guys up there, they all walked out on Dave

16:58

once he put a story about me.

17:00

In ninety four. They the whole staff walked

17:02

down and said, Dave, you got to go.

17:03

Either you go away a week, we're going,

17:05

and Dave fired everybody bought out

17:08

the partners. At the time, it made me fifty percent partner

17:11

because he put a story about

17:13

us in the magazine.

17:14

Oh then you say us as urso may continue.

17:17

He just didn't like us. They just didn't like us. They

17:19

just it just was a split.

17:22

It just was like, you know, the only thing college

17:24

is. I remember going to college is to the parties.

17:27

And you know, niggas always want to fuck with the college

17:29

chicks. But it was always a problem with the

17:31

niggas because you know, the college niggas

17:34

is like.

17:34

Yo, the those are odd chicks. You know,

17:36

they're up here with us, they're not, you

17:38

know, So we was always beefing, and it was always it

17:40

was always a divide.

17:41

Right, but

17:45

what do you think, so, what do you think I

17:47

made that happen, just

17:49

just being the indifferences.

17:51

No, that's just how America

17:54

was at the time.

17:55

You have to treat niggas.

17:56

You got college niggas, then you got niggas went to the army, right,

17:59

so theniggas right there really in the middle, because

18:01

they really street niggas too, and they just went to the army

18:03

to go get a check. But the armed forces

18:05

college or streets? Which one are

18:08

you which nigga? Are you right?

18:09

Okay?

18:10

So boom, let's take it for what you just said. You said,

18:12

Dave Mays, after that you wrote an article. They

18:14

walked out on him, did Dave? It

18:16

was his decision to say, I want to give you fifty percent of.

18:18

The Yes, he just came out of nowhere with it because

18:20

it was getting one of the guys and Dave had

18:23

like a physical altercation you know what I'm

18:25

saying. You know at the office, Yeah, I was. I

18:27

was living in Boston, so we had to, you know, come up there.

18:29

I got my guys.

18:29

We came up there. The office is in New York. Yeah.

18:32

Ron Horton, which was like

18:34

he was a security at the time at the front. He

18:36

had locked the office down and Dave literally

18:39

like fired. Everybody

18:41

there was like thirty forty, but they had They

18:43

wrote this twenty

18:46

page letter like disrespecting

18:48

me, how much job I was a monstyle was bad, and they sent

18:50

it to every label, every radio station, every

18:53

you know these guys.

18:54

Are you know what I'm saying? Like they I mean, they really.

18:56

Try to blacklist us just because of the relationship

18:58

I had with Dave. Mind you, and Dave gave me

19:01

fifty percent of the magazine. It

19:03

wasn't no money. I was making

19:05

more money in the streets than the source at the time. It

19:07

just it was just fifty percent of the magazine.

19:10

And with me, I'm like, I didn't

19:12

know what the fuck that was worth. I'm like, God, great, you know what I'm

19:14

saying, I'm your man. Regardless, Great, the magazine's not lit

19:16

at this time or is not that not in ninety four?

19:19

I would I didn't make no money from the magazine. Ninety

19:21

four I was little.

19:22

I thought the magazine was like ninety two.

19:25

No, I wasn't making money like this. Wouldn't nas

19:27

and Wutang come out.

19:28

I'm saying the magazine was cool, it was doing

19:30

good, but it wasn't profiting like that.

19:32

Okay, it looked good, be

19:35

good. Yeah, yeah.

19:36

Advertising still remember big companies

19:39

at that time didn't even want to.

19:40

Fuck with hip hop, so it wasn't really adversary.

19:42

It wasn't no too.

19:43

Much advertising breaking even as a company.

19:45

Shit had to evolve for McDonald's

19:47

in Cadillac and Downy Softener

19:50

before they came. That was years later,

19:52

but at the time it was like, yo, you want to I'm

19:55

basically protecting him.

19:56

At the time, he was by himself and we had already

19:58

been friends.

19:59

And it's not friends with me, it's friends with my whole

20:01

crew and the niggas in Boston.

20:04

So it's like, yeah, yeah, I'll bet fucking fifty

20:06

percent.

20:06

But was there anything that for

20:09

all of those people to say all that and walk

20:11

out? Was you looking back now,

20:14

was there anything that they said that was

20:16

maybe you were like okay, man.

20:18

I mean that when shit.

20:20

Got thick and they didn't want it there, I was like, man, I

20:22

called up there one time, Like there's a tape where I.

20:24

Called up there.

20:24

I was like, man, if y'all don't put the story in

20:26

about the hours, so I'm gonna come up there and put all your niggas

20:29

in body bags.

20:29

They taped it sent it to the news. You

20:32

know, okay there it is like this. Uh,

20:35

I didn't mean it. I just I

20:38

didn't need it like that. They know that

20:41

I was bad as fuck. My

20:45

nigga.

20:46

This my thing is this like like we've been signed

20:48

Tommy Boy. We was signed to Flavor Unit Easy

20:51

God rest Easy.

20:52

He was. We had contracts on the table

20:54

before he died.

20:55

I talked to Easy like two days before he died in

20:57

the hospital.

20:57

Yeah, he was gonna be the last coup. I remember him

20:59

twice to New York. Wow. So you guys and booth

21:02

Thugs. Boll Thugs was.

21:03

Signed by Tamika and yellow Man yellow

21:05

Boy from at w A and

21:08

Easy was signing us. We met with

21:10

him at the Sauce office and then we met with him

21:12

at the Saint Regis. And the crazy thing was

21:14

when I met with him at the Source office.

21:16

Now I'm easy to eat out. We big

21:18

influence was the whole at West Coast Gangs and

21:20

with the Sauce office at at the time. Broadway

21:23

we Broadway house to Way. Is this balling?

21:25

It's not balling okay now

21:27

yet. I mean I wasn't getting no money unless David

21:30

was hiding it.

21:30

I wasn't you know what I'm saying, Ship, I was

21:32

still I was still with Snops doing

21:35

my one two Okay,

21:38

you know what I'm saying. Like yeah, like

21:40

I was selling like everything known to man, heroin,

21:43

cracked drugs, keeps. I remember Easy and

21:45

then and then every then. Okay, So we

21:47

met with Easy the first time. He said two days before he

21:50

had to some on bodyguards,

21:51

the two

21:53

guys, and then he had this other dude.

21:55

Right.

21:56

The other dude had this ponytail like

21:58

Steven Seagall. Right, I'm like, I

22:00

can see it. He's like, this is Mike Klein. I'm

22:03

like, the nigga had like I could tell he

22:05

has something hanging. He had a he

22:07

had a letther trench coat, the short one

22:10

with a fucking ponytail, looking like stevens.

22:12

I said, this nigga is he's he

22:15

had a hat. Because the ship was just bolching out like a moth and

22:18

the s's just bolching. I'm like, Okay.

22:20

When I watched the movie, I found

22:22

out that that was the Jewish Defense

22:25

League nigga that Jerry Heller gave Easy

22:27

when Sugar was pressing him. I

22:30

know that time so

22:32

so and he's just looking the whole time we're talking

22:34

to he's just looking around.

22:36

Now.

22:36

We at the first time were up at the office. I'm saying to myself,

22:38

you ain't gonna look around like that. We go in office. No

22:41

one's gonna bother the office, you know what I'm

22:43

saying.

22:44

But he's just looking the whole time around like secret

22:46

services. We met the second time

22:48

in Saint Regis and he was like, boom,

22:51

New York Regis, Sint Regis and

22:53

were sitting Tom Mike

22:55

Clein's there with Easy this time just me and Dave

22:57

Ponytail, and

23:00

he's still looking around the same Regis.

23:01

I'm like, he ain't happen

23:04

in St. Regions, you know, saying, But he's on

23:06

point, you know what I'm saying.

23:07

So so he was gonna

23:09

sign us right now. This

23:12

ain't no joke, man, Like he was coughing

23:14

like a motherfucker.

23:15

I remember that this.

23:16

Was so crazy because it wasn't that

23:18

shit's just regular shit when you see him, because

23:20

he had on one of them softball jackets with the

23:22

Easy even the blue ones, remember the ones that

23:25

you know what I'm saying. That was his ship with the locals

23:27

on the hat. I'm like and again. I'm

23:30

I'm starstruck all of us because he was

23:33

a godde easy man in Boston, the

23:35

gangster rap scene. He was a god to us right,

23:37

and he was about god very He

23:39

was about.

23:40

To be on Ruthless Records, our first album. I couldn't.

23:42

It was just then he went

23:44

to that. He ended up going to the hospital, those Saint Regions.

23:46

I talked to him on the phone. He was like, Noah, everything good. Tom

23:48

Wally, who represents the Tupaca

23:51

State now was our lawyer. So

23:54

it was gonna be one hundred and seventy five thousand in our first

23:56

deal. This is like ninety three, ninety

23:58

two, ninety three whenever he went

24:00

to the hospital.

24:01

So he went to the hospital.

24:03

So a couple of days gone by and I talked to him

24:05

and he's like, look, I got said we made this new song. So

24:08

we didn't have email. We sent that bitch to him a cassette

24:10

because he had he said he had a box and sent

24:13

it to him. He said he got it, he loved it. It

24:15

was called There'll Be Some And then

24:17

the third time I talked to me, hearing

24:19

his voice, and he said he got bronchitis. And I

24:22

was like, okay, you know what I'm saying. Anything gonna be said.

24:24

As soon as we get out, everything's cool. They

24:26

went back and forth to the lawyers with all I gotta do is

24:28

get out sign it, and y'all are so we like,

24:30

oh we celebrated, man, we like. So

24:33

then I get a call one time from Dave Man.

24:35

Dave's like Easy died of AIDS. I said,

24:39

fucking AIDS. Like I couldn't even

24:41

process that shit, Like, didn't.

24:44

He make a press conference

24:46

before that? Thought?

24:47

Man, Listen, there

24:49

was a lot of weeks. There's a lawyer named Ron Sweeney,

24:51

right, This is why I do know. I don't

24:54

know who Ron Sweeney is, right, but there's

24:56

a lawyer named Ron Sweeney who was with

24:58

Tamika at the time. Right

25:00

now, I don't know if they was messing around, but

25:03

you know, Easy signed over everything.

25:06

He signed over everything to me

25:08

on his fucking deathbed.

25:10

They didn't honor our contract, signed bones

25:12

and we was left in the fucking and

25:15

I'm like, he signed

25:17

it on his deathbed. Now that's his wife,

25:19

so I don't have any but what the fuck

25:21

was Ron Sweeney doing? You know Ron

25:23

Sweeney, So he's a lawyer for murder ankor

25:26

whatever. But it was just shit didn't

25:28

look right. I was pissed to the motherfucker.

25:30

I was mad as a motherfucker. I was fucked up. Now. I

25:33

remember just staying in the house for three days and just not even

25:35

fucking around, not even want to talk to nobody.

25:37

Because it just it was fucked up. That

25:40

was a fucked up moment for me, for real.

25:43

But but it's like, rest in

25:46

peace to the Greatest.

25:47

But these motherfuckers walk out

25:49

on Dave and they're like, listen if you don't leave, And then then

25:51

James Bernad and then we're at RCA records.

25:53

They come up and say, hey, we have a

25:56

summons, a summons for you,

25:58

Benzino.

25:58

We're in there with a gang oppressed

26:00

people.

26:02

So niggas stopped punching on them and throw them out and

26:04

ship and then we got dropped from r CA

26:06

like that whole ship was fucked up, like

26:08

all them journalists and ship.

26:10

They hated me and I hated them. It was an awkward,

26:12

fucked up situation up there at the source of the time.

26:15

But they fired him, made me fifty

26:17

percent on it.

26:17

We hired a new staff and then we blew

26:20

up more than we ever did you see how?

26:22

You see how God worked.

26:25

We're gonna get back to the source in the second, but

26:28

let's talk about your two B.

26:29

You had a too B on two B.

26:31

He had a two B two. I got a few to moves,

26:35

but they said they took one down because you was out there.

26:37

Wow, it's

26:40

acting, it's acting. I

26:42

wore a sock on it. Okay, I wore sock.

26:45

I don't know what that means, but ahead tell us about.

26:47

It, like when you do when you do romantic

26:49

scenes. Oh, it's the romance shit butt

26:52

naked? Oh okay, sock on

26:55

it? Oh okay, I put a sock on

26:57

it. That's what they do. They put a sock.

27:00

You know what I mean?

27:00

Because you don't want to see underwears, you know, I mean? You gotta

27:03

look real, y'all see Monsters

27:05

Ball?

27:07

Yeah, I think so.

27:07

The only part you remember is the how he bury part. Now,

27:11

dude looked like he might if he didn't have a sock. It

27:13

looked at real as fuck, right, all right, So

27:16

you know what I'm saying. So I so you gave Monster's

27:18

ball on to b on.

27:20

To be I respect to be ball.

27:23

But they took it down because it was a little bit too and I'm

27:25

like then to be took that down, to.

27:28

Be busting the niggas in their face first

27:29

of.

27:31

May that might.

27:33

Tell you a little while and to be mad and you

27:35

you you you're.

27:36

Going to bar you

27:38

call no, no

27:40

no, why not to get the second it

27:43

sexy.

27:44

It's like some real shot Terry Miles

27:46

because he directed it. But it's some real dope. It's

27:49

my first starring role. And you know, it's

27:52

a great minute. It has a great storyline,

27:54

you know what I'm saying. But the sex scene is probably a little bit

27:56

too much, and so I had to go back and edit it.

27:58

But it's going to be back up.

27:59

It's called out one on her when it

28:01

when it first went on, whoever cleared it I heard got

28:03

fired up.

28:04

This ship to be.

28:09

Got But

28:14

you know, to

28:17

be is wild.

28:18

I guess I F you want to

28:21

it's a new outlet, bro. You be seeing the

28:23

fox scenes on to it.

28:25

You can make a whole Tooby movie from your joy

28:27

right here. You go to go to lead a grip, look to

28:30

just stay home. It takes to make a whole text a week.

28:32

A lot of these guys really and they do great jobs.

28:34

Only takes about a week. That's so he makes movies

28:37

for one days. What

28:39

kinds of weird ship?

28:40

Okay,

28:44

now, but I mean, I mean Tooby to me is dope because

28:46

if y'all look at Hollywood, Hollywood really has

28:48

phased out the black movies

28:51

for us. Let's just let's call it what

28:53

it is. See I read between

28:55

the lines. Bro, God's giving me this gift to see

28:57

this ship, and I've had it for a long time. That's how

28:59

I've seen the eminem ship.

29:01

Let's go segated

29:04

himself.

29:08

We're still on to talk,

29:11

okay, okay, okay, hold on, hold hold.

29:13

On before too.

29:14

We got shout out tows actually

29:16

though, because if you look like it, you drinking.

29:19

Yeah, we drinking champs

29:25

where you all are. What

29:27

we're doing, What.

29:28

We're doing, huh yeah,

29:36

say lickuld bring out the truth.

29:37

Yeah, we're gonna talk the truth, the truth and

29:39

the other things.

29:40

So look, we gotta slow down though, because you know we gott

29:45

don't guess up there, yo.

29:47

But this is a great one.

29:50

This footage with you, Tupac and

29:52

Freddie Fox on stage.

29:55

Yeah, where's this act? I'm gonna tell

29:57

you the story. Tell us the story.

30:00

I love Freddie Fox. Who's no disrespect to Freddie

30:02

Fox. But this is what happened. Okay,

30:06

you know there was roomors going around over the years. That's Freddy Fox

30:09

smacked me and Freddie Fox smacks shoes, Predd.

30:11

You know what I'm saying. We was both signed the Flavor

30:13

Union. Now, Freddie Fox is a g did

30:16

time gangster. No,

30:18

he's a real one, the real one.

30:20

Yeah, Bumpy know Freddie Fox's hand

30:22

to hand in Boston out there.

30:24

Okay, but this is how me and Freddie Fox

30:26

met, and I think this is how Freddie Fox had

30:29

respect for her. Now,

30:31

Freddie Fox back then, it's a big dude. He's still

30:33

a big dude now yeah yeah, but but you

30:35

know that he got that jail physique.

30:37

That jail when you're going to work out. It's different

30:39

when you in the gym working out than jail

30:42

workout.

30:43

You know what I'm saying, Monsters. So Bumpy

30:45

Knuckles signed the Flavor Unit. We got signed

30:47

Flavor Unit. Also management right now, no

30:50

no label. They put out a video

30:52

on us and everything with the

30:54

Flavor I was in Johny video. It was dope,

30:57

like hey, mister them over there, like the j

31:00

Intre was Dope from Boston. Everybody

31:02

on there was either from Jersey. There might have been

31:04

one person from New York on Flavor Unit. And

31:06

you remember Flavor Unit. So

31:09

we got signed, all right,

31:12

So we go on to tour, right, and

31:17

we got like three vans and it's everybody. So

31:21

Bumpy Knuckles is kind of like chumping

31:23

everybody in the vans and he's really who's

31:26

in his van again? It's all the Flavor Unit

31:28

ares. It's a compilation called Roll

31:30

the Flavor. It's about nine artists.

31:33

Pull it up and you could see the artist, remember

31:35

that, probably Dope. So we on tour

31:37

and I think we in d c Is at the time. I

31:39

don't know where we're at. But you know, Freddie

31:42

Fox, something happened. We in three

31:44

vans doing the Bible Belt tours.

31:46

You remember those, you stopping

31:49

DCI circuit chick chipling,

31:52

Sir, I like chickings.

31:54

I do not,

32:00

yea.

32:05

So so we in the van

32:07

and somehow something happens, and you

32:10

know, I'm strapped up. I got a little nasty little

32:12

revolver on me, you know what I'm saying. So

32:14

Freddy Fox, I'm a little guy. I'm not you know what I'm saying,

32:18

Fox's biggest ship.

32:19

You know what I'm saying. Up in the beef, he smashed

32:21

me. He a big dude. You guys had no history

32:23

before this.

32:24

No, I mean, but what initally happened, like,

32:26

I don't remember, but I just rememb it was an argument. Something

32:28

happened and I just whipped out. Freddy Fox

32:30

got up out the van and got up out of there. Right,

32:33

there was a whole bottle. You know what I'm saying, I

32:36

whipped out.

32:38

It was an argument. What else

32:40

I was going to do with a big nigga? Right? You

32:42

know what I'm saying.

32:43

And I'm not saying that to disrespect Fox because we're

32:45

great friends.

32:45

Now, I'm just telling the story.

32:47

The story has never been told, you

32:49

know, because there was the rumor was like that as Freddy

32:51

Fox smacked me, nobody smacks me, you

32:53

know what I'm saying.

32:55

So you know we

32:57

do the smacking like you do the smack. You're a

32:59

smacker, I know you man,

33:03

he was ahead,

33:09

so then now are you pulled out

33:11

on him?

33:11

So so so he bounces So

33:14

later on he called shot him

33:16

and I love shot him behind

33:19

me from day one, shout to shot

33:21

him shout latif for giving us a shot

33:23

back then when nobody did. He

33:26

called him, was like, yo, I want I want to do a song

33:28

where I want you to come do a song me and Tupac. I'm

33:31

like me, I'm not because I got other niggas

33:33

in ours, So who are doper than me? As far as

33:35

lyrics go, I got? But you pull

33:37

up to the y I got I got is totally

33:39

wrong. He's like, no, I want you. I'm

33:42

like, all right, he said, no, I want you to come with everybody.

33:44

When you come by itself, it's gonna be a power playing

33:46

queens. Remember that studio pole

33:48

playing queens of course plays legendary. I

33:50

said, bet, we're gonna coach it. Not I want you to come by yourself. I

33:52

was like this nigga trying to line you up.

33:55

This nigga getting ready, Liz, sign me up?

33:57

What they call that? Back again? Set up, set

33:59

up bay.

34:00

You know what I'm saying. Set up back in the days. So

34:03

did you go by yourself? I went by

34:05

yourself by myself.

34:06

I'm sure you had no,

34:08

no, I know it.

34:09

I didn't even have nothing with me, because you

34:11

know what I'd be. I was strapped

34:14

up a lot of the times in my life. But sometimes

34:17

if somebody talks to me and I felt their energy,

34:19

I just trust. I just trusted

34:21

him, like he really made me feel comfortable.

34:23

He was like bro. And we didn't talk too much

34:25

about the incident.

34:25

It just was like he made me feel like listen,

34:28

my nigga, like you're a real one, and I fuck

34:30

with you. And I felt good about that because at that time,

34:32

you know, because me, I'm a skinny the

34:34

skinny niggas up. When was that

34:37

line when he said in the skinny what did jew say?

34:39

Did the Jews say? What the skinny niggas? Jews

34:43

remember Jews? And doom doom doom

34:45

doom doom doom doo doom doom

34:47

doo doom. What a skinny and the

34:49

skinny niggas die? Oh okay,

34:52

So I was a skinny nigga. So

34:54

I'm like, I'm like, this is

34:56

dope, Like he's giving me my props and I'm like bro.

34:59

I went and then when I walked in, he was in the booth

35:02

with no shirt on, in the fucking sinbad sword.

35:05

Now we took about forty fox. Yeah, my mother Mary

35:08

Scott. He was with a big ass sword with

35:11

no shirt on in the booth. When I first got there,

35:13

was just me and him. Pop didn't get there yet. I

35:15

said, oh, ship with the fucking bigs. I've

35:17

never seen no ship like the ship that.

35:19

Curved, like he said, with

35:21

a fucking sword. Bro. Like,

35:23

I'm not even I'm not even playing. That's different.

35:26

I'm not even playing like he's in the booth.

35:28

This is me, him and the engineer, not even

35:31

because it curved.

35:33

That's a sword, that's what is that?

35:36

Let it. It was about this Arabian

35:38

Knights type. Yeah, fuck you up. So

35:41

he was in there rocking with that ship. Oh ship,

35:44

and it came out, what's

35:46

up?

35:46

Bro? We kicked it bone. You know what I'm saying that I want you to

35:48

go first.

35:49

I was like, I was nervous as hell because I wasn't

35:51

even the best lyricist.

35:52

To my great But this after what happened with you guys, Yes,

35:54

so you guys obviously squashed it right then.

35:56

The way we squashed it was he wanted me to come to the

35:58

studio. We never sat. They haven't even talked

36:00

about the incident. The way the way

36:02

it happened was he got the shot. The ultimate respect.

36:05

He's like, bro, like I'm record,

36:07

that is the ultimate respect, Like I'm

36:10

showing my record after we have because

36:13

I'm like, I'm about to be on a song park and I'm not even

36:15

like all that he told you was

36:17

on his record and was on his way. He was

36:19

on his way. You know that was a surprise. I got

36:21

there first told me,

36:23

he told me he wanted me to be honest.

36:25

And now I'm sorry to cut you up with pockets?

36:28

Did you underground pockets?

36:29

He's not, He's

36:33

this is the beginning. Was

36:37

I'm getting ready to funk over everybody.

36:40

When he showed up, it was him and stretched

36:42

rest in piece of Stretch Anderson Queens

36:45

of course Queen.

36:46

Okay, Stretch Live squad

36:48

all right?

36:50

Was he money bags there on mo no mobile

36:52

easy Mopreme or Mopreme and

36:56

he and the the DJ of Brand

36:58

Nubian.

36:59

Is he mod He just

37:01

said it, that's crazy. Just he mobile.

37:06

Got to correct you from a this

37:10

story is getting producer

37:26

come on with or

37:28

you know what I'm saying. Then

37:32

you now he got to the

37:35

studio pop, he

37:37

did his song, he ripped it.

37:40

Just this the return of the trouble maker. You

37:43

know what I'm saying, I'm like, damn, Pop came in. Rip

37:46

that ship. He pulled up see if you can pull the records called

37:48

Killer produced by s y D. SID.

37:50

SID produced all the early Naughty by Nature Ship

37:53

with Kate Kate shout

37:56

to Naughty Legends.

37:58

We did.

37:59

We did a skip. It was a drive by skit. He was

38:01

like, yo, rape, put your fucking mask on this.

38:03

Pop, put your fucking mask on Rate. We're

38:05

about to get these niggas, Yo, nigga, but they

38:08

put all kinds of guns and shit and then.

38:09

Kill a killer, killer, don't.

38:11

I did the hook, don't fuck with a killer,

38:14

Don't fuck with a killer? And

38:16

Pop's sick. Most of these pictures. I got

38:18

my mind. Originally he ripped that shit.

38:21

Later on I tried to put another beat on it and

38:24

get Clarence.

38:24

I got sued by a Feoenie. We had to give one hundred and fifty

38:26

thousand. That's a different story. Rest

38:29

in peace to a Phoenie. Should call you know what I'm saying.

38:31

You know, we paid one hundred and fifty and I felt like I

38:33

didn't even at that point we had so much money. I was like, hell,

38:36

yeah, Davis, I don't know, but yeah,

38:38

I was on the phone, I was on a I

38:41

was on a track with Pop and Freddie

38:43

Fox and yeah, you know it never got put out.

38:45

So in this footage of that, you got it of

38:47

that red footage. The footage was around that.

38:49

After that, Fox invited

38:52

me to a shoe with them, poking, went on stage and we performed,

38:54

and I just posted that.

38:56

Wow, I just had to pay the

38:58

internet.

38:59

I met an that just showed me that ship a couple

39:01

of days ago, and I had to buy that ship

39:03

from him. Yeah, it's

39:06

already on fucking YouTube and my dumb ass

39:08

bought the fucking.

39:12

Ship.

39:15

I don't got money to waste the

39:18

record kill here, don Mike,

39:20

But you don't want to put it on a big speaker.

39:22

I mean, if we got time, you know, yeah,

39:24

yeah, we don't got time. Well, we drinking, you

39:26

know, we drinking.

39:28

You know, we did drink shamp Yeah, for

39:31

Jesus, you got like seventeen blunts over there.

39:34

Man, you know you're gonna pass one. You

39:36

want more.

39:38

N you

39:41

know.

39:42

By the way, by the way,

39:46

we're chilling this holiday time,

39:50

you know, we we all everyone's cooking zos

39:52

just coming my career. I

39:56

can put this, yes, yes, you shure

39:58

you want to you want to mix.

40:00

So we got the other ship back.

40:04

We got see

40:08

you drinking. In fact, yeah, I'm drinking. Yeah,

40:14

you know what I'm saying. To

40:19

be honest, I always sound drink.

40:21

But back in the day, I used to drink a

40:23

whole fifth of Hennessy and walk around the club in

40:26

Boston shut off.

40:28

Yeah, I do this in the eighties.

40:32

In the eighties, do we do quick

40:36

time of Slime or do we do it now? We're

40:38

doing now? Man,

40:41

Man, here's we supposed. I was the

40:43

man a

40:47

lot of walk. Listen,

40:50

man, that's my top. Our show

40:53

is about giving people. They fly. Oh yeah, when

40:55

they can smell them, they trees when they get and

40:58

held them. They thought they give me some money, give

41:00

me some money, and they drink

41:03

money. I mean, you

41:12

know this is on TV. This

41:16

is on Revolt TV. I know you

41:18

always say that's

41:29

like a suitcase. We wanted to give you a

41:31

flowers. We want to let

41:34

us give you a keep continue getting your flowers.

41:36

Listen, man, we know how much you contributed

41:38

to hip hop. We know what the magazine

41:40

that you were part of, and you birthed

41:43

so many people, including me. You

41:45

know, I was on the unside hike, you know

41:47

what I mean, like upside

41:49

hike.

41:52

That's right. And so from that,

41:54

you know, things lead to my

41:57

career which still brings it right here.

41:59

Still he's there, right here, you know what I mean.

42:01

So I wanted to give you. We wanted to give you all

42:04

of us your flowers face to face, man

42:06

and man, tell you how much we appreciate you. Tell

42:08

you how much everything that you did in the hip hop

42:10

has not been going to overlook because

42:13

we know that, you know, controversy kind

42:15

of like follows you, but we know that

42:18

the real talk, the real reason why you hear

42:20

is your love of hip hop and your love of

42:22

your love of love and giving people love.

42:25

I always see you give people love. I always

42:27

see it, and I want to see.

42:33

From the time I met you, from from

42:35

you know, the height of the source to where

42:38

you know, any time I ever

42:40

met you, you always been a giver.

42:41

You always give people.

42:43

I remember seeing you and just wherever

42:45

you're at, you just say hey, man, yo, what's up. You'll

42:47

meet the person and you'll be like, yo, man, come fuck

42:50

with me, and I'm like, wait a minute, you

42:52

met.

42:53

This nigga five seconds ago and he's

42:55

like yo.

42:55

And that's who you are.

42:57

So you know, man, no one can

42:59

say you don't love hip hop bros, whether

43:01

they agree or not.

43:02

You hands.

43:03

So we wanted to get your flowers face to face

43:05

and we're gonna make some noises.

43:07

You don't want to, but

43:11

you deserve you just don't bros.

43:13

And man I'm saying is right. Yeah,

43:16

our daughters st weed from you. That's

43:19

right. I remember the boy

43:21

and just

43:26

keep it real.

43:30

Was because

43:33

you're more like a diasical like

43:35

ahead, I don't even know.

43:40

My thing is our daughters stow weave from

43:42

you like bro like parents.

43:45

When we lived together, when we lived like, I

43:47

learnt a lot about you and it was like I'm

43:50

like, like, first

43:52

of all right, the t win why is one

43:54

of the top three verses ever

43:56

split to me, my my favorite top three verses

43:58

of all time of all

44:01

time. Like my nigga like

44:03

like you killed that ship, bro, well giving

44:05

you your flowers, But niggas try

44:07

to ship on me and man history me bro, Like

44:10

come on, man, it's like I relate and

44:13

like when we live together, you

44:15

see, like any time when I would come

44:17

to you with with personal problems, you would always

44:20

be there for me, like you didn't judge

44:22

me because I know I know

44:24

him not right all the way up there. I know I

44:28

know that.

44:29

Like I'm not anybody.

44:31

I've been through a lot. You know what I'm saying.

44:33

It's like you never judged me, and like I

44:35

always looked up to you because you

44:38

can understand I'm not a magazine

44:40

nigga.

44:41

I want to I want to go platinum. You've

44:43

been platinum many times.

44:44

Bro.

44:45

I've watched you go from gangster ship for real

44:47

grabs you to go like Bro,

44:49

I watched you like.

44:50

When you do what what?

44:51

I'm like, this nigga is on his feet hot, he's

44:54

running, been placed like a motherfucker.

44:58

What what?

44:59

What?

44:59

What? He just want in place like this? Like

45:01

bro, like like you know, like

45:04

and then I know you, I know you about that

45:06

gun shot, about that I know

45:08

you.

45:08

I know.

45:10

I know he smacked mad niggas excuse a

45:12

real nigga.

45:12

He's me, he's me, like we were late

45:15

because we do the same ship. You don't

45:17

take no ship but nobody, man, we

45:19

Puerto Rican and Black. That's why God damn make some noise

45:21

for us. Let me keep it

45:24

acan right, let me let me keep it on. Let

45:26

me keep it on you, because you know we

45:30

were speaking about like a lot of people don't know.

45:33

If you got it in a sauce and you got

45:37

unsigned hype, you would automatically

45:39

get.

45:40

Talking about Eminem man talking

45:43

about that. That's why we

45:45

hit a night. Fuck eminamuck

45:49

everybody down with And my thing is this,

45:51

bro, my think is this. My

45:54

thing is this. Let

45:57

me won't face me.

45:58

When we was in Puerto Rico, I was with my man

46:00

Wes, we popping the motherfucking

46:03

dashboard.

46:03

With the guns and the dashboard like we

46:06

caught who's this djfan?

46:08

Who's the EMINEMDJ at the time, and Queenland

46:11

caught him out the thing all like

46:13

yeah outside the DJ convention. Yeah,

46:16

don't fuck around with me. Man, I'm

46:18

that nigga. Bro, I don't play that shit.

46:20

Yeah yeah, that niggas like God bless him

46:23

and what he do. But Bro, we come from

46:25

a whole different motherfucking war

46:27

and a whole different trenches.

46:29

Bro, that nigga ain't us, Like

46:31

what the fuck?

46:32

Bro?

46:32

So hold on, how many niggas around you?

46:34

Done?

46:34

Die?

46:35

Nigga?

46:35

I can tell you how many niggas are in Boston.

46:38

In Boston, he talking about the mean streets of Boston.

46:40

Niggas will mother fucking destroy him

46:43

from Boston?

46:43

Bro with like niggas death and

46:45

destruction is all we know and like

46:48

come.

46:48

On, man like yeah, man, like

46:50

fuck everything else, man, Like you know these

46:53

niggas be for twenty years?

46:54

Is oh fuck you? Eminem Detroit, Detroit?

46:57

Who who the fuck he destroyed?

46:59

Bro? Yeah? Man like like

47:02

think I'm scared to die? You know, nigga?

47:07

Look is he talking about? Nigga?

47:09

Do you know what time I got shot with a motherfucking

47:12

bull a proof vessel and that shit broke two of my ribs

47:14

and Big Daddy's at fucking four corners

47:16

and I've been shopping my nephew going to my mother's

47:18

funeral.

47:19

What the fucking he do to me?

47:20

Bro?

47:21

Huh what the fucking he do to me?

47:23

Bro?

47:24

Yeah?

47:25

Yeah, yeah, yeah, nigga fuck all that. That's how

47:27

we live. Yeah, nigga, fuck

47:29

that nigga? Man, Yeah, what are we doing?

47:33

Ain't no fair? He ain't no, We don't scared.

47:35

We like hip hopsash man,

47:38

listen, Bro, Yeah, can we come

47:40

back to telling

47:43

fly that ship?

47:44

Man? He thought

47:46

he could just kiss me and mentioned my princess,

47:49

my baby. He thought he could mention the

47:51

princess.

47:52

She ain't done nothing but speak holly

47:54

of this dude, Bro, why would you say some ship

47:57

like that about princess, about

47:59

my daughter?

48:00

Where the fuck we go through? Are you crazy?

48:03

Huh?

48:04

Like?

48:04

Bro? Listen, bro, my thing is this?

48:06

Bro? How about this? I know he ain't gonna fight

48:08

me. I know that,

48:10

But how about I battle that nigga?

48:13

And how about how about we put

48:15

this to bed, three round battle with

48:17

me and him? Battle battle rap, We have

48:20

a minute and we battle.

48:21

How about that? Why just battle?

48:24

No violence? After that we can hug

48:26

it out, no violence. After that, we can

48:28

hug it out and let this shit be over.

48:30

Twenty two years he making a song about

48:32

the Zeister about me. See

48:34

it's easy to know he love it hip

48:36

poppy. In the eighties, I was a fucking.

48:38

Monster, man.

48:39

I done been shot and I shot more niggas at

48:41

that. I done got shot. How you think

48:44

Boston is a joke? Boston ain't no fucking

48:46

joke. Niggas did all my niggas

48:48

in Boston's no joke. Don't think

48:50

Boston's a joke. Surviving Boston

48:53

with the racism and the motherfucking gangshit

48:55

in Boston since eighty five. My nigga,

48:57

Boston ain't no joke. Boston ain't

48:59

no joke to make it out of Boston. I love

49:02

my Boston. Yeah, come on,

49:04

man, mean streets of Bosston and you fucking

49:06

and Detroit. I was fucking with YbI

49:09

in eighty seven. I couldn't say nothing until Pep wrote

49:11

the book, and then I could say, yeah, nigga, you crazy.

49:13

I was in Detroit in the eighties. My

49:15

niggas sell dog Shot, Automate Kid,

49:18

Pep, YbI. We've been fucking with each

49:21

other, the bomb boys, like this is

49:23

like we lose people with hip hop. Hip

49:26

Hop. Hip hop is is

49:28

the blood that we lose, like

49:30

them young niggas in Chicago and everywhere

49:32

else. My nigga, they killing each other and it's

49:35

over hip hop. It's over hip hop,

49:37

like hip hop is who we are. He can't

49:39

come in and invade hip hop and Rosenberg

49:42

and make trillions of dollars.

49:43

This nigga didn't even go to Nipsey's funeral.

49:45

Bro, if he's so fucking hip

49:47

hop, why how come he ain't block ten blocks

49:50

and motherfucking Detroit and give it to the

49:52

homeless black people. Man, fuck

49:54

Eminem, Bro. They

49:57

trying to kill me right now, bro, because this shit I'm

49:59

saying, because it's deep. Let me tell

50:01

you his fans, bro, his fans like him because

50:03

he's white. They don't fuck with us this.

50:06

Let me tell you something, bro. Let me tell you something, bro mean.

50:08

Let me, let me, let me get let me get all the

50:10

way one funky with you that

50:16

said what I

50:18

said? What Let me tell you what this is? Right?

50:21

Eminem was born in

50:23

Missouri, in a little town with

50:25

his no black people.

50:27

He grew up around no black people.

50:31

They moved to Detroit. They moving up. One

50:34

thing about Michigan. They went to Michigan.

50:36

Michigan really is you got your black parts and

50:38

you got your white parts, your

50:43

black hoods and your white hoods. Just like Boston,

50:45

like like just like the Bean, just like the Bean,

50:48

the bloody Bean, Man, the bloody

50:51

Bean.

50:52

The niggas in.

50:52

Boston don't get their props, bro, Like the

50:55

motherfucker's up there. They hide and

50:58

they But Man, black people in Boston,

51:01

we're the best. We We ain't

51:03

recognized enough, man, We ain't

51:05

recognized enough. Man. I'm the only nigga

51:08

that's shout out to Bobby Brown in the new

51:10

edition. But I'm really the only nigga that I

51:13

bled for Boston. But what I'm saying

51:15

is Eminem he wasn't around

51:17

black people. He made a racist tape

51:20

with two other guys. Those guys came and sold

51:22

me the tape. I paid fifteen thousand dollars.

51:24

Those guys says, Hey. They show up in the Sauce

51:26

office like hey, like, hey,

51:31

we want to sell you the tape. We were trying to sell the tape for fifty

51:33

thousand. Earth Gotti, Earth Gotti. I'm not

51:35

paying you fifty thousand, and

51:37

before I put you on the trunk, I'm gonna pay you fifty

51:40

fifteen thousand.

51:42

Yeah, because I want to put him in the trunk.

51:44

I wanted to put him in trunk, and they hold him for ransom and tell

51:47

Eminem to come get them.

51:48

But I say, you know what hold up? I

51:51

told you about the dam and jay Z Showery. When they came

51:53

up there, they.

51:53

Wanted to cover and niggas was up to strap the

51:55

fuck up at the Sauce. I tell you that story. I'm

51:58

gonna get to that story after this. Ask me about this

52:00

story. If I forget. Yeah, yeah,

52:03

yeah, yeah, yeah, that's why I don't mind drinking

52:05

because it all come out right. Yeah,

52:07

because I fuck with everybody. But ain't nobody

52:10

fuck with me and my niggas in Boston. We

52:12

Yeah, that is killing

52:14

me.

52:14

Ain't shit.

52:16

I'm gonna come back as a fucking uh

52:19

a raccoon or something.

52:20

I don't care. I'm gonna live a game. Yeah, I'm

52:24

a fifty eight. I don't

52:26

know I was making it to this long.

52:28

The bottom line is when Eminem came Bro, but

52:32

he came from Missouri, you know, and then he got

52:34

with these two white guys and they made a whole hour's

52:36

tape of the rap Racist Hour, and

52:38

they called niggas and porch monkeys and niggas,

52:41

and then this nigga, Nick Cann, It comes out

52:43

like, Yo, yeah, nigga, you

52:46

fucking.

52:46

Talk about the shit that I've been talking about. How come you ain't

52:48

talking? How come you ain't mentioned the fucking ze Ster. Nigga.

52:51

Huh you

52:54

you over here talking the same shit I'm talking.

52:56

And that's dope. I like you for that.

52:58

But mentioning the Ziggster, you have to herban

53:00

on the North. Mentioning a fucking Zeastern

53:02

nigga. That's what I was talking about. Turban man, don't

53:05

fucking sit here talk about all this. I don't

53:07

give a fuck.

53:08

Bro. I've been dead a few

53:10

times. Bro, I'm ben

53:13

Zeno from four I'm raked off from four corners.

53:16

Here.

53:16

Just don't know me.

53:18

This is new life, this is new some

53:20

other shit. I know who the fuck I am.

53:22

I'd rather go back there. I'm not even I just

53:24

had adapt to this. I don't even like what's going on. I'm

53:27

not even in this. I love my girl, me

53:29

and my girl. I stay with my girl. I don't even

53:31

know what the fuck this is. I know

53:33

when I came up, I love that better. This

53:36

shit here is like the eminem

53:39

shit.

53:39

Bro.

53:41

Let me tell you something. Bro.

53:42

That shit was designed to divide

53:44

the white and black because

53:47

white people was fucking with it's with hip hop. White

53:50

people was like, I hate niggas, but damn this hip hop is

53:52

kind of cool, just like white people say, I hate

53:54

niggas, but damn that niggas dunk in.

53:55

That basketball for my city and I love him. What's

53:59

the difference.

54:00

Yeah, Paul Piss, Yeah, Paul Pists got

54:02

stabbed up because he.

54:03

Was being aggressive with my nigga, with

54:06

my niggas girl, and he.

54:07

Disappointed me when he went on Stacks and Who's

54:11

and Matt barnes Is interview and started bro

54:13

bro bro with a camera. Bro, you

54:16

you getting aggressive with my niggas girl. That's

54:21

my niggas girl. He don't got shit. He hustling

54:24

in the streets. You got millions of dollars and

54:26

you ain't supposed to be in another You from La

54:28

and you in another nigga city trying to get aggressive

54:30

with a hood niggas girl.

54:31

That's not smart.

54:32

Bro.

54:33

Somebody should have told you when you going

54:35

in another cigas, these athletes and schools,

54:37

these athletes, these NBA and NFL athletes,

54:39

when you go in another city, relaxed, bro, I

54:42

understand who you fucking.

54:44

Some of these niggas want my nigga. Mayned McNeill

54:47

ran upon layd mylloy and.

54:48

His mother pull that shit out in it because he was fucking

54:50

his baby mother.

54:52

We don't play that ship.

54:53

M Van got smashed in his fucking head from

54:56

Apple, from fucking apples, girl, Like,

54:58

stop fucking niggas girl. Bro, you

55:01

know what I'm saying? Like that, Paul

55:04

pits shit and make no mistake, Paul

55:06

pointed niggas out my nigga, Rosco free.

55:09

Roscoe got twenty years for that. He

55:11

pointed Roscoe out.

55:14

When that shit happened at the club, I nigga

55:17

the next day at the club, I went to motherfucking New

55:19

York, got the fuck out of it. I had

55:21

to come back with my man Hurst, who had nothing

55:23

to do with it. I had to pay one hundred and fifty thousand for

55:25

a lawyer to make sure Hurst didn't go to jail.

55:28

He took it to trial. They found Hurst out like but free.

55:30

Big Treiv got seven years in Rods school,

55:32

got twenty in a day because Paul pist was

55:34

like, that's them over the shit

55:37

that you getting aggressive with another niggas girl.

55:39

And Paul, let me tell you something, homie, I'm

55:42

gonna keep it one hundred. That night was a Wise

55:44

Guy's album release party. We got

55:46

signed to death Jam with a fucking The

55:49

Wise Guys was bro

55:51

Look, Boston is fifteen

55:54

miles of nigga shit. Everything

55:56

else is white shit. We

55:58

used to average one hundred and twenty more is a year in fifteen

56:01

miles.

56:01

We was again. We was getting everybody.

56:03

When Coach came out eighty five, eighty six, everybody

56:06

started tooking gang shit.

56:07

Our ship was the Bruins. O. She

56:10

was black and gold. But Orchard Park? Where where

56:12

where where.

56:13

Bobby Brown him from with the Blazers. Yeah,

56:17

yeah, okay, we

56:19

was ganged out. We was ganged

56:21

out. I was with the gang showers with the shit.

56:24

I've been shot and shot niggas everybody.

56:26

It ain't nothing to glorify. My nigga rocked

56:28

out in my arms. Tony got half of his

56:30

face blowed off with a shotgun. This

56:33

is the shit that I've seen. None

56:35

of this shit means none of me right now. I've

56:37

been around death and destruction all my

56:39

life. My father did twenty

56:42

years, was fucking with the mobs as I was pumping

56:44

fam I was fucking with the Shower posse for four

56:47

years. I came up under them when

56:49

my father went to jail, this new shit.

56:51

I adapted and adjusted. But I was a whole

56:53

different nigga back then. I got kids

56:55

now, so I'm trying to do I'm trying to do

56:57

good in life. I'm trying to do good in

56:59

life. Stay

57:02

positive, you know what I'm saying. But

57:04

at the end of the day, I'm still from four corners. I

57:07

am who I am, nor is who.

57:09

Let me tell you something I know. I'm so positive.

57:19

Let's get back to having fun. Let's get back to having

57:21

fun. Let's lie.

57:24

This is a celebration, celebration.

57:26

I teat it up, bro, Yes, Don

57:29

Rogers, Derreck Cortio. I tested

57:31

it up, Gino, I tested it up. I can name over

57:33

one hundred niggas that been dead. No, nobody

57:36

looks at Boston as when you see the Celtics

57:38

game, all you see is white people. Nobody understand

57:40

that Boston is a hood of beautiful

57:43

black people, and we've been suppressed of

57:45

hip hop. We don't even have a radio station. We

57:47

don't have a black library, a black

57:49

bookstore, African American bookstore.

57:53

Shout out to an armised man doing double life. Nigga's

57:56

been getting listen, bro, Like kids

58:01

couldn't even go to good schools in white neighborhoods

58:03

without thousands of white people throwing calling

58:06

you nigga in the seventies. So

58:08

all right, look at them. Let me try to make fuck

58:10

Eminem. I just sed eminem

58:13

rap Elvis bitch. Yeah,

58:15

okay, yeah, how about that I

58:17

ain't how about that? How

58:20

come he ain't answered? How come he ain't answered

58:22

me? I beat the ship out of him with these

58:25

I'm not the greatest fighter. I'm not

58:27

the greatest nigga. Yeah,

58:30

I'm a shooter.

58:31

I'm a fight Yeah yeah, come

58:33

on, nigga, let's keep it hit. You know what,

58:35

I known you before, mister Lee. Okay, that's

58:37

right, mister before

58:39

you. Yeah, yeah, yeah, so what I'm drunk? Scott

58:42

Stork, Scott Scott,

58:47

let me tell you so if Jacob to Juter

58:50

to come on.

58:53

That, I spend nine hundred thousand dollars

58:55

on a Xeno chain with Jacob to Juli. I went

58:57

over Scott Storch's house one day and Scott,

58:59

story, you always used to try to come in. I used

59:02

to walk in Scott's storage. I used to always try to be

59:04

scar faced, and hey, I love Scott

59:06

Storche.

59:07

I love Scott.

59:09

Scott Storch used to have cocaine and

59:11

like seventy different places, like that'd

59:14

be a dippy.

59:15

Coke here, coke here, coke

59:19

everywhere.

59:21

One day one day, with one day I went

59:23

to Scott Storche's house.

59:24

Right the coke everywhere,

59:28

this is on tub By the way. Jacob to Judah

59:30

was over there at the ball of Scott take

59:32

it.

59:32

Back like he didn't know me. I probably gave Jacob two

59:35

million dollars. I bought the whole Stare staff

59:37

Reale, not the ship that these niggas

59:39

just wearing fake jewelry like a motherfucker. Sixty

59:45

seventy five percent of the niggas that you're seeing is wearing

59:47

fake Judah shout to the niggas

59:49

were on real jewelry, but Jacob to jeweler

59:51

and Scott was sitting there talking. I'm sitting there, came

59:53

up with Scott's house. I'm fucked

59:55

up at the time. Yeah, yeah, after the saw, Scout

59:58

was fucked up. After I got died and all that. I

1:00:00

was fired to sell all my ship because I got in dited.

1:00:03

But after that happened, you

1:00:05

know what.

1:00:05

I'm saying, Scott's thoughts to him, act like Jacob

1:00:07

out he didn't know me. I spent almost a million and a half

1:00:09

dollars with Jacob. No and

1:00:12

no, you know who was the original You know who

1:00:14

Jacob took Tito.

1:00:15

Tito. Come on, nigga, give

1:00:17

me something to Tito shout out to fucking Tito.

1:00:20

Tito.

1:00:21

Tito was the.

1:00:21

Original nigga, and Jacob came to me down,

1:00:24

ran down to Tito's spot and got

1:00:26

me and I worked there with Jacob. I gave Jacob a million,

1:00:28

a million of a million dollars million

1:00:30

and a half dollars in cash money, and

1:00:33

this nigga went act like he didn't know me when he seen me.

1:00:35

I don't got no watch because I'm fucked

1:00:37

up right now. But you think that Jacob can't give

1:00:40

me a watch?

1:00:40

Lock?

1:00:41

Come, Jacob can't get watched. I spent over a million

1:00:43

and a half. I had a blue red

1:00:46

pair down a pair of blue.

1:00:47

Like you want to know who? You

1:00:50

want to know what the ship I did in life? Huh?

1:00:53

Who the fuck I was? Nobody

1:00:55

had more money than me. Nobody had

1:00:57

not, did he? Jay? Nobody?

1:01:03

We just making two and a half million a month cash

1:01:06

money man, Yeah Source magazine,

1:01:10

Yeah yeah, yeah. Niggas was to get money like that. And

1:01:12

guess what, I didn't have to answer to nobody. I was the

1:01:14

big boss who I have to answer to? Even

1:01:17

Russell Simmons had answer to somebody at Universal.

1:01:22

They've had to answer to me.

1:01:26

Yeah, anything else to sauce

1:01:28

that went down and had to go through.

1:01:30

Big, big Big Boston. Yeah

1:01:33

we else you want to know? Yeah

1:01:36

right, I don't think we that was were

1:01:42

drinking right.

1:01:42

If yeah we got the wee Yeah

1:01:46

yeah, like the fuck Candice?

1:01:48

Yeah yeah, nigga trying to clown

1:01:51

me in order who not accomplished

1:01:53

so much? You know this type of ship I used to do.

1:01:56

I ran through twenty million in three years.

1:01:58

Nigga doing them Benzino

1:02:01

loss, I supent it. I

1:02:03

don't lose nothing. I spent it and

1:02:06

I gave it away to all my people, and

1:02:09

I brought all my niggas with me. The

1:02:11

fucking a nigga tell me, I'm a street nigga.

1:02:14

I barey I graduated because my

1:02:17

mother. They gave me five points

1:02:19

to graduate from my school.

1:02:22

You know what I'm saying.

1:02:23

Fucking a nigga, tell me this ain't even me.

1:02:25

This is some shit that I'm adapting to. I'm

1:02:28

a fucked up nigga. I cover four

1:02:30

coins. I represent every nigga around

1:02:32

me, all the niggas that died, all

1:02:35

the house evasion niggas, the

1:02:37

car thief niggas, the robbing

1:02:39

niggas. They're selling diesel I used

1:02:41

to sniff coke, I tried crack, I

1:02:44

did all that. I'm fifty eight years

1:02:46

old. Huh, fucking

1:02:48

the nigga. Tell me the fucking the nigga

1:02:51

tell me, huh the

1:02:53

fucking I'll battle eminem three rounds.

1:02:55

Look, bro, I need you

1:02:57

to set it up. It's gonna be a drink champs. Man,

1:03:00

we gotta funk that. You gotta set it

1:03:02

up. It's gonna be drink chips, smack

1:03:05

dv D smack D got this and

1:03:07

drink chaps, Got this and drink chips.

1:03:11

And niggas

1:03:14

is good fro the bo TV and revolt? Or?

1:03:17

Did he gonna say no to me? Did he told

1:03:22

hold up? Let me tell you

1:03:24

my hold

1:03:29

up? Yeah?

1:03:33

I go.

1:03:33

We want we want to do. We told Stevie not to

1:03:35

funk with me when

1:03:38

I when I first mess Steve did yo, don't funk with

1:03:40

him. Don't funk with him.

1:03:43

You know how me and STEVEE got cool because we was both

1:03:45

wild crazy.

1:03:47

We was both sniff and coke. Who was wild?

1:03:49

Niggas? Fuck?

1:03:53

You mean what nigga? What what

1:03:56

we we all drink chaps?

1:03:57

What we are? So?

1:03:58

Yeah?

1:03:59

What?

1:03:59

Well? This

1:04:04

is who we are that's the culture. This

1:04:06

is where I am.

1:04:06

I'm from, Bro, I was I was born

1:04:08

in sixty five, Bro, Martin

1:04:11

Luther King got killed Bro like like

1:04:14

the Vietnam War. Bro, I was born Boston

1:04:16

City hospitals under construction. I

1:04:19

don't give a fuck. Listen,

1:04:22

let me tell you something. One of these motherfucking shee,

1:04:26

the white people that be killing up the schools. One the motherfucker's

1:04:28

gonna kill me.

1:04:29

No, we don't want to know. We got

1:04:31

and dot just talking

1:04:34

about. Come on, man, I'm doing this.

1:04:38

The money y'all can y'all can afford another might

1:04:40

get I'm

1:04:42

talking about the

1:04:46

niggas, these

1:04:49

rich niggas. I'm

1:04:52

sing, I'm still in the streets.

1:04:55

I love my baby. She hold me down. I

1:04:58

live with her.

1:04:59

Yeah, the high rise, it's her high rise,

1:05:02

Babe, what it's your I don't give

1:05:04

a fuck.

1:05:07

I love you, but I'm getting her to marry her.

1:05:09

Oh one, two three,

1:05:14

Hey, Sonny, I love you, niggas fed, I

1:05:17

love my Haitian, I love my shout

1:05:19

out to Macazoe.

1:05:21

Yeah, that's so, that's

1:05:23

my heart. I kill a nigga for no. I just jumping

1:05:25

a bullet for no.

1:05:26

So let me that's the only nigga industry that accepted

1:05:28

me other than joh Ruh.

1:05:30

I love John something. We used

1:05:32

to do three ways.

1:05:33

But Yo,

1:05:43

they always looking at me as the crazy niggas.

1:05:46

It's like, yeah, because they rich and I'm fucked

1:05:49

up.

1:05:50

Yeah, yeah, I'm a crazy nigga.

1:05:52

Some of the best, some of the best arguments ever

1:05:54

was me, Zeno and Jahru. We're

1:05:57

good on the phone because all of us as bosses and.

1:05:59

We just you are you for hours? Hilarious

1:06:03

nigga ship out in a minute. Wait, yeah about

1:06:06

that.

1:06:06

Shout me columb your point four corners,

1:06:09

Gottomy home, Shamaica plane or

1:06:11

your park.

1:06:11

Yeah, yeah, that's where I come from. I've

1:06:14

been a mask off. Future

1:06:16

is my favorite artist. Future futures

1:06:19

my favorite future over here. Future y

1:06:23

y'all need to get future up here? Yeah, trying,

1:06:26

need to get future up here. We've been trying. Yeah, he got

1:06:28

it. Yeah, so I'm drunk,

1:06:31

Okay, his drink trans right. Shout

1:06:35

to shing Lotto. Yes, brother, set

1:06:41

your nephew. I love all you really just

1:06:43

say No, I'm not no regular nigga.

1:06:46

Let me tell you something me and nice tea right,

1:06:48

we ta by his team on

1:06:50

the Drinks Champs.

1:06:51

What I See love me Yes, he

1:06:54

loved me tea.

1:06:56

So we got so we are Tommy Boy

1:06:58

Records, and we got super Wanted Chamber.

1:07:01

Everybody watched it for George Floyd and

1:07:03

CNN. Fuck CNN and

1:07:05

fuck Fox News and fuck all you niggas

1:07:07

because.

1:07:08

Y'all, y'all everybody's watching

1:07:10

right now.

1:07:11

But in eighty two

1:07:13

eighty three niggas

1:07:15

police was killing niggas on a regular

1:07:18

We made a song called One in Chamber. Christopher

1:07:20

Rogers got shot by police.

1:07:22

Under a car.

1:07:23

He hit under a car. The police killed the niga

1:07:25

in the car, sew him seven times. Nathaniel

1:07:27

Lackdam got shot in Jamaica Plain Projects

1:07:30

twice in the back of his head, and then

1:07:32

police got over with it. We

1:07:34

made a song called One and Shame. Who got signed to Tommy

1:07:36

Boy Records? Right we

1:07:39

lost our deal. We

1:07:41

went to Jack the Rapper and seeing

1:07:43

Tom Silverman come come down

1:07:45

to escalator, I was gonna fuck

1:07:47

Tom Silverman up?

1:07:48

Did he have any on? I

1:07:51

was gonna fuck Tom Silverman? Why

1:07:53

did all these stories start with someone coming down escalator?

1:07:55

He's coming down escalator, coming

1:07:58

down Escalator? Donald Trump and his Simps coming

1:08:02

down there like that.

1:08:04

I'm not that. I

1:08:07

know you not go I got

1:08:09

more? You know what you're doing?

1:08:11

Right, Hey, I'm nice. I ain't

1:08:13

gonna front. I'm nice. So what

1:08:15

was he talking about? Donald Trump coming

1:08:17

down?

1:08:18

Silverman?

1:08:19

I don't get get drunk and the

1:08:21

j my brooke in the high school I went, it was hallways

1:08:24

and I used to drink private stock and

1:08:27

peach schnapps and BlackBerry brand.

1:08:29

Don't get drunk before going to high school.

1:08:30

Sounds disgusting to go back to Jack Wrapper Jack.

1:08:33

Rapper, Tom Silver Jack Rappers.

1:08:38

Something is coming down, you know. Let

1:08:40

me tell what happened to Paul C. You know, do

1:08:43

you know Paul C is? Paul C is a white

1:08:46

guy?

1:08:46

Oh yeah, yeah, yeah, you do know Paul You

1:08:48

do you know Paul Paul

1:08:51

from Queens? Yeah, producer.

1:08:54

Do you know who Ultra Magnetic MC is said?

1:08:58

Said she? You know what I'm saying? Cool?

1:09:00

Keith them niggas is no bro

1:09:02

They innovators. They don't get the props.

1:09:05

Keith is a fucking legs, said bigger se. Listen

1:09:08

Magnetic Paul C. A

1:09:11

lot of times, Tom Simimon is coming down. The connected,

1:09:14

It's connected okay, studio

1:09:18

twelve twelve.

1:09:18

Did y'all know that was in Brooklyn and Jamaica queens?

1:09:21

You ever heard that story? Storry? That was

1:09:23

Paul C Studio. Paulsy was engineering. I met

1:09:25

Paul Cy Artisho.

1:09:27

We're reading on the back of album covers, just

1:09:29

like Green Street Studio on Green Street. You know

1:09:31

we read that because of run DMC and

1:09:34

work with Pete rocking there which get the funk out

1:09:36

Pete.

1:09:39

Yea and you

1:09:41

look good. Hey, come on, just

1:09:46

sit down, please, please come on, come

1:09:48

on, come up.

1:09:50

Keep saying you saying, keep saying problem, yes, keep

1:09:53

saying yes, you.

1:09:55

Give up coming, Yes,

1:09:57

I love you, come on, come on top over,

1:10:00

came down the staircase. Okay, but what's

1:10:02

the connection? Yeah, okay, So Paul

1:10:04

C.

1:10:05

Paul C taught me how to use the SB

1:10:07

twelve hundred mens Jeff two times

1:10:10

it is.

1:10:10

Momj Yeah, your

1:10:12

legend, your legend.

1:10:14

Johnny B died and the Hangman three he

1:10:16

died. We produced the song

1:10:19

on Nazos, Thealmadic album, the Intro.

1:10:21

We produced thatd for Grammpe.

1:10:24

He died to cancel Bros.

1:10:28

Me and Johnny B.

1:10:30

The time when the fucking planes flew

1:10:33

in the and not eleven

1:10:35

Me and Johnny B was in the studio with Buster and

1:10:37

Scarface and we went home and

1:10:40

that's when I eleven happened. Was trapped in New Jersey

1:10:42

for three days because all the tones were shut. Wow.

1:10:45

What was he talking about before the we're not connecting

1:10:47

brooms?

1:10:50

Escala, I tell you I love you because you fuck

1:10:52

with the same nis. Definitely not connecting. Nobody

1:10:55

does that no more. It is like years

1:10:58

and years. If you fucking with the same niggas, you'll

1:11:00

know I'll let you for that. Man, When was

1:11:02

coming down to escalator, Tom

1:11:05

Silvers.

1:11:05

Coming down trying to walk back up the escalator

1:11:07

was coming down when he saw because he dropped us. We

1:11:10

got sued by the Boston police because we

1:11:12

talked about being a song. I wanted Chamber

1:11:14

talking about police like this. He

1:11:17

had cop cait, cop killer, cop but I see

1:11:19

a cop killer. Yeah, I see a cop

1:11:21

killer. And I

1:11:23

got this before Tommy Boy got signed to Warner

1:11:26

Brothers.

1:11:27

Was selling out before. Not no

1:11:29

way, the bullies came first. Yes, I

1:11:31

didn't know that. My bad continue. Y'all

1:11:33

niggas are so humble. I love the energy.

1:11:35

Yeah,

1:11:37

I talk the bolice Man.

1:11:40

How he looks up for easy? Okay, that's right.

1:11:42

First of all, how long have I known you?

1:11:45

First? Law?

1:11:46

I mean when y'all were lived in the buildings,

1:11:49

when you had to spot it in the beach.

1:11:51

Yeah, yeah, club Zeno and you pop,

1:11:55

you know your shouts all Kelly,

1:11:57

you know, I don't give a fuck about our color.

1:12:00

Kelly came to clumb Sino, bro Kelly

1:12:04

came to clumb SnO, Bro, I don't

1:12:06

know a fuck what people think of all Kelly shot

1:12:10

talk Kelly. That man is doing all these ships,

1:12:12

man, and people now, Kelly is a fucking

1:12:15

legend. Manahoa,

1:12:19

guys, is he a legend?

1:12:21

D Is he a legend?

1:12:23

Fucking run yo,

1:12:25

bro, we gotta pick up who

1:12:27

we love in our cult show.

1:12:29

Why are we worried about what they think? You know?

1:12:31

We gotta finish stories? Brot

1:12:35

story story, Tom Sermerman.

1:12:37

He goes back up to stand the stairs.

1:12:40

Paul Tom Setman comes downstairs. Who was gonna

1:12:42

fuck Tom Silverman? We

1:12:45

was about fifteen teep. We

1:12:47

was gonna fuck as soon as he got to the bottom

1:12:49

of that. We was gonna beat the ship out of top Semon

1:12:52

because he dropped us because the Boston

1:12:54

police said, hey, what's sewing

1:12:56

these guys? Because because what motherfucker

1:13:00

the police that killed these Christopher Lot,

1:13:02

Christopher Rogers, and Nathaniel Lachlan,

1:13:05

they killed them and they didn't get even

1:13:08

locked up. Tom

1:13:10

Silvan, we're gonna beat you up because you just dropped

1:13:12

us. Did you get did you catch

1:13:15

up to No? Jay Prince was there at the

1:13:17

same time. God's God

1:13:19

saved Tom Silverman j Princes.

1:13:23

When Tom Silver's coming down there, Look Tom

1:13:25

Sims coming down, We'll beat the fuck out of him.

1:13:27

Jay Prince happens to be white here in the.

1:13:29

Hallway, he says, Joe Pasino,

1:13:31

listen, I'm sorry, Shaye Prince.

1:13:34

Let me to me.

1:13:34

It's Jay Prince. At that time, Tom

1:13:37

Tom Silverman let me Prince,

1:13:41

Jay Prince. Greay Prince saved

1:13:43

Tom Silverman for the worst beating of his life.

1:13:46

If Tom seventeen more seconds, Tom

1:13:48

Siman, Tom Silverman

1:13:51

would have got the worst beating of his life if

1:13:53

he if it wasn't for Jay Prince for being

1:13:55

right there when we came downstairs.

1:13:59

Jaye Prince's right there. That Jay Prince

1:14:01

is my fucking hero.

1:14:03

Jay Prince's ghetto boys

1:14:06

Ghetto Boys n w A Boston

1:14:08

Niggas nine fifteen, four Corners, Roxbury,

1:14:12

Dorchester, Mattapan, South

1:14:14

End, High Park.

1:14:15

Boston Niggas.

1:14:17

We loved fucking J Prince because

1:14:19

it was all ghetto boys and and and and and.

1:14:24

Gangster ship. New York was.

1:14:26

New York was still you know, different type of hip

1:14:28

hop la and

1:14:31

Houston was gangster ship.

1:14:33

Boston took on the gangster ship. Right,

1:14:36

you got ruthless, you got so we got signed

1:14:38

to because.

1:14:41

Tom Silliman meeting Tom Silman introduces,

1:14:43

I was so, I was so amazed, Jay

1:14:46

Prince that Tom Silverman weasels his way out

1:14:48

of there, This

1:14:51

cock sucker, Tom Silverman weaseled

1:14:54

his way out of there as I'm talking to Jay Prince.

1:14:57

But you know who said, hey me, J Prince.

1:14:59

He he introduced

1:15:01

me and got the funk out of here. He went to go watch

1:15:04

to me.

1:15:04

Listen Tom, So I

1:15:06

don't want to manish, Tom said. Tom Silverman is

1:15:09

responsible for a lot of Jewish

1:15:11

guys, for a lot of signing. Noted by Nature

1:15:14

Live Squad, a lot of people been

1:15:17

so one thing about the Jewish

1:15:19

people. Let me say about the Jewish people.

1:15:21

You want to talk about.

1:15:22

Jewish people turn Kanye talk

1:15:27

about that? You

1:15:29

feel about that?

1:15:31

How do you feel about Kanye telling

1:15:33

you want you want the quick time with the

1:15:36

ball?

1:15:37

You want can to man, But

1:15:40

you gotta stay on the story though? Which story we

1:15:42

talk about? Story? You said you're about to tell us?

1:15:45

Okay, we got about to call do.

1:15:46

We finished the service finish

1:15:49

fish took us a while, but

1:15:51

we got Kanye story. Angelati,

1:15:55

Yes, mad

1:16:01

Rapper, So I buy I did

1:16:03

a song with Diddy. I don't give an how y'all

1:16:05

feel about? Did I funk with Diddy?

1:16:07

Funk?

1:16:07

How y'all feel about? Hey, Hey,

1:16:10

I funk with Diddy. I'll give a funk

1:16:12

how y'all feel about Diddy?

1:16:14

Come on, let's get the Kanye story. Bro, you

1:16:17

already I got so many stories.

1:16:19

Derek, let

1:16:24

me drink, Okay, are you gonna drink with me?

1:16:26

Wind? Niggas

1:16:28

is niggas is.

1:16:30

Catt to drinkin

1:16:34

dat?

1:16:35

You're completely right, bro, give

1:16:37

it up to you. That's

1:16:41

share right, nigga?

1:16:42

Yeah what.

1:16:46

Ship relaxed said

1:16:52

he's got new tef

1:16:55

It.

1:16:55

Wasn't if it wasn't for empty shan

1:16:59

em C shampoo.

1:17:00

Queen's on the map, that's right, and particularly

1:17:02

Queen queens Bridge Queen what queens?

1:17:04

No, we gotta give one DMC that

1:17:07

we say Queen before that was Shane

1:17:11

was before rund.

1:17:12

Was before come

1:17:15

on, qu my god, what am

1:17:17

I doing? I love sh I

1:17:19

gotta, I gotta you gotta go with that hash. What

1:17:21

you mean? It's no cool?

1:17:24

Before but is over was way before

1:17:26

runs DMC is really

1:17:29

nobody wraps queens but ship.

1:17:31

We didn't know that. Nothing top

1:17:34

and after least school we we opened

1:17:36

up Ship.

1:17:36

Chris Groove Wild Styles the first

1:17:39

Hucky you want to.

1:17:41

Take you monkey?

1:17:41

Come?

1:17:42

You want monkey.

1:17:45

Up?

1:17:47

That story? Who

1:17:51

that story? I think boys got to hear that story.

1:17:55

I'm not gonna take a pet. He

1:17:57

was like, Bosi, you want to hit the monkey Boker?

1:18:07

I thought you mean Chris Park from The Fat Boy

1:18:12

coming off Super Bowl weekend. I'm not gonna lie

1:18:14

to u. E f N. I feel

1:18:16

like every pick that I picked went through.

1:18:18

We did it. It was a great

1:18:21

pig. We did a good sweet

1:18:23

about them. Yeah, I don't think they did good at all.

1:18:26

Behold on, man, we gotta shot out

1:18:28

Underdog to make sure everybody downloads.

1:18:33

We got Underdog Fantasy app use

1:18:36

your code, drink Champs, drink or

1:18:38

Champs. Drink or Champ and get massive to

1:18:40

one hundred dollars. Damn, let's go under

1:18:42

shout out under the Dog. Fantasy following

1:18:45

me under the Dog. I'm gonna be honest. You

1:18:48

should just stick with me. I'm gonna

1:18:50

be honest. I was watching the Super

1:18:52

Bowl and I said, I'm a genius. Everything

1:18:55

that I said went through.

1:18:58

Almost perfectly, almost per really

1:19:00

almost. And but let's pick up to Kansas City

1:19:02

Chiefs.

1:19:05

Wait, God, and what's what's telling

1:19:07

Swiss boyfriend name?

1:19:08

I'm sorry, Travis Kelcey, what

1:19:10

do we Wand Tom? He was

1:19:13

out there, his bed was shining. He made

1:19:15

the faith, even though he didn't make the faith.

1:19:17

Absolutely, yes, Davin. So

1:19:19

where we go? Where we going? Paul? What were doing this

1:19:21

week? So this week we got the NBA

1:19:24

All Stars.

1:19:25

Goddamn All Star weekend is Gigan, Indiana

1:19:27

and Indiana. The West Coast roster,

1:19:29

the East Coast roster is full, and we're gonna do some

1:19:32

rival picks.

1:19:32

Let's go for those guys. Let's go. Yeah,

1:19:35

I'll be good.

1:19:36

So so the starting five for the West Coast is Luca,

1:19:38

Doncan, Kevin Durant Okay, Shy

1:19:40

gilges Lebron James.

1:19:42

And the Kola Jokis. Okay, I like the

1:19:44

I like the just

1:19:46

to say the East, the East, the East Coast.

1:19:48

All Stars is Giannistkupo.

1:19:50

For those that don't know, Tyris Halliburton

1:19:53

Dame Dollard from his first time

1:19:55

in the East and he got the first All Star.

1:19:57

But we's Dame Dollar Avera. Now he's in Milwaukee.

1:20:00

Bujanni, he's always Portland.

1:20:02

No no, no, no, yeah.

1:20:03

Yeah.

1:20:03

We got Jason Tatum from the Celtics

1:20:05

and the last one is Joel and B.

1:20:07

But he got hurt. He got an m c l TA telling

1:20:09

us to do like D's album.

1:20:11

You know, they substituted him. I think

1:20:13

with Julius Randall also

1:20:15

got substituted because they both got the next

1:20:18

okay, he got injured also. Yeah, so they added

1:20:20

on Paolo Bancho and Trey

1:20:22

Young. Okay, so what do you think?

1:20:24

So the is gonna be more of a rival. Who's

1:20:27

gonna do higher? Lower?

1:20:28

Is it gonna be Luca don Ky higher

1:20:30

or lower than Giannis.

1:20:32

I'm gonna I'm not gonna lie. I'm I

1:20:35

hate to say this. I'm

1:20:39

going with the West, the

1:20:42

East and West. You're going for the west victory.

1:20:44

I'm going for the west victory, Sonny,

1:20:47

East course West, I'm

1:20:50

going for the East. Now

1:20:52

I'm with you, bro.

1:20:53

So now one more rival three point challenge

1:20:55

to change it up. It's not gonna be a bunch of three point

1:20:57

artists anymore. It's gonna be one on one. I heard

1:21:00

woman is gonna be involved Sabrina on that

1:21:02

scul against Steph Curry.

1:21:05

So you know Steph Curry is a tube. He dropped

1:21:07

sixty points. Carry is going whip

1:21:09

hard.

1:21:14

All right on.

1:21:14

Record, I'm going for Sabrina and the w

1:21:16

n B A. I'm not gonna do it.

1:21:18

Listen, listen, gonna turn

1:21:20

it up on old half part

1:21:23

three point contest. They're gonna be having stations that

1:21:25

he's gonna take turns twenty seconds.

1:21:27

Hey man, that level is a Playfield's

1:21:30

here because I want to actually

1:21:32

see a game where it's what

1:21:35

do they call it on on a plane mixed

1:21:37

cabin, right, a mixed cabin,

1:21:39

which means you.

1:21:40

Might fly here coach

1:21:43

and you might come back first class, or

1:21:45

you might go there first class and come back coach.

1:21:47

Mixed cabin. So I would like to see an All Star

1:21:50

game mixed What is a mixed cabin

1:21:53

meaning this girls on

1:21:56

team with the guys, guys, the

1:21:58

team with the girls.

1:22:00

Yeah, that should be.

1:22:02

That should be the All Star game

1:22:04

on Monday. You know how they got shoot

1:22:07

out on Sunday. Excuse me, they

1:22:09

got the Rookie Game.

1:22:10

On Saturday, Rookie Game on Saturday,

1:22:12

actually official All Star Game on Sunday, and

1:22:15

then yeah, Monday,

1:22:18

a three day weekend, Monday, they beat

1:22:20

Mixed Cabin.

1:22:21

Did I make up some ship? Yes? I

1:22:24

don't know if they're gonna they're

1:22:26

going to see me at all. So

1:22:29

you if they do listen to me, they're not gonna.

1:22:31

Give me the propis so you make sure

1:22:33

we give a shout out to our partners. Underdog

1:22:36

Fantasy. Download the app, use the code

1:22:38

drink Champs, Get matched, get to

1:22:40

our party.

1:22:42

Fantasy is probably the

1:22:45

funniest thing that we're involved in right now. So

1:22:48

fucking fun. Goddamn on

1:22:50

the app.

1:22:51

I go on the app, Drink Champs,

1:22:53

Army Underdog Fantasy. Download

1:22:55

the app, give you the promo code drink Champs,

1:22:57

Drink Champs, and don't forgive you said

1:23:00

I know before tonight, before the All Star Game.

1:23:01

You get a point five pick on Lebron James.

1:23:04

And by the way, look again, like we said earlier on

1:23:06

the Dog fantasy is our partners.

1:23:08

But this is one of the funniest partners that we

1:23:10

ever had. And guess what, you guys can get to make money.

1:23:12

Holy monly Guami, you guys always get

1:23:15

to watch us and laugh and do this, but

1:23:17

now you get to make some changes, need to change.

1:23:20

Do you understand what I'm saying? You

1:23:23

know what I mean? Get yourself. You just said underdogs.

1:23:30

Yes, yeah, let's

1:23:48

go because let me tell you something.

1:23:50

Bro.

1:23:50

Yeah, I'm a little tipsy. You know what I'm saying. You

1:23:52

know what, though this was necessary

1:23:55

inventing? What stories was he

1:23:57

talking about?

1:23:58

I don't know.

1:23:58

I got stories for days. We're not

1:24:00

doing maybe maybe not maybe?

1:24:03

Yeah, you can you can do a couple. You can

1:24:05

do a couple. Let's do a couple of quick times. This is this is

1:24:07

where we have a little fun. Come on, you know, man,

1:24:11

they want to be good. Shot, let's

1:24:13

talk shot. You gotta skip a lot.

1:24:14

Yeah, we're skipping a lot of this one. I used to smack

1:24:17

niggas in the hell no.

1:24:18

No, this is where we're going light. We're gonna like we're gonna

1:24:20

don't know me. We know you, man,

1:24:23

Listen, this is the rules.

1:24:25

Ready.

1:24:25

Yeah, we will give you two choices. You

1:24:28

pick one, and if you don't pick one,

1:24:30

then we drinking.

1:24:32

Shouting out, I've been drinking the most anyway,

1:24:34

I don't need to drink frank

1:24:36

Champs exactly.

1:24:39

We're gonna give you. Listen, We're gonna

1:24:41

give you two choices. If you pick one, we're not drinking.

1:24:44

If you don't pick we drink your

1:24:46

shots is right there though, those little shots, not the big

1:24:48

shots. We just take shake

1:24:50

shot, the little.

1:24:51

One, little just take

1:24:53

the drink Champs now this small

1:24:55

supper Champs, Supper Champions.

1:24:59

It's a decent game.

1:24:59

So yeah, we dragged. I thought there was a drink cham

1:25:02

you want to go first? This is over forty

1:25:04

chance tupacer

1:25:07

d m X. I'm

1:25:09

not gonn answer that, dumb asship.

1:25:11

So that's both you're saying. But drink

1:25:19

whechair. By the

1:25:21

way, give me a light. What's in there? Can

1:25:23

we can we wrap that up? DMX?

1:25:26

What? First

1:25:28

of all nas? First of all nods.

1:25:31

Etha is the greatest of all time nas

1:25:34

And because I produced and me Jeff

1:25:36

and JB recipes produced

1:25:38

on Stealmatic. The intro, the greatest intro

1:25:40

of all time produced that. So yeah,

1:25:43

Nas, thank you, mister Lee.

1:25:46

All right, old how you said both and then he

1:25:48

didn't? No, he didn't say both he and this one? He said no,

1:25:51

he said both of the first walk He said,

1:25:53

yeah, you want to say the third one?

1:25:56

Can?

1:25:57

Nah? You got this? You

1:26:00

a drinking what I've been drinking this whole time?

1:26:02

We've been drinking. I'm just

1:26:04

a professor. Where we are? We are?

1:26:06

Joe Buttons, Yeah, I thought we drink

1:26:09

here. I thought we drink here. Now we stop

1:26:11

drinking a lot, Joe Buttons. Nigga, I'm

1:26:14

saying, fuck you talking about next

1:26:16

question?

1:26:17

Tombab Tombo.

1:26:18

I'm in Atlanta, Nigga, machine

1:26:20

gun Kelly fuck eminem bro so

1:26:24

which one em Bronia?

1:26:26

Fucking fuck both of them? Bro

1:26:29

drinking drinking Nigga. I shout

1:26:31

out.

1:26:32

NAS and fucking Nas and jay Z Nigga,

1:26:34

reasonable doubt, fuck the niggas them niggas.

1:26:37

Ain't you like them? Let me ask you

1:26:39

a question, Nasa eminem more what you

1:26:41

saying? Have a machine gun?

1:26:42

Kelly?

1:26:42

Who you like? This

1:26:45

is not my interview. No's how

1:26:47

come I now I gonna answer it? You can't,

1:26:50

well, I'm asking you nas the machina Kelly,

1:26:54

No, you know, no machika

1:26:57

Kelly. Yeah, I

1:27:00

don't know. Yes, you

1:27:02

want me to say real?

1:27:04

Yes?

1:27:05

Eminem Eminem?

1:27:09

Yeah?

1:27:10

You like Eminem? Huh?

1:27:13

You like him?

1:27:14

Why do you like him?

1:27:15

Bro?

1:27:15

Why you like him?

1:27:16

Bro?

1:27:17

Tell me? Tell me the first time you heard him? Bro? I

1:27:20

don't remember the first time I heard him? So why do

1:27:22

you like him?

1:27:22

Bro? Bro?

1:27:27

Yeah? Why you like him?

1:27:29

Bro?

1:27:29

Why you like Eminem? Bro?

1:27:30

Let me?

1:27:31

He got lyric? Everybody

1:27:36

got lyrics? What a monster? A

1:27:40

monster? He's a monster. Yeah,

1:27:42

he's a monster. Okay, okay, we're

1:27:44

playing the game. Do we'll get back to that. That's so kill

1:27:46

Eminem in a battle rap, Bro, that's for

1:27:49

Philly fucking Cassidy will kill

1:27:51

Eminem in a battle rap. Bro. Why do y'all

1:27:53

give Eminem so much props? Why why do y'all

1:27:55

like him because he's white? Is that will be?

1:27:58

What do you mean? Nah?

1:27:59

Like?

1:27:59

What he fuck

1:28:03

that? We don't listen to that in

1:28:05

the hood, bro.

1:28:06

Normally, I've never ever, ever, I've been around

1:28:08

you a long time personally, personally.

1:28:11

I guess there's a personal ship. I won't

1:28:13

say yeah, okay,

1:28:16

I can say it whatever you want. No,

1:28:18

y'all love you. You never played

1:28:20

them in them around me. I

1:28:24

never played mob deep around you.

1:28:26

You did. I

1:28:28

produced the song with you and fucking Pee

1:28:31

God Rest of Dead. I produced that. That's

1:28:33

not I'm still trying to get published.

1:28:36

It.

1:28:36

We two

1:28:40

times for

1:28:43

a long time. But that record.

1:28:51

Sony always like seven

1:28:54

thousand for the same in that record, gongoole,

1:28:56

but trying to get any seven thousand, you know, Gong Gong.

1:28:59

Yeah, he's been getting you my and nature money and everybody

1:29:01

else's money. He didn't get me ship.

1:29:03

There's a lot of money, yo.

1:29:04

Let's talk about how the funk in the street

1:29:06

and raping us for our publishers are

1:29:08

we gonna talk about that? First

1:29:11

of all? Universal Okay. I made

1:29:13

the sauce hip Hophits and sold five million

1:29:15

units. Leo and

1:29:17

and did y'all know that?

1:29:19

Leo? Who

1:29:22

the fuck U? Did y'all know that?

1:29:24

Leo Steve style and

1:29:27

shakeoub the Jeweler with video fixings

1:29:29

in my video. Yeah, that's that's

1:29:31

not that's not your video fixing.

1:29:34

That's documenting everybody that were video

1:29:36

fixes in my video.

1:29:37

It's not about that. My quip

1:29:40

with the shops in the shark tank. That's

1:29:42

hard. You just talk about that. That was hard.

1:29:44

Yeah, okay, co signed,

1:29:46

so I gotta say that was hard. That was all.

1:29:48

Yeah, I remember that Leo Cohens runs

1:29:51

YouTube, Steve Style runs was

1:29:53

the City Runs, United

1:29:56

Masters Shake Up to Jeweler is a multi

1:29:58

trillionaire.

1:30:00

There was video fixings in my fucking video. How

1:30:03

about that? There was a part of your

1:30:05

video it was video fixings. Yeah.

1:30:09

Fuck you're talking about just go pull

1:30:11

a bank to this. Can you just see the video

1:30:13

fixings.

1:30:14

In my video? We

1:30:18

was in Boston.

1:30:19

I got the.

1:30:23

Dick suck. He's making these fun you know. Look,

1:30:25

this is the matter with you. What

1:30:28

type of widow ship is that? I

1:30:32

got him two chicks. We used to have a studio

1:30:34

Canton across the street was a house

1:30:36

at home.

1:30:37

I got two chicks.

1:30:39

He's okay, man, my

1:30:41

baby say hey yeah

1:30:44

yeah yeah

1:30:47

fuck you mean man, niggas fu niggas

1:30:49

could sell me.

1:30:50

Man, Rock and fella rock

1:30:52

a fella and rough riders. Huh

1:30:56

rock and fella rough riders?

1:30:58

What are we doing? It was a shot

1:31:00

time what am I supposed to do? Pick one? You pick one or

1:31:02

note or or you know both

1:31:04

of them. Amazing motherfuckers.

1:31:07

Just go.

1:31:10

With shot shot

1:31:13

shot shot, Almighty

1:31:16

r s O or made men. We're

1:31:21

trying to be cute right now, we're

1:31:24

trying to be cute. Let

1:31:26

me tell you something.

1:31:27

First of all, right, there

1:31:29

is no Benzeno without Almighty others saw

1:31:31

a name, man, there is no me.

1:31:33

I love my niggas, I love E DV.

1:31:35

Is mister Jesus Tony

1:31:37

Rohan the two times just two

1:31:40

times is my fucking real brother.

1:31:43

Like y'all don't even understand

1:31:45

what we've been through just as friends,

1:31:47

and all the gun battles

1:31:49

and all the loss and the depths and the

1:31:51

crazy ship and the indictments

1:31:54

in the Federal Did you

1:31:56

know that the motherfucker war a fucking wire at

1:31:58

the source with me?

1:31:59

Hey? What else? Who else?

1:32:01

Is this game over? Both? You said?

1:32:04

Both said both, Yeah, So this is my fucking

1:32:06

I would die for them niggas kill

1:32:09

We chanced take a shot that you're not even

1:32:11

drinking.

1:32:12

I'm fucking drink champions, Big nobody

1:32:15

drunk more than me on drinks?

1:32:16

How many drinks Champs? I and did this is

1:32:18

your fourth I believe I'm the

1:32:20

fucking drink champs. Only

1:32:25

kiss did for kiss.

1:32:27

You tie you and Kiss shout out to Jada

1:32:29

Kiss. I love Jada Kiss. What

1:32:33

okay? So let me let

1:32:35

me let me take that that say how

1:32:37

proud of you I am? Hold me let me take that for

1:32:39

example.

1:32:40

Right, you just said you're proud

1:32:42

of jadass No no, no no,

1:32:45

but you said you show love to Jada

1:32:47

Kiss.

1:32:48

It's been known that you guys in the Rough

1:32:50

Riders have beef. You and Jada Kiss have beef. You

1:32:55

want to hear the story, We're

1:32:57

gonna tell the story. We all all

1:33:00

with Jady with rough Riders.

1:33:02

That's the whole Rough Riders, the

1:33:04

amazing, incredible rough Rider shout to

1:33:06

d And while in

1:33:09

their contribution like

1:33:12

like honestly like Tupacing and

1:33:14

and and and really did X really stand

1:33:16

alone than anybody else. There's really nobody

1:33:19

in hip hop than Tupaca

1:33:21

and did X because and the way I say this

1:33:23

is because they

1:33:25

took their wildness and hip hop nests

1:33:27

and they famous, and they fame

1:33:30

as far as our big they was and didn't give

1:33:32

a fucking gave him who they was. We're

1:33:35

on tour made men cash

1:33:37

money in Rough Riders. It's

1:33:40

our first big tour. You

1:33:44

know what I'm saying.

1:33:45

You know what I mean, Yo.

1:33:50

Yo know okay,

1:33:53

Rough Riders were on tour. I'm

1:33:55

proud of you. I know what I'm thinking. I'm proud

1:33:57

of you, nigga.

1:33:58

I love you.

1:33:59

Roders first Alight, first tour,

1:34:03

fifty cents opening up for us a few times,

1:34:07

like in the g unit,

1:34:10

Tony Yayo and.

1:34:13

Earl Banks. You know what I'm

1:34:15

saying.

1:34:16

So tour

1:34:20

with shit the way, the way, the way, I'm

1:34:23

I'm I'm I'm the headman. I didn't want to

1:34:25

be the head man back then because the head man when

1:34:27

it was investigating and I got indeted, the head man

1:34:29

would have gotten me to Rico.

1:34:31

So I was like, I ain't the head man. I'm just a part of the group.

1:34:33

But we all passed that now so

1:34:37

we on tour. This is amazing. Now.

1:34:39

I got a guy named Jermaine. Shout to Jermaine,

1:34:42

Shout to my brother Jenks. Jermaine

1:34:45

is on. The tour was

1:34:48

a United States tour. Depth

1:34:50

Jam had a promotional bus

1:34:53

that they would go before a day before

1:34:55

and put up like posters and everything

1:34:57

before you. Right, So Jermaine,

1:35:00

it was on the death jem Bus. I had Jermaine on the deaf

1:35:02

jem Bus cool so he would go. You know what I'm saying.

1:35:04

We had our own bus. I paid for own

1:35:06

bus. I paid for the hotel. Yeah,

1:35:10

I was making I ran through about

1:35:12

twenty million and three year I turned down fifty

1:35:14

five million from Bob Johnson. Niggas

1:35:18

tell me, you know, hu it

1:35:20

what the fucking niggas tell me? I turned down fifty five

1:35:22

million from Bob Johnson. Fifty

1:35:25

five million, niggas, Bob Johnson's BT

1:35:27

and oh, I was swiping American

1:35:31

expressed them the elect press cards till

1:35:33

there was no black swiping

1:35:35

that there was no black and.

1:35:37

I was coming with ten twenty niggas.

1:35:39

Yeah, you know the Beverly Hills Hotel,

1:35:42

Yes, I do you know that?

1:35:43

Right?

1:35:43

Yes, I do. Beverly Hills. Huh Yeah,

1:35:46

one of the most expensive, amazing hotels in

1:35:48

the world. Right, could you you know what I'm saying, Yes, I'm

1:35:50

agreeing.

1:35:51

In the back is the Bungalows twelve

1:35:54

hundred at night, fifteen hundred night, right. I

1:35:57

stayed there three months in the back

1:36:00

next to some of the Redstone. You know, some of

1:36:02

the reds Stone is absolutely not Some

1:36:04

of the red zone is the president of Viacom,

1:36:06

and who owns Viacom. God

1:36:09

damn they know Viacom is absolutely Vicom

1:36:12

owns bt MTV if I each

1:36:14

one. So I had

1:36:16

my hat, my hair half braided. When

1:36:20

you have a bungalow, they give you the things

1:36:24

you come out to shot with the bathrooms. Some

1:36:27

walk with the bathrobes getting ready. The braider

1:36:29

was at the front desk.

1:36:30

We have to.

1:36:31

So it's amaze of a

1:36:34

whole bunch of shit in the bungalows. The bungalow's got

1:36:36

its own fireplace, fruit

1:36:38

every day. Yeah, twelve hundred

1:36:40

a night. I stayed there for three months. All

1:36:44

you smart niggas do the math. That's

1:36:46

how much money I was making.

1:36:50

Night.

1:36:50

And they wasn't giving us a discount.

1:36:55

When I walked through one day, some of the Redstone

1:36:57

was there with a couple of people.

1:36:58

He looked at me like I was like, I

1:37:01

was like, fuck you something the red Stone.

1:37:04

Yeah, I'm being seen on nigga like my hair was

1:37:06

half out and I'm going to get my braider out

1:37:08

of say that. But he's just looking at me crazy. I'm like,

1:37:10

nigga, I belong here. That's my bunkerlow

1:37:13

next to you.

1:37:15

Yeah.

1:37:16

And then I had like six niggas in three different

1:37:18

rooms in the Beverly Hills. So after

1:37:20

three months, you wrapped like three hundred

1:37:23

thousand or something to two hundreds. Sometimes that's

1:37:26

the shit I was doing the fucking

1:37:28

niggas. Tell me, and you paid to be on tour

1:37:30

with y'a rul too.

1:37:31

I paid that. We went

1:37:33

on around the world like ten million

1:37:35

at the time. Shout out to y'all rule. Man.

1:37:38

People don't know that right. First of all, let

1:37:40

me tell how God worked. I didn't even know y'all

1:37:42

rule when fifty was at

1:37:44

the Hit factory or remember the Hit Factory

1:37:46

on fifty four and then you go right down the street

1:37:48

and Sony's right there. You remember that Sony

1:37:51

had this like this little

1:37:54

fucking thing and you could play games there this like little

1:37:56

thing.

1:37:56

Remember Sony hip hop school hip hop?

1:37:58

Bro?

1:37:58

Yeah, you know what I'm saying. The niggas in the basement

1:38:01

and ship you have the hip hop wrong?

1:38:02

Fuck you, fuck Sony, Sony,

1:38:06

only money right now for the nas,

1:38:08

for.

1:38:09

For the fucking for your song.

1:38:11

Damn you and Prodigy, Sony O

1:38:13

be like eighty thousand, it's Prodigy song, give

1:38:15

my fucking.

1:38:16

Money, Sony, Yeah,

1:38:18

what you wrapped? Yeah? What you wrapped?

1:38:20

Yeah?

1:38:20

Me and two times they always like eighty seven thousand,

1:38:22

Damn, can you call fucking

1:38:25

Sony tell you right

1:38:27

now we produced that

1:38:29

you didn't get money from. I

1:38:32

wanted to say FaceTime.

1:38:33

Then I'm

1:38:36

gonna the same goddamn thing.

1:38:37

I need that fucking money. Prodigy

1:38:40

man, Rest of Beast, Prodiy y'all was first

1:38:44

of all. First of all, I'm gonna keep it wanting it.

1:38:46

Prodigy was when Prodigy and then come out

1:38:48

with Shook Ones, That's when New

1:38:50

York became Gangster.

1:38:51