0:11

He is drinks Chants, motherfucking podcast man, he's

0:15

a legendary Queens rapper.

0:17

He ain't agree. That's your boy in O r E. He's

0:19

a Miami hip hop mioneer. Put

0:21

up his DJ E f N.

0:22

Together they drink it up with some of the biggest

0:25

players, you know what I mean.

0:26

And the most.

0:26

Professional, unprofessional podcast

0:29

and your number one source for drunk drinks

0:32

Chans moscavery days.

0:33

New Year's c That's it's.

0:35

Time for drink Champions. Drink

0:37

up, motherfuck. What

0:44

a good be hoping he's gonna see me. This is your your boy

0:46

in O R E.

0:47

What up is DJ E f N And this is

0:49

drink Champs. When

0:55

I tell you this guest today, man belong

1:01

belongs in the nineties. Like

1:04

his music that you hear now is

1:07

so dope for this era. But I

1:09

could guarantee you if it came out, it belongs

1:12

in the Wou Tang mark deep like

1:15

he his soul is

1:17

from my era. He's

1:20

one of the best lyricists out there when

1:22

you listen to his albums. I

1:25

listened to his album The New Album,

1:27

and it almost felt like a double album because he

1:29

puts so much creativity into it.

1:32

He's probably one of the If you take.

1:34

Nash, you take

1:36

Snoop, you

1:39

take a little bit of Cube, a

1:41

little bit of biz Marcky, and you put them

1:43

together, this

1:45

is what you'll get. A guy who cares

1:48

about his albums, guy who you know

1:50

in between albums. I call him mister

1:52

no Rules. So I don't think he follows

1:54

any rules, and I think that's the rule,

1:57

is not to follow him for the rules.

2:00

Believe this man is

2:03

what we need in hip hop.

2:06

It's exactly what you know. Some

2:08

of these people say, oh man, they don't make it like

2:10

how they used to make it and this, and then here's

2:13

this man standing right in front of us making

2:15

incredible albums. I've never heard a

2:18

mediocre album from this guy. Wow

2:20

he is And he said that,

2:22

he said one time that Nile said he was the

2:24

best.

2:25

And I'm here to.

2:26

Tell you I don't think Niles was gassing you. I

2:29

think he came from from the heart because

2:31

that's who exactly who he is. So in case you don't know

2:33

what the funk we talking about, we talk about the one.

2:40

That's a lot.

2:42

A lot by the way, We've were trying to get you on here

2:44

from the beginning said,

2:48

I don't think. I

2:50

don't think I'm supposed to be.

2:54

You have some ship up here.

3:06

But let me just tell you something. One

3:09

of my blue slides, Yes, thank you.

3:12

That shit reminds me of the world is yours,

3:16

Like you know, what's so dope about you? As

3:18

you remind me of

3:21

an era that's gone, but

3:23

you're doing it in this era, Like I don't

3:25

think anybody has ever done that, Like you

3:27

know what I mean, Like it's bridging the gap, like

3:30

you have an old soul, but everyone

3:32

fucks with you. But let's just talk about blue slides.

3:35

That's what I believe. That's my favorite.

3:37

That's one of my best.

3:40

That's one of my best written materials ever ever

3:43

written. Easy, easy, really

3:45

easy.

3:45

So how did you? How did

3:47

you come up with this? So I had those lyrics?

3:49

Like those lyrics was written a minute ago, like

3:52

in twenty twenty one.

3:53

Oh wow, that's a lot. That's what I do.

3:55

I just like write lyrics, write lyrics, write

3:57

lyrics, and not just find the beat whenever lyrics

4:00

were written and it just.

4:02

Came out that way, Like I

4:05

don't know how I did it.

4:07

I just tapped in, you know, and I

4:09

actually didn't write it down, just

4:11

blurted the words out to the

4:13

mic. Sometimes I just yelled at the wall.

4:15

I like going to the studio eight in the morning and

4:18

you know, tell Juice to press play, and then I just

4:21

yelled at the wall for like thirty minutes,

4:23

forty five minutes, and then we would just

4:25

piece it together everything because I know what I

4:28

want to say, and yeah,

4:30

I just yeah, just yell at the wall, bro

4:32

like and it comes out.

4:34

Have you ever met John Singleton?

4:36

No, I never met John Singles, No, I have met

4:39

Johnson. Okay, I met John Singleton

4:41

with Snoop one time in Miami.

4:43

Out here in Miami at the club. Yeah,

4:46

I met John Singleton with Snoop at the club in

4:48

Miami.

4:48

Because that's the first thing I'm like, from the intro to

4:50

the album, I wrote, like John Singleton

4:53

should be filming.

4:54

Yeah.

4:55

Like it's like it's literally listening

4:58

to you is literally like a movie.

5:00

Like it literally like I

5:03

remember the last time I visually like

5:05

saw Saw it

5:08

was me reading Donald Goings a

5:10

horse Son and then I read a book called Dope

5:12

Fiend, Yeah, and then I listened to ill Matic.

5:14

Yeah.

5:15

Ill Matic brung me in Queensbridge, and I

5:17

didn't realize music could do the same thing

5:19

a book could do because the book broke me there. Now,

5:22

listen to all your stuff, but listen

5:24

to the new stuff.

5:25

I can picture

5:27

LA life.

5:29

Yeah, is that something that you

5:32

do on that pfect Sure it's like a different

5:34

twist of LA because when you think, I always tell people

5:36

they always think of La and like.

5:38

The streets of La.

5:39

Like, oh, like, I'm

5:41

pretty sure somebody here that I have is

5:43

gonna come with like twenty cribs.

5:45

You know what I'm saying.

5:47

I'm just mad and

5:49

like you know that's not really like no

5:51

street dude in any from

5:54

anywhere, like that shit is just be for

5:56

the cameras, like you from the streets you

5:58

from like where we come front, like

6:01

and you know what all we do on the block is joking,

6:04

laugh all day and when something happens then you

6:06

move accordingly. But like I'm

6:09

bringing the feeling of like we're

6:11

actually normal people, like we play

6:13

golf, We like like couldn't

6:15

have a conversation, Like we're all not like

6:18

idiots, Like most of us are not idiots.

6:20

Some of us are just have in worse

6:22

situations. You know, I was blessed

6:24

out, have a mama that worked hard. I wasn't

6:26

on welfare. We just happ't grew up in the ghetto,

6:30

you know, but street Yeah yeah

6:32

yeah, and you know, sports

6:34

and stuff.

6:35

Like that kept me a levelheaded.

6:37

That's why I think all kids should play sports, because

6:40

you know when to leave and when when to stay.

6:42

And if you're there, like you know, you got to turn

6:45

up. But if you can get out of there, get

6:47

out of there, you know, learn you know, you

6:49

got to learn things, and sports give you

6:51

a different type of discipline.

6:53

Now you you was you and Tiger

6:55

had an MTV reality show together.

6:58

Not really Tiger

7:01

shout out to Tiger.

7:03

Yeah, it was like some MTV stuff and

7:05

that shit didn't really work

7:08

out. I really wouldn't like into that type of stuff

7:10

anyway. Show wasn't

7:12

like I don't even know, I was just showing up because

7:14

it's like show up.

7:15

Oh y'all actually tried to do one. It was like yeah, yeah,

7:17

yeah.

7:17

That shit never like worked out, Thank

7:20

God, because that's that's not something I want.

7:23

Like it's

7:25

just not.

7:25

Like me and shout out to Tiger, you know what I mean, and

7:28

holding it down for the city for years.

7:30

So shout out to Tiger, but yeah,

7:34

that's just not my thing. I want

7:36

to be a rapper. I don't want to like I'm not looking

7:38

for like an exit plan either. Like you know, everybody's

7:40

like doing things and then they want to do other

7:42

things and it leads them to the I don't have no

7:45

exit plan, Like I dropped Blue Lips

7:47

and I still got eighteen more to go, Like

7:49

there's no exit plan for.

7:52

Sure.

7:53

Supposed to Coconut Juice video, right, yeah, yeah,

7:55

yeah, what

7:57

was that?

7:58

Like? Shit,

8:03

My boy was trying to get it together.

8:05

He was figuring it out, and I was supportive and

8:07

I jumped in the video.

8:08

What do y'all went to school together?

8:10

Nah?

8:11

I'm older than Tiger, So I

8:14

knew Tiger when he was like sixteen.

8:18

He was just coming out wrapping. My homeboy

8:21

SB and my homeboy Gator. I

8:23

went to school with them and they

8:26

was messing with them heavy, and

8:30

I was just getting into music.

8:32

I really wasn't.

8:32

Into music like that, but I was just getting into it.

8:35

And yeah,

8:38

he I just started trying to rap and

8:40

he was like doing this thing and I was just supporting,

8:43

like you know, the homies brought him around and he

8:45

ended up being my homie, becoming my homie, you

8:47

know what.

8:48

I'm saying, And we

8:50

just vied from there.

8:51

And then you know, he

8:53

did the Young Money situation and

8:56

I was around that for a little.

8:57

Bit because he was on schol first and did

8:59

he win, No, he.

9:00

Was on he was on like

9:02

like an indie major. I don't know what it was called.

9:04

It was like he was like signs of like Fallout

9:06

Boys, Yeah, yeah,

9:10

yeah yeah when he first came

9:12

out. And then he had the Young Money

9:14

situation and I

9:17

was around that, and that's that was That's not my

9:19

vibe really either, like Selight

9:21

real flashy and ship. I

9:24

mean, I loved him as an artist, but it

9:26

just I just I was

9:28

just running behind him almost like Tiger,

9:31

and I really wasn't into that. And I met

9:33

uh TD like

9:36

two thousand and six, and

9:38

that's that was more of me and

9:41

and I never left the studio.

9:44

You know.

9:44

TD reminds me to a certain stint because

9:47

me, me being from the East Coast, New York, you know what I

9:49

mean, we

9:52

were always taught that, you know, the bloods

9:54

and crips.

9:54

Don't get along, and they don't they don't get money together.

9:57

And then you know, you get to hear that, you

9:59

know, top and punches

10:01

like more on the blood side and then you being on

10:04

the crypt side.

10:04

It has ever been uncomfortable situation on

10:06

this.

10:07

The first day I pulled up because I didn't

10:09

know where I was getting myself into. It

10:12

is like, uh, I mean, but it wasn't like

10:14

no pressure. My engineer

10:17

Ali, Yeah, he was bringing me over there. He's like,

10:19

bro, we gotta go fuck with the TV dudes, blah

10:21

blah blah, this is where we should be at blah blah

10:23

blah, trying to figure it out. And

10:26

then I'm all right, cool, let's go. And

10:28

then as soon as we get to the studio,

10:30

before we hop out the car, he like, hey, yo,

10:33

hood get along with us.

10:35

Such a thought.

10:41

He I'm

10:44

like, I'm like, we cool,

10:46

Like we ain't got this like as far away, like

10:48

we were straight and yeah

10:50

I went in there.

10:51

It wasn't nobody on that anyway, you

10:53

know what I mean.

10:54

But you know, you just want to let get

10:56

people heads up type ship. Once I got in

10:58

there, nobody was like like none

11:00

of us was on that, Like you know what I'm saying, We've been

11:02

past that, Like we actually really from where

11:04

we're from. So we all were like

11:06

trying to hit this goal of like success,

11:10

and yeah it wasn't. Nobody tripping on that top,

11:12

never tripped over, but like

11:15

you a grip if anything.

11:17

They loved that mark, you

11:20

know what I mean, showing something. Yeah yeah,

11:22

yeah, like it was. So I went the first

11:24

day and Punch was like, come back, and

11:27

I kept coming back, And next thing you know, I'm living

11:29

there and I'm poor as hell and I'm sleeping on their couch.

11:31

I moved myself in. I moved myself.

11:33

I was not even telling it. I'm living on

11:35

the top couch, but I didn't even know I'm there.

11:38

Three months I done lived in that mother.

11:40

You know what I'm saying, Because

11:44

you know, Queensbridge was the hottest at

11:46

the moment right when I came out.

11:47

Yeah yeah, from down the way.

11:50

But when I used to hang out with Queensbridge people so much,

11:52

it was overshadow my hood. Yeah right,

11:54

So I would come back to my hood, I'll be walking

11:56

around people be.

11:57

Like Queensbridge, nigga, Yeah, don't

12:01

turn around. The people close they shutters and

12:03

I'm like, oh shit. I could never know who it was

12:05

like until.

12:07

I got on Like people were kind

12:09

of mad at me for sucking with another hood, another neighborhood.

12:12

Have you ever been through something.

12:13

Like that because messing with me for another neighbor

12:16

nah, I mean, that's

12:18

what I'm not going for. No disrespect.

12:20

You can say whatever you want to somebody

12:22

else, but in front of me, you're not.

12:24

About to disrespect me.

12:25

I mean, nobody never tried me, and

12:27

in person, I didn't heard people like

12:30

say things like all the time through the grapevine

12:32

like oh, such and such said this, like

12:34

you know, and it's like all right, bro, like such

12:37

and such could have just saw me last week, like

12:40

such and such really, as you know what I mean, why

12:42

are you letting such and such say something to you?

12:44

I think that says more about you, Like you

12:46

know.

12:46

What I'm saying, Like, nobody never got at

12:48

my homies in front of me. They know who to people

12:51

know who to play with. So I mean, like, ain't

12:53

nobody never play with me like that? And

12:56

I don't want to. I don't want to smoke. But

12:58

one thing for sure, keep saying

13:00

that people ain't his discipline as man, You're not gonna

13:02

win.

13:03

They're not gonna win, thank you, damn it.

13:05

Yeah, they're not gonna win. I look.

13:12

First drinking seven days when

13:14

you showed up to the studio to TD,

13:16

what did you what did you see in them that made you say I

13:18

want to I want to stay with this team.

13:20

It was dark first off, it was dark as Ship

13:23

walked in. It was just dark because Jack

13:26

already out.

13:26

At that point, Jay Rock was working.

13:28

Jay Rock was signing them first, right, yeah, yeah,

13:31

and then.

13:32

Jay Rock was in the booth, and

13:34

then No Soul was in the booth sitting

13:37

out.

13:37

Yeah, Jay Rock was sitting out signing. It was real dark.

13:39

Punchers in there that wasn't there.

13:43

And then it was just this beat just

13:45

pop my by like gunshots.

13:47

Shout out to Curtis King. He did

13:50

this beat.

13:51

It was just like gunshots and Ship

13:53

and they like rap on this and I just wrapped

13:56

on it and yeah,

13:58

that was that was it.

14:00

Punch, But I forget how did y'all get introduced

14:03

Ali?

14:03

Okay Ali? Yeah?

14:05

Ali Ali was on my Space or

14:07

something and hit him up on my Space and was like I'm

14:09

an engineer blah blah blah blah blah, and Punch

14:12

answer to or one of

14:14

them. I don't know if it was Punch or Dave

14:17

or who. They answered

14:20

is my space d M and uh yeah

14:23

and me and Ali was like this, so wherever

14:26

Ai went, I was gonna go wherever he was

14:28

going to go. No, no, no, no, he was engineering

14:31

with me. We were just trying to figure things out.

14:33

Wow.

14:33

Yeah.

14:33

We was playing football at West

14:36

West La Junior College.

14:37

Yeah. He was number eighty four, Yeah, eighty

14:39

four ship.

14:45

But the first day of pads he get

14:47

hurt. The first day of pads he

14:49

get hurt. He wasn't. Yeah. I'm like

14:51

all.

14:52

Right, so I'm in, I'm in the receiver,

14:54

like right, I'm doing Madrid, baby, big man. And

14:58

you know what I'm saying, my boy come over here. Like I

15:01

just see a crowd of standing around somebody's.

15:03

Legs flat like this right straight

15:06

out. They're like, that's your

15:08

boy. I'm like, nah, I ain't my boy.

15:11

You know what I mean, the.

15:12

Biggest boy, the biggest motherfuck on the field.

15:14

They're like, that's him, that's that's your boy over

15:16

there. I think he said you do engineering with you.

15:19

I'm like what And I look, because you know, they

15:21

split us all up and I look. I'm

15:23

like then the paramedics coming. I'm

15:27

like, bro, we.

15:28

Just got.

15:31

My boy got hurt. Bright my boy.

15:34

He went to the doctor, homie and

15:36

yeah, I had like a slip dish. That was probably

15:38

the best thing to happen to you for both

15:40

of us, you know what I mean. I went to jail right

15:42

after the season. He got he

15:44

got his legs.

15:46

And all this ship fucked up. He had to

15:48

sit his ass music.

15:51

You know what I mean, and were just like you know what I'm saying.

15:53

We just we just kept it moving

15:55

from there, like yeah, I never looked back,

15:58

you know, music was that was it? Like we're

16:00

doing this music ship. We ain't doing this lame ship.

16:02

No mo fuck sports. The

16:04

streets out that we're doing this music ship.

16:06

We just locked in. You

16:09

has this Monica? Yeah yeah, yeah, you've

16:11

been to Monica?

16:12

Uh no, Oh that's just how

16:14

this this had is hard.

16:22

Listen, you gotta go to Monica. Yeah yeah, yeah.

16:25

I lied to a couple of people and told them I was I

16:27

went to Monica. Somebody gonna see

16:29

this be like my motherfucker telling you what to Monica.

16:31

I was trying to the conversation.

16:33

Mother.

16:34

I was definitely trying to end the conversation.

16:37

Monica is one of the places I was like, you know,

16:39

I have these travel watches, right, the

16:41

only watches that I bring because if

16:43

I losing my don't I don't really care, you know what I mean. I

16:47

regret it bringing travel watches to Monico

16:49

because I was the worst. Everyone

16:52

else had the big boys shit, everybody's

16:54

rich, and Monica like, I felt the poorest

16:56

I've.

16:56

Ever felt in years.

16:58

And yeah, so it's great to feel poor again, you

17:00

know what I mean?

17:02

Damn Ya went to I heard Monica was

17:04

like the main

17:07

don't that means something? Though? Like don

17:09

it means something? Like

17:11

yeah, like it means.

17:17

But school boy Q. Let me just tell you something, man.

17:19

From the beginning we started this show, we wanted to give your

17:21

flowers face to face man, and man, you

17:23

are one of the greats.

17:25

You know.

17:25

We don't want anything to happen to you and then we tell you

17:27

you're great. We want to say that while you are lazy,

17:30

your flowers.

17:36

Snoop Dogg said, it's like it's a Snoop.

17:38

Dogg said, it's like a Grammy because it comes from his people.

17:39

God, damnit, love

17:44

bro, there you go. You know what?

17:46

You know what's so unique about you? Every

17:49

time someone asks you about l A. Yeah,

17:52

you're always giving up games. You are saying you're gonna

17:54

watch that for this artist. You gotta watch them for this artist.

17:56

You always naming people, You always showing

18:00

love to people. How did you develop

18:02

that? How does that?

18:04

I mean?

18:04

Once again? Sports, I mean,

18:08

and you know you

18:10

gotta show love to your teammates. You

18:12

gotta show love to people. And if you ain't good

18:15

enough to hang like and if you scared

18:17

somebody gonna take your positions, it was never

18:19

yours in the first place. Looking at them

18:21

fall, it was never his, I said down on the last album

18:23

too, Like if you fall, it was never yours in the first

18:26

place. If you let somebody knock you out

18:28

your position, like.

18:28

You never had that position.

18:30

You know what I'm saying? Once again, it goes all back down to

18:32

discipline. Motherfuckers ain't got no discipline,

18:35

bro. So motherfucker see somebody

18:37

gassing going up and just hate for no

18:39

reason. It's like for what, like he

18:41

going up because he ain't

18:43

doing as many units as you. It's like,

18:46

bro, okay, and I put my units

18:48

next to fucking jay Z and I

18:50

don't even fucking exist. So it's like, what do

18:52

we measure things. But motherfuckers

18:55

is hard like he hard like he hard like.

18:57

Just let it be, like what

19:00

I'm saying, So at

19:02

some point, just if it's yours, it's

19:04

yours, and you ain't got to worry about ship, sure,

19:07

love shut up.

19:09

Another another thing about you is you

19:12

have some of the dopest features in the game.

19:14

I do.

19:14

I don't watch a lot of cats.

19:16

I'm

19:20

about to go about to go on another

19:22

washing machine run. I've

19:24

been chilling for five years,

19:26

just watching it and observing and

19:28

and like trying to change my life and

19:30

body and ship. You know what I'm saying, Get my body

19:32

to the right point where I want

19:34

to be.

19:35

But I'm ready to play ball and and

19:38

just keep playing.

19:39

Ball right now because I

19:41

think they're making it real easy for people like

19:43

me. I think

19:45

a lot of people are bad, though,

19:47

I think.

19:48

A lot of people are good. But a lot of people

19:50

are scared. I can't what

19:52

you're saying.

19:52

No, not just music, musically period.

19:55

A lot of people are scared to try anything.

19:57

Yeah, but I get it though. You know, at the same

19:59

time, you know, business is business, right,

20:01

and you know, but at some point,

20:04

if you ain't got what you're gonna get out of this ship.

20:07

You've been in this game like X

20:09

amount of years, you probably won't get it, because.

20:12

That's what's unique about this album.

20:15

It's like you just said a lot of people are scared.

20:17

It seems like you wasn't scared at all, Like you were

20:20

taking risks. Like each song sound sounds

20:22

like it's two songs and.

20:23

Onely different sounds

20:26

the same. Like what the

20:28

fuck? What is it that? That was

20:30

the whole thing? Like how do I see music? Right

20:32

now?

20:33

Okay, so everything is thirty second

20:35

clips?

20:35

Right?

20:37

Motherfuckers can't even pay attention to a

20:40

three verses anymore. Motherfucker

20:42

is doing one versus. It's

20:44

like, all right, how do I make this album

20:47

in this time and still be me? It's

20:49

like, oh, I see things in the

20:52

way they see it, fucking forty seconds,

20:54

fifty seconds. If I

20:56

can't get what do I How can I get off something

20:58

in thirty seconds? You know what I'm saying

21:01

thirty seconds at a time. How can I say as much

21:03

as I want in thirty seconds? If I

21:05

can't say as much as I want in thirty seconds,

21:07

then I probably shouldn't be doing this. This

21:10

part of the beat shouldn't

21:12

be rapping or coming up with.

21:14

This concept, you know what I mean.

21:16

So it was just like what can I say an

21:19

X amount of time and from.

21:20

There and how we just built

21:22

the beats. We just built it the beat.

21:24

So but the lyrics pretty much came

21:26

first on this album.

21:28

Changing up to that makes

21:30

sense.

21:31

Yeah, yeah, it's like you know, and

21:34

and still just like shit, I want to do it

21:36

like this, like shit, why

21:38

not Like my blank Face album,

21:41

I did the same thing. Like you know, I

21:43

think, like I said, just rappers just so

21:45

kind of like and

21:47

uh, there's so many of rappers now

21:49

and it's still hell of good rappers, but it's

21:52

just so many now. Me

21:54

doing beat switches, it's like mad people doing

21:56

beat switches still, you know what I'm saying. But

22:00

and I've been doing it, but you know, with

22:02

the game, it is now like my shit is standing

22:05

out a little bit more with it because of just

22:08

the no risk taking of artists.

22:10

You know, they find they pocket and they stay

22:12

in that pocket. And like I said, that's cool

22:15

if you're in it for the business. But

22:18

everybody I know is a fucking millionaires.

22:20

So at this point, so it's like what

22:23

the fuck are we doing now? Like we just like making

22:25

it worse for the younger kids.

22:26

I think. I

22:28

think artists are scared to act their age.

22:31

Yeah, and it's weird

22:33

to me, Like I'm thirty seven, bro,

22:35

I'm not like scared to act thirty seven.

22:38

Like I'm still lit, like I can still do all

22:40

the shit.

22:40

Still I'll run young and still I'll rap

22:43

you whatever you really talk about.

22:44

I'm still way more funnier, did you, brother?

22:46

I dress better, like I look better, like

22:48

getting younger every year, like what you

22:51

hother? Fuck, it's its own dope, you know

22:53

what I'm saying. Like, so like I'm not

22:55

scared to have to live my age,

22:58

like you know what I'm saying. And I think the artists

23:00

are doing that and they doing the younger generation or

23:02

disservice.

23:06

No, She's like it's

23:08

the weirdest ship to me, you know.

23:11

You know that's another reason why I didn't even do press

23:13

before this album, because it's just

23:15

like I don't fit with those

23:18

dudes.

23:19

In the media.

23:20

I don't even I don't even funk with. They're just too

23:22

negative for me. And it's like y'all too old for

23:24

all that. Y'all got to watch y'all

23:26

say y'all can't really get hurt playing with people bro

23:29

like mootherfuckers is putting their life in

23:31

their music. Like you can dislike my music, but

23:33

don't disrespect me though, because I put

23:35

my life and my ship, you know what I mean.

23:37

So when you.

23:38

Disrespect me or disrespect the rapper.

23:40

That's how I feel like you're gonna get at me eventually. You

23:42

know what I'm saying.

23:43

I got caaraderie still with rappers,

23:45

even though you know rappers don't half coaraderie,

23:47

but I do. So if I see somebody say

23:49

some crazy, crazy shit about a rapper, I ain't

23:51

fucking with you, like you know what I'm saying. Like

23:53

I said, you can dislike it, yeah problem,

23:56

Yeah, nobody tripping on that. But the way you

23:59

motherfucker's are be really disrespect

24:02

yeah yeah yeah yeah.

24:03

And I ain't with it.

24:04

And everything is relationship based too, It's

24:07

like that's not how it's supposed to be either.

24:10

So I'm just not with none of it. I just want to

24:12

go all gas and just keep gassing. I'm gonna

24:14

keep gassing gas and gassing, and they're gonna

24:16

come. They're gonna come in the circles and I'm gonna

24:19

keep gassing the ass, and I got, like I

24:21

said, I got eighteen more to go, So

24:23

I'm gonna keep gassing as I'm

24:26

gonna keep.

24:30

Let's talk about Jack in the Box on Vernon and figure

24:32

bro.

24:33

Oh man, that's.

24:36

Man, you go, that's

24:40

that Jack and the Crackstille there.

24:42

Oh yeah, it's there. Yeah, it's there Vernon.

24:48

Man, ain't no, man, Let's

24:52

move on from now, from

24:57

now. But that's that's that's yeah,

24:59

that's you know, I.

25:00

Forget what kind of record you came up with over there.

25:02

I forget. I was just going in through it.

25:06

Move on

25:08

your relationship with Matt Miller.

25:11

Yeah, rest in peace.

25:14

How How did y'all meet?

25:17

We met on tour. This's

25:24

another one that's hard to talk about too. We met on tour

25:28

and we were just we just bonded off the rip,

25:30

you know what I'm saying that as uh, just

25:33

humans, just people, you know what I'm saying.

25:36

I thought he was a funny ass white boy. Thought I was

25:38

a funny ass black dude. We

25:42

just kicked it, you know what I'm saying. He

25:45

was like transitioning his music from

25:48

like uh like white sounding

25:50

like you know, poppy, and he was

25:52

going more towards

25:54

Rapp and he was like, you know, he had so much

25:56

soul, you know, but he just came in

25:59

the game the way he came in, and he was like transitioning

26:03

and I watched him do it and it was just

26:05

like, this dude is crazy and

26:07

I just wanted to, you know, stick

26:09

around and be his homie. I was just happy to be his homie.

26:12

That was my dog. That was like really my dog, Like,

26:16

you know, sad situation, but he's

26:19

living forever. Though he's living

26:22

forever, he's living for.

26:23

Have a moment of silence fall no,

26:26

no, was make some noise for him. Yeah,

26:33

Now you had a duct tail

26:35

and the homie cut off.

26:36

Yeah, and I got kicked out of school. This

26:39

motherfucker dude just light skinned.

26:41

Fuck Okay. I wanted to know what the juntail

26:43

is though, all right, So.

26:46

Man, you had a hair.

26:48

Okay, we call it the tail. Okay.

26:51

So this is this punk motherfucker dude.

26:53

I don't even know his name. He wasn't he wasn't really my

26:55

home. He was my homie. Kind he

26:57

still didn't let it go. Dog, I could tell. I

27:00

got kicked out and all type

27:02

of ship.

27:02

So what happened what happened you in school?

27:04

Gag?

27:04

Yeah, So I'm in school, bro, this

27:08

motherfucker you know, you know they.

27:10

Do nap time. This is like a kindergarten.

27:13

Yeah. I fucked him over

27:16

too. I fucked him over. I choked

27:18

him and Ship bleeding

27:22

and Ship I was the first time I've seen him over.

27:24

I'm like, oh my god.

27:26

But he cut my duck jail while I was sleep

27:29

and I

27:32

woke up and yeah, and I just went to go plug

27:34

my ducktail and it wasn't there, and

27:37

then it was on his desk and

27:42

then he looked at me and he kind of like laughed,

27:45

and I just beat the ship out of him, bing

27:48

bing ban. We like five, like five or

27:50

six whatever, and then b b b Bean

27:52

and I just pleave in the craziest head lock.

27:54

I was like trying to snatch him out of the chair.

27:56

I'm a little kid, bro, and I just see

27:59

him blooding out and he just yeah, and he's like yelling

28:01

crazy like he's like you

28:03

know what I'm saying. I'm like shit, Like

28:05

when you started yelling crazy, and Ship, I'm

28:08

like sh but theeah, the teacher

28:10

came in and uh broke

28:12

it up, and I was at like some

28:14

like Catholic school or some ship,

28:17

and she gave me a whooping like.

28:20

Yeah, like hit me like a ruler, pow

28:23

fu.

28:24

Yeah.

28:25

I guess my mom didn't know they did that there.

28:29

My mom came in and like like she said, tripped

28:31

on the whole place, y'all what my god,

28:34

like had a whole fit, and they like we gotta get him,

28:36

and his mam was just off the chain, like y'all

28:38

get kicked me

28:40

about that, motherfucking I went to school fifty

28:43

second fifty second year.

28:44

I mean where I wanted to go in the first like let

28:46

me, I'm just just right here on the corner. Just let

28:48

me go to school.

28:49

My mama always tried to do that weird shit. Oh

28:51

no, you can't go to the school and

28:54

a ghetto. She'll send me to some other school.

28:57

And then then eventually she sent me

28:59

back to the school in

29:01

the in the ghetto, in the in the hood. And

29:03

it's like, why why you be doing that though

29:06

you see me to a whole other school

29:08

that's the same thing. You know, this is another

29:10

ghetto, right Like she

29:13

I don't know why she would do that because.

29:15

I always wondered how you got the name school

29:17

boy. Right, but then I listened to your

29:20

your lyrics, I can tell you have education.

29:23

Yeah, yeah, for sure. How did you get the name school

29:25

boy? Literally all right, so it's it's

29:27

like an atandra. So the school

29:29

boy is a pimp used to well,

29:31

I ain't gonna you know, well he

29:35

used to be a pimp back in the days.

29:37

Uh yeah, yeah, yeah,

29:40

dude the name school boy from my hood. Okay,

29:42

he was dope. Dope dude teached

29:45

him. Also, it

29:48

was at a point I had good grades

29:50

and there was a point where I had ship grades.

29:52

You know, I leave that out a lot,

29:54

but it was a.

29:55

Point where I had really really good grades

29:57

and a lot of homies would call me school boy because I was

29:59

like really good in sports, good

30:03

grades. Yeah yeah, good grades and

30:06

like you know, always squabbling

30:08

and like not really like you

30:10

know, from that cloth.

30:12

So they like, uh called me school

30:14

boy.

30:15

So it was more so like a playoff the pimp

30:17

on fig and like me people following

30:19

me school boy for good grades and ship being

30:22

an athlete, you know, motherfuckers would encourage

30:24

me like to be take that take

30:26

that sports ship far, take that sports

30:28

sportship far, because we gotta go far.

30:31

Because a lot of football didn't go too far.

30:33

Yeah, you didn't go too.

30:34

Far Miami, like

30:37

y'all take football very soon for sure, baseball

30:40

too.

30:40

I was really nasty at baseball, real nasty

30:43

baseball.

30:44

Yeah, shortstop stop.

30:46

Yeah it was dogs. No more

30:51

trophies in baseball, in basketball. Yeah

30:54

yeah, but you are stish. Yeah you got

30:56

that.

30:58

It's not part.

31:04

Right.

31:08

Hold on, okay, Oh, I

31:10

got I got some ship. I got

31:12

some ship.

31:13

You want to go because I was about

31:15

to talk about fish Land fish Land.

31:18

They sucked you up.

31:20

I mean fish lad you know, shout

31:22

the fish Lands a staple of the block.

31:23

Man.

31:24

You still from there?

31:25

No, not there.

31:26

I used to steal from fish

31:30

Land.

31:30

Yeah, but fish Land is done for They shut

31:33

that down.

31:34

You shut it down, shut it on.

31:39

They got got the word, I got the word. Got the word.

31:41

And my plan though, is I want

31:43

to tear I want to tear all that ship down

31:45

over there.

31:46

I want to put a boxing gym and.

31:49

Like uh sports, like something

31:52

just just for the community, like a healthy

31:54

thing like wow fitness

31:56

type thing wow over there, because

31:59

I don't know. Still,

32:02

when I go over there every now and then

32:04

and I look at it, I'm just like this shit

32:06

can be utilized way better. It's just a

32:08

bunch of food ship that keeps changing

32:10

every two years. It's like a new

32:12

food spot name. It's like, man, we

32:15

need to put like a gym

32:17

here. I need to put something, but I need people

32:19

to help me with it.

32:20

It's not just just.

32:21

Me because it's more to it, and

32:24

we probably won't profit for a while.

32:25

And I know it. You know that's the thing.

32:28

The community.

32:28

Yeah, but it's like I'm

32:31

trying to get it together. I've been talking to a couple

32:33

of people and I'm trying to make that happen. But

32:37

unfortunately another

32:39

business will have to leave. But

32:41

I think a couple of those businesses should

32:44

leave because they're not serving us right anyway?

32:47

Is that is that Parker City? South Central? What

32:49

is that? Yeah? They call it south La.

32:50

Now they gave it a new little twilet. Yeah

32:54

yeah, south Central. Yeah, we

32:56

still call the south Central more than

32:59

you know what I'm saying. And from the eighties

33:01

to the night, you call that ship south Central.

33:03

I'mna be honest. I know it's gonna sound a little

33:05

crazy, but I've always

33:08

been proud of LA because because

33:10

how y'all right.

33:13

We turned out up

33:17

motherfucker's is gonna go up. That's one thing

33:19

for sure about Like motherfucker is gonna go up.

33:22

Motherfucker going. Like as divided

33:24

as we are, once we come together, it's

33:26

it's scary even seeing

33:29

that. I remember watching the riot about that little

33:31

little little kid, like and just

33:33

seeing it on the corner, like just

33:35

seeing all that ship, like it was the craziest

33:37

shit ever. Like I never seen

33:39

so many black people together. They

33:41

were just doing dumb ship though, But

33:44

I mean it was just still like, okay, this is

33:47

you know, I wasn't thinking then, but now that I look,

33:49

it's like, okay that it is a.

33:51

Chance, all right, Like the Alabama

33:53

fight. Yeah yeah, yeah,

33:56

yeah yeah.

33:56

Hit the white woman with a chair, I said, holy ship, Yeah

33:59

yeah, got real like and

34:01

they didn't even know each other and they just

34:03

got together.

34:03

It was like what I'm saying, like it's you know, but

34:06

still though we shouldn't rioting

34:09

and ship and like destroy your own communities

34:11

like unity.

34:12

Yeah.

34:12

There was also a lot of a lot of Latinos, a lot of Mexicans.

34:14

My grandfriends lived in Newood,

34:17

your grandparents riding They lived in the

34:19

old at the time, and I called them during the riots

34:22

and they said the.

34:22

TV only only showing Black folks said,

34:25

the Mexicans is blocking on the want you want TV?

34:28

Tell your grandparents.

34:31

Ship, bro, Blacks, I

34:33

don't know, Bro, I always been

34:35

cool with Mexicans, Like this is like some new ship.

34:37

Now we're like, it's like for

34:42

sure, yeah that's his story, that's

34:44

what yeah. Yeah, But like they it

34:46

can't it carried over.

34:47

To the streets like it was never like that.

34:50

I've been like all our neighbors is Latinos,

34:52

like it's fu l a, like how the

34:55

funk we like beefing with, Like Mexicans

34:57

are like it's the but

35:01

you know they like put extras on it. Now, you know, it's

35:03

like these small All it takes is two

35:06

people to do something and all

35:08

of a sudden, you know, right.

35:10

Somebody tweets it and it

35:12

just starts a war.

35:13

When crime happens all the time,

35:15

bro, Like crime happens in

35:17

places where they crime happens like motherfucker,

35:20

Black and Mexicans been robbing each other since

35:23

the beginning of Black and Mexicans and being

35:25

around each other like this, the fucking ghetto

35:27

people get robbed, you know what I'm saying. But

35:30

they make it seem like it's a race thing, Like

35:32

no, it's not a fucking race thing. The black

35:35

dude got ribbed bro by the Mexican cat,

35:37

or the Mexican dude got robbed by the black

35:39

cat because guess what, motherfuckers get

35:41

robbed over here because we don't have no fucking jobs,

35:44

We don't have no opportunity. And you had something

35:47

that I wanted and it could have gave

35:49

me a little boost right quick, so I did

35:51

it.

35:52

That's the reality of it. But they make

35:54

it like.

35:55

There's some race shit when it's like, bro, like

35:58

everything ain't filmed also too, and

36:01

black people commit more crimes

36:03

on black people, and Mexicans commit more crimes on

36:05

Mexicans, and whites commit more crimes on whites.

36:07

Is like, you know, but they try to sow

36:09

any little thing.

36:10

They do, like,

36:12

oh, look see, y'all

36:15

need to get the blacks together.

36:16

It was like the fuck you get the blacks together,

36:18

y'all just got just as many motherfuckers

36:20

in jails us. Like you know what I'm saying,

36:23

Like, bro, we all need.

36:25

To get it together, Like the blacks.

36:27

Need to get it together.

36:29

Y'all in jail too.

36:33

So let me ask them all these

36:35

great features you have, what do you prefer?

36:37

You prefer them in the studio or

36:40

you sitting the record.

36:42

I love in the studio, but

36:45

some people would rather send the record because

36:47

they're busy. Nah, they just I

36:50

don't just don't vibe everybody in the studio.

36:52

Yeah.

36:52

Yeah. And then people might say that I'm

36:54

saying I

36:57

understand I don't want the person.

37:00

Yeah, sometime, motherfucker, I'll be talking to damn

37:03

much or sometimes I won't talk enough.

37:05

Like you like the music, you don't like the person that's there.

37:08

Yeah, yeah, you don't want to even know.

37:10

And I like working in the daytime, like I'm

37:12

I'm early and then I'm in the studio

37:14

about eight thirty eight o'clock in the morning.

37:16

In the morning.

37:17

Yeah yeah, like ty one, No, yeah

37:20

foruns like that too. No, there's a lot of people like

37:22

that.

37:22

Now.

37:22

I think it's like switching, but some people

37:24

haven't switched yet and they be like calling.

37:27

You like, oh, it's like ten o'clock. It's

37:29

like I'm just sleeping at like nine o'clock.

37:31

Bro.

37:31

It's one of my closest friends, but he started

37:34

his sasions at twelve at night.

37:35

Yeah, like that's out. It's

37:37

out, bro, it's out.

37:38

Bro.

37:39

You know much weed?

37:39

I small, but with the kids

37:41

over here this I don't watch something

37:44

like Bro, I'm cook.

37:45

You take grown man naps yet? No I

37:47

don't.

37:48

I can't take naps.

37:49

Yeah, you don't take naps.

37:50

When you when

37:52

you hit forty, it's called grown man.

37:54

I haven't, ye know, I mean three more years?

37:56

Yeah yeah, yeah, you hit more years.

37:58

It's called a grown man before. It be like, I'm

38:00

lazy what I'm doing taking naps in the daytime.

38:02

But if I want to go to club LB, I need to take

38:05

two naps in the daytime.

38:06

To because you're getting that chicken

38:08

down the chicken. I

38:11

ain't you ca the chili chili chili

38:14

chili.

38:14

But no, I haven't been to a club in

38:17

years. Yeah, I can't stand

38:20

it no more.

38:21

Staying up at night.

38:24

You have legendary listening

38:26

parties only a listening parties invite

38:29

only, or the who's

38:31

Who's come out?

38:32

Yeah yeah, yeah, I mean because listening

38:34

parties like I remember doing

38:36

one at for Oxymoron and

38:39

people didn't give a fuck. There

38:41

was another motherfucker getting shady walking around

38:43

playing music. I got Ray Kwan

38:46

on the stage moothfuckers and

38:49

turn around look at me, and then turn back

38:51

around and do something. I'm like, what the fuck?

38:53

At least they wasn't just doing like that.

38:56

That's not that was a different time. Motherfucker

38:58

was just very happy to be out side. And

39:01

I was like and I was mad. And

39:03

then my boy told me from an interscope,

39:06

he's not there anymore.

39:09

This is all list parties are.

39:10

This is great. Yeah, And I'm like, he's

39:12

like, look at this turnout. It's great. I'm like, bro, nobody's

39:15

listening to the music. We're listening like

39:17

they're just in there getting shaded.

39:18

Yeah, and it's like, you know, it's like thirty people

39:21

in the front that only care and everybody else

39:23

in the back just chilling Like

39:25

I don't get it.

39:26

But if that invite only that, No, that was.

39:28

My Then after that, I was like,

39:30

all right, we only do an invite people

39:32

come with that want to hear it, hear it whoever

39:35

it serves or serves, because I'm not you

39:37

know, I don't know, putting that juju

39:39

on your ship. Like people that don't

39:42

even give a fuck just want to be there, Like I don't

39:44

even want them around me, Like you know, what I'm saying,

39:46

Like it's like getting posted by certain

39:48

blogss, Like why does blog post me? Yeah,

39:52

you will never post me, motherfucker you posted,

39:54

Like, don't post me, dude.

39:56

You know what I'm saying, Like you know what I mean?

39:58

Like I should have given you the I

40:00

wrote the cooties.

40:01

They're coming to get me running,

40:03

like I can't stan dude,

40:06

these bro these dudes all got the cooties.

40:08

Broo, I ain't got time for it.

40:11

Okay, I think it's quick time. Let's

40:13

got it. Y'all got quick time? Yeah, Yes, it's

40:15

gonna be a fun one. I have a feeling.

40:17

So you guys play the rule. We're

40:19

gonna give you two choices. You

40:21

pick one. We're not drinking,

40:24

but if you say both or neither, like

40:26

if you don't answer, if you don't pick one, we drinking.

40:29

We all drinking. We all take a shot, Okay,

40:31

but if you don't want to take shots, you can just someone

40:34

to take a shot.

40:34

I'll do this one. I'll do this one. I'll drink for this

40:36

one. Ready,

40:39

Jamie, get my shot.

40:44

The motherfuckers really do this, Yeah,

40:46

we do. We do.

40:48

This is a long game, so we take

40:51

short It's.

40:53

Gonna add them's kill.

40:56

I remember when you first came, when

40:58

y'all first came out, y'all was doing the.

41:01

Eight years this month? Uh, what

41:03

was this ship talk

41:06

about? Want to bring that back up?

41:09

No, listen, that's the worst. That's the worst.

41:11

I still got one at the Crystal and Sonning got

41:14

but when COVID here because it came from China, they.

41:16

Banded it came over. We

41:19

let it go because it was

41:21

a sign.

41:23

Yeah, this

41:26

one, this one on, I believe he's drinking,

41:28

jam Are you ready?

41:30

We get him a shot? Though? Before we even what I'm saying?

41:33

Well, wait, I'm pretty sure my answer everything? All

41:35

right, Yeah, no, I'm pretty sure on this one.

41:37

You might be a little still, don't leave the witness man,

41:40

I'm sorry, I'm sorry, I'm sorry. All right, cool,

41:42

but I want him to be stuck on this one. Not a cool

41:45

you ready, Jamie?

41:48

All right? Cool? Okay?

41:52

Snoop Dog or ice Cube Snoop

41:55

Okay, I was shocked. Tupac

41:58

or Nipsey Part Answer

42:01

and Everything, nas.

42:03

Or jay Z.

42:08

Nas is my favorite rapper, but you also

42:10

went to the jay Z is also

42:12

my favorite rapp.

42:13

It was just with him, he had reboxed. You got stories with

42:15

anybody? Please like expand on anybody.

42:17

Yeah, I say,

42:19

nas, you're gonna go now corrupt

42:23

or dazz corrupt doctor

42:26

Dre or DJ quick doctor Dre

42:30

kiss or fabulous kiss.

42:34

We're not gonna drink nothing.

42:35

I'm not gonna li. I

42:38

mean, me and kids got it. Me

42:40

and kids got a.

42:41

Song together, okay.

42:42

Exhibit or rass cast exhibit

42:45

n w A or Wu tank Klan.

42:49

Bro y'all. I gotta stop it like

42:52

that's sounds like both. That sound like both to be.

42:56

I'm gonna be honest. I

42:58

didn't listen to d you A.

43:00

You didn't listen to I

43:02

wanted to.

43:03

Say, you got to shout no,

43:05

no, no, I'm going I

43:07

wang okay you because

43:10

I didn't listen to n w A, I look I to

43:12

take him as individuals though.

43:13

You gotta take a shot for the West, car Yeah,

43:16

the West, for the West, for the West.

43:19

But bu tang over n w A, Wow,

43:22

I would have thought that to take a shot.

43:24

I mean the way I wrap you said, yeh yeah, I

43:27

wrapped.

43:28

I'm not scared to wrap off pocket and out

43:30

of in the in the in the zones because

43:32

of ghost face, and you take the next ringkon

43:34

and all them.

43:35

You know what I'm saying, the ghetto boys

43:37

or U g K U g K Minister

43:41

Society or Boys in the.

43:42

Hood Minister Society.

43:43

Shout out the tyring man, it's my boy, fifty first

43:46

Street, Caine, fifty first Street.

43:48

Get him up here, man, Kendrick Lamart

43:50

Or Oh,

43:53

you're gonna put.

43:53

J Rock in there, like

44:00

I take that back.

44:01

Drink drink James

44:03

drink and Jay Rock Ken.

44:05

Drinck and j Rock. You're not about

44:07

to put my brothers.

44:08

You're not about to put me against my brother Just

44:10

gonna shi.

44:11

Yeah, that

44:18

was a good one.

44:20

Before you get the second one. By the way, shout

44:22

out to or the TV. I love I love you your

44:25

er, you know what I mean. I love how you hold each other down.

44:29

You got it.

44:31

Doggy style of me against the world. Doggy

44:35

style? What okay, y'all

44:37

gotta come with some bad ones.

44:38

Okay, okay, okay, doggy style

44:41

me I fun with be against the world.

44:42

But doggy style what dog

44:45

style changed the game? Oh my good god, where

44:47

were you when you first heard ship? I know

44:50

I was youngest. What was going on?

44:54

Me being bad? Trying to get some pussy at

44:56

like six or seven, you

44:58

know what I mean, trying to get them, trying

45:01

to get some pussy at seven, I

45:04

don't know.

45:08

I was

45:11

trying to get some trying

45:14

to I ain't

45:17

getting them. I'm trying

45:20

at least you speaking about it.

45:23

Kanye West or Forrell, whichever

45:27

category you want, wow category.

45:31

I love them both the SAME's Wow.

45:34

I didn't think y'all were actually getting.

45:37

Wo.

45:40

I love both those dudes. I work

45:43

with both of them too. And yeah,

45:46

and you work with for Real, Yeah you got

45:48

ship working with Kanye too?

45:49

Yeah? Yeah.

45:57

Classics Friday

45:59

or car Walk Friday?

46:04

Okay?

46:06

Battle Cat or Mustard, Ah,

46:10

I'm going Mustard, Okay in

46:13

my general I mean I love battle Cat. Battle

46:15

Cat is a legend, is

46:18

from my generation, Okay, I respect.

46:20

I gotta go with the legend to now. I

46:22

mean, yeah, a legend for sure.

46:24

He just you know, I'm just saying, like I

46:27

really didn't want to pick, but I'm gonna

46:29

go with my generation. Go Mustard, big

46:31

Al or Biggie Smalls Big

46:34

Small is easy, Larry.

46:37

June, skip One King or

46:40

who King, t ord c the

46:44

shadiest.

46:45

Can somebody quit work better than Yeah?

46:49

Yeah, I washed that. Oh

46:52

what's the other nigga?

46:53

I'm in love with the Code Goldsman T Genesis.

46:55

I'll wash him too. He's not.

46:57

My mind is a little different from them. Okay,

47:00

it's a little different. We stumped they

47:02

like Kurt walking ship and you stumped.

47:05

Yeah, yeah, yeah, we like we got a different

47:07

groove. We've got a different

47:09

way, different groove. And yeah they know

47:12

that ship. Don't compare it.

47:13

To what we do know, so top

47:16

not. Yeah, yeah, yeah, okay, yeah, no,

47:19

he can't funk with me. Shout

47:23

my boy, man,

47:26

I was stuffy. Man, I'll stuff you know.

47:29

He can't funk with me. Man, but very

47:34

dum dump skip

47:36

skip ship man, right here. You

47:39

know what I mean. I'm gonna make it happen right here and say

47:41

you know I mean, I'm cold with it. I'm cold. I'm

47:43

like skates, man, I'm like, I'm

47:45

on ice skates. You know what I'm

47:48

like. You know what I mean, I'm on ice skates.

47:50

They can't fun with I've never heard

47:52

nobody coughing it against dumb.

47:55

I don't see whatever.

47:56

Yeah, shout out to dumb though.

47:58

I'm a big fan, So.

48:00

I forget what I forget

48:02

what I mean I wasn't on the tour.

48:04

I went to go see it and they brung

48:06

du Sea out for a segment. He just came out and

48:08

he just skipped through the mall.

48:10

Yeah.

48:11

Yeah, I didn't know what he was

48:13

saying. I just was like, like,

48:16

yeah, he told that. Yeah.

48:18

Yeah.

48:19

I never really met dum Man. No,

48:22

Man, I want to meet Cube too. I met C before,

48:24

but I was it was early on in my career.

48:26

I don't think he really knew Man. I love

48:29

Q too, even though I

48:31

picked somebody over to c Cube

48:33

is like, you know, it was Snoop and Cuban,

48:35

and you know it's it's Snooped and cute for

48:37

me.

48:38

Literally, Harlem

48:40

Nights are coming to America. Harlem

48:43

Nights, okay and

48:45

y C or Miami. I'm staying out of this. Yeah

48:50

deep iness, motherfucker, I

48:56

can't make eye contact on this one side.

48:58

Listen, listen, man shot,

49:02

No fuck that New York hip

49:06

hop man. That's New

49:10

York and hip hop Larry

49:13

junor Dom Kennedy. Why

49:15

are doing that shot?

49:18

Take a shot? There we go, but

49:20

a big shot shot.

49:24

But let me say this, Dom

49:33

Kennedy is one of the ones from Man.

49:36

He needs a statue on

49:39

the in the fucking Lamurt Park. I

49:43

vote that that he gets a fucking

49:46

statue of Lemurt Park. You know what I'm saying,

49:48

that's it. Don't get more lay than

49:50

Don and Larry

49:53

june Is. I just did a

49:55

record with Jim Pop up right quick. Yeah that's

49:57

hard you know from the Yah

49:59

I love Yay so yeah,

50:04

but you know, Dom, you need a statue though.

50:06

I love how you always get people they fly. Don't

50:09

need a statue. A lot of that's l

50:11

A, that's la, that's l A.

50:14

That generation.

50:16

Come on, bro, we used to love We still

50:18

love Dom. But you're saying, like, bro,

50:21

like you know, never forget

50:23

what motherfuckers have done for the

50:26

city and ship like that, Like he's done

50:28

a lot for the city when it was it was dry.

50:30

You know.

50:33

Oh PM, shout out to Dome man. I

50:35

haven't seen him in a while, but lessons

50:37

and peace to him straight up podcasts

50:40

or radio podcasts.

50:42

I like that that's made some noise for him.

50:44

Man.

50:44

Yeah, I

50:47

was like, nobody ever wanted my generation

50:49

never wanted the radio.

50:51

We ain't worse, We don't need to

50:53

be honest, You'll generation finished the radio. Yeah,

50:55

yeah, we hated that.

50:57

Your generation, we hated that off the streams,

50:59

and you're up the streams, y'are.

51:01

Down loaded the radio

51:04

radio, man, they did it's dirty too.

51:06

They made us do all this ship and made

51:08

us do like radio. Man.

51:11

That's what I was like, Bro, why y'all doing

51:13

this? Drop some people ship?

51:16

Now we don't now you

51:19

know what I mean? The art gonn always

51:21

win, bro.

51:22

The radio, yeah, you're trying to for

51:24

you, It's like, what the fuck?

51:26

Bro?

51:26

Like even my radio in

51:29

l A, like I dropped this album. Bro, it

51:31

was stations from other places

51:34

posting my album before LA radio is

51:38

And it's like, this is why I don't funk with y'all.

51:40

You know, shout out the big boy and them though big

51:42

boy, you know, like I have nothing. They don't

51:44

have nothing to do with that ship. You know what I'm saying,

51:46

Like they have nothing to do.

51:47

It's like, and.

51:50

Let me give a shout to all of them. H just

51:52

incredible all them. But all that's

51:55

that's that's that's that's sucking it up.

51:57

Baker boys. Yeah, keV

52:00

aut them.

52:01

I actually hit bo Kevin told him

52:03

to jump on board. He didn't want to jump on board. And

52:06

then I saw him in an interview.

52:07

So we're gonna go.

52:09

But yeah, yeah, motherfuckers

52:11

is uh yeah, they need us now, everybody

52:14

need us.

52:15

And I want more artists to understand that that.

52:18

They need us.

52:19

Everybody need us.

52:20

They sit there and they talk about us, bro, like

52:23

you need to get on the same page at some point,

52:26

like and uh, you know, like

52:28

understand that they need us all these platforms,

52:31

streaming, radio, everything,

52:34

podcasts, No disrespect.

52:36

You are artists, y'are artists, Like.

52:38

You know what I'm saying, but just saying like,

52:40

but like motherfuckers sit up there and talk

52:42

about us all day and then act like they don't need

52:44

us, Like but that's their whole shit, right,

52:47

And it's mad weird to me, Like you know what I mean,

52:50

Like I just don't get it, like the yeah,

52:54

Like I just don't get it. I

52:56

just don't get what the fuck is going on.

52:58

I don't worry about it. You

53:05

rather be loved or

53:08

feared.

53:10

Loved me too, Yeah,

53:13

I don't want people to fear me. That's like people

53:16

hurt you. They fear you, that'll

53:19

check you out, that can check you out. People

53:22

can dislike you, but they love you and they have that

53:24

love for you, and they just walk away from me. But

53:27

that fear when somebody's scary, that's a lot

53:29

of Definitely, I

53:33

don't want to be feared. I want to be loved,

53:35

you know. I also want to be respected too though,

53:38

but you know that comes, like I said, once again, with discipline.

53:40

People know who to play with. Nobody never Nobody

53:43

never played with me.

53:43

So I'm blessed and

53:46

hopefully you know, nobody do play

53:48

with me because I'll be at home with my kids and ship.

53:50

So you're

53:53

looking at the wrong one, bro like not

53:56

me, like be a math or

53:58

snowfall.

54:00

Snowfall l ah,

54:02

that's my man free way wiki right.

54:04

Yeah, yeah, I mean I mean based off

54:06

loosely based. Yeah, they don't. They don't want to give

54:09

my boy the chip, say lo my

54:11

man real.

54:12

Life dumps Ricky Ricky.

54:14

I'm talking about the guy who plays him.

54:17

I've seen him one time at a Tyler show. You

54:19

know, he's hey,

54:22

Mike, like what I

54:25

didn't need him? I didn't mean, but I saw

54:27

him.

54:28

Them

54:30

You're like, you expect him to be like up Cot.

54:34

Like, hey Mike, You're like, what the fuck you

54:36

made Australian?

54:40

You made him Australian you know what I mean, like

54:42

he had to. I

54:46

was just like, holy, you

54:49

know, you.

54:49

Know what I'm I don't know, okay,

54:55

biz markey ol D b oh dB.

54:58

I took from him to so y'all

55:01

have that in common?

55:03

Yeah?

55:03

Yeah, I love o dB. Yeah,

55:08

rest one or rock cap? Oh

55:12

shot a shot, look

55:14

shot full time? I

55:16

look that the

55:19

left hand my man, m hmm, too

55:22

short, sugar free forty you

55:24

changed it up? Bang

55:27

bang Niner game forty forty

55:30

water forty man sugar

55:34

who was on that? That's my o G, that's my OG.

55:36

He actually called me and like, Yo, how you doing?

55:39

He called me not too long ago, I mean a

55:42

couple of months ago, and he's like, Yo,

55:44

how you doing?

55:45

Like I'm straight.

55:47

I'm like, what's up.

55:48

I'm thinking like going a regular He's like no, I'm just like

55:51

how you doing?

55:51

Like you're you're straight. Like let's let's link

55:54

up and like do some Niner ship. And I'm like, all right,

55:56

yeah, let's do it. Yeah.

55:58

Yeah, you never did a record forty

56:00

Yeah. Yeah, We've done a couple in the same studio

56:02

together. Nah. I was always saying funny

56:05

his helf because he writes his rhymes on his stomach. So

56:08

he's of God, like he'plain

56:11

that he came.

56:17

No, no, this is my homie. What are you talking about? Like

56:20

me and him, I'm like the East Coast

56:22

slang guy. He's the West Coast. We

56:24

go to to the studio, tell him

56:26

to come to my studio. He actually this like I

56:28

don't want to say with New York. He just goes there,

56:30

does his business and that's it. So I'm telling

56:33

him to come to the studio. He comes to the studio. He

56:35

brings this called Roscoe

56:38

Carlo Rossi. Anybody notice

56:41

ye cheap ass

56:43

one, cheap as one. He brung a whole two

56:46

gallons. So I'm looking like this is before

56:48

drink champ. So I'm looking like, what's wrong with

56:50

this guy? Like I'm not drinking.

56:53

I'm not drinking that ship. He's

56:55

like, no, he take a sip, don't worry. So I took

56:57

a sip.

56:58

He got me. I can tell me this

57:01

to me? He got me.

57:02

I was like, sure, Coloradze is the ship. And

57:04

he's like, I went from this is whack to

57:06

Coloradze's and ship worst hangover

57:08

ever. Right, So then we going

57:11

to So he goes in the booth and

57:13

We're like, Yo, where the fuck is he at because we can't

57:16

see him.

57:17

We're like, where did he go?

57:18

And he'll he'll lay down and

57:21

he'll listen to the beat and he'll

57:24

just write the lyrics just like that.

57:25

Oh you mean, like on the floor lane down. I thought when

57:27

you said, it's not like you was going like.

57:29

No, such, Okay,

57:35

What I mean was he lays on this stuff?

57:37

Yeah, came back.

57:38

I can see.

57:39

I can see how that. I was like, what

57:42

do you mean? Like yeah, but but that was like

57:44

the most unique ship I've ever seen.

57:46

Like, yeah, forty to

57:48

go, man, that's that's let's go.

57:50

Yeah, that's that's that's that's super go New

57:53

Jack City or King of New York, New

57:56

Jack City, Rap

57:59

City or Yo to be Raps Rahap

58:01

City, Rap

58:04

City, Jay.

58:06

Rock or apps at another

58:08

one of those. You want me to be drunk, Yeah,

58:13

man, I'm

58:15

not.

58:20

I'm never figuring. They better than all

58:22

me, all three of them better than me. I

58:24

love your modesty, humbleness. I mean, it's

58:27

the truth. But I'm not

58:29

even jogging. It's the truth.

58:30

And it's the last one that you take, the shot. That's the last one that we

58:32

get back to the interview. Loyalty or

58:34

no no, no, no, okay, okay,

58:36

loyalty or respect.

58:42

Loyalty because I can ignore somebody

58:44

that don't respect me and

58:48

go back to the you know, the fear of things. You

58:50

don't respect me, then it's the purpose

58:52

of me trying to like what

58:54

I'm what am I gaining like out of trying

58:57

to like prove something to you.

58:58

You don't even fuck with me.

58:59

It's like you run it into the fires,

59:01

like you just like kick it and use the fire

59:03

stingers shire just like the

59:06

coodies that come in to get me running and you get

59:08

the funk out of there. You know what I'm saying, you

59:10

don't respect me. Whatever loyalty

59:13

is is like I said once again, motherfucker may

59:15

be mad at you, but you're gonna stay

59:17

down.

59:18

I say, no, now,

59:23

one thing, one thing about you

59:25

that I know. We spoke about it a little bit earlier. We touched

59:27

on it was I remember a time

59:29

after Nas made Illmatic, he

59:32

made I believe.

59:33

I am after that, right? I am after that?

59:35

It was written it it

59:38

was written between

59:41

it was written and I forget

59:43

what other album. I used to hang with Nads

59:45

all the time and

59:47

we used to walk around and people to be like when the fun

59:50

was the next album? Because you know people have Twitter. That

59:52

was the Twitter back. They

59:55

were yelling, yelling

59:57

at him, Robert looking like yo, like

1:00:00

we thought it was just like Queen's people and

1:00:03

not for nothing, let

1:00:07

no one rest his process. To

1:00:10

me, the only artist like that in

1:00:12

this generation period,

1:00:16

it's.

1:00:16

You Ken

1:00:19

Drink Kendrick as well. It

1:00:21

feels like it's a TD thing.

1:00:23

I mean, yeah, we got a problem and they blame

1:00:25

it, always blame it on Top and I'm gonna

1:00:27

be honest, it's not Top fault.

1:00:29

It's y'all being overcreated artists. I wouldn't

1:00:31

blame it on Top.

1:00:32

Bro were top

1:00:35

games from telling Kendrick

1:00:38

Lamar he can't drop album.

1:00:40

No, he don't gain nothing.

1:00:41

It's fucking Kendrick Lamoyre what this top game?

1:00:43

From telling the Scissors she can't drop album?

1:00:45

This is black album? Yeah,

1:00:47

like what does he gain from it? You know,

1:00:50

any game? He should be throwing

1:00:54

us under, you know what I mean?

1:00:56

But you know, I'm

1:00:58

here to take some fly off Top and

1:01:01

he never told

1:01:04

us, you know, has he ever said maybe you need another?

1:01:06

Of course?

1:01:07

Like he's a fucking yeah,

1:01:09

like my engineer telling me that too. Kendrick

1:01:12

sometimes tell me that too, like Jay Right tell me

1:01:14

that too, you know, like

1:01:16

my producer tell me that too.

1:01:18

Like so yeah.

1:01:18

Sometimes you may say, yeah, you need another record, but

1:01:21

I mean like like saying like, oh,

1:01:23

you can't drop this year at all.

1:01:25

Don't even think about it.

1:01:26

It's like insane and me being like in

1:01:28

my thirties and allowing that it would be

1:01:30

even way more crazy, like all

1:01:34

everything about it is out of pocket. But

1:01:37

I don't suggest your artists take five

1:01:40

years off.

1:01:42

Unless you gotta let me just take.

1:01:44

That's you good, No, let me

1:01:46

just take.

1:01:47

There's people that's good. They don't have a cult

1:01:49

fan base that'll be honest with you.

1:01:51

Yeah, if you don't have that, yeah, you can't do you motherfuckers

1:01:54

got cult fan base? I enjoy

1:01:56

so much.

1:01:57

Yeah, this morning waking up and saying, look,

1:01:59

this is how I'm training.

1:02:01

For school Boy Q, and all your fans was in

1:02:03

my DM tell them this. I

1:02:08

was like, oh, ship, I'm like, and.

1:02:11

You have like an alternative fan base

1:02:14

a lot of white people. I'm not for sure for white

1:02:16

people hit me up. Yeah okay,

1:02:19

And then a lot of gang

1:02:21

members as well. I

1:02:23

respected him too, you know.

1:02:25

What I mean. But I've

1:02:28

definitely got a lot of white fans.

1:02:30

I mean I came out like.

1:02:34

It really is, like I really, I really, I really saw

1:02:36

it for myself, like man, white people,

1:02:38

well up, hold up my axe

1:02:40

or Jim Duggan, you know what I mean.

1:02:42

And then then a lot of yeah,

1:02:47

yeah, yeah, yeah, No, I got a lot of white

1:02:50

fans because I came out.

1:02:51

I came shows his white people.

1:02:53

I mean, that's how most most people

1:02:56

can't afford.

1:02:56

No take it with Bandanna's

1:02:58

cover relation. Nah no, my

1:03:02

you know, I got the nice white folks and ship you

1:03:04

know, like I'm talking about them talking about the gang

1:03:06

members. Nah.

1:03:07

Non game bankers don't they go to the club.

1:03:10

They ain't coming to no damn school boy Q show.

1:03:13

You know what I mean. The game bankers don't really come

1:03:15

to my show.

1:03:16

Really No, I don't really make game

1:03:18

bank music to be real, like like

1:03:22

you got to be like in the artsy side of it, like like

1:03:24

an artist. You can respect them, you can

1:03:26

hear it. But the average H

1:03:30

street dude, I'm more so on the weirdo side

1:03:32

of like the game banging.

1:03:36

I mean, yeah, you're a.

1:03:36

Artist, but I'm just being realistic because

1:03:39

just what it is like, you know, you think of Nipsey,

1:03:41

you think of yg you think of you

1:03:43

know what I'm saying, like those people, and like I

1:03:46

always say Vince because I always get got to

1:03:48

give Vince states its flowers to

1:03:50

every time because if we're like the only two

1:03:52

where like the outsiders

1:03:54

of like that.

1:03:55

You know, that was the first time coming to

1:03:57

LA many years I go to l

1:03:59

A. I went to a Nipsey Hustle show one

1:04:01

time. That's the first time I seen Mexicans,

1:04:03

like you said, like the Mexicans and blacks been

1:04:05

together like.

1:04:06

That for a wow.

1:04:07

But I had a long time because it happened before. I

1:04:09

had never seen it. I'm not saying it didn't exist. I

1:04:11

had never seen it when I went to a Nipsey

1:04:14

show. I've seen bloods, crips, yea, all

1:04:17

different types of people, everybody, and it was

1:04:20

together any reason why you

1:04:22

were and nip never really like.

1:04:24

Oh man, that's

1:04:30

one of my biggest regrets, not doing the song, not

1:04:35

doing the get along.

1:04:36

I mean, I

1:04:39

mean to sit there and say that it is kind of like yeah,

1:04:41

you know, like.

1:04:44

Irrelevant because nobody's

1:04:46

gonna say nothing. If if it happened.

1:04:48

Yeah, yeah, but I mean it

1:04:51

was.

1:04:51

It was presented before and I

1:04:55

think my time in was a little off and

1:04:58

we didn't do the record. And

1:05:00

that's one of my biggest one of my that is

1:05:03

my biggest regret on my rap career,

1:05:05

is that not having a song with Nipsey and

1:05:09

he reached out to through Karen

1:05:11

Sibyl. Yeah

1:05:13

yeah, yeah, I mean but me and him

1:05:15

would be always cool and like always

1:05:17

we talked, but we just never putting none

1:05:20

on wax.

1:05:23

What I say, politics maybe but

1:05:26

not really. No, it hadn't

1:05:28

happened.

1:05:28

It just didn't happen. Yeah, And

1:05:30

like I said, I'm like, I'm

1:05:33

I'm I'm like an

1:05:35

arts motherfucker. So I'll be like like

1:05:39

I literally just I keep saying,

1:05:41

is like I literally ghost everybody

1:05:43

and like just like put my phone.

1:05:45

Away, like literally get rid

1:05:47

of it and like just yeah

1:05:51

yeah, yeah, yeah.

1:05:52

So I think that was around

1:05:54

the time where I was on that and that was just

1:05:56

you know, because I give so much and I tore a lot

1:05:58

at the time.

1:05:59

I was touring and I was doing a lot of ship and

1:06:04

yeah, I had to.

1:06:05

Get back right yeah yeah,

1:06:07

yeah, Like and I got kids, he got

1:06:10

kids in our time and just didn't

1:06:14

match up. But yeah, he had sent me

1:06:16

he got a song with Mazi's car ain't hard

1:06:18

enough he sent it to me. You know, yeah,

1:06:21

Bro, I wish I was on that joint because

1:06:23

I love that song too. It ain't

1:06:25

hard enough, you knowcuse ain't scard enough.

1:06:28

You ain't in foreign cards.

1:06:29

And he was hard on there. I'm

1:06:32

hot.

1:06:32

I ain't on that record. I'm hot on

1:06:34

that record hard? Did you nip

1:06:36

hard?

1:06:37

He's hard? He's hard? Did

1:06:40

you expect that?

1:06:40

Like what I'm like, you know when you

1:06:43

heard that, anybody expected

1:06:45

it? No, that he that he passed, nobody

1:06:47

expected that. No, that

1:06:49

wasn't Uh, that's

1:06:54

out of pocket, man. He

1:06:56

ain't deserve that.

1:06:58

At all in the neighborhood.

1:07:00

Like how you said you went like.

1:07:03

That ship and that ship and that type of shit be having

1:07:06

me scared to even do ship.

1:07:09

You know what I'm saying.

1:07:10

A dude that like a dude like that, Like,

1:07:13

Bro, everybody loved him, and it's this

1:07:15

one fucking idiot, Like

1:07:18

you know what I'm saying, Like usually how it

1:07:21

is this one fucking idiot dude,

1:07:24

Like it's not fair,

1:07:26

Bro, It's not fair for his kids as homies.

1:07:28

It's not the community that

1:07:30

shit not cool for no, no,

1:07:33

no, no part.

1:07:34

Of it is cool, like black black folks,

1:07:37

Like you know what I'm saying. Like I said, it got me scared

1:07:39

to do something. And not

1:07:42

only gonna say scared. That's that's a that's a

1:07:45

strong word. I ain't scared of ship, but it

1:07:47

got me, like dude, think

1:07:50

yeah, like is it worth it? You

1:07:53

know what I'm saying, Is it worth putting the fucking

1:07:55

gym over there?

1:07:56

Right? Like, you know what I'm saying.

1:07:58

Other than TD right, It's

1:08:01

been rumors that LA is probably one of the most dangerous

1:08:04

places for rappers.

1:08:05

Do you believe that's true? Yeah?

1:08:08

Because I mean everybody be checking in.

1:08:10

That's your favorite thing to do. Check in with

1:08:12

somebody that's gonna rob yo, stupid ass.

1:08:16

Wow you think that guy

1:08:18

here, Yo, the guy that you don't know, motherfucker

1:08:21

in California got your back,

1:08:24

the guy that got beef with other hoods

1:08:26

and all this.

1:08:27

You checking into that dude?

1:08:29

Bro, Just go to the hotel, get

1:08:31

you something to eat, go back

1:08:33

to the hotel, your business, go

1:08:36

have some fun where it shit is

1:08:38

fun.

1:08:38

Where are you?

1:08:39

Why do you want to go over there for

1:08:42

what. Don't call me, Oh,

1:08:45

motherfucker's been having a nerd or called me sometime.

1:08:49

What are you talking about, Bro?

1:08:51

I'm playing video games.

1:08:52

My daughter got a soccer.

1:08:53

Game tomorro Bro, Bro the fuck up?

1:08:55

Like, I'm not meeting you at I'm not about

1:08:57

to.

1:08:57

Drive over here to Beverly Hill

1:09:00

and drop you off an ounce a week.

1:09:03

If someone calls him.

1:09:06

Motherfucker telling me, yeah, bring some of your homies

1:09:09

with you, I'm like, Bro, look, I'm coming up by myself.

1:09:11

I'm not even bringing Mingo with me, Like,

1:09:14

like you know what I'm saying, Like I'm

1:09:16

trying to be low key? Why are you trying to like you

1:09:19

know what I mean, let's just go to this spot. Why you wantn't

1:09:21

go to that spot? Like you better living?

1:09:24

Like what are we doing?

1:09:25

I get it, I get it, stay connected

1:09:27

and all this ship, but sometimes you don't need to be

1:09:29

connected, Like you're not from over here, bro,

1:09:32

Like I'm not going to Brooklyn

1:09:35

to.

1:09:35

See what's going on in the dangerous parts

1:09:37

of Brooklyn?

1:09:38

Like what the fuck? Like why am I over there

1:09:40

in the dangerous parts of Brooklyn? Like shout

1:09:43

out to y'all. I want the dangerous parts of Brooklyn

1:09:45

come to the show or something. We beat up over

1:09:48

here where neutral? We cool, We're

1:09:50

all straight. I'm

1:09:52

here for peace. I don't know why everybody trying to

1:09:54

prove something. I just want like people just trying

1:09:56

to prove stuff and then they put

1:09:58

theirself in these silly that situations

1:10:01

and it's just like I don't get it, Like just why

1:10:04

don't you just go home, like go to the back

1:10:06

to the room like you got your food, Like

1:10:09

all right, Like you

1:10:11

know, we can like smoke weed in the fucking room

1:10:14

and ship, or we can go, you

1:10:16

know, come to my house. Like let's

1:10:18

go to the studio, like, let's do some productive

1:10:21

ship the Alchemist. Yeah, let's

1:10:23

do some cool ship like shout out

1:10:25

to alchemists, man, Yeah, Alchemists always got the spot

1:10:27

jerking with you know what I'm saying with artists

1:10:30

and music going. You want to go do something,

1:10:32

go to out spot the first time I heard

1:10:34

of TV. Yeah, I'm

1:10:36

not for sure. House

1:10:38

Spotted is jerking all the time. Everybody.

1:10:41

You gotta you come to l A. That that's that's

1:10:44

what we that's what we are. You come to l A. See

1:10:46

Alchemists motherfucker, Like you know what

1:10:48

I'm saying. And that's another thing. Motherfuckers

1:10:50

thinking from New York, y'all damn near and took you.

1:10:52

From take

1:10:58

it out from listen out.

1:11:02

He gave us, he gave it up. He

1:11:09

was damn there for Queen's brage. Yeah,

1:11:13

no, no, no, definitely. But let me just tell

1:11:15

you something. I hung out with Alchemists.

1:11:19

For two days. One time almost died.

1:11:22

The motherfucker don't eat coffee

1:11:26

and smoke fucking tobacco

1:11:28

joints, and I'm just looking around. I

1:11:30

ain't want to be the I ain't want to be the fact guy

1:11:32

to be like we ain't gonna eat.

1:11:35

We just kept working. I was just like, I'm

1:11:37

looking like there's no break, there's no.

1:11:39

Like dunkin Donuts

1:11:42

or something, and he'll just order coffee

1:11:44

and just keep going.

1:11:45

I'm like, this motherfucker's crazy. He's such a legend.

1:11:49

Everybody always asking us why we don't have him on like

1:11:51

it's for I'd be like, yo, alchemists don't

1:11:53

want to be on drinks.

1:11:53

He was here in the studio, he

1:11:56

was ready, he was ready. Yeah, yeah, Alchemists,

1:11:58

come on. I we love Alchemist double.

1:12:01

He is from the West

1:12:03

Coast. Absolutely, he schoop

1:12:07

boy right now. We've been trying to scoop before a long time,

1:12:10

trying to school. I didn't know I was.

1:12:12

Y'all got to put respect though the hours from

1:12:14

l a unk that. That's

1:12:17

my big homie, that's my favorite producer.

1:12:19

Yeah, that's that's crazy.

1:12:20

So I know y'all always sick of talking

1:12:23

about this with Black Hibbie. Yeah, never

1:12:26

named that.

1:12:27

Yeah, Black Hippy is the greatest

1:12:29

group that never happened, except

1:12:31

the greatest fucking group is

1:12:34

going to create an album the

1:12:36

greatest.

1:12:39

It might be hard.

1:12:41

I mean, industreet firing every body

1:12:45

today, they fired everybody ship,

1:12:47

so.

1:12:47

It might be hard. They might put that motherfucker out.

1:12:52

Around.

1:12:53

I spot

1:13:00

got chip clipped in the universe and everything.

1:13:02

They clipping everything

1:13:04

but artists, right, na

1:13:07

sign new artists about that?

1:13:09

You think artists complained about getting clipped.

1:13:12

A Black Hippie. Y'all

1:13:15

could go to Akron mm

1:13:17

hmm. Ohio, We'll

1:13:19

go anywhere for two

1:13:22

days and this album will be done.

1:13:24

Yeah for sure.

1:13:25

I don't know why I say Akron high for like, we

1:13:27

can go anywhere, Lamar

1:13:31

James. But you

1:13:33

know that ship sail, it

1:13:35

was never gonna happen anyway. But and

1:13:39

then you know, Doc got his own he got it.

1:13:41

He's doing his own thing, man, like you got it. PG

1:13:44

Lane going up. Yeah, you know what I'm saying.

1:13:46

He got t D in a good way.

1:13:48

Yeah, Like you know, it's

1:13:51

paperwork. I got ship to do it.

1:13:52

Like that's blood right there,

1:13:54

you know what I mean, Like that's it's

1:13:57

not even like a rapper homie or like no,

1:13:59

that's like really my brother, Like that's

1:14:01

blood. So paperwork, don't

1:14:04

got ship. That's just paperwork, you know

1:14:06

what I mean. But if you I'm just whatever

1:14:08

he is, I am too lank

1:14:10

too, if you know what I'm saying. If right

1:14:12

now, like you said, who would be the one to

1:14:14

call it together?

1:14:15

Yeah, let's just say. It's just saying you

1:14:20

said you're weak.

1:14:23

But he don't have the power to get me to do a black

1:14:26

hippy album, Kendrick,

1:14:28

don't have the power.

1:14:29

If do call you to say, listen, listen

1:14:32

me me and Aspen, Colorado,

1:14:35

you're pulling up.

1:14:35

You got Skis boots on Mountains

1:14:40

the album to be made there for that. Yeah,

1:14:43

yeah, the firm album was made

1:14:46

in Bizville.

1:14:47

That shit was hard to the firm album and

1:14:50

two days, didn't you say, went to Cali for your verse?

1:14:53

Yes? So what you talking about? The

1:14:55

firm albums already done? I

1:14:57

was an extra on the front. You broke

1:14:59

me up like that. I

1:15:02

was an extra, sir, But

1:15:06

asking four days you die?

1:15:10

Hey, you

1:15:12

don't think you can make it happen. You wouldn't you. I

1:15:14

wouldn't do it. You wouldn't. You wouldn't do it.

1:15:16

No, because you so, You're

1:15:18

just that's that's the artist in you that created

1:15:21

like it's gone, it's going, not even

1:15:23

as a tour.

1:15:24

No, it's gone gone. It's

1:15:27

all good, Like what the fuck?

1:15:30

You know what I mean?

1:15:31

Like it's all good. It's going though, But but

1:15:33

you understand why everybody wishes that. No,

1:15:36

yeah, yeah, yeah, but I'm talking to the physical

1:15:38

fan and me. No, it's not all good. Let's make

1:15:40

this.

1:15:41

No, it's over.

1:15:42

It's right, no Black Ivy album. Let's

1:15:44

do a Tuggle walk. But we

1:15:47

will.

1:15:48

I'm me and Dot are

1:15:50

gonna do something in the future. I'm almost one hundred

1:15:52

percent sure we're still going to work together,

1:15:54

right, we never But that's

1:15:56

the thing though, Like I never done

1:15:59

record really done records with that.

1:16:01

I always wanted to stand alone. He

1:16:04

would always put my albums.

1:16:06

Together and like have mad

1:16:08

ad libs do it and like he

1:16:10

ha was this whole thing secretcing and like composing

1:16:13

and ship like that. So

1:16:15

the only only thing we really did was uh

1:16:19

bless and collar greens. You

1:16:21

know, I didn't want to use the cheat code like put

1:16:24

on if you said that, It's

1:16:27

like, I want to let me see if I can do it, Like

1:16:29

I already got died on something like you

1:16:32

know what I mean, that's my brother, like and he going

1:16:34

up, like like he going up, Like I

1:16:36

don't even like when I see somebody going

1:16:38

up and they're like going in a certain direction artistically,

1:16:42

like I don't want to step into that and

1:16:44

mess that up either too. I

1:16:46

saw where he was going. I told him too. If

1:16:49

you ever get him on here, he'd tell you. I

1:16:51

told him exactly when we were

1:16:54

like on the couch, I told him exactly how his career

1:16:56

was gonna pan out like step

1:16:58

by step that like

1:17:01

when we were like no fans

1:17:03

know nothing, like I work ethic

1:17:05

and the way he was right, I'm like, watch, you're gonna drop

1:17:07

your first album.

1:17:08

That's the biggest Uh.

1:17:10

I don't even I ain't smoked a blunt

1:17:13

from somebody and like what your

1:17:15

own your own?

1:17:16

No, it's all good. That's that blunt

1:17:18

with that live resident you

1:17:25

come on. But uh, what I was saying

1:17:28

when you told him, when you told him how his career was gonna

1:17:30

go, Yeah, I told him so.

1:17:31

I said, your first album, you're gonna be this megastar.

1:17:34

Watch, you're gonna blow up beat this megastar.

1:17:37

Your second album, you're gonna make the greatest album

1:17:39

ever. I told your third album,

1:17:42

you're gonna be like this big ass at

1:17:44

this point, you're gonna be the biggest you

1:17:46

could. You know what I'm saying, the biggest artists

1:17:48

in the world.

1:17:49

And I realdn't.

1:17:50

I didn't really talk about before it, but I just gave

1:17:52

him like a one, two three and it

1:17:55

literally was that, and

1:17:57

it's it's hilarious.

1:17:58

Like the way it panned out. I just saw

1:18:00

it. Though.

1:18:01

He was like always we used to always

1:18:03

call him the uh what

1:18:05

we used to call him, the Golden the Golden Boy or

1:18:07

the Chosen Yeah,

1:18:10

some ship.

1:18:10

We used to call him something.

1:18:11

I forgot what we used to call him, But he was always

1:18:14

like, oh yeah, he don't want like

1:18:17

you know his work, ethic, everything he taught me

1:18:19

worth that thic. He taught me all that ship, Like like

1:18:22

that's why nobody, like to

1:18:25

this day, nobody outworks me, and nobody

1:18:27

I don't know nobody that can outwork

1:18:30

me. Like I'm always creating

1:18:32

something, always always

1:18:35

t.

1:18:35

Wanted to drop you. Yeah, yeah, stepped

1:18:38

up.

1:18:38

No, they just put me to the side,

1:18:41

and just like yeah, just

1:18:43

like I wouldn't say he even dropped me. It was just like we

1:18:45

ain't fucking with him no more. We weren't really popping

1:18:47

like that. So like dropping me off,

1:18:50

it was like early again. It was just like like

1:18:53

we're not gonna have he lazy.

1:18:56

He ain't with this share

1:18:59

Oh yeah, I mean I was hustling and ship.

1:19:01

I was hustling too, So I was back yeah

1:19:05

yeah, I was back and forth out of town and hustling,

1:19:07

and I was trying to get to the chili. I was like this

1:19:09

rap ship, man, you know what I mean, I can

1:19:11

get some chili right quick with

1:19:14

that ship. He was like, man, nobody

1:19:17

got time for that lazy ship, you

1:19:19

know what I mean? So I guess he like said

1:19:21

it and like you know, just like spoke

1:19:23

it and a le and them

1:19:25

heard and was like, you know, just

1:19:28

put me to the sidide. Hey bro, they talking about blah

1:19:30

blah blah blah blah.

1:19:31

You know what I mean.

1:19:32

That's when I came up with the black Hippie ship, Like

1:19:34

all right, I'm gonna make a group. I

1:19:42

can go bust some move and I could just do a verse

1:19:45

and then uh yeah bilom

1:19:47

black Hippie the name, and then uh you

1:19:50

know that verse me happened to do the verse

1:19:53

just you know, I just you know once

1:19:56

again that that sports side

1:19:58

of me kicked in that this playing and

1:20:00

you know, once that other shit dried up, I wouldn't

1:20:03

making no more money on that ship.

1:20:04

That shit was ain't know.

1:20:05

I wasn't no real drummer, the most cap drug

1:20:07

dealer ever. You know what I'm saying. That shit dried

1:20:09

up. And it's like, you

1:20:12

know, now I gotta compete. And they in there

1:20:14

cracking every day, cracking every day. I

1:20:17

was cracking, Jay Rock cracking so cracking.

1:20:20

They cracking every day. We was on one

1:20:22

mic. We was just waiting in line every day.

1:20:24

Just you know, as soon as it's free up, all right,

1:20:26

my turn, I'm you know, you just got to

1:20:28

get your ship off, and then I just started cracking cracking.

1:20:31

Next thing you know, I'm on drink

1:20:33

Champs. I just never stopped cracking, never

1:20:37

stopped crashing.

1:20:39

Never.

1:20:41

Like I said, I gotta drop blue Lips,

1:20:43

and I got eighteen more to go, so

1:20:46

I'm gonna keep cracking.

1:20:47

I'm not gonna lie to you again.

1:20:51

Loose Slides my favorite because

1:20:53

it remind me of who's

1:20:57

world is this without remind me of

1:20:59

who's work world is this? Like I'm

1:21:02

jogging to it this morning and I'm like, it's

1:21:05

motherfucker too young to know the

1:21:08

feeling. Like I said in the intro

1:21:10

of it, I listen

1:21:12

to your music, it almost feels like you belong

1:21:15

in the nineties. It almost

1:21:17

feels like you did time travel

1:21:19

and you you, you came

1:21:21

out. I don't want to say the wrong error, like

1:21:24

a different era, like damn,

1:21:26

just tell me about dated.

1:21:28

No no, no, no, no no no, that's

1:21:30

not what I mean.

1:21:31

I mean.

1:21:31

I mean it in the most repub.

1:21:34

Because so

1:21:36

many people of this generation are not Liverpool

1:21:38

based and not like like you made an album,

1:21:40

and you made album.

1:21:43

People make singles for sure, they

1:21:45

make a single, B

1:21:47

side side,

1:21:49

excuse me, they

1:21:55

make they make a single into the next

1:21:57

single. Make

1:22:00

it. You made a whole album,

1:22:02

like we jogged your whole ship.

1:22:05

Thank you, like you, it's a body

1:22:07

of work, Like what why

1:22:09

why would.

1:22:10

You do that when you can just make two fucking

1:22:12

dope singles like everyone else.

1:22:17

I did it like so many times, and nobody

1:22:19

ever told me fucking congratulations.

1:22:21

I'm like, god, damn the album.

1:22:24

Bro, Nobody never fucking told me,

1:22:33

oh yeah.

1:22:36

You know.

1:22:37

So, I'm always chasing these hits,

1:22:39

right and doing hits and ship.

1:22:42

It was always dope, right, but

1:22:44

like every.

1:22:46

Time something gonna plat them, they never be like,

1:22:48

congrats, this.

1:22:49

Ship gonna club. I'll be having to ask for my plaques

1:22:51

and ship.

1:22:54

I'm making this ship right now. I want to

1:22:56

make I'm gonna make this. I told everybody

1:22:58

to like, bro, I'm making a art project

1:23:01

and step

1:23:03

back, please. I told everybody

1:23:05

just step back and let me cook for

1:23:08

this project. And they let

1:23:10

me cook, and I bade my best work

1:23:12

like it's

1:23:15

gonna lift forever, like it's gonna live forever, like

1:23:17

and it's gonna inspire people to to

1:23:22

to actually make our project, you

1:23:24

know, because people are now you know. It's the streaming

1:23:26

and fuck it up. It's like eight versions and

1:23:29

ship you got to sped up the acapella

1:23:31

you got.

1:23:32

All this ship. It's like godly, like

1:23:35

what the fuck you get here? You know what I mean? Like where

1:23:38

where do I start the album at?

1:23:40

Like I don't even get it, Like, you

1:23:42

know, they're just trying to run up to it because the streaming

1:23:44

shit is so fucked up.

1:23:45

It's just you know, they's just running

1:23:48

up the streams.

1:23:48

So people aren't fually

1:23:51

focused on making albums, and

1:23:54

like, you know, this thing with James Blake

1:23:56

was saying, people don't buy albums

1:23:58

either, know what I'm saying. So

1:24:01

when you don't buy albums, people are just going to

1:24:03

play the game because artists are like, well,

1:24:05

yah, I ain't buying it. I'm just gonna play

1:24:07

the game then, you know, and

1:24:10

rightfully, so I ain't mad at them, you know what

1:24:12

I mean. But me personally, I came in a different

1:24:15

time and I'm blessed

1:24:17

to be schoolboy Q, so I'll

1:24:19

always be able to generate some

1:24:21

chili, like you know, I put myself

1:24:24

in that position.

1:24:24

But I don't see the younger artists being.

1:24:26

Able to do that with the way

1:24:29

they do things, because they're not like really

1:24:32

making a body of work.

1:24:33

It's more so you know, streaming.

1:24:36

They're making some chili though, but I

1:24:38

mean that's exactly

1:24:40

it's like, is that chili gonna.

1:24:42

Because you're feeding your true fan base

1:24:45

growing them at the same time.

1:24:47

Yeah, but when you just recycling, you

1:24:49

know, people for like a couple

1:24:51

of songs, they don't you see it all

1:24:53

the time. They don't really transfer to the shows.

1:24:55

Like people can't even tour. It's like how

1:24:57

these dudes like sell so many records and

1:25:00

you can't even like fucking du.

1:25:02

I'll be in like Germany and ship and I'll

1:25:04

be y'all in New York.

1:25:07

Yeah, I'll be I'll be everywhere, like you know what I'm

1:25:09

saying, Australia or wherever, and it's

1:25:11

like I don't be seeing un of these casts and I'll

1:25:13

be like, I don't get it,

1:25:16

Like it's not.

1:25:16

Making sense they can't go out there. Yeah.

1:25:19

But also, like I said, if something don't

1:25:21

change, like I

1:25:24

think James Blake is right, we gotta figure something

1:25:26

out, like uh.

1:25:29

To get because we need the younger.

1:25:31

Generation to start

1:25:33

making albums again and caring about

1:25:35

the artwork, not saying not to make

1:25:37

a hit I'm not sitting here saying.

1:25:39

That, like you definitely you're a young artist,

1:25:41

you definitely need to make a hit. I don't try to

1:25:43

come in on some blue lipship

1:25:46

like you

1:25:50

know what I'm saying.

1:25:50

But at the same time, like you can still

1:25:53

make an album with a hit, like you know what I mean,

1:25:55

It's been done since the

1:25:57

beginning of time, like you

1:25:59

know, but you know, people just focus on

1:26:02

those records, and so they'll put ten of those same

1:26:04

kind of records on there because one

1:26:06

of them all you need is to of them to catch and those two

1:26:08

songs that carry the album to the

1:26:11

older platinum and it's like, you know, it's

1:26:13

so it killed the album kind of. But

1:26:16

you know, if we don't,

1:26:20

you know, start purchasing albums, unfortunately,

1:26:23

that's gonna be the continued result.

1:26:26

And me, it doesn't affect me

1:26:29

because I can give Mama Chiley. I'm talking about

1:26:31

for the young generation. It ain't about me, like,

1:26:33

oh, buy my album, Hey you don't

1:26:36

buy it or don't.

1:26:37

But I'm just saying the.

1:26:38

Younger generation is gonna suffer

1:26:41

because it's just gonna keep recycling

1:26:44

new artists because somebody

1:26:46

else gonna come with another joint too, and

1:26:48

another joint, another joint is gonna catch on TikTok,

1:26:51

and then.

1:26:52

You know it is what it is.

1:26:54

But they become their disposable at that point, Yeah,

1:26:57

exactly. And one thing I wanted to bring up going back

1:26:59

to Alchemist is that his model

1:27:01

of making music and then making the merch

1:27:04

and then he'll sell it at a high

1:27:07

rate so that he could make the music he

1:27:09

wants to make. And that's what happens when you have a real

1:27:11

fan base versus a streaming

1:27:13

fan base. It's

1:27:16

a different fan base, That's what I'm saying.

1:27:17

And it's not it's I think it's a disservice

1:27:21

that we're doing the

1:27:23

older generation, like

1:27:27

my generation, we can do something

1:27:30

our generation up first. Yeah,

1:27:33

yeah, and we're just constantly keep sucking it up,

1:27:35

you know what I'm saying.

1:27:36

But at some point we got to learn.

1:27:38

You know what I'm saying. We got to learn they

1:27:40

kept sucking up, and yeah, we

1:27:42

got to help these younger cats a little bit,

1:27:44

and we got to fix it a little bit. Because the

1:27:46

biggest artists in the world are still in their thirties,

1:27:49

you know what I'm saying, are the older cats. They're

1:27:52

the biggest artists you can name them. They're all in their thirties.

1:27:55

So I think, yeah, like

1:27:58

everybody needs to figure something out. For

1:28:00

the younger artists, Like I said,

1:28:02

we're fine, we can always get

1:28:04

some chili. These other dudes.

1:28:07

Are not going to have what we have, and

1:28:10

so we gotta like figure something

1:28:12

out.

1:28:13

I think that I don't know what it is, but

1:28:16

making a younger generation of

1:28:19

musicians and creatives understand that making

1:28:21

something dope is more important

1:28:23

than just flossing that you're doing well.

1:28:26

But they yeah, but that, but

1:28:29

they they need

1:28:31

some guidance and they just need a little bit of

1:28:34

They need to know that it works too though,

1:28:37

But.

1:28:37

You know, or the carrod in front

1:28:39

of the person, that's what's every time has

1:28:41

fun.

1:28:42

These dudes are still good writers though they're

1:28:45

dope. They don't want

1:28:47

to be like they do it on purpose. Sometimes you can

1:28:49

see it playing the game.

1:28:50

They playing the game rightfully, so because

1:28:53

like they they coming from no chili,

1:28:56

you know what I'm saying. It's easy for me to say like, oh,

1:28:58

dude, you know the art now am shit, But that's

1:29:01

just how they have to get on right,

1:29:03

you know what I'm saying, Like we didn't have to get on like

1:29:05

that, so they have to get on playing

1:29:07

the game. So they come in a

1:29:10

certain way. It's like you know what I mean, and it's

1:29:13

and it's a little disservice. We're

1:29:15

doing a disservice in that.

1:29:16

Would you say, like a team like TDE

1:29:19

makes a big difference and where a lot of these artists

1:29:21

don't have teams like that?

1:29:23

Uh yeah, and

1:29:25

no, but I think the team thing is kind

1:29:28

of dead too.

1:29:29

You have to like stand as an individual,

1:29:32

right, more so than anything, because like people

1:29:34

are just scrolling. I mean you we

1:29:36

all scrolled one hundred times million times

1:29:39

before we even got here, right, Like,

1:29:41

so you have to be able to stand in it as an individual.

1:29:44

The team thing is dope, but that's

1:29:46

kind of selling too. You

1:29:49

have to be an individual.

1:29:51

So saying that you got all these projects ahead of you,

1:29:54

what's your I mean, obviously you might not

1:29:56

want to give it all up, but like, how what is your like

1:29:58

if you're giving up to the younger gener ration some

1:30:01

game, what's your plan? Because you said

1:30:03

this is your only thing, Yeah this is it?

1:30:05

What is that plan look like? In

1:30:07

these next four or five albums,

1:30:10

moving forward, just

1:30:13

pushing myself. Still, how

1:30:16

often do you drop these albums? What's a

1:30:19

project thing? I hope I don't take

1:30:21

another five years, you know what

1:30:23

I'm saying. Fuck, I do not want to

1:30:25

take another five years. But be

1:30:30

honest, I can't afford another fucking five years.

1:30:34

I can't afford another five years. I

1:30:36

can do like I said, I can always make some chili, but mentally

1:30:40

I can. Mentally, no, I can't afford

1:30:42

another five So that was the last time of your five

1:30:45

year hiatus. Yeah, I don't think I can ever do that

1:30:47

again. The

1:30:49

last album to this album?

1:30:50

Yeah? Yeah, but what is

1:30:52

the next four? Yeah? It would be five

1:30:54

years in one month type

1:30:56

ship.

1:30:57

So I just called it five rounded all five. Talking

1:31:00

about some money out around it? Who

1:31:03

point Sam got five million out there?

1:31:06

You know what I mean? But

1:31:10

yeah, hopefully hopefully you

1:31:12

know, I'm still working right now, so

1:31:15

hopefully, uh, I find a pocket

1:31:17

and I get it, I'll get it going.

1:31:19

But yeah, other

1:31:22

than that, I just hope the younger

1:31:25

generations just get some help and

1:31:28

ship.

1:31:29

We got to help them somehow, some way. I

1:31:32

don't know. I don't know who's

1:31:34

the best wrapp of golfer Me take

1:31:38

a shot for that.

1:31:39

I'll take a shot for yeah, yeah, but I'm definitely

1:31:43

yeah better than everybody.

1:31:45

How about DJ College way

1:31:49

better than? How about way

1:31:52

better than? Okay, here's the big one.

1:31:58

Scarfaces a good one. Scarface

1:32:00

scarfirst is the only going. I

1:32:03

haven't played with Scarface, but I've seen his swing. It's

1:32:05

pretty good, but I

1:32:07

don't know it's handicapped. But I think

1:32:09

I'm I'm better than everybody though.

1:32:11

How did you get put on to motherfucker golf?

1:32:13

My boy June, he.

1:32:20

He got me.

1:32:22

He bet me in the studio ten grand that

1:32:25

I wouldn't make a birdie in two years, and I was

1:32:27

like, I can do

1:32:29

anything.

1:32:29

What the is a birdie?

1:32:31

All right?

1:32:31

So say it's a part four. So it's

1:32:34

a part four.

1:32:35

You have four shots, because

1:32:40

they pretty much have four shots to get

1:32:42

a par it's called apart for four shots

1:32:44

to get a par. So if you make

1:32:46

it in the hole before

1:32:49

four shots on your third shot, that's

1:32:51

called a birdie, and you get a negative point, so

1:32:54

you the game.

1:32:55

Goes by the lowest amount of points.

1:32:58

You know what I'm saying. Why I ain't playing

1:33:01

golf. It's too much mathematics.

1:33:04

It's not really, it's just hit the ball, get faded

1:33:06

and go. It ain't nobody tripping on all

1:33:08

that ship, Okay, yeah, Like I mean, bro,

1:33:11

like, bro, they all trash. Have you not

1:33:13

seen these dudes play? They're all trash?

1:33:16

Like you can definitely go out there and play

1:33:19

and enjoy yourself, like do but collar

1:33:21

look good.

1:33:21

Out there, Cally shout

1:33:23

out to Caldi. Man, he got

1:33:26

better, he got better. I see he working,

1:33:29

he's working, working, working,

1:33:32

But but he's definitely trash. It's

1:33:39

definitely awful. He's awful. Whoa

1:33:42

not awful?

1:33:43

Cool?

1:33:43

No, he's awful. Like

1:33:47

he's

1:33:49

a dude.

1:33:51

Dude.

1:33:51

Man, I'm

1:33:55

proud of him because.

1:33:56

He really did it, like really playing

1:33:59

okay, like like you know what I'm saying, like a lot of people,

1:34:02

you know, so you really Hopefully

1:34:04

I hope he gets rid of the like, uh, like

1:34:07

the rich side of it, Like I

1:34:09

don't want to. I don't like that narrative that

1:34:11

we kind of push what rich,

1:34:14

Like, yeah, you have to be like rich to play golf.

1:34:16

If that's not true, that's not true.

1:34:18

No, Yeah,

1:34:21

so that's that'd be my my my roof

1:34:23

with a lot of hip hop

1:34:25

and golf right now, because now that

1:34:27

it's like coming into this world.

1:34:29

They're like making it seem like, oh yeah, I'm rich.

1:34:31

Sh Like yeah, rich people

1:34:33

play it, but it's like like,

1:34:35

you know, poor people could.

1:34:36

Should be able to play this ship too. Oh really

1:34:39

you know what.

1:34:39

I'm saying, Like, and they're like they

1:34:42

might be really really fucking good. You

1:34:44

know, Black people be pretty good at every fucking

1:34:46

sport. If we start playing

1:34:48

golf, maybe at five.

1:34:50

But it might have some you know

1:34:53

that. Yeah, yeah for sure.

1:34:56

But you know that's my whole thing, Like I

1:34:58

want more people to like, uh, push

1:35:02

it more so as like you know, like it's

1:35:04

more a mental thing.

1:35:05

It's fun.

1:35:05

It's like right now, people are pushing it a

1:35:08

golf, but they're pushing it as.

1:35:10

A rich yeah, just like in

1:35:12

a hip hop that's hip hop.

1:35:14

Well yeah yeah, but even outside of the

1:35:17

cruise yeah yeah, I mean

1:35:19

yeah, it's like.

1:35:20

Some rich ship. For sure. It's like some rich ship.

1:35:22

But what I'm saying is.

1:35:24

But what I'm saying is it's a lot of people

1:35:26

that are not rich that play golf the trick

1:35:28

beer yeah yeah, and just chill and just playing.

1:35:32

Yeah, and they like you know what I'm saying, Like

1:35:34

they're way you know what I'm saying. That's it's

1:35:37

it's more of them than it is people at the

1:35:39

country club. You know what I'm saying, poor regular

1:35:42

Yeah yeah yeah, so the narrative of it, and

1:35:44

it's like, you know, I don't like it because they

1:35:48

be putting like this retirement on it too,

1:35:50

like you going golf, you're

1:35:53

doing it's not even

1:35:55

that. It's like, bro, I'm just going for a couple

1:35:57

of hours and I'm back getting to it. Like what's

1:36:00

the difference of me going to the club. What's the difference

1:36:02

in me like playing basketball? You've been

1:36:04

playing golf six years?

1:36:06

Six years?

1:36:07

Yeah, yeah,

1:36:10

I'm and you know, I go

1:36:12

on and off, but I'm right

1:36:15

now. I'm trash right now because I've been

1:36:17

working on the music.

1:36:18

But you got to keep at it like that.

1:36:21

Not for sure, it's that's what I'm saying, Like,

1:36:23

Bro, everybody's ass like just playing

1:36:25

like you know, don't worry about yeah,

1:36:28

Like bro.

1:36:28

Like everybody's ass, Like everybody's

1:36:31

ass.

1:36:31

I'm ass and I'm really good and I'm ass,

1:36:34

so like you know what I mean, Like, don't even worry about

1:36:37

just play. Like I'm telling you that shit fun

1:36:39

and it's cool, Like you out there smoking. You're

1:36:41

doing everything here.

1:36:42

Yeah, like you you're chilling.

1:36:44

Music, you got music slapping you

1:36:47

chilling and you're just hitting the ball.

1:36:49

That's it with the shirts though, yeah, yeah,

1:36:52

you know what I mean. You get fresh.

1:36:53

Take your shirt, you know what I mean? Dapper

1:36:56

up, young man.

1:36:57

My shirt is eighteen years Yeah, yeah, I

1:37:00

don't. I don't want to do that.

1:37:02

Man, my shirt

1:37:04

every day, you mean collar

1:37:07

shirt.

1:37:08

Look at I had to change.

1:37:11

I don't know if you know I had to change.

1:37:13

Yeah, he wore the same tight ass shirt

1:37:15

sunny ad on.

1:37:18

That what happened? So

1:37:21

you you with the golf, a tire, you

1:37:23

do the shoes, the spikes. Yeah, yeah,

1:37:26

you gotta do the whole ship. You slip, you slip

1:37:28

or something. You gotta have it. You do like you like

1:37:31

you might golf. I've never

1:37:33

done it, but I'm in. I doesn't go. That's

1:37:35

mini golf. You know. You

1:37:37

know what's my hobby? Played handball?

1:37:40

Handball?

1:37:40

Got some prison ship.

1:37:41

You know you did.

1:37:45

Prison ship? I

1:37:56

love you, right

1:38:00

man, I.

1:38:02

Ain't never hit the pin. Let's

1:38:05

talk the ball. Brand new

1:38:07

guy with asap rocket. Yeah, how

1:38:10

did you link up? You went to New York?

1:38:12

Actually?

1:38:12

Yeah, so.

1:38:16

Flock was a fan. He always

1:38:18

say I'm his favorite rapper.

1:38:19

I keeping call him out every time he.

1:38:21

Got has he said, this has been young.

1:38:26

Man.

1:38:28

Yeah, you're my favorite

1:38:30

rapp b.

1:38:33

I think.

1:38:38

Brother, that's my brother described

1:38:41

he's my space Nah he oh

1:38:45

no, I mean.

1:38:48

Because people got hired. Yeah, he reached out to

1:38:50

me.

1:38:51

I forgot Kendrick Dan Top and

1:38:53

and did not know about Yeah, yeah,

1:38:55

yeah you didn't know about

1:38:57

him.

1:38:58

Know, yeah, I didn't know about him. Okay, but

1:39:00

they were saying he was bumping my ship all the time

1:39:02

and I was a new artist. He's like, brow you my

1:39:04

favorite blah blah blah, this that, and

1:39:07

I'm like, okay, blah blah. I didn't hear

1:39:09

ship. So anyway, he

1:39:11

dropped like payst Sos or so yeah,

1:39:14

and I'm like, oh, this is hard. I

1:39:16

ain't going I'm in New York. Like right

1:39:19

after pays So's pretty much drowing you yeah,

1:39:21

and he like, yeah, I'm trying to funk with you.

1:39:23

And he pulled up him

1:39:25

and Yams. Yeah, him and Yams and

1:39:30

Saul was with me. We big, we big

1:39:32

drugged out. So in the other

1:39:35

room faded which one of your homies

1:39:37

went to sleep so yeah,

1:39:39

yeah, he was in that bitch.

1:39:41

He was it.

1:39:42