Episode Transcript
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store for details. Hi,
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everybody. It is with great excitement
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that I am telling you about
0:46
one of our new group chaplaincy
0:48
options called Showing Up for Queer
0:50
Kids. If you have a queer
0:52
kid in your life who you
0:54
want to think through how to
0:56
be the most loving and supportive
0:58
adult that you can be, then
1:00
you can be a part of
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this amazing group chaplaincy experience with
1:04
Taylor Bueller. You can find out
1:06
more about this program, which is going to be on Fridays
1:08
from 1 to 2 30 Eastern
1:11
starting March 8th by
1:13
going to notsorryworks.com. Chapter
1:22
25 The Beetle at Bay Harry's
1:26
question was answered the very next
1:28
morning. When Hermione's daily profit
1:30
arrived, she smoothed it out, gazed for
1:32
a moment at the front page, and
1:35
then gave a yelp that caused everyone
1:37
in the vicinity to stare at her.
1:40
What, said Harry and Ron together.
1:43
I'm Vanessa Zoltan. I'm Hope
1:45
Rehack. And this is Harry Potter
1:48
and the Sacred Text. Thanks for watching. Our
1:52
first announcement is Welcome Hope Rehack. First
1:54
time on Harry Potter and the Sacred
1:56
Text. Hi, thank you. So
1:58
you hope are on today
2:01
because you are a huge
2:03
Harry Potter nerd. You have a lot of
2:05
brilliant thoughts about this, but also you have
2:07
a class coming up with not sorry. I
2:10
was wondering if you could just tell people
2:12
a little bit about the class that you'll
2:14
be teaching. Yes, I kind of first conceived
2:16
of it as a sort of history of
2:18
queer television because I had some undergrad students
2:21
who said something once like, you
2:23
know, gay people weren't really on TV until Will and
2:25
Grace and it really hurt my feelings. And
2:28
so I understand
2:31
why people don't like to necessarily like go
2:33
back and watch old TV. It can feel
2:35
like a different pace than it can feel
2:37
not as funny and the comedy doesn't always
2:39
age well. But I think looking just specifically
2:41
at sort of queer characters and queer storytelling
2:43
from kind of the 1960s to the present
2:45
day, you kind of understand where we
2:47
came from and where we're going. And so we're
2:49
going to talk about the 60s through the 2020s. It's
2:52
called the history of queer representation in TV. I
2:54
think it's called a quick and dirty history
2:57
of queer representation in TV because
3:00
that is absolutely what I hope it is. Awesome.
3:03
I'm so glad that you are offering that
3:05
to people. And I didn't
3:07
realize that people thought that Will and Grace
3:09
was the first queer representation on TV. So
3:12
I'm glad you're dispelling
3:14
people of this notion. Everybody, you can
3:16
find out more about that by going
3:19
to not sorry works.com and hope we
3:21
just have to tell everybody about our
3:23
bonus conversation for today. You and I
3:25
will be talking about something that happens
3:28
in this chapter, a holiday
3:30
that has just recently passed from when this comes
3:32
out and that is Valentine's Day. I am
3:35
wondering if you have any Valentine's Day feelings.
3:37
I will share my Valentine's Day feelings. We
3:39
will share whether or not
3:41
we think Cho and Harry had
3:43
a representative on Valentine's Day for
3:46
what this holiday is. Can't wait.
3:48
And you can listen to that by signing
3:51
up at patreon.com/Harry Potter sacred text. I'm
3:53
so excited. No, I taught a Harry Potter lesson college. I
3:55
feel like I've been training for this moment for
3:57
my whole life. Well, why don't you start us
3:59
off with a of an opening story, the theme
4:01
that we read chapter 25 through is
4:04
attention. What story do you have for us?
4:06
Oh, yeah, I kind of like couldn't
4:09
get enough attention as a child. And
4:11
I was one of those kids who was
4:13
always performing and singing and demanding everybody watch
4:16
me do extremely mundane things. And
4:18
I love this about me because people wonder
4:20
if that came from nature or nurture and
4:22
it's so obviously nature, not nurture.
4:24
My parents paid so much attention
4:27
to me and my siblings. I think a
4:29
lot of people who are attention seekers as
4:31
adults, people assume that maybe in their developmental
4:33
years, their family didn't give them the
4:35
attention that they wanted. But I think some people
4:37
like me have just a bottomless need that can
4:39
never sort of be set aside. And
4:42
I think that sounds like a conclusion
4:44
that you come to after like therapy
4:47
and reflection. But actually, I came to
4:49
this conclusion recently from primary documents in
4:51
my dad's recent retirement, he ended up
4:53
digitizing just dozens of home movies
4:55
that were on VHS tapes and putting
4:57
them in a Google Drive. And so
4:59
I've been watching them and there's like
5:01
hours long documentaries of my
5:04
early childhood. And they
5:06
were made with an intention. My grandparents lived
5:08
a few states away. And so my parents
5:10
would mail these VHS tapes to them. And
5:12
I'm not sure if what we have are rescues
5:14
from after those grandparents passed away or
5:16
if they're duplicates. But I just love
5:18
that they're these like very intentional, like almost
5:21
like vlog, you know, that my parents are
5:23
sort of narrating their parenting. And
5:25
my sister and I like kind of come in
5:27
and perform for our grandparents. But
5:29
in a very, I would say undirected way. I
5:31
don't think my parents were telling us what to
5:33
do. We and those notes were crabby, sometimes were
5:35
awful. And yeah, the bottomless
5:38
need that there was kind
5:40
of shocking to me. And then I
5:42
was kind of touched because I remember feeling
5:44
like I could never get enough attention
5:46
from them. But watching them
5:48
pay so much attention to
5:50
me kind of like reframed that for me. And
5:52
also my father in his first year
5:54
of retirement choosing to spend just hours and
5:56
hours digitizing this when nobody asked
5:59
him to And if
6:01
he hadn't, they probably would have ratted because kind
6:03
of public service announcement, if you have old VHS
6:06
tapes, they actually do degrade and decay and then
6:08
they're unsalvageable after about 25 or 30 years. So
6:11
it kind of felt like he was preserving them at
6:13
the last possible moment with his first
6:16
huge chunk of free time. And it was
6:18
so loving. And again, I think my sister and I
6:20
were kind of like, perplexed, like who needs these? But
6:23
the sort of attention paid felt
6:25
like love to me and that act of service
6:27
really feels like love to me. So that's
6:30
my story about attention today. That
6:32
is one of the definitions that
6:34
the French philosopher and theologian Simon
6:37
Beig gives for love, is that
6:39
love is attention. And
6:41
she equates prayer, love, and
6:43
attention. Now all prayer is,
6:45
is like paying close attention to something and
6:48
that all love is,
6:50
is paying attention to something. And
6:53
so I don't know. It's like, don't
6:55
we all have a bottomless need for love? Right?
6:58
There was just something honest about the
7:00
way you were demanding
7:02
it, but that just feels true for
7:04
everyone. In Lady Bird 2,
7:06
I think maybe the Thurgood Ronan character
7:08
says that too. Somebody says love
7:10
is paying attention and I was so grateful.
7:14
That none is quoting Simon Beig.
7:16
That's right. Thank you. Good memory. Okay.
7:20
Yeah, that's what it is. I love that. Simon
7:22
Beig was Jewish, but always sort of with Catholicism.
7:25
This was in conversation with Catholicism that Simon
7:27
Beig was saying that. But I
7:29
love that. I
7:32
just think it's something beautiful about
7:34
children that they're willing
7:36
to let their need for love
7:38
be so clear. My friend Amanda
7:41
has a very independent three-year-old who will
7:43
be running around and socializing and going
7:45
around and talking to everyone. And then
7:48
she runs back to her mom and
7:50
lays on her mom for like 10
7:52
seconds and then goes back out. And
7:55
Amanda calls it mom recharge station. Well, it's
7:57
like she needs to plug her. herself in
8:00
to this recharge station and go back out.
8:02
And I feel like we
8:04
all need that. And kids are
8:07
just not trying to perform a version of
8:09
which that's not true. That's so
8:11
beautiful. Yeah, I've seen toddlers do that. A friend of
8:13
mine has a 17 month old who does
8:15
the same thing. So cute. It's
8:17
so sweet. Well, I
8:19
do think that there are a lot
8:22
of different kinds of attention for us
8:24
to talk about in this chapter. But
8:26
first we will remind the people what
8:28
happens in this chapter. We
8:31
do 30 second recaps. I
8:33
will go first. Okay. Do
8:36
you mind counting me in?
8:38
For sure. Are you ready?
8:41
I am ready. Three, two,
8:43
one, go. So
8:46
all of these death eaters have escaped
8:48
Azkaban and Fudge is like, it's serious
8:50
black fault because he's related to Bellatrix.
8:53
And then nobody is figuring out that
8:55
actually the Dementors have like
8:57
clearly gone over to Voldemort side. Cho and Harry go
8:59
out for Valentine's day and it is very awkward and
9:01
Harry's like, oh, by the way, I have to meet
9:04
up with Hermione. And Cho is like, are you flipping
9:06
serious? And also I wanna talk to you about Cedric.
9:08
And Harry's like, I don't wanna talk about Cedric. And
9:10
then he goes and he meets up with Hermione and
9:12
they have a meeting with Rita Skeeter to get his
9:14
story out. Bravo.
9:17
Thank you. Thank you. Oh
9:19
my God, nobody ever says bravo. I think that
9:21
was really impressive. I think it's really a lot
9:24
of story to get through. Thank you, thank you.
9:27
Do you wanna count me in? It
9:30
would be an honor and a pleasure. Thank you.
9:32
On your heart. Get set,
9:34
go. So the
9:36
trio are in the dining hall and they're
9:38
reading the Daily Prophet and Harry notices that
9:40
not a lot of the students are reading
9:42
the Daily Prophet but a lot of the
9:44
teachers at the head table are and the
9:46
stories of the day are about deaf eaters
9:48
breaking out of Azkaban and a guy who
9:50
was killed at St. Mungos by a scary
9:53
devil snare plant that they should have recognized.
9:55
They experienced some guilt about that. Oh my
9:57
gosh, then they go to a hog meat
9:59
and yes. Oh my gosh, they're running out of time!
10:01
And then they do what you said. I
10:05
am so appreciative when people struggle doing their
10:07
first one, because I feel like you
10:10
listen to this every week, you start thinking
10:13
that it's just like Vanessa and Matt, they don't
10:15
know how to talk. It's stressful!
10:18
It's stressful, and also, I feel like these
10:20
books are famously extremely plot heavy. There's a
10:22
lot of plot in every chapter. So
10:24
many things happen in this chapter. Hope,
10:27
I do think that there's a place
10:29
in the chapter for us to talk
10:32
about exactly what your story was pointing
10:34
to, right? Which is Harry
10:37
and Cho, and
10:39
like, people wanting a
10:41
certain kind of attention. Everybody has
10:43
good intentions, and yet
10:45
this goes so badly, right? Like,
10:48
Harry likes Cho, and
10:51
cares about her, and like, thinks
10:53
she's cool, and Cho,
10:56
same for Harry, and
10:59
yet, like, they just keep talking
11:01
past each other, and like,
11:04
can't pay each other the right kind
11:06
of attention. They're at Madame
11:08
Petit Foots, which I feel like just
11:10
walking in to a place called Madame
11:12
Petit Foots. I would
11:15
be nervous. There's something
11:17
brilliantly cheesy sounding about this
11:20
place. And then, right,
11:22
there are all of these decorations
11:24
for Valentine's Day. It's a coffee
11:26
shop that we have never been
11:28
to in Hogsmeade before, and they
11:31
arrive, and part of
11:33
the problem is that this
11:35
situation is not ideal for the two
11:37
of them to have a frank conversation, given where
11:40
they are in their relationship. There
11:42
are all these other Hogwarts couples
11:44
there who seem to have
11:46
had a more
11:48
established connection than
11:51
Harry and Cho have, and so
11:53
there's like all of this comparison going on.
11:55
There's a lot of things distracting
11:57
them from the ability to be there.
12:00
to pay each
12:02
other a productive kind of attention.
12:05
For sure, but I also like that, I
12:07
think that rereading it this time and not
12:09
as a kid, I feel like
12:12
they are paying each other attention and there's
12:14
even a moment where Harry gets
12:16
frustrated after they sort of have this fight
12:18
at the cafe because he says like, why
12:20
would she want to talk about Cedric when
12:22
it makes her cry? So it's
12:24
sort of like he is paying attention. He
12:26
just isn't particularly, let's say, in the moment
12:29
able to connect the dots. It's such a
12:32
evocative or sort of platonic
12:34
ideal of why a lot of relationships don't
12:36
work out is the sort of inability to
12:38
read between the lines of what people are
12:40
saying because I actually think on
12:42
the literal level, they're really listening to each other,
12:44
they really are. And Harry's just kind of like,
12:46
I'm not sure why you want to
12:48
talk about this thing that makes you sad. And that's
12:50
such a reason a lot of people actually do break
12:52
up. Because
12:55
it's like, yeah, I want you to pay
12:57
attention to what I'm literally saying, but I also need you
12:59
to hear what I'm saying behind the words that I'm
13:01
saying, which maybe in this moment, Harry's not able to
13:03
do. But like you said, everyone's so well-intentioned
13:05
in this scene. And even Cho, there's a
13:08
moment that really reminds me of being a
13:10
teenage girl when Cho is like, I could
13:12
have dated Roger Davies. Like, you
13:14
know, he's over there kissing someone else and I'm
13:16
kind of hot. And of course, Harry knows that. Like
13:19
Harry had a thing for her for a long time.
13:21
He's not dating her out of pity, but
13:23
she's kind of reminding him of her sort
13:25
of social capital Hogwarts and he
13:27
kind of gets annoyed by that. But that's a
13:29
fair point to bring up. Like I'm
13:32
choosing to be here with you. Especially because
13:34
it's like in your choosing to go be
13:36
with Hermione, right? He's 15, I'm not mad
13:38
at him for not saying this in a
13:40
different way. You know, it's probably a part
13:42
of our work. It's part of the DA.
13:44
You know, like there's a way to sell
13:46
Cho on this. So like be like, oh,
13:48
you should come with me to Hermione. I
13:50
bet it's gonna be a really important conversation.
13:52
She doesn't ask things like this unless they're,
13:55
and like I want you to be part of
13:58
it, but instead, yeah, he's not. paying
14:00
attention to what she
14:02
might need to hear. He knows all
14:04
the information. He knows it's entirely platonic between
14:06
he and Hermione. And so he's like, not
14:09
like, Oh, what would it feel like if
14:11
I was on a date with somebody and
14:13
they had plans with another person in the
14:15
middle of my day, right? Like, yeah, and
14:18
sort of armchair psycho analyzed these fictional children.
14:20
I do think Harry's a person at this
14:22
point in his development, that is like a
14:24
really good friend. I think he's he's really
14:26
like, that's one of his strengths is he's
14:29
a good friend. Is he a
14:31
good boyfriend? No. In fact, I'm
14:33
not sure we ever really see him evolve
14:35
into a good boyfriend in the span of
14:37
the seven books. But that's like
14:39
not his primary, let's say, focus.
14:42
I think he's really, really good at showing
14:44
people the love and attention they need platonically.
14:47
And I think this is maybe like a
14:49
language she doesn't yet speak. Yeah,
14:51
I feel pretty bad for both of them in
14:53
this situation. Because I do think
14:55
they're doing their best and I do think
14:57
their best is not good enough for each
14:59
other. Right. Cho is so alone
15:02
in this, right? Like, we know
15:04
she's basically forcing Marietta to come
15:06
to DA practice with her. I
15:09
just I would imagine that a lot of
15:11
people just don't know how to talk to
15:13
her about what happened with Cedric. At the
15:15
beginning of the chapter, Pansy Parkinson like makes
15:18
a really nasty comment about it. Like, why
15:20
are you going out with Harry? At least
15:22
Cedric was good looking, right? I just feel
15:24
like she is so isolated in her grief.
15:27
And, yeah, of course, she needs some
15:29
extra TLC. And it makes sense that she's going
15:31
to Harry this guy who, you know, we know
15:33
she would have gone to the UO ball with
15:35
him if he had asked first. And
15:37
also, like he was there when her boyfriend
15:40
died, right? Like it, it
15:42
makes sense she's going to him. And sometimes I feel like
15:44
you can write like we can go to certain people needing
15:47
a special kind of attention. And just because of they're
15:49
hungry or they've had a bad day or
15:52
this triggers something really precise
15:54
in them, they can't. When
15:56
my dad was really sick, I reached out
15:58
to see a therapist. because I was really
16:00
struggling with it. And it turned out that my
16:03
dad was sick in a very similar way to
16:05
the way her father was sick. And
16:07
so she kept talking to me about
16:09
her dad. She eventually was like,
16:11
I don't think I'm the right therapist for you
16:13
in this moment. I can't listen to
16:15
you talk about your dad in this way without needing
16:18
to talk about my dad. And I was like, cool.
16:20
And that took a lot of training for her to
16:22
be able to say that. So I think fair that
16:24
Harry and child can't figure out how to say that
16:26
to each other. As young teenagers.
16:28
But yeah, I was thinking about this. If they
16:30
were even a little older, I have friends that
16:32
in their 20s, a
16:34
friend of mine, his girlfriend passed away
16:37
unexpectedly in their early 20s. And
16:39
he years later ended up marrying her
16:41
best friend. And I think maybe some
16:43
people don't understand that or find
16:45
it difficult to imagine how that
16:47
felt for those two people. But it's
16:49
been really incredible to watch them heal
16:52
with each other and seeing that mature into
16:55
an adult romantic relationship if they're now married.
16:57
And I do think that it kind of
16:59
harkens back to what I think is an
17:01
Ashkenazi Jewish practice. But of sometimes
17:03
when you're a widower, you're
17:06
supposed to marry the sibling of the person
17:08
who passed away. And I think that's
17:10
another thing that maybe in a modern setting
17:13
or a modern psyche, it's hard to wrap
17:15
your head around. But watching my friend go
17:17
through that, I sort of understood that practice
17:19
a little bit better. Yeah,
17:21
I love that as an explanation of Cho's
17:24
instinct. And that
17:27
Harry is like, nope, can't. What?
17:30
Romance different parts than grief.
17:32
Yeah, can't do
17:35
both of these things at the same
17:37
time. Whereas that is working for Cho.
17:39
And yeah, both are just such
17:41
reasonable responses. But
17:44
Cho is paying attention to
17:46
Harry. She points out
17:49
to Harry, she's like, don't you think it's weird
17:51
that there aren't any dementors wandering
17:53
around in Hogsmeade, given how many
17:55
dementors there were when Sirius Black
17:57
was on the loose? That
18:00
is what allows Harry to be like,
18:02
oh my God, yes, the Dementors didn't
18:04
just let the Death Eaters out. They
18:06
are actively on Voldemort's side because otherwise
18:08
they, in theory, would be working for
18:10
the Ministry and looking for these escaped
18:13
convicts. And I do think
18:15
that part of Jo's attention to Dementors
18:17
actually is in her care for Harry.
18:19
She was the one who protected him
18:21
in book three when Draco
18:23
was pretending to be a Dementor, but she
18:25
thought there were Dementors and that Harry was
18:27
gonna fall off of his broom. And she
18:30
reaches out across team and is like,
18:32
Harry, be careful, right? And
18:34
so I do think that
18:36
that occurring to her shows
18:39
that she was worried about Dementors being
18:41
in Hogsmeade because she was worried they were gonna
18:43
have a negative impact on Harry. It's
18:46
actually showing the depth of her attention
18:48
to him. And I think
18:50
that often we are loving and taking care of
18:53
each other in ways that we don't notice about
18:55
one another. Yeah, and I remember when
18:57
I was a teenager and some relationship wouldn't work
18:59
out. I remember, I think it was my mom,
19:01
but somebody telling me that so much of
19:04
that is about timing. And I sort of maintained
19:06
that Jo and Harry could have had a
19:08
very healthy relationship at another time in their lives.
19:10
And their timing is just so bad, so, so
19:13
bad. Yeah,
19:16
also, I mean, I feel like we have to
19:18
talk about the Daily Prophet and
19:20
Rita Skeeter. There's a lot of journalism in
19:22
this chapter and what is above the fold,
19:27
what is being spoken about, right? Like
19:29
these are all things that we are
19:31
keenly aware of is attention and the
19:33
attention economy, as we call it
19:35
now. And I am wondering
19:37
what you think, like
19:40
what is happening in terms of attention
19:44
and the Daily Prophet in
19:46
journalism in this chapter? Well, I actually
19:48
love this so much because I do
19:51
think on a sort of macro level,
19:54
it's a little mini lesson
19:56
about teaching kids some media
19:58
literacy and basically, I mean,
20:00
I remember reading this in 2003 and there
20:02
was a lot of, let's say,
20:05
politics happening around me and a lot of news. And
20:07
I do think that this chapter sort of
20:10
teaches you that what you're reading
20:12
in the paper isn't necessarily the
20:14
whole story. And that's a good thing to remember
20:16
because I think Rita Skeeter says pretty
20:18
boldly that, you know,
20:20
they're not going to print anything that the Ministry
20:22
of Magic doesn't want them to print. And that's
20:24
a really good thing for these 15-year-olds
20:27
to learn at this particular time and what's going
20:29
to shape up to be a war that they're
20:31
very much involved in, sort of to be critical
20:33
of what's being put out there. And then at
20:35
the same time, really be thinking about how it's
20:37
strategically put out there, which I feel like Hermione
20:39
is, of course, leagues ahead on this by
20:41
getting her to write Harry's story for the
20:43
Quibbler and just saying, you know, it's important
20:45
that the truth is out there, whether it's in
20:48
a mainstream publication or on a sort of
20:50
alt weekly like the Quibbler, at
20:53
least there's a place people can go for
20:55
a different, she says it almost explicitly, like
20:57
a different perspective on what's happening. Yeah. I
21:00
mean, Rita Skeeter, what's so interesting is that
21:02
she says, first of all, fudge is leaning
21:04
on the paper hard. And second, it's not
21:06
the way the wind is blowing. That's not
21:08
what people want to hear. And like the
21:10
daily profit at the end of the day
21:12
is there to make money. And like, sorry,
21:14
kids, like this idea that you have the
21:16
free press, like the
21:19
attention economy is an economy and like you
21:21
have to be able to do both at
21:23
the same time. I do
21:25
think that this is a tough moment for Harry
21:27
who hadn't necessarily been thinking about it in the
21:29
start of terms, whereas for Hermione, she's like, yep,
21:31
duh. So let's move on to the next thing
21:34
in the agenda. Right. Let's leverage
21:36
this. Let's use this. Let's hijack
21:39
this. Yeah, like obviously. And
21:41
we see that like the profit is doing
21:43
such as bidding in terms of saying such
21:45
says that serious is how they got out.
21:48
So that's it. Right. And
21:50
like, there certainly isn't any like investigative journalism
21:52
happening here. Like no one is being interviewed
21:54
as Caban as to what happened. Right.
21:57
Like they have a single source seemingly. And
22:00
like this, what we suspect to be
22:02
murder of this patient at St. Mungo's
22:05
isn't being investigated. Again, it's
22:07
just like one source is telling the Daily
22:09
Prophet one thing. And so I feel
22:11
like that is one of the signs
22:13
of a propaganda machine instead of, you
22:16
know, like a free press is this
22:18
like single source journalism, essentially
22:20
printing press releases as
22:22
if it was news. Yeah. And
22:25
I think also the fact that the
22:27
trio have the added context of knowing
22:30
Sirius and just knowing for sure that
22:32
that's not what's happening kind of gives
22:34
them insight that maybe to their credit
22:36
the rest of the wizarding world doesn't
22:38
have because everybody still thinks that Sirius is
22:41
a fugitive and, you know, doesn't know about
22:43
his complicated relationship with his family and doesn't
22:45
know that he would never do that for
22:47
ballad tricks. That's like insight
22:50
that only they and then by extension
22:52
we have. So it's helpful because
22:54
it helps us see the lie more clearly
22:56
the way that they're sort of realizing it's
22:58
a lie. Yeah. And it kind
23:00
of reminds me of like almost it does remind
23:03
me of pandemic coverage where it's sort of
23:05
like, okay, well, if there's nothing we can do
23:07
about it, I'd rather believe this comforting propaganda than
23:09
feel helpless in the face of something that is
23:11
out of my control. Like that's
23:13
a more comfortable place for an audience to be,
23:15
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24:29
Add life to cart. Before
24:31
we start today's episode I wanted to let
24:33
you know about an amazing virtual class that
24:36
we have coming up and I was able
24:38
to actually snag the faculty of the class
24:40
to tell you about it. Margaret H. Wilson
24:42
I am so excited for your class Sense
24:44
and Sensibility and Fix It Thick. Can you
24:46
please tell everybody about it? I'm really excited
24:49
to work on it. It's going to be
24:51
a seven-week course where we
24:53
read Sense and Sensibility and indulge
24:56
my sense that the book is almost
24:59
perfect. Right. It's about by looking at
25:03
each section and sort of figuring out how
25:05
we might change it. What we'll do each
25:07
week is we will split it between large
25:10
group discussions, small group discussion, and free writing
25:12
time. And in that free writing time people
25:14
will come in with an idea and
25:17
either write or reimagine given scenes and
25:19
interactions to take the story in new
25:22
directions. Colonel Brandon and Marianne will only
25:24
be 15 years apart instead of 20
25:26
years apart. Right. Or maybe we'll
25:28
see one scene where they seem sincerely in
25:30
love. Who knows? So everybody
25:34
you can find out more about
25:36
this amazing class at notsorryworks.com. It
25:38
starts on February 26th and will
25:40
run until April 8th and again
25:42
it is called Sense and Sensibility
25:44
and Fix It Thick with Margaret
25:46
H. Wilson. I'm excited to see
25:49
you there. The
25:54
last place that I think we really see
25:57
attention playing out in a... deeply
26:00
complex way in this chapter is
26:03
with Umbridge. So Umbridge in this
26:05
chapter has a new educational decree.
26:08
She is stopping a flow
26:10
of information that she doesn't want to
26:12
go. She says that teachers can only
26:14
talk about their exact field
26:16
of study and they can't talk about anything
26:18
outside of their field of study. And so
26:21
this means that like McGonagall
26:23
can't be talking about Umbridge in politics,
26:25
right? Like this is a way of
26:27
trying to further silo people, which we
26:30
know is like a way to
26:32
gain control over people and for
26:34
fascism to rise. And it's so
26:36
funny because in theory, what she's
26:38
saying in her doublespeak is only
26:41
talk about your field of study
26:43
and therefore you will be learning
26:45
more. You will be teaching more.
26:47
The kids will be educated more
26:49
because their attention will only be
26:51
on transfiguration and will only be
26:54
on history of magic and you
26:56
know, the charms. But
26:58
instead, we know what's happening and
27:00
instead everybody's paying attention to Umbridge.
27:03
And that is just one
27:05
of the most maddening things to me
27:07
when people constantly are explaining to you
27:09
why their policy is designed a certain
27:11
way, rather than being like, Oh, let
27:13
me look at the policy and redesign
27:15
it if it's not having the desired
27:17
effects, or just admit it, Umbridge, just
27:19
say what you're doing. 100%. And
27:22
also, I think it's so interesting because like,
27:24
I don't think she's a speaking of a
27:27
previous theme of one of your episodes, but
27:29
she's not intellectually humble in any way. So
27:31
I actually do think that she might
27:33
actually think this, but it's much like
27:35
a lot of sort of educational policy
27:37
that doesn't have the input of the people
27:39
in the classrooms. It has
27:41
a completely different impact than its
27:43
intended effect. I think maybe she clocks
27:45
it, but even then nothing's going to keep
27:48
her from believing that this policy is going to
27:50
be beneficial to the students. And my
27:52
favorite moment from that, like sort of sequence
27:54
in the chapter, is Lee Jordan giving her
27:56
a hard time and being
27:58
kind of, you know, transgressive. in his Lee
28:00
Jordan way and just saying like, you're not allowed
28:02
to discipline us for having these practical joke,
28:05
you know, whatever they are, they're like crackers
28:08
or something in the classroom. And he's like, that's
28:10
not your subject. So what are you
28:12
talking about? I loved it. It
28:14
was sorry. It seems as though you're paying attention
28:16
to the wrong thing. You should only be paying
28:18
attention to defense against the dark arts. And
28:21
you should not be paying attention to this. And
28:24
oh my god, there's just nothing
28:26
better than someone calling out someone
28:28
else's hypocrisy. And I even
28:30
love that Umbridge's only answer to that
28:33
is very like, it's heartbreaking
28:35
for Lee and this is abuse and
28:37
disgusting. But you know, when someone has
28:39
resorted to violence rather than
28:41
like answering in an argument that
28:43
they like it is an admission of losing 100%.
28:45
Yeah, 100%. And an exertion of
28:47
power because you have
28:51
lost the intellectual argument. Yeah.
28:55
Typical bully behavior. Yes.
28:58
Lee Jordan, I do think
29:00
is like the great communicator using attention
29:02
again and again for the right things,
29:05
whether he has the megaphone at a
29:07
Quidditch match or here, or
29:09
we'll see him later as a radio
29:11
personality. Like this is a guy
29:14
who takes his moments in which he
29:16
has a megaphone
29:18
and uses it even
29:20
when it's like immaturity used or whatever with like
29:22
so much intention. Yeah,
29:25
he's such a he's such a Gryffindor. I feel like
29:27
he is not cowed by anybody in any of these
29:29
books. He's never really scared. Or
29:32
if he's scared, he doesn't let it impact
29:34
his material actions in the world. So
29:49
hope we are going to do
29:51
sacred imagination, which is a reading
29:54
practice that goes back to St. Ignatius of
29:56
Loyola. And the way that we do it
29:58
on the podcast is that I will
30:00
read you a longer section of the text,
30:02
it's a couple of pages, and
30:05
what I will ask you to do is
30:07
to imagine yourself in the text, either paying
30:09
attention to your senses or new
30:11
emotions that you haven't noticed before,
30:14
you can be a fly on the wall, you can get into
30:16
the head of one of our characters, and
30:18
then we will discuss what we
30:20
maybe noticed for the first time,
30:22
because we've paid this visceral kind of
30:25
attention. Sounds good? Sounds so fun.
30:28
So this section, everybody, is
30:30
we're in the Great Hall, Ron, Harry,
30:32
and Hermione have just finished reading the
30:34
article about the escapees
30:37
from Azkaban, and
30:39
this is now their conversation. "'There
30:43
you are, Harry,' said Ron, looking awestruck.
30:45
"'That's why he was happy last night.'
30:48
"'I don't believe this,' snarled
30:50
Harry. "'Fudge is blaming
30:53
the breakout on Sirius.'
30:56
"'What other options does he have?'
30:58
said Hermione bitterly. "'He can hardly
31:00
say, "'Sorry, everyone, Dumbledore warned me
31:02
this might happen. "'The Azkaban guards
31:04
have joined Lord Voldemort.' "'Stop
31:06
wimping, Ron.' "'And now Voldemort's
31:08
worst supporters have broken out,
31:10
too.' "'I mean, he spent
31:13
a good six months "'telling everyone you
31:15
and Dumbledore are liars, hasn't he?' "'Hermany
31:18
ricked open the newspaper "'and began
31:20
to read the report inside "'while
31:22
Harry looked around the Great Hall.
31:24
"'He could not understand why his fellow
31:26
students "'were not looking scared "'or
31:28
at least discussing the terrible piece
31:31
of news "'on the front page,
31:33
"'but very few of them took the newspaper
31:35
every day "'like Hermione. "'There
31:38
they all were, talking about homework
31:40
and quidditch, "'and who knew what
31:42
other rubbish? "'And outside these wells,
31:45
"'10 more Death Eaters had
31:47
swollen Voldemort's rings.' "'He
31:50
glanced up at the staff table. "'It
31:52
was a different story here. "'Dumbledore
31:55
and Professor McGonagall were deep
31:57
in conversation, "'both looking extremely...
32:00
grave. Professor Sprout had
32:02
the profit propped up against a
32:04
bottle of ketchup, and was reading
32:06
the front page with such concentration
32:08
that she was not noticing the
32:10
gentle drip of eggyolk falling into
32:12
her lap from her stationary spoon.
32:15
Meanwhile at the far end of the table
32:17
Professor Umbridge was tucking into a bowl of
32:19
porridge. For once her pouchy
32:22
toad's eyes were not sweeping the
32:24
great hall looking for misbehaving students.
32:27
She scowled as she gulped down
32:29
her food and every now and
32:31
then she shot a malevolent glance
32:33
up the table to where Dumbledore
32:35
and McGonagall were talking so intently.
32:38
Oh! Hope
32:41
I feel like I would have been some
32:44
dumb student being like, oh my god, can
32:46
you believe how much homework they gave us
32:48
last night? I just feel so
32:51
strongly that that would have been my vibe.
32:53
What did you notice? I
32:56
don't mean to put myself in direct opposition,
32:58
but I kind of the opposite, like the
33:00
only indication of anyone being really what I
33:02
would describe as anxious is when we hear
33:04
from Hermione that Ron Winford at some point.
33:06
And I know the implication is that it's
33:09
because she's using Voldemort's voice, I understand,
33:11
but I do love that. I think Ron
33:13
is very under loved and I love Ron.
33:15
And I do think, you know,
33:17
his sense of humor and intelligence often
33:20
are working in tandem with his anxiety. And
33:22
I think of the trio, I mean, Hermione
33:24
is anxious in a sort of perfectionist type
33:27
A way, but I think that Ron
33:29
is an anxious person who's so
33:32
brave because he's constantly working against the
33:34
messaging he received at home and
33:36
in Wizarding Society to be friends with these
33:39
weirdos. You know, Hermione and Harry having
33:41
no problem saying, he must
33:43
not be named is counter programming to everything
33:45
that Ron grew up hearing. And
33:47
so that moment I really identify with him
33:50
being nervous and Harry looking around and saying,
33:52
no one else is nervous. Your best friend
33:54
is nervous. Your best friend is nervous by
33:56
the mere mention of a name he's and
33:58
Ron has the full content. and he is
34:01
accurately reacting the way that Harry thinks people
34:03
should be reacting. And so I guess in
34:05
that moment I was really thinking about being
34:07
a teenager and being overwhelmed
34:10
with anxiety and sort of like the smell in
34:12
the Great Hall of I'm sure a lot of anxiety BO
34:14
from everyone. And even
34:16
if it's just from like, you know, kids who
34:18
are worried about their homework, it kind of all, you
34:20
know, that sort of teenage smell mixing
34:22
with like the food, mixing with
34:24
like the musty old Hogwarts wood and
34:27
fire and who knows what else going
34:29
on there. I was really,
34:31
really feeling closer on in that moment.
34:34
I have come to love Ron a lot. I had
34:36
a really hard time with him at first.
34:39
And now I'm like, this is a
34:41
kid who's really turning. And what else
34:43
do we want except a
34:45
kid trying his best? I think
34:47
that, you know, as much as I
34:49
was like, I know that if I was in this
34:51
room, I would be one of those kids
34:54
who was just like talking about Quidditch. I
34:56
very much like in my body felt
34:59
for Harry who right
35:01
like we've all had these moments where we
35:03
look up and wonder how life is going
35:05
on for other people. Right. It's
35:08
like, don't you understand? We just
35:10
got this huge piece of news. Everything
35:13
is different. And
35:15
how are you all behaving
35:17
as if it's not? And like incredulity
35:19
combined with like righteous indignation, right?
35:22
Like very like in my
35:25
throat, just like choking on
35:27
it. And then just
35:29
that like feeling of some relief of
35:31
like, well, at least Professor Sprout like
35:33
can't even eat her egg, right? Needing
35:36
that external validation of a big
35:39
emotional reaction and like
35:41
having a piece of calm of like, okay,
35:43
I'm not making this up. I'm not out
35:45
on the limb all by myself. Like McGonagall
35:48
and Dumbledore clearly talking about this and
35:50
Professor Sprout is clearly upset about this. Like,
35:53
I'm not making it up. I think can
35:55
just be like such a calming effect,
35:58
right? Like having someone say, say like
36:00
I see you, I see your reality,
36:03
like I see it too. You know
36:06
we've seen the power of it recently with other people
36:08
seeing the therestrals but I feel like Harry
36:11
is constantly being asked to
36:14
hold a truce that other people are doubting
36:16
and so I'm just like
36:18
imagining the relief he must feel
36:20
that like out in the
36:23
open adults are
36:25
projecting the same reality. Oh yeah
36:28
that makes sense and also the relief of
36:31
being a kid who's feeling anxiety and seeing
36:33
that the adults are also anxious that just
36:35
feels I guess a relief is
36:37
one word for it. I feel
36:39
like yeah that's a relief and terrifying
36:42
right you're like okay I'm not wrong
36:44
to be anxious but oh god even
36:46
you don't know what to do. Totally
36:48
yeah. Well Hope thank
36:50
you so much for doing the sacred
36:53
reading practice. Thank you for inviting me it's
36:55
so funny because when I hear you do
36:57
that on other episodes I always think about
36:59
how that's how I always read like
37:01
especially these books especially as a kid
37:04
I used to insert I did like
37:06
self insert not literal fanfiction but imagining
37:08
myself as like a random Hogwarts student
37:10
passing by so I was so happy that we
37:12
did this. Hi
37:16
everybody it is with great excitement that
37:18
I am telling you about one of
37:21
our new group chaplaincy options called
37:23
showing up for queer kids. If you
37:25
have a queer kid in your life
37:27
who you want to think through how
37:30
to be the most loving and supportive
37:32
adult that you can be then you
37:34
can be a part of this amazing
37:36
group chaplaincy experience with Taylor Bueller. You
37:38
can find out more about this program
37:40
which is going to be on Fridays
37:43
from 1 to 2 30
37:45
Eastern starting March 8th by
37:47
going to not sorry works.com
37:57
This week's voicemail is from Nat Hi
38:01
sacred text team, my name is Nat
38:03
and I use SheHerBranos. I'm
38:05
going from Argentina in response to your
38:08
episode on invisibility. The
38:10
vibrato question made me go straight
38:12
to the concept of neurodivergent masking,
38:14
which is the ability to consciously
38:17
or unconsciously suppress natural responses to
38:19
hide neurodivergent traits and fed in.
38:22
And it is exhausting. During
38:24
your conversation, Vanessa mentioned that tongue's ability
38:27
to change her looks to blend in
38:29
is useful. And while I
38:31
agree with that, I also think about the
38:33
toll it takes on her. The
38:35
text tells us she often uses it
38:37
to entertain people. So I wonder, is
38:40
this painful that she want to do it
38:42
or is it just a way for her
38:44
ability to not be seen as threatening? I
38:46
would love to hear your thoughts on this question.
38:50
I'm sorry to you and I
38:52
didn't know about neurotypes until earlier this year
38:54
when reading about it. I
38:56
realized that I identify with a
38:58
lot of autistic traits like
39:01
masking, misinformation and
39:03
gender biases resulting women and
39:05
transgender people being underdiagnosed until we
39:08
find this information by ourselves. And
39:11
it is possible that after finding out you
39:13
have been masking, you would have a huge
39:15
identity crisis. This is
39:17
something I have been struggling with. So
39:20
when Matt said that what is real is
39:22
whatever is in front of you, I suddenly
39:24
felt validated. Like my
39:26
mask is a part of me that I can
39:28
appreciate as something I developed to be able to
39:30
exist in the world. And being
39:33
aware of it just gives me new tools. As
39:36
Vanessa musically said about the vogurd,
39:38
I think this can also be a
39:41
form of self-creation. So
39:44
I want to thank you guys for that
39:46
discussion. It gave me an imaginative load of
39:48
self-acceptance. And thank you for
39:50
the podcast. You are a blessing for us. Bye.
40:00
around talks and
40:02
like, does it hurt to be a
40:04
metamorphagus and to change in that way?
40:06
Does it cost her anything? And is
40:08
this a coping mechanism
40:10
that she has by entertaining other people
40:13
with it? I think that those are
40:15
really touching and perceptive questions
40:18
for us. And I think
40:20
it's also a reminder that like, we
40:23
just really never know what's going on for somebody else.
40:25
And so I just wanna, yeah, thank you for highlighting
40:28
that and thank you so much for your beautiful
40:30
message. I don't know if
40:32
it's appropriate to sort of recommend something
40:34
else, but this discussion about Tonks really
40:36
reminds me of the graphic novel and
40:38
then later Netflix movie, Mnemonna by N.D.
40:40
Stevenson, but it's about a shape shifter.
40:42
And there's, I think it's mostly probably
40:44
a trans allegory, but it is very
40:46
much about people who sort of need
40:48
to change forms that the
40:50
main character is a little girl who
40:52
can become a dragon. And this discussion is
40:54
the huge part of the plot of both
40:56
the book and the Netflix adaptation. And it's
40:59
a really wonderful exploration of these ideas that
41:01
I think are in this column. And I
41:03
love this idea. I just feel like what
41:05
we know about Tonks is so little and
41:07
other people have, you know, written sort
41:09
of similarly about similar characters. I'd love
41:11
to know more. I'd also read a
41:13
standalone Tonks novel for what it's worth.
41:16
I would read a standalone Tonks novel. Who
41:18
wouldn't? It's
41:21
now time for us to honor members of our community who've
41:28
been loved and lost. Gerald
41:33
Dolman, who is 90, a husband,
41:36
father, grandfather, great grandfather,
41:38
and general of Grandpa
41:40
Dolman's boot camp. Joan
41:46
Howley, who is 83, a loving grandmother who
41:52
celebrated everyone. Elizabeth's
42:00
three babies, never born,
42:03
precious, wanted, cherished,
42:06
and remembered. May
42:12
their memories be a blessing to us all. Hope
42:20
we now get to offer a blessing for
42:22
a character in the chapter. Who
42:24
would you like to place? You
42:26
know what? You've seen this story in this
42:29
show. I think Jo is going through
42:31
it and needs it and is another
42:33
character I would read an entire series
42:35
about. I think she's really smart and
42:37
really sensitive and gets the short end
42:39
of the stick here. And we know
42:41
that she's going to have future romantic
42:43
partners who see her more fully and
42:45
appreciate her better. So I want to
42:48
offer it to Jo. Yeah. This
42:51
is a tough year for her. This is
42:53
going down as a tough couple years.
42:56
Hope I know we talked about him a little bit,
42:58
but I really want to bless Lee Jordan because he
43:01
is speaking truth to power to
43:03
Umbridge and calling her out on
43:05
her nonsense. But he is also
43:07
an inspiration and resistance. Fred
43:09
and George are going to leave Hogwarts
43:12
in this great way and say
43:14
give her hell peeps. We
43:16
think of Fred and George as being on the cutting
43:18
edge of that. Lee Jordan
43:20
is also putting himself
43:23
on the line in order
43:25
to diminish the
43:28
power and credibility of Umbridge. And
43:31
I just think it's incredibly brave
43:33
and really moving when people are
43:35
scared and do the brave thing. And
43:37
so I want to shout out Lee Jordan for,
43:39
I don't know, being like a real leader in
43:42
this. And doing
43:44
it with humor, we love Lee. I
43:46
know. Why is he so great?
43:50
Next week we are going to be reading
43:52
book five chapter twenty six, theme
43:54
and unforeseen through the theme
43:57
of doubt with Matt Potts.
44:01
Our big reminder before we say
44:03
goodbye today is that Hope Rehack
44:05
is going to be teaching a
44:07
class, a quick and dirty
44:09
history of queer representation in TV.
44:12
You can find out more about it
44:14
at notsorryworks.com. It's going
44:16
to be amazing. We also have an
44:18
amazing class with Taylor Bueller called Showing
44:21
Up for Queer Kids and you can
44:23
also sign up for that at not
44:25
sorry works dot com. You can always
44:27
subscribe for ad-free episodes at Apple Podcasts
44:29
or through our patreon at
44:31
patreon.com/ Harry Potter S
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