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2:19
Chapter 16. In the Hog's
2:22
Head. Hermione made
2:24
no mention of Harry giving Defense Against the
2:26
Dark Arts lessons for two whole weeks
2:28
after her original suggestion. Harry's
2:31
detentions with Umbridge were finally over.
2:34
I'm Casper Terkile.
2:36
And I'm Vanessa Zoltan. And
2:38
this is Harry Potter and the Sacred
2:40
Text.
2:42
For our Every Flavored Bean Bonus Patreon
2:45
conversation, we are going to talk about our
2:47
favorite version of the Hog's Head. We
2:49
go to the Hog's Head, which we will find out is
2:52
Aberforth's Bar, and it's got
2:54
some character. So, you and I are just going to talk
2:56
about some favorite holes in
2:58
the wall that we engage with. And
3:01
everyone, you can listen to that conversation at patreon.com
3:04
slash Harry Potter Sacred Text. And you can
3:06
review us on Apple Podcasts and
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subscribe there ad-free.
3:10
And, you know,
3:11
just spend more time with us and support
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the artists who you love.
3:16
Casper, you have a story for
3:19
us on the theme of satisfaction.
3:22
What story do you have?
3:24
When I was like a young
3:26
professional, you know, that age, like
3:29
maybe you've graduated college, you've been in the
3:31
workforce for a couple of years, and suddenly
3:33
you're like, I go to
3:36
work and I get a sandwich at lunchtime.
3:38
And look at me, I know what a mortgage rate
3:40
is. Not that I have a place to live,
3:43
that is mine. But one day I might learn
3:45
about it. So in my kind of young professional
3:47
hood, I was like, wait, maybe one
3:50
day I will write a book. And it became
3:52
kind of like one of those totems
3:55
of success. Like, oh, imagine
3:57
if one day I get to write a book. Wouldn't that be great?
5:00
assembling
6:00
desire just seeps into
6:02
every nook and cranny of the city. And
6:05
so I've really had to try and train
6:07
myself when I end up in that
6:09
kind of grasping, climbing,
6:12
desirous state of mind.
6:15
However much I'm feeling that, I really try and practice
6:17
an equal amount of gratitude for the things
6:20
I already have to try and
6:22
be satisfiable. And so even
6:24
if it's like, okay, this museum
6:27
exhibit was not the best I've ever seen,
6:29
but like some of it was nice or like this
6:31
subway ride I saw an interesting cute
6:33
couple that I enjoyed watching or like this
6:36
weather may not be the nicest weather ever, but like
6:38
there's something to appreciate. And
6:40
so I think this is a real practice
6:42
of being satisfiable. And that's what
6:44
I want to look at in this chapter is how
6:47
are our trio especially satisfied
6:50
or not satisfiable?
6:51
I love that reframe is to satisfiable.
6:55
And Casper, the etymology of this
6:57
is, I would say mildly interesting, satisfied,
7:00
hasn't moved far from the original
7:02
Latin, but it was too
7:04
content, but it also meant
7:07
enough or to make enough.
7:10
And so what if we reframed that
7:12
idea of like truly satisfied with
7:15
enough? Yeah. Casper,
7:18
I am going to try to recap in a satisfactory
7:21
manner. Can you please count me in?
7:22
Here we go. 30 second recap. Three,
7:25
two, one, go.
7:27
So they're like, oh, we're not even talking
7:29
about you teaching. What? Let's talk
7:31
about you teaching. There's going to be a Hogsmeade
7:33
weekend and Hermione has already
7:35
told like 30 people about
7:38
this meeting. And she's like, oops, I don't know. They
7:40
overheard. And so a bunch of people come and they
7:42
meet at the Hogshead and it's just so many
7:44
more people than anybody thought. And
7:46
Hermione is like, uh, hi, sign
7:48
this piece of paper. You don't know what you're signing.
7:51
And people are like, wait, but Harry, what happened?
7:53
And he's like, things happened. And if you don't
7:55
think that I'm the right person to teach you, then go
7:57
along. I
8:00
don't even care. I don't even care. Do
8:02
you even deserve me? Yeah. Do
8:04
you know who I am? Stop looking at me, but look at me. Capfir,
8:07
are you ready for your 30 second
8:10
recap? Yes, my 30 second
8:12
recap is starting in three,
8:14
two, one, go me.
8:26
So everyone's coming into
8:30
this very dodgy bar because they don't
8:32
usually go there and everyone's still worried about,
8:34
well Harry's still worried about Sirius and like there's
8:37
all sorts of drama and then everyone gathers
8:39
and there's a lot of people there and at first they're
8:42
like, well show us you can do it and Harry's like, you don't
8:44
even want to learn. You just want to see tricks
8:46
and learn about Cedric Diggory's death and then he's
8:48
like, okay, fine, I'll tell you and then
8:51
they realize that he can do a full body Patronus and they're like,
8:53
wow, that's incredible and Susan Bones is like, my
8:55
mom or my auntie said you were cool, so I'm
8:58
here too and then they all go like, wow.
8:59
Yeah.
9:02
Pretty much. That's for Zachariah Smith. He
9:05
has a lot to say in this chapter
9:07
and I am looking forward to getting
9:10
into it with him. To getting
9:12
into it with him. Zachariah.
9:15
Casper, before we start our theme conversation,
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So Vanessa, let's start
10:27
this chapter's conversation about Zacharias
10:30
Smith. He's not a usual headliner
10:32
in our conversations, but I feel like he really
10:34
is the standout performer from chapter 16. And
10:38
he kind of represents, I think, the best of
10:40
this gaggle of Hogwarts students
10:42
from different years, from different houses,
10:44
who've come at Hermione's
10:47
invitation to learn from Harry. And
10:49
he is really not satisfied
10:52
with Harry's first couple of protestations,
10:56
explanations, denials,
10:59
angry outbursts. He's like, no,
11:01
I came here to learn. Don't just
11:04
belittle me by saying, oh, you're
11:06
not interested, you're not here to learn.
11:09
I guess what I love about the moment is seeing Zacharias
11:11
Smith not taking no for an
11:13
answer and taking really seriously
11:16
the invitation of what becomes Dumbledore's
11:18
army. Because it illustrates that these other
11:20
students also have a fight in
11:22
this moment, right? Like they're not just extras.
11:25
They're the main characters in their own story in
11:27
what is going to become the fight against Voldemort.
11:30
Yeah, I have mixed feelings about the way that Zacharias
11:32
is portrayed here, because I see myself
11:34
in him, right? He's like, prove it. I
11:37
don't know what happened. Dumbledore is saying one thing,
11:39
the newspaper is saying another thing. You're the only
11:41
person who says that this thing happened. I
11:43
like that he's questioning what's happening. And
11:45
he is being given a lot of misinformation.
11:49
People who ask a lot of questions are important
11:51
in our society. And yet
11:54
we know that Zacharias is going to end up sort of being
11:56
on the wrong side of all of this. And
11:58
I wish that we saw a question. a question-asker
12:01
who ends up being satisfied by
12:03
what he is seeing right in front of him. But I
12:05
do really appreciate those people
12:08
who want more information and feel as though they deserve
12:10
information before they do things that are
12:12
going to put them at a tremendous amount of risk. I
12:14
think a high satisfaction level makes
12:17
sense here.
12:18
Well, and it's interesting because I feel like Luna, who
12:20
also shows up for this meeting, is kind
12:23
of the exact opposite of Zacharias because she's
12:25
not really asking questions. She's just
12:27
like, oh yeah, I just instinctively
12:29
trust Harry. And of course this invisible
12:31
magical creature exists. And Hermione's
12:33
like, no, they don't. You're dumb.
12:37
Luna's not asking any questions. And Zacharias
12:39
is asking a lot of questions. But
12:41
what's interesting, as you said, is that Zacharias
12:43
runs away at the Battle of Hogwarts. And of course
12:46
Luna is part of the fighting. And so, yeah,
12:49
I'm wondering what to make of that. Is that
12:52
an insight about asking questions or not? I don't
12:54
think so. I think that just happens to be these two
12:56
particular individuals. But
12:58
I think it's important that Harry is being
13:00
tested by his peers
13:03
in a context that isn't controlled
13:06
by the Hogwarts faculty. They
13:08
are finally getting to ask him
13:10
questions to satisfy, yes, their own curiosity,
13:13
but also their own sense of is this person
13:15
trustworthy? Is this someone who should be our
13:17
leader? Because that's what Hermione
13:20
is inviting us into.
13:21
I just really feel for Zacharias in this moment
13:23
where you're like, well, I'm getting different information
13:25
from two different sides. And I don't
13:28
know who to believe. This source,
13:30
the Daily Prophet, who we all
13:32
agreed was the number one source, is
13:35
now saying things that my headmaster,
13:37
who I've been taught to respect, is
13:39
saying the opposite of. And now the ministry,
13:42
who I've always been taught to respect, has
13:44
sent this woman here and she's saying something
13:47
different. And so, yeah, his
13:49
lack of satisfaction with any
13:51
narrative, I have a
13:54
tremendous amount of compassion for
13:56
his lack of satisfaction. I actually think that there's something
13:58
meaningful and lovely.
13:59
about it.
14:02
What do you make of Hermione?
14:05
Because I feel like she wasn't satisfied
14:08
with Harry's initial rejection, right? She
14:11
invited him to teach and she's let it
14:13
go for a couple of weeks and now she's pressing him again.
14:16
That's why we end up in this situation that the Hogs said. Do
14:19
you think Hermione as a character generally
14:21
is satisfiable or is she
14:23
always one step ahead trying
14:26
pushing, you know, getting us somewhere else?
14:29
I mean the question
14:31
first of all feels like a question within me. Do I want
14:33
people to be satisfiable? I
14:36
do, right? I want people to be happy.
14:38
I want people to be grateful for what they have but
14:40
I also want people to always be pushing for more. Yeah.
14:44
And since I believe that Hermione Granger is perfect, I think
14:46
that that's what she's doing. Is
14:48
that an answer? I've just projected
14:50
what I want most from everyone
14:52
to be true for Hermione
14:55
but it's not really text-based.
14:57
Well, I mean, let's look at some of
14:59
the stuff that is in the text because- Do we actually
15:01
look at the text? Okay. We've
15:04
done a character study in the abstract.
15:07
The thing that I really noticed with Hermione in this chapter
15:09
is that she is not satisfied in
15:12
her trust of other people, right? And
15:14
it's not just Luna and Ginny and like some of
15:16
the nearest and dearest who are here. There's like
15:18
random people, right? Cho's random
15:21
Ravenclaw friend who clearly doesn't
15:23
want to be there and is just a chaperone for Cho. And
15:26
so Hermione creates not just a promise
15:29
at the end of the chapter. She's like,
15:31
you have to sign your name, right? You
15:34
have to promise your ultimate fidelity
15:36
and inviolate trust that you
15:38
will not talk about what has happened here tonight. And
15:41
what I love in the text is it says, there was an odd
15:43
feeling in the group now. It was
15:45
as though they had just signed some kind of
15:48
contract and that is what she does.
15:50
Like, she gets them to sign this
15:52
super intense NDA, right?
15:55
And that is a sign.
15:56
I mean, it's an NDA with a punishment
15:59
and they don't.
15:59
Seriously lying to them.
16:01
Yeah, they don't know there's a punishment and
16:03
so like she's not satisfied by people's
16:06
promise of like yeah Yeah, I won't tell anyone so
16:09
there's something about her which is not Satisfiable.
16:12
Yeah. No, she's not trusting. Yeah, I
16:14
love that idea that she's not satisfied with people's
16:17
promises I think that this is
16:19
also just like her knowing human nature Because
16:22
I do think that if if Harry and Ron
16:25
promise to keep this a secret or even
16:27
like Ginny right like Neville Right, like
16:29
this circle gets bigger and bigger right that
16:32
order of the Phoenix Like I do think that there are a lot of people
16:34
who She would be satisfied
16:36
with a promise and it comes down to trust and
16:38
she this is too many people It's it's
16:41
gotten too wide and
16:43
I mean the mistake here is that
16:45
she doesn't do this at the very beginning of the meeting
16:47
and say Hey, if you sign
16:50
this if you want to know what's up here
16:52
You have to sign this piece of paper and then you are
16:54
sworn Secrecy and like
16:57
and that is often a difficult position, right? It
16:59
is a position that I've put other people in where
17:02
I've said to them like I have something to tell you But it's
17:04
private. I would like to tell you but you are
17:07
not allowed to tell other people Do you want me to tell you do
17:09
you want to be a secret keeper? But as soon as I
17:11
tell you I'm gonna need you to be a secret keeper like
17:14
it's a really Tough moment
17:16
where I think we are asking
17:18
for a lot of maturity from people to
17:21
know themselves know their other Relationships
17:23
know I am gonna want to tell my
17:25
mom my spouse my dog Whatever it is
17:27
and I don't have the information yet But
17:30
her main is mistake here is a strategic one
17:32
where she only at the end
17:35
of the meeting Sort of admits that
17:37
she's not satisfied with their promises
17:39
and it's like actually psych I
17:41
need you to sign this like very
17:44
binding Piece of paper
17:46
that if you
17:47
break it the spell will be that
17:49
you are horribly disfigured for the rest
17:51
of your life
17:52
Without you knowing that that's the consequence.
17:54
Thank you so much for coming. We'll see you next week. I
17:58
Do think she's also
17:59
just conflicted, right? Like on
18:02
the one hand, she wants as many people there as possible,
18:04
and she doesn't try to undo the fact
18:06
that word spreads and random show up,
18:09
right? But then she also wants it to be a really
18:11
closely kept crew with this binding
18:14
contract. And for me, I think
18:16
that reveals that Hermione doesn't quite know what she
18:18
wants this group to be. Is it
18:20
an intimate high trust, like,
18:23
guerrilla army small
18:25
crew? Or is it a big broader
18:28
movement of people where there's less
18:30
relationship, less trust, less shared context
18:32
and history, where she just wants
18:34
as many people on board as possible? And I think
18:37
maybe for her, she doesn't quite know what
18:39
Dumbledore's army is going to be yet. Obviously, she
18:41
doesn't know what's going to be called the DA. But like,
18:43
that's what I noticed in this chapter two was just like,
18:46
I always think of Hermione as this mastermind, which
18:48
she is. But here she's still like, I
18:51
don't know, is this a big meeting? Is it a small meeting?
18:53
I'm not quite in control.
18:56
I'm reading my brilliant friend, the
18:58
Elena Ferrante novel with our What Matters
19:00
class. And Elena
19:02
Ferrante, who writes under a pseudonym,
19:05
has sort of famously said, like, as soon as the book
19:07
is out, its author has nothing to do with it, right? Like,
19:09
it is its own thing. And
19:11
like, that can only be said from a position
19:14
of someone who's very satisfied with their book. Like,
19:16
I don't care what you make of it. Here
19:19
it is. But in
19:21
the process, I don't think that that is something
19:23
that you can say. And Hermione
19:25
is, as the sort of cliche goes, building this
19:27
plane as she's flying it, she's not fully
19:29
satisfied with what it is as she's sending it
19:31
out into the world. And so she's moving it into
19:34
a co creation space, because she
19:36
has to because that's the way that movements work,
19:38
but before it's fully formed. And
19:41
so of course, she's always going to be walking this line
19:43
of like,
19:44
I want to control this more than I can in order
19:46
for it to stay up to the standard that I would satisfy
19:49
me. But I also have to let go because otherwise
19:51
it'll never become the thing that it needs to be as
19:54
a controlling maybe
19:56
person. I really feel
19:59
for her.
20:01
I'm so glad she has Crumb to talk to about
20:03
all of this. You know, it's important that
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22:51
The big satisfaction that I see in this
22:53
chapter though, Casper, is Harry's. He
22:56
is reluctant to give this
22:59
speech, but he gets to give this
23:01
speech in front of a
23:03
group of people, most of whom are leaning
23:05
toward believing him, but several of whom
23:08
are quite incredulous and
23:10
unclear as to what he's gonna
23:13
say. And he finally gets to say
23:15
what happened. And I just
23:17
can't imagine the satisfaction of that,
23:20
the satisfaction of finally being
23:21
seen and of being in
23:23
control of your own narrative, right?
23:26
Like even just one person believing
23:28
you and really seeing you can be so meaningful,
23:30
but he has been walking around this campus
23:33
knowing that misinformation has been spread
23:35
about him, not knowing who thinks he's
23:38
just a liar with an agenda
23:41
versus like a traumatized
23:43
kid with a real truth to tell. And
23:46
the fact that like what a gift that
23:48
he gets to set it all straight, that
23:50
he gets this opportunity and that
23:52
Hermione has built it for him, that
23:54
is, I think, a breath of satisfaction
23:56
for him of like, no, I'm
23:58
gonna use Voldemort's name. I'm gonna say Cedric
24:00
died. I'm gonna say the things
24:02
that are important to say. And
24:05
like, I saw him, I saw him,
24:07
and we fought, and Cedric is dead,
24:10
and like, God, it just
24:12
must be so satisfying.
24:15
But what do you make of the fact that he says, like, if
24:17
you've come to hear, you know, what
24:19
it looks like when Voldemort murders someone, I can't
24:21
help you, I don't wanna talk about Cedric. Like,
24:24
I don't know, I feel like there's more conflict.
24:27
Like, the thing that he talks a lot about is
24:30
the answers to the questions about what he's able
24:32
to do, like his magical skill. And
24:34
I'm wondering if that's where the satisfaction
24:37
is, less about the narrative, but more about like,
24:39
this is who I am?
24:41
I just think it's not about their satisfactions about
24:43
his. It's like one of those things, like
24:45
Hermione might be frustrated with him. Hermione
24:47
might be like, ooh, bad sales pitch.
24:49
Yup. You know, it's like, well, we're
24:51
here to convince them. And
24:53
he's like, I'm not gonna tell you, right? He's
24:57
there to satisfy himself. And
24:59
I think he believes in underselling. He's like,
25:01
I'm not sure I'm the right guy for this. And so
25:04
like, it's honest, right? Like, I'm gonna tell you what
25:06
I'm willing to tell you, I'm gonna tell you no more and no
25:08
less. And like, that's it.
25:10
Yeah, it really struck me that he is not
25:12
seeking the limelight in this
25:14
moment, or at least he's a sort
25:17
of unwilling, but ultimately very compelling
25:20
teacher, because the
25:22
group is giving him credibility rather
25:25
than his own, like, it's
25:27
the opposite of Gilderoy Lockhart, right? It's
25:30
the questions that are coming from the other students
25:32
that reveal what he's capable of. Like
25:34
it's Susan Bowden saying like, hey, my
25:37
aunt told me that she saw that you could conjure
25:39
a full-bodied patronus in the trial.
25:41
Is that true? And she's like, wow,
25:44
that's amazing. And so that's where his authority
25:46
is coming from. It's not stuff that he's proclaiming
25:48
himself. So in that sense,
25:51
yeah, no, I like what you're saying there.
25:53
I mean, the other thing that struck me about Harry
25:55
is, I saw him practicing this
25:58
practice that I mentioned in my story at the time. for the episode
26:01
because as he's leaving Hogwarts,
26:04
you know, Filch is going through the list of who's allowed
26:06
to go to Hogsmeade and Harry remembers
26:08
that it's only because of Sirius that he's able
26:10
to go and it's just this little moment
26:12
where he's able to kind of practice gratitude
26:15
and acknowledge the help he's received
26:17
from other people and Sirius specifically.
26:19
So he's like, yeah, I may not be, you
26:22
know, clearly I'm not free in
26:25
my life here in Hogwarts, but like
26:27
I'm grateful for this moment that I get to have
26:30
and that's because of Sirius over the
26:32
weekend. So I like seeing him be satisfiable
26:35
in that moment himself as well.
26:37
And maybe there's something about that, you know,
26:40
Harry as a totem for satisfiability
26:43
throughout this series, right, he gets
26:45
given so much and so much is asked of him,
26:47
but there's very little when
26:50
we see him grasping for more, certainly
26:52
not for wealth, certainly not for fame, right?
26:55
Like he's actually sort of an anti-hero
27:00
in that sense of like he's not looking to
27:02
make a big impact in the world, right? Like all
27:05
he wants to do is satisfy
27:07
maybe revenge, maybe justice, but
27:09
like it's not about achievement ever
27:12
for Harry, it's about something much deeper and
27:14
so maybe he's a good totem for satisfiability.
27:18
Yeah, I really do think like that he's going
27:20
to become a middle-aged guy who looks around at a
27:22
family table and is like, look, my
27:24
family is healthy. I'm just
27:26
like, how lucky am I? And we
27:28
don't want people to have to go through such extreme
27:30
trauma in order to be satisfiable, but
27:33
I do think, right, like this
27:35
is something that people talk about after something like
27:38
cancer where it's just like, there's
27:40
just more gratitude, like this
27:42
can't be taken for granted, you
27:44
know, and it can hit people I think either way of
27:46
like, I have one life
27:48
and I have to try to do everything or I have one
27:50
life and plus enjoy
27:53
it. That's
27:55
beautiful.
28:10
Casper, today we are going to do our spiritual
28:12
practice of par-days. It is a Jewish
28:15
four-step reading practice and I found us a
28:17
delightful sentence. Are you ready?
28:19
I'm ready.
28:20
What do you mean? Who's taking
28:22
anything badly? I'm not going to harp on
28:24
about anything.
28:30
So this, for those of you who don't remember
28:33
at home, is a Ron flipping
28:35
out because he has just
28:37
found out that Jenny is dating
28:39
Michael Corner and Hermione
28:42
is like, well she didn't tell you because she
28:44
knew you'd take it badly and harp on about it. And
28:47
he's like, what do you mean? I want to do that. Who would never
28:49
do that?
28:49
I'm not going
28:51
to harp on about
28:54
anything.
28:56
You get the sense that he's not saying
28:58
it. Like let me give you the line reading that we don't
29:00
believe he's giving. What do you
29:02
mean? Who's taking anything badly?
29:05
I'm not going to harp on about anything. Like
29:08
that is not the vibe because the next sentence
29:10
is that Ron continued to, and this
29:13
is not a word in American English, chumter
29:16
under his breath all the way down. He's
29:20
really bothered by this.
29:21
Anything you want to add to step one to shut?
29:24
I feel like it's not just
29:27
about Ginny and Michael.
29:29
Like it's also a little bit about
29:31
Hermione and Crumb, which has already come up at this
29:33
point in the chapter. Like I think
29:36
Ron is just feeling a lot of feelings and
29:38
it's coming out in all sorts of ways, which,
29:41
you know, what's new with Ron? But he
29:43
is clearly just, he has
29:45
so much more going on in his heart than
29:47
his brain and mouth are able to communicate
29:50
outwards. Bless him. And
29:53
I think there's also a little embarrassment that like Ginny
29:55
is younger and she is so much more
29:58
mature relationally. So
30:00
the fact that he's unable to have
30:03
a rational response to this in itself
30:05
is also embarrassing to him, which trips him up.
30:07
And so he ends up kind of whispering to himself
30:10
in this slightly embarrassed way. Yeah,
30:12
so I think there's just a lot of shame
30:14
in this moment for Ron, honestly. Yeah,
30:16
and that feeling of like, what? Everyone
30:19
is dating?
30:20
I didn't know that feeling of being left
30:22
behind. Like, everybody
30:24
is doing this thing without me, and I didn't even
30:27
know it was a thing we were supposed to be doing. Which
30:30
I really relate to.
30:34
So step two is remes, and we
30:36
pick a word and trace it throughout the books.
30:38
What word do you want to look closely
30:41
at? Let me read it for you one more time.
30:43
What do you mean? Who's taking anything badly?
30:45
I'm not going to harp on about anything.
30:47
Ooh, how about harp?
30:50
I think whenever anyone in these books confronts
30:53
someone else's harping on, right? Like,
30:56
in book six, Harry
30:58
is going to harp on and on and
31:00
on about Draco. Draco's up to something.
31:03
Draco's up to something. Draco's up to something, right? Like,
31:06
what is harping? It's an obsession
31:08
that is annoying someone else,
31:10
right? To talk about a subject constantly
31:12
in a repeated or annoying way, yeah.
31:14
Yeah, and so like Hermione is harping
31:17
on about how selves. And the boys are actually
31:19
calmer in this book because she's just knitting
31:22
hats, and like, that's a lot less annoying. And
31:24
so they're like, fine, at least you're not harping
31:26
on about it, right? It's a passion
31:28
that someone else has that like, you can't take on as your
31:31
own. But like, if
31:33
you have the same favorite football team, you're not
31:35
like, oh my God, you're always harping on about
31:37
that. It's just like, yeah,
31:39
we both talk about
31:40
it. This is like a legitimate
31:42
thing to keep coming back to. Yeah, yeah, yeah. Right.
31:45
I'm thinking about the magical creature
31:48
of the hoppy. I know that's like extending
31:50
the harp word a little bit, but the thing
31:52
that strikes me is I think it's in book
31:54
four that we learn that
31:57
vealers can transform into like, hoppy-like
32:00
when they're angry. And so there's something
32:02
about the transformational potential,
32:04
anger, like hopping
32:07
on can become something much
32:09
more intense, right? Like hopping on about
32:11
something can become something violent, something
32:13
dangerous. And so, especially
32:15
because the vealas are like so beautiful and so
32:19
deceiving, like it makes me think about
32:21
that harp word as carrying
32:24
something a little bit more terrifying
32:26
underneath, you know, it's plain exterior.
32:28
Well, great. Step three
32:30
is trash. And this
32:33
is where we ask ourselves if this was
32:35
our piece of lectionary, what would we
32:37
preach on?
32:38
And so here's a sentence one more time. What
32:40
do you mean? Who's taking anything badly? I'm
32:43
not going to harp on about anything. Well,
32:45
mine immediately came to mind. If
32:49
someone is harping on about something,
32:51
try to take them seriously, at least for a minute
32:54
and be like, what's going on here? What's
32:56
the feeling under here? Right? Like someone
32:59
should ask Ron, be like, why does this bother you?
33:01
And I think it'll take Ron more
33:03
than a minute, right? I like it
33:05
might take him a
33:06
couple weeks before he's like, whatever,
33:08
I just don't like being with my sister and making out with a guy.
33:10
And it's like, well, that's not it.
33:11
Like, what's actually going on here?
33:14
And it's like, well, what's actually going on here is I'm
33:16
afraid of being left behind. And I feel
33:18
silly and babyish and right, like,
33:21
and so if you feel as though someone is harping on about
33:23
something, I think sometimes we just
33:25
get assessed with something
33:27
like a Taylor Swift song. And, you know,
33:30
there's no deeper meaning as to why we're harping on
33:32
and on about the song, Betty. But
33:35
often if someone is harping on about something,
33:37
it is worth really trying to dig into
33:39
why with them so that you can accompany them
33:42
in the why of it.
33:43
What about you, Casper? Well,
33:46
that's really good. What strikes me is
33:48
the kind
33:50
of denial that Ron is saying
33:53
of like, no one's thinking anything badly. And that's
33:56
what he wants to be true.
33:59
But it's never.
36:00
And that's the place where Ron,
36:03
you know, rationally, would never want to be putting
36:05
that stress and shame and
36:08
all of the gross behavior that he exhibits.
36:10
And so, I guess it's
36:12
just the cruelty of life that it's the people we love
36:14
the most who often have to deal with the worst of our behavior.
36:17
So, yeah, there's
36:19
some sadness in my soul there.
36:23
Well, thank you so much for engaging
36:25
in this sacred practice with me. Yeah,
36:28
I love holidays. It's my
36:30
favorite practice.
36:32
This week's episode of Harry Potter and the Sacred
36:34
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think it was really meaningful for her. You
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know, it just brought up a lot of memories she hadn't thought about in
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a while. So, I sent a question like,
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what was your first road trip? And
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she talked about this road trip that she took when she
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was like seven with my grandparents
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and her brother and sister. And, you know, just like
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all of these things that, I don't know, I
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never would have learned about her and I don't think she had thought
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That's bluenile.com.
38:29
This week's voicemail is from Sunanda.
38:33
Hello, Harry Potter and the Sacred Text team. My
38:36
name is Sunanda, and I'm reaching
38:38
out to you from Toronto. Today,
38:40
I want to offer a blessing for Hedwig. I
38:43
recently read Book 5, Chapter 14,
38:46
Percy and Padfoot, and there is a
38:48
moment in the start of the chapter where Harry
38:50
is going to the Owlery and has
38:53
a letter for Sirius. He
38:55
finds Hedwig and tells her,
38:58
I know it says snuffles on the parchment, but it's
39:01
really for Sirius, okay? And Hedwig
39:03
kind of acknowledges this, blinks at him, nuzzles
39:06
him, and then flies off with the letter. And
39:08
I was really struck by this moment because
39:11
in this book so far, we see Harry
39:13
so hurt and angry
39:15
and just navigating his grief
39:18
and trauma, and
39:20
you see how far away he feels from all the people
39:22
in his life and how hard it is for him
39:24
to let people in and let
39:27
people love him. And this
39:29
moment was really notable to me
39:31
because it felt like the first real moment
39:33
of true connection we've seen in
39:36
this book so far. And I'm
39:38
just really grateful for Hedwig and that
39:41
she was able to connect with Harry in
39:43
this moment and offer
39:45
him solace when he's feeling so alone
39:48
and far away from so many people in
39:50
his life. I too recently
39:53
went through a big life change. I
39:55
moved from Chicago where I'd been living for
39:57
the last nine years to Chicago where I'm now.
40:00
Toronto, where I don't really
40:02
know anyone at all. And in on the
40:05
days when I'm feeling kind of lonely
40:07
and far away from the people I love, I'm
40:10
really grateful for my cat Loki.
40:12
This is the first time I've ever
40:14
moved with a pet and it has
40:16
made a world of a difference to have my
40:19
companion come
40:22
up and snuggle with me when I'm feeling kind
40:24
of sad. And so with that, I offer this
40:26
blessing for Hedwig
40:28
and all the other companions out there
40:31
who are making people's lives better.
40:33
Oh, Sonanda, that's so lovely.
40:36
And I'm so glad you have your cat with you.
40:38
And I'm so glad Harry has Hedwig.
40:40
I feel like this is one of life's
40:42
great joys that I have not yet experienced
40:45
because I didn't grow up with a
40:47
kind of like snuggle pet. You know, we had animals
40:50
in the house, but they weren't like loved pets
40:52
in that way. You know, like a
40:54
bird is not going to quite snuggle with you, at least
40:57
in my experience. But I feel
40:59
like I get to see Vanessa have that
41:01
like, Vanessa's love for Rory,
41:03
I think it's one of the beautiful things about
41:05
you. And, and it's been such a constant
41:08
in your life since I've known you, you know,
41:10
Rory's always been there through house
41:12
moves and all sorts of trials and tribulations and
41:14
joys and celebrations. And I'm
41:16
so glad that Harry has that through the
41:18
books. And of course, it makes Hedwig's death all
41:21
the more painful when it does
41:23
soon. And I'm also just so glad that you have your
41:25
cat. And I'm lucky enough, I get to see soon
41:27
on that in class tonight. So
41:29
hey,
41:31
Toronto friends, make it happen.
41:33
Yes, you know, that's so important. We have a
41:35
really active Harry Potter and sacred text community
41:38
in Toronto. So go, go
41:41
make some friends,
41:42
good peoples of the world.
41:46
It's now time for us to remember members
41:48
of our community who have been loved and lost.
41:51
And this week, we remember Kim priests,
41:53
who was 63, a jovial
41:56
artist, mother and grandmother. Mary
42:02
Alice Shasberger, who is 95,
42:04
a grandma who was generous with her knitting,
42:07
baked goods and time. And
42:13
the victims of the Lewiston, Maine shooting.
42:16
May their memory forever be a blessing.
42:25
It's now time for us to bless characters in the chapter. If
42:27
you want something to us, who would you like to
42:29
bless?
42:30
I really was thinking of Ginny this week.
42:33
You know, she is moving on from
42:36
what you can't have, right, to
42:38
find something that you can. Hermione
42:41
is explaining that, yes, Ginny
42:44
still did like Harry, but like, Harry
42:46
doesn't like her. And so she
42:48
said, okay, and is going to find
42:51
someone else who does like her. And
42:54
Michael seems to be pleasant enough, at least
42:56
for the moment. And I feel like there is
42:58
something about that theme of satisfiability
43:00
in that, right? Like the dream relationship
43:03
does not exist. It's only the real
43:05
that exists. And the real is disappointing
43:08
in a hundred different ways. And I feel
43:10
like Ginny is embracing that
43:12
in a very mature way at a very young age.
43:15
And so I just want to bless Ginny and everyone else
43:17
who is navigating the
43:19
reality of disappointment
43:22
in a relationship. And so, yeah,
43:24
blessings for Ginny.
43:26
How about you, Vanessa?
43:28
I am blessing Hermione.
43:29
I don't think there are like bat mitzvahs in
43:32
the wizarding world. So I would like to create a ceremony for one Hermione Granger.
43:36
She disappeared a cat. She's
43:38
a witch. She has skills.
43:40
She's a witch.
43:41
I am
43:42
so proud of her. Like
43:45
I know you're born a witch, but also
43:47
like you become a witch. She's a
43:49
witch. I'm so she is like conniving
43:52
and like orchestrating. And
43:57
making things happen and freeing elves
43:59
and learning. how to knit and being a good
44:01
friend to Ginny and reading the newspaper.
44:04
And also she is flipping
44:07
a witch and she's just out
44:09
there crushing it. And so a blessing for everyone
44:11
out there crushing it.
44:12
Where do the cuts go?
44:14
These are metaphysical questions
44:17
that are above my pay grade. Next
44:21
week we're going to be reading book five, chapter 17,
44:24
educational decree number 24 through the
44:26
theme of refuge. And
44:28
then Matt Potts is going to be telling that story.
44:32
Everybody just a few reminders before we give our
44:35
thanks. We have pilgrimages on sale, we have classes
44:37
on sale. Go and find out more at not sorry works.com. And
44:40
of course you can get ad free episodes on Apple
44:42
podcasts or by signing up for our
44:44
Patreon. This is the Not Sorry production. We are a
44:46
feminist production company. Our executive producer is Caitlin Hoffmeister. We are
44:49
edited and produced by AJ Aramas. And
44:51
of course, I want to thank you for watching. I hope you enjoyed this episode. I'll
44:53
see you next week. Bye. Bye.
44:57
Bye. Bye. Laura
44:59
Glass, Ariana Nettleman, Julia Arge, Margot
45:02
H. Wilson, Nikki
45:02
Goldhahn, Hannah Rehack, Courtney Brown,
45:05
Matt Potts, Natalie Silkert, Stephanie Paulsell,
45:08
everyone who sent in the names of their loved ones and
45:10
the love of my life, Casper Turk Kyle.
45:12
Thank you so much for being here. Love
45:14
you too. Thanks, Vanessa. Bye everyone.
45:17
Bye. Hey,
45:41
go
45:42
one, go me. So
45:46
on the guest list are Lee Jordan, Fred
45:48
and George, some Hufflepuff Quidditch player, Jiddy,
45:50
Terry Boot, Michael Korda, Anthony Goldstein,
45:53
three Ravenclaw boys. No, I just did
45:55
that wrong. Wait, is this a funny joke or not?
45:58
No. going
46:00
to list everyone who's in the room. I'll
46:03
save it for another
46:04
time.
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