Episode Transcript
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0:00
You want to do the movie . I mean you do whatever you want to do
0:02
, it's your show .
0:02
I can do whatever I want .
0:04
It's my show , yeah do whatever you want , it's
0:06
your show .
0:07
Oh , it's my show .
0:08
I don't think that's what you want to do .
0:11
I don't want to do whatever I want .
0:14
Wait , singing and dancing . I don't think you want to sing
0:16
and dance .
0:18
I've always told that story . Improv
0:20
thing I ever did was Phyllis
0:23
Brutchen and she said do whatever you want
0:25
for two minutes . I was just like that's the end
0:28
of the world . Welcome
0:43
to Hate Watching with Dan and Tony . Let's start out
0:45
with a laugh . I'm Dan , I'm
0:47
Tony . See , we're laughing
0:49
. You're supposed to keep laughing , so we're gonna start out with
0:51
a laugh , that's
0:55
called acting . It's almost like we're in
0:57
the movie that we're watching today . Oh
1:00
the movies . People start laughing
1:02
. Director , start laughing . Why
1:04
are you laughing ?
1:05
the movies .
1:05
People start laughing . Director start laughing . Why
1:08
are you laughing ? Because I'm laughing
1:10
.
1:10
I don't know .
1:14
Somebody tell me so on this show . We watched a movie . Last
1:17
week . We had watched the
1:19
Turning Based on the Turn
1:21
of the Screw . This week , great movie A movie
1:24
with Finn the Screw . This week Great
1:26
movie , a movie with Finn Wolfhard . This week Tony
1:28
picked another movie , but not really another
1:30
movie .
1:32
It's a similar . I have a theory , by
1:35
the way , and I'm going to save
1:37
it till the end so we can talk about everything , but
1:39
I have a theory that this
1:41
movie is a prequel to
1:44
the Turning . I
1:47
have a theory . What
1:49
movie is this ? Oh , this movie
1:52
is another fantastic
1:54
film based on the novella A
1:56
Turn of the Screw , and this is , of course , in
1:59
a Dark Place , starring
2:01
Lili Sobieski , and
2:03
oh , I forgot the other woman's name
2:05
, darn it other people she
2:08
had a woman in this the other woman in
2:10
.
2:10
It was , uh , one of the baratheons
2:12
in um game of thrones , oh
2:15
yeah , no , she's had a , she's had a career .
2:17
You know she's done some stuff .
2:19
Yeah , she's good , um , yeah , good , yeah
2:21
, I think it was 2004
2:24
, 2006 .
2:25
Yeah , early , early aughts , is that
2:28
what they say ?
2:29
Yeah , just an
2:31
impenetrable hour and 39
2:33
minutes . Just a plodding
2:35
hour and 39 minutes .
2:37
Dan , did you watch this with commercials
2:39
?
2:40
No , I paid 99 cents . You could rent this
2:42
on Amazon for 99 cents .
2:46
You made the right choice Because I'm going to , I'm gonna . I streamed it for free with
2:49
ads and every commercial
2:51
break . It was a struggle not to turn
2:53
it off , because it's a minute , a minute and a
2:55
half to two minutes of not watching the movie
2:57
and you're like , oh man , I really want to turn this
3:00
off . I need a .
3:02
I usually watch the movie on Thursday
3:04
and Friday .
3:05
I kind of watch a half an hour or
3:07
45 minutes .
3:10
This one I finished this morning . I still had
3:12
about 48 minutes
3:14
left this morning 48? .
3:17
You didn't even watch an hour the first two days
3:19
.
3:19
First two days , I couldn't even get through an hour of this movie
3:22
.
3:22
This movie makes you wish for Finn Wolfhard . First two days I couldn't even get through an hour .
3:24
Oh boy , that's not good at all . This movie makes you , makes you
3:26
wish for finn wolfhard I
3:29
, I would , oh boy that's
3:31
a tough that's a tough pill to swallow , dan
3:33
.
3:33
I don't know if I quite wish for
3:35
him , but I would say it's
3:37
. It would be a reprieve , it's
3:40
the best you're gonna get . Get Finn Wolfhard , take
3:42
it .
3:45
This version did
3:49
a couple of things better . A couple of things
3:51
better .
3:51
It did .
3:52
Yeah , absolutely , because the
3:54
things this movie did better .
3:56
So if you didn't , watch last week .
3:57
Go back and watch last week . It's two hours
3:59
of your life , you're never getting back . So
4:03
basically the story is woman
4:05
goes to be the new nanny
4:07
or art therapy teacher
4:10
goes to
4:12
take care of these two kids . We
4:15
find out that there was a old governess
4:17
nanny that has died , and then
4:19
also like a man , who may
4:21
or may not have been a gigantic problem , and
4:24
then possibly the two ghosts
4:26
of these dead people are ghosting and
4:29
perhaps possessing the children , perhaps
4:31
convincing the children to do bad things , maybe
4:34
not even existing , maybe yeah .
4:36
Who knows ? Pretty wide open
4:38
on the spectrum .
4:39
Yeah , so . So once
4:42
again , this will be like you know what we're going to do
4:44
we're not going to answer're gonna do we're not gonna answer any questions , we're
4:46
not gonna take a stance .
4:48
We refuse and
4:50
I get from my understanding the book Is also
4:52
open ended , right ? So I guess they're
4:54
just trying to stay faithful . But
4:56
make a choice . Make a
4:59
choice . It's a modern audience . Make a choice
5:01
.
5:02
Modern audiences . Just they do not have
5:04
that bone in them that wants
5:06
to be conflicted and confused , where
5:08
they walk out of the theater going like what just
5:10
happened what , what did ? I watch somebody
5:13
tell me so this movie , what
5:15
it does better is okay
5:17
. It makes it seems
5:19
like she could be crazy .
5:21
I'm gonna say , uh , say yeah
5:23
, she is . Oh , you're saying she's she's
5:26
crazy . I think she's it does . I'm not saying the movie
5:28
answers that question . I'm saying , in my opinion
5:30
, yeah , she's not so you're going
5:33
with the main thing going on .
5:34
There is she's crazy . Yeah , I think this movie makes
5:36
that , postulates that and and
5:38
backs it up pretty well with with what happens is she's
5:41
crazy , and I mean
5:43
of course she's third act crazy
5:45
. We don't spend act one and two really
5:47
establishing that she's crazy .
5:51
We're just like we really make her act crazy . Well , you touch on it a
5:53
little because she has the swing set
5:55
dreams , yes , so
5:58
it does that , and so she's locked into
6:00
the house more .
6:01
So you believe that she's not going to
6:03
want to leave and she's not
6:05
a stable person who goes the
6:08
last one . She was a stable person who
6:10
would just .
6:11
Certainly seemed like it , and she made a pinky
6:13
promise . Can't break those . Those are
6:15
bonding .
6:16
Yes , she's stuck
6:18
there , so whatever happens . And then
6:20
the kids . While this one , the kids
6:23
are largely
6:25
irrelevant to the story .
6:27
Yeah , it turns out they're not a big deal at
6:30
all . All of the other , all
6:32
of them , the one other that we watched plus
6:34
the Haunting of Bly Manor the kids are pretty much
6:36
the focal point of the
6:38
weirdness that's happening In
6:40
this movie . Nope , nope , they
6:42
almost do nothing .
6:44
They do almost nothing they
6:46
occasionally do a little weird thing that maybe draws
6:48
you in a direction or you know something
6:50
.
6:50
But not much
6:53
. Yeah , don't worry about it .
6:54
They're definitely not being haunted like
6:56
or possessed that's what I'm looking for
6:59
absolutely not possessing this yeah , that we don't deal
7:01
with that at all in this one and we really don't
7:03
give you a feeling that the ghosts are like
7:05
talking to them or really influencing
7:07
them consistently .
7:08
There's one moment in the movie that
7:10
I was like , oh , that could be right . And
7:12
it's when Flora is up late
7:15
and the governess
7:17
comes in and she's like , hey , did you have a bad dream ? She's
7:19
like no , did you ? And then
7:22
when she leaves , flora looks over
7:24
in a direction and smiles
7:26
like laughs a little . I was like , oh , maybe she has a friend
7:29
, but we never do anything
7:31
like that again for the rest of the movie .
7:33
So I maybe I'm going crazy
7:35
maybe you're going crazy , um
7:37
, so that thing , you know .
7:39
So the movie had better kids , um
7:42
, I think it's finn wolfhard you
7:44
know what I mean saying that's better , that's a low
7:46
bar that they could not surpass
7:49
well , I mean these kids .
7:50
It's not that they're bad , it's just they're not doing
7:52
anything . Well , that's true , finn
7:54
.
7:55
Finn did a couple things like bang
7:57
a drum at someone he I mean
7:59
, he banged the shit out of that drum though
8:01
, okay , that was the scariest moment in the
8:03
in the universe .
8:04
And like when he made a pass at her , you were like , though , okay , that was the scariest moment in the in the universe and like when he made a pass at
8:06
her , you were like well , okay
8:08
, that's weird , you know , when the kid this thing
8:10
, I was like good for you , finny , go
8:12
get her what about when the kid
8:14
makes his move in this this ?
8:15
movie . Uh , well , this one's because
8:18
, again , finn wolfhard was at least
8:20
a teenager . This kid's definitely
8:23
10 , maybe 11 and
8:25
so when he does a little peekaboo , I
8:27
was . I was a little weirded out , but also
8:30
on board still , because I was like good for you
8:32
, kid , you gotta get what you get . You know
8:34
and I we'll talk about that when
8:36
we get there because there are some weird themes
8:38
in this movie that you know that
8:41
, yeah , that play into that . It's
8:43
not as out of the blue
8:45
that it probably should be .
8:47
Yeah uh , the music
8:49
in this one terrible
8:52
in a very different direction so weird , so
8:54
so , so weird .
8:55
The end credit song is like a weird
8:58
90s rock song , it felt
9:00
like like matrix style
9:02
like , and I was like , where
9:04
did this come from ? This has nothing to
9:06
do with anything . I just watched for 90
9:08
minutes , yeah , this this composer
9:10
was like I'm going for it . And then everyone
9:13
afterwards were like hold
9:15
my beer everybody , I'm going for it
9:17
and I'm sure they were like can
9:19
we do it again ? No , we don't . Do
9:21
we have any money ? No , all right . Print
9:23
it .
9:24
It's fine . Yeah , okay
9:26
, so
9:29
we start . Our girl , anna , is
9:31
an art teacher , an art therapy teacher
9:33
. So we do a lot of art therapy where we look
9:36
at a picture and we're like , oh , now we understand
9:38
what's going on with the kid . Oh , we put extra
9:40
people in the picture . That means there's ghosts
9:42
, or it just means they miss the people
9:44
. We don't know .
9:46
Who knows , don't think about it
9:48
too hard .
9:49
She's on the floor and there's broken
9:51
glass .
9:52
She's cleaning something maybe , and we're not
9:54
sure what's going on . We
9:56
miss the actual breaking or anything
9:59
like that . It's just her on the ground .
10:01
But it seems like she's like on the ground
10:03
.
10:04
She's having problems . It seems like she's like on the ground she's having problems .
10:06
She's yeah , she's having problems so the head
10:08
guy comes in there and
10:10
takes her to his office and
10:13
then he's like it's not working out , hand
10:15
on the on the knee and then
10:17
he rapes her I
10:20
mean , he's definitely I .
10:21
They don't tell you that he goes all the way . Sure , let me be clear , but he's
10:23
definitely . They don't tell you that he goes all the way . Sure , let me be clear
10:26
, but he's definitely
10:28
sexually harassing her at a
10:30
minimum . You know what I mean .
10:33
And we're to find out later that
10:35
she's kind of . She ends up being sort of haunted
10:37
by her younger self , who we sort of found
10:39
out , finds out was molested
10:41
as a kid , yeah , and
10:43
her candy apple got dirt on it , and
10:45
then the mom didn't believe her , I
10:47
guess yep and yep
10:50
it's .
10:51
It's a theme that I'm not super
10:54
comfortable with you know what I mean
10:56
like I don't , I'm , I get
10:58
all obviously as I
11:00
think you should , but it's should
11:02
, but it's hammered pretty hard
11:04
in the movie and then it kind
11:06
of branches into are the new
11:09
kids also being molested
11:11
? I don't know . So
11:23
we'll talk about is she gets
11:25
fired and then
11:27
they make their
11:29
move on her . Usually I feel
11:32
like and listen , I've , you know , I've thank
11:34
God , I've never been in this situation on either side
11:36
of it . But I feel like normally
11:39
they're like do you want to keep your job ? Then
11:41
let me fondle you , as opposed
11:43
to you're fired . Now
11:47
let's make out . I felt like that was a weird direction , but they both
11:49
do it .
11:50
They both do the same sort of thing and
11:52
it's yeah , I mean , if
11:56
it seems like they , they sort of imply
11:58
that she's bringing it on in a way
12:01
in a weird , weird way in
12:03
I all right , I'm gonna .
12:05
I won't talk about this too much because
12:08
I don't want to start rumors , but I
12:10
have a theory that this director is
12:12
completely in love with lily sobieski
12:14
, like there's some weird
12:16
, weird things that I felt that
12:18
didn't suit the story story
12:21
. But he was like
12:23
um , however , she's
12:26
very , um provocative
12:29
in the film and it kind
12:31
of felt like they were vilifying
12:33
. That to me like being
12:35
like not vilifying , but being like , well
12:38
, you know , if you're gonna dress like that
12:40
, you know things are gonna happen . Because before
12:42
that scene , when the headmaster
12:45
comes in , she's on the ground and
12:47
her legs are , she's wearing like stockings
12:49
and her legs are out of the table and he's like
12:51
checking her legs out and
12:53
then like I guess that's like
12:55
the green light , I don't know it was . It was weird .
12:57
I got a weird vibe from the whole thing so
13:00
you're , you're thinking that the director sort of
13:02
is male gazing on her like
13:04
in a weird way . That doesn't sort of fit with
13:06
what the writer was maybe trying to
13:08
say .
13:09
Yeah , and I think
13:11
that the movie , obviously the movie
13:13
is about that in a way . Yeah
13:15
, like sexualizing
13:18
her , yeah , like from
13:20
start to finish , right .
13:22
But I just it's just .
13:24
it just felt weird to me . It didn't feel like oh
13:27
, this is the story we're telling to
13:29
me . But maybe I'm wrong , maybe I just
13:31
didn't get it , maybe it's too artistic for me
13:33
.
13:33
Dan , it was not very artistic , okay
13:36
, and they .
13:38
They have a tendency to sort of maybe
13:41
not linger on her breasts , but oh
13:48
, sort of maybe not linger on her breasts , but oh , no , no , no , no , no , no , they linger , they linger
13:50
, they show them up , they're in every scene . Every time you see here , they are
13:52
in some way shape or form , front and center , okay
13:55
, and I it
13:57
made me uncomfortable that
13:59
I feel like that's hard to do
14:01
, okay , because I don't know it was . It was weird . There were a couple moments
14:03
where I was like , why , why , why are her ? I feel like that's hard to do . Okay , I don't know , it was
14:06
weird . There were a couple moments where I was like , why
14:08
, why are her boobs in my face right
14:10
now ? I don't understand .
14:12
And it would be like even just when she's like
14:14
in the kitchen making eggs or something , and
14:16
you'd just be like why am I
14:18
kind of fixating on her breasts
14:20
?
14:20
The eggs is actually a great point
14:22
, dan , because she's making the eggs
14:24
and she's kind of tossing them with
14:26
a spatula , as you do .
14:29
No , no , no , no Is it not a spatula , it's a
14:31
wooden spoon . It's a wooden spoon , okay
14:33
.
14:33
Let me tell you something .
14:34
I make eggs . Every day I make eggs
14:36
, and you know what I use . I use a spatula .
14:38
That's what you use on eggs .
14:41
That's why stupid , very ineffective
14:43
, and I gained a lot . I mean I gained . I
14:46
was very disrespectful of her cooking skills
14:49
when she was doing it with the spoon , I was like Good for you Dan
14:51
Take a stand .
14:52
You know , you got to stand
14:54
up to what you believe in , okay . So
14:56
, she's with a wooden spoon , which is even
14:58
weirder . But we're not for
15:00
the most part , we're not watching the eggs
15:03
, but we're in this mid shot
15:05
of her tossing the eggs , but
15:07
it's mostly just boobs . There's
15:09
no , I don't , there's no reason for it . Nobody
15:12
on screen is noticing
15:14
it . You know what I mean . Like if maybe
15:16
Miss Gross was
15:18
, you know , gazing upon
15:20
her , and that's why we're staring at her boobs
15:23
in this moment , like I can understand . Understand , it's motivated
15:25
I didn't feel like
15:27
it was motivated for the most part in
15:29
this movie and it's just like whoever's
15:31
behind the camera is just like focus
15:34
on the middle area , just yeah , just right there
15:36
, that's , that's good , that looks nice . Let's get
15:38
that shot get in there I
15:40
don't know and I could be wrong . I'm
15:42
not . I'm not throwing accusations , I'm
15:44
just saying this is how I felt while
15:46
watching the movie .
15:47
I am a person who doesn't
15:50
see the artifice of directing . I'm
15:52
not good at you know . It's like I could never direct
15:54
Because I'd be like , well , let's just set the camera
15:56
up here and everything will happen in front of it
15:58
, just go . And just go you
16:01
know , that's why I like live stuff and
16:05
go all right you know it's like . That's why I like live stuff and you know it's like set
16:07
up a camera . Stage work is nice , yeah , so when I notice things , that's
16:09
not a problem .
16:10
That's not good . You've done something
16:12
very wrong what is happening here ?
16:14
I , I , I , I don't know why she's
16:17
wearing like something like this , that's saying
16:19
this , and I'm like , and we're shooting it like
16:21
this . I'm like what is going on here ?
16:23
yeah , it's weird . It it's weird , it's a weird vibe . It's
16:25
a weird vibe . Maybe the whole
16:27
idea is he's just going for that sort of vibe
16:29
to like , make you uncomfortable . Maybe
16:31
he thinks it services the story
16:34
that he's telling . I'm not sure . Here's what I
16:36
will say is I read an interview
16:38
that he did and he has
16:41
never read the book , he's never read
16:43
the novella , and so he was just
16:45
the people that wrote the movie
16:47
have obviously read the novella , but he had
16:49
never read it . So the vibe is just
16:51
like whatever he felt like . Wow
16:53
, it's almost like he wanted so take that for what you will .
16:56
Maybe take a little time and do that .
16:59
In his defense . Here's what I'll say
17:01
. I did buy it this week and I
17:03
am 24 pages in and I have
17:05
read it for like two hours . It's
17:08
dense and it's hard
17:10
to get through , but I am determined
17:13
to do it by the time we meet again next week
17:15
I always remember we
17:17
we read um tale of two cities when
17:19
I was there ah , sure , yeah and I
17:22
remember reading that and you're like
17:24
ah , tale of Two Cities .
17:25
You know , tale of Two Cities . Everyone's like ah , tale
17:27
of Two Cities . I read it and I was like that's
17:29
the greatest book ever . Love this book . Oh
17:31
, okay , because it wasn't like this
17:34
dense , it was just story Story
17:36
story , story , story story . Things happen .
17:45
Story story the story . All right , yeah , I'm there . Well , don't read the Turning of the Screw , dan
17:48
, you're not gonna love it .
17:49
A lot of metaphor and a lot of environment
17:51
and feeling Run on sentences .
17:53
He does a sentence with like six commas
17:56
and that's too many commas
17:58
. I don't . Times were different back then
18:00
, I understand , but it's a lot of commas and it's
18:02
hard because the thoughts are broken up so
18:04
much and you're like I don't even know what this one sentence is and
18:06
then I have to reread it . It's
18:08
a whole thing , man .
18:10
Tony's got your dissect
18:13
. You know like you do in English .
18:14
I got my chart with the slides and that's
18:16
just per sentence .
18:19
So she goes home , the headmaster's
18:21
there looking at papers , he's looking at this thing . He's
18:23
like ah , he's found her a
18:25
job .
18:27
Now why .
18:28
Oh , to get rid of her , but he
18:30
fired her . Now he wants to really
18:33
get rid of her .
18:34
Because of the sex . Maybe he wants to throw
18:36
her a solid to really disappear
18:38
her To say like hey , thanks , thanks for
18:41
the handy , here's a job
18:43
. Yeah , it's
18:45
really weird , I don't understand it , but
18:48
it's fine .
18:49
So Anna goes to the big business
18:51
place , goes up the elevator
18:54
with the assistant , he
18:57
looks at her and he's like okay , you got the job
19:00
. Who's like this is the
19:02
brother of the dead parents of
19:04
the two kids ? Yeah , the uncle , he's
19:07
your classic . I want this off my
19:09
thing . You can't ever bother me . You're
19:12
on your own . I'm gonna send Mrs
19:14
Gross with you . She's . I
19:17
don't know why she was there she's .
19:19
So that's my biggest question mark
19:22
of the whole movie . He says that she's his
19:24
personal assistant , yeah
19:26
, and then he just sends her to the
19:28
cottage indefinitely , seems
19:31
like indefinitely Right who
19:34
was at the cottage while they were all
19:36
at the office , Because Flora was technically
19:38
home , oh well there was a little .
19:40
There's a housekeeper , at the beginning there
19:43
was a cook , there was a cook and , like in
19:46
a couple of scenes , there's also a driver , but
19:48
then at a certain point , in the movie they
19:50
all leave , they all
19:52
get in . They say this oh
19:54
, they actually say this .
19:56
I do not remember this at all .
19:57
They all hop in a car and
19:59
you're like who's hopping in the car ? And then in the scene
20:01
later they tell you oh , the servants
20:03
have all gone for the weekend .
20:06
Okay , all this takes place over
20:08
a weekend . Oh boy , I
20:10
guess I don't know .
20:13
Yeah , I think , yes , I do think everything happens over
20:15
I mean we have the first , because
20:17
I think Miles comes home on a Wednesday and I'm
20:19
assuming she gets there on a Monday .
20:21
Yeah , because she was supposed to come home on a Friday , but he
20:23
came early or something . I don't know yeah .
20:24
So I think this is a week
20:26
, I think this whole thing is a week .
20:29
Boy , she really unravels fast .
20:32
Yes , yes , yes , yes , it's unfortunate . So
20:35
she's good Contact mail in an emergency
20:37
. Here's a big fat salary
20:40
. Here's
20:42
a clothing allowance .
20:43
Go buy yourself some clothes and
20:46
then she buys the worst clothes
20:48
ever . They're all terrible
20:50
.
20:51
You would think she'd be buying some sort . I expected
20:53
there to be a point of appropriate clothes
20:55
versus inappropriate , some explanation
20:58
as to what that clothes budget meant . But it
21:00
doesn't mean anything . Nope
21:04
, doesn't mean nothing . Car picks her up . She sees
21:06
her childhood ghost standing there , or doesn't mean anything . Nope , doesn't mean nothing
21:08
. Car picks her up , she
21:10
sees her childhood ghost standing there , or doesn't see her . And then Mrs Gross
21:12
is with her . The nephew's
21:15
returning on Friday . The parents were killed in
21:17
a plane crash . They arrive
21:19
at the house , they get a tour of the house . She's
21:22
happy , she's like oh , my house . And
21:24
then the staff is also leaving . Friday . There's
21:27
a cook , sheila , and
21:29
then someone named oh wow , she had a name
21:31
.
21:31
I didn't even know she was in the movie write it down
21:33
, baby incredible she literally appears
21:35
.
21:35
I believe in about two scenes maybe three
21:37
all right , I think mrs gross's
21:39
name is emma , but we always call her mrs
21:42
gross . Yeah , yeah , she
21:44
. Then we have the first of the baths . She
21:47
takes the first of several
21:50
. Thankfully this is not an overhead
21:52
bath where we see dirty water . We just , oh
21:54
man , that water last week was so gross
21:56
and she went under .
21:57
She opened her eyes unbelievable . Yeah
21:59
no , this is like a nice bubble bath . It
22:01
looks wonderful . She's laughing
22:03
and acting drunk . She
22:05
spills so
22:07
much water out of the tub irresponsible
22:10
, it doesn't care like doesn't care
22:13
it's hilarious , I don't , yeah , I don't know , I don't
22:15
know what's going on in this scene . I
22:17
again the vibe is
22:19
weird and I feel like it's just the director
22:21
is like well , you're naked in a bath
22:23
, let's just let's giggle and have some fun
22:25
, babe , and action .
22:28
She had one hour to freshen up and she takes
22:30
a bath , yeah . And
22:33
so when she finally goes out to
22:35
see Mrs Gross , I
22:38
was like , oh man , she's going to get . You know , she's going
22:40
to be there an hour and a half . Gross is going to
22:42
give her some crap , just like what the hell
22:44
. But no , that tension , nothing's
22:46
fine .
22:47
No tension , no tension whatsoever . Yeah
22:49
, we don't need it .
22:50
You know these movies . That's the thing about
22:52
both these movies they never build up any tension
22:54
.
22:55
No Well , you don't need tension in
22:57
a horror movie , you're
23:01
wrong Dan . I am wrong .
23:02
That's true . I generally am wrong . Then
23:05
she thanks Mrs Gross for the
23:08
bathroom stuff , because I guess the bubble baths
23:10
she used Mrs Gross put
23:12
in there for her and she's all like
23:14
.
23:16
Thank you for doing that .
23:18
Yeah , okay , good , yeah , I
23:20
did that for you . What is happening
23:22
?
23:24
What do you mean ?
23:25
it's weird uh , flora
23:27
comes in , she's cute . They
23:29
say let's go have some fun . Uh
23:32
, and then flora goes and starts being a little
23:34
weird with dolls . We have a couple , yeah
23:36
like a couple scenes with her being weird with
23:38
dolls . Maybe one scene she puts them on
23:40
the couch scene and then she drowns a doll at the end
23:42
scene . Once again
23:44
, any director that says okay
23:47
, little girl interact weirdly with dolls
23:49
.
23:50
Wrong movie unless you're really going to make that girl
23:52
a freak . Yep , nope , it's
23:55
just a we . I don't understand anything
23:58
. I don't understand anything . How about that ?
24:00
It's bizarre People love
24:02
dolls as some sort of surrogate
24:04
for something , but then they don't . The people that
24:06
love dolls for a surrogate of something never
24:08
lay out what they're being a surrogate for and never
24:11
have them have any effect sure
24:13
, sure which exhausts us . I
24:19
wrote a word I cannot read .
24:21
Oh , what is it ?
24:23
a context clues as
24:25
the asd . Oh , he
24:27
asks her about mrs jessel , maybe
24:30
. Or we find out about mrs jessel , who was
24:32
the old . Oh , sure , thanks , we
24:34
find that name . I don't know . Miles
24:36
is coming . She puts floor
24:38
to bed then after we
24:40
do art already no , we haven't
24:42
done any art yet okay , all right . Puts
24:45
floor to bed for the very first . I don't think we
24:47
did any art . I just wrote she
24:49
was being weird with dolls . I don't think we did art
24:51
. Miles is coming , not yet . Puts
24:54
floor to bed . And then we have the weird dinner
24:56
with Mrs Gross and she's all like
24:58
Mrs Gross , we should be friends
25:00
and friends . And then she's like let us be acquaintances
25:03
. And then it's really
25:05
weird what's happening .
25:08
But spoilers there's
25:10
a lot of lesbian subtext between
25:12
the two of them and then some
25:15
not subtext , and then it stops being subtext
25:17
, and then just text . Is that the opposite
25:19
of subtext ?
25:21
we go straight to text . At a certain point she
25:24
asks who's Mrs Jessel ? And she says your predecessor
25:27
.
25:28
I do love how they say that word predecessor
25:31
instead of predecessor , which is what
25:33
I say . Oh , I think they're both right .
25:36
That night , of course , she wakes up and wanders the
25:38
halls because there's whispering and clumps
25:40
and things . She sees Flora A
25:43
lot of whispering . You're having a nightmare
25:45
and then flora's all like smiley .
25:47
I'm happy , I'm happy yeah
25:49
, and then she leaves and
25:51
flora lays down , but then turns
25:53
her head all the way around and smiles
25:56
at somebody , right ?
25:57
I don't remember I didn't , I probably was writing at that
25:59
point . I mean , I wrote , I wrote it down .
26:01
I have proof of it . But this is the
26:04
one time in the movie that I was like oh she
26:06
sees a ghost .
26:07
But that's it , and then never again .
26:09
Does she ? It doesn't seem like it . No
26:12
, it seems like I made this up .
26:14
Well , it starts snowing , so we're going to have snow the rest
26:16
of the movie .
26:18
She has breakfast with Mrs Gross .
26:20
We get the letter from Miles School he was expelled
26:23
. And
26:26
then we get the letter from Miles' school he was expelled . And then Mrs Gross is all like that's your problem now that's all you .
26:28
All you like , don't ? You can't tell the uncle
26:30
like you have to deal with it . Here's
26:32
a letter that's literally addressed
26:35
to the uncle . But you should open it
26:37
, which is a federal crime .
26:39
But please do it it's
26:42
quite weird , you know they're
26:44
trying to set up , like this weird power structure
26:47
where , like you're in charge of everything
26:49
. Yeah , and you're like why
26:51
would she be in charge of everything ?
26:53
Nobody knows Nobody
26:55
knows .
26:58
So she's all like let's go see
27:00
Miles . So they drive to Miles . So
27:02
once again , now the children are not trapped
27:05
there , they can just leave freely . Yeah , they can
27:07
do whatever they want . We got that tension , the tension
27:09
of , like Flora , not being able to leave
27:11
off the table . We're not going to do that
27:13
.
27:14
No , no , no , that's too much . Too much
27:16
to do .
27:18
On the trip to see Miles she asks , miss
27:20
Gross , is Miles bad ? And
27:22
then she's just like they're strange children
27:25
. Were they strange children
27:27
?
27:27
Not really . I didn't
27:29
get any strange vibes from them . To be
27:31
honest with you , I don't know .
27:33
They seem pretty normal At the school
27:35
. We find out that he's a bad influence
27:37
. What does ?
27:39
that mean I don't know . Yeah
27:42
, I
27:47
didn't like at least in in . Was it the turning that he fought somebody ?
27:49
I think he yeah I think he beat up something like that .
27:50
Like at least that makes sense . But he literally was just
27:52
like he's a bad influence on the kids
27:54
, like what do you mean ? He's
27:57
being weird around the kids , and so
27:59
you know there's too much of
28:01
a weirdo , we're gonna kick him out of school but
28:03
I mean he actually that was one that was one of the
28:06
best .
28:06
One of the only good lines in the movie is the dude was
28:08
like we got a bunch of rich kids here
28:10
and we got to keep it going . So if
28:12
you're a problem , you just you're gone
28:14
.
28:14
You're just out immediately . We don't
28:16
care , we don't care about anything
28:18
, we're not going to help you . You
28:25
just , you just gotta go . You're rocking the boat , you're
28:27
out of the boat . You're like , listen , yeah , it's all probably from
28:29
donations anyhow . So like we need those , you gotta get
28:31
out donations no , they keep the school ahead right .
28:33
No , they charge evidence . It's a rich guy
28:35
school rich kids ?
28:36
yeah , isn't that how they do schools ?
28:37
I don't know they do kids schools you pay tuition
28:40
.
28:41
Tuition donation it's the same
28:43
thing . Well , you're paying for your kid to go to school
28:45
Donation very different thing . Lori Loughlin
28:47
went to jail right for paying for her
28:49
kid to go to school . So
28:52
in that , tuition guys , come on
28:54
.
28:54
I don't think that's how it works . Here
28:58
comes Miles . Oh
29:00
, this is his third expulsion .
29:03
Right , which is weird .
29:06
Yeah , bad influence . Tragic flirt gives
29:08
someone a drawing .
29:10
At what point do people just stop letting you into
29:12
schools ? Like oh
29:15
you've been expelled twice , but please come to my
29:17
rich person's school , where we have no sympathy
29:19
for you . That doesn't make any sense to me . Oh no , they'll
29:21
always take you If you pay them
29:23
money . Yeah , if you pay them money .
29:25
But tuition to me ?
29:25
Oh no , they'll always take you If you pay them money .
29:26
Yeah , if you pay them money , but tuition , not donations . Okay , got it . Yes , tuition , you give donations . They're
29:28
like who are ? You oh yeah , thank you for the donation . We
29:31
don't want your kid .
29:33
We don't want your child .
29:34
Sorry , here comes
29:36
Miles , miles and Flora , same
29:38
height . Oh okay , that's
29:41
weird .
29:41
Yeah , are they twins ? Are they the same
29:43
age ? No , there's three .
29:44
No , it's like two or three years of difference . Yeah
29:47
.
29:47
Because she hasn't gone .
29:47
She's not going to school .
29:49
That's true , I guess I just thought maybe there weren't girl
29:51
schools .
29:52
you know he went to an all-boys school .
29:53
I don't know they
30:03
don't have dude , I don't know , I don't know where
30:06
we are . We're probably in Toronto
30:08
or one of those places . Ah , Toronto
30:10
.
30:13
He apologizes to her . They
30:15
ride . She falls asleep . She
30:17
dreams of a candy apple girl , and
30:20
then she has another dream where she can't make
30:22
miles up . This is called foreshadowing
30:24
. He's going to die . Wake up , you're
30:27
dead . Wake up .
30:30
I was like wow , they're killing Miles early in this episode
30:33
. Nope , he's only in the movie for three minutes and
30:35
they just kill him off . That'd be fun , it'd
30:37
be , different , surprising . Why not , good
30:39
for you , try something ?
30:47
Mix it up , gotta deal with things . Uh no , they get home . Oh no , they . They wake her up there like
30:49
she's like tell me about miss jessel . And then mrs gross is like she
30:51
was good , but she drowned
30:54
. The kids found her , she was pregnant
30:56
and then , yeah , wait what ?
30:58
it's a lot of , a lot of info , a lot of yeah
31:00
she was pregnant .
31:02
So the kids are disturbed , the kids disturbed
31:04
and she's all like but
31:08
please stay , Please stay . And
31:10
her big response is sure
31:13
Sure , sure , I'll
31:15
do it . Sure , you know how I can get Shannon
31:18
to try to punch me . She
31:20
asked me . She asked me a question , sure , yeah
31:22
?
31:23
sure , sure . Yeah , I get yelled
31:25
at a lot too . I'm not gonna lie , but I say
31:27
I feel like I say sure a lot , because it's
31:29
my uh , I'll do it , but I don't like want
31:31
to do it . You know what I mean ?
31:32
that's exactly what sure means that
31:34
is not the answer anyone's looking
31:37
for no ? No , it sure isn't and
31:39
then she's like that . Mrs gross
31:41
is like thank you , this is the point
31:44
. The whole staff leave . Now
31:46
we start the art therapy as soon as the staff is gone
31:48
. Art therapy .
31:50
So I think we do art before
31:53
Dan , because they do the finger painting
31:55
and Flora is playing with the
31:57
dolls and she doesn't want to finger paint , Do
31:59
you ? Remember this oh okay , sure , and
32:01
it's just my favorite part of the movie .
32:03
Oh , sorry , I have to talk about it . I almost
32:06
missed your favorite part of the thing .
32:07
It was , it would have been a tragedy . I would have brought it up at
32:09
the end either way . But listen to this . So
32:11
anna is doing
32:13
finger paint and she's just covered in paint
32:16
. Right , her hands are just covered . She's painting floors
32:18
, playing with her dolls over here . Oh
32:20
my god , she's so cute . You
32:22
just got your sweetest little pup little
32:24
face . So she's playing
32:27
with these dolls and anna's
32:29
like do you want to come finger paint ? And flora's
32:31
like no , it's not ladylike
32:33
. Oh man , I don't remember that scene . You
32:35
remember this ? I ?
32:36
must have paused it , ladylike , I must have
32:38
paused it . And then it jumped like 20 seconds , because
32:40
it does that on amazon of course , it
32:43
does nothing .
32:43
Nothing , none of these streaming sites work the way
32:46
they're supposed to . Okay , okay
32:49
, it's not lazy like wow , that never
32:51
comes up again , okay and it gets
32:53
mad and she starts going
32:55
who told you that ? Who told
32:57
you that ? Flora , who said that to
32:59
you ? And then we just cut away .
33:02
Oh , I don't know what it means .
33:04
I don't know . It doesn't seem to come back ever
33:06
, because then in the next , next time we see art
33:08
, floor is just like I love art , let's do art
33:10
. I have no idea
33:13
what this scene is , but she gets mad
33:15
and she's like personally offended that
33:17
someone said art isn't ladylike , and
33:20
I don't know . I want to see that movie
33:22
.
33:24
So Mrs Gross and Anna
33:26
, we see them , sort of the love connection
33:28
is happening .
33:29
Oh yeah , it's building . Oh yeah
33:32
, they like each other . I
33:34
don't know why .
33:37
Hot older lady , hot younger
33:39
lady . That's how it happens .
33:41
Sure , I guess , yeah , I guess , that's all you need . Good
33:43
for you .
33:49
Now we sort of go into like we sort of social art . We sort of show the kids running around
33:52
, they're playing in the snow , they build the snowman , they kill the snowman
33:54
, they run off , and then she's all like wait
33:56
, wait for me and
33:59
she is so much slower than the
34:01
children .
34:02
It it's so weird .
34:04
You have nephews and nieces and things I
34:06
do . Are they all much faster ? If
34:09
they were to run on a field they would just be like stop
34:13
, I'm not even a fast guy
34:15
, right , let's be clear .
34:16
I'm a big guy , I lumber , but
34:18
their legs are so short , dan
34:21
, that I can take two long steps
34:23
, and that's ten steps for them . So
34:25
I am faster than them , at least for now
34:27
, and one of them is like 11 or 12
34:30
.
34:30
Oh yeah . So you know , yeah , when they get
34:32
to be Finn Wolfhards , you're
34:35
dead .
34:35
When his legs are almost as long as mine
34:37
and he's skinny and quick and agile . Yeah
34:39
, they're gonna demolish me Absolutely , but
34:41
these are little kids , little kids
34:43
with tiny little legs just shuffling along
34:46
in the snow . Not a chance
34:48
, unbelievable not a chance . Well
34:50
, maybe she does to be fair , she
34:52
kind of moves like an ogre . Did
34:55
you notice that in this movie ?
34:57
when she's trying to move quickly
34:59
like an ogre . No , tony , I
35:01
did not notice her ogre movements
35:03
.
35:04
Well , you probably should have paid more attention , because
35:06
when she's trying to move fast outside
35:08
she hunches her back a little and
35:10
sticks out her neck and she kind of
35:12
waddles . Yeah
35:15
, she's got an ogre sway
35:17
to her and I just found that interesting . I don't know if it was a
35:19
character choice , or maybe that's
35:21
just how she tries to move quickly , I don't know
35:23
.
35:24
So , or maybe that's just how she tries to move quickly
35:26
, I don't know . So
35:29
Flora has asthma , of course , which , whatever that's your favorite trope
35:32
in the world . No comment
35:34
. They get to the pond
35:36
, she starts hearing whispering and
35:39
they sort of leave the pond and the kids go
35:41
back by the house and they find a rat
35:44
that's frozen and
35:50
later .
35:51
I think the implication is Miles stomps the rat . Oh okay , I
35:53
didn't get that .
35:54
He's sort of stomping around it , and that's the equivalent
35:56
of the koi fish they stomped in
35:58
the first movie .
36:00
Nothing should suffer . Yeah
36:02
yeah . The sequel to this movie she sees in the window she sees
36:04
Should Suffer , yeah yeah , the sequel to this movie .
36:05
Yep , she sees in the window . She sees a hanging guy
36:07
.
36:11
Oh yeah , which is Quint .
36:13
Yeah , she passes out . They
36:15
bring her inside . They put her in a bed
36:17
, does she ?
36:18
pass out , or does she just lay down very
36:20
gently , because this was a
36:22
weird pass out ? I
36:24
don't know if you noticed this . She doesn't thud at all , she just like
36:26
floats down and then
36:28
is just there .
36:29
It was really weird . I don't know how they did it she probably loses
36:31
consciousness .
36:35
I would love to watch you lose consciousness like that .
36:38
She slowly toppled down
36:40
my consciousness is slipping from my
36:42
body . I can't
36:44
hold on . So , mrs
36:46
Gross , they brought her inside somehow . I
36:48
don't know how . Two tiny kids
36:50
and Mrs Gross , who's Well , the ghosts
36:53
helped Leely's much bigger
36:55
than Mrs Gross .
36:57
All three of them . She's bigger than all three put together and
36:59
I don't mean that in a bad way , Just
37:02
physically she's bigger than them .
37:03
Putting a hand on the forehead
37:05
gives her a valium . Then
37:08
she has weird symbolic dreams , which includes
37:10
mask people , and I'm like , oh
37:12
, where are the mask people going to come in later ? Never
37:15
.
37:15
They're not .
37:16
I mean , Miles makes one mask , but we
37:18
never see the mask people again .
37:20
Yeah , I don't know .
37:26
I don't have an answer for you once again . She's wandering the halls at night
37:29
like you do . When you're passing out , she finds a handprint on a window
37:31
. Mrs gross is there right behind him . What are
37:33
you doing ? And she's like someone
37:35
was here and mrs gross is like I was
37:37
here I put my hand there right
37:40
what now why why
37:42
? Mrs gross doesn't ? Mrs Gross supposedly
37:44
doesn't believe in the ghosts ? Right , right
37:46
, correct . Why would she be making
37:49
up stories about ghost
37:51
signs to try to invalidate
37:53
the ghost belief ?
37:55
I don't know . I don't understand
37:57
any of this . I thought she
37:59
was lying at first and I thought she was
38:02
covering because she knew about the ghosts
38:04
but didn't want Anna to know about
38:06
the ghosts because she's in love with one of the ghosts
38:08
.
38:08
That's what I thought was going to happen , but that
38:11
doesn't .
38:11
Spoiler alert that doesn't happen . She
38:14
never believes in the ghost . They're probably not
38:16
real . I don't know why there's a
38:18
handprint on the window Because of the
38:20
ghost .
38:22
Because of the ghost .
38:24
Okay , crazy .
38:25
What's the solution ? Take a bath . Taking
38:28
a bath , I mean , it's the answer to everything
38:30
, dan .
38:30
Just take off your clothes , get in the bath , All
38:32
right .
38:34
Miles . They're playing hide and seek . Miles
38:36
does the backtracking and
38:38
then he goes off to the barn
38:40
and then starts smudging shit
38:42
on his face . Yeah , why
38:44
? Flora goes to the old chapel , which
38:47
we never see again . She gets freaked out , runs
38:50
back out there we hear
38:52
a scream , what's-her-name ? Jumps
38:54
out of the bath , puts on the robe that shows
38:56
her boobs .
38:58
Not just her boobs . It's open to her
39:00
navel . That's what you call a belly button right
39:02
you could . It's
39:05
the to her navel . That's what you call a belly button right you could . It's the deepest V you'll
39:07
ever see . It just covers half
39:10
her boob and goes all the way
39:12
down past her belly button . There's
39:15
no reason for that . No reason whatsoever
39:17
. Nobody wears a robe that open . That's
39:19
kind of the opposite of the point of a robe .
39:24
Miles is now wearing a hood and
39:26
has a weapon and is like I am
39:28
death .
39:29
I'm here to kill you . Yeah
39:31
, he's reaping her . I don't , I don't
39:33
understand . It's so . It's
39:36
so out of character for the rest of the movie
39:38
and it's just bizarre .
39:40
I don't know it's like we want to follow the rest
39:42
of this movie . We're not going to follow the rest of this
39:44
movie . We're not gonna see the rest of this movie , we're just gonna keep
39:47
going weird stuff uh even like I , I don't even .
39:49
Yeah , I got nothing . Even if it was Peter Quint , there'd be
39:51
no reason for Quint to do that . That's
39:53
not a thing . So I got nothing
39:55
kids playing .
39:58
You know , didn't you dress up as the grim reaper and try
40:00
and read all of your all
40:02
?
40:02
the time , and I would kill my friends
40:04
and gather their souls . That's
40:06
what you do as a kid Sick twisted kids
40:08
.
40:09
They go down there and Mrs Gross and
40:11
her and they stop them , stop
40:14
them . She tries to sleep the next
40:16
night Footsteps . Then there's
40:18
a night storm . Flora comes to her bed
40:20
. We see more side
40:23
boob in this , like when Flora comes to her
40:25
bed . It's like weird .
40:30
I wrote director loves this robe . That's
40:33
what I'm saying , man . It's a weird vibe . I don't
40:35
care what you tell me . It's a weird vibe
40:37
. It makes me
40:39
uncomfortable .
40:40
A lot of creepy directors out there in the world , for
40:43
sure . Oh , this is
40:45
when Anna makes the eggs . Mrs
40:47
Gross says there's more storms coming
40:49
, the kid's happy , they're
40:51
doing art . The art is doing it . Oh
40:53
, she's like . Oh , the kids are happy , the art
40:55
is fixing them . Sure
40:57
, yeah , yeah , that's great
41:00
. So we get to back there . Mild
41:02
is now bored with the art . Immediately
41:05
, immediately , smears out the snowman
41:07
.
41:10
I don't understand the emotional
41:12
ride we're taking .
41:14
Just to be very clear this
41:16
is the emotional ride , tony . It's a roller
41:19
coaster Up down , up down
41:21
. I love roller coasters .
41:23
I don't feel like we're getting the middle
41:25
of the roller coaster you know what I mean Like
41:27
we're just teleporting to points
41:29
without taking the ride . I
41:31
would love to go on that ride , but we're not
41:33
doing that .
41:34
Well , we never spend enough time in a scene with characters
41:37
to see them sort of go do something .
41:40
Unless Lily's boobs are on show , and then we
41:42
spend a lot of time in that scene , gotta
41:44
show something .
41:46
So then she's like okay , now we're going
41:48
to make masks . She
41:50
goes to the kitchen to get mask supplies . Boom
41:52
, there's Peter Quint .
41:56
Yeah , it's the weirdest ghost
41:58
in the world . He's like half
42:00
pirate , half just like insane
42:03
asylum type of like not in
42:05
real life , but like when you go to a
42:08
haunted mansion and it's
42:10
those guys behind the cage and they're
42:12
like wow , wow , wow , wow , wow . That's what
42:14
it reminds me of . It's so terrible , it's
42:16
super weird .
42:17
It's so fakey . So she gets
42:19
a knife and it goes out there
42:21
and she's
42:25
staking around and Miss Gross goes out there
42:27
and is like whoa , whoa , whoa , slow your
42:29
roll , Slow your roll , Whoa , whoa , whoa , why do you have a knife ? And
42:32
says what's wrong with you ? She's
42:35
going crazy .
42:37
And the answer is nothing , and I'm
42:39
going to make love to you in a few scenes , so it's
42:41
fine , yep .
42:43
Mrs Gross is like okay
42:45
, i'm'm gonna take the kids , we're gonna go visit some graves , that's what they need
42:47
right now . Yeah , go
42:50
take her from ice cream . You know she's being
42:52
crazy , graveyard , graveyard
42:54
. Let's keep the tone . Keep the
42:56
tone in the appropriate thing for a bunch of young
42:59
kids that have been thrown out of school
43:01
and had everybody killed , grave
43:03
time graveyard .
43:05
Now it's good , man . Have you
43:07
ever been to a graveyard ? I'm
43:09
, I've been to like a , a
43:11
nice one , you know , like a burial
43:13
ground is what I would call it , more than like a grave
43:16
. Because when I think of graveyard I think of like spooky
43:18
, not exactly like you know , built
43:20
by the city , just I don't know .
43:22
But I mean , I've been to in
43:25
your life . Have you spent a lot of time in
43:27
graveyard ? A lot of time ?
43:28
I don't know about a lot you know , maybe three
43:31
, four weeks tops I mean , you
43:33
know , with this I've .
43:34
You know , I went to hollywood forever one time when
43:36
I was doing like a photo shoot for some of my
43:38
dolls done the movies they do
43:40
at hollywood forever .
43:41
No , it's always . That's cool , it's a crowded , it's cool . People they do at hollywood
43:43
forever . No , that's cool , it's crowded . It seems like people they do like horror
43:45
movies on a blow-up screen
43:48
over there . It's pretty cool yeah , you go
43:50
.
43:50
I've been to like uh tourist
43:52
attraction graveyards , but I've never I've
43:54
never been to real graveyards as graveyards
43:56
where you're like , you know things you
43:58
like , go see the dead person . I've never
44:00
done ?
44:01
oh , okay , I have , I have done that . But
44:03
uh , like my grandparents have a , what's
44:06
that it's like ? Is it called a mausoleum ? Is that what those
44:08
are called ? Like they're in a in a structure
44:10
. Yeah , just on the wall .
44:12
So , if you know , we visited that and stuff I
44:14
mean , do they make you go there every year when
44:16
you're nine ?
44:16
no , not every year , but we've .
44:18
We've been there , so you've been there , okay , but it's not spooky , it's just
44:20
sort of like it's sort of like it's not spooky , it's just sort of like
44:22
it's sort of like it's not spooky , it's just kind
44:24
of depressing .
44:25
It's just , you know , just
44:27
surrounded by people that you know aren't
44:29
here anymore . It's , it's weird .
44:30
Okay
44:33
, um , okay . So it takes the kids . You
44:36
want to talk about the scene that , while the kids , while
44:38
everyone's gone , what does she ? I ?
44:41
don't know what does who do ?
44:44
Anna .
44:45
I don't remember what does she do ?
44:47
She goes into Mrs Gross' room , fondles
44:50
her violin and
44:52
then goes to her super
44:55
, super sexy underwear drawer touches
44:57
and moves all of her underwear .
44:59
Yeah , it's
45:01
. I don't know . I'm
45:06
a little lost for words from being
45:08
from being honest , I so , as
45:12
a whole , I just don't get it , Dan
45:14
. I don't understand the message
45:16
we're trying to tell . Right , so she is
45:18
, and now I'm going to touch on
45:20
things that haven't happened in the movie yet . So I apologize
45:23
but we never do that . Yeah
45:25
Right , no , no , no . We like to stay right , linear
45:27
, we're very linear people . So
45:30
she's molested as a child Awful
45:32
, terrible . She's still haunted by it as
45:34
an adult . She's also harassed as
45:36
an adult , which can't help . And
45:39
then . But then she's also
45:41
creeping on other people . So are
45:44
we saying , because
45:46
she had that trauma in the past , that's
45:48
why she's messed up . And
45:52
then she like Because then her and Miss Gross have
45:55
what I think is a consensual
45:57
relationship , I think . But
45:59
she's also not into it at
46:02
all in that scene , like her face and maybe this is Lili
46:04
, I don't know , but her face is like I don't like this . But she's also not into it at all . In that scene , like her face and maybe this is Lili , I don't know but her face is like
46:06
I don't like this , but she's doing
46:08
it . I just
46:10
don't . And is she
46:12
diddling the children ? Because
46:15
they then think that she's the monster
46:18
? And I was like wait , is she doing ? I
46:20
don't get it .
46:22
These kids did not react in
46:26
a way that I would think that they were being molested
46:28
.
46:28
Okay , either do I , until that last
46:31
scene where they're like you're a monster , you're
46:33
a monster . When was she a monster ? I
46:36
don't get it .
46:37
They made her do art . People don't
46:40
like her . You're right about that , you're right
46:42
about that . No , thanks everybody
46:44
, I don't like her , you're right about that . People don't like Doreen , you're right about
46:47
that . No thanks , everybody , I don't know , so then they
46:49
come back and then
46:51
she's like I
46:55
saw this person . And then she explains
46:57
him to Mrs Gross and she's all like , yeah
47:00
, this Peter Quint .
47:00
And then she's all like yeah , I know him exactly . I
47:02
know him any day of the week .
47:04
Why are you gaslighting me ? I'm seeing a person I've
47:06
never seen before .
47:10
And I just described you so well that you knew exactly who it was . But
47:12
you're just telling me I made this up . Doesn't
47:14
make a lot of sense , does it , Dan ? Doesn't make any
47:16
sense . That's why my theory
47:18
of her hiding the ghosts , Miss
47:21
Gross , pretending they don't exist even though
47:23
she knows they exist , is perfect
47:25
. But that's not what we're doing here .
47:27
Yeah
47:31
, we see some more of the art
47:33
. There's bad guys in the art
47:35
. Quint is in the art , mrs
47:37
Jetzel's in the art .
47:39
Okay .
47:40
Yeah , now we do a
47:42
bunch of memories . We find out that Anna
47:44
had problems in the park . It
47:46
happened to me . She
47:49
gives this speech . It happened to me . I
47:51
have to protect the children . And
47:54
then she says you love Quint
47:56
. And she's like I did not love Quint , I
47:59
love Mrs Jessel . So we're like , oh
48:01
, lesbianism
48:04
.
48:05
Ooh , Wow , that's 2006
48:07
. That probably was a little bit of you
48:09
know whoa , I don't know . I
48:12
don't remember that that's almost 20 years ago
48:14
. I don't remember that . I don't remember anything .
48:15
I don't remember anything either . It's nighttime
48:18
. Flora's crying , okay . Next
48:22
day kids are walking , anna
48:25
follows them and there's sort of this spooky tree
48:27
that she sort of like spooky
48:30
trees area . She's obsessing
48:32
on and
48:34
we come back . These are intercut . Mrs
48:36
Gross is fondling her violin and
48:39
she strips down , puts on a robe
48:42
and then does
48:45
a crazy dance and then does a crazy dance , and
48:47
then she pleasures herself .
48:49
She does like a possessed by
48:51
a ghost dance . She is spinning so
48:53
fast in this room . I don't
48:56
understand what's happening , but she is like
48:58
spinning all over the place and
49:00
just whipping her body around , and then she
49:02
lays down and , you know , gets
49:04
it on .
49:06
And I was just like what Is this the
49:08
?
49:08
movie we've been watching . No
49:11
, it's not the movie we've been watching
49:13
, Dan . I don't know what's happening
49:15
. I have no idea .
49:20
Anna finally finds Flora . While all this is
49:22
going on , miles boos her . Boo
49:24
, he boos her . Yeah , he boos
49:26
her .
49:27
Yeah , it's a good move . I appreciate
49:29
that .
49:30
And now Anna can see
49:32
Quint and Jessel on
49:34
the island .
49:36
But they're just chilling .
49:38
They're just chilling .
49:39
They're not really doing it . So what's weird is she
49:41
then starts being like they're coming
49:43
for the children , they're coming for the children , they're coming for the
49:45
children , but they haven't come
49:47
for anyone . The only thing that's happened
49:50
is they've kind
49:52
of stood and watched Anna and
49:55
then they whisper to Anna , come
49:57
with me oh , is that what they're saying ?
50:00
Whenever there's whispering , I don't take that
50:02
as dialogue .
50:02
I had to turn on , and I'm against
50:05
this generally . I had to turn on the subtitles because
50:07
the first time it happened I was pretty sure
50:09
she said something dirty . I
50:12
thought she said do that in me . And
50:14
I was like wait , wait , wait , what's going
50:16
on ? And then I turned on the subtitles . It says come
50:18
with me . Whether they're right or not
50:20
, I don't know , but that's what the subtitles
50:22
told me . Do that in me . And
50:25
I was like what
50:28
?
50:28
What's going on ? Now ? Here comes the crazy
50:30
scene . Anna
50:33
goes to a church , finds
50:37
a priest and starts talking to her about
50:39
ghosts and she's all like
50:41
are they haunted
50:43
or are they abused ? Are the kids being
50:46
haunted or have they been abused ? And she's
50:48
like both .
50:49
I think yeah , bit of both , priest
50:51
, bit of both , and
50:54
real quickly , dan . The
50:56
church is so cold . Did
50:58
you notice this ? We can see
51:01
both of their breaths as they talk . This
51:03
church is freezing cold
51:06
and I don't know why , but
51:08
it looks painful .
51:09
We went for our morning walk today , and
51:12
it's not super cold . Today it's going to get colder
51:14
, no , but it's not warm . Today it's pretty cold . Last
51:16
night , I wore my
51:19
shirt , I wore my sweatshirt , I wore
51:21
a jacket , I wore a wool hat and I wore gloves
51:23
. Oh my God , I wore a jacket , I wore a wool hat and I wore
51:25
gloves .
51:25
Oh my God , I would have made fun of you so hard .
51:27
I so didn't get cold this morning , it
51:31
was so nice .
51:34
Now you're dressing like you're in Minnesota , brother
51:36
, all right , yep
51:38
, I have shorts and a t-shirt all year long in
51:40
LA , you're a monster . So boom , she goes out . She goes outside and is doing
51:42
something .
51:43
T-shirt all year long in LA . You're a monster . So boom , she
51:45
goes out . She goes outside
51:48
and is doing something . I don't remember what she was doing
51:50
. Here comes the priest coming for her
51:52
with a single rose .
51:55
Yeah .
51:55
I mean he was making his move on her . Is
51:57
she just like have a magnet ? That's like make your move
51:59
on me ?
52:00
I'm ready for action . I
52:05
don't know , man . I don't understand the message we're sending
52:07
. It's inappropriate , but
52:09
everyone is inappropriate
52:11
to this girl . I don't get it . I
52:13
don't know , I don't understand , but
52:16
it's weird .
52:19
Oh no , I know she's out at she's
52:21
looking at the grave of Quint and
52:24
Mrs Jessel buried together , yep
52:27
.
52:30
What Aren't they in love ? Were they not in love ?
52:32
I don't remember how were they buried together . They're
52:35
not married , you know , are you sure
52:37
?
52:38
I don't know . Isn't he the father of her unborn
52:41
child ?
52:41
Well , I , mean it seems like in all these stories that he's impregnated
52:44
Bert , but he's like a bad guy .
52:46
Well , generally speaking , he's not
52:48
a great guy .
52:50
So he's not going to marry her .
52:52
Well , I mean , you're probably right , I don't know
52:54
, but in this one she dies
52:56
and then he hangs himself because he's so
52:58
sad , right , I'm pretty sure , I guess so
53:00
. What
53:07
do they care about the kids ? Why would they want to take the kids ? Yeah , I don't
53:09
have a clue . But not only that . Why is he
53:11
such a crazy ghost ? If he
53:13
was just in love and killed himself
53:15
, why is he all in the windows like Like
53:19
? That doesn't make any sense .
53:20
What kind of ?
53:21
ghost is that .
53:23
Maybe he's trying
53:26
to communicate something Like hey you're crazy .
53:27
You better leave before you kill Miles . No
53:29
, no .
53:31
Maybe it's like a charades
53:33
thing and he's got to do like crazy in love , you
53:35
know , crazy in love , you know . So he's
53:37
doing the three words movie
53:40
. She missed the
53:42
three words part . She
53:45
wasn't paying attention . You got to pay attention .
53:47
You got to pay attention to the beginning of charades or you're
53:49
going to be lost forever . Man , it's tough .
53:52
She goes back there , Mrs Gross
53:54
is like this is not working out . She starts
53:57
crying . Then Mrs
53:59
Gross is like it's all right . And then Mrs
54:01
Gross comes over and puts her hand on her head and she
54:03
makes a move on .
54:04
Then she puts her , she leads
54:06
against her breast zone her
54:09
bosom and they start making out
54:11
, and then they , they
54:14
start making out , and and then , as
54:16
they're making out , she starts making this like face
54:18
like it's really weird , like
54:20
a detached I'm not into
54:22
this sort of face , which I assume is the
54:24
trauma , right , but
54:27
I don't , I don't , I don't
54:29
, it's weird , I don't
54:31
know . Yeah , I don't get it .
54:33
And then they're in bed together , sort
54:35
of you can barely see anything . And then Anna's like
54:37
getting out and she like takes her underwear
54:40
with her or something . Yeah
54:43
, that's what it seems like and
54:45
with her or something . Yeah , that's what it seems like . Yeah , and I'm just like why are
54:47
we showing her ? Take her under like what ? How is that a piece of information
54:49
that ?
54:49
we need . Well , I thought I thought she
54:52
was . I don't know . I thought she was gonna
54:54
be like . I didn't want that to happen and
54:56
you know it's bad , but it seems like she did
54:58
want it . It seemed consensual . I
55:00
don't know , I don't know , I don't
55:03
know
55:05
, man .
55:06
This is tough stuff . She gets out of bed , back in
55:08
the halls Flora's
55:10
, at the open window , miles is just like standing
55:12
outside being weird . And
55:14
then they're like go get him . And
55:16
then they go out there and then they
55:19
say that it was all a trick to
55:21
get her , it was a joke
55:23
to scare her To scare her or something
55:25
.
55:26
Yeah , I
55:28
have no idea . I don't get it . I
55:33
don't know why they would do it . I don't know why the movie
55:35
would do it . I don't know what you're trying
55:37
to tell me right now . It
55:40
also didn't really work . She wasn't like
55:42
scared . You know when
55:44
she was scared , when you were swinging that scythe
55:46
, trying to reap your sister and steal her
55:48
soul . That was scary . Do that one
55:51
again . Do that one . Try
55:53
that one again . That could work , but
55:55
just standing there you're just being
55:57
weird .
55:59
So boom , the power is out . She's
56:01
going to stay with Miles all night . Of
56:03
course , she falls asleep on the job
56:05
and then miles wakes up . He like
56:08
peeps on her boobs . It's very weird
56:10
. Then she wakes up and you're like did she notice
56:12
that ?
56:13
we don't know it is . That is the question
56:15
, because then she crawls on top
56:17
of him . It's like I'll
56:20
never let anything happen to you . And
56:22
then she starts .
56:24
Does she ?
56:25
She's like you have to tell me about what happened at
56:27
school I don't .
56:28
Oh , I guess maybe I don't know , I don't know , I
56:31
do not know , because then
56:33
she starts getting angry at him to tell
56:35
about the school . Then she
56:38
slaps him , she slaps him
56:40
, and then he's like , leave
56:42
me be . And then she starts
56:44
crying .
56:45
And she says something like
56:47
I will never leave you be Something like
56:50
that . And I was like , okay , that's
56:52
weird . Yeah
56:54
, man
56:57
, I don't know , I don't
56:59
get it , I don't understand it , I don't
57:01
know if that's what they're saying or if
57:04
she's really just trying to protect them , and then
57:06
she goes crazy right , like I don't , I
57:08
don't know , but regardless
57:11
, if lily came
57:13
to me in that robe and slapped me , I'm
57:16
in tony , you always
57:18
be in um .
57:22
Flora is missing . They go to look
57:24
for her . And
57:26
then we have this weird voice , we have this great
57:28
voiceover . It's the weirdest
57:30
piece of voiceover because it doesn't fit . It just
57:32
sort of floats in there and it's
57:34
like Miles kept me occupied
57:37
so Flora could escape .
57:39
Now , when they say occupied
57:42
, oh , occupied .
57:43
What do you mean ? 15
57:46
minutes of occupation ?
57:48
Remember Seven Minutes in Heaven . You ever play that
57:51
game .
57:52
That's a weird game , just played it last night by
57:55
yourself . Who else ? No
57:58
as an adult .
57:59
Seven Minutes in Heaven is when you lock yourself
58:02
in a closet alone and just have peace
58:04
and quiet for a while as a
58:06
kid , it's a little different .
58:08
Yeah , no , we never played .
58:09
We were . You know , I never
58:11
played either , I was always jealous . Because
58:14
you see it in the TV shows and you're like that would
58:16
be a cool game of play . No one ever invited me . It's
58:18
bullshit , I agree
58:20
.
58:21
So they go to the lake . There's Flora
58:23
. She's sitting there Just
58:25
chilling on a bench Having an asthma
58:28
attack .
58:30
Which seems like a pretty bad plan if this was their
58:32
plan all along .
58:35
I don't totally follow . I'm going to escape out to the lake and have an asthma
58:37
attack . She just almost dies
58:39
, that's cool
58:43
and of course she starts seeing the ghosts
58:45
and Mrs Gross takes Flora and says You're
58:48
mad . Back
58:50
home they gotta warm up . Flora Anna
58:53
stays out in the woods and cries and Mrs
58:55
Gross has to go Back into the woods to
58:57
find her . And
58:59
it's .
59:00
It is weird crying man . I
59:02
don't . I don't want to question
59:05
her choices as an actor , but it is weird crying man . I don't . I don't want to question
59:07
her choices as an actor . Yeah , but this is weird . It's weird . She's
59:09
like wailing and
59:14
I don't understand what's going on
59:16
. I don't know why she's so upset . I don't know
59:18
.
59:18
I don't know what's happening it's almost like you're saying I
59:20
don't know , I don't know , I don't know a lot of times
59:22
, tony I .
59:23
You know what I have . I should get a t-shirt
59:25
that just says I don't know for , because I don't understand
59:28
this movie . One lick doesn't
59:30
make any sense to me , dan . I was waiting for you to
59:32
explain it to me . This one .
59:34
I got nothing on this one , and meanwhile that sounds
59:36
about right florist back home washing baby
59:38
dolls , maybe drowning them .
59:39
Maybe she's causing this I
59:42
don't know , I don't know , I don't know . Maybe . Yeah
59:44
, don't worry about it . We
59:46
get back there Because she's definitely holding the doll
59:49
under the water .
59:50
Yeah , she's drowning a doll , we get back
59:52
there . They get her back , they get Anna back
59:54
. Mrs Gross , let's
59:56
make you up a bath . And then
59:58
she's like , as you do , Flora's afraid
1:00:00
of you . And then Anna's like
1:00:02
she's setting a trap , they're
1:00:05
dead . And then we just go
1:00:07
back at her . They're dead , dead and gone . And they're
1:00:09
like you need to leave . And then
1:00:11
she's all like help me take a
1:00:13
bath . And then she's like , no
1:00:15
, and I'm just like .
1:00:18
She's like I shouldn't , because
1:00:20
I'm going to do some stuff that I shouldn't
1:00:22
do . If I help you with that bath Pretty
1:00:27
sure that's what's going on Now , Dan
1:00:30
. Why is Flora afraid
1:00:32
of Anna ? What
1:00:38
have we seen that makes her afraid of her ? You're
1:00:45
pointing at nothing . I'm just going to tell you that right now , you're
1:00:48
pointing at nothing .
1:00:50
I'm traversing the path from the house to the
1:00:52
lake the lake back to the house and
1:00:54
trying to think , when she was alone , that
1:00:56
she could have done something terrible yeah
1:00:58
, I don't know let's
1:01:04
see boom
1:01:06
, know , let's
1:01:09
see boom . Flora screams in the night she's
1:01:12
having a super as asthma attack
1:01:14
. Miles takes off . And then
1:01:16
we got to take Flora in the ambulance
1:01:18
to the hospital . So mrs gross
1:01:20
is gone and is gone . All we're left with is miles
1:01:22
. I mean not as a miss . Gross is gone . Flora's gone . All we're left with is Miles . I mean not Anne . Mrs
1:01:25
Gross is gone . Flora's gone . All we're left
1:01:27
is Miles and the house . That's
1:01:29
it . We're going to get to the end of the movie . We're not going to see
1:01:31
any other characters ever again . It's
1:01:34
just these two characters .
1:01:36
Which is clearly what this movie's been all about the
1:01:38
whole time , is it ? No
1:01:41
, that was sarcasm , you see , because
1:01:43
this is , I don't understand . The
1:01:45
whole movie was a red herring for this final scene
1:01:48
to me .
1:01:49
So she goes looking for Miles , finds him in the closet
1:01:51
, then they go together
1:01:53
and she locks them both in
1:01:55
a bathroom .
1:01:57
Yeah .
1:01:58
And then she's like I'll do anything for you
1:02:00
. And she's like tell
1:02:02
me everything , confess and I can save
1:02:04
you . Then she hugs him and
1:02:06
she's all like you're hurting me . You're
1:02:09
hurting me . And she's like tell me the name of the
1:02:11
ghost and then you'll be
1:02:13
free .
1:02:13
And he's like yeah , say his name and you'll be
1:02:15
free .
1:02:16
What it's , quint , and
1:02:18
then she does a laughing , crazy
1:02:20
, laugh , cry , and
1:02:22
then she's like you're free , you're free , and I think he bites
1:02:24
her he does something to get
1:02:26
away .
1:02:27
I wasn't , I was laughing too hard at this
1:02:29
point to really understand what
1:02:31
he did , but he did something so he could escape
1:02:33
. Now , dan , what
1:02:36
happened here ? Why ? What
1:02:38
is what is the say his name and
1:02:40
you'll be free type ? Is that like a grief
1:02:43
, like paradigm
1:02:45
, like I don't , because this is not
1:02:47
ghost lore , right , there's no
1:02:49
ghost lore that says if you say his name
1:02:51
, he'll go away . Let the anti-beetlejuice
1:02:54
, if you will . So I don't
1:02:56
understand . Where is this coming
1:02:58
from ? What is what is this ?
1:03:00
someone needs to tell me and it's like confession
1:03:02
, confess me . And it's like confession , confess . You must
1:03:04
confess what
1:03:07
this is about religion . I don't
1:03:09
know I just don't know what's happening
1:03:12
as soon as if a thing is not a
1:03:14
crime drama . Once you start talking about confession
1:03:16
, that means we've shifted over to the larger
1:03:18
religious questions
1:03:21
. And children last I looked
1:03:23
were pure right .
1:03:25
Well , not these children , dan . These children , last I looked , were pure right . Well , not these children , dan . These children
1:03:27
are evil . I don't know if you've been paying attention to the
1:03:29
movie .
1:03:29
There's some dirty birds . Yeah
1:03:32
, I don't know .
1:03:35
There's a line that you just reminded me of . When Flora's
1:03:37
drowning the doll , she
1:03:40
says , and I quote you're a dirty
1:03:42
little girl , aren't you ? And I'm sure
1:03:44
it's not meant to be sexual . But
1:03:47
I laughed so
1:03:49
hard . It was very weird
1:03:51
, because at some point this creepy
1:03:54
guy that directed this movie I think he's
1:03:56
a creep . I don't know , maybe he's a great guy
1:03:58
and he's just making choices , but
1:04:02
in my head I was like he improvised that line . He was like oh Floor
1:04:04
, you know what you should say .
1:04:10
Say you're a dirty little girl . Say it , say it . It was very weird .
1:04:11
Now you're being you're being gross and I may want to think about this dude
1:04:13
.
1:04:14
Okay , let's finish the movie what I'm saying ? It's weird man so
1:04:16
they end up chasing out there
1:04:18
. Um , oh
1:04:20
wait , okay , this is the best part of the movie . She
1:04:23
like goes and looks at the drawings , so she's sort of
1:04:25
chasing him , but she ends up in a room with the drawings
1:04:27
. Oh , he's under the bed maybe .
1:04:29
Yeah , he's under the bed .
1:04:30
I don't know how he gets out of . Whatever , it doesn't matter
1:04:32
. She's looking at the drawings , and then
1:04:34
there's this drawing of there's
1:04:37
Anna yeah , her
1:04:39
name is crossed out and it's written the
1:04:41
monster or just monster and
1:04:43
anna is causing the airplane
1:04:45
with her parents to crash , right
1:04:48
am I ? Did I get that right ? I
1:04:50
mean ?
1:04:51
right is a relative term , but from what
1:04:53
I understood , yeah , you nailed that
1:04:55
on the head so the kid thinks that anna
1:04:58
killed his parents I
1:05:01
don't know . I mean , that's
1:05:03
the drawing that we saw . But what
1:05:05
is that ? How ? Why
1:05:07
? Maybe she's Satan , you
1:05:10
think so . Maybe she's . She's the devil
1:05:12
, huh .
1:05:13
Yeah , she's the devil , I don't
1:05:15
know , and
1:05:17
she's like , okay , let's go there , right , what
1:05:20
does she do ? She's a spirit
1:05:22
of temptation that tempts people , sure
1:05:24
, and they fall for it a lot .
1:05:25
So Satan took her's like she's a spirit of temptation .
1:05:25
That tempts people , sure , and they fall for it a lot satan took her
1:05:27
over when she was a kid and she
1:05:29
became satan . She let the devil in , so
1:05:32
she's . She's there to tempt mrs gross
1:05:34
. She's there to molest the children
1:05:36
and then drive them crazy and kill
1:05:39
them tick .
1:05:40
I mean , she's doing a great job . She's knocking
1:05:42
it out of the park is the devil . So there you go
1:05:44
. Pretty good stuff , anna . So she
1:05:46
chases miles sort
1:05:49
of into the lake he goes into the lake and
1:05:51
he just works his way down , shimmying
1:05:54
down the tree in the water for
1:05:56
some reason I don't know .
1:05:58
He drowns and she's like you're safe with me
1:06:00
, I'm the only one who knows
1:06:03
.
1:06:04
Now , what does she know ? I
1:06:06
don't know , and she keeps saying , like
1:06:08
it'll be our secret , dan
1:06:11
, what's happening ?
1:06:14
That's the end of the movie .
1:06:15
I don't know . Well , the end of the movie is I don't know , but it's weird
1:06:17
. Let's him drown . That's weird .
1:06:19
Her face gets superimposed with her childhood
1:06:22
face . Her face gets superimposed with her childhood face .
1:06:23
Yes .
1:06:24
That'll tell everybody what's going on ?
1:06:26
What the hell does that mean ? What does that
1:06:28
mean ? Does that ? I don't know
1:06:30
, man , this movie's dumb and
1:06:32
weird and boring .
1:06:35
It's really Just for a
1:06:37
movie with like lesbianism
1:06:39
and sex and people playing
1:06:41
the violin and then doing things you're
1:06:44
just like People playing the violin . Love
1:06:46
that it's just like atrociously boring
1:06:48
.
1:06:51
It don't make no sense either . It's super weird
1:06:53
.
1:06:53
At least there were a few jump scares . There was one jump
1:06:56
scare in here which was very badly handled
1:06:58
.
1:07:01
There were no cool drum scenes though
1:07:04
Swing
1:07:09
and a miss , miss . I'm exhausted . Now you're exhausted , well , let
1:07:11
me read you some reviews of this film . Damn , because it turns out
1:07:14
, the defenders of this film are also
1:07:16
creepy . That's what I've learned
1:07:18
, and I'm not saying all of them are probably
1:07:20
creepy , but I the two that I read
1:07:22
were both like okay , you got some
1:07:24
problems . You should probably get that looked at
1:07:27
. So here's the first one that I found , which
1:07:29
is nice and short , but just made me laugh really
1:07:31
hard . Yada , yada
1:07:33
, yada . Ellipses Now
1:07:35
enter .
1:07:36
Lili . Wait , they said yada , yada
1:07:38
, yada , or they said a bunch of other bullshit that you don't
1:07:40
care about .
1:07:40
I'm just letting you know that they said other stuff
1:07:42
before this ellipses . And
1:07:45
then we're into it .
1:07:45
So you're taking what they said completely out
1:07:47
of context .
1:07:49
Dan , just wait till you hear it . Okay , just
1:07:52
hold the phone and then enter
1:07:54
Lili Sobieski , who is the one
1:07:56
and only reason to watch this confused
1:07:58
effort . If you are
1:08:00
a lesbian or
1:08:03
a male who likes Lili Sobieski
1:08:06
, then this movie's for you . What
1:08:08
does that mean ? Wait , what
1:08:10
, what ?
1:08:10
does that mean ? Why
1:08:12
did balloons just shoot ?
1:08:14
up out of you . I don't know , did you see that ? How did
1:08:16
I do that ? One , two , is that
1:08:18
what I did ? I ?
1:08:19
don't know what balloons . Balloons shot out of you . What the
1:08:21
hell happened .
1:08:21
Where were the balloons ?
1:08:21
Yeah , what balloons ? Balloons shot out of you . What the ?
1:08:22
hell happened . Where are the balloons ? I don't know .
1:08:24
What do you mean ? You don't know , I
1:08:26
didn't do it . What do you mean ? You didn't do
1:08:28
it , it just chose to balloon you . Who
1:08:30
chose to balloon you ? I don't understand
1:08:32
.
1:08:33
I don't know if that's a Zencaster thing
1:08:35
. I don't know what just happened . What did we do
1:08:37
? We got ballooned . I just
1:08:40
did all over again and
1:08:42
nothing's working . You're talking about how much ?
1:08:44
you want to see Lili Sobieski ?
1:08:45
naked , not me
1:08:48
, this reviewer , okay , but I just
1:08:50
love . Because they said if you're a lesbian
1:08:52
in general , any lesbian will
1:08:54
love this movie . Or if you're a guy who
1:08:57
likes Lili Sobieski , then
1:08:59
you'll like this movie , but not if you're a guy that
1:09:01
just likes other people . It doesn't make
1:09:03
any sense . What a stupid thing to say . And
1:09:05
I love it . Now , here's the good one
1:09:07
. This one's a
1:09:09
little longer , damn , but just bear with
1:09:11
me , because it's it's wonderful . In
1:09:14
a dark place is a widely overlooked
1:09:16
and sorely underrated 2006
1:09:18
adaptation of henry james classic turn of this group
1:09:20
. Not correct , by the way . It's not either of
1:09:22
those things , and aside from
1:09:24
earning four cleavers for
1:09:27
so exquisitely displaying
1:09:29
Miss Sobieski's ample bosom without
1:09:32
so much as one arbitrary topless
1:09:34
scene , it scores plentiful points
1:09:37
for purveying all the goods of
1:09:39
a grand gothic slash and bash
1:09:41
A gorgeous alien-like
1:09:44
female . What
1:09:46
, no , I don't know what's
1:09:48
happening did you do it
1:09:50
again ?
1:09:51
no , you got a thumbs up when you did that . You
1:09:53
got thumbs up again , your head just
1:09:55
exploded fireworks .
1:09:58
What is happening ? I don't know where
1:10:00
this is coming from , Dan , but
1:10:02
I love it .
1:10:07
What was that ? Okay
1:10:09
, four out of four cleavers for
1:10:11
her cleavage . Is that because of a cleavage
1:10:13
? Cleavers for cleavage .
1:10:15
For exquisitely displaying
1:10:18
her ample bosom . And
1:10:20
then he goes on to say it's
1:10:22
a classic , grand gothic slash and
1:10:24
bash with a gorgeous
1:10:26
alien-like female with
1:10:29
no small semblance of complexity
1:10:31
, A steamy yet
1:10:33
classy lesbian tryst
1:10:35
and
1:10:46
, of course , two marvelous mammaries that act as scene stealers and in some way show acting
1:10:49
of their own . What are you ? What is ? What kind of a review of the movie is
1:10:51
that ? He's basically just talking about
1:10:53
her boobs .
1:10:54
Well , this
1:10:56
is the people that fall . That's in
1:10:58
this movie . I mean , it's in the movie
1:11:00
, but you're not you're like too
1:11:02
much guy .
1:11:03
I'm just going to tell you that right now You're
1:11:06
getting the wrong message , and that's
1:11:08
why I think this movie just gives me a weird vibe
1:11:10
. I don't like it . I don't like it
1:11:12
at all .
1:11:13
Oh my gosh .
1:11:14
Wow , give me something good
1:11:16
. Come on , yeah , okay
1:11:18
. So two thumbs up seems like fireworks
1:11:20
. That's
1:11:25
good to know . Fireworks out of your head . I gotta figure out where this is coming from . Yeah , you can't do
1:11:27
it . Huh , I
1:11:30
don't understand why . I'm trying
1:11:32
to just do a little harder . Come on , dan
1:11:34
, you can get it . I
1:11:37
don't know . I don't know what's happening , but I love it .
1:11:40
It's like a secret word . You
1:11:43
didn't know it's even coming . Oh
1:11:47
my god , what was the first thing that happened ?
1:11:50
um what happened oh , the balloons
1:11:53
maybe
1:11:55
because I pointed up , happy birthday
1:11:57
say happy birthday , happy birthday nope
1:12:01
. Two thumbs , two fingers up . Oh
1:12:04
, I don't know where the no , I don't know where the balloons came
1:12:06
from . I don't know nothing . I almost lost my mind
1:12:08
.
1:12:08
I'm like what is happening .
1:12:11
Yeah , I'm just a magic man . This
1:12:13
movie's terrible . This movie's
1:12:15
really bad . And I listen . I
1:12:18
don't want to be rude to Lili
1:12:20
, but I don't feel like as much
1:12:22
as I thought this movie was terrible and
1:12:24
the script was bad , directing was bad . I
1:12:27
didn't feel like she had the emotional
1:12:29
range to also contend
1:12:31
with what was happening on screen . But
1:12:33
that's okay , that's all right
1:12:35
I mean , yeah , now did she have
1:12:38
a very tiny mouth . Yeah
1:12:40
, no , she's got . She's got like a little fish
1:12:43
mouth . It's real small for
1:12:45
her face , but it's fine .
1:12:48
It is what it is Good luck to her . Well , she's
1:12:50
married to that dude and doesn't do anything anymore
1:12:52
.
1:12:54
Yeah , the ex-fashion designer . From my understanding
1:12:56
she quit acting to go into
1:12:59
the art or something , pictures
1:13:01
or something , I don't know .
1:13:02
Maybe she's out there .
1:13:03
She probably had , like a personal you
1:13:06
know , meant something to her spot for her . Yeah , oof
1:13:09
, okay
1:13:12
, oh . Now I need to tell you my theory . Oh
1:13:14
, what's your theory ? Don't ? So my theory
1:13:16
? Dan , anna , this
1:13:18
lady who loves art
1:13:20
and
1:13:22
loses her mind , sure
1:13:24
, loves art and loses her mind , sure
1:13:27
. Is
1:13:29
indeed Kate's mother in the turning , and so then her
1:13:31
daughter goes back to
1:13:33
Bly and it turns out
1:13:35
there may be Argos . So
1:13:38
that's that's what I think . So I think they're
1:13:40
. They're sequential .
1:13:42
Yeah , and there was another , mr Mrs
1:13:44
Jessalyn , another Quint and another pair
1:13:46
of kids named Flora and Miles .
1:13:49
Stranger things have happened . Maybe
1:13:51
, they're all ghosts . That's why she can't leave . They're
1:13:54
all dead . They all died . Okay , here's
1:13:56
the theory . They all died
1:13:58
back when Anna was there
1:14:00
. Anna lost her mind , went to this
1:14:03
insane asylum place . The
1:14:05
daughter then went back to Bly
1:14:07
because her mom probably sent
1:14:09
her with the letter . Everybody
1:14:12
there's ghosts . Everyone there's
1:14:14
ghosts . There you go . I've solved all
1:14:16
the movies .
1:14:17
Everyone's ghosts . That's the solution to every
1:14:19
movie .
1:14:19
Everyone's ghosts . That's the easiest
1:14:21
way to get out .
1:14:22
Everyone's crazy and everyone's ghosts
1:14:25
. There you go . Nothing means anything . That's the easiest way to get out .
1:14:26
Everyone's crazy and everyone's ghosts . There you go , there you go . Nothing's
1:14:29
real , don't worry about it . All right , I won't make you watch
1:14:31
any more Turning of the Screw adaptations
1:14:33
.
1:14:33
I was almost going to make us do it a third time . I
1:14:36
found a third one from 2006,
1:14:39
.
1:14:39
I think . Oh , okay , or 2004
1:14:41
.
1:14:41
I was like , let's do it again . And then I was like , no , I don't
1:14:43
want to do it again , because I just can't
1:14:46
do it . I can't do it anymore . It's
1:14:48
just not a story that people should be
1:14:50
allowed to do unless they actually have something to say
1:14:52
.
1:14:53
Yeah , I mean , I rewatched this week . I'm
1:14:56
getting ahead of myself , never mind .
1:14:58
Something we liked this week . I started Fallout
1:15:00
.
1:15:01
Yes , what's his name ? Okie dokie .
1:15:03
What's his name ? Who's the dude that's
1:15:05
playing the ghoul guy ?
1:15:07
Walton Goggins or
1:15:09
something like that . He is loving
1:15:13
his life so much he just
1:15:15
he's having so much fun , he's having
1:15:17
the most fun with being
1:15:19
this character throughout his .
1:15:21
I don't think I've ever seen anybody act
1:15:23
a character as much as
1:15:25
he is acting this character , and it's just like it's
1:15:27
like let's I mean the girl's good
1:15:29
too . The dude that's playing the
1:15:31
suit . Did you watch it ?
1:15:33
oh yeah , yeah , not all the way , we're only uh
1:15:36
two , two in yeah , I'm only two in
1:15:38
. The other guy that's playing the suit guy
1:15:40
, whatever um yeah
1:15:43
but gargans
1:15:45
jesus christ well when , when it was first
1:15:47
announced , everyone was like , yep , no
1:15:49
, that's , that's perfect casting and it turns
1:15:51
out it is , and he is . He's
1:15:54
wonderful and I , I'm , I'm loving the show . I'm
1:15:56
having a good time because I'm a huge fan of the games
1:15:58
, so seeing this like the
1:16:00
stim packs were just picture
1:16:02
perfect . That's like the health pack that she injects
1:16:04
herself with . It's just
1:16:06
beautiful . It's a faithful adaptation
1:16:09
, without actually like stealing any of
1:16:11
the storylines from the games . It's wonderful
1:16:13
. I'm having a great time . Don't say that , tony .
1:16:14
It's not faithful . What they
1:16:17
ruined Las Vegas , so
1:16:19
I'd be prepared , oh
1:16:22
no , okay . So
1:16:25
the Las Vegas of the games is not in this , and it's a travesty .
1:16:28
Do you like Fallout New Vegas ?
1:16:31
I just read some of the reviews . All
1:16:34
the one-star reviews are like they ruined
1:16:36
Vegas .
1:16:38
How can I ?
1:16:38
live my life . If they ruined Vegas , I
1:16:41
will never buy another one of their games
1:16:43
because of Vegas .
1:16:45
It's a TV .
1:16:45
It's a stupid TV show . Why ?
1:16:49
It's a new story in the universe
1:16:51
. It's not like a continuation
1:16:54
of any of the games guys . It's an original story
1:16:56
. Get over yourselves .
1:16:57
Do all the games really connect together perfectly
1:16:59
?
1:16:59
No , Of course not . Otherwise it wouldn't
1:17:01
make any sense . You can't have this . No
1:17:04
, no , of course not . Otherwise it wouldn't make any sense , you can't have this .
1:17:06
No , no , and there was one guy that was like they went from point X to
1:17:08
point Z in too little amount of time . That should
1:17:10
have taken .
1:17:11
You're just like stop , just stop
1:17:13
, just watch the show , guys . Listen
1:17:15
, I'm loving it . I'm having a great time . Yeah
1:17:18
, although New Vegas is a great
1:17:20
game , it's a wonderful game , but it's not
1:17:22
this show .
1:17:23
And that's the thing . You can't judge
1:17:25
a show . There are a bunch of coincidences
1:17:28
in these two episodes
1:17:30
where you're just like how are ? All these people
1:17:33
getting in the exact same spot at the exact same time
1:17:35
. That doesn't make any sense , but you just have to let
1:17:37
all that stuff go .
1:17:38
You're just having a good time .
1:17:39
Enjoy the silly world that they've created .
1:17:41
Yeah Amen , enjoy the silly world that they've
1:17:43
created . Yeah , amen , okay , tony , what are you going to talk about
1:17:45
? Well , that was one of mine , obviously
1:17:47
as well . But then the other was we rewatched the
1:17:50
Haunting of Bly Manor , I remembered
1:17:52
. After we finished I was like , oh , that's
1:17:54
right . I said I would never watch this show again
1:17:56
because it affects me so
1:17:59
deeply on an emotional level , like
1:18:01
I cried Listen , I
1:18:03
don't cry , okay , but if I did cry I would have
1:18:05
cried for like two hours that night and it was brutal
1:18:08
on the finale , like it's so emotional , it's
1:18:10
such a beautiful show and it's
1:18:12
it's hard to watch that and then watch
1:18:14
these stupid things . Cause , just like , nah
1:18:16
, like this guy understands how to tell
1:18:18
a tale . He knows how to
1:18:20
tell a story yeah
1:18:23
so yeah .
1:18:24
So I was going to make us watch another one , but I'm not going
1:18:27
to do that . As much as I hate us , I don't
1:18:29
hate us that much well
1:18:31
, you don't hate yourself that much .
1:18:32
If it was just me that had to watch it , I think
1:18:35
you would have done it .
1:18:35
Oh , absolutely and
1:18:38
I'd written down a couple of remakes
1:18:40
that I was thinking about and I was like , oh , let's do
1:18:42
one of these remakes . And then I looked it
1:18:44
up Robocop the remake
1:18:46
it's not supposed to be that bad .
1:18:48
So I was like yeah , no , I saw that in theaters
1:18:50
. We had a good time . Keaton's in that . He's
1:18:52
great .
1:18:53
I love him , so I crossed that off my list , sadly
1:18:55
. All
1:18:59
right , so then I was like do we want action ?
1:19:01
Tony .
1:19:01
You gotta , let you decide .
1:19:02
I get to choose .
1:19:03
I've got action adventure and
1:19:07
I got comedy .
1:19:08
Well , you know , we just did Bucky Larson and that's such a good
1:19:10
comedy that I think we should lean towards
1:19:12
action-adventure for next week .
1:19:14
Action-adventure we're gonna saddle up with Keanu
1:19:16
Reeves and deal with 47
1:19:19
Ronin , oh , okay
1:19:21
.
1:19:21
I've never seen this movie . I'm
1:19:24
ready , I'm very excited . I
1:19:27
love a good Keanu . We haven't seen him since . What Replicas I'm ready .
1:19:29
I was looking at that and I was like what
1:19:32
is this movie Replicas , you know ? Because
1:19:34
I had it on my list and I was like , was it crossed off
1:19:36
? And I was like , did we do that
1:19:39
one ? And then I was like one was , oh , we did it we just
1:19:42
created a whole new family , except one of the children
1:19:44
, in two days .
1:19:45
Oh we'll make that other job later . No one's really
1:19:47
that bad about it . It's okay , it's fine
1:19:50
, we didn't need that one anyhow reprogram
1:19:52
everybody to forget that child .
1:19:53
You're like wait a second . What ?
1:19:55
happened ? What did you make you're ?
1:19:56
gonna do what wasn't ? It isn't that what they did ? They
1:19:58
forgot one of their children .
1:19:59
It's a hundred percent . Yeah , he like deleted
1:20:01
the code from their brain so
1:20:03
that they wouldn't remember that that child existed
1:20:06
.
1:20:07
Oh , it's so terrible .
1:20:08
So stupid , pretty good stuff Pretty good
1:20:10
, but all right , 47 Ronin
1:20:12
, 47 Ronin . You know it , baby .
1:20:15
And yeah , so we'll be back next week
1:20:17
. If you like what you see , give us a comment
1:20:19
, leave us a like , even subscribe if
1:20:21
you're so inclined Way too late
1:20:23
leave us a like , even subscribe if you're
1:20:26
so inclined .
1:20:26
Way too late we got a bunch of views on the madam web one . I don't did pretty well , sure , because
1:20:28
if we do something current and people want to see it , yeah , they're gonna click
1:20:30
on it . Who knows , did we get any comments ? Anybody
1:20:32
yell at us ? All
1:20:35
right , we should do something that people like soon
1:20:37
again and just make fun of them like we did with .
1:20:39
Uh , please don't destroy oh
1:20:41
the Please Don't Destroy people so sad
1:20:44
. People love it . Yeah , I watched
1:20:46
. They were on Mike Birbiglia
1:20:49
. Did I already talk about that ? No , you didn't
1:20:51
. Yeah , I watched most of their interview
1:20:53
on the Mike Birbiglia show . Okay
1:20:56
, you know they're
1:20:59
not that funny for guys . Sure sure
1:21:02
, well
1:21:04
, what are you ?
1:21:04
going to do there's time ? Well , there's time . What are you gonna do there's time ? There's time
1:21:07
. You're still young . You can get there , grow
1:21:09
and be like , do the best work later
1:21:12
, not if people keep letting them make
1:21:14
movies like the legend of foggy
1:21:16
mountain or whatever . They had a joke
1:21:18
in it , they had lots of jokes
1:21:21
in it , they just weren't't funny jokes . Hey
1:21:23
, that's a start , though . It's
1:21:26
a start , you're right . Good for you . Good
1:21:28
for you . Positivity around . I love
1:21:30
it .
1:21:30
So maybe we'll see you next week . If we don't , then
1:21:33
we'll see you some other time , that's not next
1:21:35
week 47 Ronin Goodbye
1:21:37
everybody .
1:21:38
Watch it with Dan
1:21:40
and Tony . Hey , watch it with Dan and
1:21:42
Tony . It's
1:21:49
like watching yeah .
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