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Humor and High Jinks in Rossini's 'The Barber of Seville'

Humor and High Jinks in Rossini's 'The Barber of Seville'

Released Tuesday, 24th January 2017
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Humor and High Jinks in Rossini's 'The Barber of Seville'

Humor and High Jinks in Rossini's 'The Barber of Seville'

Humor and High Jinks in Rossini's 'The Barber of Seville'

Humor and High Jinks in Rossini's 'The Barber of Seville'

Tuesday, 24th January 2017
Good episode? Give it some love!
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Despite its disastrous premiere in 1816 — complete with raucous heckling, a bloody nose and a stray cat scampering across the stage — Rossini’s The Barber of Seville quickly joined the ranks of the best-loved and most-performed operas in the world. Based on the first of a trilogy of plays by the French writer Pierre Beaumarchais (the second of which is The Marriage of Figaro), Barber is full of characters and tunes that have delighted audiences for centuries.

In this episode, the He Sang/She Sang team talks with WQXR morning show host Jeff Spurgeon about why Figaro’s memorable aria “Largo al factotum” is a baritone’s “calling card” aria and how Rossini’s music has found its way into movies, TV commercials and everyone’s favorite Saturday morning cartoons.

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