0:02

This is Alec Baldwin and you're listening

0:04

to Here's the thing from iHeart

0:07

Radio.

0:15

The signature howl, hard

0:18

driving rock, licks, intricate harmonies.

0:20

That sound is, of course, the band Hearts,

0:23

fronted by sisters Anne and Nancy

0:26

Wilson. Here

0:29

they are with straight On from their

0:31

nineteen seventy eight album Dog

0:34

and Butterfly.

0:59

The Ann's power and dynamism

1:02

helped sell over thirty five million

1:04

records, produced seven top

1:06

ten albums, and earned four Grammy

1:09

nominations. They were inducted

1:11

into the Rock and Roll Hall of Fame in

1:13

twenty thirteen, and just last

1:16

year, the Wilson sisters received

1:18

a Grammy Lifetime Achievement Award,

1:22

and now.

1:22

They're headed out on a world tour.

1:25

Last week I spoke with guitarist and vocalist

1:28

Nancy Wilson. My guest today is

1:30

Heart's lead singer Ann Wilson.

1:33

Anne Wilson's signature vocals

1:35

have solidified her place in rock history.

1:38

She's a true pioneer, with her

1:40

wide range, strength and control, giving

1:43

Robert Plant a run for his money at

1:45

the Kennedy Center Honors. I

1:47

wanted to know when Anne discovered that

1:50

she had the.

1:51

Voice well It wasn't until

1:54

much later, like when I was about twenty

1:56

two, I think, yeah, just like in

1:58

band practice. And I'd been

2:00

in bands, but I was always like the chick

2:03

singer who just did the ballads, you know. And

2:05

then we got to this place

2:08

in the band where we wanted to do led

2:10

Zeppelin stuff and right, you're doing covers

2:12

deep yeah and deep purple stuff, and

2:16

the guys, the guys in the band

2:18

could not master that. So I

2:20

tried it, and it's up in my range

2:23

and it kind of cut

2:25

me loose in a way.

2:27

Right.

2:27

It's amazing because I mean, obviously you've

2:30

been redefined again and again during

2:32

your career. We were all talking about

2:34

this, my producers and huh, we were talking about

2:36

what that was like back then, seventies eighties.

2:39

Roseanne Cash came on the show and

2:41

said her producer sat her down in the early

2:43

days and said, we got to sex this up a bit. You

2:45

got to pop another button, you gotta do this, You got to do

2:47

that. Is that what they did to you?

2:50

Oh?

2:50

Of course. Yeah. It was always wet

2:52

your lips and you know, undo the

2:54

top button and where a French maid's

2:56

outfit, you know.

2:57

Right, you and Nancy. Yeah,

3:00

they wanted this just everything sexed up all the

3:03

time. Oh yeah, yeah, how

3:05

did that make you feel back then?

3:06

Mad? Worthless? So

3:09

yeah, A couple of good songs

3:11

came out of those emotions, like

3:13

Barracuda and a few of the

3:16

other ones that are pretty angry

3:18

stuff, you.

3:18

Know, But when

3:20

you are there, does that eventually

3:23

change? Like I see some young

3:25

actresses I've always said this, where they

3:27

want them to pop another button and do this and

3:29

do that, and once they make

3:31

a couple of hit movies, they're like, no, no, no, never

3:34

again.

3:35

They button that button all the way to the top and like

3:37

we're done with that. Now.

3:38

That's like a phase, right, And

3:40

that's very very smart because if

3:44

only we're brave enough at

3:46

the very beginning to know that, right

3:49

and just like keep it buttoned up, you

3:51

know, and so and so it doesn't

3:53

want to cast us, then so

3:56

be it.

3:57

Right.

3:58

Barry GiB came on the show and

4:00

we had a wonderful interview with Barry. But the Beg's

4:03

and a solo career and so forth.

4:05

I love oh And I.

4:07

Think even in the documentary that they had an HBO,

4:10

they talked about DNA harmony.

4:12

Yes, they're your siblings. So you sing,

4:15

you can really sing together in a kind

4:17

of unique way. Did you and Nancy have that?

4:19

Yes, we did, and we still do, and it's

4:22

it's just something that is

4:25

unnameable. It's just I

4:27

don't know. Maybe it comes from the family, from

4:29

riding in the car as little kids and

4:32

just harmonizing in the back seat or whatever,

4:35

but it's just this way of

4:37

knowing what to do when and the

4:40

other person knows exactly

4:42

that too at the same moment.

4:44

You know, your dad was in the military,

4:47

Yes, and you grew up for a lot

4:49

of big chunk of your childhood before you you

4:51

headed to the Washington suburbs.

4:54

You went to Bellevue when you know.

4:55

How old eleven. So

4:58

before that, it was San Diego, It.

5:00

Was many places, but it was yeah,

5:02

Camp Pendleton, Quantico, Kemp,

5:04

Lajun, Panama,

5:07

Taiwan.

5:08

So your dad sounds like he was a pretty straight

5:11

guy and you know, no nonsense guy.

5:13

Is that true?

5:13

Or was he a little bit more of a free spirit?

5:16

What did he think of the music you eventually made

5:18

with Nancy?

5:18

What was his attitude?

5:21

He was a free spirit and he he wasn't

5:23

really cut out for the Marine Corps.

5:26

In fact, he walked away from the UH.

5:28

He retired during the Vietnam War because

5:31

he did not believe in it, and he

5:34

became a teacher and loved to

5:37

read poetry at parties and

5:39

sing and all that kind of stuff. Yeah,

5:42

so he actually did. Really he

5:44

loved the fact that Nancy and I were doing

5:46

it. Our mother wasn't so sure.

5:48

She was a little bit more ambivalent because it

5:51

was two of the three daughters, you know,

5:53

going into showbiz.

5:56

Now, when did the two of you decide

5:58

this is something you wanted to do professional was

6:01

the setting of that. When that becomes other people

6:04

beckoned you, other people summoned you and said

6:06

you got to do this legit, or you

6:08

both pursued it.

6:09

Mostly it was me pursuing it.

6:12

I had this thing inside my chest that was

6:15

just like this burning coal, and

6:18

I was kind of driven. I just wanted

6:20

to be in bands from the time I was fourteen,

6:23

and folk groups, any

6:25

cocktail party, any church service, anywhere

6:28

I could get up in front of people, you know, And

6:30

one thing led to another, and pretty

6:32

soon it was real bands, and then it was more

6:35

professional sounding bands, and then

6:37

it was bands.

6:39

And it was you alone and Nancy

6:41

came along later, or both of you together. From

6:43

the start, I dragged her. You

6:48

didn't know. Why did you have to drag? Or is she shy?

6:51

She's shy and she's

6:53

more college material. She was

6:55

in university and she

6:58

wanted to study, and I was like, no,

7:00

no, no, no, come on, I need

7:03

you to harmonize it.

7:04

Yeah, you're not doing that, you're

7:07

not going to college. What was your first

7:09

band?

7:10

The very first one she and I had

7:13

was called The Viewpoints in

7:15

Bellevue, when we were living

7:17

just this comfortable life at our parents'

7:20

house, but yet writing all these protest

7:22

songs against culture and

7:25

mister Jones, you know, and the

7:27

man the Man, Yeah,

7:30

the man reeling against the man.

7:33

Yeah.

7:34

And then when do you start to

7:36

get closer to what you're most

7:38

known for. She's playing guitar, she's

7:41

harmonizing, and you're just ripping these

7:43

rock songs. When does that start?

7:45

She went to college and I went

7:48

off and got into a rock

7:50

band. I ripped her out of college, said

7:53

get up here. That was maybe

7:55

four years later.

7:58

When she came and joined you. Did she just

8:00

fold right in? Did she even realize

8:02

herself it was meant to be this way?

8:05

She did, you know, in spite of herself,

8:07

she was torn. I think

8:09

she has a dichotomous nature where she

8:12

wants to study and read

8:14

Gerta and all this kind of stuff, but she

8:16

also wants to play acoustic

8:18

guitar and sing folk songs.

8:20

And so we took

8:23

that and we folded

8:25

it and made it into the songs that we first

8:27

wrote for Heart.

8:31

Musician Ann Wilson. If

8:33

you enjoyed conversations with some

8:36

of rock and roll's greatest lead vocalists,

8:38

be sure to catch my episode with Roger

8:41

Daltrey of The Who.

8:43

Can you imagine what it felt like to

8:45

be presented with those songs for the

8:47

first time, to see what you can do with this?

8:49

We just slammed away. We used to go into the studio

8:52

and we used to have to mate those records in probably

8:55

two hours.

8:56

Max.

8:56

Yeah, you know, you made the whole album in four

8:58

hours, But that's how it well. And then it was only

9:01

once I got presented with Happy

9:03

Jack I had to think

9:06

totally different about how I, as

9:08

a singer, was going to sing Townsend

9:11

songs and present them in any

9:13

kind of way that I could hold

9:15

my head up in the streets.

9:19

Hear more of my conversation with

9:21

Roger Daltrey that hears Thething dot

9:24

Org. After the Break. Anne

9:26

Wilson shares how finding love changed

9:29

everything for her, including her

9:31

approach to music. I'm

9:46

Alec Baldwin and you're listening to

9:48

Here's the.

9:48

Thing Inside

9:56

a Hurricane.

10:03

Win and.

10:07

Live Good Child.

10:12

No.

10:14

Other Way Tass

10:17

to.

10:20

High Can.

10:24

This is Ann Wilson and the band Trip

10:27

Sitter, with the song Trip

10:29

Sitter from the twenty twenty three

10:32

album Another Door. Wilson

10:35

is a performing and recording veteran,

10:38

having showcased her powerhouse voice

10:40

since Heart's debut in nineteen seventy

10:42

five. I wondered what was

10:45

the very first song she recorded with

10:47

the band?

10:49

That was probably crazy on you?

10:51

Right? That was your first song recorded.

10:53

Professionally, Yes, up

10:55

in Vancouver.

10:56

So when you recorded that, how

10:59

did you feel you? Did it feel right?

11:01

It was really exciting and I knew nothing.

11:03

I knew absolutely nothing. I'd never been

11:05

in front of a mic in a studio before, and

11:08

I didn't know anything about it or

11:10

how to confront the mic or anything like

11:12

that.

11:13

Did somebody teach you?

11:14

Yeah?

11:15

Our first producer, Mike Flicker was

11:17

really patient.

11:18

He was helpful.

11:19

Oh yeah, he gave me confidence,

11:21

and he just said, yeah, do more

11:24

like that? You know.

11:25

And when you did more like that, did

11:28

you start to access parts of yourself that

11:30

you didn't even know you had.

11:31

Did you just start becoming somebody else?

11:34

No? I think I didn't become somebody

11:36

else. I think I just

11:39

kind of shed one skin and

11:41

stood there in another. It was

11:44

let's shed the folk music skin

11:46

and sort of stand there in a rock

11:49

skin.

11:49

You know. Did you like one? Did

11:51

you like them both? Did you like one one more than the

11:53

other?

11:54

I liked them both, you And

11:56

in fact, I think that's what was

11:58

always different about Heart and cool about

12:00

Heart is that it had

12:03

both. It had softness

12:05

and it had this acoustic center,

12:07

but yet it could go just as hard as you please,

12:10

you know.

12:11

And what about I mean, I'm

12:13

assuming that all the songs that I would

12:15

know of the most famous of your recordings,

12:19

you guys wrote them, or you wrote them with other people,

12:21

Like who wrote Dog and Butterfly?

12:23

Oh, Nancy and I wrote that, You wrote that?

12:25

Uh huh?

12:26

And then Nancy

12:28

and I and Roger Fisher wrote Barkuda.

12:31

But the two songs oddly

12:34

fit together, the Dog and the Butterfly,

12:36

you know, right.

12:37

The dog, the butterfly and the barracuda, right,

12:40

yeah, yeah, right now?

12:42

Who wrote Dreamboat?

12:43

Annie?

12:44

I did.

12:45

God, that's a beautiful song.

12:46

Thank you.

12:47

You play that song and you're like, wow, man, that's

12:49

so pretty. And then this is

12:51

this range thing of yours. My

12:53

producers and I were reading about

12:56

your if you want to call it homage

12:58

to Robert Plant and you trying to kind of take

13:01

on and learn some of his vocal

13:03

approaches, you know what I mean. And then here

13:05

you are, years later, this

13:08

is where I last saw you at the Kennedy

13:10

Center Honors.

13:11

Oh yes, yes, And isn't it

13:13

magical?

13:14

That is whatever you felt about Plants and wanted

13:16

to emulate about Plant.

13:18

Here you go on.

13:18

Stage and sing a Stairway

13:21

to Heaven and I think I've seen one other

13:23

person in my life try

13:26

to sing that music the way you did,

13:28

and you blew the roof off the building,

13:31

you know I mean. And even those guys are sitting

13:33

up there in the box with the President,

13:35

I think even they were like, holy shit, you

13:37

know, this is the person that

13:39

could sing this song in the world.

13:42

How did you feel going out.

13:43

There to do that song that

13:45

experience had the potential of being extremely

13:49

nervous, and it would have been easy

13:51

to take my eye off the wall and

13:54

just get all nervous and lose it, you

13:56

know. So I

13:58

made up my mind just to only

14:00

be in the song. Just be

14:03

in the song. That's it, and

14:06

no other world existed in

14:08

that seven minutes.

14:09

Is that what it takes? Is that what it takes?

14:11

Yeah? It does for me.

14:13

Do you sometimes go do a show. I'll never forget

14:15

when I would perform live and do Broadway. Not

14:18

a lot, but there was sometimes I'd sit there and go, oh

14:20

God, please don't make me go do this.

14:21

Show right now?

14:23

Yeah, yeah, I want to lay down and take a nap, you know.

14:25

But you got to find a way to get your seat draggers.

14:27

You got to become the guy that drags

14:29

yourself out there, you know.

14:31

That's right. Yeah, and just you've

14:35

got to show up and actually be there.

14:37

Yeah, put it out there.

14:40

Otherwise it's not fair

14:42

to the people that are sitting there watching

14:44

you. I mean, you ask them

14:47

to come and sit and watch you, and then you phone

14:49

it in. I mean that's really lame.

14:52

O. You know, don't

14:54

do that.

14:55

You're a mother. You adopt the two kids, but you're

14:58

nonetheless on the road. And I always feel like, whether

15:00

you have the kid yourself or they're surrogate so

15:02

they're adopted, you're still a mother. What

15:06

did you have to do to kind of protect all that

15:08

when you.

15:08

Were working and you're on the road? Old? I mean, your kids are how old

15:10

now?

15:11

Twenty five and thirty three, so.

15:13

They're still young, but there

15:15

were they But when they've been around you

15:17

and in the business, what did you

15:20

try to protect them from

15:22

or teach them about who you are

15:24

and what you do.

15:26

I shielded them from public

15:28

view. I didn't want pictures

15:31

of them going up on the internet or anything

15:33

like that, and I'm glad I did because

15:35

they have a chance of

15:37

being normal people. Now my

15:40

son is a corrections officer

15:44

and my daughter is

15:46

a mother of six.

15:48

No, she has six kids.

15:50

She just kept on going, yeah.

15:52

Yeah, I got seven kids. Wow.

15:56

Did you find that in your life that

15:59

songwriting was something you

16:01

enjoyed or was it?

16:02

Was it an effort?

16:05

For me? It was always an effort. It

16:07

was until recently,

16:10

and I think it was because in the

16:12

past I always wrote with other

16:14

people, and so I

16:17

was always secretly trying.

16:18

To please them, you know, and

16:21

did and did right.

16:23

But now I write by myself,

16:26

and like the last

16:28

bunch of songs I wrote for Another Door, it's

16:30

just a joy. It's so fun.

16:33

Just write everything down

16:35

that you're feeling, and then go back and

16:37

tweak it and lift out the good stuff and

16:40

get rid of the bad stuff.

16:41

You know, you're married now, when

16:44

you're married before, this is your one marriage. This

16:46

is my one marriage. So all those

16:48

years, I mean, I'm gonna put the

16:50

cards on the table. You're one of the most smoking hot women

16:53

in all of rock and roll who's also talented.

16:55

Ps is also mega

16:58

talented. How did you resist all

17:00

the men just

17:03

ladling jewelry at your feet and begging

17:05

you to marry them?

17:06

God, if that had been the case, I don't know whether

17:10

you mean it wasn't like that ladling

17:12

jewelry. Wow, you know

17:14

I had my fair share of flings,

17:18

you know.

17:18

Yeah, but you didn't. But that didn't fit into your plan,

17:21

No, it didn't.

17:22

I was always more mission oriented

17:24

about the band and about music and

17:26

everything until

17:29

this one guy came along and just suddenly

17:31

that was irrelevant. Really,

17:34

it's just like everything just changed, you know,

17:36

I'm sure you know what I mean. It's it's

17:38

it's just like the thing that happens

17:41

when the person comes along.

17:43

When do we ever think smart when we're

17:45

in love? I mean, does

17:48

that exist?

17:53

Hearts Ann Wilson.

17:55

If you're enjoying this conversation, tell

17:57

a friend and be sure to follow

17:59

Here's the Thing on the iHeartRadio

18:01

app, Spotify or wherever

18:04

you get your podcasts. After

18:06

the Break, Anne Wilson shares what

18:08

it was like to be estranged from her sister

18:11

for a time and how they were able to

18:13

come back together. I'm

18:26

Alec Baldwin and you're listening to

18:28

Here's the.

18:28

Thing bar

18:31

and wait.

18:34

Started pleaseing

18:42

my song always

18:47

Top.

18:58

This is Ann Wilson with Miss

19:00

One and Only, from her twenty twenty

19:02

three album Another Door with

19:05

her band Tripsetter. Anne

19:07

Wilson has been praised as one of the greatest

19:10

singers in the history of rock, and

19:12

thanks to her legendary voice, found

19:15

decades of success with her band Hearts.

19:18

However, Wilson revealed in the autobiography

19:21

Kicking and Screaming a story of heart,

19:23

soul and rock and roll, but she

19:25

has been sober since two thousand and nine. I

19:28

was curious if there was something about the

19:31

rock and roll lifestyle that was

19:33

connected to her addictions.

19:36

A feeling of alienation. The

19:38

drug itself has magnetic

19:41

properties, yeah,

19:44

but above

19:46

and beyond that, it was the thing to

19:48

do. And if you're a cool person, you did it.

19:52

It gave you this feeling of super

19:56

confidence, blows up

19:58

your ego to this huge.

20:00

Did you energy?

20:02

Yeah?

20:03

And then when when it came time to stop,

20:06

was it enormously difficult or did you stop?

20:08

And because it all kind of came together

20:10

and you knew that was right as well.

20:12

Well, I'll tell you it's

20:15

kind of funny now. At

20:17

the time, it was probably scary

20:19

to other people. But Nancy and I

20:21

decided to stop doing cocaine,

20:24

and so we stepped down onto ecstasy

20:29

and we did that for a little bit, down shifted, yeah,

20:32

yeah, right, and then after

20:34

a while that wore within and so

20:37

then it was just no more.

20:40

Many of the biggest bands in the world,

20:43

I mean, obviously the Beatles and things like that,

20:45

they go for whatever period of time.

20:47

In the Beatles case, you know, not that long, you

20:49

know, eight years.

20:50

Yeah, they crank out all

20:52

that unique music in eight years. But

20:55

for you, your sister is

20:57

your partner and then for a while your sister is

20:59

not partner.

21:00

Was that difficults It was difficult

21:03

because we've always been tight.

21:06

We never allowed

21:08

other people to come into our

21:10

relationship until then, and

21:12

then we had we had other people saying,

21:15

well, she says this, and she says that,

21:17

You know, so it got to be a little bit of a drama.

21:20

Things have really straightened themselves out now.

21:22

Right when you got back together with her,

21:25

did it seemed like it was? Right?

21:28

Yeah, it's feeling more

21:30

and more righteous all the time because

21:33

she's been places too, so

21:36

she has to soften up too. It's

21:38

not just me, right, of course, we

21:40

both have to soften back into our relationship

21:42

together.

21:44

Talk about your solo work. When you

21:46

started doing solo work, was

21:48

that all you did?

21:49

You say?

21:49

Did you want to stop for a while and take

21:51

a breath, or and did other people say to you,

21:54

no, man, you got to get back out there and keep doing this,

21:56

or did you know you had to go out there and keep doing it?

21:58

Well? You know hard it come to a natural stopping

22:01

point, not a breakup point, but just like

22:03

a point where it

22:05

was out of gas right right, and

22:08

I wasn't gonna let it just become

22:10

a jukebox. So that

22:14

was my cue to go out there

22:16

and do something on my own and

22:19

get some new chops, you know, and sing

22:21

some news songs and figure

22:24

some new stuff out. You got

22:26

to do that, I'm sure you know that. As an actor, I

22:29

mean, you can't

22:31

just rehash the same old ideas

22:34

again and again and again.

22:35

Well also can as an actor.

22:38

The condition is about the quality

22:40

of the material. Where you might go do

22:42

a revival of a famous play and

22:45

put your touches on that of that

22:47

role.

22:48

And the interesting thing is, you know the material

22:51

works like this is classic

22:53

literature.

22:55

Williams shaw Miller,

22:58

and you want to get out there and have a whack at that

23:00

material because in the movies, you

23:02

know, they're in the potato chip business man. There

23:05

are not that many serious roles and

23:07

there aren't that many serious projects. Did

23:09

you ever contemplate doing something for a

23:11

living ever in your entire life since you

23:14

became a musician, a professional musician.

23:17

That's what I wanted to do.

23:18

Yeah, that's it.

23:20

Yeah, there was a time

23:22

when I considered trying

23:24

to act a little bit. But

23:27

I don't have that. I don't

23:29

have that in me. For me, music

23:32

is the thing, because that's the that's

23:35

my literature.

23:36

You know.

23:37

I look at videos of you when you're younger

23:39

and you're singing crazy on you and you're

23:42

singing Barracuda and you're flicking

23:44

that hair, you're tossing that hair and

23:46

like a little banshee. It'she

23:49

You're this gorgeous little banshee.

23:52

And what would Anne Wilson now tell

23:54

that girl back then?

23:56

Oh?

23:56

I would say do what you're doing,

23:59

I mean your gut.

24:02

You know.

24:02

I may have seemed one way, but I felt

24:05

ways that were really strong back

24:07

then, right, such

24:09

as, you don't treat us this

24:11

way, right because

24:13

we're girls. You don't just you know, drop

24:16

us by the door.

24:17

No, you had to fight.

24:19

You had to fight, Yeah, you had to fight

24:21

the way you were treated by a male centric

24:24

business.

24:24

Correct.

24:25

Yes, but the type of

24:27

fighting was very careful,

24:31

because you don't just want to alienate people

24:33

and have them just hate you.

24:35

When you talk about putting into

24:38

your music some of these feelings you had. Do

24:40

you think your audience got that? I think

24:42

they picked up or you didn't really care? You got it

24:44

and that's all that mattered. Did the audience pick up

24:46

on it?

24:47

Well?

24:48

I always really hoped that the audience got it,

24:51

and I think they did from things people

24:53

have said to me in later years, you know, like men

24:55

and women alike. I think that

24:58

when they look back on some of the

25:00

songs, you know, and some

25:02

of the stuff we did. There were no other

25:05

women out there except Suzi Quattro when

25:07

we started. She was the only one and

25:11

she was awesome. But that's

25:15

one, you know.

25:16

My last question for you is you

25:18

write songs about what you wrote about

25:20

back then? What songs do you

25:22

want to write about now when you sit down,

25:25

whether you succeed at it yet or not, or

25:27

these songs are yet to come during your solo

25:30

years, what do you want to write about now?

25:33

Well? I wrote one called This

25:35

is Now. I wrote one called

25:38

Reign of Hell, which is an

25:41

anti Wars creed. Just

25:43

all different kinds of subjects,

25:46

like I wrote one about

25:48

a botched back alley abortion.

25:51

Wow, it's kind of gently

25:54

it is poetic, but that's what it's about, you know.

25:57

It's called the Little Things. When are

25:59

you going down on tour in April?

26:01

Where are you going?

26:03

Everywhere?

26:03

Man?

26:04

Everywhere?

26:05

Everywhere?

26:05

Man, I gotta tell you something. You're

26:07

so great, Thank you, thank you. You're such

26:09

a great singer. You blow my mind when

26:12

I watch you, I listen to you, I mean you blow. You

26:14

can do everything, you can do everything my

26:16

best you and thanks for doing this with me.

26:18

Oh well, thanks for having me. I really really

26:21

had.

26:21

Fun my

26:25

thanks to Ann Wilson. You

26:27

can find more information about Heart's

26:29

world tour at heartdash

26:31

music dot com. I'll

26:34

leave you with a little more of straight

26:36

on from their nineteen seventy

26:38

eight album Dog and Butterfly.

26:41

I'm Alec Baldwin.

26:42

Here's the thing is brought to you by iHeart

26:44

Radio.

26:50

Man,

26:55

Stay

27:01

down, stand

27:03

up for use me, stay.

27:08

Say up, Stay

27:12

up.

27:12

You need

27:15

Stay up.