Dr. Sheril Antonio is an Associate Arts Professor in thedepartment of Art and Public Policy and the Associate Dean of theKanbar Institute of Film & Television. From 2008/9,she served as the chair of the Clive Davis Department of RecordedMusic and was that department's inaugural chair in 2003/4. Shealso served as chair of the Graduate Film Program in2001/2 and for two years from 2013/15 the interim chair ofthe Goldberg Department of Dramatic Writing.

Her courses include Anatomy of Difference: The Other inFilm, The World Through Art, and Language of Film. Shereceived Curricular Development Challenge Grants fortwo courses: Issues in Contemporary African-American Cinema (taught1992-1995) and The Summer Film &Video Program for High School Students (designed in collaborationin 1995). She is an advisor and frequent lecturerwhose presentations include: a live online debate about the moviePrecious with Stanley Crouch; The Double Down Film Show,Future Filmmakers Workshop; Advisory Board ofGhetto FilmSchool, The Cinema High School;and the NAACP. She has been interviewed fortelevision, radio, and print, including Studio 360: Girls on Filmand WNYC 93.9FM, Orpheus: to Hell and Back.

TheClive Davis Institute - is the first and onlyprogram of its kind to provide professional business and artistictraining toward a BFA in Recorded Music. We aim to provide studentswith the necessary skills — business, creative, and intellectual —so that they might emerge as visionary creative entrepreneurs inthe evolving music industry.

Ghetto Film School - Article in the New York Times : YoungMoviemakers Meet Old Masters at the Frick

Dr. Antonio is the author of Contemporary African American Cinema, 2001.Her other works include: Do Hollywood Films Truly ReflectLife in America?; a feature essay for the inaugural issueof Black Camera: The Urban-Rural Binary in Black AmericanFilm and Culture, Indiana University Press 2009,New Black Cinema: When Self-Empowerment BecomesAssimilation, Bertz Verlang, 2006; and Matriarchs,Rebels, Adventurers, and Survivors: Renditions of Black Womanhoodin Contemporary African American Cinema, Sight & Sound,Supplement, July 2005; as well as blogs forHuffingtonPost and Stackstreet.

EDUCATION

NEW YORK UNIVERSITY
DOCTOR OF PHILOSOPHY, CINEMA STUDIES
MASTER OF FINE ARTS, LIBERAL STUDIES
BACHELOR OF FINE ARTS, FILM & TELEVISION

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