Episode Transcript
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0:00
First time we've gotten an audio complaint, though,
0:02
pretty good. Right? Almost two years.
0:04
It's definitely not the first time. There's a it's
0:06
absolutely not the first. Alright. Here comes
0:08
the theme song.
0:14
Lisa, Who is
0:16
that? Lisa, hang
0:19
on. Give it to me. Who is that? Lisa,
0:22
let me play my game. Oh, is that?
0:24
I know this. Yes.
0:27
Yes. Yes. No. It's Isn't
0:30
it? Oh, it's doctor evil, isn't it? That's
0:32
not that's incorrect. Lisa, let me
0:34
play my game. Lisa, who
0:36
is this? Lisa, let me play
0:38
my game. Before you answer Lisa,
0:40
Before you answer Lisa, there's a little rule on
0:42
this show. Wrong answer is only.
0:45
Oh, I like that.
0:47
I like But two actually
0:49
True is is raw yet, but but do
0:51
actually answer it correctly. No.
0:54
No. Actually, do get it right.
0:56
Joke answers permitted?
0:58
No.
0:59
No. Absolutely. Yes.
1:01
We just need to do a bit in the comments.
1:03
Okay. Like it sounds no.
1:06
Sometimes we do that, but this time I actually do
1:08
want you to get like, seriously get it guess
1:10
it right. Say anything.
1:12
Like, say the craziest thing.
1:14
Just we can do that later. Just this time,
1:16
please guess it right. So
1:18
I don't know now whether to do a joke on her
1:21
to do to try to guess it.
1:22
Yeah. Is there ever a bad time to
1:24
do a joke? Like, if it's a funny jokey Do
1:27
a fine Do a joke just do a joke
1:29
one. He can't Do a joke one and just do
1:31
a very quick joke one and then please discuss
1:33
it for real because we start Okay.
1:35
Go ahead.
1:36
My joke one is Rugrats,
1:38
and my serious one is friends.
1:41
Okay. Yeah. Yeah. It's
1:44
Or or
1:45
Right. You could you could swap with Tim.
1:48
Somehow, I think they're both wrong. I think
1:50
the series one being grubrats is
1:52
pretty pretty sick.
1:54
Okay. My serious one is rugrats
1:56
and my Napoleon
1:57
Dynamite. It's a PoV experience.
1:59
Napoleon Dynamite is talking to you. He wants to
2:02
play his game. We are trying to do
2:05
start off all the shows now with the
2:07
PoV experience. These are these are like
2:09
a huge thing. Mhmm.
2:10
But for the guest and for
2:12
the listener, Pov experience, Napoleon
2:14
Dynamet is talking to Lisa. wants to play his
2:16
game. Okay.
2:17
Yeah. But
2:18
nobody really nobody knew who that
2:21
was?
2:22
ah
2:24
I wasn't even trying to think of who it
2:26
was. I was trying to think of, like, a
2:28
funny Only wrong answer. Yeah. Like,
2:30
something funny to say. That's
2:32
why I said congrats because I was thinking of
2:34
those
2:34
the kids on that show are so young and
2:36
some of
2:37
them are wearing too. Diapers loved that.
2:39
Okay. Because that's where my head was going.
2:41
I think it was that good. No. I know. I mean,
2:43
I mean, little kids do play game. But they
2:45
don't talk like And exactly on how he's
2:47
doing the voice. Like that. He was
2:49
doing in the voice so deep that I was, like, my instantly,
2:51
my brain went to, like, hey. Well, what's the opposite of deep voice?
2:54
Probably a lighter kind of voice was
2:56
a letter kind of voice. Someone shows I
2:58
guess I just Yeah. I guess I just done, like,
3:00
the same Yes idea when we're actually trying
3:02
to do this. Like -- Like a real -- famous,
3:05
like, sort of squealing voice.
3:09
Okay.
3:09
Can I do a PoV?
3:12
Yeah. That would that would be great. Shows
3:14
the experience. We we would open all the
3:16
shows with this because people really enjoy it.
3:18
Yes. Hayes has been doing full
3:20
episode where he takes his webcam and
3:23
puts it on his lap pointing up at the bottom
3:25
of his chin. And then Kevin
3:27
will just tag me up as hook, like, PoV,
3:29
you're resting your head in my lap why you listen
3:31
to Hollywood a handbook. Oh. Or
3:34
if they're pulling a dynamite slap or or
3:36
whoever. And so I do think we dynamite. least
3:38
it does this, I do think we should guess it for real.
3:41
Okay. I think I think important that we guess for real.
3:44
Okay. Go ahead. And I think we should really do wrong answers
3:46
only. Okay.
3:48
Well, I'll just so you guys know for,
3:50
like, the sake of being the upbeat
3:52
for the podcast, I'll I'll accept either
3:54
of those. So it could be joke or it could be serious.
3:56
And how about then? If you're wrong, I'll say,
3:58
joke joke answer.
3:59
And I just This is exactly what you said, Kevin. You
4:02
said, she just rolls with it.
4:03
So okay. So Here it
4:04
is. gonna be okay. And that's helpful to a
4:06
point, you know. K. Ready? PoV,
4:08
you are Harry Potter, and I'm
4:11
Snape.
4:14
So jokes, answers, or right answers. That
4:16
was really answers. Yeah. Yeah. That's really
4:18
good. That was really good.
4:21
It it was great. Do you mind
4:23
at all if I do rugrats for
4:25
my answer? IIII know it was sort
4:27
of your thing. Yeah. But it could be a rugrats.
4:30
You can fits. You know? And
4:32
it
4:32
could be something, like, throughout if we keep
4:34
saying something like that. You take rock and rocks?
4:37
It's yeah.
4:38
I'll take that. I'll accept that as a joke answer
4:40
and a wrong
4:40
answer. It's good. Have a Jesus. I thought was
4:43
really good. This is I guess, I wonder. If
4:45
he could be saying, like, any, like, something
4:48
else that doesn't say, like, I'm snape in
4:50
it. Like, just for Well,
4:52
at least you shouldn't say I'm snape. He
4:54
shouldn't say I'm his name. Well, if you want
4:57
a real guess
4:58
Yeah. What do you mean, Hayes? I I don't
5:01
really follow either. Well, you just said it, Sean.
5:03
You just said the exact reason. Like, it,
5:05
like, it gives it it completely gives it away
5:07
when she said I was clarifying what I felt you
5:09
were saying. I didn't really know why you were saying
5:11
it. Or
5:12
why how come you're saying it? It's so grumpy.
5:14
It's so grumpy. I what I'm
5:16
trying to do is I am absolutely not
5:18
trying to be grumpy. I'm like, this is
5:20
what I think is It just comes naturally
5:23
to you. Closer to no.
5:25
This is very true. Not to be grumpy.
5:28
Uh-oh. I'm not try I'm not trying
5:30
to do anything except, like, accomplish what we
5:32
need to do for this episode.
5:34
Well, please do try to do something. Try to
5:36
do yeah. Look don't have to do the POB experience
5:39
at all. I don't care. We
5:40
think I'm like, why that we do have to
5:42
do that. I mean, now we've introduced it. We've
5:44
no problem. Oh, fuck if we keep doing
5:46
this. Okay? Mhmm.
5:49
Mhmm.
5:51
It does not it means shit
5:53
to me.
5:55
in downtown feel feel feel
5:57
the ambient insane
5:59
Lisa.
5:59
Yo. Roy, TV. Hollywood
6:02
Handbook. An insider's guide.
6:04
Is a To kicking butt and dropping names in the
6:06
red carpet line back always in this industry we call
6:08
show biz. No biz. Lisa, that's
6:11
a what up one? We are we
6:13
I really don't wanna talk anymore. We are
6:16
here to celebrate
6:19
your success on the real different
6:21
things that you've been doing.
6:23
Vulture first time ever. I'm sorry. I
6:25
didn't get to do a PoV. I just feel like
6:27
you both did one. It'll
6:29
be really fast.
6:31
Okay. Go.
6:34
Uh-oh. And he's putting sunglasses
6:37
on. It's
6:37
a visual component only, but whatever.
6:39
You're terminated
6:42
You're terminated. That's
6:44
good.
6:45
Pov you're terminated.
6:48
Pov you're terminated. By
6:50
-- Wait. -- not by Tommy Pickles. I was
6:52
gonna say sorry, Sean. I said you're terminated
6:54
by Tommy Pickles.
6:55
Good.
6:58
I thought I thought she was gonna do a wrong answer.
7:00
I was like, jeez. He's
7:05
a legend in the house.
7:07
Bucking fun, man.
7:10
Fun stuff. Fun. Kevin, you wanna do
7:12
one real quick?
7:13
Sure. Okay. Taking my classes
7:15
off. Putting them putting him back on?
7:19
I'm the
7:20
batman. I
7:23
didn't get that one loan. Yeah.
7:25
I didn't like it. I didn't like it.
7:27
Because
7:27
you didn't say PoV
7:29
first. You didn't see PoV experience at
7:31
all. Yeah. PoV glasses
7:33
on? Why
7:35
are you taking off your TLB on this
7:37
bad bad? That was a good day. Why
7:39
are you taking your glasses off at this bad?
7:42
Kevin
7:44
I know who he is too. I know who he is.
7:46
Reptar.
7:47
No. That's wrong. Wrong ass. He's actually
7:49
Angelica with the chest cold.
7:51
Okay. So,
7:54
yeah, we're accounting for the voice. Yeah.
7:58
For the voice. That at least is -- Yeah. -- what
7:59
I appreciate.
8:01
Yeah. Alright.
8:02
What
8:03
do you want? Go ahead. You got something you want to do.
8:05
Culture. Vlog.
8:07
And JFL new faces, and
8:09
we finally get them to green, and they're
8:11
putting it aside. And
8:14
they're saying, look, forget the other shit.
8:17
All
8:17
the, like, all the shit we've been through, all the
8:20
fussing and fighting. All the fucking
8:22
history. Can we agree on at least started.
8:25
Yeah. Can we agree on that
8:27
Lisa is fresh faced
8:29
twenty twenty two? Twenty
8:31
two year olds. Finally,
8:33
twenty two year olds. Mhmm. Top
8:35
twenty two year olds for twenty twenty two.
8:37
Twenty two and twenty two. And size
8:39
twenty two. Wow.
8:41
I don't even know if that's bigger. Measurements.
8:44
That's twenty two
8:45
twenty two twenty two.
8:46
That's how many different sizes you have. That's
8:49
each shoe. Twenty two twenty
8:51
two different sizes. Shoulders, waist,
8:54
and bagel, bang, and hips. And
8:56
titties.
8:58
Please don't talk about any
9:01
titties. Well,
9:02
I just thought We yeah. If people can't
9:04
So just so you know and I don't know you haven't maybe listened
9:06
to the show in little while,
9:08
we talk about Titties when the
9:10
female guest leaves the zoo.
9:13
No. We don't do that. We
9:16
don't do that anymore. Part of this
9:20
that can't be part of the episode with
9:22
you just because there's really
9:24
no safe way for me to engage.
9:27
Yeah.
9:28
I'm paralyzed by this conversation.
9:31
Okay. So let's just say that twenty two is your
9:33
shoe size and you were elastic. Twenty
9:35
two For one shoot, twenty
9:37
two for the other. And can
9:39
I say You guys have Ten head.
9:42
Yeah. Yeah. He's dead. Yeah.
9:44
Okay.
9:45
That's great. We
9:47
also wanna discuss
9:50
you're in four different commercials.
9:52
More than that.
9:54
That are on TV right now. You're more
9:56
than four different commercials that are on TV right this
9:58
second. They're hearing right now. I turn on my TV
10:00
in here, and I see four different commercials
10:02
with you in it right now. Okay.
10:03
So you think you watched all the
10:06
TV and you know
10:07
the the number I'm in exactly?
10:09
He's
10:09
I saw TV. Yeah. Mean,
10:12
well, hard to believe. It is -- Mhmm.
10:14
-- it is kind of very I mean, clearly, has a lot
10:16
of rugrats. It
10:18
is sort of my job. To watch TV
10:20
and, like, understand TV and come back here
10:22
and share tips.
10:24
Okay. Say the ones that or say
10:26
the ones you think I'm in.
10:28
The paint commercial? Paint.
10:31
K? Right. I'll say it the end I'll
10:33
say it the end if you're right or not. The
10:35
paint commercial? Paint. The museum
10:38
commercial for the bank -- Ninety
10:40
museum of the bank. -- the hair, the
10:42
one with the hair you're long hair. K.
10:46
And the football
10:48
housewives. Football.
10:49
Oh, that's actually pretty
10:51
good.
10:52
This factor is good.
10:55
You're
10:55
saw two I saw two in
10:57
row one time. Mhmm. And there's a This is
10:59
a smart hat that
11:00
are on right now? I think so.
11:02
Okay. What are they?
11:04
Carvana? Mhmm.
11:06
Okay. Yeah. BMO.
11:09
Yeah. What's the MMO? It's also
11:11
a bank?
11:12
Yeah.
11:14
So this is actually really
11:16
helpful to us. Well
11:18
And we did get you to reveal the other commercials
11:20
that you're And I
11:22
suppose you walked directly into the
11:24
trap. And I've been on his side this whole time.
11:27
No. What
11:28
about the That whole thing about the
11:30
that whole thing about the Jivi experience.
11:33
Oh, Sean. It was spy craft.
11:35
It was trade craft, Lisa.
11:38
I need you to believe.
11:40
So
11:40
when you came to my house The only way it works.
11:43
For that big hug, that was a joke?
11:45
That
11:45
was spy craft. It was not a joke. It was
11:47
That was the trade of pressure. I had
11:49
to believe that we were doing a big hug
11:52
in order to go through with it. You came
11:54
to a house and you gave me a big hug and you said
11:56
looking forward to seeing you tomorrow.
11:58
Mhmm. And
11:59
that was all
11:59
just a prank. Quote. And
12:02
Hayes wrote that line for me. Looking forward
12:04
to speaking to him. said, hey. You
12:06
wanna know what's really gonna get the hook
12:08
in? Tell her
12:10
you're looking forward to seeing her tomorrow.
12:12
I said,
12:12
hey, do you don't think it's too far?
12:15
It won't tip the game. He
12:17
said, she can't get enough of that stuff.
12:20
It's true. I fell for it hookline and stinker.
12:23
And
12:23
you did exactly
12:25
you you followed your role to perfection
12:28
as you did in all as you have in all
12:30
of your other roles. I clicked the Zoom
12:32
link. I came on with a good attitude. I
12:34
tried my best to be funny and cool and You
12:37
you think that we didn't know that
12:39
when we scheduled this for Monday, your computer
12:41
was not gonna be working and that we
12:43
were gonna have to do it
12:44
four days later. Do you think that was an accident?
12:47
So
12:47
then everything so then Sean's big
12:49
hug was a joke. And then the email I got
12:51
from Hayes. Not a joke. It was insane. Spacecraft.
12:54
Because Hayes, you emailed me after I canceled on
12:56
Monday in said you're a bad pig. You'll never
12:58
work in this in
12:59
the city Hollywood. That
13:01
was not
13:02
that was not part of it. It's good
13:04
spy, bad spy, you know? No.
13:06
But I I that that is a technique,
13:08
good, bad, spy, but that Mhmm.
13:11
When I sent that, I was
13:13
being serious. Bye.
13:15
I was just like really it was about
13:17
other stuff. I was really upset about
13:19
like a bunch of other things. I just got really mixed.
13:21
It was really it was brain droppings wasn't
13:23
it haze. Mhmm. Just
13:25
blowing off steam. That was brain
13:27
droppings. That was Sprint. That was there
13:29
was someone George Carlin to Sprint. And so that
13:31
I apologized for, and that almost risked blowing
13:33
up the entire like,
13:36
scheme that we I'm at learning about it because
13:38
it feels like we didn't discuss that and it does
13:40
seem like it went against what we were. But
13:42
it's got to be perfectly stern but
13:44
not not outwardly aggressive.
13:47
Not so mad. Not so, like, insanely
13:49
mad, which I because I want because I we we wanted
13:51
you to still appear on the show. Right. We
13:54
needed you to, honestly, for it to work.
13:57
But it said we'd actually worked and we learned
13:59
about Carvana BMO. And
14:01
so we are going to be adding that to
14:04
the class action suit. What's
14:07
that or what?
14:08
For all of the advertisements that
14:11
you have done, we
14:12
are participating in a class action
14:14
suit, but We also
14:16
wanna talk to you today about the possibility
14:19
of us being
14:20
able to represent you in in your
14:23
defendant.
14:23
We are the named plaintiffs, but we are
14:25
also Third
14:28
willing to be your counsel. Mhmm. Thursday.
14:31
So I already have a commercial I
14:33
have a commercial a minority. And
14:35
you won't believe it, and this is actually true,
14:37
but her name is Laura Suhu.
14:40
So this is not what this is not a
14:42
commercially this is really helpful for us to explain.
14:44
And we should go back. We've we've explained a lot of
14:46
different things on this show. Commercials,
14:48
for example, just as a reminder,
14:51
are the TV shows babies, the TV
14:53
shows, the mommy, and and daddy, the commercials,
14:55
the baby. The
14:58
commercial agent does
15:00
not go
15:01
to court -- No.
15:03
-- when you are suit class action
15:05
suit FOR YOUR BEHAVIOR IN
15:07
SOME OF THESE COMMERSIALS.
15:10
BUT MY PERSONAL TOO IS
15:13
NOT GOING TO CARE THAT WE LORA SUIT
15:15
YOU. Okay. Yes.
15:17
She actually will be running from
15:19
you when she sees the documentation
15:21
we have of the damage your
15:23
commercials have done. You need Laura Sue How.
15:27
Mhmm. But you
15:29
guys are forgetting a foul mistake
15:31
you made in your PLANNED BECAUSE
15:33
Laura'S HUSBAND IS THE CHIEF OF POLICE
15:36
AND HER DAUGHTER IS THE JUSTICE
15:37
OF THE SUPREME COURT.
15:39
Laura'S DAUGHTER IS THE JUST
15:42
this of the supreme court? The supreme
15:44
court. I knew about the chief of police. Her husband
15:46
is the chief of the police. Of this. And her
15:48
brother is
15:50
funeral director
15:52
and her sister.
15:54
Okay. That seems like it could go
15:56
really badly for us. Her sister
15:58
works for the CIA and her other
15:59
sister is a prison guard. If
16:02
her brother directs me to have a funeral
16:04
Mhmm. Yeah. That
16:07
he insists on my funeral or Like,
16:10
if I just get
16:11
a funeral added to my Google
16:13
Calendar without my knowledge, And
16:16
then that day, I have to go to my funeral.
16:18
Yeah. That's going to I
16:21
mean, you make a difficult to win this case.
16:23
Because
16:23
you can't he won't know it unless he knows
16:25
who you are. But once he gets your first and your last
16:27
name, he can add anything to your calendar. So that's what I'm
16:30
saying. If you guys wanna get close to me
16:32
and close to my team and sue
16:34
me and my team and my representatives and my
16:36
management and my family, you're gonna walk straight
16:38
into the undertaker's lair and you're gonna meet Laura
16:40
Sue who's entire fucking family and you're gonna
16:42
regret every single step of the good
16:44
spy, bad spy, acting at the whole
16:46
elaborate web that you had laid for like
16:49
a sticky Spider CHOP for ME to walk
16:51
into, and you're gonna regret the day that you did
16:53
it.
16:53
It's simply too late.
16:56
There's no backing into now.
16:58
We've Kevin has complete control
17:01
over the waiting room of the Zoom.
17:03
He has the waiting room on absolute lockdown.
17:06
Laura
17:06
Sue who
17:08
can
17:09
can sit there, she like, in the waiting room for
17:11
as long as we need You
17:14
are being served, Kevin?
17:17
That's all up, the evidence. You're
17:19
being served the evidence. good. You're my servant.
17:22
Oh, yeah. Right.
17:24
No. Cool. We're here. Serve and
17:27
we're serving -- Oh, good. I have this little butt, like,
17:29
some papers. Oh, wow. -- always wanted
17:31
side. But let's just say there's nothing that I
17:33
wanna hit you. And we're we're
17:35
we're No. I'm actually happy. I'm really
17:37
happy. We are. Yeah.
17:38
Me too. And by the way, and you
17:40
yeah. Well, it's not your daughter. It's the
17:43
judge, but we're the jury and executioner.
17:46
Edbury Kelly, you got.
17:48
Aw. You guys are in two little tuxedos. Aw.
17:51
You guys look really cute in your little butler outfits
17:53
because of my little boys.
17:54
There's I know we name I I know
17:56
I look cute. I'm young. Oh,
17:58
Hollywood. This
17:59
week on the Patreon, Carl and Hassan discussed
18:02
a Hollywood party The boys discuss
18:04
a huge missed business opportunity on
18:06
the pro version and the FLEGA ones are mostly
18:08
talking all things basketball. Plus
18:11
a little teaser for my my big
18:13
video project just dropped and I actually just
18:15
put a link for that in this very description. You
18:17
can enjoy that there. Check
18:20
out all these shows and the video for today's episode
18:22
with lisa at patreon dot com slash
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the flaker ones.
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Hollywood Handbook.
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Did
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you know life insurance through your workplace may
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At the simpler times thing. Again,
21:28
it's just like,
21:31
that is not just
21:34
connecting
21:34
with me. Simpler
21:37
times even
21:39
the last time I talked about this feels
21:41
like simpler times now.
21:44
So Sean,
21:46
as a Thanksgiving president, added
21:48
me as a co
21:50
owner and
21:53
operator of the LLC for his websites
21:55
and then online dot com. Initially,
21:58
it was a place for people to post drawings
21:59
and ideas. Then
22:02
ultimately became a site where
22:04
people post, like, different pictures
22:06
of dogs and, like, parts of their bodies
22:08
pretty much exclusively
22:11
from, like, behind.
22:13
And I
22:15
was very nervous about
22:17
the legal exposure that comes from having
22:20
a site with I mean, Sean says that
22:22
he's worked out all the issues. He has not
22:24
the the liability that comes with
22:27
being
22:27
associated with that site at all.
22:29
Is very intense. And
22:32
so I told him just cannot be a
22:34
part of this. I had to call a lawyer
22:37
and, like, tell him that
22:39
officially was not associated with the site
22:42
at all. And
22:44
so what he did,
22:47
he acted like it was fine, but I could tell that
22:49
he was really upset and pissed
22:51
off. And then I
22:53
went to the site just because I knew there's
22:55
something was gonna be on
22:57
there that
22:59
was connected to this. And I
23:02
saw so he put my my
23:05
picture in every one of the photos.
23:07
He wrote like a script. Again, something
23:09
I had no idea he could do. He wrote
23:11
a script that inserts my picture automatically
23:14
in every single one of the photos exactly in
23:16
the middle of the part, like, the from
23:18
behind, like, the middle
23:21
part
23:23
And it's my head and
23:25
it's facing it's the back of my head.
23:27
So it's, like, facing in towards, like, the
23:29
dog's area. Like,
23:32
I'm sniffing it or I, like, have my face,
23:34
like, buried in it or something. And
23:36
all the users are mad,
23:39
It's
23:39
not what they like,
23:41
they they they wanna do
23:43
whatever they do on the site. Like, they
23:46
that's, like, not helping the experience for
23:48
them.
23:49
And my lawyer says that it
23:51
legally constitutes
23:53
like a watermark
23:56
for, like, the if that was just my
23:58
ownership of these photos, the fact
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Hollywood Handbook
24:48
exhibit a.
24:50
God.
24:51
in
24:53
Ever wonder what everyone's doing all their
24:55
phones. And we're at the museum and look
24:57
who it is. It's
24:59
a little bit like Lisa Gilroy.
25:01
Wearing glasses like a museum guard
25:04
trying to do a disguise. We know exactly
25:06
who it is. I saw right through it. We knew it
25:08
was Ever wonder what anyone's doing on their
25:10
phones. Keep playing. Easy.
25:12
And you
25:13
know it's a museum because there's two dinosaur
25:15
bones fight. Is texting for backup.
25:18
No. She's told only in charge of her
25:20
portfolio and Daniel
25:22
G. She she kind of finished this dinner
25:24
from Daniel G. She's running a
25:26
for ten restaurants. And Phil?
25:29
We see a caveman at the museum. But
25:31
now This is the long version. Digital
25:34
tool impressive. Your money never stops
25:36
working for you with Merrill. Okay. So
25:38
basically, what
25:41
what happens when you
25:44
lie in the commercial
25:47
that this is what people are doing on
25:49
their phones.
25:51
Is you're
25:52
doing crime.
25:55
You're doing crime. Because I'm not doing
25:57
that on my phone. didn't I didn't investing
25:59
with that?
25:59
No. What
26:00
am I doing on my phone? Reading
26:02
reviews of different sunflower seed brands.
26:05
Mhmm.
26:05
Which
26:07
you didn't mention once. III
26:10
just spit it out.
26:12
I
26:13
think because to be honest, you guys and
26:15
I'm embarrassed too because I actually hadn't
26:18
seen that before. Is that
26:20
I didn't know that
26:21
the it
26:23
was gonna be like that. What
26:25
did you think it was gonna be like Yeah.
26:28
Because it's your voice.
26:29
It's not actually my voice, though.
26:32
So I
26:32
don't think it sounded that much Yeah.
26:34
It did sound different. Didn't it?
26:36
Laura Sue's other brother
26:40
is a voice act and he does all the
26:42
voices for the commercials.
26:43
So we At her agency,
26:45
we just do the bodies.
26:47
Like, it's so when I get into commercial just
26:49
my body and then someone else chooses my clothes and someone
26:51
else chooses my voice. And someone else chooses
26:53
chooses my hair. And I know I said I wasn't gonna
26:55
say it again, but Titties are also, like, sometimes
26:58
not even real or not there or CGI
27:00
or -- Uh-huh. -- like, deep fake or
27:02
So far, you're So you're it's your body
27:05
And you're, like, turning around, like, facing
27:07
some of your body, sometimes with other parts
27:09
of the other people's body. Okay. Yeah. Well,
27:12
let's talk about that.
27:14
The
27:14
body issue, ESPN.
27:17
Mhmm.
27:17
You are turning away
27:19
from the different bones Yeah.
27:22
And turning toward like, turning to
27:24
you're looking at Daniel g
27:26
and, like, all these other people What happens
27:28
here? You are guarding this
27:31
museum. So What happened? Right.
27:33
So what
27:33
the fucking hell who cares? So
27:35
you don't even know what happened. There
27:37
was a happen.
27:38
Famous robbery.
27:41
And the museum,
27:43
and they stole
27:44
up stealing.
27:47
Almost every
27:49
bone at the museum. Were you
27:51
talking about that in the house? You don't even
27:53
know because you were looking at Daniel g.
27:56
You don't know? Because
27:58
you were It happened in the commercial.
27:59
The bones were still there by the end of the
28:02
commercial. You can see in the last frame
28:03
Yeah. It was more to say you think Those were
28:05
still safe. You forgot about the bones. You forgot
28:07
about the bones. You
28:09
thought that was the same bones. What
28:12
are you guys saying? Barely long life.
28:15
Such a famous robbery. They replaced
28:17
the bones of fake bones. So
28:19
you
28:19
guys are kinda making it obvious that it was you
28:22
now because how they say the bad guys return to
28:24
the senior crime, you can't you can't even rest
28:26
because you know that no one knows that it was you and you
28:28
wanna brag about it. That's what you're
28:29
doing. Yeah. You never did it with a genius criminal.
28:31
There's no question there. Okay.
28:34
What Where are we gonna be that arbitrator? Kind
28:36
of mind that could come up with
28:39
heist so devilish. It's
28:41
where would I look at it here? My
28:44
contention that your most devious
28:46
act was not serving as a worthy opponent.
28:49
What? The criminal's
28:53
greatest goal achievement
28:55
is not the
28:56
theft of the item itself. It is
28:58
the
28:58
replacement of the boat something Hey. Is it in the
29:00
battle now saying replacement where it
29:02
is? What replacement of the boats? Can I ask
29:04
you guys what you replace the boats with?
29:07
Because
29:08
I'm not it's too late for me to do anything now.
29:10
We shot that commercial like a year ago. I don't even know
29:12
where that museum is. I can't go back there. I won't
29:14
tell them. Just tell me what you put in instead of the bones.
29:16
Boom.
29:17
Boom. Tea. Bubba's
29:18
Bubba's Bubba's Bubba's
29:20
bubble
29:21
Bubba's
29:22
Bubba's -- Bubba's.
29:25
-- teas Precisely
29:27
matter. Four ones.
29:29
4T4 ones. Mhmm.
29:31
So
29:34
what I'm saying is that the end of
29:35
the quarter, you know, the seal on the top so
29:37
we can spill the There's
29:38
no bubble tea in the commercial at all
29:40
by
29:41
the end. So that's how you know the bones are still
29:43
there. More
29:44
was there?
29:46
Watch it again. We're not gonna go back. We're
29:48
not gonna go back. But if you do watch it again,
29:51
when you have after the show, if you're even
29:53
if you still have the freedom access to your
29:56
COMPUTER
29:56
IF YOU HAVE NOT BEEN ARRESTED.
29:58
AND IF YOU'RE NOT DEAD
29:59
IN A coffin JOHN FROM THE FUNERAL
30:02
DIRECTION, From
30:03
Yes. Well,
30:04
I hope that I'm not. Oh,
30:06
no. How are we really gonna watch all
30:08
of these? Exhibit B.
30:11
If you don't repaint every now and then,
30:13
it's like the old you is still hanging
30:15
around. And it's Lisa. It's actually
30:17
two of Lisa. Two, Lisa.
30:20
Using fake using fake technology.
30:22
What's you? Because the glasses again
30:26
So now that the museum guard is at home,
30:28
By the way, the museum is being insanely
30:31
robbed while you're doing it. You guys are
30:33
so stupid because
30:34
this is a podcast and so people
30:36
can't even see what the hell -- Alright.
30:37
-- unpack it. Telling them what's
30:40
happening right now. How are they
30:42
even to believe after you after you
30:44
guys have lied and done all sorts of jokes
30:46
and pranks for years on the podcast. They just think
30:48
they're listening to some sort of
30:50
shazam. Lots of jokes. Lots of funny
30:52
comments we haven't pranked anyone.
30:55
So it's the museum guards sitting on
30:57
the couch. Oh my god. Meanwhile,
30:59
the museum is the most robbed at ever
31:01
been while she's at home
31:04
for some reason.
31:05
Yeah. And I'm wearing the same glasses,
31:07
so that's how you know they're actually my glasses. And
31:09
I got paid fifty dollars to wear my own glasses.
31:11
That's
31:13
Well, now that's a
31:14
talk about robbery. That's
31:16
a heist. People are just trying to get their
31:18
message out. Getting absolutely
31:21
soaked by the talent.
31:23
Mhmm. And then her friend is there
31:25
who looks like her, I guess, the joke is just pulling
31:28
away. I guess the joke is, like,
31:30
my friend looks like me or something. No. The
31:33
no. It's that that's a younger version
31:35
of me. And she painted the walls of the woods
31:37
that I don't like anymore. Looks the looks
31:39
like the same age, everything. No. Because
31:40
the other one has longer hair, that's how you know
31:42
she's younger and she's wearing headphones, which is this something
31:45
that a teenager does? Sorry.
31:46
I wanna address something you just said.
31:48
What?
31:49
You think this commercial is about changing the
31:52
color of the wall? Of the wall because it's
31:54
a very pink commercial. Yeah. Fresh coat
31:56
of paint does
31:57
not necessarily mean that you change
31:59
the color. Mhmm. Yeah.
32:03
Well,
32:03
you'll see what happens in this commercial. If
32:05
you keep your eye out, like the same way you can see
32:07
that the bones got turned into bogity. In this
32:09
one, you can see the walls actually change color.
32:12
We're
32:12
in hands of pices. That is like a con Is
32:14
this the same friend?
32:18
And there's another person here. Is this the same
32:20
friend as the one? Came in. Didn't
32:22
have headphones anymore. Right?
32:25
She still is long hair though, and she's talking on a
32:27
phone.
32:27
So So is it? Just say if it is or
32:29
not. It's
32:30
the same. It's the younger version of the first
32:32
woman you
32:32
see. Don't pause it here. This is a
32:34
wicked feet lawsuit waiting to
32:36
happen. She's gonna counter
32:39
sue you, freak. We're
32:41
exposed now, Kevin. Pause
32:44
it on the fake glasses. I'll blur
32:46
it.
32:47
Okay. Keep going.
32:49
Why I only date musicians?
32:51
What are you guys eating? Flozani?
32:53
Is that the same friend? This
32:57
one's a totally different
32:58
person. Okay. Thank
33:00
you. So Yes. Finally.
33:02
Is that what you guys wanna hear?
33:03
Yes. Miserable. And so can
33:05
we go back to the beginning of this long
33:08
rings? What is this? What's
33:10
that for? Let's
33:12
go back to the beginning of this part.
33:14
Long ass ring. Long ring,
33:16
what do you say? Fucking finger. Wait.
33:18
That's not looking for that. Is
33:21
that your digital long ring. Yeah. You get paid,
33:23
like,
33:24
ten thousand dollars that where that
33:26
ring? That's my real ring and they handed
33:28
me another fifty bucks because fucking
33:30
shit was so long. It's my
33:33
Been my knuckle.
33:34
Laura Suhu, my commercial agent, her
33:36
baby cousin makes
33:38
rings at a jewelry store.
33:40
Oh, wow. God. And
33:41
so it's like product placement for that.
33:43
This woman, she's got
33:46
Okay. Kevin's covering the cursed
33:49
over my cross. Kevin, do not. It's no,
33:51
brother. It's on your It's on the It's
33:54
on the fox. He's trying to blur
33:56
out up the socks. I grabbed one. Socks.
33:59
Yeah. I learned my
33:59
favorite one. The socks are fine.
34:02
Don't point the air. Okay. So
34:04
feet are not k, but socks are
34:07
Wickie socks has sat her litigious
34:09
in the same way. Go. Play
34:11
it. Yes. What are you guys eating?
34:14
Slazania. I want
34:16
Malzania. That's you guys. So
34:18
Why are you at what's
34:21
was that? Really. Ma'am? The
34:23
POV aspect
34:26
of the commercial I enjoyed. Why
34:28
are you being like that?
34:31
I'm not. Again You guys you too are supposed
34:33
to be Dean Riggans. No. I'm not
34:35
from this one. Sit with them.
34:38
You're not you either. This
34:39
one is different voice and
34:42
different body except
34:44
for my own cities. They let
34:46
me put those on somebody else's.
34:48
it's
34:50
But look, this has to stop.
34:54
It looks exactly like you.
34:56
It's
34:58
not me.
35:01
You promise?
35:03
I swear to god. Promise right now.
35:06
Swear on your long ring, your
35:09
most prized possession.
35:12
I swear you guys because
35:15
It's like body double, you heard of that?
35:18
Yeah. Mhmm.
35:19
Okay. So
35:21
it's that has heard of it? Mhmm.
35:25
I heard it that once.
35:27
Because if you think about it, just
35:28
talk about what it was when you heard about
35:30
it.
35:31
When
35:32
I heard about body double, at
35:34
least at the time at least at
35:36
the time I heard about it -- Yes.
35:38
Body
35:42
double was
35:44
when you have you're
35:46
doing a Trapi's movie,
35:48
Yeah. Yeah.
35:49
And you have the
35:51
main guy standing
35:53
at the edge of the Trapi's platform and
35:55
he puts his arms out
35:58
Then you stop the entire
35:59
camera,
36:01
take that camera away. Mhmm.
36:03
Bring in a new one out. Yep.
36:07
Take the
36:09
the trapeze, but
36:11
it the main
36:13
guy The guy we saw before --
36:16
Yeah. --
36:17
replace him with, like, a special animal
36:19
m away. Yeah. Yes.
36:21
No. You're missing a step. Sorry. Can I
36:23
say? Because you're supposed to the guy the first
36:25
guy who's in there supposed to take off
36:26
the costume and leave it. Yeah. Sorry. Yes.
36:28
Yes. Yes. I'm sorry. He takes up the
36:30
costume. He becomes nude. He leaves
36:33
it
36:33
sitting exactly
36:34
where it was. Once he's
36:36
completely clear,
36:39
of the
36:40
set? Like, completely When I've seen
36:42
it, they put it on They don't just put the clothes
36:44
on the ground either. They don't wanna get
36:47
wrinkles. So usually, he'll have, like, a
36:51
like a statue next to him that he dresses
36:53
in the writing. That's
36:54
not true. I can tell you guys haven't been on set because
36:57
usually the first guy and the second guy, they'll
36:59
have to have been on set to have heard about
37:01
Yep. It's not hearing about it. Actually, it's
37:03
seeing it. It's
37:04
seeing You don't have to see it. Well, you can't heard
37:06
about it. I still have to have her head contact. Hey.
37:08
The part of the said I watched it is see
37:10
anybody, but I don't have to. I couldn't hear back
37:12
later. They hold arms
37:13
like this, like a circus hold like this, both
37:16
hands, and then somebody peels the shirt off
37:18
one guy's back and directly on to the other guy.
37:20
So if you'll notice that's how you know someone's a body double
37:22
because at the shirt they wearing is inside out, because
37:24
it went straight from the guy one guy onto
37:26
the other guy.
37:27
Okay. Well, at the time I heard about
37:29
it, They just leave it sitting on the ground
37:31
that bring in the special land. Oh, things have changed
37:33
since nineteen forty two. Oh, just saying
37:35
when I heard about it, I hear about
37:37
it. When I heard about it, a step. I was actually
37:40
a little busy in nineteen forty two. I
37:42
don't know what you were doing. Yeah.
37:44
But I was actually taken care
37:46
of -- Yeah. -- business overseas. Around
37:49
nineteen forty two, if I
37:51
recall I was kicking the shit out
37:53
of Klaus.
37:54
No, Sean.
37:57
I
37:57
was doing, like, I was doing, like, hey, is this
37:59
so old?
37:59
He dot dot dot. Like,
38:02
was doing, like, in oh, was that in
38:04
nineteen forty two? You learned about that?
38:06
It's fucker. Yeah.
38:08
You will fuck. You know,
38:10
body double, they put it on the floor. Was
38:13
it nineteen forty two? I said, well, so
38:15
earlier, she said I'm, like, a baby, and
38:18
I look good in my clothes and level
38:20
I never said I never Yeah. You
38:22
did. Okay. Yes. You did. You have,
38:24
like, a little kid of baby. Book getting your clothes.
38:26
Because I was you said I was, like, your butler
38:28
or something, which I Butler hey.
38:30
Nooslash butler can be ugly. No.
38:33
But you didn't say that. Yeah.
38:34
Of course, they can they can be whatever they want.
38:37
You can say whatever Oh, I have my two little
38:39
butlers. I meant one a cute one, one
38:41
ugly one. Yes. It's twenty twenty two. Butlers
38:43
can be freaking hideous. Butlers
38:45
can be I know the best thing.
38:48
It's now yes. We
38:50
we we get this capacity to think
38:52
of it about of promoting this
38:55
disgusting product on my put
38:57
my show. We've talked a little bit about body
39:00
positivity on this show.
39:02
With your question about very
39:05
ugly, but
39:05
Wait. Positive. Positive. Positive
39:08
on me. So
39:09
it is you. Hold on. I'll be right back.
39:12
She's
39:14
got a Where'd she go? I
39:17
don't know, but this is a good time She's gonna use
39:19
a remote this is going for us. She's
39:21
he's breaking up. Fucking running circles around
39:23
us. It's like she Everything we throw at
39:25
her, she has an answer for. I
39:28
don't know where if there's the
39:30
shirt. See.
39:32
Wow.
39:33
Okay. Oh my god. She
39:35
must have charged a fortune for it.
39:38
Direct TV is underwater
39:40
on this. Do you
39:41
guys allow me to put around premium channels
39:43
anymore. Different
39:45
husband, I'm noticing.
39:48
From the
39:49
what the the museum garden -- Yes.
39:51
-- husband's
39:51
with last time.
39:53
Yeah. And from the friends.
39:56
Okay. So she's putting on --
39:58
She's putting on -- Sure. -- over her headphones
40:01
and and putting -- going over the
40:03
headphone wire. And
40:05
And it's actually it it's because
40:08
I feel like Simpson trial. It
40:11
it says that See, so you tell it
40:13
wasn't me It wasn't you. Yes.
40:17
Yeah. I mean, this Our class action
40:20
suit is it shambles because if
40:22
the top doesn't fit, it didn't even get over
40:24
your head.
40:25
We must acquit.
40:27
Wow. So
40:28
this We must to quit.
40:31
So
40:31
Oh my god. There you have it.
40:33
I'm
40:33
wondering if we're using What is worth commercial
40:36
now?
40:36
Is any of this you? Is is it your
40:39
thumb switching between the
40:41
two channels? Football house You've been cashed
40:43
in the checks. I've been this
40:45
one's It's your thumb. It's
40:47
not. Cashing your checks. This one's
40:49
my crotch on my mouth. Oh
40:51
my god. Well, Jesus. I
40:53
I don't k. Sorry that's grossed to you guys,
40:56
but that's how it worked because like,
40:58
it takes a it takes a village to make a commercial.
41:00
And
41:01
so you need you need body parts? village
41:03
of different body parts.
41:05
Yes. Because why do you think, like, in
41:07
a commercial, you want the consumer to look better
41:09
than ever before, but no one really looks
41:11
that good. So they make a mix of different I have the
41:13
best crotch and the second best health. And
41:15
so in Hollywood, and so they put my
41:17
stuff there, and then they put somebody else's really good
41:20
hair. See, I have bangs, that girl doesn't
41:22
have bangs, that's somebody else's hair. Stuff like
41:24
that. Who
41:24
directed this thing? Doctor
41:26
Victor Frankenstein?
41:28
No. Well,
41:30
who did direct it? Because I've been actually
41:32
trying to get into this world
41:34
a little more. And I I'd love
41:36
to just, like, unable to make someone mirroring
41:39
in contact. Yeah. Take him out
41:41
for coffee. Pick for your brain. Just
41:43
That's it. Doctor Frankenstein
41:46
by trying to pick your brain. Okay.
41:48
I'll tell you No kidding. I'll tell you
41:50
who directed this commercial, but do you want joke
41:52
answer or serious answers only?
41:54
Or
41:54
could I do one of both? And then you can guess No.
41:56
No. No. No. No. No. No. No. No. No. A I don't let
41:58
a pick. Yeah. Okay.
41:59
These are the here, I'll give you one joke and one series
42:02
you guys can guess.
42:02
Yeah. Let's
42:04
the
42:04
Serious
42:07
answer is Jake's Manski and
42:09
joke answers channel from friends.
42:12
Okay.
42:13
Okay. And so Friends was the serious
42:16
answer
42:17
last time it came up and now I'm
42:19
just trying to track And now one of the guys
42:21
from a friend was has
42:23
become a joke answer. Yeah.
42:25
Because I guess he, like, struggled with addiction
42:27
or something. Yeah. I guess that's funny.
42:30
So You, like, couldn't What do you Sean,
42:32
what's your guess?
42:33
Oh, I'm doing guess as well. Yeah.
42:37
I shouldn't say Chandler from friends. I just
42:39
saw him get raked over the calls for that one.
42:42
I think it's I think it is seriously
42:44
Jake. I'm just seeing pieces
42:46
of this,
42:47
like, of the staging where
42:50
I'm, like, this is the part of the same universe where
42:52
Mike and Dave are needing it. What they Mike and Tableau.
42:54
It's not a classic Mike and Dave Tableau.
42:56
Yes. Are these two people
42:58
may need wedding dates? Yeah. It's that
43:01
close. That's
43:03
the right answer. But I wasn't listening to
43:05
you guys talking because I was thinking the whole time I think
43:07
I don't
43:08
know how to pronounce his last name. How do you
43:10
know it's the right answer to that? You did do it
43:12
incorrect
43:12
way. Oh, yeah. What is it? Seymanski?
43:15
What
43:16
do you say it? It's Spymanski. It's not
43:18
Sis.
43:20
Don't call me his true
43:22
name. He is he is a his his
43:25
True name is Skymanski.
43:29
Cements. And he has played
43:31
this role in our little game to a t
43:33
perfection. I learned
43:36
you and did the trap.
43:38
As you admit that it is your
43:40
mouth. That's I don't remember the housewives.
43:43
Not a more game.
43:45
Injuring Jack Prescott, also a party
43:48
to our Mister Jake was actually
43:50
soon in our game. Mhmm.
43:52
And now the move
43:55
has
43:56
Checkmate -- Yeah.
43:59
--
43:59
of
43:59
the Queen, you. Keep
44:02
playing this. The
44:04
rock. And on demand together.
44:06
Football? Housewiped. Housewiped.
44:09
Football, Housewiped.
44:09
So this is on you.
44:11
Keep
44:12
going. I just wonder, I I need you
44:14
to watch every second of this. Everything
44:16
that's happening. I repeat the housewives from
44:18
The housewives being on the field is on
44:20
you. You did that. Back. You did that.
44:23
They tackled the and he fell into
44:25
a table. How's my cut the
44:27
football? Who cut the table?
44:30
This is TV together. Entirely on
44:32
you. As you admit, it was your mouth.
44:35
Who
44:36
flips a table?
44:38
Yeah. But I it wasn't my finger on the remote.
44:40
So how is that combination
44:43
of it doesn't work if it's just Well, how
44:45
the fuck is that gonna hold up in court?
44:48
It
44:48
doesn't work if it's just the finger. It's that
44:50
you have to be saying it as well. Everyone knows us.
44:52
If you're switching between two channels on Direct TV,
44:54
So then I'm only fifty percent Who hang
44:56
on. Hey, excuse me. My friend just asked you to hang
44:59
on a second.
44:59
Sorry. Is
45:02
he
45:02
gonna go put on a shirt that he wore in
45:04
commercial?
45:05
I don't think so. I think we've saw
45:08
how how well that worked out.
45:11
And
45:11
now he's back. And now he's gonna
45:13
put his headphones back on.
45:16
They're in there. Oh, they're already in. I'm global.
45:18
Yeah. Yeah. I
45:20
So
45:21
them
45:24
my wife is assembling a shelving unit
45:26
in the yard and, you know, for
45:28
storage.
45:30
And
45:32
she wanted my help. But I just told
45:34
her, we're
45:36
about to put the final mail and Lisa
45:38
killed Joyce coffin over here.
45:42
And
45:43
we will be suing Sean's wife. I need it literally just
45:45
one second. We will be suing Sean's
45:47
wife. To
45:48
finish this murdering her.
45:50
Oh god. I've
45:52
got I've got receipts.
45:54
Exactly.
45:54
What the fuck is this one. This is the
45:56
most fucked up one of all. Exhibit
45:59
c. Shit.
45:59
For
46:00
Dunkin'
46:02
fake. What's
46:03
the where is this mountain?
46:06
Where is that mountain? Calabasas. Calabasas.
46:09
Yeah. Yeah.
46:11
Right.
46:13
Repunzel Repunzel. Let
46:15
down your head. Not your name. Different
46:17
guy. It's just a hack. Right.
46:20
That's great. You're great.
46:22
I'm I'm making big Where's the fucking
46:24
thing? No.
46:25
Copy about that. Way too big.
46:28
The what?
46:29
That is sick.
46:32
The coffee looks fuck. The coffee's
46:34
twice the size of the man. Hey, go
46:36
back. Wait
46:37
a minute. Don't
46:38
play the part where I put the spoon in my
46:40
mouth again, Kevin. Don't because I'll know what you're
46:42
up to. I'll wear it.
46:44
Play it again, but blur that part. Blur
46:46
on the spoon. We cannot have wick making even
46:48
the mourners. Yes. Don't
46:49
put a green screen over
46:51
the where the spoon was. You remember anyone
46:53
on it. Pause it here. Ugh. You're
46:56
gonna drink the coffee like that?
46:58
Yeah. Probably bigger than the guy. It's
47:00
way too big. The way you're holding
47:03
it, it's gonna get everywhere.
47:06
Okay.
47:06
Just wanna say. I don't know how they
47:08
did things in nineteen forty two, Hayes,
47:10
but you're just
47:11
I'll tell you how we did things. We
47:15
win overseas.
47:16
And we, TCB,
47:20
you put on your fucking
47:22
uniform, load it
47:24
up your weapon, Mhmm. You
47:26
got off the boat and you knocked
47:28
the sour crowd out of those
47:31
fucks.
47:32
That's what we did nineteen
47:35
forty two. That's a that's a little days
47:37
to how we did things. But Sean,
47:39
so I'm doing a joke again on his
47:41
And I'm saying, like Yes. Yes. So
47:44
you're not, like, from nineteen forty
47:46
two. Per So when you tune in, it makes
47:48
it more, like, too fun,
47:48
then it's not a roast on Hayes. It's like
47:51
you being, like, yeah, us too were military
47:53
boys, and then I start
47:53
feeling left out. We're we're kinda
47:56
close to be. We're teamed up on you. Do you give
47:58
it to me again? Give it to me again? I
47:59
don't remember how they did things in commercials in
48:02
nineteen forty
48:02
two. Hayes probably does the old fuck.
48:05
Yeah. So something like that.
48:06
Yeah. Okay.
48:07
Yeah. Hayes.
48:09
Tell me again about when the planet
48:11
was invented. Yeah. He's
48:14
hey, do you seem to recall
48:15
Bronteosaurus? Or maybe you're
48:17
sad to think about him because you watch him die from the
48:19
meteors.
48:19
Is how it is how does
48:22
is he taste the brontosaurus?
48:24
When he Yeah. Is your dinner? Hey,
48:26
is
48:26
what's you do your big footnotes car?
48:30
Okay. So were so your
48:32
entire claim is that you weren't even at
48:34
the museum. And
48:36
yet, all of a sudden,
48:39
you've become quite an expert about Brontosaurus.
48:42
I'm Brontosaurus. And
48:44
once again, Sean is pretending
48:46
to be To not like me.
48:48
And he actually does. And yes.
48:51
And we we appeared to be in luck
48:53
step you and I when actually I was
48:56
being good spy from me
48:58
the whole time. Hey. Hey.
49:00
Hey. Can I ask you, did you maybe get a
49:02
hug before started recording from
49:04
Sean. And
49:05
he said he said looking forward to recording with
49:07
you today, buddy.
49:09
I guess it was
49:12
I mean, I wouldn't describe it as, like, different
49:14
from any other hug that we've done. But, like,
49:16
yeah. It's not something that, like, stood out to me
49:18
necessarily little bigger. I wrote
49:20
that. I wrote that, Hayes.
49:22
That was the plan with And
49:23
you played right into our fishy
49:26
scheme?
49:28
You stupid one.
49:30
You
49:32
Lisa came
49:36
to me. Lisa came to me Yeah. She sniffed
49:38
out the entire plan pretty quickly
49:40
to do full class actions.
49:42
Because I was like, why would you drive
49:44
to my house to hug me the night before a podcast? No
49:46
podcast host's ever done that before.
49:47
Right. I knew immediately something was
49:50
weird.
49:50
No. She had me she
49:53
had me nailed pretty fast. And
49:55
So she sort of devised this scheme to turn
49:57
the tables on you. I didn't really have much of
49:59
a choice. And
50:00
so what and what so what happens
50:02
to me then? I don't understand. I don't know. We call
50:05
you old. We say you're old.
50:06
And you know what, he's
50:08
you've now illegally tormented
50:10
four commercials that belong to
50:13
the Republic of the United States
50:14
of America. You have no right
50:16
to remain
50:18
successful. Any of this and
50:21
remain silent. And anything
50:23
you can do in
50:25
real estate will absolutely hold
50:28
again. Praying -- Yeah. -- in law. On
50:31
in In In ever in
50:33
a men, the
50:34
superior justice.
50:35
Of the peace. Okay.
50:37
Start your banner.
50:40
Yes. I
50:40
have to go to jail or something like who
50:43
like, who fucking cares? I don't give
50:45
a shit. Yeah.
50:46
Well, your trial will be
50:48
first phase, and it's gonna be a physical
50:51
one.
50:51
Mhmm. Yeah. Okay. Good. You're gonna
50:54
try to have to move a big tire across
50:56
the lawn? Or, like, whatever. Like, I don't.
50:58
Like, I don't know why you don't think I don't actually
51:00
care about this. No. I don't.
51:02
This is such huge. This
51:04
is like a joke to me. Like, I'll do,
51:06
like,
51:07
okay. If that's like, if you think that's
51:09
cool or, like, crazy or whatever. But,
51:11
like I don't think it's cool. Hey. I actually think
51:14
it's cool. Yeah. You do. No. You are.
51:16
It's really sad. I mean, you
51:18
clearly think it's cool, but what are you saying
51:20
about it?
51:21
Okay.
51:22
Great. I'm
51:23
like,
51:25
whatever it is you wanna do. I'll, like, I'll do it,
51:27
but, like, I do not give a shit. Stepping
51:29
out of the twisted game for just a moment,
51:32
your hair is down. In
51:34
the commercial? Yeah. It starts
51:37
down. Yeah.
51:37
It's down and I remember
51:39
It says, let down your hair. It's down.
51:41
You're gonna say just a second, but it's already
51:43
down. It's full. No.
51:44
It has to be down further for him to grab
51:47
a little Fuck
51:47
you. Why can't I go down and you've heard it?
51:49
Back up.
51:50
Yeah. Watch. He's
51:51
questing for it. I have watched. It's
51:53
gaslighting me. This shit's
51:56
fucking down, dude. Cool. I think
51:58
we should see other people. No. No.
52:00
It's not. So we could talk about this face to
52:02
face. No. No. No. No.
52:04
No. No. Pull it up, but it was
52:06
down. And then he has to go actually. Then
52:09
he has to go for it, but why didn't he just
52:11
climb it? Don't
52:14
call him a moron his. Don't call him moron his. You don't even know him.
52:16
You said it's more on him. You said it's more
52:19
on him.
52:20
Yeah. Well, it's that's I
52:22
mean, it's objectively more on him. Don't
52:24
say more on him. You don't even know him. He's an ass. actually
52:26
more on him. He's
52:27
a really talented guy. Actually,
52:29
David Duke. David
52:32
Duke with a t at the end.
52:34
Is
52:35
he related to Dan? Yes.
52:37
His brother. His brother.
52:39
Their brothers too? Yeah.
52:42
Everybody is brothers or
52:44
friends or has parents and
52:46
all this stuff. This whole
52:49
thing, it's just what you hear about Hollywood.
52:51
It's so incestuous.
52:53
It's so nothing up until is it. Heard
52:55
she's married to the chief of police,
52:57
and he's got their brothers and their
52:59
end. They're putting the commercials It's
53:02
all it's it's all who you know,
53:04
isn't it? Yeah. Yeah. No.
53:07
It's it's Napotilia. It's
53:08
Napotilia.
53:11
Do
53:11
you know Dan also?
53:14
Not really. Just through Yeah. Right.
53:17
I don't really know. Am I just you know. Yeah. Okay. And yet
53:19
you got him. And yet you got him this commercial
53:21
and you don't know, Dan.
53:23
More more nipple
53:25
babies. Right?
53:29
Right. Or nipple babies getting the
53:31
big breaks.
53:32
Well, contrary to possibilities. Actually,
53:35
women
53:35
wasn't even talking.
53:37
Okay. Women don't have to have sex with
53:39
two brothers to get on a
53:40
commercial. And I never said that
53:42
you did that. But you were
53:44
thinking it you just No. I actually
53:47
said actually didn't even cross my mind.
53:49
And I know if that that were
53:51
presented to them, they'd be like, what are you doing?
53:54
You're being crazy. You
53:56
think
53:56
if I tried to have sex with both of them once they'd say,
53:58
what are you doing? They'd say, what are you
53:59
doing? You're being,
54:01
like, insane right now. You're acting
54:04
weird. Just
54:06
be maybe they'd be like just
54:08
be just, like, be in the commercial if,
54:10
like If that's what you want If that's
54:12
what you're commercial. Yes. But please just
54:15
be more But don't commercial. Strange.
54:18
Right. What's your next
54:20
Not stranger things. What's your
54:22
next commercial? Yeah.
54:24
I
54:26
don't have one. Little
54:27
sneak preview
54:28
doesn't have one. Well, it's not out yet.
54:31
Have been enough following lists. It's
54:33
not out yet, but it's mean, I haven't even
54:35
shot it yet, but I did just book my next commercial.
54:37
Well, if you don't have a thought of yourself,
54:39
then than actually that
54:41
we've done our job on this podcast.
54:44
I
54:44
have another one. It's for
54:46
it's for I can't say the brand
54:48
name, but I'll do the commercial for you. PoV, you're
54:50
watching me in my next commercial.
54:53
Mom, what the hell is going on with
54:55
this
54:55
the countertop? Dear,
54:57
the sponge is in the cupboard. Well, that's not
55:00
my that's it.
55:01
Oh, look at that shine on that one.
55:04
This
55:04
bunch and bring it out.
55:06
It's
55:06
sheen on it, and it's and
55:08
the way it cleans from this kind of water gleeame
55:11
doesn't leave
55:11
streaks. You're clump you're clumps
55:13
in this thing -- Yeah. -- in every role.
55:16
Well
55:17
Wait. She's trying to she's trying to you're
55:19
she's trying to get paid. She's trying to promote
55:21
this the sponge on this show. I'm not
55:23
gonna even let her say the name of the
55:25
Bye. Goodbye. Goodbye.
55:29
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55:30
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