Dougald references a long essay by David Cayley, ‘Gaia and the path of the Earth’ and Bruno Latour’s book, Facing Gaia, contradictions ‘must be endured and sustained, not resolved or overcome’ and Vanessa Andreotti on ‘layering’

Ed talks about his first paddle upstream from the Mill and introduces this week’s instruction:  ‘Small yourself up’?! via Jamaican buses and Antarctica.

Dougald talks about the privilege of taking up space, whether that’s man-spreading on the tube or being quick to jump in and say whatever comes to your mind in a meeting.

Ed refers to the Findhorn New Story Summit  and how the over eager crowd were encouraged to self-police their own contributions by asking themselves whether they would add more to the gathering than a moment of powerful collective shared silence.

Dougald talks about the app ‘Is A Dude Talking?’ and how if you put this podcast through the Is A Dude Talking? app, the answer is 100% yes.

Ed discusses how looking or feeling small is usually associated with humiliation, insignificance or stupidity but how the proverbial roots of ‘small’ often work the other way. Bringing in E.F.Schumacher’s ‘Small is Beautiful’.

Dougald introduces something the Belgian philosopher Isabelle Stengers says, about making the case for slowing down and the 1905 San Francisco streetcar footage, used as a music video by Air for La Femme d’Argent and how Illich talks about “the speed-stunned imagination.

Ed wonders whether the pandemic and the reclamation of road space for outdoor and al fresco hospitality and physically distanced mobility might actually help us tune back in to our speed-stunned imaginations and reconnect with Illich’s sense of human scale streetscape conviviality?

Dougald goes back to Alan Lane from Slung Low Theatre and a post of his from the autumn, on whether it’s the job of arts organisations to be running food banks.

Dougald quotes a line from the political theorist Jodi Dean – ‘Goldman Sachs doesn’t care if you raise chickens’ – and Chris Smaje’s book A Small Farm Future, and the artist Jeanne van Heeswijk - working at ground-level, at the human scale, in the communities where they find themselves.

Dougald talks about an invitation from the composer Lola Perrin’s live-streamed reading marathon to coincide with the hearing where the UK government is seeking to jail the barrister Tim Crosland who deliberately broke the embargo on the announcement of Heathrow Airport Limited’s successful appeal to give the go-ahead for a third runway. And the readings he chose - a short passage from Tyson Yunkaporta’s Sand Talk where he’s writing about Aboriginal law and one of his favourite poems that’s ever been in Dark Mountain, Cate Chapman’s Protest Poem.

When we think and talk big, it’s easy for that bigness to be a refuge from the fragility of being embodied creatures with fist-sized, fist-shaped hearts that beat for a while - John Berger’s Bento’s Sketchbook and ‘the disturbance of distances’

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