Episode Transcript
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Part 2. Harris
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it is. You
1:01
have been unashamedly yourself, and I don't
1:03
even like using unashamedly. You have been
1:05
yourself for a long time, and actually
1:08
what happens so often is people start
1:10
to discover their identity later in life,
1:12
right? There are voices that say that
1:14
if you ask kids to sit down
1:16
and talk about their feelings the whole time, you
1:19
just create these snowflake kids and blah,
1:21
blah, blah, blah, which is nonsense. It
1:23
seems to be a dominant rhetoric. I'm actually not
1:26
sure that everyone thinks that, but I think that
1:28
right-wing press has a good way of spreading that
1:30
stuff. And yet, what
1:33
it did for you, for example, is it actually
1:35
just made someone who felt really safe in themselves,
1:37
and was able to go on and do things
1:40
that you would have potentially, we
1:43
don't know, stifled and
1:45
would have come out in other ways. And what about the
1:47
other kids who were there? Are you still in touch with
1:49
any of them? I am, and one of my good friends,
1:51
she's now an actor. Her name is
1:54
Gideon Adlard, she just touched on it in London today, so I'm very
1:56
excited to see her. I've been a very
1:58
artistic group of kids. because if I
2:01
talk to any of them now, you know, they're
2:03
singer-songwriters, they're actors, they're painters, there's very few people
2:05
that I know that went into finance. And I
2:07
think the important point to point out here is
2:09
a lot of them are being quite successful. I
2:12
mean, everyone has their own definition of what success
2:14
is, but in their field. And I think that's
2:16
what's so important, especially in a country like the
2:18
UK, which I love so much, but at the
2:20
same time, we don't put enough attention or love
2:23
or money into the arts. And I think this
2:25
shows that basically an art school that was about
2:27
talking about your feelings and emotions, it gave
2:30
way to a bunch of 20-something-year-olds that
2:32
are very successful in the artistic fields
2:34
and are living across the world. So
2:36
we should do more of that. We
2:38
should do more because it creates self-belief,
2:40
right? And that can be down to
2:42
your sexuality and your identity, but can
2:44
also just be down to like, I'm
2:46
a kid drawing polka dot pussy bows
2:48
and every rapper I know is wearing
2:50
hoodies. And people are like, how
2:53
are you ever gonna address anyone? Because I remember that was
2:55
slightly a context of a conversation about someone saying to you,
2:57
why are you doing that? If everyone just
2:59
copies each other, we're never gonna have creativity, right? And
3:03
it requires messianic
3:05
self-belief, unfortunately, just
3:07
to do something that you
3:09
kind of weirdly believe in, but
3:12
it's very hard to get other people on board. Well,
3:14
I think there's a safety thing as well. I think
3:16
when I first moved to London, and I was just
3:18
taking the tube and bus every single day, and I
3:20
remember like, there was on a day that went by
3:22
that I wasn't hearing Saget or Freak or What the
3:24
Fuck, or people taking the piss. I used to live
3:26
in Sinsbury Park for quite a while. I remember one
3:28
or two times like running through that little kind of
3:30
tube path that feels like it's never ending and being
3:33
like, holy shit, I'm gonna get beaten up. And I
3:35
think now I'm in a place where I still take
3:37
public transit, I fucking love that about London, but you
3:39
know, I am in a cab a bit more often,
3:41
I'm in a car a bit more often, and I
3:43
feel so safe. I'm constantly aware that even today
3:46
I was wearing head to tochita with a giant
3:48
purse and massive sunglasses and blown out hair and
3:50
I'm dripping in like all these vintage random jewelry,
3:52
and I feel very safe to present myself in
3:54
this way, but I'm also aware that like I
3:57
got to take a black cab here in the
3:59
morning. It's also a thing where I
4:01
think there's safety comes into a massive part of
4:03
it as well. I think people sometimes are nervous
4:06
and scared to even play with the idea
4:08
of what their biggest dreams are. I'm
4:10
not saying that what you look like, it means that
4:12
that's your dream. But if let's say you want to
4:14
be a singer, usually there's a persona that comes with
4:16
that or you want to be a designer, there's a
4:18
persona that comes with that. You want to be an
4:20
artist, there's a way of representing yourself that comes alongside
4:23
usually that artistic passion that you have where obviously you're
4:25
just wearing a suit and wanting to go... I
4:27
say gets by girls are fine, it's like wearing
4:30
a suit and following that norm or wearing the tracksuit or
4:32
this or that or the other and kind of doing the
4:34
norm is obviously just so much safer.
4:36
And when you don't have the privileges of having
4:38
the protection of a good friend group or like
4:40
literally a steel thing built around you, which is
4:42
like a car to feel like you're not going
4:44
to get gay bash. It's also a thing that
4:46
I constantly kind of have in my DMs and
4:49
I'm late night chatting with people about them coming
4:51
out later in life or early in life or
4:53
not feeling safe or feeling like I feel like
4:55
I might be fluid or I might be trans
4:57
but I don't feel safe to put a skirt
4:59
on it for my parents. All these kinds of
5:01
like safe space conversations, which for me has always
5:03
been my thought process as I build a company
5:05
and like how can I help in creating safe
5:07
spaces? Like I create these garments that hopefully almost,
5:09
that's why there are a lot of cages, even
5:11
the thing I did for Harry Salas American Vogue,
5:14
I got with a massive cage, cages and big
5:16
hats. There's almost these things that you kind of
5:18
like can set you inside of. It's like literally
5:20
putting you into like this safe space where the
5:22
boots are all 22 centimeters.
5:25
So you're, you know, I always wear high shoes.
5:27
I feel like I'm always about being present
5:29
but also being at a safe distance. We
5:31
were talking about Eddie Izzard and Julian Clary
5:34
and how people are
5:37
cool with Julian Clary
5:39
because he's wearing a pink
5:42
PVC sock basically and
5:45
he's on TV and
5:47
that is theatre
5:50
and it's not everyday life. And
5:53
the risk of being a person
5:56
putting that on and
5:58
just going to the supermarket is very,
6:00
very different. And that
6:02
is undeniable. And when Travis
6:04
Alabanza came on this podcast, they were saying,
6:07
I am aware that as I get older,
6:09
and if I were to have kids, I
6:12
will recede away from my trans non-binaryness because
6:14
it's just going to be easier at the
6:16
school gates. And I will fade into the
6:18
background. And that is because it's about safety.
6:21
So I
6:24
think about, you know, I think
6:26
it is really relevant. But then I also think
6:28
about the idea that, say,
6:30
my dad was a fashion photographer,
6:32
a very open hearted, open minded
6:35
guy, completely, completely. But when I
6:37
told him I was having kids with my husband,
6:39
he was like, what, like Elton
6:41
John? And I was like,
6:44
no, like people. Like
6:46
you're like, like husbands do. Yeah. But
6:50
there is something really useful about the mainstreaming
6:52
of things that are totally normal, but they're
6:54
considered to be on the margins. And I
6:56
think if you've seen Harry Styles in a
6:58
dress on the cover of Vogue, it
7:01
does create little bits of language,
7:03
right, to start discussions. And
7:05
I know that people always go, but so and
7:08
so was wearing a dress since doctor.
7:10
We know, but culture
7:12
is about the present moment and who's doing
7:14
it now, right? And it's super useful. And
7:17
you talk about this in the book, you
7:19
know, about the history of queer language and
7:21
all of that. But do you feel like
7:23
you're contributing in a way as well that
7:25
that is that is helpful to have someone
7:27
like Harry expressing himself in that way? I
7:30
think anytime to your point that people are
7:32
having a conversation, I feel like I'm doing
7:34
my job right. And I think lately, within
7:36
anything, whether it's little Nas X with his
7:38
chest out on the things like the MTV
7:40
Music Awards we did as a massive crinoline
7:42
skirt or whether it was Harry Styles or
7:44
whether it's Troye Sivan or, you know, whoever
7:47
were working in a way that we're pushing
7:49
the gender binary, let's say, whether people have
7:51
having hate speech or whether it's praise. I
7:53
think it's always amazing because I've always had
7:55
that since a very young kid. And maybe
7:57
it's something that I just had to tell
7:59
myself, I really believe it, but if
8:01
I'm walking down the street and some bloke looks
8:03
at me and excuse me again but says the
8:05
word faggot to me, I know in my head,
8:07
and I've always told myself it doesn't matter because
8:10
he is clearly opening a dialogue within himself because
8:12
he's just seen something, had such a visual reaction
8:14
to it. We're all in our heads 24-7. He
8:16
must lie in bed at night and be like, why
8:19
did I have such a thing? But even so subconscious,
8:21
I do think it starts a narrative and it does
8:23
start a conversation. So to your point, and
8:25
something I always try to talk about is like I didn't
8:27
invent fluidity. I'm not the beacon or the face or anything
8:29
like this. Look at the
8:31
long list of hundreds and hundreds of years
8:33
of people, whether they were knowingly or unknowingly
8:36
pushing for a more fluid future, but I'm
8:38
someone now that has a following that is
8:40
making quote-unquote over-the-talk pieces, working with people that
8:42
are very prevalent in the mainstream. And I
8:44
feel like then there's this conversation that gets
8:47
to keep erupting, which I think is important
8:49
around what men should quote-unquote wear, what women
8:51
should quote-unquote wear, what is non-binary, what is
8:53
fluid. So I feel like I'm hopefully
8:55
contributing. I mean, it's fucking help-sell. That's the
8:58
whole reason I built this company. Like I'm
9:00
just really not bothered about it. I'm
9:02
pleased to report you are. But also actually
9:05
in a way, something that's just occurred to
9:07
me. So we first saw the world
9:09
in a huge, huge context, first saw your
9:11
clothes on you on Instagram.
9:14
You are a gender-fluid person. Actually
9:17
you didn't ask for Harry
9:20
Styles to wear them. You know, like
9:22
that wasn't in your plan. Harry Styles
9:24
put them on. You
9:27
didn't put them in a shop under gender-fluid.
9:30
You know what I mean? You know,
9:32
I just did me. I literally made clothes. I
9:34
mean, I think for that context for people, like
9:37
I had, I don't know, 1,500 Instagram followers
9:41
or 2,000 Instagram followers. I remember just literally
9:43
being like, I am a queer, non-binary person
9:45
and I don't see anything in any shop
9:47
from at the time top shop to, I
9:49
mean, I couldn't afford Chanel. I don't know
9:51
what Chanel. That was doing any kind of
9:53
clothing that represented my gender or who I
9:55
was. And that's when I just started making
9:57
and it became very Studio 54 sound. 70s,
10:00
you know, romantic, what I'm known for now, the placebo and the
10:02
flares. But I was just making myself close
10:04
because there was nothing else there that felt like it
10:06
worked for me. And then from that point, people were
10:08
just screenshotting those harmless Instagram pictures and was like, I
10:10
want this for this client. The VIP was like, I
10:12
want to look like that. I want that, you know,
10:15
that's also why I feel like the business has
10:17
grown in a space that I never, to your
10:19
point, had like a massive sign that was like
10:21
gender fluid clothing here. This is what this is.
10:24
I was just like, I'm just being me. And I'm
10:26
creating pieces that I love for myself. And then it's
10:28
kind of grown its own, I
10:30
hate the word fan base, but people that want to
10:32
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me how your identity has evolved. and
12:00
how you're feeling now and you make a
12:02
really lovely distinction between non-binary and gender fluidity
12:04
that you feel is right for you. Just
12:07
tell me more about that. Just question. So I
12:09
think for me what I love about fluid is
12:12
the fact that I mean again, it is fluid.
12:14
It's ever changing, ever moving. I think again, three
12:16
years ago, I was always saying I'm non-binary, you
12:18
know, I went by strictly they then pronouns. I
12:21
did not feel male or female. I felt that
12:23
gender was fluid and that's where I stayed. As
12:26
I went on my own journey, I also thank
12:28
God for therapy and got a really incredible therapist
12:30
that I also worked hand in hand with
12:32
because obviously when you start a company and
12:35
even accidentally based around your identity, it
12:37
fucks with your head because I started
12:39
believing that I was this six
12:41
foot, let's say seven foot tall with the
12:43
platforms and red hair and makeup and slender
12:46
physique and that it was
12:48
who I was and I quickly realized that isn't
12:50
like that is actually not what fluidity is. Fluidity
12:52
is changing. Like I can still be fluid, but
12:54
I can be wearing baggy jeans and fucked up
12:56
trainers and a t-shirt and have my hair in
12:58
a bun and look like
13:01
stripped back and that's still that. So I had
13:03
a lot of therapy. I'm just giving that context.
13:05
Also as I was growing a brand that was
13:07
rapidly growing and rapidly having a demand, I also
13:09
had to figure out what fluid actually fucking meant
13:12
to myself. And so I think kind of coming
13:14
into now, you know, 20, 24, which is crazy
13:16
when 20, 24 fluid
13:18
looks a lot different to me because I still
13:20
identify as fluid, but my pronouns go by he,
13:22
him and they, them. Some of my friends even
13:24
call me she, her. I for me think that
13:26
my fluidity is the fact that I don't feel
13:28
like I stick into any specific gender and that
13:30
is fluid and that is acceptable.
13:32
And so for me, it's also
13:35
something that was actually I wasn't going to say this,
13:37
but I even had a lot of exact like a
13:39
lot of really bad anxiety and a lot of therapy
13:41
sessions when I was going to reintroduce the fact that
13:43
I wanted to maybe go by he, him sometimes because
13:45
I felt that I became in a way accidentally a
13:48
bit of a poster child for the fluid community because
13:50
every article is like they, them, Harris, and like, you
13:52
know, I was like, am I going to get a
13:54
fucking ton of sorry, I didn't realize I swear so
13:56
much on it, but I'm guessing I'm passionate, but I
13:59
was like am I gonna get
14:01
backlash or people gonna call me out and be like,
14:03
that's not actually fluid of you. And I kept trying
14:05
to kind of separate a little bit non-binary
14:08
and fluidity because I think that they do go hand in
14:10
hand, but I think that they are also their own entities.
14:12
And that's how I've always looked at it for myself because
14:14
I was like, I don't know if I'm gonna wake up
14:17
one day and you know, I've just got married two months
14:19
ago and we know we're talking about children in the future.
14:21
Like, I don't know, you know, I like how the word
14:23
mommy sounds and that's something that actually I might want my
14:25
kids to say. And I've always even told my now husband
14:27
from the beginning, like, I don't know if in the future
14:30
that I might want to be a woman, I might want
14:32
to be a man. It doesn't matter because it's fluid and
14:34
he's always been so on board with that. And this is
14:36
why, you know, I don't understand whether there's ever a
14:38
bloody conversation around the fact that, oh, there's two
14:40
genders because that is absolute bullshit. We are all
14:43
on this spectrum. I don't get how people can
14:45
be so fictional. So why does anyone give a
14:47
shit? Like, why does anyone care? Totally. And I
14:49
get it because obviously everyone has to put something
14:51
in a box. Everyone has to put someone in
14:53
a lane. You have to put someone in their
14:55
place that is how society is built, whether you're
14:57
rich or poor, whether you are better or less
14:59
better. People have to be able to decipher those
15:01
things by putting you in a bracket. And gender
15:03
isn't part of it. Some of you put into
15:05
a bracket. But it comes with so much baggage.
15:08
Like, that's the thing that I reject
15:10
about. I just reject all the baggage
15:12
it comes with. I love masculinity. I
15:14
love femininity. I love all those things.
15:17
But that guy who's shouting faggot at someone
15:19
along the street is because, that's not his
15:21
fault. It's because he has
15:23
been educated in
15:26
this way of all the stuff that
15:29
comes with it that
15:32
is really toxic. And so
15:35
for that reason, I feel like I just reject
15:37
it all. I don't know what that means, but
15:39
I'm just like, everyone is everyone. And
15:41
it's an energy. But I always try and describe it
15:43
to my friends. And I don't know if this
15:45
is a very good description. But I
15:47
always found gender confusing. When I remember
15:49
being someone being behind me in a
15:51
shop and someone going, oh, let the
15:53
man pass. I was probably like 15.
15:56
They were like, oh, let the man pass. And I was like, how do they know
15:58
I'm a man? Like, I didn't understand. It
16:00
just felt this weird
16:02
nebulous thing that I think
16:04
a lot of people don't have that. They
16:06
just accept it. But if you find it
16:09
strange, it kind of
16:11
is everywhere and everything and you feel it and
16:13
you see it in everything you look at, right?
16:15
It takes time also to not see gender. It's
16:17
not not see gender but not be affected by
16:20
it. I mean, even like past examples, me and
16:22
my husband now that I live between Paris and
16:24
London do a lot of projects. We set a
16:26
date night aside every, let's say Tuesday night, it's
16:28
usually what we do. We go out to dinner
16:30
and they'll give me the menu first and they're
16:32
like, Madam or like Ma'am and then they give
16:35
him a second. It depends on the place. I'm
16:37
not trying to be called a woman but it
16:39
also doesn't bother me. But it's taken, even imagine
16:41
me going on dates as a young queer person.
16:43
I had anxiety going to the date because I
16:46
was like, I'm going to be going out with
16:48
a guy and I maybe didn't fully explain my
16:50
outlook on my gender or anything
16:52
and then we'll sit at a restaurant and they'll say Ma'am and then
16:54
they'll kind of look at me and then I'll go back, oh, doesn't
16:56
that bother you? Is that weird? And that it
16:58
just starts this whole conversation where like it's taken a
17:01
lot of therapy, good friends writing a book to be
17:03
at a place where I don't fucking care and it
17:05
shouldn't matter. And I think this is also something that
17:07
I have a lot of conversations with a lot of
17:09
my trans friends and non-binary
17:12
friends and just even more, I hate
17:14
the word more, what is more feminine gay friends mean? But when
17:16
they are misgendered, I have some
17:18
friends that have very strong views that you immediately
17:20
correct that person and almost call them out. I
17:22
disagree more with this because sometimes for me, I'm
17:24
like, yeah, but this poor person is working in
17:27
nine to five. They're literally in hospitality. I used
17:29
to work at All Saints on the shopping floor
17:31
when I was 18 and I was like, I'm
17:33
not going to embarrass this person and call them
17:35
out. Like, you know, I've always had a thing
17:37
that if I'm in a business meeting or if
17:39
I'm working with someone in a long-term project, I
17:41
find it a safe space to be able to
17:43
speak about my gender or my pronouns, but in a restaurant
17:46
does not become the place where I need to make someone
17:48
feel bad. But it does take quite
17:50
a while for me also to not let it affect
17:52
me too much and also not for the which always
17:54
happens later. And my voice, I know is very high
17:56
pitched, but when I start talking, they'll be like, oh,
17:59
shit, sorry, sir. And I'm like, it's cool, it's
18:01
chill. And then like once or twice in the manager's come over,
18:03
like, oh, we're so sorry about that. And like, it's the thing
18:05
where I'm like, no, it's cool. And I guess I get to
18:07
be in a privileged place to say,
18:09
it's cool because again, good friends, good support system,
18:11
good therapy. I know some people being misgendered is a
18:13
really horrible thing and that I 100% understand
18:16
and respect, but I also think it's about why like
18:18
fluidity is kind of finding your fluidity,
18:21
your thresholds and limits
18:23
inversion. Yeah, exactly. Your version and
18:26
people don't mean harm often, and
18:29
compassion and patience are really useful
18:31
things in that space. But
18:33
like you say as well, like being misgendered is
18:35
completely different and not cool. I
18:38
think as queer people, we have a bit
18:40
of a responsibility to also push the
18:42
conversation forward in a positive way. I didn't wanna
18:44
call someone out and make them feel bad because
18:46
I wanna have it be more of a calm,
18:48
open dialogue. Even with this book, I'm not a
18:50
lock, who's an incredibly talented writer and a good
18:52
friend of mine. And they are so
18:55
much, like the way that they speak, I did a panel with
18:57
them at BOS, I've
19:00
never felt like I've found it more stupid because
19:02
they speak so eloquently and they have everything so
19:04
clear. But what I realized my purpose in this
19:06
space of fluidity and educating people is the fact
19:08
that I'm a stepping stone, hopefully into a deeper
19:10
conversation. Like this book right here, I, you know,
19:12
originally when I started it, I had had the
19:15
word fuck, like bitch, I was much more like,
19:17
this is my book for my gays and the
19:19
gays and you know, and ha ha ha. And
19:21
then when I talked to the publisher, they're like,
19:23
yeah, but what's the actual goal with this? And
19:25
I was like, well, I wanna be in every
19:27
hand with kids out there and I want them
19:29
to feel like they can have this as a
19:31
stepping stone, the book that when I was nine,
19:33
I maybe saw on my grandparents or my aunt
19:35
or my conservative uncle's shelf and grabbed off and
19:37
had a little flick through. And was like, oh,
19:39
whoa, look at this person that, you know, I
19:41
can see a bit of myself potentially in, whether
19:43
it's what I'm doing with my career or my
19:45
gender. And it kind of opened up a deeper
19:47
dive because that's not, I'm not a writer. I'm
19:50
a fashion designer and my medium is closed, but
19:52
I still am a queer activist in that space.
19:54
And so I wanted to also find
19:56
that kind of beautiful line of letting
19:58
this book sit in. in the granddad's
20:00
flat in the Midlands and it's not
20:03
like this shocking book that's like, you
20:05
know, fluid now, let's fucking deep dive
20:07
into this and kind of
20:09
alienate people but sometimes be a bit
20:11
too, you know what
20:14
I'm saying? Yeah, well you catch more bees
20:16
with honey than vinegar and I don't mean
20:18
that in an apology. We shouldn't, no one
20:21
should be apologizing for anything. No,
20:23
no apologizing. No, no, no, never, no,
20:25
never. But it's grace and elegance and
20:27
all those things that bring people in
20:29
and, you know, help
20:33
people understand and compassion
20:35
and all of those things are amazing and Alok
20:37
is amazing at that. I always love that thing
20:39
they do when people write. I think they share
20:41
it quite a lot on their Instagram but like
20:44
there's this person who like did this really
20:46
aggressive troll on Alok's Instagram. I'm not even
20:48
going to say the words but, you know,
20:50
like it was really mean and
20:52
Alok just wrote this comment underneath saying, hey
20:54
friend, are you okay? And it's like a
20:56
couple of paragraphs long and it's like, I'm
20:59
living my life and I'm really happy. I'm
21:01
sensing you're not because you're getting up in
21:04
my face about what I'm doing. Is
21:06
everything okay? And it's not, I'm making that sound
21:09
passive aggressive and actually it's not, it's just really
21:11
compassionate. No, it's so compassionate and also
21:13
the way that for me like Alok is able to
21:16
just, like the
21:18
word is not not react, we're not trying to
21:20
tell people to not react but just to go
21:22
to a place of so much compassion and love
21:24
and be like, I'm doing really good. Like what's
21:26
going on with you? Like let's talk, like I
21:28
think that, you know, as someone I can speak
21:31
to you and be like, yeah, of course I'm
21:33
very calm. But you also reminded me of David
21:35
Hockney, you know, like I think about like my
21:37
first entrance to queerness was David
21:39
Hockney imagery, you know, it was
21:41
incredible painting. It was very mainstream for want of
21:44
a better description. It was just because people loved
21:46
it. It has nothing to do with what he
21:48
was doing. Hockney Houston, I want
21:50
to dance to somebody video. Old
21:52
movies my mum was watching on a Sunday
21:54
with glamorous people, Diamonds and things.
21:56
But you know, like it's a gateway.
21:58
It wasn't, I didn't. they'd at that
22:01
age. Took. Me to begin my
22:03
own journey of discovery. Both had perhaps acceptance
22:05
of difference. I. Didn't need a raging
22:07
tome about fuck the world and I'm
22:09
not say they don't. They. Are
22:11
necessary. Not great, but even I think
22:13
about the transcend issue. Some.
22:16
Say sitting behind me some
22:18
facebook. That. Is a very,
22:20
very com dissembling of
22:22
why? We. Are where we are and
22:24
I think. That. The more. We.
22:27
Can remember that I think the more change
22:29
we can make actually a big into a
22:31
twenty four the amount of incredible individuals before
22:33
me that let's see to side and I'll
22:35
be seen as stonewalled be in the streets
22:37
actually make that change. Also find that constantly
22:39
put some way in a good well my
22:41
shoulders to have an ad com ela quince
22:43
and and pet eggs in there were elegant
22:45
a good way your elegant from of this
22:47
was summoned to educate them and not. Dislike
22:49
not fuck you and just be like I'm in a
22:52
kind of go a treat to a safe space but
22:54
actually like know this is my space that I need
22:56
to have a com conversation be able to and of
22:58
educate someone reading magazines like ask questions and not the
23:00
offended by the questions and like this fluid then they
23:03
get like a kind of us more like a filthy
23:05
sex question and you're like okay that actually has nothing
23:07
to do with the of but neither takes a lot
23:09
of time and it takes a lot of yes and
23:11
set it. It's also not that you should have to
23:14
answer that question it if you don't want to but
23:16
the reason people asking you that question is because we
23:18
do not equipped people elsewhere. It's not. Mentioned in
23:20
school and luckily it was a yours but
23:22
we robbed. People have the opportunity to understand
23:25
the spectrum and therefore whether their questions go
23:27
and all of that is all of those
23:29
things, isn't it? Now. Paris
23:31
we have to finish. This has been
23:33
such a beautiful conversation. Thank you so
23:35
much things you let me ask you.
23:38
What's. Next for you today. And
23:40
what's next for the future I'm I'm
23:42
gonna go to do a Mike Sackett
23:44
the Dna which is where were doing
23:46
a soggy this months of my book
23:48
tonight. So Shallots insiders victim of abuse
23:51
them within. lovely Kenya hunts and. Then.
23:53
For the seats are Adidas keep the things my
23:55
God that becomes a keyword and everything that I
23:57
do because it's and God God God. Whether I'm
23:59
in pain, good erecting a during, think I'm bigger
24:02
projects working with think I'm bigger people at Dickens.
24:04
A. Matter of the so many voices and to
24:06
system to the one that's right inside. I
24:14
just thoroughly enjoyed every last
24:16
little moment. To thank you
24:19
Harris for taking the time
24:21
working away in he's telling
24:23
the corner. Very inspiring! Necessarily
24:26
he thought hello have a second
24:28
podcast at him as a pin
24:30
on Instagram were on six August.
24:33
And go get yourself.
24:37
To the Life. So the link is
24:39
in the by, the link is on.
24:41
it's gunfire. It's all that play for
24:43
darling. Next week. So
24:45
from fastened to careers Haynes I
24:47
mean the seventy As as a
24:50
time when we think that tenure
24:52
presence of well next week got
24:54
Henry Holland on the Sir Henry
24:56
was mysteriously success of Essence of
24:58
the Trump Suit stars Allah Harrys
25:00
read and then have a complete
25:03
change of career. now does pots,
25:05
pottery ceramic so happened during Knocked
25:07
Out and he's turned that into
25:09
his success and it's just as
25:11
really with a really interesting chat.
25:14
About gonna follow your heart and
25:16
and also and reason right Google
25:18
could find is full of brilliant
25:20
ideas. Super smart I love it
25:22
says that's next week so in
25:24
a puppet a bookmark at the
25:26
how did he think that you
25:28
know haven't listened to Thursday's that
25:31
fun The so comes out Sweeney
25:33
Snow. Really okay him with this
25:35
has been. Nothing sort
25:37
of emotional everybody and sending he loads of
25:39
love and the have he as have listed
25:41
as I do have to that. He
26:12
cast powers the world's best. Hey
26:18
y'all,
26:20
I'm Karen Finley, host of a new podcast
26:23
from her post called I Know That's Right.
26:25
This week, I'll be taking you on a ride
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where mainstream media and the depths of
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internet culture collide. Joined by
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be breaking down the weekly what's what
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