As with most stuff, I was late to the Skinny Pelembe party and the way I got into his music was as random as it gets: I came across an Instagram post (see, Instagram does have its uses) of his about buying an Austin Allegro with his streaming royalties ( I think that was the gist of it). Now my old man - rest his soul - was an Austin aficionado back in the days of my formative years when he got hold of the Austin 1800, Maxi, Princess and Maestro (I crashed this beast of a machine soon after I passed my test and I think that kinda stopped his love affair with Austins). He never bought an Allegro – that was the domain of our across the road neighbours and buying the same mustard coloured one would have been a bit weird.

Enough of this nonsense: Skinny is writing and performing music that is really far reaching in its impact. It’s ingenious, it's inventive, unpredictable, open minded and most of all, it makes me curious, not least to put my own experience and interpretation on the music. It challenges me as I like art to do. I can be in the middle of soulful banger and weeper that explores what it means to grow up in a world that dehumanises, the next time I’m in a trippy, distorted underground village and everything else in between and around about. This is what it's all about. Brilliant stuff.

He’s just released, with Beth Orton, a cover of Leonard Cohen’s wonderful 1974 track Who By Fire to complement his two albums, two EP’s and singles. 

I'm so pleased that I got to talk with a true diamond. Enjoy!

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I Wanna Jump Like Dee Dee is the music podcast that does music interviews differently.

Giles Sibbald talks to musicians, DJ’s and producers about how they use an experimental mindset in every part of their lives.

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