International Documentary Festival Amsterdam
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Film critic Dana Linssen speaks to author/filmmaker David Shields about his experimental archive film 'Marshawn Lynch: A History at IDFA 2019.
Film critic Dana Linssen speaks to Kivu Ruhorahoza about 'Europa, Based on a True Story', his new Hybrid film at IDFA 2019.
Film critic Dana Linssen interviews Laura Herrero Garvin, director of IDFA 2019 film 'La Mami'. The film was part of the IDFA Competition for Feature-Length Documentary.
Film critic Dana Linssen interviews Alan Berliner, director of IDFA 2019 film 'Letter to the Editor'. The film won the IDFA Beeld en Geluid Reframe Award for the best creative use of archive in a documentary film.
Film critic Dana Linssen interviews Marija Stojnić, director of the IDFA 2019 film 'Speak So I Can See You'. The film was screened within the IDFA Competition for First Appearance.
Film critic Dana Linssen spoke to Madeleine Leroyer about her film #387, which had its world premiere at IDFA 2019.
This episode features the Doc Talk with filmmaker Wang Bing, after the screening of his monumental film Dead Souls. This Doc Talk was moderated by Ian Yang and it was recorded on November 22, 2018.
This episode features the Filmmaker Talk with Audrius Stonys. Using excerpts from his films, film programmer and journalist Pamela Cohn talks to the filmmaker who has more than 20 films to his name. This talk was recorded on November 20, 2018
This episode features the Filmmaker Talk with Maria Ramos. Following the screening of her film “The Trial”, Brazilian-Dutch filmmaker Maria Ramos’ speaks to Jean Perret about her film work and her view of Brazil today. The talk was was recorded
This episode features a recording of the Industry Talk: SVoD Platforms: Repositioning the European Digital Single Market.Our documentary industry is going through major changes that we, the documentary community, need to discuss. Between new
This episode features the recording of the IDFA 2018 Industry Session: Data driven audience engagement. Speakers are Sarah Mosses from Together Film and Sonja Henrici of the Scottish Documentary Institute. The session was recorded on November 2
This episode features the recording of the IDFA 2018 Industry Talk: The Act of… Releasing: How to Bring Documentaries to Theatres Successfully. Is there an ‘X factor’ that makes a documentary suitable for theatrical distribution? And what are t
This episode features the DocTalk with among others director Steve James that took place after the full-day screening of the documentary series America to Me. It was recorded on November 18, 2018 and hosted by Sean Farnel.
Industry Talk: Solidarity with Filmmakers at RiskThis episode features the recording of the IDFA 2018 Industry Talk: Solidarity with Filmmakers at RiskWith civil society shrinking in many parts of the world, documentary filmmakers are incre
This episode features a recording of the IDFA 2018 Doc Talk with director Avi Mograbi about his semi-documentary Happy Birthday, Mr Mograbi. In this 1998 film, screened as part of IDFA 2018 focus program “Me”, Mograbi connects the very personal
This Talk looks to the growing need for fair co-producing practices. How can we come to a just practice of co-producing that respects aesthetics, cultures, and economies across borders?This was discussed by guests: Cecilia Lidin (Danish Film
Welcome to the podcast of IDFA 2018. In this podcast we’re presenting a selection of recordings from this year’s industry sessions and doc talks. Please check out recordings of other talks and events of IDFA at idfa.nl and subscribe to the po
Director Raed Andoni enlists Palestinian former prisoners to first reconstruct the infamous Israeli prison that once held them, and then re-enact their own suppressed memories. After the screening, filmmaker Eyal Sivan interviews director Raed
In the late 1980s, Depeche Mode invited D.A. Pennebaker and his wife Chris Hegedus to make a film about the band, using Bob Dylan: Dont Look Back as an example. Like that film, Depeche Mode: 101 is largely in the Direct Cinema style that charac
Wolfgang Thaler only filmed 30 days for the three-part Whores’ Glory by Michael Glawogger. He captured the lives of prostitutes in Thailand, Bangladesh and Mexico, and not without putting his own life in danger. Eric Hynes talks with Thaler, Ul
After the screening of Atman, film journalist Nicolas Rapold speaks with Pirjo Honkasalo, who in addition to directing is also responsible for the impressive camerawork of the film. A conversation about filming documentaries in the pre-digital
Joumana El Zein Khoury (Director at the Prins Claus Fund) discusses the opening film of IDFA with director Mohamed Siam. (Recorded November 17, 2017 at De Kleine Komedie.)
After the screening of Chris Marker’s classic Le joli mai at IDFA 2017, Nicolas Rapold talks with cinematographer and co-director Pierre Lhomme. Lhomme, who worked as cameraman on several of Marker’s films, discusses their collaboration and the
Everardo González is one of the strongest voices in the documentary genre in Latin America today. In this Filmmaker Talk, he discusses his work, methods and views in a conversation moderated by David Wilson. (Recorded November 21, 2017 at De Br
Nicolas Rapold talks with cameraman Ed Lachman about Tokyo-Ga by Wim Wenders. Lachman, who has also worked with Werner Herzog, the Maysles brothers and Ulrich Seidl, discusses the specific cinematography of Tokyo-Ga and his collaboration with W
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