Melvyn Bragg and guests discuss how, in September 1812, Napoleon captured Moscow and waited a month for the Russians to meet him, to surrender and why, to his dismay, no-one came. Soon his triumph was revealed as a great defeat; winter was coming, supplies were low; he ordered his Grande Armée of six hundred thousand to retreat and, by the time he crossed back over the border, desertion, disease, capture, Cossacks and cold had reduced that to twenty thousand. Napoleon had shown his weakness; his Prussian allies changed sides and, within eighteen months they, the Russians and Austrians had captured Paris and the Emperor was exiled to Elba.
Professor Emeritus of International History, LSE
Reader in European History, King’s College London
Reader in Modern European History, University of Glasgow
Producer: Simon Tillotson
In the 500th edition of the programme, Melvyn Bragg and his guests discuss the philosophical idea of free will.
Free will - the extent to which we are free to choose our own actions - is one of the most absorbing philosophical problems, debated by almost every great thinker of the last two thousand years. In a universe apparently governed by physical laws, is it possible for individuals to be responsible for their own actions? Or are our lives simply proceeding along preordained paths? Determinism - the doctrine that every event is the inevitable consequence of what goes before - seems to suggest so.
Many intellectuals have concluded that free will is logically impossible. The philosopher Baruch Spinoza regarded it as a delusion. Albert Einstein wrote: "Human beings, in their thinking, feeling and acting are not free agents but are as causally bound as the stars in their motion." But in the Enlightenment, philosophers including David Hume found ways in which free will and determinism could be reconciled. Recent scientific developments mean that this debate remains as lively today as it was in the ancient world.
Bertrand Russell Professor of Philosophy at the University of Cambridge
Professor of Philosophy at the University of Birmingham
Professor of Philosophy at the University of Reading
Producer: Thomas Morris
Melvyn Bragg and guests discuss the context and impact of Pablo Picasso's iconic work, created soon after the bombing on 26th April 1937 that obliterated much of the Basque town of Guernica, and its people. The attack was carried out by warplanes of the German Condor Legion, joined by the Italian air force, on behalf of Franco's Nationalists. At first the Nationalists denied responsibility, blaming their opponents for creating the destruction themselves for propaganda purposes, but the accounts of journalists such as George Steer, and the prominence of Picasso's work, kept the events of that day under close scrutiny. Picasso's painting has gone on to become a symbol warning against the devastation of war.
Professor of Modern European History at the University of Sheffield
Gijs van Hensbergen
Historian of Spanish Art and Fellow of the LSE Cañada Blanch Centre for Contemporary Spanish Studies
Dacia Viejo Rose
Lecturer in Heritage in the Department of Archaeology at the University of Cambridge
Fellow of Selwyn College
Producer: Simon Tillotson.