0:02

Welcome, friends, to this week's edition

0:04

of In the Groove, Jazz and

0:06

Beyond. My name's Ken Laster. We're

0:08

going to start today's show by paying

0:10

tribute to Les McCann. I

0:12

learned over the past few days that

0:15

he had passed away on December

0:17

28th of last year at

0:20

age 88. I've always

0:22

enjoyed Les McCann's music.

0:25

There were two albums in particular that have

0:27

been part of my music

0:29

library that I have listened

0:32

to repeatedly throughout

0:34

the years. One is of course, Swiss

0:37

Movement, which is Les McCann

0:39

and Eddie Harris, the great

0:42

tenor saxophone player, recorded in

0:45

1969 at the Montreux Jazz Festival,

0:47

Montreux, Switzerland. I

0:49

also enjoyed the album Invitation to

0:52

Openness. They are both quite different

0:54

albums. So we are going to

0:57

hear examples from both of them,

0:59

beginning with Swiss Movement.

1:01

We're going to hear a

1:03

track called Cold Duck Time.

1:06

All right, we're going to try a

1:08

new song. This is a song written by Eddie Harris.

1:11

Today was the first time we ever saw it. So

1:15

with your help, we

1:17

might do it. This is called Cold

1:19

Duck Time. This

1:52

is called Cold Duck

1:56

Time. $100

6:32

per year, extra

6:37

$200 per month

6:40

perHowever, during the

6:48

spectral eight

8:04

will you

17:00

you is

17:38

the then

17:56

the You

20:35

Our tribute to Les McCann, we heard

20:38

a couple great examples of his music.

20:41

The last thing you heard from the

20:43

album Invitation to Openness, a 1971 release,

20:45

we heard Buh-bye

20:49

Magoochie and his friends.

20:52

And that features not only Les

20:54

McCann on piano and electric keyboards,

20:56

but also Yossef Latif on tenor

20:59

saxophone, oboe and flute, and

21:02

many others as well. And

21:04

before that, we heard from his

21:06

most famous album, Les

21:08

McCann and Eddie Harris,

21:10

Swiss Movement, recorded live

21:12

at Montreux. We

21:15

heard the Eddie Harris composition, Cold

21:17

Duck Time. Speaking

21:20

of the album Swiss

21:22

Movement, it was a

21:24

certified gold album and perhaps

21:26

its biggest hit was

21:29

Compared to What? And

21:31

there's another cover

21:34

of that tune by

21:36

Roberta Flack. I'd always thought that Les

21:38

McCann and Eddie Harris' tune was the

21:40

original one and that it was written

21:42

by one of them, but a

21:44

little research. And I learned

21:46

that it was written by

21:48

Gene McDaniels, a singer-songwriter. And

21:51

it was recorded first by

21:53

Roberta Flack in February of

21:55

1969. And

21:58

it would be recorded a few months

22:00

later. later in June of that same

22:02

year by Les McCann and

22:04

Eddie Harris. I wanted

22:06

to play the Roberta Flack version of

22:08

this tune. I really like it. And

22:10

I once read that the great bass

22:13

player Ron Carter considered this one

22:15

of his favorite recordings that he is

22:17

on. So that is saying a

22:20

lot from Roberta Flack's

22:22

first take. Let's hear her

22:25

version of, compared to what with

22:27

a great bass line from Ron

22:30

Carter. Oh

22:58

damn nation. who

24:06

can flip your Examples Is

26:02

Forum Is

26:11

Is Is

26:28

Is Is

26:35

Is Is

26:42

Is Is

26:48

Is Is

26:57

Is Is

27:27

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27:38

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27:51

Is Is Is

28:00

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29:01

oh ah

29:41

eh hm

29:47

uh good

29:59

you music

31:05

music music

31:15

music music

31:27

music music

31:35

music music

31:45

music music

31:56

music Oh

33:35

yeah.... you

37:00

oh uh

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oh e

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um me

40:30

I don't know. I

40:36

don't know. I

40:41

don't know. She's

40:43

gonna be like, I don't know.

40:48

I don't

40:51

know. I

40:54

don't know. Last

41:14

two tracks in that set were from

41:17

great players out of the

41:19

Hartford, Connecticut area where I

41:21

resided for 40 plus

41:23

years and was part of the jazz scene there.

41:27

We heard from Matt Dwanzek from his album

41:29

A Year and a Day. That was a

41:31

2022 release. And

41:34

his version of the Mongo

41:36

Santamaria classic Afro Blue. And

41:40

that group has Matt Dwanzek

41:42

on bass, Andrew Renfro on

41:44

guitar, Chris Allen on saxophone,

41:46

Tabor Gable on Fender Rhodes,

41:48

Jonathan Barber on drums, and

41:51

some great vocal work by

41:53

Chanel Johns, all of them

41:55

who had attended the University

41:57

of Hartford, and Jackie McQueen.

42:00

Institute for Jazz. And before

42:02

that we heard from someone

42:04

who was mentored by Jackie

42:06

McLean himself in Hartford.

42:08

His name is Mike Derubo.

42:11

His new album, brand new

42:13

release, is entitled Inner Light.

42:15

And we heard The Muse

42:17

and that as Mike

42:20

Derubo on Outdo Sax, Brian

42:22

Charette on Hammond B3 Organ,

42:24

Andrew Renfro on Guitar, and

42:27

Jung Kok Kim, J.K.

42:29

Kim for short, on drums.

42:33

Now we're going to travel from

42:35

coast to coast from Hartford, Connecticut

42:37

to San Diego, California. And

42:39

we're going to hear from Matt

42:41

Hall, a fine trombone player. I

42:44

got to see this group last night

42:46

at the Jazz Lounge in San Diego.

42:48

He released an album in 2022 titled I

42:50

Hope to

42:53

Mine Never. It also features

42:55

Outdo Sax player Charlie Arboles who

42:58

wrote this tune we're going to

43:00

hear. Let's listen to

43:02

No Going Back from Matt Hall.

43:14

No Going Back from Matt Hall No

43:49

Going Back from Matt Hall. Never

45:17

have I have never

45:20

heard heard of. Call.

45:34

Heard of. At

45:37

hand. He.

46:27

Ah ha ha ha ha ha ha ha.

46:32

ha That's

48:30

Matt Hall from the album I

48:33

Hope to Minever. We heard No

48:35

Going Back. Matt Hall there teamed

48:37

up with Charlie Arboles on alto

48:39

saxophone, who wrote that piece as

48:41

well. And that'll about do it

48:43

for today's show. You are listening

48:45

to In the Groove, Jazz and Beyond.

48:48

My name is Ken Laster. We are

48:50

a radio show over the airwaves at

48:53

WWUH 91.3 FM

48:56

out of West Hartford, Connecticut, as

48:58

well as on an internet

49:01

radio station, radiobobusa.com,

49:03

a great place

49:06

for spoken

49:08

word and music of

49:10

all genres. Check that

49:12

out. We're going to finish

49:14

out today with the SFJazz Collective.

49:16

This album made my favorites

49:19

list, my top ten list for 2023. The

49:23

album's entitled New Works and

49:25

Classics Reimagined. You're going

49:27

to hear a Chris Potter composition, Smokey,

49:30

from SFJazz Collective. oh

52:35

Thank you. Thank

53:05

you. Thank

53:34

you. You

55:00

You You

57:30

Al hugging demons horse

57:52

Christian

58:54

Hi, this is Ken Laster and I would

58:56

like to thank you for listening to In

58:58

The Groove Jazz & Beyond. I've

59:00

published this weekly podcast for

59:02

over 12 years with more

59:04

than 7 million downloads worldwide.

59:07

It takes an extraordinary amount of

59:09

time and expense to produce this

59:12

show. Why do I do

59:14

this? I hope you can tell that

59:16

it is a labor of love to

59:18

promote this art form to you and

59:20

others around the globe. Now I'd like

59:22

to ask you for your support to

59:24

continue this musical journey. If

59:26

you go to my website,

59:28

jazzandbeyond.com, you will find

59:31

a donate link in the top

59:33

menu where you can donate via

59:35

PayPal or Venmo. Or

59:38

search for me by name, Ken

59:40

Laster, on either platform. Surely

59:42

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59:45

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59:47

CD. If you have been

59:49

a regular listener for a period of time,

59:51

perhaps the value to you is even more.

59:54

Whatever amount you contribute, you can join

59:56

me in the tradition of sharing the

59:58

legacy of the world. of this music

1:00:01

to others around the world. I

1:00:03

sincerely thank you for your support.