Episode Transcript
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0:01
Welcome, friends, to another edition of In
0:04
the Groove Jazz and Beyond. My name's
0:06
Ken Laster. I was listening
0:08
to a popular jazz
0:10
standard, Freedom Jazz Dance. It's
0:12
been covered by Miles Davis
0:15
and others. And I
0:17
was listening to a new version of it
0:19
by Eddie Henderson on his latest release and
0:22
realized I had not really listened
0:24
to the original version by composer
0:27
Eddie Harris. So we're going to
0:29
start today's show with that from the 1966 album, The In Sound.
0:34
This is Eddie Harris with
0:36
Freedom Jazz Dance. Thanks
1:58
for watching. He.
2:29
He even. More.
3:16
More. And.
3:29
More. More.
5:00
music music
5:10
music music
5:20
music
5:25
music music
5:35
music music
5:45
music music
5:55
Music. It.
6:43
He. he
10:00
That is such a catchy tune. No
10:26
wonder it's covered by so many. From
10:28
Jazz Dance, the composer of that tune,
10:31
Eddie Henderson from his 1966 album The
10:33
In Sound.
10:38
While I was living in Hartford, Connecticut,
10:40
there was a great young alto
10:43
sax player who was going
10:45
to school at University of Hartford
10:47
and I knew right away she
10:49
was really something special. Her name
10:51
is Sarah Hanahan. She's
10:53
since graduated the University of
10:56
Hartford and moved on
10:58
to New York City where
11:00
she's been quite successful playing
11:02
in local New York City
11:04
jazz clubs and touring the
11:06
world with other great
11:08
players. She's currently touring
11:11
with the Joe Farnsworth
11:13
Quartet and last time I
11:15
was in New York I saw her play
11:17
with Joe Farnsworth. Sarah Hanahan
11:19
is certainly a name to look out
11:21
for on the jazz scene in years
11:24
to come. She isn't well
11:26
recorded at this point in time but I
11:29
did see her pop up on
11:32
an album by the
11:34
Swiss Jazz Ambassadors and
11:37
this album features Sarah Hanahan and then
11:39
I was hit to another album she
11:41
was on by Peter Martin. We're going
11:44
to hear both of those groups with
11:47
Sarah Hanahan in front
11:49
playing the alto sax. I
11:51
hope you like it. We're going
11:53
to begin with the Swiss Jazz
11:55
Ambassadors featuring Sarah Hanahan And
11:58
their version of the Art Blake. The
12:00
Classic: Who gets so. He.
14:48
Me: no.
15:13
Hello! model
16:00
you you
17:00
you you
19:30
You the
22:00
Yeah. Yeah.
23:00
Yeah. Yeah.
25:01
Bepur Ashley
25:24
speaks in Irish the
25:49
the The.
26:32
No. He.
27:47
He. He.
28:23
He. me
31:04
That was Mike Derubo on
31:07
Alto Saxophone, another player
31:10
coming out of the University
31:12
of Hartford, Jackie McQueen Institute
31:14
for Jazz. Mike Derubo, fortunate
31:17
to study directly under the
31:19
master, Jackie McQueen.
31:22
Along with Mike Derubo was
31:24
Brian Charette on Hammond B3
31:26
Organ, Andrew Renfro on guitar,
31:28
and the drummer, Jung Kuk
31:30
Kim, better known as
31:32
J.K. Kim. And the name
31:34
of that track was J.K.
31:36
in NYC, written for J.K.
31:39
Kim. And
31:41
before that, we heard two tracks
31:43
featuring Sarah Hanahan. That
31:45
last one you heard was from
31:47
Peter Martin, a fine piano player,
31:50
along with Sarah Hanahan on
31:52
sax, Gregory Hutchinson on drums,
31:54
and Reuben Rodgers on bass.
31:57
And you heard the track Groove Echo
32:00
Chamber from the album Peter
32:02
Martin and Generation S. And
32:05
before that we heard from the Swiss
32:07
jazz ambassadors featuring
32:09
Sarah Hanahan and
32:12
we heard the Cedar Walton
32:14
composition made famous by Art
32:16
Blakey and his jazz messengers.
32:19
We heard Ugetsu. Up
32:21
next we're going to hear something
32:24
brand new from vibraphone artist Joel
32:26
Ross from his brand new release
32:28
New Blues that was just released
32:30
last week. We're
32:32
going to hear his cover of
32:35
the John Coltrane classic Equinox.
32:37
Let's listen to Joel Ross.
32:53
You You
33:53
You you
36:30
The Thank
38:14
you. Thank
38:42
you. Thank
39:24
you. Thank
39:51
you.
41:00
You You
42:50
he That
47:32
is the late, great Chick Corea
47:34
from his album Now He Sings,
47:36
Now He Sobs way back in
47:40
We heard the track Matrix featuring
47:42
Chick Corea on piano, Mersloff, Vitus
47:44
on bass, and Roy Haynes on
47:47
drums. Before that
47:49
we heard from Joel Ross
47:51
from the album New Blues,
47:53
a brand new release. I
47:55
love the sound of Joel
47:57
Ross's vibraphone and along
47:59
with Joel is Emmanuel Wilkins
48:01
on alto saxophone, Jeremy Caron
48:04
on piano, Kanoa Mendenhall on
48:06
bass, and Jeremy Dutton on
48:08
drums. We heard the track,
48:11
Equinox, a John Coltrane composition.
48:14
That brings us near the close of this week's
48:16
In the Groove, Jazz and Beyond. My name is
48:18
Ken Laster. Thank you for joining me. We
48:21
are on the radio at
48:23
WWUH 91.3 FM
48:25
in Hartford, Connecticut, along
48:28
with an internet radio
48:30
station, radiobobusa.com. Check that
48:32
out. You can also
48:34
join me on social
48:36
networking at
48:39
jazztodon.com, and
48:41
that is a jazz-centric social media
48:43
platform, part of the
48:45
Mastodon Network, so check that
48:47
out. We're gonna finish
48:49
this show with another Chick Korea
48:52
classic. Oh, I miss Chick Korea
48:54
since he passed away in
48:57
February of 2021. Can you believe it's
49:01
been three years? We're
49:03
gonna hear from a great album that
49:05
I think shows off Chick Korea's penchant
49:08
for bringing lightheartedness and joy
49:11
and happiness to his music.
49:13
The name of the album
49:15
is Friends. It
49:18
is a 1978 release with
49:21
Chick Korea on acoustic and
49:23
Fender Rhodes piano, Joe Farrell
49:25
on soprano saxophone, tenor sax,
49:28
and flute, and Eddie
49:30
Gomez on bass and Stephen Gadd
49:32
on drums. We're going to hear
49:34
the title track, Friends. He.
54:27
He. The.
56:28
He. he
58:31
Hi, this is Ken Laster and I would
58:33
like to thank you for listening to In
58:35
the Groove, Jazz and Beyond. I've
58:38
published this weekly podcast for
58:40
over 12 years with more
58:42
than 7 million downloads worldwide.
58:44
It takes an extraordinary amount of
58:47
time and expense to produce this
58:49
show. Why do I do
58:51
this? I hope you can tell that it
58:53
is a labor of love to promote this
58:55
art form to you and others around the
58:58
globe. Now I'd like to ask you for
59:00
your support to continue this musical journey.
59:03
If you go to
59:05
my website, jazzandbeyond.com, you
59:08
will find a donate link in
59:10
the top menu where you can
59:12
donate via PayPal or Venmo. Or
59:15
search for me by name, Ken
59:17
Laster, on either platform. Surely
59:20
just one listen of this podcast
59:22
equals the value of a single
59:24
CD. If you have
59:26
been a regular listener for a period of
59:28
time, perhaps the value to you is even
59:30
more. Whatever amount you
59:32
contribute, you can join me in
59:35
the tradition of sharing the legacy
59:37
of this music to others around
59:39
the world. I sincerely thank
59:41
you for your support.
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