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Episode Mar 3 2024

Episode Mar 3 2024

Released Sunday, 3rd March 2024
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Episode Mar 3 2024

Episode Mar 3 2024

Episode Mar 3 2024

Episode Mar 3 2024

Sunday, 3rd March 2024
Good episode? Give it some love!
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Episode Transcript

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0:02

Welcome, friends and music lovers to this

0:04

week's edition of In the Groove, Jazz

0:06

and Beyond. My name's Ken

0:09

Laster. We're going to start today's

0:11

show with something brand new from

0:13

the fine drummer Ulysses Owens Jr.

0:15

from his new album entitled A

0:18

New Beat. And it also

0:20

features alto saxophone player Sarah Hanahan,

0:22

who I know from my Hartford

0:25

days. She attended

0:27

University of Hartford, Jackie McLean's

0:29

Institute for Jazz. Sarah

0:32

was profoundly influenced by

0:35

Jackie McLean, as you'll hear in this

0:37

next piece. So let's

0:39

begin with a Jackie

0:41

McLean composition, Bird Lives, as

0:45

performed by Ulysses Owens Jr.

0:47

and New Generation Y. The

0:50

album's entitled A New Beat. Let's

0:53

listen to Bird Lives. You

7:30

You. You

10:31

You You

11:30

You. I'm

12:20

or. I. Mean.

15:15

Oh. That.

16:45

Was general Tone Do you find

16:47

trumpet player from New York City?

16:50

From an album entitled Excursions from

16:52

Nineteen Ninety Eight, you heard the

16:54

track Little Bees Poem or Bobby

16:57

Hutcherson composition I play that last

16:59

week. I played the original by

17:02

Bobby Hutcherson, but this is a

17:04

fine cover of that dutiful tuned

17:06

and that features Gym Wrote Sunday

17:09

on Trump That Eric Alexander on

17:11

tenor sax, Steve Davis on trombone,

17:13

David Hazeltine on piano. Peter

17:16

Washington on base and Kenny

17:18

Washington on Trump's Before that

17:20

we heard from you receive

17:22

Owens Junior and Generations why

17:24

from his album a New

17:26

Beat to start off the

17:28

shelf Or we heard the

17:30

track Birds Lives A is

17:32

Jackie Mcqueen composition and that

17:34

feature Sarah Hannahan on alto.

17:36

Any been act on Trump

17:38

at loot or house and

17:40

aren't Yeah No and Philip

17:42

Morris on base and of

17:44

course Ulysses Owens Junior. on trump's

17:46

next up for going to hear tune

17:48

that was covered by some local musicians

17:51

here in san diego i love this

17:53

tune and i was looking it up

17:55

to share with you from herbie hancock

17:58

i found this alternate t which

18:00

is very good. It's a little bit

18:02

of an extended version from the one

18:04

you're used to hearing from

18:07

the album, Empyrean Islands

18:09

by Herbie Hancock. Let's

18:11

hear O'Liliqui Valley. O'Liliqui

19:00

Valley by Herbie

19:02

Hancock O'liliqui

19:31

Valley by Herbie Hancock. oh

25:30

music boxes

26:00

Thank you.

29:00

You You

30:00

to dark

30:02

prey fill

30:04

your music

30:11

Provider Which

30:15

you vaccinated

30:21

You flew

30:25

on and flew

30:29

on But

30:33

who knew it would

30:35

rain so long Who

30:37

knew skies would open

30:39

like sun gay And tear like

30:43

tears down Light

30:46

empty sidewalks in the

30:48

sea That

30:50

isn't right Now

31:04

this cloud will disappear Overcast

31:08

these false love blooming

31:10

How come we'll

31:14

be Never, never, never,

31:16

never, never Never,

31:23

never, never, never,

31:25

never Do

31:28

or lie Like

31:34

even in the dark a

31:36

cloudy view And

31:38

the blue And

31:43

water She's

31:47

a shilling boy She's

31:49

a shilling boy

31:54

Oh, where she grew Did

33:04

it hurt you? I

33:09

know, like

33:12

one Drowns

33:14

a test of time

33:17

from which it knows

33:21

Save it for a rainy

33:23

day Oh

33:29

no, it would last so

33:31

long Now

33:34

I've been home for many four

33:36

days And

33:39

you have made me feel this This

33:42

is the existence of the

33:45

world Of hope that you're

33:48

living in Thank

33:58

you for watching! So

35:08

even it

35:16

had that I

35:28

don't have

35:30

a responsibility to

35:35

to me Men

37:16

and. How.

37:31

many It's

39:01

like a a a

39:06

a a

39:10

a a

39:14

a a

39:18

a a a

39:25

a a a

39:30

a a

39:35

a a a

39:40

a a a

39:46

a a

39:50

a a

39:54

a a a

41:02

The Star

41:19

and Lost Fields Series Challenge

41:23

Game of Thrones AUDIENCE An

41:27

extended set of music. Perhaps 22 or

41:29

23 minutes. The

41:31

last one you heard was from Chris Potter,

41:34

from a single he released. Hopefully this

41:36

is in advance of a new album.

41:39

The name of the track

41:41

is Dream of Home and

41:43

also features John Paattamoochee on

41:45

bass Brian Blade on drums

41:47

and Brad Meldow on piano.

41:50

Along with Chris Potter on

41:52

saxophones. Before that we heard

41:54

from Nicole Zoraitis and Galad

41:56

Hexelman, a fine guitarist. Nicole

41:59

Zoraitis, re- recently took home

42:01

the Grammys for the best jazz

42:03

vocal album, but this is a

42:06

single that she released

42:08

entitled Save It for

42:10

a Rainy Day. And

42:13

we started out that set

42:15

with Herbie Hancock from his

42:17

album, Empyrean Islands. We heard

42:19

an alternate take of O'Lilacuis

42:21

Valley and that is

42:24

a fine quartet of Herbie Hancock

42:26

on piano, Freddie Hubbard on trumpet,

42:28

Ron Carter on bass, and Tony

42:30

Williams on drums. That

42:33

brings us near the close of this week's

42:35

In the Groove Jazz and Beyond. My name's

42:37

Ken Laster. You can

42:39

hear us over the air

42:41

on the radio in the Hartford,

42:44

Connecticut market at www.uh91.3fm. You

42:49

can also hear us on an

42:51

internet radio station and

42:53

that's radiobobusa.com. And

42:56

you can join me on social

42:59

media discussing jazz music and other

43:01

topics. And you can find

43:03

me on Jaztodon, a

43:06

social media platform that

43:09

is connected to the Mastodon

43:11

network. You can check that

43:13

out at jaztodon.com. Sign

43:16

up and participate in

43:19

that great jazz centric

43:21

platform. We're going to

43:23

finish up today's show with a

43:25

fusion favorite of mine. I'm speaking

43:28

of John McLaughlin and the Maha

43:30

Vishnu Orchestra. Back

43:32

in 1974, they put out

43:35

a very unique different album

43:37

entitled Apocalypse with the London

43:39

Symphony Orchestra as

43:42

directed by Michael Tilson Thomas. And

43:44

I just love the way

43:46

they integrated John McLaughlin's

43:48

intense guitar work with

43:51

Maha Vishnu Orchestra with

43:53

some beautiful orchestral arrangements.

43:56

We're going to finish up the show with

43:58

a track from that album. Titled

44:00

vision is a naked sword. Let's

44:02

listen to Maha Vishnu Orchestra Thank

44:04

you for listening folks come back

44:06

next week for another edition of

44:09

in the groove jazz and beyond

44:30

You You

45:30

You You

46:30

You You

47:30

You Continues.

51:38

He. The.

52:27

In. And

53:13

in. New.

53:48

Ah, Ha

53:51

ha. Ha

53:55

ha. I'm.

55:14

In. And.

55:20

My. In a. Eating.

55:33

early Wait

57:30

after the

57:32

door opens That

57:39

wonderful ICO audio

57:51

extract

57:54

Ad Brit.

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