On episode two, I had the immense pleasure of taking part in a wide-ranging conversation with Jesse Darling, a Berlin-based artist whose work has been featured in numerous exhibitions at key galleries and museums, including the Serpentine Gallery and the Tate Britain. I mostly listened, as Jesse generously served sharp, insightful observations on how we define technology, the fallacy of the digital commons, and life as an artist in an increasingly precarious world.
Jesse’s lived experience of exploring embodiment through performativity, from online sex work to playing in bands, allows for insights into issues such as how we all are forced to run our own business and brand, not to mention our sex lives, from our computers and phones. I left the conversation with a shift in my perception of the world; Jesse’s words illicit profound awareness of the fragility of things in the same manner as their visual work.
Gravity Road (Artforum)
NTGNE (Serptine)
-->People we mentioned:
Cameron Rowland (Wikipedia)
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