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The Karate Kid Part II (1986) - Scene-By-Scene Breakdown (Re-Release)

The Karate Kid Part II (1986) - Scene-By-Scene Breakdown (Re-Release)

Released Wednesday, 12th April 2023
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The Karate Kid Part II (1986) - Scene-By-Scene Breakdown (Re-Release)

The Karate Kid Part II (1986) - Scene-By-Scene Breakdown (Re-Release)

The Karate Kid Part II (1986) - Scene-By-Scene Breakdown (Re-Release)

The Karate Kid Part II (1986) - Scene-By-Scene Breakdown (Re-Release)

Wednesday, 12th April 2023
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0:01

Whoa, just

0:01

curious. Welcome to Just curious

0:07

media. This is let's talk Cobra

0:07

Kai. I'm Jason Connell.

0:11

And I'm Sal Rodriguez.

0:12

All right, Sal,

0:12

we are back for another very

0:18

special episode.

0:20

You know, do you feel like our listeners are like specialists? But they are very

0:23

specific context? No, it's

0:29

because it's the absolute truth.

0:29

It's not just embellishment,

0:31

they are very special episodes.

0:31

And that's why, you know, when I

0:33

call our podcast, the number one

0:33

Cobra Kai podcast, I'm not

0:38

saying it to put down any other

0:38

podcast. No, I'm saying it

0:41

because I believe no other

0:41

podcast of the Miyagi verse is

0:46

as thorough and as comprehensive

0:46

as

0:48

ours. I like that

0:48

when you leave a review for us,

0:51

I will leave a

0:51

five star review on Apple

0:54

podcast.

0:55

Very nice. I

0:55

totally agree. And why is it

0:59

special Sal, because we are

0:59

coming back and exploring

1:04

something from the past and that

1:04

is the Karate Kid part 219 86

1:09

scene by scene breakdown.

1:09

rerelease a rerelease of our

1:15

scene by scene breakdown, Sal,

1:15

which was episode 22. And our

1:23

Cobra Kai let's talk Cobra Kai

1:23

universe. And we recorded that

1:27

episode. So long ago, I can't

1:27

believe it. Do you remember

1:32

when?

1:33

Well, I know it

1:33

was a very interesting time for

1:36

everyone across the globe,

1:36

everyone, which because of the

1:41

time frame we're dealing with,

1:41

makes this even more

1:45

significant? Because I think I

1:45

remember I was just like

1:48

quarantining and Pandemic Ng,

1:48

and you call me you're like,

1:52

hey, what do you do? And I was like, What are we what am I doing? I'm locking myself in my

1:53

room. That's what I'm doing.

1:57

Let's

1:57

get that scene by

1:57

scene breakdown of the Karate

1:59

Kid underneath our belt. Yes, it

1:59

was April 11 2020. Pandemic

2:06

starts in March. We're all on

2:06

lockdown still live in Los

2:09

Angeles. And not only were on

2:09

pandemic lockdown, there were

2:13

riots out of the gate. So we

2:13

were had curfews. Oh, that's

2:17

right. It was a crazy, crazy

2:17

time. In fact, that's when I

2:22

started. Let's talk movies.

2:22

Because I was like, What am I

2:26

going to do sound I can't do

2:26

episodes of let's not Cobra Kai.

2:30

There were no episodes. We

2:30

weren't doing special episodes

2:33

yet. So I started let's talk

2:33

movies just to keep my sanity.

2:37

And then it was like, Well, hey,

2:37

we're doing this model, the same

2:40

scene by scene breakdown. Let's

2:40

get Karate Kid, Part Two in the

2:43

bag. So we recorded that night.

2:43

However, truth be told, April

2:50

4 2020. We actually did it for

2:50

the first time. We recorded two

2:56

times because it was the

2:56

actually this was the first

3:00

thing that I had done remote. So

3:00

I take that back. I wanted to do

3:04

this. And I was excited. And

3:04

then quickly spawned, let's talk

3:09

movies. But I had to figure out

3:09

the technology. Wait a

3:12

second, wait a second. This was our first remote recording. When you and I

3:14

were not in the same room,

3:17

right? That's right, yes.

3:19

Because I had to

3:19

figure out how to do it how to

3:21

record remotely. And it was like

3:21

I was thinking I use the

3:26

software. I'll use this well, in

3:26

the end, recording locally was

3:31

the way to do it. I get the

3:31

files, and we have high res but

3:34

I tried a service. And this is a

3:34

long time ago, services have

3:38

improved, everybody was

3:38

scrambling. And we recorded it

3:42

and I started to edit it. And it

3:42

sounded dis mechanical. And I'm

3:48

really into audio and just

3:48

production value. And I was

3:50

like, oh, so I cannot edit that.

3:50

Yeah, we weren't like ma'am

3:55

Omar, but it was just some tones

3:55

and some, some things cut out. I

3:59

thought Yeah, you know what,

3:59

it's probably better off just to

4:02

do it and do it. Right. And you

4:02

were down with it. And we hit it

4:06

out of the park again. So maybe

4:06

someday I'll release that

4:11

version.

4:12

That's funny.

4:12

Yeah. Original version. All

4:15

diversion. So are they are they

4:15

different? Other than quality? I

4:18

only got so far

4:18

and and we moved on. So I

4:21

remember coming back and doing

4:21

it again. And feeling we had you

4:25

know was what, seven days later.

4:25

So we were excited again,

4:29

because it was a couple of

4:29

hours. You know, speaking of

4:31

which, the running time was two

4:31

hours and 38 minutes. The movie

4:39

sound Guess how long part two, I

4:39

was gonna say the next car to

4:42

get the Karate Kid. Part two is

4:42

what's the running time for

4:44

that?

4:45

Well, if our

4:45

running time for the show was

4:47

238 I'm going to assume that it

4:47

was around two hours. Yes.

4:51

Our 53 So the

4:51

first credit card was over two

4:55

hours just over this is the

4:55

sequel. It's a little under but

4:58

yet we went longer.

5:01

Well, you know, because here's what starts. Okay, here's where we see what

5:02

happens is, the reservoir starts

5:08

increasing. And before you know

5:08

it, look at where we are today,

5:10

look at how much history and

5:10

legacy we have to pull from. As

5:13

a matter of fact, now that you

5:13

mentioned, if we were to go back

5:16

to any of these movies today,

5:16

let alone credit get to by

5:18

itself. It might even be longer

5:18

because we have so much to draw

5:22

from today.

5:23

That's exactly

5:23

true. Yes. Well, we released

5:27

this episode, which we're

5:27

highlighting rereleasing here,

5:31

June 19 2020. So that is the

5:31

sequence there. And I was just

5:38

gonna look one thing up really

5:38

quickly, which is funny. So the

5:42

first episode of Let's Talk

5:42

movies of which you were on an

5:46

American Werewolf in London,

5:46

1981. He might seem break down.

5:51

It came out May 20 2020. So

5:51

ahead of this, but it was

5:58

recorded, after I said, Yes,

5:58

April 20 2020. So again, I

6:06

learned a lot through that trial

6:06

and error with the service

6:09

decided to record locally get

6:09

you set up as well. And then we

6:13

were off to the races. So yes,

6:13

this was a big thing, a big

6:18

touchstone. And it was way

6:18

before Netflix got involved with

6:23

Cobra Kai. I just knew I wanted

6:23

to do the sequel. And we had no

6:27

episodes, we were not exploring

6:27

anything else in the Miyagi

6:31

verse at that point in time, we

6:31

were just on hold waiting for

6:35

season three. That's all we

6:35

were.

6:37

No, and I have to

6:37

credit you because, you know,

6:40

there's been a lot of things

6:40

I've done professionally. Since

6:43

you've reached out to me from

6:43

the beginning, with let's talk

6:47

Cobra Kai and just curious

6:47

media. And I would say a lot of

6:51

keeping me loose as a talking

6:51

head as an entertainer as a

6:56

podcaster. As an actor. I mean,

6:56

I was sitting around

7:01

quarantining, that's what I was

7:01

doing. I was doing nothing.

7:04

Yeah. When you reached out,

7:04

you're like, Hey, man. Let's do

7:07

something. I was like, oh, yeah,

7:07

sounds good. But I hadn't

7:10

thought of that. I hadn't

7:10

thought of it. Well, thank

7:13

you. And Sal,

7:13

you're welcome. No. So this is

7:18

the summary of our episode that

7:18

is out there. So again, the plan

7:23

last episode, we were

7:23

rereleasing the Karate Kid,

7:27

scene by scene breakdown. The

7:27

plan is to put all of the

7:30

franchise the trilogy. By the

7:30

way, this is the poster over my

7:35

shoulder there. The Karate Kid,

7:35

Part Two poster, that's,

7:38

oh, you know

7:38

what, yeah, beautiful poster.

7:40

But for some reason, I don't

7:40

know why I expected to see like

7:43

other people, like maybe see

7:43

Sato on there or something. They

7:46

kept that clean. It's just the two of them, okay.

7:48

But the plan is

7:48

to put those and the next credit

7:51

card because we did do a scene

7:51

by scene breakdown in order this

7:54

April, boom, boom, boom, boom,

7:54

boom, I mean, so many booms,

7:57

boom, boom, boom, boom. But for

7:57

that way, our fans can easily

8:03

find it, revisit it, and think

8:03

about this backstory about it.

8:07

Now. We weren't doing that. Just

8:07

curious yet. I mean, there's so

8:11

many wrinkles, the intro was

8:11

different. The outro was

8:14

different. Heck, this was only

8:14

episode 20 to sell. So it's just

8:19

funny to go back and go, Oh, my

8:19

gosh, yeah, it was it's just a

8:22

little different. We've evolved

8:22

in a good way. But I'm so proud

8:25

of where we were. And this is a

8:25

chance to kind of reintroduce

8:29

that. And I think it's great.

8:29

And we should go back and listen

8:33

to them as well and enjoy them

8:33

as well. And then maybe someday,

8:36

one fan said, Hey, you should

8:36

just do the Cobra Kai all over

8:40

again, from today's viewpoints

8:40

like, yeah, that rewatches a bit

8:43

more to chew on and buy it off.

8:43

But maybe we do that at some

8:46

point in time.

8:47

Wait, you're talking about all the Cobra Kai episodes? Yeah. Somebody had

8:49

mentioned that on redo of the

8:51

Cobra. Yeah, let's talk. Yeah.

8:51

Wow. I would not be against

8:55

could

8:56

be fun, whatever

8:56

winds up and then go back and

8:59

watch it. Yeah, it could be a

8:59

lot of fun. But

9:01

yeah, it would be

9:01

fun. I would not be against

9:03

that. It would just be a matter

9:03

of time and logistics and money.

9:06

Because no, no charge now. I

9:06

mean, now you have to pay me by

9:09

the hour. But aside from that, yeah.

9:11

So this is the

9:11

summary. This is what's out

9:13

there and it will be on this

9:13

episode as well. But Jason

9:16

Connell and Sal Rodriguez, break

9:16

down the classic movie and talk

9:20

about visiting Okinawa, the end

9:20

of Cobra Kai and Peters said

9:25

Tara's glory of love.

9:28

Very sweet because, you know, one of the reasons one of the reasons why

9:30

the Karate Kid two is especially

9:34

near and dear to me, because I

9:34

have visited Okinawa in the very

9:39

spot. Where was it called? Tokyo

9:39

Village is a Tokyo village. I'd

9:44

have to look and see. Okay,

9:44

where Miyagi is hometown is

9:47

where he's going back. Yeah,

9:47

that place that is now occupied

9:51

by Kadena Air Base. I have been

9:51

there I have slept there.

9:54

Although in the movie saw they're cheating that because they're in

9:58

Hawaii, Hawaii.

9:58

That's true. Yeah. You know what

10:01

here I am always kicking and

10:01

screaming about Cobra Kai being

10:04

in Atlanta and yet they weren't

10:04

even in Okinawa there. Yeah,

10:08

geez from the beginning they're

10:08

messing messing with our heads.

10:10

And I didn't mean

10:10

to make Peter Sutera sound like

10:13

Peter was plural it's Peter said

10:13

terrorists glory of love but a

10:17

great song and Sal Why don't you

10:17

give us just a little sample

10:20

just like a

10:20

knight in shining armor from a

10:23

long time ago. Like a kid who I

10:23

forgot who I was saved the day

10:28

take it to my castle far away

10:28

and that part where he says take

10:32

you to my castle far away and

10:32

they're running right? Show ha

10:36

she's castle. They must have

10:36

good they must have plan that

10:38

they align that intentionally.

10:38

Course. No, it just happened.

10:42

They just happen that way.

10:44

Am I gonna sell

10:44

goods so there's also a mistake

10:47

Mistakes happen right? And you

10:47

can't edit out everything

10:50

especially if you don't know it

10:50

until many episodes later, but I

10:53

was still on the trend. I'd call

10:53

it the minority. I was still

10:58

calling the SE apartments the

10:58

seven C's that that you're still

11:02

doing it here. Okay, I'm already

11:02

hard enough on myself.

11:07

You're telling me

11:07

after all this time you were

11:09

still

11:10

episode 22 We

11:10

weren't that far and I was on

11:14

lockdown. I hadn't seen the

11:14

South Seas apartments in a

11:17

while. Although when we recorded

11:17

this. It was only a few miles

11:20

away. But it's the Mandela

11:20

effect of which you put on my

11:25

radar. Actually, I forget I

11:25

think I put that on my right now

11:28

you definitely did put that on my radar.

11:30

Your Mandela Effect. Yeah.

11:33

So I went there

11:33

one day way before we were even

11:36

doing the show took photos, the

11:36

fonts really cool. And in my

11:40

mind, I connected the arithmetic

11:40

song Sweet Dreams, which they

11:44

mentioned seven seas and I just

11:44

converted it. And it wasn't

11:48

until a few episodes later that

11:48

we were talking and it just like

11:52

hit me like oh my gosh, it is

11:52

Southies Of course it is I knew

11:56

that I mixed it. And in some

11:56

episodes along the journey. It

12:02

snuck in and this is definitely

12:02

one of them because they're at

12:05

the South Seas apartments in the

12:05

Karate Kid part two. Well for a

12:09

little bit, right.

12:11

Are they at the

12:11

Celsius department in part two?

12:15

The actual said

12:15

that out loud but I'm thinking

12:18

Well hang on in

12:18

your defense wasn't Miyagi Iwate

12:22

Miyagi spoke to Lucille she was

12:22

in New Jersey

12:24

and actually it's

12:24

the third one they go back there

12:28

so actually I don't think

12:28

there's any scenes there and the

12:32

credit there's no south seas in

12:32

credit after all, there's that

12:35

flashback and the beginning of

12:35

the credit card Part Two there

12:38

is a flashback if you recall of

12:38

them moving there were no just

12:42

like, montage of the Karate Kid

12:42

one. The original and the

12:47

credited part two. Were godless.

12:47

I was still hanging on to what I

12:51

thought it was. So there is a

12:51

mistake when you hear it laugh

12:54

let's all laugh at it and we

12:54

moved on. I finally caught it

12:58

before The Next Karate Kid not

12:58

the next guy to kid but the

13:01

Karate Kid part three, it gets

13:01

tricky. The Next Karate Kid

13:04

that's its own movie, you know.

13:04

But anyway, so this is the

13:09

synopsis for the credit card

13:09

part two. Let's see if this

13:12

holds up. So Daniel accompanies

13:12

his mentor, Mr. Miyagi to Miyagi

13:17

is childhood home and Okinawa.

13:17

Miyagi visits his dying father

13:22

and confronts his old rival,

13:22

while Daniel falls in love and

13:26

inadvertently makes a new rival

13:26

of his own. What's pretty good,

13:31

so I think it's pretty

13:32

good. I think I

13:32

would just want to mention a UK.

13:35

Yeah. Because he was one no,

13:35

because Daniel falls in love

13:39

with Kumiko Yeah, yeah, you can

13:39

mention Kumiko and then Miyagi

13:43

his his dying father also

13:43

rekindles an old flame and UPA?

13:47

Yes. So I think just that little

13:47

piece could have been added

13:49

otherwise. Yeah, I think it's pretty good synopsis.

13:51

Well, I would

13:51

actually go one step further and

13:53

have a Sato appearance at the

13:53

end. And he would say what?

13:59

Come out, come

13:59

out.

14:02

Yeah, this

14:02

synopsis would go off the rails

14:04

at that point in time, but yeah,

14:04

really well written because we

14:07

actually on the last episode, we

14:07

read the synopsis from the

14:10

Karate Kid, according to IMDb,

14:10

and it was a little clunky,

14:14

didn't love it. So

14:15

this one's more

14:15

on point. This one's a little

14:17

more streamlined. I

14:18

think. So why

14:18

don't you do the honors of just

14:22

giving us the hitlist of all

14:22

stars who put the Karate Kid

14:26

Part Two out there in the

14:26

universe for us.

14:30

Director John G.

14:30

Albertson writer Robert Mark

14:34

Kaman. Cinematographer James

14:34

crepe. Cast, Ralph macho Pat

14:40

Marita Nobu, McCarthy Tamlyn

14:40

Tomita, Danny kamekona Ug aka

14:46

moto Composer Bill Conti.

14:46

producer Jerry Weintraub.

14:51

Wow. Amazing

14:51

legends. We've lost a few of

14:55

them. Absolutely. Abelson Merida

14:55

Weintraub. But

15:00

Robert Hang on.

15:00

Robert Mark came and out there

15:02

living on a vineyard on the

15:02

vineyard. Because he bought he

15:05

bought a vineyard may

15:07

now. He's had an

15:07

incredible career. But yeah,

15:10

please go explore our Robert

15:10

Mark came and filmography

15:13

episode. That's right

15:14

we have a special

15:14

episode dedicated to Robert Mark

15:17

Kaman. Yeah, that's true.

15:19

So yeah, it's no

15:19

doubt that this movie was I

15:23

wouldn't say it's as good as the

15:23

sequel. You would, I would say

15:27

it's a great sequel. And and,

15:27

and this one could have been a

15:32

standalone movie. This guy has

15:32

been a standalone movie. Many

15:36

sequels try to recreate the

15:36

original and and yeah, there are

15:40

some components in here that

15:40

there's I roles in this movie, a

15:43

few, a few. Santos kind of one

15:43

note until he's not and he turns

15:47

a corner and a half second. It's like, well, he

15:49

does like a

15:49

Christmas carol Ebony's.

15:51

Exactly, yeah, 180

15:54

and chosen is

15:54

just too bad. It's like there's

15:57

nothing redeeming about him,

15:57

which is shocking that he has

16:01

come back and rehabilitated

16:01

himself in such a way on Cobra

16:04

Kai, because he was like, as bad

16:04

as it gets. And just there's not

16:08

one ounce of goodness in him.

16:10

way. But hang on, hang on a second. Just one second. Listen, I agree with

16:12

you. He was you know, a OneNote

16:16

bad guy. But at the very end, we

16:16

see his fear. Doesn't that open

16:21

up a little bit of sympathy for

16:21

us just a little bit. You know,

16:24

he starts to have a he has a

16:24

breakdown is what he has at the

16:27

end. And he runs off right?

16:30

Or he gets beat

16:30

up. So

16:32

what doesn't he just like? Hey, you remember what such as like, Go save that

16:34

kid. And he's like, I'm out of

16:36

here. He like took off running

16:36

didn't he? Wouldn't Oh no. He

16:39

turned his back and coward. What

16:39

did he do? He showed cowardice

16:42

is what

16:43

he did. No. But

16:43

then he tries to kill them at

16:45

the bone dance.

16:46

Oh, yeah. That was later.

16:48

Yeah. I was like, wait, wait, no, he's

16:50

learned his lesson. Oh,

16:52

that guy tried to

16:52

murder everybody. Okay. That's

16:56

what I'm saying.

16:57

I was just thinking about what?

17:00

But that

17:00

motivated him to like, well, if

17:03

I can't get my uncle's respect,

17:03

I'm gonna kill some people.

17:06

Okay, slow down. So

17:08

so at that moment

17:08

was his opportunity. Yes. To do

17:11

a turn will feel sorry for him.

17:11

We'll forgive him. And we'll

17:15

move along. Yeah. So no, it took

17:15

us many years. Decades to do

17:20

that.

17:21

So incredible

17:21

film it really is holds up and

17:24

we are promoting our scene by

17:24

scene breakdown of that. We hope

17:28

you enjoy it. We really do.

17:28

We're gonna listen to it again

17:31

ourselves, and, and hopefully

17:31

not cringe too much. But yeah, a

17:35

lot of fun are first not in the

17:35

same studio recording. What's

17:39

crazy, Sal is since that time,

17:39

we have only recorded together

17:44

one time in person since then.

17:44

And like hundreds remote. So

17:49

this set the stage this put that

17:49

technology in motion. Now we

17:53

have full fledged studios, and

17:53

yeah, that was it as a game

17:56

changer. We could have hung them

17:56

up. And that would have been the

17:59

end of just curious but no, just

17:59

curious media turned a corner.

18:03

And we're still going

18:04

and look at you are you're in now sitting in a professional sound booth. Hey,

18:06

you know, it just gonna be leaf

18:10

blowers behind your back. I'd never know.

18:12

Yeah, exactly. It

18:12

took some time. It took some

18:15

time. So without further ado,

18:15

please enjoy

18:20

the Karate Kid.

18:20

Part two.

18:24

All right, Sal.

18:24

Here we are. The Karate Kid.

18:28

Part Two special edition.

18:31

I never thought we'd make it this far.

18:34

I know, right?

18:35

I mean, considering what's going on. I mean, we're not even in the same

18:37

location. This is the first.

18:40

This is the first

18:40

this is the first time that you

18:43

and I have not been side by side

18:43

at the studio, because we are

18:48

practicing social distancing.

18:48

And we're trying this virtually.

18:53

And we'll see how it goes.

18:55

Yeah. And now I

18:55

know why we're so into the 80s

18:57

because the 2020s suck.

19:01

Especially March.

19:01

March had like 90 days and it

19:04

felt like but hey, nothing like

19:04

karate kid to lift your spirits,

19:10

I should say

19:10

yeah. Big time. Excited to be here. It's been too long. Let's rock and roll.

19:14

All right. So

19:14

what I've read, Sal is that

19:18

there was debate over to make

19:18

the sequel about the revenge of

19:23

Cobra Kai or Mr. Miyagi story

19:23

and traveled back to his home

19:28

country. Obviously, the latter

19:28

one out. And I think it was a

19:32

wise decision. We're not rushing

19:32

back into Cobra Kai territory,

19:36

although I would have loved

19:36

that. I think it was a really

19:38

nice way to take this to the

19:38

next level and get to know Mr.

19:44

Miyagi, his backstory, and I

19:44

think you probably agree.

19:47

Yeah, I definitely agree. Because I don't think that you know, crees

19:48

God loves them. God loves them.

19:53

He's not the primary stars. The

19:53

primary stars are Danielson and

19:58

Mr. Miyagi. So I wanted to go

19:58

along with them a little more.

20:02

Before I go back around to the

20:02

high jinks of crease. And Terry

20:07

silver, which you see in credit

20:07

get three.

20:10

Exactly. And so

20:10

reading more about some of the

20:13

trivia behind the scenes things.

20:13

It looks like they went into

20:18

production of the sequel, like

20:18

10 days after the release of the

20:23

original, which is kind of crazy

20:26

and risky because

20:26

the franchise hasn't had time to

20:28

prove itself. So that's definitely a gamble.

20:30

Yeah, I guess

20:30

they had early numbers. So they

20:32

just knew 10 days in that this

20:32

thing, you know, they had a hit

20:36

on their hands. But there was

20:36

something there. And obviously,

20:40

I don't think the cast was

20:40

overly expensive. You know, it

20:44

wasn't like they had all these

20:44

big names. So they were able to

20:47

lock everyone up except for the

20:47

Cobra Kai students. They didn't

20:51

have them. They had to bring in

20:51

some new people. But we did lose

20:54

one character as well, which

20:54

we'll get into later. But

20:57

Elizabeth Shue was not part of

20:57

the sequel, which I know saddens

21:01

me a great deal.

21:03

Well, that was

21:03

her choice. Well, her choice,

21:06

right? Wasn't she going to

21:06

school to Harvard at the time.

21:08

So it was her

21:08

choice. To a degree, what I had

21:12

read was that they were going to

21:12

they were going to have some

21:15

scenes with her in the beginning

21:15

of the film. And then it was

21:18

just too complicated. And she

21:18

had agreed to this. But it was

21:21

just something they couldn't get

21:21

worked out. So they scrapped it.

21:24

So she was going to be a small

21:24

part. And they just kind of

21:29

weren't able to do that. So that

21:29

said, Sell Karate Kid was the

21:34

only appearance and all of this

21:34

and Cobra Kai and all the

21:39

sequels of the Karate Kid that

21:39

Elizabeth shoe is in.

21:42

Well, there's

21:42

speculation about her appearance

21:45

in season three. We'll see. I

21:45

don't think anybody knows. I

21:48

know. You haven't told me any

21:48

spoilers regarding season three

21:51

of Cobra Kai. I haven't heard

21:51

anything or read anything, you

21:54

know, back toward the end of

21:54

season two, or when you and I

21:57

were we're recording Season Two

21:57

of Let's Talk Cobra Kai. There

22:00

was speculation about Elizabeth

22:00

Shue returning in season three

22:03

of Cobra Kai but I have seen no

22:03

confirmations and no evidence of

22:07

of that being the case.

22:09

Well, and I know

22:09

nothing either. I was just about

22:12

to say it's just about time for

22:12

her to come back. I'll be at

22:15

season three or another season

22:15

our if there's a Karate Kid,

22:20

Cobra Kai movie reboot, you

22:20

know, taking where the show has

22:24

now taken things and coming out

22:24

and making a feature length

22:27

movie. Hey, I don't know. But I

22:27

am hopeful. I'll just put it

22:31

that way.

22:32

Well, if you look at the way this movie starts, which we'll get into in a

22:33

second, if you look at the way

22:35

it starts, I would have no care

22:35

to see Elizabeth shews character

22:40

again. I would have no care to

22:40

see Ali again after she dumped

22:44

our primary. Yeah, main actor,

22:44

so we're gonna get into that

22:48

again. But I would have no care

22:48

to it was only because of what

22:52

has occurred on Cobra Kai season

22:52

two, where I would have any care

22:55

to see Ali

22:56

return. Yeah, they kind of throw her under the bus. But what we'll get into

22:58

that.

23:00

Can I just mention a couple things here. Just a couple things that are

23:01

interesting. Just to bring us up

23:04

to speed. Noriyuki Pat Merida is

23:04

54 at the filming of this movie,

23:08

rough macho 25 at the filming.

23:08

If you look at Karateka two on

23:12

IMDb, there are 80 photographs

23:12

associated with it. Number 74.

23:17

So again, you gotta go in there

23:17

shows George Bush. That's not

23:21

George W. The son but the

23:21

original George Bush. Yeah.

23:24

Senior George Bush, Barbara

23:24

Bush, along with Pat Morita and

23:28

Ralph macho on the set a

23:28

presidential visit to the set. I

23:32

did not know about this.

23:33

Wow. That's

23:33

pretty impressive. I have not

23:35

seen that I couldn't make it

23:35

past 40. So you trudged on to 74

23:41

That's really cool. I'll have to

23:41

look at that photo. I'd like to

23:44

post it on our social media.

23:45

Check that out.

23:45

And also this movie is set in

23:48

Okinawa, but it's actually

23:48

filmed in Oahu, Hawaii.

23:51

That's right. So how did you feel about that? Because I know that you have

23:53

traveled to Okinawa,

23:57

I have traveled to Okinawa. I'll get into that a little more specifically as we

23:59

go along. But the reason that

24:02

they chose Hawaii is because a

24:02

it's the United States so makes

24:05

things a little bit easier with

24:05

filming. But B it has a similar

24:09

climate see that a lot what a

24:09

lot of people don't know when I

24:11

learned this, I believe me I

24:11

learned this when I went to

24:13

Japan, when you go to the

24:13

mainland of Japan, Tokyo, etc.

24:18

And then you work your way down

24:18

to Okinawa. It's different. It's

24:22

a different feel. It's a

24:22

different vibe. It's more of a

24:24

Polynesian feel. It's more of a

24:24

Hawaii type feel. People are

24:28

even a little bit darker. It's a

24:28

different vibe in Okinawa than

24:32

it is in Japan. I loved it just

24:32

as much, but definitely more of

24:35

an island vibe on Okinawa than

24:35

in mainland Japan.

24:39

Okay, well, there

24:39

you have it. So besides Hawaii,

24:43

the rest of the movie was filmed

24:43

at the Warner Brothers Burbank

24:47

studios lot if you will, as

24:47

well. Yeah, it's true. This is

24:52

according to IMDb. And there

24:52

were even some scenes filmed at

24:56

Mr. Miyagi his house over in

24:56

Canoga Park, which has since

25:00

unfold gently, as you already

25:00

know, has been demolished. Sad

25:04

to say. But my opinion that

25:04

place should have been a shrine

25:08

or a museum for Karate Kid

25:08

lovers for years to come. But

25:13

they have recreated it very

25:13

nicely. It looks like in Georgia

25:17

where they shoot Cobra Kai,

25:19

but wait, did

25:19

they tear that house down?

25:21

Before Cobra Kai?

25:23

Oh, yes, yes,

25:23

it's been taught for many years.

25:26

Okay, so if it

25:26

has stuck around long enough to

25:28

at least meet the advent of

25:28

Cobra Kai, and maybe, yeah,

25:34

maybe yeah.

25:35

So to stay on

25:35

point and true to form, I will

25:38

give the ratings so on IMDb,

25:38

this movie gets a 6.0. And on

25:45

Rotten Tomatoes, it gets a 42%.

25:45

Now, that's just not crazy high.

25:51

But just to give you some

25:51

context, this is how the

25:53

original does on those

25:53

platforms. There Karate Kid 7.2

25:58

on IMDb, and 88% on Rotten

25:58

Tomatoes. So the original is

26:05

more loved, and rightfully so I

26:05

think it's a superior film. And

26:12

if it wasn't for that film, you

26:12

wouldn't even have this sequel,

26:15

or all the subsequent ones, or

26:15

even Cobra Kai the show. So it's

26:20

hard to compare with the

26:20

original. But this was the

26:22

second installment. And that's

26:22

what we're focused on.

26:25

Are you saying

26:25

that you love Karate Kid

26:29

Original Motion Picture over

26:29

Karate Kid to just because of

26:34

the Heritage now with the

26:34

original? Or because you

26:36

actually independently think

26:36

it's a better film?

26:39

Oh, it's a much

26:39

better film. The story is more

26:42

complete. Listen, I won't get

26:42

into Crytek get to and we're

26:45

about to and we kind of already

26:45

are. But yeah, I have a lot less

26:49

eye rolls and the Karate Kid.

26:49

Okay, not to put the sequel

26:53

down. But at the box office,

26:53

this movie made at least the US

26:58

gross. And I don't know when

26:58

this was cut off. But it made

27:01

$115 million. So it made more

27:01

than the original. But that was

27:06

coming. You know, it only came

27:06

out what a couple years after

27:09

the original. All the hype was

27:09

still there. And so it didn't

27:14

make more because it's a better

27:14

film. It made more because there

27:18

was demand and the timing. And

27:18

the industry was very different

27:22

back then.

27:22

It was in the wake of the original. So the timing was good. Yeah,

27:26

they waited a

27:26

decade or you know, sometimes

27:28

sequels take a long time to come

27:28

out. But yeah, that's a good way

27:30

of putting it it was in the wake

27:30

of. And so I don't attribute

27:34

that to quality. But anyway, so

27:39

it sounds like

27:39

you're bashing movie before we

27:41

even started. I think

27:42

quality wise,

27:42

yeah, this is absolutely an

27:44

inferior picture. But it's still

27:44

a pretty good movie. I think at

27:48

one point in time you even said,

27:48

Could this have been a movie at

27:51

least the Plot The story if it

27:51

wasn't related to the Karate

27:55

Kid? And I thought that was an

27:55

interesting question.

27:58

Outside of the

27:58

Karate Kid universe. I believe

28:00

this movie could stand alone. If

28:00

you took away their names just

28:03

made it a different universe. I

28:03

think it would have been

28:05

absolutely just as great.

28:07

Yeah, I agree with you. I think it would have found an audience it would have

28:08

done well, because there was a

28:12

lot of martial arts movies

28:12

coming out in the 80s. And

28:15

that's an interesting story.

28:15

Disciple follows his master back

28:19

to the homeland. And there's a

28:19

story. Absolutely, it could

28:22

have. Well,

28:23

he doesn't he

28:23

doesn't just again, we're gonna

28:26

get into this as soon as we get

28:26

into the movie, but he doesn't

28:28

just follow him. He literally is

28:28

a very supportive friend at that

28:33

exact Yeah. So we'll get into

28:33

that. We'll get it.

28:36

So who else came back for the sequel where you had Jerry Weintraub still

28:38

producing probably the person

28:41

that said, Hey, let's get into

28:41

production on the sequel.

28:44

Immediately, we got ourselves a

28:44

winner here. You had John

28:47

Allison, the very talented

28:47

director who did karate kid 123.

28:52

He also did the original Rocky,

28:52

which one best picture. And he

28:57

came back and did rocky five.

28:57

They had Robert Mark came in the

29:00

writer who created all the

29:00

characters and grew up in

29:03

martial arts. He really doesn't

29:03

get enough praise. I would say

29:08

you had Bill Conti come back as

29:08

the composer. And of course you

29:11

had Pat right and Ralph Macho.

29:11

So they had you know, the core

29:15

team coming back. And what you

29:15

see a lot of times in sequels is

29:19

you're missing some of that you

29:19

don't have the same director,

29:22

you don't have the same star or

29:22

whatever. But that's what I

29:26

think helped this movie capture

29:26

some magic.

29:30

I like when the

29:30

crew can come back. It's um,

29:32

it's almost like a band, like,

29:32

hey, let's get the band back

29:35

together, you know, and then you

29:35

you create a new old sound that

29:40

the listener is familiar with,

29:40

or the viewer is familiar with.

29:43

And it's got a real nice flow to

29:43

it. For the fan. It flows easier

29:47

than if it's just a whole new group.

29:49

I totally agree.

29:49

It is like getting the band back

29:52

together. And here we go. So

29:52

this movie starts with this

29:56

opening montage. It's a fly

29:56

catching scene. Ain't crane

30:01

technique, the Medal of Honor

30:01

Halloween night, Cobra Kai dojo,

30:06

all leading up to the all Valley

30:06

karate championship.

30:11

I liked it, it

30:11

brings, it brings the new viewer

30:14

up to speed. I like that.

30:15

It is it's kind

30:15

of like watching a season finale

30:20

of a show. And then they give

30:20

you all what you've taken in the

30:23

first five seasons. But I don't

30:23

ever remember this in a movie.

30:28

And I watched a lot of movies

30:28

from the 70s and 80s. But had

30:32

you seen this done before this

30:32

kind of five minute montage to

30:36

get things started?

30:37

I didn't realize it at the time, but I don't think I have seen that. Where

30:39

Yeah, the sequel? Does this

30:42

rehash in the beginning? No, I

30:42

don't think I've seen that in

30:45

any other sequel. No.

30:46

Especially for a

30:46

movie, as you said earlier, that

30:48

was in the wake of the original.

30:48

So I wouldn't say that people

30:52

were forgetting it did disappear

30:52

for a decade.

30:56

Yeah, not not a

30:56

lot of time had elapsed. You can

30:59

imagine the people were sitting

30:59

in the theater like the first

31:02

five minutes like, yeah, we

31:02

know. We know. Yeah. Yeah,

31:05

exactly. Been there. We've been there. Well, I

31:07

saw Godfather

31:07

two. I don't remember a quick

31:10

like, well, here's what happened

31:10

in the first one. Michael became

31:13

it didn't do that. However, as I

31:13

say this allowed, you know what

31:16

popped in my mind. I think Rocky

31:16

two starts with the fight

31:22

sequence from Rocky one.

31:24

I know outright

31:24

and again, that Edelson Yes.

31:28

Well, he didn't

31:28

mean he didn't

31:28

direct to that was Stallone, but

31:30

still we're in Apple sins. You

31:30

know, he crafted the first one

31:34

that the masterpiece. So I think

31:34

those movies did it. But it was

31:38

all about the fight that ended

31:38

the movie prior. This gave us a

31:42

whole montage. But anyway, hey,

31:42

it was cool. It was nice to see.

31:47

You and I are up on our stuff

31:47

because of the let's talk Cobra

31:50

Kai show. But if you were

31:50

someone revisiting the Karate

31:53

Kid to like on Netflix, or Hulu

31:53

or Amazon, some random viewer,

31:59

the montage will be very nice

31:59

for them even today. So there it

32:03

was. And as soon as we get

32:03

caught up in real time, the

32:06

first scene that is brand new to

32:06

the audience is a shower sing,

32:12

which just cracks me up. It's an

32:12

interesting choice. Yeah,

32:16

because I've been in those

32:16

tournaments. And I never

32:20

showered afterwards. We just

32:20

went home with our GI and

32:23

hopefully with some hardware.

32:23

And I like how Mr. Miyagi he's

32:26

in there with Daniel. Which is,

32:26

which is pretty funny.

32:31

Well, wait to be

32:31

clear. Hang on. Hang on. He's

32:33

not in there. He's waiting

32:33

outside the showers. Well,

32:37

Daniels taken he's in the locker

32:37

room. He's in the locker room.

32:41

Yeah, he's in the locker room

32:41

with his back to the wall of the

32:44

showers, chatting with Daniel as

32:44

Daniel is in the shower with all

32:47

these other guys. Who are those

32:47

other guys? Were those other

32:49

competitors, I guess, was was

32:49

entirely possible that Johnny

32:54

Lawrence was in that shower

32:54

along with Daniel Russo.

32:57

Yeah, and crease

32:57

who also was an ag. So he

33:01

had showers was

33:01

in the shower with

33:05

they probably kept the Cobra off to the side, although Johnny had just given

33:06

Daniel the trophy. So maybe

33:11

there's less bad blood now. But

33:11

the only thing that could have

33:14

made this more funny or strange

33:14

is this Miyagi was in the stall

33:18

next to him. And they're soaping

33:18

up. Nothing, you know, nothing

33:23

below board, of course, but

33:23

they're soaping up and just

33:25

talking and that would have been

33:25

like, what we already jumped the

33:28

shark and we're like one scene

33:28

in the movie. So we come out of

33:32

the shower scene. And as you and

33:32

I know, we do not see Ali or

33:37

Daniel's mother this entire

33:37

film. So Miyagi immediately gets

33:41

out of the way and says, Ali and

33:41

Mother wait for us at restaurant

33:45

on Daniels. Okay, yeah, sure.

33:45

And that's it. That's it. Boom.

33:48

Like they're not we're not gonna

33:48

see him right then. Because

33:50

we're gonna go to the

33:50

restaurant, and we never see

33:52

them. But I don't know. It's

33:52

kind of funny.

33:55

I completely

33:55

forgot about that line. But

33:57

yeah, so Daniel is carrying his

33:57

championship trophy, limping

34:02

along next to Miyagi walking out

34:02

of the auditorium. They stop and

34:06

chat crease exits. The building,

34:06

starts manhandling people. Which

34:14

I think is hilarious. He starts

34:14

manhandling people in

34:16

particularly actor Eddie Smith,

34:16

who recites the line. Hey, man,

34:21

what you're doing to a brother?

34:21

Which I love. That line really

34:24

show caught on? I love that. I

34:24

should have been on T shirts. So

34:28

Chris walks between Miyagi.

34:28

Daniel. The tournament announcer

34:33

played by Bruce Melmoth.

34:33

Remember that name? Bruce.

34:36

Melmoth. We're gonna be

34:36

revisiting that again.

34:39

Well, it real

34:39

quick on Bruce the announcer I

34:42

got contacts. I love what he

34:42

says. He says paper we're going

34:46

to be talking about that last

34:46

kick for years to come.

34:50

And sack about a

34:50

foreshadow. Yeah, he nailed

34:53

it. Yeah, they're

34:53

gonna build a series around that

34:55

kick. Amazing.

34:58

He didn't know

34:58

that he was predicting Cobra Kai

35:01

And then he breaks through the

35:01

announcer and referee Patty

35:04

Johnson, who is also the fight

35:04

choreographer for the movies,

35:07

right? He shoves them aside. And

35:07

I wonder at that moment, I

35:11

actually pause and wonder at

35:11

that moment, when he pushes

35:14

aside, Bruce and Pat, the

35:14

announcer and referee is that

35:18

when he gets his lifetime ban,

35:18

is that the very moment right

35:22

there?

35:23

i But no, I think

35:23

it happened. About two and a

35:26

half minutes later. I was there.

35:26

We're almost there.

35:30

We'll get to that. Okay. How about a habit at this moment when Chris keeps

35:32

walking on? And Daniel says, Why

35:35

does he act like that? And then

35:35

we hear a voice off camera says

35:38

that guy just doesn't know what

35:38

karate is all about. Was that

35:42

Johnson? Or was that Mamos? Was

35:42

that announcer? Was that the

35:45

referee? I don't know. Because

35:45

you don't see. I'm curious what?

35:48

So Chris heads over to the

35:48

students. And then right at that

35:51

moment, kids run right up,

35:51

asking Daniel for an autograph.

35:56

And these kids are from receita

35:56

to C's or local kids. Daniel

35:59

signs the autographs for them.

35:59

One kid is back with to the

36:02

camera the whole time. I felt bad for them. I would have redirected them if I were

36:03

Adelson, I wouldn't say let's

36:06

see a little face there. Now one

36:06

thing I want to mention a little

36:09

trivia here, it could be

36:09

suspect. These kids are Garth

36:13

Johnson and Brett Johnson. are

36:13

the sons of Pat E. Johnson. It's

36:18

the same scene practically. Why

36:18

not? If these are relation

36:22

again? Well, we remember Bruce

36:22

Melmoth. So there's a lot of in

36:26

the family going on here. So I

36:26

wonder if those were kids of

36:29

choreographer and referee Patty

36:29

Johnson.

36:32

Yeah, could be a

36:32

good spot there. We'll find out.

36:35

So what this is leading to and

36:35

we've talked about this on the

36:39

Karate Kid special episode, as

36:39

well as I'm sure episodes of

36:42

Let's Talk Cobra Kai is where

36:42

you reflect on the show. But

36:46

what is coming was supposed to

36:46

be the end of the Karate Kid.

36:53

And the scene is where crease is

36:53

having a confrontation with his

36:58

students, because he's so mad

36:58

about losing. And he basically

37:03

attacks Johnny. So this scene

37:03

was going to end the movie and

37:07

sound thank goodness, they did

37:07

not do that. And they saved it.

37:13

And they said, hey, if we ever

37:13

do a sequel, we'll start with

37:16

this as opposed to any other

37:16

movie, because the first movie

37:18

and so beautifully with the you

37:18

know, he gets the trophy and

37:22

there's the shot of Miyagi, and

37:22

then we're out. I couldn't

37:25

imagine having one more beat.

37:25

You know, it feels like a fourth

37:29

act or something. So kudos to

37:29

everyone

37:32

on it. No. I like

37:32

when a movie ends on a happy

37:36

note. I really do. I like to

37:36

walk out of the theater. A

37:39

little a little happier. I don't

37:39

like walking out of a theater.

37:42

All bummed out. Yeah. Even if

37:42

the movie was good, you know? So

37:46

yeah, I like the choice that

37:46

they made. I like it. They

37:49

didn't end the original movie

37:49

with crease you nothing. You

37:52

lost your loser. I'm so happy

37:52

that they didn't do that.

37:55

And to be clear,

37:55

they didn't shoot it. They just

37:57

had written it and practice

37:57

rehearsed it, I should say, but

38:01

they didn't shoot it. So it

38:01

wasn't that close to happening.

38:04

So enough about the setup. Let's

38:04

talk about the scene. Okay,

38:09

so can I can I gotta mention one thing I found so interesting. Yeah, you and I

38:10

both enjoy looking at all the

38:14

actors in the scene, including

38:14

the extras. And one thing I

38:17

found very funny was creases up

38:17

against the car with Johnny.

38:21

There's an extra on the other

38:21

side of the car on the driver's

38:24

side, who has his back to the

38:24

camera the whole time. There's a

38:26

fight going on behind you. And

38:26

you don't have to turn around

38:30

once. That was Dutch. No, no, it

38:30

was on the other side of the car

38:33

was when he was wearing a hat.

38:34

Well, there was two guys on their side of the car and one was the guy from

38:36

head of the class. He was one of

38:39

the Cobra guys, we've talked

38:39

about this. He was in the judge

38:43

no and Dutchess next to him, so

38:43

I went back and as we prepared

38:47

for this episode, I also was

38:47

noticing those extras having

38:51

made a movie a documentary about

38:51

extras called strictly

38:53

background, I always look at the

38:53

background players and think

38:57

What's that guy doing? And when

38:57

I went back and interviewed

39:00

again, it appeared to be Dutch

39:00

because Dutch is in the sequel,

39:04

and that was him.

39:05

Wow. Okay, so why

39:05

didn't you have them turn around

39:09

at the rockets that was taking place? I just found that interesting.

39:11

He was too cool

39:11

for school. He is Steve McQueen

39:13

son. So you know, Dutchess got

39:13

he does his own thing. So what's

39:17

going on in the scene Sal? As I

39:17

already said, he comes over and

39:21

starts to kind of go off on the

39:21

students but maybe just talk us

39:24

through what's exactly happening.

39:26

Crease borates

39:26

Johnny for a second place loss,

39:30

calls him a loser. Johnny reacts

39:30

goes no, you're a loser man.

39:34

Chris grabs the trophy breaks it

39:34

tosses it aside and gets Johnny

39:38

Lawrence in a chokehold other

39:38

guys come in he elbows one guy I

39:43

don't know which guy was had a

39:43

good elbow on the left. And

39:46

another guy shows up I forgot

39:46

which guys they were another guy

39:49

shows up Chris like don't

39:49

remember that line. Don't

39:52

I think it was

39:52

like Tommy and Bobby. Those guys

39:54

were close by but anyway, yeah,

39:54

it's not looking good.

39:58

Miyagi

39:58

approaches. Let him go. And then

40:01

Chris Beck has another student.

40:01

And then this thing I found

40:04

interesting because I'd never

40:04

really noticed this before I

40:07

really listened intently. So

40:07

Chris says, beat it slope are

40:11

your next. Now, I never knew

40:11

about this word slope, which I

40:17

said what? Okay, so I looked it

40:17

up slope, a derogatory term or

40:22

slur used for the purpose of

40:22

describing a Vietnamese or Asian

40:25

person describing the slope of

40:25

their eyes.

40:29

Oh my gosh,

40:30

I never knew it.

40:30

So it's, you know, it's one of

40:33

these moments where like, it's

40:33

one thing to be an asshole. But

40:36

now you're a racist asshole.

40:38

He's the worst.

40:38

So this leads to a showdown

40:43

between crease and Miyagi. And

40:43

this is one of the knocks I have

40:47

in this film, although I do like

40:47

the film, but I would have liked

40:52

to see a, you know, like a

40:52

really good fight. And these are

40:57

guys are both very skilled, they

40:57

have different styles. They can

41:00

tussle for a minute or two. But

41:00

that's not what happens.

41:04

If you're talking

41:04

about the fight sequences that

41:07

we all know and love. This would

41:07

probably be if you visit all the

41:11

fight sequences that we all know

41:11

and love throughout cinematic

41:13

history, this is probably not

41:13

one of them. It was

41:16

disappointing crease did not

41:16

show any skills. I mean, I could

41:21

have done as well against Miyagi

41:21

as creased it.

41:24

So for anyone

41:24

who's unaware of what really

41:27

goes down, so let's pick it up

41:27

where we left off. So Chris

41:30

still has Johnny in a chokehold,

41:30

and Miyagi comes towards him.

41:35

Then he hits one student. And so

41:35

Sal then what happens,

41:39

Miyagi steps in

41:39

and uses a maneuver to get

41:42

crease to release Johnny. So he

41:42

forces the release of Johnny by

41:46

crease through a manipulation

41:46

for sure.

41:49

And super upset

41:49

and full of rage. He already

41:53

lost in the tournament. He's

41:53

already mad and throwing all of

41:57

his students under the bus. And

41:57

here's the protagonist, it's

42:00

caused this him and Daniel Mr.

42:00

Miyagi. And so he charges him

42:07

out of rage. And what happens

42:10

when you see the difference, you talk about the difference in styles, but just

42:12

in this moment, the difference

42:15

in emotion. So Greece is full of

42:15

rage and anger, lost control.

42:20

Miyagi is so calm, so very calm,

42:20

Chris goes in to punch him.

42:26

Miyagi moves right out of the

42:26

way, turns around, goes into

42:30

punch him, he moves out of the

42:30

way, again, effortlessly. And

42:34

thus, crease has to bloodied

42:34

fists from hitting two car

42:38

windows.

42:39

And he's kind of

42:39

in shock that he's done it. He

42:41

looks at his bloody knuckles,

42:41

and he's in shock. What's

42:44

occurred?

42:45

You would call

42:45

this one of Chris's low light

42:48

moments? Yeah, maybe

42:49

he's got a real

42:49

problem with blood, because he

42:53

became kind of a web.

42:54

He was in Vietnam. Right?

42:56

I know. I know.

42:56

I'm telling he says so he says.

43:00

Okay, so that picture could have been doctored the one in the dojo of him. I

43:02

mean, it looked more like a

43:06

theatrical headshot. But

43:07

can you trust

43:07

anything out of his mouth,

43:09

knowing what you know now about

43:09

crease? I mean, seriously, come

43:12

on.

43:12

You know what,

43:12

now that you mentioned it, it's

43:15

starting to become clear. It's

43:15

entirely possible that Chris was

43:18

never in the military at all.

43:18

And that picture was fake

43:21

hanging up in the studio.

43:23

Yeah, I don't I

43:23

don't believe him. He's done

43:25

anything. Well, except for he's

43:25

run Cobra Kai, and he's made

43:29

some real tough bullies. But

43:29

anyway, so Chris is distraught.

43:34

He can't believe his buddy

43:34

knuckles. And this leads to the

43:37

end of this, if you want to call

43:37

it a fight sequence. And so go

43:42

ahead and tell us what happens.

43:43

So I know you and

43:43

I talked about this once before,

43:46

where you thought maybe crease

43:46

fainted, but it was just sort

43:50

of, I think, an emotional and

43:50

physical collapse where he just

43:53

kind of caves into himself.

43:53

Yeah, and he just falls into

43:56

this heap. Before he falls into

43:56

the heap. Miyagi is about to

44:00

give him the death blow. You think this is gonna be it for crease creases on his knees on

44:02

the ground, about to be finished

44:06

by Miyagi? Miyagi has his hand

44:06

raised and a karate chop

44:11

position ready to give the death blow?

44:13

Miyagi is in that

44:13

pose when he knocked the bottles

44:15

off of his truck? Oh, yes, knock

44:15

the caps off. That was one of

44:19

the only issues I had with the

44:19

original Karate Kid. I think

44:21

they were held down to believe

44:21

that they could have been he

44:24

could have knocked the tops off

44:24

off loose bottles on a truck and

44:28

far fetched but he had that same

44:28

strike so he was going to do

44:32

that too really could have

44:32

killed crease if he wanted to.

44:35

He could have that's why I say could have delivered the death blow. But he

44:37

didn't instead of delivering the

44:41

death blow, or at least a blow

44:41

to give the final humiliation to

44:45

crease in his moment of existing

44:45

humiliation. Hey, might as we go

44:49

step further. Instead, Miyagi

44:49

comes in close, grabs his nose

44:53

and goes honk. I mean, it is

44:53

humiliating, but it's not beaten

44:59

to a pulp humiliating

45:01

That's when he

45:01

falls into himself creased and

45:04

that's

45:04

when he kind of

45:04

just caves and crumbles into

45:07

himself and falls into a heap on

45:07

the ground. Miyagi and Daniel

45:11

walk away. And at this moment is

45:11

where Daniel says, and I believe

45:14

this little interaction here, I

45:14

think sums up. I think the

45:16

entire movie. I mean, this is

45:16

the summarization, I feel is

45:20

where Daniel says, You could

45:20

have killed him, couldn't you?

45:23

And Miyagi says, I, well, then

45:23

why didn't you them. And Miyagi

45:27

says, because Daniel son, for

45:27

person with no forgiveness in

45:31

heart living even worse

45:31

punishment than deaf. Mine,

45:36

there you go. And that leads us

45:36

and by the way, I always want to

45:40

mention the car that they are

45:40

getting into is the truck is a

45:44

1941, Chevrolet light delivery,

45:44

beautiful truck.

45:49

Beautiful truck.

45:49

So that is the end of Cobra Kai

45:54

crease Johnny, the whole bunch

45:54

for this entire film. There's no

46:00

more mention of them. You don't

46:00

see them anymore. We don't know

46:04

what's going on with them. We're

46:04

off on a different adventure.

46:07

And so now the text comes on

46:07

screen six months later. And we

46:14

come in on Miyagi, who is of all

46:14

things trying to catch the fly

46:20

with a chopstick. And this time,

46:20

Sal, unlike the previous film,

46:26

he does it.

46:27

Yeah. And I really liked that he doesn't make a fuss over it. He doesn't

46:28

Pat himself on the back. He's

46:32

not so excited about doing it.

46:32

He does it. He gives a little

46:36

grin. And then he moves on.

46:38

And Karate Kid

46:38

folklore. What does that say

46:41

about someone when they are able

46:41

to catch a fly and chopsticks

46:45

man who catch fly

46:45

with chopstick accomplish

46:48

anything? So he's got that going

46:48

for him? Well, that's also a

46:52

foreshadow than to Yeah, of

46:52

course.

46:54

And you know,

46:54

Daniels had that going for him

46:57

for a while. So it's not a beat

46:57

later that Daniel arrives. And

47:03

this whole film goes on a

47:03

different course. And so he

47:07

shows up, it's post prom. The

47:07

car's been crashed Sal, go ahead

47:13

and tell us what type of car that is, again,

47:15

Daniel arrives in

47:15

the 1948, Ford Super Deluxe,

47:20

which again, for the new

47:20

listener, is the same car used

47:23

in Greece that is greased

47:23

lightning.

47:26

So it's crashed,

47:26

which really brings a tear to

47:30

all of our eyes. And he comes in

47:30

and he's blaming Ali, who

47:34

wrecked it. I mean, you got the

47:34

bumper hanging off the steam

47:37

coming out of it. He's even

47:37

going on to say that Ali's now

47:41

fallen in love with some

47:41

football player from UCLA. And

47:46

Miyagi. He's kind of listening

47:46

and he goes out there to start

47:48

to repair the car immediately

47:48

because that's what Miyagi does.

47:52

And then Daniel is just on this,

47:52

rant it and he goes on about my

47:56

mom's taking another job. And

47:56

this time, it's in Fresno, we

47:59

leave tomorrow. And it's just a

47:59

lot going on. I mean, they came

48:03

up to like zero to 60 with all

48:03

this exposition, which is pretty

48:08

funny, but it does get the movie

48:08

moving. I guess out I guess

48:12

that's the point.

48:13

One thing I noticed interesting is when Daniel arrives, there's music

48:15

playing, and then he shuts off

48:17

the car, the music stops, which

48:17

lets the viewer know that the

48:20

music is actually coming from

48:20

the car and not part of the

48:22

soundtrack necessarily. So that

48:22

car 1948 Ford had a stereo in

48:28

it, or I wonder if that stereo

48:28

was added later. I just found

48:30

that interesting.

48:31

Yeah, I think Miyagi probably would drop that in there. For him.

48:34

His kid probably had a cassette player, do you think? Yeah, probably

48:37

cassette player.

48:37

And I also liked Daniels blue

48:40

tux, which was very reminiscent

48:40

of Dumb and Dumber, which is

48:45

pretty funny. So Miyagi is just,

48:45

you know, helping out kind of

48:49

listening. But he's got one way

48:49

to help Daniel kind of clear his

48:55

head. He's got some more work

48:55

for him to do on the old Miyagi

48:59

estate. And what's he have him

48:59

do Sal?

49:01

Well, he takes

49:01

him out back, and he has him

49:05

start hitting nails. So this is

49:05

one of those moments where I'm

49:08

thinking, Okay, how does hitting

49:08

nails to this attachment to the

49:11

house to build a new room? How

49:11

does this translate to a karate

49:16

move? I mean, this is not wax on

49:16

wax off. This is not sand the

49:20

floor. This is not, you know,

49:20

paint up, paint down. How is

49:24

this going to translate to a

49:24

karate move? That's what I want

49:26

to see. So Daniel starts

49:26

hammering these nails finally

49:29

gets a little frustrated, says

49:29

he's all out of focus. Mr.

49:33

Miyagi shows him a breathing

49:33

technique to help bring his life

49:38

and feelings back into focus. So

49:38

then, Daniel goes back to

49:42

hitting the nails and he starts

49:42

to get the hang of it starts to

49:45

feel pretty good. And then one

49:45

or two walks are gone.

49:48

I want her to kind of work there, but

49:49

okay, well, it's

49:49

actually two it's like, do boom.

49:53

It was actually like three hits

49:53

to get it in. The first two are

49:56

like setup hits. Then the third

49:56

was to get it all the way.

49:59

Yes to hit it

49:59

with one strike. I agree you go

50:02

tap tap towards holds on its

50:02

own, and then it's to focus and

50:06

hit it on the head and drive one

50:06

through. So I think it's about

50:10

focus. I think it's about

50:10

hitting your spot. And it also

50:14

kind of reminded me of Bruce

50:14

Lee's one inch punch. It's like

50:17

a lot of power and you're barely

50:17

moving, you're moving like an

50:20

inch with a hammer in your hand.

50:20

So your hand is, you know, like

50:24

a fist if you will, but that

50:24

sort of kind of reminded me of,

50:28

but it was a cool technique, but

50:28

that's as far as we get with it.

50:32

It's not like Miyagi sets Daniel

50:32

up and then disappears for the

50:35

day and goes fishing. We don't

50:35

kind of go back and shut on that

50:38

water like we did in the

50:38

original. And the next thing we

50:41

see Daniel has made a beautiful

50:41

Rosewood metal display. For Mr.

50:46

Miyagi is Medal of Honor. Yeah,

50:49

he makes a nice

50:49

gift for him displaying the

50:52

Medal of Honor because Daniels

50:52

proud of it, for Mr. Miyagi

50:55

wants them to display it. And

50:55

Mr. Miyagi, though that's not

50:58

really his style. He says, Well,

50:58

why should I show it off? For

51:01

what it doesn't really occur to

51:01

Mr. Miyagi, to show off his

51:05

medal of honor, which is very

51:07

Miyagi esque. He

51:07

doesn't care about trophies,

51:09

medals, or even belts. As we

51:09

recall, when Daniel asked him

51:14

what belt he was, and karate,

51:14

and he said, What'd he say JC

51:19

Penney's?

51:20

Is that what he said? Was that from the first one? I don't remember that.

51:21

Yeah, as the

51:22

original. But if

51:22

Miyagi didn't care at all about

51:25

this metal, in my opinion, it

51:25

would have been at the Goodwill

51:28

a long time ago. So he has some

51:28

sort of attachment to it, but he

51:31

doesn't want to be boastful. He

51:31

didn't care about putting it on

51:35

the wall, but he's touched. You

51:35

know, it's a nice thing that

51:38

Daniel did for him. And so

51:38

Miyagi out of nowhere, gets

51:43

Daniel out of having to move to

51:43

Fresno.

51:46

Yeah, what we

51:46

learned is that this attachment

51:49

to the house, this new room that

51:49

Daniel was hitting nails into is

51:53

a new guest room. And Miyagi

51:53

says it's for a refugee. And

51:58

Daniel says a refugee from

51:58

where, Miyagi says, Fresno,

52:02

which I thought was really cute.

52:04

That was a clever

52:04

way of saying that you can stay

52:06

here. Now, here comes the mail

52:06

carrier, who doesn't know me

52:11

augis name after 40 years?

52:13

No. Well, we

52:13

don't know how new this guy was.

52:16

But he says guy, Mr. Miyagi. And

52:16

then Daniel, I love how Daniel

52:20

like, jumps to his defense and

52:20

corrects him. It's Miyagi. And

52:24

the postman played by will hunt.

52:24

I do think this scene is funny.

52:27

I wanted to mention that because

52:27

Oh, it's great. Postman starts

52:30

going on about how he goes, Oh,

52:30

this someplace you have here?

52:33

Can I bring my wife by to have a

52:33

look at it? Like I just thought,

52:35

what was the point of this

52:35

interaction, but I guess it

52:38

gives time for Miyagi, to sign

52:38

the letter to start reading the

52:41

letter, as the postman is going

52:41

on about how nice the places,

52:44

the postman says, maybe some

52:44

other time, and then he walks

52:47

off. And then Miyagi starts

52:47

reading the letter, which is a

52:50

special delivery from Okinawa.

52:52

Right. So that's

52:52

why the postman had to come in

52:54

the back to find him in the

52:54

first place, which wouldn't have

52:58

happened in today's world, they

52:58

would have left a note saying

53:01

that you've got to come to the

53:01

post office to get this special

53:05

package. Or we'll try

53:05

redelivery. So the postman comes

53:08

back to him sign for it, because

53:08

it is coming from Okinawa, and

53:12

it was a special delivery. And

53:12

what cracks me up is that the

53:17

postman is blown away by what he

53:17

sees back here and much to my

53:20

earlier point, this place could

53:20

be a museum, it's a spectacle,

53:24

what Miyagi is built. But what I

53:24

love is nobody responds to the

53:28

postman. Miyagi is caught up

53:28

looking at the letter. And Dan,

53:32

do you think Danny would step

53:32

up, say much like he did a

53:35

second ago, but maybe say, hey,

53:35

ya know, thanks so much for the

53:38

time, but no one says anything.

53:38

And the postman is on his own to

53:42

retreat and say, Yeah, I guess

53:42

I'll see you guys later, which

53:46

is pretty funny. So the letter

53:46

Sal is informing Mr. Miyagi that

53:52

his father is sick. And he wants

53:52

to see him, essentially. Yeah.

53:57

And Daniel didn't

53:57

even know that he had a father.

54:00

We for sure. Didn't know. And

54:00

definitely Daniel didn't know.

54:02

So this is all a big shock to

54:02

both Daniel and the viewer.

54:06

Yeah, exactly. So

54:06

that sets things in motion. And

54:12

this next thing kind of cracks

54:12

me up because I was watching and

54:14

going, Wow, is that how it was

54:14

in the 80s. But Miyagi goes to

54:18

get a passport. And he's flying

54:18

the very next day to fly

54:22

International to go back to

54:22

Okinawa. And he's in line with

54:27

Daniel, and he's getting a

54:27

passport. So I guess now, you

54:30

could do that on very, very

54:30

short notice back then.

54:35

Well, let me tell you this, just as a point of reference, and this is

54:36

absolutely true. There was at

54:39

one point, I think I was a

54:39

teenager where I had to get an

54:42

ID for some reason. I think I

54:42

wanted to start working. So I

54:45

needed an ID and I didn't have

54:45

one. There was some issue with

54:48

my birth certificate. My mother

54:48

did not have my birth

54:50

certificate. For some reason. My

54:50

mother then took my baptism

54:54

certificate. I mean, how

54:54

official is a church baptism

54:58

certificate? My mother took my

54:58

church's back baptism

55:01

certificate and got me a state

55:01

ID from that. That was the 80s

55:06

My friend.

55:07

Okay. All right.

55:07

I think I flew with a

55:10

blockbuster card once. That's

55:10

how lacks It was now. I'm just

55:15

kidding. So here we are this

55:15

interesting scene with me hoggy.

55:20

And Daniel having a chat about,

55:20

you know, we're learning not

55:25

just about his father, but about

55:25

his lost love and his friend

55:30

that they kind of were on the

55:30

outs and how Miyagi has left and

55:34

never gone back. But all this

55:34

while they're in this line to

55:38

get a passport. And Daniel is

55:38

not, it's kind of funny, because

55:42

he's not next to him. He's kind

55:42

of behind him as if he's in line

55:45

himself.

55:46

Yeah, I thought that was sort of a funny positioning of why they chose

55:48

that. Yeah, he was, you know, if

55:51

you say to your friend, hey,

55:51

let's go Go with me to the DMV

55:54

or whatever, they're gonna stand

55:54

next to you in line, right,

55:57

they're not going to be or maybe

55:57

even sitting off on a bench,

56:00

they're not gonna be behind you.

56:00

So I did think that was a funny

56:03

positioning is the Daniel is

56:03

behind Miyagi in this passport

56:08

office. So obviously a state

56:08

officer, a federal office, but

56:11

this is the moment where we

56:11

learn all about what went on, or

56:15

what went down in Okinawa. And

56:15

why and how Miyagi wound up in

56:20

receita?

56:20

Well, first, to

56:20

your point about DMV and a

56:23

friend going with you, that's a

56:23

good friend, who's gonna go to

56:26

the DMV with you. There's that.

56:26

And secondly, I guess, when I

56:31

thought about this scene more,

56:31

they just wanted to get us out

56:35

of the house. Because Miyagi

56:35

could have read that letter, and

56:39

cut to suitcase, you know, and

56:39

he's packing. But I guess they

56:44

wanted to take us away for a

56:44

minute and give some exposition,

56:48

rather than just cutting right

56:48

to that, because that was the

56:50

only purpose he that we don't

56:50

need to know that he doesn't

56:53

have a passport, but they wanted

56:53

to show him and Daniel doing

56:56

something on point,

56:58

I think it was an

56:58

opportunity for Miyagi, to

57:01

explain the history of Okinawa,

57:01

you know, his personal history

57:05

and what went down? You know, I

57:07

think that's sort of a done anywhere. He could have done that at the breakfast

57:08

table. He could have done it as

57:11

soon as he got the letter. Yeah.

57:11

So I think they just wanted to

57:13

get us out of there. And maybe

57:13

him getting a passports saying

57:18

that I've never gone back, and

57:18

I've got to get a passport

57:21

because when I left that was it

57:21

anyway, not a bad thing.

57:26

I just realized

57:26

something I just said he went

57:28

from Okinawa, to receita. We do

57:28

know that he spent time in the

57:31

military. So exactly. We don't

57:31

there was a whole group of years

57:35

between when he left Okinawa, to

57:35

when Daniel met him there was a

57:39

whole bunch of years. I wonder

57:39

what happened in those years?

57:42

Why he was

57:42

married, and they were going to

57:45

have a child so there's a whole

57:45

storyline which we've never get

57:49

to know beyond the first film

57:49

shedding just a little bit of

57:52

light on it. You know, the

57:52

Miyagi last years. Have you ever

57:56

seen

57:57

are like his late

57:57

20s 30s 40s 50s Those are the

58:01

Miyagi last years.

58:03

Yeah, maybe in

58:03

Cobra Kai, Daniel will stumble

58:07

on some old book you know, some

58:07

old photo album and we'll be

58:13

able to piece some more things

58:13

together hidden in a wall

58:16

somewhere and when they're at

58:16

the Miyagi House, who knows but

58:20

I'd sure like to see a little

58:20

bit of more of Miyagi story play

58:23

out much like they did in Cobra

58:23

Kai last season, showing Miyagi

58:27

do the initial build out on his

58:27

place? That was a really great

58:30

same.

58:31

Yes, so after

58:31

they leave the passport office,

58:36

and Daniel learn some of the

58:36

stories about what happened in

58:38

Okinawa next scene, Daniel looks

58:38

at old pictures of Yuki Yuki A

58:43

is Miyagi is old girlfriend,

58:43

Sato is as old best friend who

58:47

was engaged to be married to

58:47

Yuki a Miyagi tells Daniel the

58:50

whole entire story about why he

58:50

left Okinawa and that is the

58:55

crucial element. Because

58:55

unfortunately, Miyagi throughout

58:59

the movie doesn't live that down

58:59

and has to revisit his old best

59:03

friend who is turned into his

59:03

nemesis Sato.

59:06

And he seems to

59:06

have a lot of sad feelings over

59:10

what happened with UPA, which is

59:10

interesting, like it's almost

59:15

representing his first lost

59:15

love. Or maybe the one that got

59:20

away. He had been married, and

59:20

he had a child on the way so,

59:25

but for some reason, this movie

59:25

really harkens on this

59:28

relationship with UTA and

59:28

Miyagi, he's kind of has a lot

59:32

of regret. He carries a lot of

59:32

regret around.

59:36

Do you think there's also this one moment because in this one beat when

59:37

Miyagi is looking at a

59:41

photograph and Daniel is kind of

59:41

peeking in and looking at

59:45

Miyagi, look at this photograph,

59:45

and then he kind of lets his arm

59:49

hang down, and then he kind of

59:49

puts his head down, like almost

59:52

dread. Like he's almost dreading

59:52

going back to have to confront

59:56

his past.

59:57

Oh, totally. He's

59:57

moved on. This is a new life.

1:00:01

He's lived here longer than he

1:00:01

lived in Okinawa. Yeah. So this

1:00:06

is his life. So now I like this

1:00:06

shot we see this cab roll in the

1:00:12

frame and it says Valley cab

1:00:12

company love Oh

1:00:16

yeah, just like

1:00:16

the all Valley tournament.

1:00:19

Exactly. This

1:00:19

franchise love the valley. So

1:00:23

now Daniel is supposed to see

1:00:23

Miyagi off and he's not there.

1:00:29

And so Miyagi is forced to leave

1:00:29

in the cab. And thanks well,

1:00:34

okay, you know, Daniels not

1:00:34

here. Let's go. But this leads

1:00:39

to a another scene that cannot

1:00:39

happen in today's culture. But

1:00:43

Sal, what happens?

1:00:45

Well, when you

1:00:45

talk about the airports, you

1:00:48

have, when I talk about the

1:00:48

airports, I talk about pre 911

1:00:52

and post 911 pre 911 airports.

1:00:52

You know what I used to like to

1:00:57

travel. I used to enjoy it.

1:00:57

After 911 No, Miyagi is

1:01:02

literally boarding the plane.

1:01:02

He's talking to the stewardess.

1:01:05

He's literally getting on the

1:01:05

plane at this moment. Daniel

1:01:09

runs up right up to Miyagi and

1:01:09

the stewardess

1:01:13

and not the game.

1:01:13

He's literally at the plane,

1:01:16

like right

1:01:17

at the door

1:01:17

plane. Yeah, yeah, he's at the

1:01:20

plane door with his ticket,

1:01:21

which means they

1:01:21

don't check you in right before

1:01:24

you go down the long runway. You

1:01:24

just go to the plane and say,

1:01:27

Here's my ticket.

1:01:29

Well, you also

1:01:29

when you and I have discussed

1:01:31

this before, the fact that were

1:01:31

to get his passport did he have

1:01:34

a passport? Do you get a

1:01:34

passport the day he was the day

1:01:37

before with Miyagi at the

1:01:37

passport place? Did he get a

1:01:40

passport so Mr. Miyagi? Wouldn't

1:01:40

know when did he get a passport?

1:01:43

Is that why he

1:01:43

was behind me? Auggie? He got

1:01:47

his he's like, I'll meet you

1:01:47

outside in just a second. Yeah,

1:01:50

that suspect.

1:01:52

And then Daniel

1:01:52

convinces Miyagi to let them go

1:01:56

to Okinawa with them. Yeah,

1:01:57

exactly. He

1:01:57

bought a ticket, you know,

1:02:00

several $100 He got a passport.

1:02:00

But Miyagi still could have

1:02:03

said, No, thanks for no thanks.

1:02:03

He asked to talk him into it,

1:02:08

and he lets him go. But that

1:02:10

moment when

1:02:10

Daniel says, Thank you to Miyagi

1:02:12

for letting him go, thank you

1:02:12

for letting me go. And then

1:02:15

Miyagi says, No, Daniel, son,

1:02:15

thank you, at that moment is

1:02:20

where kind of the tables get

1:02:20

turned. And the student is there

1:02:26

to support the teacher.

1:02:27

This is true.

1:02:27

This is true. It now it's a

1:02:31

buddy flick. So next, we're on

1:02:31

the airplane. And I know it's a

1:02:36

long flight. Well, you know,

1:02:36

firsthand. But what I thought

1:02:39

about immediately, Sal was the

1:02:39

fact that the entertainment on

1:02:43

an international flight was a

1:02:43

good book.

1:02:46

Yeah, there was

1:02:46

no movies, the right there was

1:02:48

no movie either in the seat in

1:02:48

front of you. Or on a laptop.

1:02:52

That's it. You had a book or you

1:02:52

slept, or you chatted that was

1:02:55

it? Oh, no, they

1:02:56

would show a

1:02:56

movie though. They did show like

1:02:58

one movie and they just told you

1:02:58

what is going to be and then

1:03:01

everyone can look ahead. They

1:03:01

didn't do that.

1:03:03

Oh, they would have the one big they would have the one big screen up. Yeah,

1:03:06

they say the

1:03:06

screening will be the Black

1:03:10

Stallion. Yeah. Yeah,

1:03:14

screening is

1:03:14

whatever we are going to play

1:03:17

and you're gonna watch it. And I

1:03:18

don't even know at one point in time, they probably didn't have individual

1:03:20

headsets at one point in time, a

1:03:23

pod will just turn it up loud.

1:03:23

And if you don't want to see it,

1:03:27

sorry, I am sure that that was

1:03:27

that happened at one point in

1:03:31

time. What do you say? says he

1:03:31

loves her but he doesn't want to

1:03:35

leave her. Alright, so now

1:03:35

Miyagi then shares that his

1:03:40

father also train Sato. And Sal,

1:03:40

what else did we learn about

1:03:48

where this conflict was going?

1:03:48

Had Miyagi stayed in Okinawa,

1:03:54

what would have happened?

1:03:55

Okay, so Daniel

1:03:55

is still probably reeling off

1:03:59

his victory of the all Valley

1:03:59

under 18 tournament. Now, but

1:04:03

what Miyagi let let him know is

1:04:03

that no, you don't understand.

1:04:07

He wants to fight me to the

1:04:07

death. This is not, there's not

1:04:10

gonna be a referee or judges. He

1:04:10

wants to fight me. And the

1:04:14

winner is the one who's still

1:04:14

living. That's what he says in

1:04:17

so many words. So that's when we

1:04:17

learn that this is not just a

1:04:20

fight, you know, to tap out.

1:04:20

This is not a tap out fight.

1:04:24

This is a fight to the death.

1:04:26

No. So have you

1:04:26

ever been in a fight to the

1:04:28

death?

1:04:31

I've been flight where I thought I might die. But no, I have not been

1:04:36

mean either.

1:04:36

Thank goodness. Alright. So as

1:04:39

soon as we get off the plane,

1:04:39

not a bit later. I love how we

1:04:44

see the branding. And it's plain

1:04:44

as day and there's this huge

1:04:49

sign for Sato and this is before

1:04:49

we even see Sato in person and

1:04:55

it says, learn karate at

1:04:55

Okinawa's biggest Dojo with

1:05:00

Master Sato. For 40 years

1:05:00

official instructor of the US

1:05:04

military proven in combat. So

1:05:04

South Sudan was a big deal.

1:05:10

Well,

1:05:10

he's not only a

1:05:10

big deal in karate, because if

1:05:12

you look at the entirety of this

1:05:12

view, so you see the Sato karate

1:05:17

poster, but surrounding the Sato

1:05:17

karate poster, or these other

1:05:21

smaller ads on the left Sato

1:05:21

bank and Sato reality, and on

1:05:27

the upper right, Sato, escort

1:05:27

service. So this guy has his

1:05:33

rods and a lot of fires.

1:05:35

He showed us and

1:05:35

he stayed there and he became

1:05:39

very successful. And it all

1:05:39

started from learning from Mr.

1:05:44

Miyagi his father, who's also

1:05:44

Mr. Miyagi, actually. So that

1:05:48

leads to the question, what is

1:05:48

Mr. Miyagi? His name?

1:05:52

How many movies?

1:05:52

Wait, hang on, we have seen 20

1:05:55

episodes of Cobra Kai. We have

1:05:55

seen what five karate Kids

1:05:59

Movies You know, you got the

1:05:59

Karate Kid. 123 And then you got

1:06:02

the sequel? The sequels? We

1:06:02

still don't know what Mr. Miyagi

1:06:05

is. First name is?

1:06:07

No. So how do we

1:06:07

refer to his father? You know

1:06:10

what, Mr. Miyagi senior Mr.

1:06:10

Miyagi Jr.

1:06:14

in the credits of

1:06:14

the movie of this here movie,

1:06:16

and the credits. Miyagi is

1:06:16

father, that's what he's known

1:06:20

as.

1:06:20

Okay, so they

1:06:20

both learn how to fight from

1:06:24

Yagis father, they were probably

1:06:24

equal, I'm assuming Miyagi is

1:06:28

very skilled. And we'll get into

1:06:28

sockos disposition later, he's a

1:06:31

bigger man. And the way he

1:06:31

talks, but he stayed and became

1:06:38

very successful, obviously, just

1:06:38

just see this one poster or see

1:06:43

this one kiosk, and you have an

1:06:43

idea. So they walk out kind of

1:06:49

hail a cab, but there's this

1:06:49

character there and his name is

1:06:53

chosen, which is a pretty funny

1:06:53

name. And chosen is there to

1:06:57

pick them up from the airport.

1:06:57

And Sal, I immediately do not

1:07:01

trust this guy. There's just

1:07:01

something about him and and

1:07:05

maybe it's that super heavy

1:07:05

handshake, plus this fly collar

1:07:09

and gold chains, but I don't

1:07:09

know. I don't trust him. And

1:07:14

much like I felt about Crease

1:07:14

all along. Although Chris I'm

1:07:17

intrigued by because he's

1:07:17

charismatic. This guy I don't

1:07:20

like I don't trust him at all.

1:07:20

How did you feel?

1:07:24

Well, I think

1:07:24

that it's normal to have a

1:07:27

mistrust of people with an open

1:07:27

polyester shirt with chains.

1:07:31

It's just a normal instinct and

1:07:31

person Showzen is chosen is

1:07:35

played by actor Ug okumoto. His

1:07:35

two sidekicks Joey Mia Shima is

1:07:41

Toshio and Mark HYAH she as

1:07:41

Toro, Toro we don't see at first

1:07:46

we see chosen and Toshio, they

1:07:46

greet Miyagi and Daniel at the

1:07:50

airport, picking them up in a

1:07:50

1958 Cadillac, Fleetwood,

1:07:55

beautiful car, very beautiful

1:07:55

car, actually. And yeah, that

1:07:58

moment where he gives them the

1:07:58

extra firm handshake, and then

1:08:00

he does this little thing, which

1:08:00

I do know, I used to watch in

1:08:04

karate movies from the 60s and

1:08:04

70s. He does this little extra

1:08:09

tag at the end of his

1:08:09

statements, if you listen to his

1:08:11

words, he doesn't at least three

1:08:11

four times in the movie and he

1:08:14

doesn't hear for the first time

1:08:14

is where he says, I hope your

1:08:17

stay here is a pleasant one.

1:08:17

Yeah, he does a little. Yeah, he

1:08:22

does that at the end. I love

1:08:22

that because that's such karate.

1:08:25

In the old days, Kung Fu

1:08:25

villains. Do that Allah. Oh, you

1:08:30

think you're gonna be big in his

1:08:30

tongue. So he gives that extra

1:08:33

firm handshake and for sure at

1:08:33

that moment, any guy maybe some

1:08:36

women too, but any guy who's

1:08:36

ever shaken another man's hand,

1:08:39

you know, these guys that do

1:08:39

this death grip handshake. And

1:08:43

that's exactly what he does.

1:08:43

It's a show of dominance. And

1:08:46

Daniel says that but he and

1:08:46

Miyagi get into this 1958

1:08:50

Cadillac, Fleetwood,

1:08:52

good point. Well

1:08:52

said and I would say the only

1:08:56

positive that I can think about

1:08:56

that is going on with the

1:09:00

current state of affairs in our

1:09:00

country in our world is the fact

1:09:04

that a heavy handshake is

1:09:04

probably a thing of the past.

1:09:09

Imagine handshake in general.

1:09:09

Yeah, exactly. A handshake in

1:09:13

general is probably like an

1:09:13

assault it's probably no longer

1:09:20

acceptable so I have you want it

1:09:20

that you're not going to see

1:09:23

those for years to come?

1:09:25

Well, you know

1:09:25

what, I think we will live to

1:09:27

see the day where someone will

1:09:27

say officer arrest that man,

1:09:31

they shook my hand

1:09:32

and they attempted to shake my hand that's attempted murder. Yeah,

1:09:34

so don't trust him but at this

1:09:38

point in time, Mr. Miyagi thinks

1:09:38

that hey, you know they know I'm

1:09:42

coming to town they sent someone

1:09:42

to pick me up that's great. But

1:09:46

right away post handshake

1:09:46

because Miyagi did not see this

1:09:51

take place. Right away, Mr.

1:09:51

Miyagi notices they're going the

1:09:54

wrong direction, away from the

1:09:54

village. And where does chosen

1:10:01

drive them to.

1:10:02

Well, I have to

1:10:02

mention the music chosen puts on

1:10:06

some music. To to he's to

1:10:06

attempt to like, Hey, you're old

1:10:10

you like this music that music

1:10:10

that he put on in the car that

1:10:14

chosen put on was called

1:10:14

fascination waltz. And if you

1:10:19

look at trivia is the same song

1:10:19

that was playing at the country

1:10:24

club party in the first Karate

1:10:24

Kid movie so long there at that

1:10:27

Country Club. That song is

1:10:27

playing. So yeah, realizes, yes.

1:10:31

I recognize that.

1:10:31

I didn't recognize it to be that

1:10:34

but I knew it was that time and

1:10:34

era and I always liked that. I

1:10:37

think even Caddyshack had a

1:10:37

scene where they had a very

1:10:40

similar song if not the same

1:10:40

song, but good spot. Nice. Nice

1:10:44

job.

1:10:44

So Miyagi though

1:10:44

realizes Yes, like you said he

1:10:47

realizes something's amiss. He

1:10:47

says a village south. Why we go

1:10:51

north now. Now I got to be clear

1:10:51

here. Okay. And I'm being

1:10:54

absolutely truthful here. I

1:10:54

figured this out myself. And

1:10:57

then I validated it later

1:10:57

online. So Miyagi says the

1:11:01

village so they landed in? Nah,

1:11:01

ha. They were at Naha airport.

1:11:04

He says village South why we go

1:11:04

north. Now. They are supposed to

1:11:07

go north, because Kadena where

1:11:07

we're going to visit Kadena Air

1:11:11

Base we're going to meet in a

1:11:11

moment is north of Naha. And

1:11:15

Tomi village is in Kadena, which

1:11:15

is north of nah. So they got the

1:11:19

geography kind of screwed up

1:11:19

here. I have to fault the

1:11:21

production on this. But he

1:11:21

should have said, village north.

1:11:25

Why do we go south now that's

1:11:25

what Miyagi should have said to

1:11:29

be geographically correct.

1:11:31

But either way, they weren't taking them into the village. They were taking

1:11:32

them to some hanger. So they

1:11:35

could meet Sato. And now we get

1:11:35

to confront Sato who, despite

1:11:42

all of the riches, and all of

1:11:42

his prestige and power is still

1:11:47

has this vendetta against Miyagi

1:11:47

as if it was yesterday.

1:11:55

Sato played by

1:11:55

actor Danny kamekona. I liked

1:11:59

the first thing that he says to

1:11:59

me how you the first his first

1:12:02

words, he hasn't seen his old

1:12:02

friend in 45 years, the first

1:12:05

thing he says, So callate, you

1:12:05

return. I love that.

1:12:11

That's it. It's

1:12:11

on. Just like that's the first

1:12:13

the first thing. And the

1:12:13

background, I could see another

1:12:16

huge building and it had sockos

1:12:16

name on that. So we get he, he

1:12:20

owns this town. So they have an

1:12:20

exchange. And we know that the

1:12:25

stakes are still very high.

1:12:25

Miyagi is not just going to pop

1:12:28

in and see his father and then

1:12:28

get out of town. He's going to

1:12:31

have to deal with Sato

1:12:33

while Sato I

1:12:33

believe says if I'm not mistaken

1:12:36

in the actual quote, you see,

1:12:36

Father, then you'll see me.

1:12:41

That's it. And

1:12:41

then there, will there even get

1:12:44

a ride? They're just left to

1:12:44

their left there. And they've

1:12:47

got Yeah, they've got to get a

1:12:47

cab and now they're at the

1:12:52

village but this village they

1:12:52

get to is now a US military

1:12:56

base.

1:12:57

Yeah, so they

1:12:57

arrive in a taxi. The cabbie

1:12:59

seems lost. He doesn't know Tomi

1:12:59

village so they arrive upon

1:13:03

this. They're doing construction

1:13:03

there's military guys. So

1:13:06

they're asking where's Tommy

1:13:06

Village? Now? I don't know why

1:13:08

the cab he doesn't know where

1:13:08

told me villages as a cab

1:13:11

driver. Right. They greet a

1:13:11

soldier. The soldier says this

1:13:14

is Kadena Air Base. In other

1:13:14

words, told me village used to

1:13:16

be here, but now it's Kadena Air Base.

1:13:18

Now we know what

1:13:18

happened to the village. So they

1:13:22

find the right place. Things

1:13:22

have changed. I mean, hey,

1:13:25

Miyagi has been gone for two

1:13:25

years things change. And the

1:13:29

first person we meet is Kumiko,

1:13:29

who's played by Tamlyn Tomita

1:13:35

her first movie, but she has

1:13:35

gone on to have an incredible

1:13:40

career. I mean, countless shows

1:13:40

and movies, but it all started

1:13:44

here. Yeah, and she is. And

1:13:44

where was she from? Sal? Well,

1:13:49

originally from

1:13:49

Okinawa, born in Okinawa. 20

1:13:53

years old at the time of this

1:13:53

movie. Absolutely beautiful. I

1:13:55

mean, I'm a little tongue tie

1:13:55

talking about her she I just

1:13:58

think she's so beautiful and

1:13:58

does a fantastic job. And this

1:14:01

is indeed her debut role. So we

1:14:01

learn that Kumiko is Yuki A's

1:14:07

Nice. Now you ka the former love

1:14:07

of Mr. Miyagi, right?

1:14:12

So now we meet

1:14:12

UK, and it's a beautiful scene

1:14:16

you have you know, her and

1:14:16

Miyagi seeing each other for the

1:14:19

first time and 40 years. But we

1:14:19

also learned that UPA not only

1:14:25

did not marry Sato, but she was

1:14:25

never married. Yeah, it's kind

1:14:30

of a sad thing to hear that

1:14:30

someone didn't get married

1:14:34

because who knows why, but she

1:14:34

never got that opportunity.

1:14:38

Miyagi probably only makes him

1:14:38

feel worse, Sal. I mean, if he

1:14:42

come back and Yuki aid had a

1:14:42

family, he could feel happy for

1:14:46

her. But now he's probably even

1:14:46

super hard on himself for

1:14:50

leaving, and it's just really

1:14:50

emotional. And that's the

1:14:53

emotional chord of this entire

1:14:53

film is their relationship and

1:14:58

Yagis regret and regret the

1:14:58

hidden I get to spend the last

1:15:02

40 years with his father. And

1:15:02

that's what got me. That's what

1:15:05

made this movie compelling. And

1:15:05

that's why I like that this was

1:15:09

such a departure from the first

1:15:09

film. And we weren't just

1:15:13

prepping for all valley to,

1:15:13

although I've been really cool,

1:15:17

but I love that this has this

1:15:17

storyline in it. It's more of an

1:15:21

adult storyline,

1:15:23

even though the

1:15:23

original movie has the love line

1:15:26

with Daniel and Ali. I do think

1:15:26

amid the romantic backdrop of

1:15:32

Okinawa, we see the

1:15:32

reinvigoration of UTA and Mr.

1:15:38

Miyagi there over the body of

1:15:38

his ill father. They are having

1:15:42

their reconnection. Now, by the

1:15:42

way, I just want to give a

1:15:45

couple of cool trivia here.

1:15:45

Miyagi is dad, played by actor

1:15:49

Charlie Teddy moto actually died

1:15:49

only two years after the filming

1:15:54

of this. And Nobu McCarthy, who

1:15:54

plays Yuki, I think has an

1:15:58

interesting story. Born in

1:15:58

Canada, raised in Japan lived in

1:16:03

the US then died in Brazil in

1:16:03

2002, at age 67, and was also

1:16:08

once Miss Tokyo. So I think had

1:16:08

a very storied and interesting

1:16:12

life.

1:16:12

Wow, yeah, she's

1:16:12

very attractive and really great

1:16:15

in this role. So next, we see

1:16:15

Miyagi and he's training in the

1:16:19

dojo, and he shares the family

1:16:19

history with Daniel as well as

1:16:25

the secret to Miyagi family

1:16:25

karate.

1:16:29

Yeah, this is

1:16:29

where we first learned about the

1:16:31

den den dicho hand drum. Now I

1:16:31

do want to say as a point of

1:16:35

reference, and I'm pretty

1:16:35

certain it's not spoken at all

1:16:38

in this movie is the phrase

1:16:38

Miyagi dough. Now Miyagi dough

1:16:41

we know about from Cobra Kai,

1:16:41

Miyagi dough karate, but there

1:16:46

is no reference to Miyagi dough.

1:16:46

And throughout this movie at

1:16:49

some early called Miyagi family

1:16:49

karate,

1:16:52

I think Daniel

1:16:52

coined that phrase out of

1:16:54

respect.

1:16:55

Okay, so that was not original. He coined it later with Cobra Kai.

1:16:58

And so there's

1:16:58

another quick scene here which

1:17:00

we've talked about on Cobra Kai

1:17:00

because they have a flashback to

1:17:03

this very scene. But while we're

1:17:03

here in the midst of this movie,

1:17:07

where it came from, we have to

1:17:07

talk about it because I always

1:17:11

loved it. So this leads to

1:17:11

Miyagi showing Daniel the rules.

1:17:18

And Sal please tell us what rule

1:17:18

one and rule two are.

1:17:22

There they are in

1:17:22

the Miyagi family dojo and upon

1:17:25

the walls in the sort of scrolls

1:17:25

vertical scrolls, I believe

1:17:29

Japanese writing is done up and

1:17:29

down also like Chinese writing,

1:17:32

rule number one, karate for

1:17:32

defense only, and then they go

1:17:37

back Rule number two, First,

1:17:37

learn rule number one. So there

1:17:42

we go. That is that is the

1:17:42

overall theme of Miyagi karate

1:17:46

or Miyagi dough later, karate

1:17:46

for defense only,

1:17:50

and that's very

1:17:50

true Miyagi takes a defense

1:17:53

approach with crease, even with

1:17:53

the Cobra Kai's when he had to

1:17:58

save Daniel, and they all have

1:17:58

the wonderful skeleton outfits

1:18:02

on shore. He used his offense,

1:18:02

but its defense first and then

1:18:07

offense to kind of you know, put

1:18:07

down the attack. It's a

1:18:11

wonderful tribute to that style.

1:18:11

And I love that but Rule number

1:18:15

two is just that it's so

1:18:15

perfect. See, but

1:18:18

this but but

1:18:18

later on, and I say later on,

1:18:21

we're going to visit this again.

1:18:21

Yeah, yep. Miyagi is dad taught

1:18:26

Sato. So theoretically, Sato and

1:18:26

Miyagi would be sort of at the

1:18:31

same level. Sato teaches chosen,

1:18:31

Mr. Miyagi teaches Danielson. So

1:18:37

theoretically, Chosun and Daniel

1:18:37

son both have the same skill set

1:18:41

or near same and know the same

1:18:41

secrets, going back to the

1:18:45

Denton dicho handrim. So later

1:18:45

on, I'm going to think why

1:18:49

doesn't Chosun know about Denden

1:18:49

dicho.

1:18:53

So now we explore

1:18:53

the village and Sal, everyone

1:18:58

seems to recognize Miyagi and

1:18:58

it's been so long

1:19:01

Well, I think

1:19:01

that we have to assume his

1:19:03

father is a renowned martial

1:19:03

arts teacher. It seems like

1:19:09

people are happy to see me

1:19:09

Auggie. I don't think people are

1:19:12

I mean, except for Sato

1:19:12

obviously. I think he's seen as

1:19:17

just sort of a old hometown boy,

1:19:17

come back to visit. Okay, so

1:19:21

Miyagi and Daniel are walking

1:19:21

along and Miyagi is teaching

1:19:25

more about the village history

1:19:25

to Daniel, we look over we see

1:19:29

Ishiro playing music for the

1:19:29

kids in front of the Shinto

1:19:32

shrine. Miyagi keeps telling

1:19:32

more about the village history

1:19:36

to Daniel Kumiko teaches the

1:19:36

Oban dance to little kids now

1:19:41

Oban, which will be quite

1:19:41

relevant as we progress in this

1:19:43

movie. Oban is a Japanese

1:19:43

Buddhist custom to honor the

1:19:48

spirits of one's ancestors but

1:19:48

that gives a little bit of

1:19:51

history on the dance and the

1:19:51

festival which we will be seeing

1:19:55

shortly.

1:19:55

Okay. And the

1:19:55

dance is really beautiful and

1:19:58

can make us really good at it.

1:19:58

She's good with the kids and

1:20:01

It's a nice sequence. So now

1:20:01

Sato arrives along with chosen

1:20:06

who's got a different shirt, but

1:20:06

yet same flight color and gold

1:20:10

chains and Santos have set and

1:20:10

he wants to fight right then in

1:20:15

there until UTA steps in. So So

1:20:15

what do you think would have

1:20:21

happened? Had she not stepped

1:20:21

in? Okay, so

1:20:23

this is where

1:20:23

Sato says, You give me no choice

1:20:27

and he takes off his jacket and

1:20:27

he starts to get into position,

1:20:30

ready to strike. Miyagi? Well, I

1:20:30

don't think Miyagi would have

1:20:34

been there. I think in an actual

1:20:34

fight. And I say this as a fight

1:20:37

fan. I say this as somebody

1:20:37

who's been watching martial

1:20:39

arts, his whole life mixed

1:20:39

martial arts since 93. I think

1:20:43

that Miyagi would be too fast

1:20:43

for Sato. Now, you don't want to

1:20:47

get hit by a guy like Sato. You

1:20:47

do not want him to connect with

1:20:49

you. But I think that you can

1:20:49

elude him. And that Miyagi is

1:20:53

fast enough to get out of the

1:20:53

way of Santos punches. So in an

1:20:56

actual fight between Miyagi and

1:20:56

Sato, I think that if Miyagi

1:20:59

just stayed out of Satoshis way

1:20:59

he could possibly wear down Sato

1:21:03

tire out Sato and then finally

1:21:03

defeat him in the end.

1:21:06

Okay, I like it.

1:21:06

Yeah, probably be a great fight,

1:21:09

but it's not going to happen

1:21:09

right here. So when UK breaks it

1:21:13

up, she also summons them to go

1:21:13

see Mr. Miyagi his father, who

1:21:19

is on his last breath, if you

1:21:19

will. And so Sato and Miyagi go

1:21:25

to see his father, and they hold

1:21:25

hands, kind of out of tradition,

1:21:29

I guess. Although there's this

1:21:29

beneath the surface, they're

1:21:32

about to kill each other,

1:21:32

literally. And they have to put

1:21:37

it aside and mourn together. So

1:21:37

it's kind of a classic movie

1:21:42

death as we see the last moment

1:21:42

of his life. And so I just wish

1:21:47

that we had gotten to know him a

1:21:47

little bit better. I know that

1:21:50

we showed up and he's already on

1:21:50

his deathbed. And there's that,

1:21:54

but it would have been nice to

1:21:54

see some flashbacks to a little

1:21:58

bit younger Miyagi, who could

1:21:58

have played himself just looking

1:22:02

a little bit younger, you know,

1:22:02

take some of the gray out. And a

1:22:05

maybe a young Sato, I think that

1:22:05

this movie could have used just

1:22:08

a little bit of that. I don't

1:22:08

know what your thoughts are. But

1:22:11

I didn't feel enough for Miyagi

1:22:11

father because I just didn't

1:22:15

know him. But I felt for Miyagi,

1:22:15

Mr. Miyagi. That is,

1:22:19

I think that the

1:22:19

movie at this point is letting

1:22:22

us know that the Father is sort

1:22:22

of an ancillary character to

1:22:26

propel the plot, and not as

1:22:26

important because what at that

1:22:29

moment though, on his deathbed,

1:22:29

if you recall, the father Miyagi

1:22:33

his father, grabs Satoshis hand

1:22:33

grabs Miyagi his hand and puts

1:22:38

their hands together he tries to

1:22:38

make peace with the two of them.

1:22:41

Miyagi is okay with Sato is the

1:22:41

one who pulls away so the father

1:22:46

wanted to give peace between his

1:22:46

son and his number one student

1:22:49

other than a son. And the

1:22:49

unfortunately Sokka was not

1:22:52

having it Miyagi was okay with

1:22:52

it. And yeah, he just kind of

1:22:55

just kind of plops definitely a

1:22:55

cinematic death, where he just

1:22:59

goes, it's almost like saying

1:22:59

his last words like those were

1:23:01

his last words. His last words

1:23:01

were, I want peace with you,

1:23:04

too. Those were his last words.

1:23:07

Whenever nice to

1:23:07

see some sort of flashback or

1:23:09

something, or even photos or

1:23:09

just just give me a little bit

1:23:13

more. I was yearning for that.

1:23:15

After this movie,

1:23:15

and after Cobra Kai, I am

1:23:20

looking forward to the entire

1:23:20

universe opening up not only for

1:23:24

the future, but in the past. I

1:23:24

want to see little Miyagi I want

1:23:28

to see little Sato. I want to

1:23:28

see them as kids. They obviously

1:23:31

grew up together, they spent

1:23:31

their whole entire life

1:23:34

together, up until Miyagi was 18

1:23:34

and headed out due to disgracing

1:23:40

Serratos. Honor. Otherwise, yes,

1:23:40

I would love to explore their

1:23:44

paths. And I think that leaves

1:23:44

it open to a whole nother

1:23:48

franchise to come along and

1:23:48

explore Miyagi is childhood in

1:23:52

Okinawa.

1:23:53

Yes. So then Sato

1:23:53

says you have three days to

1:23:57

mourn and then fight. So if I'm

1:23:57

Mr. Miyagi, hey, guess what? I'm

1:24:04

out in two days, we can just

1:24:04

avoid this whole thing. I got

1:24:08

two days to mourn. Y'all hang

1:24:08

out with UTA showed the ideal

1:24:12

route them out of here. So

1:24:12

things are in motion we're going

1:24:16

to be able to spend three days

1:24:16

mourning and tying up some loose

1:24:21

ends and rekindling some things

1:24:21

and there's least pause now

1:24:25

which we didn't have before

1:24:25

because Sato was ready to go to

1:24:28

blows you know, just a few

1:24:28

minutes ago. And I love when

1:24:33

they when everyone morning, lit

1:24:33

the candles on a little What

1:24:37

would you say if that is how

1:24:37

little rafts for these candles

1:24:41

are?

1:24:41

Well by appearance for any of you familiar with the southwestern

1:24:43

custom of luminarias where they

1:24:47

sort of a paper bag with a

1:24:47

candle inside, right? So this is

1:24:50

yeah, this is very similar, just

1:24:50

a different decor, and obviously

1:24:54

they float so it's like them

1:24:54

putting these colorful black

1:24:57

luminarias with a candle inside

1:24:57

on the wall. otter, almost

1:25:02

sending off your loved one. So

1:25:02

in this scene they're all

1:25:04

gathered about. And they're all

1:25:04

putting these luminaria type

1:25:08

little rafts on the water to

1:25:08

signify the departure of the

1:25:12

loved one. In this case, Miyagi

1:25:12

is father,

1:25:15

that's very touching, and especially a great visual, it's at night, you have

1:25:16

Bill Conte score, swelling, it

1:25:21

was really a beautiful moment.

1:25:21

And just a nice closure to the

1:25:27

pace passing.

1:25:28

And also at that

1:25:28

very moment, if you notice, Sato

1:25:30

is right there next to him. So

1:25:30

yeah, there is a pause, there's

1:25:33

a pause here. And I'm almost

1:25:33

reminded of they say, We're

1:25:38

taught that during the Civil

1:25:38

War, the north and south would

1:25:42

take a break for Christmas. So I

1:25:42

liked that. It's like, let's

1:25:46

take a break here, you know, and

1:25:46

I really liked that a lot. So

1:25:49

here, there's an actual break,

1:25:49

he does give him three days, I

1:25:52

don't think it's very long, but

1:25:52

he does give him some time to

1:25:55

mourn. And there is a momentary

1:25:55

peace here.

1:25:58

And this leads to

1:25:58

perhaps, I would say, for me,

1:26:02

anyway, the most emotional scene

1:26:02

in the entire franchise. And

1:26:08

it's when Daniel shares about

1:26:08

losing his father, and to your

1:26:12

earlier point, here's the

1:26:12

disciple kind of leading the

1:26:16

teacher, and he's sharing about

1:26:16

losing his father and you can

1:26:20

see the pain in Miyagi his eyes.

1:26:20

In fact, Miyagi doesn't say

1:26:24

anything for this entire

1:26:24

sequence. And it's the first

1:26:28

time that he's vulnerable, and

1:26:28

human. And we've never seen him

1:26:32

like this before. And while this

1:26:32

scene is going on, from an

1:26:36

acting standpoint, just the

1:26:36

scenery, it's such a beautiful

1:26:40

shot of them sitting next to

1:26:40

each other, and Daniel puts his

1:26:45

arm around him as the sunrays

1:26:45

come through the clouds above,

1:26:49

and there's a banzai just in

1:26:49

front of them. And it's just

1:26:53

it's such a magnificent moment.

1:26:53

So it just, it makes me tear up

1:26:57

every time I see it.

1:26:59

It really is. It's beautiful in every way. It's beautiful for the

1:27:00

characters and for fans of The

1:27:03

Karate Kid universe. But also

1:27:03

from a naturalistic perspective.

1:27:06

I have been to Japan and those

1:27:06

sunsets are beautiful. They have

1:27:10

some beautiful sunsets there. So

1:27:10

yeah, this was a fantastic scene

1:27:14

in every way. And if you notice on the right hand side of the screen is a little bonsai there

1:27:16

as well. Yeah, so just that two

1:27:20

shot from the back with the

1:27:20

clouds and the ocean and yeah,

1:27:23

Daniel with his arm around, Mr.

1:27:23

Miyagi, powerful scene

1:27:26

fantastically acted scene.

1:27:26

Definitely, definitely

1:27:30

beautiful.

1:27:31

And Miyagi is not

1:27:31

even really crying or bawling,

1:27:33

but there's just tears in his

1:27:33

eyes. I mean, that's, that's

1:27:36

incredible moment for him as an

1:27:36

actor, and all of our collective

1:27:41

hearts break to see Miyagi, who

1:27:41

is this rock. Like you said

1:27:46

earlier, we've all wanted him

1:27:46

Miyagi in our life. So to see

1:27:50

him in pain, it's like too much

1:27:50

for us to bear. You know, it's

1:27:54

just too much. And we've never

1:27:54

seen it before.

1:27:57

But this is also

1:27:57

another example of how Daniel

1:27:59

steps up to the plate. Every

1:27:59

time Daniel has to do something,

1:28:03

whether it be fight someone, or

1:28:03

comfort someone. I mean, you

1:28:09

know what, the more I am

1:28:09

involved in the Karate Kid

1:28:13

universe, the more I actually

1:28:13

fall in love with Daniel's

1:28:17

character. I really do. I think

1:28:17

that he's way more multifaceted

1:28:20

than he would appear at first,

1:28:20

especially based on the first

1:28:24

movie, you know, he comes

1:28:24

around, he's like a belligerent

1:28:26

teenager, he's annoyed with his

1:28:26

mother in the very beginning of

1:28:29

the movie. But you see his

1:28:29

evolution, and you see how he

1:28:32

changes and grows. I'm very

1:28:32

proud of broth, macho as an

1:28:35

actor, and very proud of Daniel

1:28:35

is a character.

1:28:38

Yeah. And I think

1:28:38

that gets lost a lot as well, is

1:28:41

that Ralph Macho is an

1:28:41

incredible actor. And for some

1:28:46

reason, that just gets

1:28:46

overlooked. Sometimes I think he

1:28:48

doesn't get the credit is due

1:28:48

because it's so convincing of a

1:28:52

role. Daniel Russo that people

1:28:52

just take it for granted, but

1:28:56

he's incredible. He really is.

1:28:56

Even on Cobra Kai, you just see

1:29:01

it like, this guy's got range,

1:29:01

and he can turn on a dime and be

1:29:06

this guy and be charming. And

1:29:06

he's really, he's really

1:29:10

something. And there's a reason

1:29:10

why these movies work so well.

1:29:15

There's a reason why 35 years

1:29:15

later, there's a TV show. That's

1:29:20

wonderful. And it's based on

1:29:20

these characters because they

1:29:23

not only had the story, right,

1:29:23

and they got the right director

1:29:26

and they got the right producer,

1:29:26

but they get some incredible

1:29:29

talent, and Pat Merida and rough

1:29:29

Mojito. So here we are, we leave

1:29:36

this great scene. And now we're

1:29:36

back to training. And we see

1:29:41

Miyagi and Daniel and Daniel I

1:29:41

believe is improving. I think

1:29:45

he's a better fighter now than

1:29:45

he was at all valley. He's

1:29:48

learning more and sell I love

1:29:48

this flying cable technique.

1:29:54

Please describe this for our

1:29:54

listeners.

1:29:58

Well, Miyagi

1:29:58

wants to connect He knew the

1:30:01

training so this scene opens up

1:30:01

with them doing some martial

1:30:04

arts training. Then he takes him

1:30:04

down to this cannery, which was

1:30:08

a part of his childhood there

1:30:08

was owned by Santos father and

1:30:12

Santos father gave me Auggie,

1:30:12

his first job at this cattery.

1:30:17

But while Miyagi worked this

1:30:17

Canary, he would use this. I

1:30:21

mean, jeez, I'm not a fisherman.

1:30:21

It's this swinging hook. It's a

1:30:24

double sided hook. It's about as

1:30:24

big as an axe, it's pretty

1:30:28

large. And it swings. And you

1:30:28

have to get out of its way or it

1:30:34

literally impaled you. So he

1:30:34

uses this as a training device.

1:30:39

He demonstrates Daniel wants to

1:30:39

do it. Daniel wants to say I

1:30:43

want to try it. At first, Miyagi

1:30:43

is reluctant, because this is a

1:30:47

this is a deadly training

1:30:47

exercise, literally. But then

1:30:50

Miyagi says, Okay, fine, and he

1:30:50

attaches a block of wood. Now,

1:30:54

when he's attaching this block

1:30:54

of wood, I'm thinking to myself,

1:30:56

Okay, maybe he's not going to

1:30:56

die, but he still can be

1:30:59

seriously injured. When a block

1:30:59

of wood is flying at your face,

1:31:03

the impact of this is still going to be strong. Yes. So

1:31:06

Daniel convinces

1:31:06

Miyagi, Miyagi says, Fine, let's

1:31:09

the swinging rope go with the

1:31:09

log on the end. And Daniel jumps

1:31:14

out of the way, he doesn't know how to properly get out of the way. So he kind of jumps out of

1:31:16

the way falls into the water,

1:31:19

right next to this rope swinging

1:31:19

thingy, at the can it

1:31:23

hits, it hits

1:31:23

really hard, and he would have

1:31:25

been hit hard. And I thought it

1:31:25

was like cork, but whatever,

1:31:28

it's coming down really hot. And

1:31:28

so true to Daniel's form, you

1:31:33

know, he sometimes attempts

1:31:33

things that he's not prepared to

1:31:37

do. But there's a second one of

1:31:37

these hooks up there. And this

1:31:42

one, since Miyagi is coming down

1:31:42

the ladder, there's not a cork

1:31:47

on the end. So this is literally

1:31:47

a hook, Daniel gets back up out

1:31:51

of the water, and he pulls this

1:31:51

lever, and the next one comes

1:31:56

down full speed unprotected,

1:31:56

there's a huge hook, you could

1:32:00

very easily get impaled, get

1:32:00

killed. And so what happens this

1:32:05

time?

1:32:05

Well, this is the

1:32:05

initiation of the drum

1:32:08

technique. Yes, this is where we

1:32:08

start to see the drum technique

1:32:11

employed, as brought to us

1:32:11

originally by the dead and die

1:32:15

coup, and we will see later as

1:32:15

well not to spoil. So now Daniel

1:32:19

employs the drum technique,

1:32:19

which involves a twist, getting

1:32:22

out of the way. And this hook

1:32:22

goes, so close, actually cuts

1:32:27

part of a shirt. That's how

1:32:27

close this hook was. So that's

1:32:31

how, how sheer that space was

1:32:31

between him and that hook. So he

1:32:34

barely moves out of the way,

1:32:34

employing the drum technique.

1:32:38

And then the hook

1:32:38

goes into this wood and just

1:32:42

sticks with his piece of the

1:32:42

shirt with it. And he's like,

1:32:47

Oh, that was close. But you can

1:32:47

tell that what I liked about

1:32:50

that moment, is that he is

1:32:50

fearless style. And he is a fast

1:32:55

learner. Now he doesn't have it

1:32:55

down yet. But I know from

1:32:58

martial arts, too, and all

1:32:58

sports that I've played, it's

1:33:02

about repetitions. And, and

1:33:02

that's how I am it's like, do it

1:33:05

1000 times and master. But

1:33:05

Daniel's one of these guys, at

1:33:09

least in these movies, that he

1:33:09

picks things up very quickly.

1:33:12

The word prodigy

1:33:12

is not used not much in our

1:33:15

culture, let alone with these

1:33:15

movies or Cobra Kai. But I think

1:33:18

you could probably say at this

1:33:18

point that Daniel would be

1:33:20

considered a prodigy.

1:33:22

Yeah, well, he has to because if he was on a normal trajectory, to become a

1:33:24

black belt, or be doing these

1:33:28

things, these movies that would

1:33:28

never pan out. So he has to kind

1:33:32

of be that character, you know,

1:33:32

they can go from zero to 60 very

1:33:36

quickly. So not that he's a

1:33:36

Miyagi he's class, but that he

1:33:41

is ahead of others, if you will.

1:33:41

And so the next thing we have

1:33:48

is, Daniel is now going to

1:33:48

expose chosen in this

1:33:54

interesting sequence. If you

1:33:54

want to elaborate a little bit,

1:34:00

Daniel meets for

1:34:00

the first time officially each

1:34:02

row now each row was the old

1:34:02

friend of Miyagi, who was

1:34:06

playing that instrument there at

1:34:06

the Shinto temple for the kids.

1:34:10

So each row drops a whole

1:34:10

cartload of carrots. Right

1:34:14

before Daniel, Daniel helps him

1:34:14

with the carrots. They then go

1:34:17

take the wheelbarrow of carrots

1:34:17

over to the scales and weights

1:34:22

that are set up by chosen and

1:34:22

his thugs. Now, if you see a guy

1:34:26

like chosen operating a scale,

1:34:26

you pretty much can guess

1:34:30

there's something crooked going

1:34:30

on here. And that's what we find

1:34:33

because as they approach the

1:34:33

scales, there's a movement

1:34:37

somebody bumps into the scales,

1:34:37

these weights fall down, and we

1:34:41

learn and realize that these

1:34:41

weights are little false

1:34:44

weights. So therefore the scales

1:34:44

are not true and are not

1:34:48

properly calibrated. And chosen

1:34:48

and his buddies. Maybe Sato is

1:34:52

behind this. I mean, we don't

1:34:52

know if Sato is behind this

1:34:54

exactly. But we see chosen and

1:34:54

his buddies are ripping off

1:34:59

these villagers of their vegetables.

1:35:01

and chosen knows

1:35:01

it's Daniel that's done this and

1:35:04

he's pissed but he has all of

1:35:04

these villagers coming after him

1:35:07

so chalk that one up to Daniel

1:35:07

he won that battle

1:35:11

but chosen gets

1:35:11

mobbed by the villagers the

1:35:13

villagers start attacking

1:35:13

chosen. Hey you're cheating us

1:35:16

so it's a good moment to see

1:35:16

chosen get mobbed by these

1:35:19

villagers. I wish we could have

1:35:19

seen him get attacked and beaten

1:35:21

up, but unfortunately we don't.

1:35:22

Right. So now we

1:35:22

see Miyagi. And he confesses

1:35:28

that he should have taken UTA

1:35:28

with him to America. Now, so

1:35:33

that's just really sad. Now to

1:35:33

have that kind of regret really

1:35:36

reminds me of the Clint

1:35:36

Eastwood, Meryl Streep film

1:35:40

Bridges of Madison County to

1:35:40

know that they turn their back

1:35:44

on what could have been, and

1:35:44

that that's very sad.

1:35:47

Yeah, the what

1:35:47

could have been or the one that

1:35:49

got away stories. Very sad.

1:35:49

Yeah, definitely.

1:35:53

So now Kumiko is

1:35:53

teaching Daniel the dance. And

1:36:00

again, Sal, he's a quick

1:36:00

learner. He's picking this thing

1:36:04

up right away.

1:36:06

He is and what I

1:36:06

like about Daniel, especially in

1:36:08

this moment, we see it. At first

1:36:08

he doesn't want to he doesn't

1:36:11

want to do this dance out here

1:36:11

on the road. But yet he does it.

1:36:15

He does it anyway, even though

1:36:15

he's not. He's very reluctant,

1:36:18

you know. So I like that, you

1:36:18

know, you don't have to want to

1:36:21

do something yet you do it. So I

1:36:21

respect that. So he starts

1:36:24

getting his dance lesson from

1:36:24

Kumiko. She shows him what's

1:36:29

called the bond dance, which

1:36:29

again, we're going to be

1:36:31

visiting later. And then at that

1:36:31

moment, it seems like every time

1:36:36

Daniel and Kumiko are starting

1:36:36

to get closer starting to get

1:36:40

more intimate. Something

1:36:40

happens. And again, we see now,

1:36:44

yeah, chosen and his thugs

1:36:44

arriving. Chosen takes the

1:36:49

Denden dicho from Daniel shoves.

1:36:49

Kumiko kicks, Daniel. And then

1:36:55

as they're walking away, Kumiko

1:36:55

throws a tomato at chosen hits

1:36:59

him in the back of his polyester shirt.

1:37:00

Right. So this

1:37:00

really reminds me of the beach

1:37:04

scene from the original Karate

1:37:04

Kid, here comes this bully, and

1:37:09

Daniel's bested yet again. But

1:37:09

this is also another iral for me

1:37:14

on this film, as much as I like

1:37:14

it, and it has a lot of

1:37:17

strengths. It's got some

1:37:17

weaknesses, and just, it's

1:37:21

chosen yet again. He's always

1:37:21

there. He's got nothing else to

1:37:27

do, but try to rip off villagers

1:37:27

and hang out with these bullies,

1:37:31

and pester Daniel and I think

1:37:31

even threatens to kill him in

1:37:36

the same.

1:37:37

Oh, yeah, he says

1:37:37

if you disrespect my honor,

1:37:40

again, I will kill you. Yeah, so

1:37:40

Daniel isn't even doing

1:37:43

anything. No, nothing. Yeah. And

1:37:43

yet this guy, his honor is all

1:37:48

bent out of shape because of

1:37:48

Daniel. You know, what, is it

1:37:50

possible? And maybe do we learn

1:37:50

in this scene? That it's

1:37:54

possible that Chosun has had a

1:37:54

thing for Kumiko? Because

1:37:58

remember when he throws the

1:37:58

shirt back he's like, you know

1:38:00

you like it like he says

1:38:00

something like that some sort of

1:38:02

smart as you know, you like my

1:38:02

shirt? Like maybe he's known

1:38:06

Kumiko maybe he's had a crush on

1:38:06

her. She never felt the same

1:38:09

way. Maybe there's a little something there's remember there's a history there in

1:38:11

Okinawa before Daniel got there.

1:38:14

Yeah, I don't

1:38:14

know. History repeats itself.

1:38:16

This is a very Miyagi Sato UTA

1:38:16

storyline for sure. So they walk

1:38:24

away and stumble on to yet

1:38:24

another beautiful scene. And I

1:38:30

noticed that most of these

1:38:30

beautiful touching scenes are

1:38:33

with the adults in this movie.

1:38:33

And I think that's maybe was

1:38:37

lost on me when I saw the movie

1:38:37

for the first time. But as an

1:38:41

adult, I'm more moved by it. But

1:38:41

yeah, we see Miyagi and UPA

1:38:45

having a tea ceremony. And Sal,

1:38:45

why don't you explain that for

1:38:51

us?

1:38:51

Well, to the

1:38:51

casual observer, like myself, or

1:38:53

in this case, Daniel, you look

1:38:53

on you see two people in Japan,

1:38:56

drinking tea together, you don't

1:38:56

really know what's going on. So

1:38:59

Daniel asked, Kumiko, what's

1:38:59

going on? And that's when Kumiko

1:39:03

lets Daniel know, they are

1:39:03

falling in love again. So we

1:39:07

learned that this is a ceremony.

1:39:07

That is an expression of love.

1:39:10

Either reacquainted love or new

1:39:10

love.

1:39:13

Yeah, that's

1:39:13

pretty heavy, though. They're

1:39:16

falling in love again. Wow.

1:39:16

That's big.

1:39:19

I like this. I

1:39:19

like it. I like ceremonies. And

1:39:21

that was one of the reasons why

1:39:21

you select to go to church, not

1:39:24

necessarily that I went for all

1:39:24

the rules and so forth. But I

1:39:27

like ceremony. And that's why

1:39:27

when you Yeah, when you look at

1:39:31

the tea ceremony later on. I

1:39:31

like how every movement is

1:39:35

intentional. Ceremonial, is

1:39:35

deliberate. I like that stuff.

1:39:39

I've always enjoyed watching

1:39:39

ceremonies occur. You probably

1:39:42

like structure as well. Yeah, I

1:39:42

kind of do. Maybe that's part of

1:39:45

it.

1:39:46

No, I'm really

1:39:46

drawn to martial arts because a

1:39:49

lot of it has to do with the

1:39:49

ceremonies or this the structure

1:39:51

or the way things are done. And

1:39:51

then there's achievements and

1:39:55

you get to the next belt and so

1:39:55

I'm really drawn to never had a

1:39:59

tea ceremony. which I think is

1:39:59

really cool, but I to share the

1:40:04

fondness for ceremonies. And I

1:40:04

think that's why I've kind of

1:40:08

been so captured by martial

1:40:08

arts. Okay, so now Daniel and

1:40:14

Kumiko are going exploring. And

1:40:14

while they do so, we hear the

1:40:20

infamous Peter Sutera track

1:40:20

glory of love.

1:40:24

Yeah, and I think

1:40:24

it's an interesting moment

1:40:26

because the music starts to play

1:40:26

as they start to go observe King

1:40:30

Shahar she's castle ruins and I

1:40:30

like the words who just I don't

1:40:35

know if they just kind of

1:40:35

happened. Or if Peters Matera

1:40:39

wrote it this way the lyrics

1:40:39

just like a knight in shining

1:40:42

armor from a long time ago, just

1:40:42

in time I'm a save the day take

1:40:47

you to my castle far away as

1:40:47

they're at the castle. Did that

1:40:51

happen accidentally or was that

1:40:51

on purpose?

1:40:53

So why don't you give us a little rendition of the chorus from the song it's a

1:40:55

great track,

1:40:58

just like a

1:40:58

knight in shining armor from a

1:41:01

long time ago. Just in time I'm

1:41:01

gonna save the day ticket to my

1:41:06

castle far away. All right,

1:41:06

there we go.

1:41:09

Great song. Yeah,

1:41:09

I'm not sure to answer your

1:41:12

question if it was written for

1:41:12

the scene was this song not

1:41:17

written for the soundtrack.

1:41:19

This song was

1:41:19

originally scheduled for Rocky

1:41:22

for was it it was one of the

1:41:22

Rockies that they had hoped the

1:41:25

song to That's right. But yeah,

1:41:25

but instead it was replaced by

1:41:29

another song and they decided to

1:41:29

use this song for the erotica

1:41:32

too.

1:41:33

And Bill Conti

1:41:33

was supposed to be the composer

1:41:36

for Rocky four because he had

1:41:36

done rocky one through three

1:41:39

thus far and chose to do karate

1:41:39

kid part two, but along with

1:41:44

Appleton they both came back and

1:41:44

worked on Rocky five. So yeah,

1:41:49

so

1:41:49

what happened was

1:41:49

glory of love was supposed to be

1:41:51

in Rocky but was instead, hearts

1:41:51

on fire was chosen over glory of

1:41:56

love for the Rocky films. So

1:41:56

then the glory of Love came into

1:41:59

the Karate Kid too.

1:42:00

So now we're in

1:42:00

the city. And both Daniel and

1:42:03

Kimiko are looking at TVs in the

1:42:03

window of a store. And she

1:42:09

shares her dream of being a

1:42:09

dancer. And then out of nowhere,

1:42:14

actor BD Wong appears. We've

1:42:14

always loved BD Wong from many

1:42:19

movies and TV shows, including

1:42:19

Jurassic Park and the Jurassic

1:42:24

worlds. And he invites him to a

1:42:24

dance. So she's dreaming of

1:42:29

being a dancer. And now she can

1:42:29

go to this dance and show off

1:42:33

some moves.

1:42:34

He's credited, I

1:42:34

think, as flyer kid. Yeah. Yeah.

1:42:38

And he's credited as Brad Wong

1:42:38

with two Ds, Brad won. And then

1:42:43

he became BD Wong. I'm curious

1:42:43

how Brad one became BT one but

1:42:46

yeah, so Brad Wong who we've

1:42:46

seen in on all these crime shows

1:42:50

here he has as a kid passing out

1:42:50

flyers for dance on the street.

1:42:53

He does

1:42:53

look so great in

1:42:53

the scene like so out of place.

1:42:56

Here's this like, kid, you know,

1:42:56

he looks like he's running a

1:42:59

Hollywood like extras casting

1:42:59

and giving them a flyer. Sure.

1:43:04

Bring your friend. He's super

1:43:04

excited, upbeat. And next we see

1:43:09

Santos dojo. It's right across

1:43:09

the way and Daniel has to get a

1:43:14

closer look, of course. And as

1:43:14

he peeks of the window, very

1:43:18

reminiscent of Daniel, walking

1:43:18

up and looking through the

1:43:22

window at Cobra Kai. And he sees

1:43:22

chosen is head of the class much

1:43:28

like Johnny Lawrence, and he

1:43:28

takes on four attackers, and of

1:43:32

course, best them all. Yeah, he

1:43:34

has two guys. One

1:43:34

guy grabs his right arm, one guy

1:43:36

grabs his left arm. So you got

1:43:36

two guys holding you. And then

1:43:39

you have two guys attacking you

1:43:39

and you have chosen beats up

1:43:42

four guys in his class. He

1:43:42

essentially beats up four of his

1:43:45

students is what he does,

1:43:46

right? And they

1:43:46

train hard, very Cobra Kai style

1:43:49

here at Santos dojo. So they see

1:43:49

that and then Daniel wants to

1:43:53

keep moving, and they stumble

1:43:53

into I guess it's a bar. Um, I

1:43:58

don't know if people are getting

1:43:58

drunk in there, but it's kind of

1:44:01

like a bar and Kimiko is

1:44:01

resistant. She doesn't want to

1:44:04

go in there. Because she says,

1:44:04

you know, bad people, bad things

1:44:07

happen in there. But Daniel, you

1:44:07

know, he's stubborn as we know

1:44:11

he is and he takes them in. And

1:44:11

we can see that gi 's are all

1:44:17

over the place. And one in

1:44:17

particular is attempting to

1:44:21

strike through sheets of ice and

1:44:21

tell us who this particular Gi

1:44:28

is Sal.

1:44:29

This guy is

1:44:29

credited as being gi number one.

1:44:32

His name is Clarence Gil yd Jr.

1:44:35

Well, Clarence

1:44:35

was an diehard and Top Gun so he

1:44:39

went on to be in some other big

1:44:39

movies. I recognize him right

1:44:43

away. But he fails in his

1:44:43

attempt to hit through the

1:44:47

sheets of ice and for those who

1:44:47

haven't seen this film or it's

1:44:51

been a long time, there's these

1:44:51

sheets of ice. I don't know what

1:44:55

they about an inch thicker. I'm

1:44:55

just be guessing

1:44:58

I probably say

1:44:58

about 18 inches tall. Oh, each

1:45:01

one and yeah, I would probably

1:45:01

say about an inch thick, I would

1:45:03

say,

1:45:04

and they have

1:45:04

them kind of slotted. So with

1:45:06

gaps in between, you've got to

1:45:06

hit it Sal, I guess like with

1:45:09

kind of a side motion, you know,

1:45:09

like a ridge. And because it may

1:45:13

be kind of, can you describe

1:45:13

this to the listener at all,

1:45:17

you would be

1:45:17

slicing at a horizontal chest

1:45:20

level, right? Because these

1:45:20

things are in front of you, I

1:45:23

think what you should hope to do

1:45:23

is that you hit the first one,

1:45:26

if you can break that first one,

1:45:26

that first one breaks a second

1:45:28

one, that second one breaks, the

1:45:28

third one and cetera, et cetera.

1:45:31

So you really got to make sure

1:45:31

that you can crack that first

1:45:34

one, hit it hard enough so that

1:45:34

it then subsequently breaks the

1:45:37

rest of them. But yeah, it's

1:45:37

like right in front of you. Six

1:45:40

slots, six pieces of ice

1:45:40

vertical, and then you got to

1:45:44

slice through them horizontally

1:45:44

and with a karate chop,

1:45:47

possible. I mean, I don't think I could do it.

1:45:49

I don't think gi

1:45:49

number one had six sheets of

1:45:52

ice, I think he only had three or four.

1:45:54

Yeah, and his form was something to be desired. I mean, again, I've

1:45:56

watched enough fights to say he

1:45:59

had no prep, he had no poise, he

1:45:59

had no skill, he may be able to

1:46:03

fight in a barroom fight. But

1:46:03

when it came to, using proper

1:46:06

technique to slice these things,

1:46:06

they left a lot to be desired,

1:46:09

right? So Gi,

1:46:09

number one, he fails, and he

1:46:12

overhears Daniel saying why he

1:46:12

failed. And of course, he says,

1:46:16

Hey, if you can do better, you

1:46:16

know, do it, go for it. And

1:46:20

Daniel has already figured it

1:46:20

out. Again, back to my point

1:46:24

that he might be some sort of

1:46:24

prodigy, or at least a fast

1:46:27

learner. I'll give him that. So

1:46:27

he's challenged. And so what

1:46:32

happens now?

1:46:33

Well, he's challenged, but he's not going for it. You know, he doesn't

1:46:35

want to do it. He may think he

1:46:38

knows how to do it. But here he

1:46:38

is, in a foreign country what

1:46:41

and this is only what eight

1:46:41

months later after the all

1:46:43

Valley so he may not even be 18

1:46:43

yet, we don't know when His

1:46:47

birthday is. So here he is a

1:46:47

very young man or older

1:46:50

teenager, here on this island,

1:46:50

being challenged by these

1:46:53

American GI guys to do something

1:46:53

ridiculous. So yeah, he may have

1:46:58

had his opinions on how it

1:46:58

should be done that he shared

1:47:01

that with Kumiko on how he

1:47:01

should use the hips and all

1:47:04

that, but he doesn't want to do

1:47:04

it. And so he's like, I'm out of

1:47:07

here. And he wants to get out of

1:47:07

there. And who arrives who

1:47:10

arrives of course chose,

1:47:13

of course. And he

1:47:13

doesn't just arrive style. He's

1:47:18

fully dressed in street clothes.

1:47:18

It wasn't two minutes earlier,

1:47:23

that he was taking on four

1:47:23

attackers at sokos dojo, and he

1:47:28

was in his full Gi. And so now

1:47:28

we led to believe that he

1:47:33

changed, it looks like he

1:47:33

showered. And he did all that

1:47:36

and got over here in two minutes

1:47:36

and happy to know that

1:47:39

something's going on. And Daniel

1:47:39

is here, another irell from me.

1:47:45

Now these are starting to mount

1:47:45

these are starting to mount.

1:47:48

I think it's

1:47:48

entirely possible that there was

1:47:51

more time elapsed between them

1:47:51

seeing chosen in the dojo, and

1:47:55

then this icebreaking happen.

1:47:55

There was more time that elapsed

1:47:58

there, which I don't think the

1:47:58

movie properly displayed. I

1:48:02

think they should have maybe

1:48:02

added another scene or we should

1:48:05

have seen the clock or something. Because if you remember as the scene

1:48:07

progresses, who else arrives?

1:48:10

Everyone arrives?

1:48:10

I will get to

1:48:10

that. I know. But I still feel

1:48:14

even if that's the case, even if

1:48:14

you're right. I wish we had

1:48:18

established it. I wish we had

1:48:18

cut to Miyagi and UPA and then

1:48:24

cut back. I wish we had cut to

1:48:24

someone running to chosen and

1:48:29

the locker room and saying, you

1:48:29

know, blah, blah, blah, Daniels

1:48:33

over there doing this. I just

1:48:33

wish there would have been

1:48:35

because these are the moments

1:48:35

that I just can't stand when

1:48:39

things just don't make sense.

1:48:39

Now maybe there was a scene cut,

1:48:42

you know, could have happened.

1:48:43

Toshio sees them

1:48:43

as soon as Kumiko and Daniel

1:48:46

walk into the bar. Toshio,

1:48:46

remember one of the thugs. Yeah,

1:48:51

he runs out, and he goes to get

1:48:51

chosen. I could only imagine

1:48:55

that it's entirely possible that

1:48:55

if there wasn't a lot of time

1:48:58

elapse, then chosen wears his

1:48:58

clothes under his GI.

1:49:01

Or just comes in

1:49:01

and his GI. You know, I'm cool

1:49:05

with that.

1:49:06

Maybe chosen even

1:49:06

thinks that that would be

1:49:08

disrespectful to the game. Maybe

1:49:10

we didn't do it

1:49:10

earlier in this film, either. So

1:49:12

maybe there's something to be

1:49:12

said for that. Yeah, I mean,

1:49:14

you're not supposed to walk around in your gear or you know, you don't see

1:49:16

people

1:49:18

walking around

1:49:18

their GI but if he had to go

1:49:21

over there so quickly, that

1:49:21

would make more sense. Anyway,

1:49:26

but literally not 10 seconds

1:49:26

later, Mr. Miyagi and UK are now

1:49:32

here and give it a beat sow and

1:49:32

out of nowhere here Sato. So I

1:49:39

have no idea how on earth,

1:49:39

everybody knew something was

1:49:44

brewing. And Daniel had got

1:49:44

himself in yet another pickle.

1:49:49

Yeah,

1:49:50

it's such an interesting convergence that there's the village over there.

1:49:51

Here they are in the city, and

1:49:54

yet everybody's everybody shows

1:49:54

up. Everybody shows up small

1:49:58

is the city.

1:49:58

There's sata stojo There's some

1:50:01

TVs for sale at the store. And

1:50:01

then there's the place where the

1:50:04

GI saying, Yeah, that's it. It's

1:50:04

all out there. If you're not at

1:50:07

one, you're at one of the

1:50:07

others. So anyway, so now the

1:50:10

bet is on it's $600, to hit

1:50:10

through six sheets of ice. And

1:50:17

so I believe six is the max that

1:50:17

this can hold. Am I mistaken?

1:50:21

It looked pretty full. Yeah, I think that this only holds up to six, then these

1:50:23

guys are trying to do three. And

1:50:28

now here's Daniel trying to do six.

1:50:30

Now Mr. Miyagi

1:50:30

gives some classic Miyagi

1:50:33

advice. And what does he say? So

1:50:36

he tells Daniel,

1:50:36

to focus, and Daniel says, and

1:50:40

what are you going to do?

1:50:41

Pray. And thus

1:50:41

begins the breathing technique.

1:50:47

From the beginning of the film.

1:50:49

This is where you

1:50:49

see that everything that Daniel

1:50:54

learns from Miyagi ends up being

1:50:54

a fight technique, or that he

1:50:58

can employ it. In his fight

1:50:58

techniques,

1:51:01

Sato oversees the

1:51:01

breathing technique and

1:51:03

recognizes it, because Miyagi is

1:51:03

doing it and Daniel's alongside

1:51:08

so he's getting him in the right

1:51:08

state of mind. And this leads to

1:51:11

Daniel, who's never done this

1:51:11

before. By the way, it's not

1:51:15

like he got one shot at these.

1:51:15

No, he got the right state of

1:51:19

mind. And he hit it claim and

1:51:19

broke the first one, like you

1:51:23

said, and succeeds. And what

1:51:23

happens after that.

1:51:29

So Daniel is

1:51:29

successful at giving a karate

1:51:32

chop to these slats of ice.

1:51:32

Everybody's excited. They won

1:51:37

the bet. They walk over to to

1:51:37

Sato sitting there I think in a

1:51:40

state of shock, chosen doesn't

1:51:40

want to give him the money. Sato

1:51:44

makes chosen give them the

1:51:44

money, they walk out and leave

1:51:49

him behind chosen very pissed

1:51:49

off about losing so much money.

1:51:52

And Sato they're in a state of

1:51:52

shock sitting there at the bar.

1:51:56

Exactly. And so

1:51:56

they walk out and Miyagi gives

1:52:01

Daniel half the money and says,

1:52:01

you know, this is for college

1:52:04

because he spent around $300 on

1:52:04

the plane ticket, and they're

1:52:08

gonna go off for some Chinese

1:52:08

food. So yet again, chosen loses

1:52:13

that battle, but yet, we're

1:52:13

still in the mourning period. So

1:52:17

Sato is standing down at this

1:52:17

point in time. So now we're at

1:52:20

the dojo, and Miyagi plays a

1:52:20

prank on Daniel and fake hits

1:52:26

him and the growing and calls it

1:52:26

What Sal

1:52:30

primary target,

1:52:32

primary target.

1:52:32

And he got a real kick out of

1:52:35

this moment, which I thought was

1:52:35

hilarious. Although this is some

1:52:39

foreshadowing, so remember that.

1:52:41

Remember that

1:52:41

every time Miyagi teaches you

1:52:43

something, you're gonna have to use it later.

1:52:46

Every time every

1:52:46

time. And then can we go brings

1:52:49

Daniel some dance clothes, which

1:52:49

is amazing that she has the

1:52:55

presence of mind to either make

1:52:55

or find or has access to dance

1:53:01

clothes, and sell. Have you ever

1:53:01

worn dance clothes like this? Do

1:53:06

you have any dance clothes?

1:53:08

Well, no, because I don't think at this moment in time. We know that this is going

1:53:10

to be 1950s dance right now when

1:53:15

flyer boy Brad Wong brought the

1:53:15

flyer to Kumiko and Daniel, he

1:53:19

just had come to the dance

1:53:19

tonight. So she made him special

1:53:22

1950s apparel for tonight's

1:53:22

dance. She's no, no, no, I've

1:53:27

never had any. Nobody made me

1:53:27

clothes. I never had any special

1:53:31

clothes to wear to the dance.

1:53:31

No. So

1:53:33

the next thing we

1:53:33

hear, of course, is chosen,

1:53:39

calling for Mr. Miyagi. And then

1:53:39

he and his thug friends destroy

1:53:44

one of the gardens.

1:53:45

Well, because he

1:53:45

says my uncle told me to come

1:53:48

pick you up. Your three days of

1:53:48

mourning are over. Right. And

1:53:51

then of course, Miyagi says I'm

1:53:51

not gonna go fight your uncle.

1:53:53

So then that's when chosen goes

1:53:53

Okay, fine. And then they start

1:53:57

to destroy the garden that's

1:53:57

chosen and Toshio and anyway,

1:54:02

the third guy.

1:54:03

Yeah, thug number

1:54:03

three. Step number three. So

1:54:07

Miyagi does decide to go visit

1:54:07

Sato and his beautiful home and

1:54:12

garden. And Sato is wearing a

1:54:12

ghee with a red belt, which gave

1:54:19

me pause for a moment Sal,

1:54:19

because in my martial arts and

1:54:25

have keto, or I train it

1:54:25

American hapkido karate, the

1:54:29

belts go is such white, orange,

1:54:29

yellow, green, blue, brown, red,

1:54:36

black, and then their second

1:54:36

degree black, third degree

1:54:39

black, and up from there. My

1:54:39

master, for instance, is an

1:54:44

eighth degree black belt, so to

1:54:44

see Sato who we know to be, you

1:54:49

know, renowned and a master in

1:54:49

his own right. I didn't

1:54:53

understand why he was a red

1:54:53

belt. So I went online. I

1:54:57

researched it. And here's what I

1:54:57

found out. I red belt is one of

1:55:02

several colored belts used in

1:55:02

some martial arts to either

1:55:05

denote rank or differentiate

1:55:05

opponents and a competition. And

1:55:10

some schools, especially those

1:55:10

with lineage related to judo, a

1:55:16

red belt signifies ninth or 10th

1:55:16

degree Dan rank, the highest

1:55:21

rank attainable. So SOCO must

1:55:21

fall into that because he's

1:55:27

obviously reached the pinnacle,

1:55:27

I would say,

1:55:30

Well, I was so

1:55:30

wrapped up in him hitting an

1:55:32

inanimate piece of wood that I

1:55:32

actually didn't notice his belt.

1:55:36

Now I know you might have

1:55:36

noticed his belt, because you

1:55:39

recently obtained a higher belt

1:55:39

in hapkido. Is that true?

1:55:42

I did. Thank

1:55:43

you. Go ahead and

1:55:43

give us a humble brag. So you

1:55:46

went up? No, no, no, no. So what

1:55:46

belt? Were you and where are you

1:55:50

at now.

1:55:51

So I will tell you and the reason I'm excited by this is because as you know,

1:55:53

when I got involved with Cobra

1:55:57

Kai and wanting to do this

1:55:57

podcast, it tapped into what was

1:56:01

missing something that was

1:56:01

missing in my life. And that was

1:56:04

martial arts. And I got back

1:56:04

into it and found the new dojo

1:56:08

and kind of started this journey

1:56:08

again to pick up where I left

1:56:11

off and go much further. I hope.

1:56:11

So I was a white belt in the

1:56:15

beginning. And I tested and

1:56:15

became an orange belt several

1:56:19

months ago, but I recently

1:56:19

tested again, and I'm now a

1:56:24

yellow belt. So I've gotten

1:56:24

white, orange, yellow.

1:56:28

Is there a red belt in your future? Or is it only get up to the ninth degree

1:56:30

black belts? Oh, no.

1:56:33

I mentioned the

1:56:33

red. Yeah, red is right before

1:56:36

Black Belt.

1:56:37

Oh, okay. So you

1:56:37

will hit red but not that

1:56:39

ultimate red that Sato wears

1:56:41

no once you hit

1:56:41

the red it's right before the

1:56:43

black and then it's black from

1:56:43

then on out.

1:56:46

Okay, I never

1:56:46

knew about the red belt before

1:56:49

tonight. I never knew about it.

1:56:49

And by the way, congratulations

1:56:51

on your recent belt of yellow

1:56:51

belt and I look forward to

1:56:55

seeing your thank you continued

1:56:55

advancement. So okay, so Sato is

1:57:00

hitting this wood. Miyagi

1:57:00

approaches him tries to reason

1:57:04

with him he asked about the

1:57:04

wood. He asked Is this the wood

1:57:06

that we found that one time and

1:57:06

then sought two answers same?

1:57:10

What do you want and Miyagi

1:57:10

wants to reason with him, Sato

1:57:15

is not having it walks away. And

1:57:15

I forgot what happens when he

1:57:19

walks away here. But Sato is not

1:57:19

going for the reasoning of

1:57:22

Miyagi. And then he walks away.

1:57:22

And then Miyagi is left standing

1:57:26

there, kind of caressing the

1:57:26

wood. I think going back in

1:57:29

time, probably thinking of the

1:57:29

lighter days, the fonder days of

1:57:33

when they were kids, and when

1:57:33

they found this piece of wood,

1:57:35

but yeah, the scene ends with

1:57:35

Miyagi, just kind of there alone

1:57:38

with the piece of wood.

1:57:39

So Sal Sato had

1:57:39

chosen, go and get Miyagi to

1:57:45

bring him to him to fight to the

1:57:45

death. Miyagi chose to show up

1:57:51

on his own. There he is, his on

1:57:51

Santos property, how come he did

1:57:59

not fight him to the death,

1:57:59

right here. And now?

1:58:03

I think Sato must

1:58:03

realize that he came for other

1:58:06

purposes, and didn't come to

1:58:06

fight. He has the sixth sense,

1:58:10

you know, when someone is

1:58:10

threatening toward you, or you

1:58:13

know, when someone is fearful of

1:58:13

you, me, he's not like that in

1:58:15

this moment. So I think that it

1:58:15

was just his fighter sense, his

1:58:18

martial arts Sixth Sense, which

1:58:18

led them to realize that Miyagi

1:58:23

is not there to fight. But yeah, you're right. I hadn't thought about that. That was right on

1:58:25

the coattails of chosen being

1:58:28

sent over to go get Miyagi. And

1:58:28

now yeah, a beat or two later,

1:58:32

Miyagi shows up. So yeah, that

1:58:32

should have been sockos cue. But

1:58:36

yeah, it wasn't. That's correct.

1:58:37

Maybe Sato

1:58:37

dislikes a crowd, or he's got to

1:58:40

be in a fighting mood, you know,

1:58:40

and he was ready that one day

1:58:45

and then Miyagi his father

1:58:45

passed. And so he just wasn't

1:58:48

feeling it. And maybe he took

1:58:48

his frustrations out on that

1:58:51

moment on that wood, which he

1:58:51

probably thought was Miyagi. And

1:58:54

maybe he was not as angry after

1:58:54

working out some of that

1:58:58

tension. But yeah, this seems

1:58:58

like they're meandering around.

1:59:02

It's like, there's always a

1:59:02

reason why they're not going to

1:59:05

blows and that and that theme

1:59:05

continues in this whole movie

1:59:08

yet, maybe another eye roll for

1:59:08

me. But that's just kind of how

1:59:12

it goes. So he leaves. You're

1:59:12

right, Santa walks away. He's

1:59:16

left. And so now Daniel and

1:59:16

Kimiko are at the dance. And as

1:59:24

we've already talked about, it

1:59:24

is a glorified sock hop.

1:59:28

Something right out of the 50s.

1:59:29

Yeah, so they're at the dance. And this is where we get into some more cool

1:59:31

trivia. I would call it a triple

1:59:34

whammy with happy days. The

1:59:34

television show happy day. Oh,

1:59:38

yeah. Because not only is the

1:59:38

song rock around the clock that

1:59:41

was playing at this dance that

1:59:41

Daniel and Kumiko rat rocker on

1:59:46

the clock was the theme song for

1:59:46

the television show. Happy days.

1:59:49

Now. Noriyuki Pat Merida, who

1:59:49

plays Mr. Miyagi had a role as

1:59:54

Arnold. He was on 26 episodes

1:59:54

from 1975 to 1983. And here's

2:00:00

the third Were we for Happy Days

2:00:00

in the last time, Nobu McCarthy,

2:00:05

who plays UK played Momo.

2:00:05

Arnold's fiance. Remember that's

2:00:11

the role that Pat Morita played

2:00:11

on Happy Days in 1976. So that's

2:00:15

a triple happy days time

2:00:18

went UTA played

2:00:18

his fiancee, Yuki a played

2:00:22

Momo, on an

2:00:22

episode of Happy Days. Momo was

2:00:26

Arnold's fiance on an episode in

2:00:26

1976. That's right.

2:00:31

That's awesome. I

2:00:31

did not know that. That's really

2:00:33

cool.

2:00:34

I find it all I

2:00:34

bring that information to you.

2:00:36

Thank you, sir.

2:00:36

So back to the dance. It's funny

2:00:40

how Daniel was very reluctant to

2:00:40

dance earlier with Kimiko and

2:00:45

then picked it up in other

2:00:45

traditional dance and enjoyed it

2:00:49

and had some fun with it. But I

2:00:49

had no idea Sal, that Daniel

2:00:54

could do this 50s dance. And he

2:00:54

was out there strutting his

2:00:59

stuff. And apparently, he

2:00:59

learned all this from his

2:01:02

mother, which is hilarious.

2:01:04

He did a really

2:01:04

great job at the sock hop and I

2:01:06

gotta tell you as soon as he

2:01:06

walks into the dance, I started

2:01:09

having PTSD going back to the

2:01:09

Halloween dance. That was only

2:01:14

nine months earlier. Right? Good

2:01:14

point. I cannot relax in this in

2:01:19

the scene yet.

2:01:20

So anytime in

2:01:20

this entire film. We're having a

2:01:23

good moment. It is quickly

2:01:23

followed up by an appearance

2:01:29

from chosen and true to form

2:01:29

chosen and his thug friends

2:01:34

arrive at the dance.

2:01:36

Yeah, chosen is

2:01:36

the ultimate cock blocker in

2:01:38

human form.

2:01:41

Yeah, absolutely

2:01:41

is. And what happens next Now,

2:01:46

Daniel gets

2:01:46

roughed up, chosen takes Daniels

2:01:50

money, which Chosun believes is

2:01:50

his money just from losing the

2:01:53

bed. Please still as the money

2:01:53

returns the wallet dropping it

2:01:56

on the ground. So while Daniel

2:01:56

is kneeled down, grabbing his

2:02:00

own wallet, that's where he

2:02:00

remembers primary target. And at

2:02:06

this moment, one of the thugs

2:02:06

has Kumiko in a rear will be

2:02:10

called a rear choke. So while

2:02:10

Daniels down there remember his

2:02:13

primary target and punches

2:02:13

chosen? Right in the family

2:02:16

jewels?

2:02:17

Yes, the family

2:02:17

jewels. So yeah, I think Kimiko

2:02:21

is kind of an A Johnny Lawrence

2:02:21

hold of which crease had even

2:02:26

earlier in the film, if I'm not

2:02:26

mistaken.

2:02:28

Yeah, it would almost be a rear naked choke. I don't know if if we're naked

2:02:30

choke has to do with the leg wrap around to I think if you

2:02:32

just get somebody with a neck

2:02:35

choke from the back, it's I

2:02:35

think it's called a rear naked

2:02:37

choke.

2:02:38

So yet another

2:02:38

sequence that never gets too out

2:02:41

of hand, although Daniel did

2:02:41

take a hit, but he gave a hit

2:02:43

back. And that escape, and he

2:02:43

got his money back. So later

2:02:49

that night, Sato and chosen and

2:02:49

pals. They arrive at the village

2:02:55

and they're summoning Mr.

2:02:55

Miyagi. Who's not there? By the

2:02:59

way, right? He's not there at

2:02:59

this point in time.

2:03:01

Yeah, Daniel settling in for the night. He's like, ready to hit the hay.

2:03:03

Yeah. And then that's when you

2:03:06

hear yogi. Yogi. Come out. We

2:03:06

argue. We fight now.

2:03:13

cusato needs to

2:03:13

fight at midnight. You can't

2:03:16

fight

2:03:17

such a it's such

2:03:17

an odd time to fight someone.

2:03:20

Yeah.

2:03:20

And so he leaves

2:03:20

but then chosen and thugs began

2:03:26

to destroy the dojo and Bonds

2:03:26

eyes while holding Daniel.

2:03:31

Want to jump

2:03:31

ahead if I may. Yeah, please.

2:03:34

This is why it was so painful.

2:03:34

In Cobra Kai. So painful for

2:03:39

Daniel the destruction of the

2:03:39

Miyagi dough dojo, because he

2:03:45

was having flashbacks to the

2:03:45

Miyagi family Dojo being

2:03:50

destroyed in Okinawa. Yeah, now

2:03:50

I get it now I get it. Or the

2:03:53

dojo being

2:03:53

destroyed in Karate Kid three

2:03:56

but we'll save that one for

2:03:57

Oh my god. Okay.

2:03:57

So so karate dojo is getting

2:04:00

destroyed is just is now

2:04:00

embedded in Daniel psyche, and I

2:04:05

could only imagine he has PTSD.

2:04:05

I know I do. So just seen rule

2:04:09

number one. And rule number two,

2:04:09

being speared by chosen as he

2:04:15

laughs You know, these guys,

2:04:15

these villains in these movies.

2:04:17

It's one thing to do evil it's

2:04:17

one thing to laugh as you do

2:04:20

evil and that's what chosen

2:04:20

does. So he's they're laughing

2:04:23

and smiling, having a great time

2:04:23

being destructive because Sato

2:04:26

told him leave them a message

2:04:26

and that's what they're doing.

2:04:30

They're leaving a message.

2:04:32

Exactly. And

2:04:32

luckily, Mr. Miyagi arrives. And

2:04:38

Sal, this is a pretty good fight

2:04:38

sequence.

2:04:41

It is well,

2:04:41

Miyagi arrives says enough.

2:04:45

There's some wonderful music

2:04:45

perfectly in sync with that.

2:04:48

Toro and Toshio are dispatched

2:04:48

by Miyagi pretty quickly chosen

2:04:52

is also subdued but as spared by

2:04:52

Miyagi and of course chosen

2:04:57

calls it act of coward to be

2:04:57

spared by Miyagi and also

2:05:02

apparently there was one moment

2:05:02

I read some more trivia that

2:05:05

that moment when Chosun does hit

2:05:05

Miyagi on the back with that

2:05:09

spear is the only time in Karate

2:05:09

Kid folklore when Miyagi is

2:05:13

struck was right there with that

2:05:13

stick by chosen.

2:05:17

That's

2:05:17

interesting. So but also during

2:05:20

this whole sequence, Daniel is

2:05:20

not able to help he's being held

2:05:24

off and then he never really

2:05:24

gets involved. So Miyagi best

2:05:27

all three of them. And it's in a

2:05:27

really neat setting though,

2:05:30

because it's in the garden and

2:05:30

they're using like a walkway.

2:05:34

And then there's this one staff

2:05:34

that has a spear on the end of

2:05:37

it. And I didn't notice any

2:05:37

stunt double sow, it really

2:05:40

looked like it was Mr. Miyagi

2:05:40

doing his own stunts.

2:05:43

Yeah, I was pretty impressed. I would imagine by this time, our actors

2:05:45

have had plenty of time to

2:05:48

train. And I would say overall,

2:05:48

I was pretty impressed by

2:05:51

Noriyuki. Pat, I say always want

2:05:51

to say Noriyuki. That's what

2:05:55

he's officially born as Noriyuki

2:05:55

and then he still uses it later

2:05:59

on up until his death. So

2:05:59

Noriyuki Pat Morita had plenty

2:06:01

of time to train for this. And I was pretty impressed by some of his kicks, some of his swift

2:06:03

backhands and yeah, this is a

2:06:07

very interesting setting, and

2:06:07

Daniel couldn't do much he was

2:06:10

kind of subdued. But all the

2:06:10

rest of these guys got taken out

2:06:13

by Miyagi. But one thing I found

2:06:13

pretty interesting is that at

2:06:17

the end of the fight, Daniel and

2:06:17

Miyagi retreat inside back into

2:06:22

Miyagi his home, chosen kicks

2:06:22

over a statue, right? So really,

2:06:27

the guys are still out there.

2:06:27

And you just walked back in it

2:06:30

was at the end of it. I mean, these guys just gonna go home now. I mean, I just didn't

2:06:32

really see that that would be

2:06:34

the end of it. If these guys are

2:06:34

still right outside your home,

2:06:36

which doesn't seem to have real

2:06:36

high security. Miyagi says to

2:06:40

Daniel, that they're gonna go

2:06:40

home tomorrow. So at this point

2:06:43

in time, we're assuming you know

2:06:43

what, this is the end of it.

2:06:45

They're finally gonna go home

2:06:45

and be out of this mess.

2:06:48

Exactly. And then

2:06:48

Miyagi talks with UTA and it's

2:06:51

another touching scene because

2:06:51

she asked him to take her with

2:06:56

him.

2:06:57

Yeah, Miyagi

2:06:57

asked, What can I do to ease

2:07:00

your pain and UK answers Take me

2:07:00

with you. I mean, whole. If this

2:07:05

woman doesn't love Miyagi, I

2:07:05

don't know what love is. I mean,

2:07:08

look how long she's held on to

2:07:08

this. But yeah, Daniel's packing

2:07:11

his suitcase, looks outside sees

2:07:11

Kumiko standing lonesome on the

2:07:15

pier, she's doing a sort of

2:07:15

ceremony. He heads out, that's

2:07:18

when he hears Miyagi and UPA

2:07:18

saying their goodbyes UK is

2:07:22

crying. Daniel approaches

2:07:22

Kumiko. On the piers, she's

2:07:26

doing an old fishing custom

2:07:26

pouring rice into the water for

2:07:30

a quick return. Because that's

2:07:30

what Daniel asked was, Oh, are

2:07:33

you doing that for a big catch?

2:07:33

She goes, No for a quick return.

2:07:37

So we know that at that moment

2:07:37

that she's doing a special

2:07:40

ceremony for a quick return of

2:07:40

Daniel and possibly Miyagi. They

2:07:45

have a wonderful moment they

2:07:45

talk about America, she asked

2:07:47

about America, he tells her

2:07:47

about America, he professes his

2:07:50

love for her. So this is where

2:07:50

we officially see Daniel

2:07:54

professing his love for Kumiko

2:07:54

in this scene, and then just as

2:07:59

they're about to cry

2:08:00

before that, I think this would have been a good time to play Peter Sutera

2:08:02

song one more time,

2:08:06

like a shot and

2:08:06

shot a long time ago. Yeah,

2:08:11

yeah, you're right.

2:08:12

He's also trying

2:08:12

to recruit her to to live in the

2:08:14

US to come over. And you know,

2:08:14

she's taking this in. There's no

2:08:19

dance studios there sounds like

2:08:19

an interesting idea. But as

2:08:24

you're getting ready to say, and

2:08:24

yes, true to form. It's not

2:08:28

chosen this time. But it is

2:08:28

Sato.

2:08:32

Yeah, big ruckus behind them construction equipment coming through behind

2:08:34

them in the village so they get

2:08:37

up leap up from the pier where

2:08:37

they're having this romantic

2:08:39

moment, and then head back to

2:08:39

see what's going on and they see

2:08:42

this bulldozer running through a

2:08:42

garden there's all these

2:08:45

villagers are standing there and

2:08:45

horror and Miyagi approaches.

2:08:49

Sato casado, standing there,

2:08:49

what are you doing? And Sato

2:08:52

says he sold all the land I

2:08:52

don't know if he said he sold

2:08:55

the land or and he's gonna sell

2:08:55

the land. Basically, he

2:08:57

owns the land so

2:08:57

he can do whatever he wants and

2:09:00

he's going to destroy the

2:09:00

village.

2:09:02

Yeah, well, he

2:09:02

threatens to destroy the village

2:09:05

if Miyagi will not fight him. So

2:09:05

finally, Miyagi, kind of feeling

2:09:10

forced and pressured agrees to

2:09:10

fight. Sato on one condition

2:09:14

that the title to the land

2:09:14

passed to the village forever.

2:09:18

And Sato reluctantly agrees, but

2:09:18

warns that if Miyagi doesn't

2:09:23

fight, the village will be

2:09:23

completely destroyed. Everything

2:09:27

will be gone. their homes, their

2:09:27

church, everything God so Miyagi

2:09:32

knows that he has no choice. He

2:09:32

has to stand and fight. Yeah,

2:09:36

I sat is really

2:09:36

an angry person. And what's

2:09:42

interesting is this whole thing

2:09:42

stems from UTA not following

2:09:48

through to Mary Sato because her

2:09:48

Miyagi had feeling so Miyagi

2:09:53

fleas. So Sal, correct me if I'm

2:09:53

wrong here, but with Miyagi out

2:10:00

of the picture. Sato had 40

2:10:00

years to woo Yuki or any other

2:10:07

woman because he doesn't seem to

2:10:07

be with anybody. And he has

2:10:11

failed. So maybe a lot of his

2:10:11

hatred is inward. Sato is

2:10:17

carrying around a ton of

2:10:17

baggage. And taking it all out

2:10:21

on Mr. Miyagi.

2:10:22

Well, Sato has no

2:10:22

game, apparently. No. Because,

2:10:27

okay, so at one point in time,

2:10:27

he was promised to marry Yuki

2:10:32

she was promised to marry him.

2:10:32

So once Miyagi was out of the

2:10:35

picture, then yeah, Sato could

2:10:35

have made his move. And if not

2:10:38

immediately, at least within a

2:10:38

couple of years, been able to

2:10:41

finally marry UPA, but ya know,

2:10:41

he didn't. Maybe he was just too

2:10:45

focused on building his business

2:10:45

empire. And romance was not a

2:10:48

part of it. So that's what obviously happened.

2:10:50

But this hatred

2:10:50

burns like this happened

2:10:53

recently. It's amazing that

2:10:53

someone is this upset. Now

2:10:57

listen, I'm not that familiar

2:10:57

with the Japanese culture and,

2:11:00

and maybe, you know, this is his

2:11:00

pride was forever scorned, was

2:11:06

Sato and UK and arranged

2:11:06

marriage. Is that what I'm led

2:11:09

to believe?

2:11:10

It was an arranged marriage, because if you remember, Mr. Miyagi, told

2:11:12

Daniel, that Satoshis family was

2:11:16

richest and village that's

2:11:16

right, UK family poorest and

2:11:19

village. So it made sense. So

2:11:19

yeah, they were an arranged

2:11:22

marriage. And if you remember

2:11:22

also, when Daniel and Kumiko sat

2:11:27

down at the sock hop, he asked

2:11:27

if she was arranged to be

2:11:30

married to anyone remember, she

2:11:30

asked, I thought that was cute.

2:11:33

She asked him, Are you arranged

2:11:33

to be married to anybody? And

2:11:35

that's when he says, No, I'm a

2:11:35

free agent. So yes, right. This

2:11:39

is ancient history. Your This is

2:11:39

unknown to the topic, but the

2:11:42

concept of dating, as we

2:11:42

Americans know as dating is new

2:11:47

in human history. Nobody dated,

2:11:47

nobody dated 1000 years ago,

2:11:51

they were they were set up by

2:11:51

families 1000 years ago, or you

2:11:54

didn't get together with

2:11:54

anybody. So this whole thing is

2:11:56

dating is new. You are

2:11:56

definitely set up by families

2:11:59

back in the old days, and this

2:11:59

is as far back then as 45 years

2:12:03

in Okinawa.

2:12:04

So that would

2:12:04

lead me to ask this Miyagi

2:12:08

leaves didn't work out with UPA,

2:12:08

maybe she sought her true

2:12:12

failings and no longer wanted to

2:12:12

be part of this arranged

2:12:15

marriage. But with this

2:12:15

incredibly powerful, influential

2:12:19

and rich family of Santos, how

2:12:19

does someone not arrange another

2:12:25

marriage for him?

2:12:26

Yeah. And why

2:12:26

would Satoshis family arrange a

2:12:30

marriage with Yuki A's poor

2:12:30

family? What What would they

2:12:33

have to gain from that? So yeah,

2:12:33

if you dig into it, it probably

2:12:37

doesn't make as much sense as,

2:12:37

as it should. Because I believe

2:12:41

in the old days of arranged

2:12:41

marriages, a rich family would

2:12:44

try to arrange a marriage with

2:12:44

another rich family, not a poor

2:12:47

family. So I don't think yeah,

2:12:47

in that respect, it doesn't make

2:12:50

sense. So the arrangement makes

2:12:50

sense. But as far as the

2:12:52

families doesn't really make

2:12:52

sense. So I'm thinking then,

2:12:55

that if Sato coming from a rich

2:12:55

family was going to be arranged

2:12:58

with UK coming from a poor

2:12:58

family, he really loved UPA. So

2:13:04

that's why this anger burned for

2:13:04

45 years. But I think that he

2:13:08

should have let that anger, he

2:13:08

should have used that anger to

2:13:12

win over UPA, instead of being

2:13:12

pissed off hitting a piece of

2:13:15

wood and thinking of Miyagi for

2:13:15

45 years.

2:13:18

Yeah. And it

2:13:18

might have made more sense in

2:13:21

the storyline had Sato and Yuki

2:13:21

a married they wed let's just

2:13:25

say, but it was never, they

2:13:25

never had the sparks, because

2:13:29

I'm sure a lot of arranged

2:13:29

marriages just kind of hit a

2:13:32

certain threshold. And they

2:13:32

don't, because they weren't

2:13:35

built on a mutual attraction

2:13:35

admiration. Maybe some of them

2:13:39

turn into that, but others

2:13:39

probably didn't. They didn't hit

2:13:41

those high notes. And let's just

2:13:41

say that they were married, and

2:13:45

Miyagi came into town, due to

2:13:45

his father's health. And Sato

2:13:51

saw that they had something he

2:13:51

didn't have. And now what almost

2:13:55

makes more sense to me. Why Sato

2:13:55

has this anger in him, and

2:14:00

jealousy, but that would then

2:14:00

paint Miyagi in a different

2:14:04

light. And I think that it's

2:14:04

more innocent to have UK be the

2:14:07

single person, but trust me,

2:14:07

I've had time to think about it.

2:14:10

I've watched this film twice

2:14:10

recently, preparing for this

2:14:14

episode. And another plot point

2:14:14

I have a little bit of issue

2:14:17

with and is why I look at this

2:14:17

movie is the best of the

2:14:22

sequels, but it just fall short

2:14:22

on many occasions, in my

2:14:26

opinion. Yeah.

2:14:28

No, no, I agree.

2:14:28

I agree. I think that that would

2:14:30

have made sense but the problem

2:14:30

is though, you then wouldn't

2:14:33

have been able to have these

2:14:33

tender moments between Miyagi

2:14:35

and UPA if she was married to

2:14:35

Sato is so

2:14:40

me argue would

2:14:40

look like a bad guy. He would

2:14:43

look like homewrecker. I totally

2:14:43

get it. You can't have that he

2:14:47

would

2:14:47

have been twice,

2:14:47

Homewrecker then. If that's the

2:14:50

case. Remember, Miyagi left

2:14:50

Okinawa in shame he broke

2:14:53

tradition. He broke culture. He

2:14:53

embarrassed everyone. So Miyagi

2:14:58

left Okinawa on bad terms and I

2:14:58

think that if you were to then

2:15:01

go back and then get involved in

2:15:01

a marriage that was current with

2:15:05

Sato and Yukia Yeah, that

2:15:05

wouldn't have been looks good on

2:15:08

Miyagi No.

2:15:09

So anyway, just

2:15:09

ref in there, but things I've

2:15:12

thought about and things I have

2:15:12

issues with. So now we get to

2:15:16

Mr. Miyagi, and he's giving

2:15:16

Daniel his last will and

2:15:19

testament. He's getting his

2:15:19

affairs in order, so to speak,

2:15:23

Sal, and what does he give

2:15:23

Daniel and his will?

2:15:28

So he gives

2:15:28

Daniel the house in Canoga Park,

2:15:31

and the truck, the 1941, light

2:15:31

duty Chevrolet, but of course,

2:15:36

Daniels, like I don't want the

2:15:36

house in the truck, I want you

2:15:38

you know, let's just get out of

2:15:38

here Daniels trying to convince

2:15:40

them, let's just hop on a plane

2:15:40

and get the hell out of here.

2:15:43

Forget about it. Forget about

2:15:43

this. Honor garbage. But Miyagi

2:15:48

says it is impossible. But

2:15:48

Miyagi says no matter what

2:15:51

happens, the village is safe

2:15:51

forever. So at this moment in

2:15:54

time, Miyagi stuck, if he

2:15:54

leaves, the village gets

2:15:57

destroyed. If he stays in fight,

2:15:57

he may die. He is screwed either

2:16:02

way. You know, sometimes in

2:16:02

life, I talk about this with

2:16:04

friends all the time. Sometimes

2:16:04

in life, you have two bad

2:16:09

choices, and you got to choose

2:16:09

between two bad choices. Hell,

2:16:12

you can say a lot of our

2:16:12

elections are this way. So you

2:16:15

got to choose between two bad

2:16:15

choices. So no matter what,

2:16:18

they're both bad choices, but at

2:16:18

least he knows the village is

2:16:20

safe, no matter what he does.

2:16:22

Well, in a guy like Mr. Miyagi, and maybe the Japanese culture as a whole to

2:16:24

die of honor is not a bad way to

2:16:29

go out. You know, and he knows

2:16:29

winning or losing saves the

2:16:33

village. So he's at peace with

2:16:33

that, I would say, that's why he

2:16:38

stepped up to fight him.

2:16:38

Finally, to end this only to

2:16:41

save the village forever, no

2:16:41

matter what happens. And a mess.

2:16:46

That's kind of big of him. But

2:16:46

there's no way Miyagi is gonna

2:16:48

back out now is what I'm trying

2:16:48

to say. No, no, he may have

2:16:52

bailed earlier, if there was no

2:16:52

reason to fight, but now there's

2:16:55

a reason to fight. But my last

2:16:55

point on the will, my question

2:16:59

to you is, what about all the

2:16:59

other classic cars? I mean, not

2:17:02

the one that Daniel owns, but

2:17:02

there's three others is, is that

2:17:05

part of the will?

2:17:06

Yeah, they kind

2:17:06

of left that out in this movie.

2:17:09

I think that they appear again,

2:17:09

in credit cut three. But yeah,

2:17:12

the cars are not there in Karate

2:17:12

Kid two, I think we only have to

2:17:15

assume now, obviously, to the

2:17:15

newcomer, they would not know

2:17:19

about these other cars. But for

2:17:19

those of you familiar with the

2:17:21

franchise and longtime fans, you

2:17:21

know, there was a collection of

2:17:24

cars in the first movie. Where

2:17:24

is that collection of cars in

2:17:27

the second movie? And yeah,

2:17:27

Daniel should be getting all

2:17:30

those cars too. Unless, of

2:17:30

course, for all we know, Mr.

2:17:33

Miyagi, left those cars to the

2:17:33

Peterson on Wilshire,

2:17:36

maybe he left

2:17:36

them to the Peterson Automobile

2:17:39

Museum, which, by the way, is an

2:17:39

incredible place and should be

2:17:42

visited by all but maybe he will

2:17:42

them to someone else. Someone

2:17:47

else from the seven seas or

2:17:47

someone else in the Auggies life

2:17:51

of what you perhaps who we've

2:17:51

never met, will never know.

2:17:55

Yeah, I mean, why

2:17:55

should Daniel get everything?

2:17:57

Surely there are some people,

2:17:57

some nice people, hell, maybe

2:18:00

the mailman gets a car, you

2:18:00

know, there are some nice people

2:18:03

in Miyagi world who maybe

2:18:03

deserved something. So the

2:18:06

dental doesn't necessarily need

2:18:06

to get everything hell, a house

2:18:09

in a car is plenty two cars

2:18:09

actually right, he would get the

2:18:11

truck and the car that has

2:18:11

already been given. So Miyagi

2:18:14

will at that point, given him

2:18:14

two cars and a house. I think

2:18:17

he's good. Anything else can go

2:18:17

to any other beloved ones.

2:18:21

Great.

2:18:22

So now we see Daniel walking around the village. And he sees Sato Prain.

2:18:24

And Sal, he looks quite scary

2:18:31

and focused in the same.

2:18:33

Well, I did like

2:18:33

the scene that we get to see

2:18:35

another side of Sato, but I

2:18:35

wasn't certain what was actually

2:18:39

taking place. Was he just going

2:18:39

about his normal daily ritual?

2:18:42

Or was he literally preparing

2:18:42

mentally, for the upcoming

2:18:46

fight? Is that what he what do you saw him doing?

2:18:48

That's what I

2:18:48

thought, you know, you get your

2:18:50

game face on. He's getting into

2:18:50

it.

2:18:53

Okay, so this is

2:18:53

at the Shinto temple, where each

2:18:56

arrow was playing the instrument

2:18:56

for all the kids. So this is a

2:18:59

center point of the village,

2:18:59

which becomes even more

2:19:02

important soon. So yeah, that's

2:19:02

where Daniel sees Sato. They're

2:19:07

in the Shinto Temple, which I

2:19:07

was vitally very surprised to

2:19:10

see. I was very surprised to see

2:19:10

him in there. But yeah, he's in

2:19:13

there, then getting his, uh, his

2:19:13

gears ready, revving up for his

2:19:17

fight. And so yeah, at this

2:19:17

point, it makes it even scarier

2:19:19

than at that point. And I

2:19:21

know from playing

2:19:21

sports for my entire life, yeah,

2:19:23

you kind of, well, I don't

2:19:23

usually fight to the death and

2:19:25

anything. But I do know what

2:19:25

it's like to get focused. And

2:19:30

you lock in and you visualize,

2:19:30

and I'm sure this guy is doing

2:19:34

that. And you almost play out

2:19:34

whatever battle you're going to

2:19:38

participate in. You try to play

2:19:38

it out mentally before you

2:19:41

actually physically do it. I

2:19:41

find it incredibly valuable and

2:19:45

I'm sure someone have sought to

2:19:45

his skill level and his

2:19:49

experience in the martial arts.

2:19:49

It's just gonna get him locked

2:19:53

and loaded. And yeah, and

2:19:53

honestly, I know that we both

2:19:57

predict Miyagi could win. I

2:19:57

would still have have my doubts,

2:20:02

because someone is skilled as

2:20:02

Sato is not someone you want to

2:20:06

go up against and a fight to the

2:20:06

death in a match with points and

2:20:11

Okay, sure. But these are high

2:20:11

stakes. And that was one cool

2:20:15

thing the movie had going for

2:20:15

it. I think it was the high

2:20:18

stakes. It created some anxiety

2:20:18

in me. We're all worried for Mr.

2:20:22

Miyagi. And Sato looks

2:20:22

unbeatable, and many senses. So

2:20:27

now Daniel walks away from Sato

2:20:27

and he stumbles into his very

2:20:34

own tea ceremony with Kimiko and

2:20:34

sell. This is such a great

2:20:40

scene. And it was just really

2:20:40

touching like so many others.

2:20:45

And this film,

2:20:46

one of the things I really liked about this movie is the romance factor, which I

2:20:48

think is greater than the first

2:20:51

one with Daniel and Ali. Oh,

2:20:51

yeah, there's such a romantic

2:20:56

air about this film, both with

2:20:56

Miyagi and UPA, but now with

2:21:00

Daniel and Kumiko. I think that

2:21:00

this scene here in the Canary

2:21:04

with the Japanese tea ceremony,

2:21:04

rivals, the clay sculpting scene

2:21:10

in Ghost, as far as cinematic

2:21:10

romantic moments that just make

2:21:15

you nearly cry. So there's

2:21:15

Kumiko inside with the tea

2:21:19

ceremony all set up, Daniel

2:21:19

enters kneels at the table, he

2:21:22

tries to crack a joke is this

2:21:22

seat taken? Kumiko is

2:21:26

disappointed at the attempt. I

2:21:26

don't know if she disappointed

2:21:30

that the joke was so bad, or

2:21:30

that he cracked a joke in

2:21:33

general. But she looks very

2:21:33

disappointed in his attempt at a

2:21:36

joke. Daniel apologizes, the tea

2:21:36

ceremony continues. Now here's

2:21:41

one thing I definitely learned

2:21:41

when I visited Japan. And this

2:21:44

is why I love Japan so much. One

2:21:44

of the reasons is because

2:21:47

everything has a purpose and

2:21:47

appoint and everything is

2:21:50

specific and deliberate and has

2:21:50

a meaning. There's no

2:21:54

haphazardness there going on

2:21:54

each movement, and this tea

2:21:58

ceremony by komikko is specific

2:21:58

and deliberate. Daniel drinks

2:22:01

the tea prepared by komikko, she

2:22:01

removes the stick that holds up

2:22:05

her hair, they both lean in, I'm

2:22:05

loving this scene so much they

2:22:09

both lean in. And then again,

2:22:09

not chosen this time. Candle

2:22:15

blows out, boom storm, they both

2:22:15

got a rush out of there. So it's

2:22:19

almost a cock block. But instead

2:22:19

of chosen this time, it's a

2:22:21

storm, right as they're having

2:22:21

their first real romantic kiss.

2:22:26

Coming out of a fantastically

2:22:26

beautiful scene.

2:22:28

It was a

2:22:28

beautiful, same as we've both

2:22:31

attested to, and this movie, and

2:22:31

you spoke to it. So I have to

2:22:36

chime in. It did get the romance

2:22:36

right. And really adult themes.

2:22:41

It really did. And that's where

2:22:41

the movie succeeds, as well as

2:22:45

the high stakes. And in this

2:22:45

movie, wow. Miyagi can be hurt

2:22:50

emotionally, and he could die.

2:22:50

And so that's where this movie

2:22:54

succeeds. And then all the

2:22:54

wonderful romance and falling in

2:22:58

love and courtship, if you will,

2:22:58

which the first movie had it

2:23:02

had, it was different. You know,

2:23:02

it was new kid rich girl, are

2:23:07

they going to work? Is it going

2:23:07

to mix? It worked for what it

2:23:11

needed to be. But that's where

2:23:11

this movie succeeds. And if it

2:23:15

had gotten some of the other

2:23:15

things, right, are smoothed out

2:23:19

some of the things and maybe

2:23:19

there's just scenes that were

2:23:21

omitted. So to me, it feels like

2:23:21

they're bigger gaffes. You know,

2:23:26

in my opinion, it could be even

2:23:26

higher rated. But this is one of

2:23:30

those great saints. I think it's

2:23:30

a bit of an homage to 16

2:23:33

candles, when Jake Ryan kisses

2:23:33

Samantha, over the birthday cake

2:23:38

in the candles at the very end

2:23:38

of the movie. I'm thinking about

2:23:41

moment, and then you're right,

2:23:41

and not one second and maybe two

2:23:47

seconds. And then here comes the

2:23:47

storm. And the storm is like

2:23:51

it's not even sprinkling. It's

2:23:51

already on a full blown storm.

2:23:56

Like ridiculous hide the kids

2:23:56

take cover. We've got a monsoon

2:24:02

or hurricane on our hands,

2:24:04

while Fumiko and

2:24:04

Daniel run out of the cannery

2:24:08

run toward the village. Yeah,

2:24:08

it's almost like they were not

2:24:11

in the loop because by the time

2:24:11

they run it back to the village,

2:24:14

and that little girl is up on

2:24:14

the bell tower ringing the

2:24:16

warning bell. Everyone else has

2:24:16

already was piling into the

2:24:20

shelter, bringing luggage

2:24:20

bringing some prized

2:24:22

possessions. How come Daniel and

2:24:22

Fumiko were out of the loop this

2:24:26

whole time but they obviously

2:24:26

were so they kind of arrived

2:24:29

late in the game. The bells

2:24:29

going off the storms come and

2:24:32

people are running into the

2:24:32

shelter. We see Miyagi and UPA

2:24:36

running into the shelter. So

2:24:36

that little girls up there on

2:24:39

the post are ringing the warning

2:24:39

bell and Daniel and Kumiko run

2:24:43

into Miyagi and UPA. They all go

2:24:43

into the shelter. They look

2:24:47

outside see a woman carrying a

2:24:47

baby now that kid look at the

2:24:51

scene again, that kid is

2:24:51

fantastic because they really

2:24:54

seem to be doing all the special

2:24:54

effects as far as the practical

2:24:57

effects with the wind and the

2:24:57

rain but they look outside See

2:25:01

this woman carrying the baby,

2:25:01

they go back out to help. And as

2:25:04

they do they see the Shinto

2:25:04

temple crumble. And remember,

2:25:07

that's where we saw Sato. So,

2:25:07

for all we know, Sato is under

2:25:11

the rubble of that Shinto church

2:25:11

or temple rather.

2:25:15

Exactly. So now

2:25:15

Sato is stuck. And when we say

2:25:19

storms come in, is it a

2:25:19

hurricane? Or a monsoon? Or

2:25:22

whatever it is, it's high wind

2:25:22

and rain, and destructive,

2:25:27

you know, a

2:25:27

hurricane or monsoon? Yeah,

2:25:29

thanks. Yeah, one of

2:25:30

the two. And

2:25:30

growing up in Oklahoma, we dealt

2:25:33

with tornadoes. Oh, and I dealt

2:25:33

with one in particular, that was

2:25:39

quite scary. I mean, it killed

2:25:39

neighbors. It hit our property.

2:25:44

We were very lucky to live. And

2:25:44

that's a story for another day,

2:25:47

but it's quite a tale. It was an

2:25:47

f5 on our property. And it was

2:25:52

terrifying. But it came out of

2:25:52

nowhere. It just wasn't there.

2:25:58

And then bam, it was

2:25:58

destructive. Little tornadoes

2:26:01

are coming off the big tornado.

2:26:01

So I understand how something

2:26:04

can just happen.

2:26:06

Wait, wait, how much time you talk in your how much warning? Do you get

2:26:08

a man that thing

2:26:08

was on us? Maybe 20 seconds, or

2:26:13

30 seconds? Yeah, it was the

2:26:13

night that it happened. It was

2:26:18

eerie. It's a certain time of

2:26:18

year where the warmer weather

2:26:21

and the cooler weather kind of

2:26:21

mix. It's always in April in

2:26:24

May. And the skies just looked

2:26:24

really creepy that night. So

2:26:29

maybe our warning was something

2:26:29

feels off. Our neighbor had

2:26:33

horses and they were acting

2:26:33

funny about something they get a

2:26:37

real sense of weather. So but

2:26:37

that was on us very quickly. And

2:26:42

thank God, it just didn't hit us

2:26:42

head on it map I would have

2:26:45

killed us. But I could see how

2:26:45

something happens so fast. Not

2:26:48

ever been in a hurricane or a

2:26:48

monsoon. But it's very

2:26:51

destructive. As you can see, you

2:26:51

bring high winds into play. And

2:26:55

it just takes things down.

2:26:56

I mean, what do I know? You know, I grew up in Los Angeles. I know nothing about

2:26:58

any of these things. But did you have like a basement that you go

2:27:00

into or something?

2:27:03

No, at this point

2:27:03

in time, we did have basements

2:27:06

while I was in Tulsa. But we had

2:27:06

left Tulsa for about six years

2:27:10

and moved to outside of the city

2:27:10

more into the country and had 10

2:27:15

acres. And my parents built a

2:27:15

house and so we had left the

2:27:18

bigger city, bigger city,

2:27:18

relatively speaking. But there

2:27:22

are no basements in this house

2:27:22

that we built. And only one of

2:27:27

our neighbors had a storm

2:27:27

cellar. So no, we did not. We

2:27:30

took refuge in the bathroom, a

2:27:30

centralized room in our house

2:27:35

and discovered up and literally

2:27:35

prayed. And it lasted about a

2:27:39

minute and a half after we made

2:27:39

it and other people did as well.

2:27:43

Everyone got storm cellars. So

2:27:43

for anytime it sprinkled after

2:27:48

that my sister and I took refuge

2:27:48

and the storm cellar. Meanwhile,

2:27:53

we never had another tornado

2:27:53

incident but it just takes one

2:27:57

to forever scar you for years to

2:27:57

come. So you know, I totally get

2:28:03

it. I totally get that bam, it's

2:28:03

on them. But this is a different

2:28:06

type of storm. A tornado is one

2:28:06

thing it can plop down and it

2:28:09

moves in such an unpredictable

2:28:09

path. It just jumps up it skips

2:28:14

the house it goes five over so

2:28:14

this is a monsoon I'm assuming

2:28:18

these are super heavy winds. And

2:28:18

it's powerful enough to knock

2:28:23

over buildings and really

2:28:23

flatten the village. I mean

2:28:26

tornadoes flatten, you know

2:28:26

cities. So anyway, so Sato is

2:28:31

underneath the rubble. And so so

2:28:31

what happens because as strong

2:28:35

and as tough as he is, he cannot

2:28:35

get out on his own.

2:28:40

So Daniel and

2:28:40

Miyagi rush toward the temple as

2:28:42

chosen is headed the opposite

2:28:42

way. I think Miyagi says where's

2:28:46

your uncle? And he says, his

2:28:46

uncle is dead. So we're going oh

2:28:51

my gosh, so Sato is dead. Daniel

2:28:51

and Miyagi look toward the

2:28:54

temple. They see sat all of a

2:28:54

sudden as gust of wind comes and

2:28:58

releases some debris. They see

2:28:58

Sato and they rush over there.

2:29:02

Sato is on his back under a beam

2:29:02

of wood. I love this this

2:29:05

moment. Cassatt toes laying

2:29:05

there, under this beam of wood,

2:29:08

and he says, Miyagi, now you'll

2:29:08

come to fight, coward. He thinks

2:29:13

Miyagi is coming to kick his

2:29:13

ass, but instead Miyagi is

2:29:16

coming to rescue him along with

2:29:16

Daniel. Miyagi breaks the beam

2:29:20

that's laying over Santos.

2:29:20

Jessie frees him with a karate

2:29:24

chop.

2:29:25

Kind of like the

2:29:25

wood that Sokka was hitting at

2:29:27

his house.

2:29:28

Yeah, very

2:29:28

similar, reminiscent of that

2:29:31

word for sure. They all three

2:29:31

run back to the shelter Daniel

2:29:34

looks back sees the girl stuck

2:29:34

up in the bell tower. And he

2:29:38

orders them back as he heads

2:29:38

over to help Miyagi and Sato go

2:29:42

into the shelter they see

2:29:42

chosen, chosen says, Uncle I

2:29:46

thought you were dead. Sato

2:29:46

orders chosen to go outside and

2:29:50

help Daniel save the girl chosen

2:29:50

says he cannot and he heads

2:29:55

deeper into the shelter. So we

2:29:55

know that's a crucial moment

2:29:58

there between Sato and chosen

2:30:00

apps. salutely

2:30:00

And just to speak on the scene,

2:30:04

because we haven't really talked

2:30:04

about it from a filmmaking

2:30:07

standpoint. But this is a really

2:30:07

great scene. I mean, it's

2:30:10

terrifying. There's pieces

2:30:10

moving, it's high winds. I mean,

2:30:16

this is like the most elaborate

2:30:16

sequence in any of the Karate

2:30:20

Kid movies.

2:30:21

Well, you talk

2:30:21

about the stakes, and I haven't

2:30:23

actually hadn't thought about

2:30:23

that. But yeah, you raise the

2:30:25

stakes. This is definitely life

2:30:25

or death, which the original

2:30:29

movie did not really visit. This

2:30:29

is life or death scenario

2:30:31

happening right here.

2:30:32

So this a great

2:30:32

action sequence, you know, they

2:30:35

have debris blowing. And you can

2:30:35

kind of see Stockdale. And it

2:30:39

was not an easy thing to shoot.

2:30:39

So I give them credit. And I'd

2:30:43

love to see some behind the

2:30:43

scenes footage of, of just the

2:30:46

making of this sequence. Because

2:30:46

it was really impressive to me,

2:30:51

assuming it was all done with practical effects. You had the wind machines, did

2:30:53

they actually film it at night?

2:30:56

Maybe they filmed that inside of

2:30:56

a studio. I mean, who knows?

2:30:59

Maybe it wasn't all exteriors, I

2:30:59

would be interested to see how

2:31:03

they did that. I have not heard

2:31:03

of any behind the scenes of

2:31:05

cretica to let alone that

2:31:05

particular scene. But yeah, I

2:31:08

think that would be interesting to see how that was actually done. See the big fans working,

2:31:09

and see the rainmakers working,

2:31:14

that would be interesting.

2:31:15

I'll have to get

2:31:15

us the credit kid to DVD, like I

2:31:18

got us the original film on DVD,

2:31:18

which had all these cool special

2:31:23

features. So there still is a

2:31:23

place for DVDs in this world

2:31:27

because you get content that is

2:31:27

not online, like special

2:31:31

features. And maybe it's on

2:31:31

YouTube sometimes, but then the

2:31:34

quality is suspect. So we'll

2:31:34

have to look into that.

2:31:38

I realized that a few years ago when I was streaming content from YouTube,

2:31:40

or rather from Netflix. And I

2:31:44

was saying, wait a second, this

2:31:44

movie doesn't have the behind

2:31:47

the scenes, like the DVD has,

2:31:47

you're missing so much content,

2:31:50

if we're only doing streaming

2:31:50

extremely exclusively, we're

2:31:54

missing all kinds of cool

2:31:54

content, director's commentary,

2:31:58

special features. So I

2:31:58

definitely do appreciate DVDs

2:32:00

for that

2:32:01

you make a good

2:32:01

point, because the commentaries

2:32:03

on films are kind of forgotten

2:32:03

about much like the special

2:32:08

features, but in particular, the

2:32:08

commentaries, and I wish that

2:32:12

some service like Audible, or

2:32:12

even Netflix had that as an

2:32:17

option. You want to do the

2:32:17

commentary, just click here, it

2:32:20

would cost hardly anything very

2:32:20

small amount of bandwidth. I

2:32:24

don't even have to see the

2:32:24

movie, I just want to listen to

2:32:27

the audio. So that is a good

2:32:27

point. That's why DVDs will

2:32:30

still have a place in blu rays

2:32:30

for years to come and are until

2:32:34

you can stream everything. So

2:32:34

anyway. So you're right chosen

2:32:37

has shown his true colors. He's

2:32:37

a bully when he's got his crew.

2:32:42

But when asked to put his own

2:32:42

life on the line, he cowers

2:32:46

away, and hides in shame. So

2:32:46

Daniel is left on his own and

2:32:53

gets the girl comes down. She's

2:32:53

too big for him to carry her. So

2:32:58

Sato, who had just been saved by

2:32:58

Daniel and Mr. Miyagi comes out

2:33:05

of the shelter, and carries the

2:33:05

girl gives Daniel a look or a

2:33:09

smile. And they both, you know

2:33:09

struggle back in and take

2:33:13

shelter

2:33:14

while Sato

2:33:14

availed himself to go out there

2:33:16

because at first Miyagi was

2:33:16

gonna go out there, right. But

2:33:20

then remember, Santo says,

2:33:20

Miyagi, let me go. So he offered

2:33:24

himself to go, so he went up

2:33:24

there to help complete the task.

2:33:28

And yeah, Daniel, remember that,

2:33:28

that maneuver with the belt. So

2:33:30

Daniels up there on the bell

2:33:30

tower with this little girl.

2:33:33

There's like some sparks coming

2:33:33

off the Y and hit the bell. And

2:33:36

then he took off his belt and

2:33:36

like, hit the wire to get the

2:33:39

wire down. So he totally saved

2:33:39

this little girl's life, she

2:33:43

would have been electrocuted.

2:33:44

And then it was

2:33:44

great to see Sato who he wasn't

2:33:48

injured, he was stuck. So he

2:33:48

still had the strength and the

2:33:52

wherewithal to come out and help

2:33:52

carry the little girl and help

2:33:57

Daniel in. And that was nice

2:33:57

moment. But meanwhile chosen is

2:34:01

is stewing. But you kind of know

2:34:01

now things are different, right?

2:34:05

It feels like triumphant, if you

2:34:05

will, I no longer felt like

2:34:10

there was going to be a fight to

2:34:10

the death. And sure enough, the

2:34:13

next day, which is a beautiful

2:34:13

clear day, sunny, and Sato shows

2:34:20

up. And what happened Sal

2:34:23

Sato arrives in

2:34:23

the Cadillac, and he's in these

2:34:26

work clothes, like we would

2:34:26

never we've only seen him in

2:34:30

these expensive suits. He comes

2:34:30

in these like work clothes, like

2:34:32

he's working with FEMA. He goes,

2:34:32

I come help rebuild. And he

2:34:36

gives here's the deed to the

2:34:36

village he gives the deed to the

2:34:38

village to Miyagi. And he says

2:34:38

to me, forgive me, I beg you so

2:34:43

he really humbles himself,

2:34:43

before Miyagi, because the night

2:34:47

before was a real turning point,

2:34:47

a huge turning point for

2:34:50

everybody in the characters and

2:34:50

the village itself. Miyagi

2:34:53

Pat's, him on the shoulder.

2:34:53

There's nothing to forgive. And

2:34:56

Daniel asked Sato if they can

2:34:56

have the bond dance, are they a

2:35:00

bond dance? at the castle, Sato

2:35:00

agrees. So, not only does the

2:35:05

deed get given back to the

2:35:05

people of the village, but they

2:35:08

get to have their celebration

2:35:08

and the bond dance at the castle

2:35:12

where it belongs where it should be.

2:35:14

I totally agree

2:35:14

it does belong there. It's

2:35:16

wonderful to see Sato come to

2:35:16

his senses and, and just for the

2:35:21

first time be more like a human

2:35:21

being in touch with his feelings

2:35:26

and his friendship. My only

2:35:26

complaint would be that it has

2:35:31

happened so fast, you know, is

2:35:31

180 but I know it was a big

2:35:35

traumatic thing the night

2:35:35

before. But I'm just shocked

2:35:39

that he couldn't see the

2:35:39

kindness and goodness in Miyagi

2:35:43

to come around sooner. But hey,

2:35:43

nonetheless, he's here. It's

2:35:47

wonderful to see and all as well

2:35:47

in the village.

2:35:51

Hang on, though, because you bring up a very good point. Like I personally don't

2:35:52

necessarily believe people can

2:35:56

do these 180 degree turns, let

2:35:56

alone overnight, but I bring up

2:36:01

from a cinephile perspective. I

2:36:01

bring up a Christmas carol, one

2:36:05

of my favorite Christmas tales.

2:36:05

Ebenezer Scrooge did a 180 in

2:36:09

one night. It was one night that

2:36:09

he does the 180. So if Ebony's

2:36:14

would have 3x Okay, but he was

2:36:14

given truth serve. He was given

2:36:19

a kick in the in the rear. And

2:36:19

that's what Sato had Sato saw,

2:36:24

he saw the truth behind chosen.

2:36:24

He saw the truth behind Miyagi

2:36:27

and Daniel, so he was able to

2:36:27

see the truth. He had a lesson

2:36:32

and he was able to do a 180

2:36:32

degree turn in one night. Now,

2:36:35

does that happen in real life? I

2:36:35

don't know. Does it happen in

2:36:38

movies? Obviously, it does.

2:36:40

Yeah. Well, he

2:36:40

was just so angry, you know, had

2:36:44

he not been over the we never

2:36:44

even saw another side to Sato.

2:36:48

It's not like it started at one

2:36:48

and it grew to this 10. Now he

2:36:53

was always like, ready to kill.

2:36:53

And then it's a total change. So

2:36:57

I think some of that, you know,

2:36:57

it was just a little bit. He

2:37:01

didn't feel like a real person.

2:37:01

And all of a sudden, here he is,

2:37:04

he's a human being. And he's,

2:37:04

he's got a motion and he cares

2:37:07

about a city. So I kind of

2:37:07

dismissed him as the stuck.

2:37:12

It's one of those

2:37:12

things where a popular cinema

2:37:15

device is to allow the audience

2:37:15

to sympathize with the villain.

2:37:21

That's a prior I think thing

2:37:21

device happening back in the

2:37:24

80s. I don't think we sympathize

2:37:24

with the villains yet that come

2:37:28

about till later. So the

2:37:28

villains are kind of one

2:37:31

dimensional, until they're

2:37:31

either killed, or have their

2:37:35

change of heart as Ebenezer

2:37:35

Scrooge or Sato? Yeah. So I

2:37:39

think that these characters were

2:37:39

unfortunately a little bit ahead

2:37:41

of their time, where we didn't

2:37:41

really get to see. Well,

2:37:44

Ebenezer Scrooge, we did get to

2:37:44

see some of his youth. Yeah. But

2:37:47

you know what, now that you mentioned it, so we could have seen another side of Sato Yeah.

2:37:49

So that his turn becomes a

2:37:52

little more believable.

2:37:53

Flashbacks could

2:37:53

have helped, because anything to

2:37:56

show me that he was a good

2:37:56

person, rather than just hearing

2:37:59

about how they trained together.

2:37:59

They were friends. I needed to

2:38:02

see it. But I was thinking about

2:38:02

what movie have I seen that

2:38:07

happening? And interesting

2:38:07

enough, is the Rocky franchise.

2:38:12

Apollo Creed started as the

2:38:12

villain, right. And through the

2:38:17

movies, he became friends with

2:38:17

Rocky, he trained him in Rocky

2:38:22

three, he eventually dies.

2:38:22

Spoiler alert, he dies in Rocky

2:38:27

four. And so that was an

2:38:27

interesting way to take the

2:38:30

villain and bring him in as one

2:38:30

of the heroes. That was an

2:38:34

interesting thing. This is just

2:38:34

done at a breakneck speed with

2:38:39

Sato and something's dismissing,

2:38:39

you know, if it's timing, if

2:38:43

it's some scenes that were cut,

2:38:43

for whatever reason, maybe they

2:38:47

never shot them. Maybe the

2:38:47

script is more flushed out. And

2:38:51

hey, we can't do that we've got

2:38:51

these special effects in this

2:38:54

movie. We've got a lot going on,

2:38:54

we have to focus on these

2:38:58

things. And I think there's this

2:38:58

is something a little false here

2:39:02

and there and this movie. That's

2:39:02

all. I'm happy to see him at

2:39:06

this point. Yeah, it's awesome

2:39:06

that him and Miyagi can shake

2:39:11

hands again, and the village is

2:39:11

saved. And yeah, of course, it's

2:39:15

wonderful. So all that to say,

2:39:15

it leads up to the village is

2:39:21

going to have their huge

2:39:21

celebration. And it looks

2:39:26

fantastic, Sal, it's well

2:39:26

orchestrated. It's super

2:39:31

colorful with his costumes and

2:39:31

music and dancing. And of

2:39:36

course, you have Kimiko there,

2:39:36

and she takes center stage. And

2:39:41

what does she do?

2:39:42

She's getting

2:39:42

ready to do a solo fan dance.

2:39:46

And she's a little nervous.

2:39:46

Daniel gives her encouragement.

2:39:49

And by the way, Daniel is in a

2:39:49

sweet, sweet red robe. Where did

2:39:53

this come from? We've never seen

2:39:53

this before. This is not a part

2:39:56

of the Miyagi family tradition

2:39:56

is this sweet red robe that Like

2:40:01

any self respecting pimp would

2:40:01

wear. This is a who's the

2:40:05

Playboy guy?

2:40:06

Hugh Hefner?

2:40:07

Yeah, this is

2:40:07

Hugh Hefner style rope. Where

2:40:09

did this come from?

2:40:10

Awesome. Did

2:40:10

Kimiko also make this because

2:40:13

she's amazing.

2:40:14

That would have

2:40:14

been funny if she made the 50s

2:40:17

dance clothes. And this robe by

2:40:17

hand.

2:40:20

Yeah, it's pretty

2:40:20

cool. I'd like to have one and

2:40:23

maybe there's a figure that you

2:40:23

can get with Daniel wearing

2:40:27

this.

2:40:27

You know what, that would be an interesting thing because the toy makers

2:40:29

have explored the Karate Kid

2:40:32

universe, namely the original

2:40:32

movie Karate Kid. They have not

2:40:36

really explored karate kid too.

2:40:36

Yeah, if they made it a Daniel

2:40:39

Russo action figure with this

2:40:39

red rope. I am buying it. I'd

2:40:44

also

2:40:44

like to get

2:40:44

Daniel on the blue talks with

2:40:46

the car all day.

2:40:49

What if What if a

2:40:49

Daniel Russo blue Tux X figure

2:40:53

actually came with the the 1948

2:40:53

Super Deluxe

2:40:59

breakout with a

2:40:59

break off bumper to be great. So

2:41:06

can Miko is preparing for this

2:41:06

is like the big number.

2:41:09

Everything is kind of leading to

2:41:09

this moment in the film.

2:41:12

Everyone's watching her all eyes

2:41:12

on her. So what happens now?

2:41:17

Well, there she

2:41:17

is. Kumiko looking fantastic and

2:41:20

beautiful beginning her solo

2:41:20

dance starts the dance opens up

2:41:24

a fan As is the tradition. Very

2:41:24

soon. We see chosen sliding in

2:41:31

behind Kumiko on an overhead

2:41:31

wire sliding in on this thing. I

2:41:36

like ziplining in. Yes, exactly.

2:41:36

Exactly. He puts a butterfly

2:41:40

knife and it's definitely a

2:41:40

butterfly knife because I used

2:41:43

to have one myself, puts a

2:41:43

butterfly knife to cubicles

2:41:46

neck, threatening her life. He

2:41:46

challenges Daniel. Miyagi tells

2:41:50

Daniel it's not a tournament.

2:41:50

It's for real. He's letting him

2:41:54

know. There's no points here.

2:41:54

There's no referee here. Daniel

2:41:57

walks over chosen says no

2:41:57

bridge. So Daniel kicks away the

2:42:00

bamboo bridge. Chosen throws

2:42:00

away the knife and throws away

2:42:04

Kumiko and now it's Daniel

2:42:04

unchosen facing off.

2:42:07

So Kimiko was

2:42:07

doing her dance on the stage.

2:42:10

But there's kind of like this

2:42:10

huge moat around it, if you

2:42:13

will. It's a big drop off. And

2:42:13

there's a little bit of bridge

2:42:17

and everyone's sitting, you

2:42:17

know, and like auditorium type

2:42:20

seating, but natural like stone

2:42:20

or whatever this cave is made

2:42:24

of, and watching her. So when he

2:42:24

comes ziplining and Daniel came

2:42:29

over the bridge, he makes him

2:42:29

throw the bridge. And now it's

2:42:32

this the three of them really in

2:42:32

here and no one can save them. I

2:42:36

mean, no one can make the jump.

2:42:36

There's probably another bridge

2:42:40

somewhere. But they're all just

2:42:40

watching and banking on Daniel,

2:42:45

which it does make me think that

2:42:45

they they did all of this assume

2:42:49

Daniel could find him and Kumiko

2:42:49

his life's at danger. I'm

2:42:53

surprised that someone else

2:42:53

didn't have like a backup plan.

2:42:57

I know that when

2:42:57

Kumiko was just laying there

2:42:59

after having been hit by Chozen.

2:42:59

She was laying there for a while

2:43:04

I really wanted somebody in the

2:43:04

crowd to say, Hey, let us grab

2:43:08

her. Let us take her. And then

2:43:08

you guys go about you know, you

2:43:12

guys go about your fight because

2:43:12

she was laying there for a while

2:43:14

how she could have been dead for all

2:43:15

they know. So

2:43:15

there's no one have like blow

2:43:17

darts or something that could

2:43:17

reach chosen. Like everyone's

2:43:22

just sitting there like Okay,

2:43:22

let's go Daniel. I mean,

2:43:25

theoretically, Daniel could die

2:43:25

and Kimiko could die.

2:43:29

Yeah, I mean,

2:43:29

start throwing stuff.

2:43:32

Yeah, our staffs

2:43:32

or someone's got a bow and

2:43:35

arrow. It's like no one went

2:43:35

into a backup mode. I mean,

2:43:39

maybe there was maybe there was

2:43:39

some sort of Sniper at the top.

2:43:43

And we Auggie would just nod to

2:43:43

him or Sato Misato works for the

2:43:47

military.

2:43:48

But it's not to

2:43:48

have only those three thugs and

2:43:52

when they're gone, he has no

2:43:52

replacements because if he did

2:43:54

have some backup thugs that he

2:43:54

can assist them on chosen. So

2:43:59

what the hell happened with that

2:43:59

he only had three guys and that

2:44:01

was it.

2:44:02

I mean, he's

2:44:02

trained US military for 40

2:44:04

years. He's got an F G eyes on

2:44:04

his payroll, but it caught him

2:44:09

by surprise. They're out of

2:44:09

celebration. Anyway, that's just

2:44:13

me being nitpicky. But I just

2:44:13

think the stakes are high. You

2:44:17

know, he

2:44:18

did warn him. He

2:44:18

said, chosen. Don't do this. And

2:44:22

then Miyagi said, Don't dishonor

2:44:22

your uncle here. I'm trying to

2:44:27

do my Japanese accents.

2:44:29

Oh, that's good.

2:44:29

It's good. Yeah. But the fight

2:44:31

is on. And this is it all Valley

2:44:31

and chosen, does the

2:44:36

unthinkable. Sal. He does the

2:44:36

unthinkable. And he counters the

2:44:42

crane technique, the infamous

2:44:42

Crane Kick. Of which Miyagi said

2:44:48

What Sal

2:44:49

if done Correct.

2:44:49

No can defense but

2:44:52

yet chosen did

2:44:52

and maybe it wasn't as good a

2:44:56

form. But nonetheless, there it

2:44:56

was. He defended it and how did

2:45:03

he defend a Saudi remember,

2:45:04

okay. So, this is gets into what I mentioned earlier. So you look at the

2:45:06

lineage, you had Mr. Miyagi his

2:45:10

dad teaching his son, Mr.

2:45:10

Miyagi. And Sato, then the

2:45:15

lineage goes down, Miyagi side

2:45:15

to Daniel and it goes down Sato

2:45:18

side chosen, theoretically

2:45:18

chosen should know all the

2:45:22

moves, Daniel knows, right, it

2:45:22

should stand to reason based on

2:45:26

the lineage of the master

2:45:26

disciple,

2:45:29

I would assume

2:45:29

when Mr. Miyagi fled, that

2:45:33

Miyagi his father was no longer

2:45:33

sockos active teachers since a

2:45:39

master, that just be my

2:45:39

assumption that a father

2:45:42

wouldn't continue to train

2:45:42

someone after all of that bad

2:45:45

blood had spilt. And I would

2:45:45

then assume Sato probably sought

2:45:50

out another master or since they

2:45:50

are developed his own style

2:45:55

based on everything he'd already

2:45:55

known. And so maybe new

2:45:59

techniques happened, kind of the

2:45:59

crease way, took place. That's

2:46:03

just my assumption.

2:46:04

The reason why I would disagree with that is because Sato was there at Mr.

2:46:06

Miyagi, his dad's deathbed. And

2:46:10

then he was he was there in the

2:46:10

village, I think that Sato has

2:46:13

been a part of Mr. Miyagi. He's

2:46:13

dad's life, all these years, in

2:46:19

one way or another, maintaining

2:46:19

some sort of closeness with him.

2:46:23

I don't think he

2:46:23

turned his back on him, I just

2:46:25

think they may be stopped

2:46:25

training together, not out of

2:46:29

hatred, but almost out of

2:46:29

respect, maybe Miyagi father's

2:46:34

like, I'm no longer doing that

2:46:34

anymore. I could see that. And

2:46:38

Sato is like, great. You know, I

2:46:38

understand, I'll go over here.

2:46:41

Now I'll fight these tournaments, or I'll start my own dojo, he must have

2:46:43

immediately got into it. And

2:46:46

he's working with GI is on his

2:46:46

own, and kind of, you know, how

2:46:51

you learn everything you can

2:46:51

from your parents, and then you

2:46:53

go on and become your own

2:46:53

person. I could see how Sato did

2:46:57

that.

2:46:58

So in other words, you don't think that Chosun should know the moves of

2:46:59

Daniel Russo, just because you

2:47:04

go to their upline lineage find

2:47:04

the same teacher?

2:47:08

Well, I think they would know a lot of the similar things, right? Because

2:47:10

they have the core of training

2:47:14

initially. But I think at some

2:47:14

point, it could just change. So

2:47:19

yes, I think Daniel is a lot

2:47:19

less skilled. Let's be honest,

2:47:22

he's not even been in class. But

2:47:22

what one year with Mr. Miyagi?

2:47:26

How many months? Is it six

2:47:26

months, beginning of this movie?

2:47:30

And what was it like three

2:47:30

before that? So he said, I've

2:47:33

been training martial arts for a

2:47:33

year. So he's far less

2:47:37

experienced than someone like

2:47:37

chosen. I always saying Sato

2:47:41

probably then started to bring

2:47:41

in different aspects, more

2:47:46

aggressive training, he was

2:47:46

training with all these military

2:47:50

people. And that's all I was

2:47:50

saying it was probably more

2:47:52

robust. I think Daniel unchosen

2:47:52

probably do know a few things

2:47:56

the same and chosen is obviously

2:47:56

seeing the Crane Kick and

2:48:00

someone who's a little bit

2:48:00

slower and probably not good at

2:48:03

disguising it, or I don't know,

2:48:03

but he just seen it a lot.

2:48:07

Which, you know, Miyagi is lying

2:48:07

about, there's no defense

2:48:10

forever. If you always seen it,

2:48:10

like I said, in earlier

2:48:14

podcasts, you don't have to go

2:48:14

into it. You could just wait it

2:48:18

out. But anyway, it was

2:48:18

interesting to see that that's

2:48:22

Daniel's go to, and chosen had

2:48:22

no problem with it at all.

2:48:27

No, no, no.

2:48:28

So Daniel is

2:48:28

definitely a better fighter now.

2:48:32

But he's never faced someone,

2:48:32

the skilled. And I do think he's

2:48:37

hanging in there. He's

2:48:37

definitely getting some shots

2:48:40

here and there, but it's being

2:48:40

outmatched, and it's not looking

2:48:44

good. So Well, one thing

2:48:46

I realized, and I

2:48:46

didn't realize this until the

2:48:48

last time I watched the movie,

2:48:48

Daniel's wearing jeans. So how

2:48:53

difficult Do you think it would

2:48:53

be to get some major kicks in

2:48:57

wearing jeans versus your

2:48:57

opponent who may be wearing

2:49:01

something that allows you a

2:49:01

little more mobility?

2:49:05

Oh, you make a

2:49:05

good point. Maybe it was the

2:49:07

jeans it was the denim that

2:49:07

slowed the crime kick down, just

2:49:12

enough for chosen to get a hold

2:49:12

of it? Yeah, not my preferred

2:49:16

choice. I've never gone to class

2:49:16

and tried to do all of our kicks

2:49:21

with jeans on I much prefer a GI

2:49:21

that is looser. So yeah, not

2:49:26

ideal for Daniel didn't help

2:49:26

them. But even beside that, I

2:49:31

mean, this is a fight to the

2:49:31

death, and he just doesn't have

2:49:35

as much to draw on as chosen.

2:49:35

But things begin to change. The

2:49:42

the essence of Miyagi karate

2:49:42

begins to unfold, and what

2:49:47

starts to happen

2:49:49

all of a sudden,

2:49:49

and I say all of a sudden,

2:49:51

because I don't think anybody

2:49:51

was expecting this. Miyagi

2:49:54

starts on the Denden dicho hand

2:49:54

drum, then everyone starts on

2:49:59

their own and you have a whole

2:49:59

arena In this castle ruins, a

2:50:03

whole arena of people doing

2:50:03

their twisting Denden dicho

2:50:08

drum. So Daniel then whips into

2:50:08

the drum technique as taught by

2:50:13

Miyagi karate. It's an

2:50:13

interesting sequence in the way

2:50:17

that it's film because you don't

2:50:17

normally see fight sequences

2:50:20

filmed this close up, you see

2:50:20

about a quarter shot of Daniel

2:50:24

from the waist up, and then you

2:50:24

see over the shoulder of chosen.

2:50:28

And then you see Daniel

2:50:28

initiating the drum technique,

2:50:31

which is the side to side torque

2:50:31

side to side side to side. And

2:50:34

you see him besting chosen using

2:50:34

the Denden taiko drum technique.

2:50:41

And this goes back to what I

2:50:41

said before, why doesn't chosen

2:50:44

know this also. So somewhere

2:50:44

along Sato is teaching last, the

2:50:50

origins of Miyagi karate, which

2:50:50

is the drum technique.

2:50:54

Yeah, he probably

2:50:54

omitted that, or who knows. Or

2:50:58

maybe he caught him by surprise.

2:50:58

So now Daniel does a series of

2:51:03

hits. And it is a super tight

2:51:03

camera. And it kind of looks

2:51:07

like to me that his hands are,

2:51:07

he has him clasped together and

2:51:10

he's doing a double handed hit,

2:51:10

but it's so tight, you just

2:51:14

can't tell. So whatever it is,

2:51:14

he does a series of hits to the

2:51:18

right hits with the left hits

2:51:18

with the right hits with the

2:51:21

left and chosen is reeling, and

2:51:21

just kind of succumbs to it,

2:51:27

which leads us to this big

2:51:27

finale.

2:51:30

So he delivers

2:51:30

the drum technique. He

2:51:33

conceivably has won the battle.

2:51:33

He goes over to chosen grabs him

2:51:37

by the hair by the back of the

2:51:37

head. And he says live or die,

2:51:41

man. I think he says man, right.

2:51:41

Live or die, man. I think he

2:51:46

does. Yeah. And chosen says die.

2:51:46

And then Daniel says wrong and

2:51:53

gives them a honk on his nose.

2:51:53

Just like Miyagi did to crease

2:51:59

outside of the all valid tournament.

2:52:01

Oh my gosh.

2:52:01

Another honk.

2:52:04

Well, you don't like the honk to you.

2:52:06

I didn't mind

2:52:06

this one as much as the first

2:52:08

one. That it's fitting it

2:52:08

bookends the movie, the two big

2:52:13

intense scenes. I mean, I guess

2:52:13

that well, that first fight

2:52:16

sequence was supposed to be more

2:52:16

intense with Creason Miyagi, but

2:52:19

it wasn't. But no, I didn't mind

2:52:19

this one as much because

2:52:22

obviously Dan is not going to

2:52:22

kill chosen, and he'd already

2:52:25

won. And chosen his life is,

2:52:25

well, he's gonna live without

2:52:30

honor. So hey, Daniel is one

2:52:30

Karate Kid and one karate kid

2:52:34

too. Here's the letter, just

2:52:34

like the first film. Daniel gets

2:52:39

the girl.

2:52:40

Yeah, so two

2:52:40

films in a row, Daniel gets the

2:52:43

victory and gets the girl.

2:52:45

And just like the

2:52:45

first film, The ending is quite

2:52:50

similar, isn't it?

2:52:51

We have Miyagi

2:52:51

looking on at his students

2:52:55

victory and smiling. And that's

2:52:55

the end.

2:52:59

The only difference is in the original it was a still shot. And then we

2:53:00

you know, we're on Miyagi. And

2:53:04

this one it's live action. Yeah,

2:53:04

Miyagi. And that's the only

2:53:08

difference, but I loved it. I

2:53:08

did. That's a great send off.

2:53:12

And that's it. Karate Kid. Part

2:53:12

two.

2:53:19

I loved it. I really did.

2:53:20

It's a really

2:53:20

good film. I enjoy it. I think

2:53:24

it is so much stronger than the

2:53:24

other two karate kids that have

2:53:28

Mr. Miyagi in them. And yeah,

2:53:28

like I said, a lot of adult

2:53:33

storylines, incredible scenes of

2:53:33

the romance high stakes. And

2:53:40

it's a really good film. And

2:53:40

yes, it could have been even

2:53:43

stronger. But it holds up and

2:53:43

it's nice to go back and when

2:53:48

we've lost Pat Marita many years

2:53:48

ago, and his legacy and Mr.

2:53:52

Miyagi his legacy lives on. And

2:53:52

this movie, I mean, Had this not

2:53:56

been part of the Karate Kid

2:53:56

franchise, it would be very sad.

2:54:02

You know, there's a lot that

2:54:02

comes from this movie.

2:54:04

I would

2:54:04

definitely say Miyagi lives on

2:54:07

he lives on in all of the

2:54:07

sequels, and lives on in Cobra

2:54:10

Kai, Miyagi is will always live.

2:54:10

And that's why I really foresee

2:54:15

some time in the future. We see

2:54:15

a world a Karate Kid universe

2:54:20

that goes backward, and we begin

2:54:20

to see Miyagi as a child. And of

2:54:24

course, you will probably see

2:54:24

Sato as a child, you get to see

2:54:27

his father maybe get to see

2:54:27

Miyagi his mother. So I think

2:54:30

that there is a wonderful

2:54:30

opportunity here, considering

2:54:33

what has occurred recently with

2:54:33

Cobra Kai, a wonderful

2:54:35

opportunity to revisit the

2:54:35

Karate Kid universe. Way back

2:54:40

when?

2:54:40

Yeah, I totally

2:54:40

agree. I've spent Pat Marinus

2:54:43

gone but yeah, Miyagi, his

2:54:43

character will live forever. And

2:54:45

they've already had that one

2:54:45

scene and Cobra Kai, which leads

2:54:49

me to believe maybe it's them,

2:54:49

and maybe it's someone else.

2:54:51

He's just such a great

2:54:51

character, that you could do

2:54:56

more with them. You could recast

2:54:56

it and you could do Miyagi the

2:54:59

early years. He is Endless to do

2:54:59

things with. So I like that idea

2:55:05

for sure. And at some point in

2:55:05

time, we might have to watch

2:55:07

this Karate Kid cartoon to see

2:55:07

what they did. Want again, I'm

2:55:11

unfamiliar with

2:55:12

no, I haven't

2:55:12

seen that either. So yeah,

2:55:16

I mean, what we

2:55:16

do know about the third movie is

2:55:19

that unfortunately, UPA and

2:55:19

Kimiko are not in it. Spoiler. I

2:55:26

know. Well, you've had enough

2:55:26

time the audience has had no

2:55:28

time to seek credit get three. I

2:55:28

think there's an expiration on

2:55:32

some boilers

2:55:34

is like, like,

2:55:34

Hey, man, I want to see Gone

2:55:36

With the Wind, but I don't want

2:55:36

any spoilers before I see. I

2:55:40

don't

2:55:40

need spoilers. So

2:55:40

yeah, you know, that's

2:55:43

unfortunate. I would love to

2:55:43

have seen UPA and Miyagi, you

2:55:48

know, come back to the US.

2:55:50

What because Karate Kid three opens with them coming back, coming back from

2:55:52

Okinawa at the airport, right?

2:55:55

empty handed? Absolutely.

2:55:57

Why aren't there

2:55:57

ladies with them? Yeah, wow.

2:56:00

We will answer

2:56:00

these questions and explore many

2:56:03

more things on the Karate Kid

2:56:03

part three special episode. I

2:56:09

don't think sat us in it. So

2:56:09

thank you so much for listening

2:56:15

and please be sure to subscribe

2:56:15

to the let's talk Cobra Kai

2:56:18

podcast, and the let's talk

2:56:18

Cobra Kai YouTube Live Channel.

2:56:23

You can also really help us by

2:56:23

giving the show a five star

2:56:26

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2:56:28

And for all your listeners that enjoy sharing your thoughts. You can leave us

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2:56:32

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2:56:35

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2:56:37

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2:56:44

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