Paramount Pictures
Light The Fuse - The Official Mission: Impossible PodcastEpisodes
Episodes of Light The Fuse
Mark All
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We are joined by Jonathan Lynn, the filmmaker behind the immortal based-on-a-board-game comedic mystery “Clue.” Learn how he joined the project, the decision to engage with the multiple endings idea and how there was a fourth ending that was ul
John Knoll is one of the most legendary visual effects artists in history. He also served as the visual effects supervisor for both the first “Mission: Impossible” and “Mission: Impossible – Ghost Protocol.” He talks about the shot he did on th
We’re joined by Howard Deutch, the filmmaker behind “Pretty in Pink.” Learn what advice Deutch was given by “Mission: Impossible” director Brian De Palma, go behind the scenes of “Some Kind of Wonderful,” hear about how much John Candy hated ma
On “The Directors,” we are so thrilled to be chatting with filmmaker Howard Deutch, who directed “Pretty in Pink” and “Some Kind of Wonderful.” This week we get into his collaborative relationship with John Hughes, how Duckie was a controversia
Time to look your best because we are joined by Michael Kaplan, the genius costume designer for “Mission: Impossible – Ghost Protocol” and one of the most talented people currently living (just look up his résumé). We discuss Tom Cruise’s quick
We are joined by Jim Abrahams, David Zucker, and Jerry Zucker, better known as the ZAZ team. And while we continue our deep dive into the making of “Airplane!,” we also discuss “Top Secret!,” “Police Squad,” “The Naked Gun” and – of course! – “
We are really joined by The Directors this week – directors Jim Abrahams, David Zucker, and Jerry Zucker, otherwise known as ZAZ. This week we dive deep into the making of their immortal comedy classic “Airplane!.” Learn about the movie’s conne
Lorne Balfe’s score for “Mission: Impossible – Fallout” is an all-time classic, so you can imagine how thrilled we were to talk to the composer about how it all came together. Learn his inspiration for unforgettable cues and how composing the m
“Wayne’s World” director Penelope Spheeris shares the secret to making a movie based on a “Saturday Night Live" sketch, discusses whether it's true Dana Carvey wanted to quit before filming started, and reveals whether or not the headbanging wa
On the first installment of our miniseries, The Directors, we chat with director Penelope Spheeris, director of “Wayne’s World.” We discuss how she boarded the project, how her background making music documentaries informed her directorial choi
In our very first miniseries, “The Directors,” we talk to filmmakers who have made truly iconic Paramount movies to find out what that process was like, getting all of the details and juicy tidbits that only we can. From Penelope Spheeris to Al
They said it couldn’t be done, but we proved the doubters wrong. This is our 100th episode spectacular. And if that’s confusing, well, that’s okay, because this was from the original version of the show. All you need to know is that we are join
Paul Hirsch is one of the most legendary editors of all time, and this week he joins us to talk about the first “Mission: Impossible” and “Mission: Impossible – Ghost Protocol.” Included in this chat: details about Brian De Palma filming his we
This week we’re taking it back to our very first interview with Eddie Hamilton, the editor of “Mission: Impossible – Rogue Nation” and “Mission: Impossible – Fallout.” Learn about the collaborative process between Hamilton, writer/director Chri
Brad Bird never recorded a commentary track for “Mission: Impossible – Ghost Protocol,” but he did sit down for this extended interview. Learn how close Vanessa Redgrave came to being in the movie, why “Ghost Protocol” has a full title sequence
For the anniversary of “Jack Reacher,” we chatted with writer/director Christopher McQuarrie. We go deep on the movie, including how “Jack Reacher” and “Mission: Impossible – Ghost Protocol” are inexorably linked, why Tom Cruise was a perfect R
If you’ve ever wondered what it was like to pull together the script for the first “Mission: Impossible,” let writer David Koepp walk you through it. Koepp shares screenplay credit with Robert Towne and talks us through the characters’ names, d
It’s true – we spoke to director Brian De Palma, the filmmaker behind the first “Mission: Impossible” and probably a few of your other favorite movies too. We were celebrating the release of De Palma’s first book with Susan Lehman, “Are Snakes
“Mission: Impossible – Dead Reckoning Part One” supervising sound editor James H. Mather is responsible for all of those incredible sounds in the movie – and we were very lucky to get to talk to him. On this episode we go inside two of the bigg
We are joined by James H. Mather, supervising sound editor for “Mission: Impossible – Dead Reckoning Part One,” to talk about all the fabulous sounds that he and his team packed into the movie. This week we discuss how close our dogs got to bei
Producer Paula Wagner, who worked on the first three “Mission: Impossible” movies alongside Tom Cruise, joins us for more stories from the franchise. And this week we discuss the sequels – how “M:I-II” came to be, the choice to go with Oliver S
In this episode we are joined by Paula Wagner, a producer of the first three “Mission: Impossible” movies. Wagner tells us about forming a company with Tom Cruise, initial attempts at the movie, why they hired Brian De Palma and how they achiev
We are joined again by the legendary John Woo, director of “Mission: Impossible II.” In this episode, Woo talks about characterization through action, the truth behind the infamous “Woo cut” of the movie and why Woo wanted to direct “Top Gun: M
We could not be more thrilled to be joined by John Woo, the director of “Mission: Impossible II” (and the current “Silent Night”). Learn what his creative process was like for the sequel, how Woo and Tom Cruise worked together and, yes, we disc
Rarely are unmade versions of “Mission: Impossible” movies discussed, but that’s exactly what we’re doing with David Marconi, who wrote a version of “Mission: Impossible II” for Oliver Stone. His version involved a malevolent A.I. (sound famili
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