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Little Gold Men LIVE with Lily Gladstone, Jacqueline West, and Julie O’Keefe of Killers of the Flower Moon

Little Gold Men LIVE with Lily Gladstone, Jacqueline West, and Julie O’Keefe of Killers of the Flower Moon

Released Thursday, 18th January 2024
Good episode? Give it some love!
Little Gold Men LIVE with Lily Gladstone, Jacqueline West, and Julie O’Keefe of Killers of the Flower Moon

Little Gold Men LIVE with Lily Gladstone, Jacqueline West, and Julie O’Keefe of Killers of the Flower Moon

Little Gold Men LIVE with Lily Gladstone, Jacqueline West, and Julie O’Keefe of Killers of the Flower Moon

Little Gold Men LIVE with Lily Gladstone, Jacqueline West, and Julie O’Keefe of Killers of the Flower Moon

Thursday, 18th January 2024
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Episode Transcript

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0:00

Little Gold Men sponsors include

0:02

the Apple original film, Killers

0:04

of the Flower Moon, an

0:07

enthralling epic from legendary director,

0:09

Martin Scorsese, starring Leonardo DiCaprio,

0:11

Robert De Niro, and Lily

0:13

Gladstone, a Golden Globe winner

0:15

for Best Actress Drama. For

0:18

your consideration, Rated R. Vanity

0:24

Fair. Hello

0:33

and welcome to Little Gold Men, the awards

0:35

season podcast from Vanity Fair, and welcome to

0:37

Noyahouse in Hollywood, where we are hosting our

0:39

first ever live episode. This

0:42

is very exciting. And

0:48

the Oscar goes to... And

0:50

the Oscar goes to... The

0:52

winner...it's a tie. And

0:56

any little girl who's practicing

0:58

their speech on the telly, you never know. Mom,

1:03

I just want an Oscar. I

1:13

am Katie Rich. I'm here with Richard Lawson. Hello. And

1:16

with David Canfield. Hi, Katie. How are

1:18

we doing, you guys? Well, this is how we record every week. It is, indeed. I

1:21

think the thing that people need to know... I know. ...is

1:23

that we're always in Los Angeles, where we all live.

1:26

In this hotel, actually. Yeah, I

1:28

live in... This is not a hotel. This

1:30

is a... It's a cultural center. It's a cultural center, yeah. Oh,

1:32

excuse me. See, this is where you don't know I live. But

1:34

it's a cultural center where I live, and

1:36

you guys every week come, and we record together.

1:39

It's great. We're really excited to be here. As

1:41

we mentioned, we're going to be joined later

1:43

with Lily Gladstone, the star of Killers of

1:45

the Flower Moon, as well as Jacqueline West,

1:47

the costume designer, and Julie O'Keefe, the consultant.

1:51

But first, we have an award season that's going on. You guys

1:53

might have heard about it. If you're

1:55

here in this room, you probably know that as

1:57

we're talking on Tuesday, Oscar voting ends. Our

2:00

So if you have a ballot in your

2:02

Oscar voters get it's emitted. It's probably not.

2:04

Here's the haven't put it in yes, I'm

2:06

certificate, awards season and what's been going on

2:08

and the awards shows that we've been kind

2:10

of inundated with over the past week or

2:12

so. I have never seen so many televise.

2:14

Awards shows and such a short period. It's funny

2:16

to to have the Emmys kind of dive bomb

2:19

in spite of the that we're talking about movies

2:21

right now amulet and they're like no no we

2:23

are hit will give us Monday please. Yeah, Exactly

2:25

they had Monday and so we're going to

2:28

start with the Critics' Choice Awards was for

2:30

on Sunday. David you and I were there

2:32

together in person at the Made A Summer

2:34

Table which was a delight and I mean

2:36

David you been at all of these events

2:38

kind of non a your wardrobe budget assist

2:41

ballooning I'm but what's the that he let

2:43

being at that event specifically what kind of

2:45

made that distinctive. Well. I got

2:47

to sit at a table with Julian More

2:49

and Charles Nelson for them out a little

2:51

bit. Synapse: Who hideous people? Yes, it's I've

2:53

been and arable time together I kindly like

2:55

oh my god and we don't. Know.

2:58

It's yes, I did take Monday off as

3:00

well. For the I mixed it's been a

3:03

lot. I think the main thing that stood

3:05

out in terms of the show was the

3:07

fact that the attendance was so strong and

3:09

mean normally the critics' choice awards or little

3:12

bit. Less. Fully attend as

3:14

among Oscar nominees, especially when it's such

3:16

a star year. But the fact is

3:18

that because of the way the calendar

3:20

shutout especially with the Sag Strike, you

3:23

had all these shows occurring during voting

3:25

or just before voting which means maxim

3:27

time for visibility. so you would see

3:29

Dicaprio, Bradley Cooper every name Ryan Gosling

3:31

a very famous Ryan Gosling reaction shot

3:34

already said they were all there in

3:36

the room and so that meant when

3:38

people one you had a lot of.

3:41

Big. Names watching them when ship which

3:43

of course only adds to the residence

3:45

in a few tight races especially. Yeah,

3:47

and you had been at the. Governor The Academy Governors words

3:50

a few days before and in your report and I'm

3:52

talking about like all of these luminaries in the room

3:54

supporting each other and I was kind of watching it

3:56

happen in real. Time with someone goes up and you see

3:58

Bradley Cooper immediately stand up for us and. innovation and

4:00

Emma Stone right there. The support

4:02

felt so visible, which is something I don't think I would have

4:04

known had I not seen it in person. Katie doesn't

4:06

get to go to these things as often, so

4:09

I enjoyed watching her sort of observe the

4:11

way the gravity of a room shifts when a

4:13

Bradley Cooper gets up. And everyone

4:15

sort of slowly drifts toward them. Yeah,

4:18

that's where word season happens. That's where you really

4:20

notice who is kind of owning the narrative of

4:22

the year and whether or not Bradley Cooper ends

4:24

up winning, it doesn't seem to be going in

4:26

that direction. He's been a major story of the

4:29

season and that's where you see something like that.

4:31

Yeah, I mean, Richard, you watched it not live

4:33

in the room. No, but you watch it at

4:35

the CW every Sunday night. Well,

4:38

I'm a stakeholder in the CW again, so

4:41

I ran all the DC shows. I was the flash and

4:44

all that. Yeah, you're very, very wealthy as a result. But

4:46

what did you notice? I don't know why I'm here. I'm

4:48

so rich, I don't know why I'm here. What

4:51

did you notice from what you saw from the Critter

4:53

Choice Awards? Well, I mean, not to

4:55

turn to the negative, but the Golden

4:57

Globes were such a catastrophe. We're going to get there,

4:59

don't worry, we're getting there. Where

5:02

I was watching, it was the first award show in,

5:05

I've been at Vanity Fair 10 years and

5:07

every year since then I've been

5:09

like, no, I have to cover these awards. I

5:11

cannot watch with other people. I have to be

5:14

alone at home, hermetic. And for

5:16

whatever reason, the Golden Globes this year was the first time I

5:18

like accepted an invite to go to a watch party and I

5:20

brought my laptop so I was like, so I could write. And

5:23

then it was like that, it was like Jo Koy and

5:25

I was like, this is like the crazy, I need to

5:27

like leave immediately and just like write about the... Report to

5:30

the War Room with emergency. So that

5:32

was a bad precedent setting for the January award

5:34

show. And then like I thought the Critter Choice,

5:36

like Chelsea Handler, who used to date Jo

5:38

Koy, and made a joke sort of about

5:41

him, I thought she did a

5:43

good, solid, competent job and, you

5:46

know, made fun of the movies, but also

5:48

celebrated the movies. And then the winners were

5:50

kind of actually in line with, I think,

5:52

where we're sort of thinking that the Oscars

5:54

could go. So it felt

5:57

like a very sort of solid Lily

5:59

Pad that... The campaign could likely buffer

6:01

for the golden gloves felt a little more

6:03

chaotic gotten the winners via, but the hosting

6:05

kind of made that night weird. Yeah

6:08

it did feel comfortable in away and even when there are

6:10

like winners you know I think we can talk about the

6:12

most actor race and how I mean think they've never seen

6:14

or been like i don't know who's gonna win this and

6:16

Julianne Moore had her predictions which. We don't have to

6:18

share, but the fact that Oppresses is not

6:21

the right, right? Julianne Moore has voted a

6:23

straight Super Mario Brothers. She

6:26

was devastating Attack black the I would make sure

6:28

those it's it's all. My idea unfortunately. Unbelievable.

6:30

Very comfortable because it's you know, even when

6:32

there's little bit of a surprise I ever.

6:35

Obviously everyone's really deserving. Obviously everyone's getting their

6:37

standing ovations. It was it is elected the

6:39

car. Was back on the track in some ways. I

6:42

think so and I think the speeches were

6:44

good and yams we had this interesting early

6:46

part of the season were like i'm in

6:48

a Partisan or from for the Circle and

6:51

we gave Charles Mountain the supporting actor word

6:53

and and he won elsewhere for that and

6:55

then like. But. The

6:57

thinking was always like sure, that's lovely

6:59

but like Robert Engine Resort of lying

7:01

in wait backstage satellite a specific take

7:04

this and then that's what's been happening.

7:06

Yeah, his speeches been good and you

7:08

know. Any you know it's going at it as a thing as and

7:10

you get someone who's like that big of a movie. Sorry kind of know

7:12

what you're getting and for. Whereas if I joined, Read off

7:14

has been giving this endless be to some expected

7:16

be like. She comes very prepared, she's kind of

7:18

introducing herself to people and I Felix is introducing

7:20

yourself as a consummate professional which is exactly what's

7:22

yours. is working really well I think I. Was

7:25

at Yale as a case you know says

7:27

he loves wrong about Yale. We're talking about

7:29

these people of our that's what the America

7:31

Frisbees actually because she didn't win a competitive

7:33

a war, but she got the honorary word.

7:35

And I think it was about halfway through her

7:37

speech I was like oh voting is still happening

7:39

see as in the mix. For supporting actress but

7:41

it's like it's a competitive rate that me it

7:43

it would win over so well in that room

7:45

like she did wonderfully. You. could also

7:47

do worse than have margot robbie who is

7:49

the story of this film year and a

7:51

lot of ways ounce introduce her with the

7:53

idea of and i think that allowed everybody

7:55

to really set up stream their seed know

7:58

this was a moment's She

8:00

knocked that speech out of the park, even

8:02

the little technical glitches that happened with the

8:04

teleprompter, which there were a few

8:06

of those throughout the night. It is the CW, so

8:08

what can we expect, really? That'll

8:11

be my last winner. How dare you. Charles Milton will not be

8:13

happy with me. So

8:15

in that sense, that

8:17

race is so kind of slippery right now. You

8:21

have a lot of different possibilities

8:23

because you have people like Padellepy Cruz,

8:25

who got a SAG nomination for Ferrari.

8:27

You have a couple people on this

8:30

BAFTA long list who may be nominated

8:32

later this week, and that

8:34

has a lot of overlap with the Academy. So

8:36

America's Fair hasn't shown up at a ton of

8:38

places, but she's a big face

8:41

of a big contender. And she gives a

8:43

speech like that, where everyone in

8:45

that room, a lot of Academy members, I'm not

8:47

saying the show was that widely watched, but even

8:49

just the industry buzz, I think was really strong

8:51

around it. Yeah, I think it was. And it

8:53

reminds people that she had a really big moment

8:56

in that movie, a moment that

8:58

has carried through, and that could take

9:00

her a long way. Yeah, and

9:02

she has this monologue that I

9:04

guess you could look at as sort of defining one

9:07

ethos of the film. And like Be

9:09

It Just Straight, all those years ago, won

9:11

an Oscar for one monologue. There

9:14

is precedent for it in

9:16

a way that I think that the Academy voters

9:18

have a little bit extra time than all these

9:20

other awards bodies did, who did not give her

9:22

America for Hour nominations. But I don't know, I

9:24

just think that with that sort of special moment

9:26

that happened, and they're still in voting. Yep,

9:29

a few more hours left. Yeah, a few more hours

9:31

left. I don't know, I think that,

9:34

I guess that would be a really litmus test of like, how

9:37

much the Academy loves Barbie, and I think they probably are

9:39

gonna like it a lot. Yeah, and well

9:41

that's the question. I feel like we've talked about this

9:43

another week, like we've been fearing Barbie Snobbery among the

9:45

Academy. And I think what was telling it, the Critic

9:47

Choice Awards, it's not just Barbie, had

9:49

that moment, it had another, it went for Best Comedy,

9:51

but it wasn't on the air, because they do that,

9:54

they give out awards during commercial breaks, which is strange. They

9:56

Went too fast, so they needed to fill the time.

9:58

And So Chelsea Handler. Made a wonderful

10:01

bit out of needing to give Ah Barbie

10:03

it's moments which and a gave away it

10:05

wasn't winning Best picture which I had thought

10:07

a sunni that you think she knew the

10:10

results in it wasn't and when that well

10:12

I'm sure we've we only critical votes on

10:14

it says I'm certainly Hillary's the only critics'

10:16

choice inferred subsidies You know that. He

10:20

reads all the envelopes right before I

10:22

know I also defense attorney or. So

10:26

I think that see had an understanding probably

10:29

through production of where the night was going

10:31

said also by that point Oppenheimer sort of

10:33

started to take all the technical or to

10:35

this as it is done. Yeah I'm so

10:38

now I'm in in but I don't know

10:40

you were going where you going to the.

10:42

I was just me thinking about the presence of Barbie and

10:44

how the Chelsea Handler really went out of her way to

10:46

make it even more visible than already was. But like, you

10:49

know what? I understand one. Which obviously warmed

10:51

my heart. Us migrated meme Ryan

10:53

Gosling ranting that. I was in the

10:55

bathroom when I knew about entire thing You're. Always in

10:57

the bathroom was a minister. has plenty of. The

10:59

Earth was his who was in the bathroom when a

11:01

Golden Globe. Christine lot easier for

11:04

pillow ninety. My Mac other a

11:06

favour and I want other physicists.

11:08

But know it was. I get objects. Really good night for Oppenheimer and

11:10

winning all those. Words That wins this picture. Christopher. Nolan

11:12

thought integrate he was the original. Burn on the

11:15

Cw. Actually, that is following in Cook for

11:17

proper said for the right right I Christopher

11:19

Nolan directed all the of those. The Gossip

11:21

Girl is supposed to be original, not mad

11:23

at the no no A result. But

11:25

he did make it feel it was. The sons are

11:28

very visible but Chilean Murphy did when the Sector which

11:30

is yet another twist in a race of them kind

11:32

of obsessed with how tight it feels and our friend

11:34

Paul Giamatti looked like my in a now he knows

11:37

this moment. He gave the best speech of the

11:39

my using south the I do and I think that

11:41

tom it made a very clear to me that. this

11:43

is his character actor whose so beloved in

11:46

this industry that as he could win their

11:48

over bigger movies i think with that group

11:50

even a maestro like it's bradley cooper i

11:52

feel like sag as a place where he

11:55

is really going to pull it out i

11:57

mean that's his that's his crowd as his

11:59

crew And then you figure

12:01

if Killian Murphy wins BAFTA, which I think is

12:03

still very likely You have a really really exciting

12:06

two horse race for best actor

12:08

kind of in the same way that we did last year with

12:10

Brendan Fraser and Austin Butler and I

12:13

don't I don't really who do you guys think is gonna pull it out right now?

12:15

Didn't we do this last week? I made everyone say

12:17

and then something changed. Are you are

12:19

you comparing Austin Butler apology money? They

12:23

had the same career, but you know Austin actually turned

12:26

down the holdovers and I'm not talking about the dominant

12:28

apology We're gonna be out working at the oven You

12:32

think that Paul's you you know, we talk

12:34

on this podcast a lot about the sort

12:36

of like Does a

12:38

speech tour win you an award?

12:40

Yeah Like if you win an

12:43

award early in the season and your speech is

12:45

really good are people putting you down

12:47

for the winner? Because they want

12:49

to hear you again. Yeah, and I don't know if

12:51

there you know We we're all making

12:53

this up but like I do think that like

12:55

G Maddy has been really charming and Also,

12:58

I'm kind of not not not bringing so

13:00

much attention to it But kind of reminding

13:02

people that like he got fucked over for

13:04

sideways like he did not get nominated for that.

13:06

We love to swear in my house Oh,

13:08

I'm sorry. I thought we

13:10

were in America. The way we did not have an

13:12

answer. Are we not are we in

13:14

communist Russia? No, but but

13:17

like I just think his speeches have been

13:19

really charming and like really reminding people that

13:21

like Oh, this is an actor who for

13:23

whatever reason has not gotten this kind of

13:25

major major attention in his entire You

13:28

know almost three decade career and that

13:31

narrative is really Compelling

13:34

in a way that maybe Killian Murphy who

13:37

also has had a long career, but he's

13:39

like British She's like been doing that stuff

13:41

like he's not one of us like, you

13:43

know Like I don't know, you know, I

13:45

mean like, you know, like you think about American actors winning it

13:47

Daniel Day-Lewis Gary Oldman, I

13:49

mean those are classic American actors, but this

13:51

is the Brendan Fraser thing. Last year That

13:53

was someone they knew but when a pressure

13:55

didn't win. Or

14:00

memories of get Waved at the end of every

14:02

awards season. Turns out I'm I don't think Richard

14:04

will ever forget when he won an oscar well

14:06

before we sit in Sioux. head of the mechanics

14:08

is a word says in the house and everything

14:10

I mean. To David as us and even it's endless

14:13

events all the time. You have been telling me that are

14:15

people keeping it doesn't have interests you and I don't even

14:17

remember who it was but we are some one of the

14:19

critics' choice what their favorite movie was and they immediately

14:21

said sort of interest else like oh it's all happening in

14:23

front of me What else are you just hear you at

14:26

what so the gets in the air in a way that

14:28

we might not see. These awards shows but is

14:30

getting that base of support. I'm

14:32

I'm not saying this because we have are

14:34

some wonderful people from movie here, but I

14:37

think Pillars of the Flower Moon has had

14:39

a really interesting week and on Apple now

14:41

arm and it's been rediscovered in some ways

14:43

as a movie that has stuck around since

14:45

can and really any time a movie gets

14:48

brought up on at this point it's worth

14:50

paying attention to begin. some of those movies

14:52

that have been talked about for so long

14:54

I doesn't always last that way, even if

14:56

they end up getting nominated. That's definitely one.

14:59

American Fiction is a movie that I think

15:01

has a lot of support. Especially with in

15:03

Los Angeles. Other people I think there is

15:05

a big and Gm events on for that

15:07

movie with Daniel Craig and Barbara Broccoli. Ups

15:10

in attendance do not discount Power. That's so

15:12

we says I've got worse and but we're

15:14

going on around or I am I reading

15:16

this is we have this argument when we

15:18

talk about or it's predecessor her power has

15:20

gotten back on the case. Yes my new

15:23

like three major I for was like girl

15:25

do it again we haven't done. I haven't

15:27

been around table interview in a long time

15:29

but if we get Francis Fisher we like

15:31

to speak Lancer. Fisher is the most

15:33

powerful and for two months in Los

15:36

Angeles princess remind arises don't really. Everybody

15:38

is clear clear way I'm sure we

15:40

give i'm on tax yes I'm sorry

15:43

for the Fisher is the President of

15:45

Local. Mayors

15:47

of an Earth Young So Francis Fisher

15:49

of course was a and instrumental figure

15:51

last year in the great actor in

15:54

Titanic Yes, it was married to Clint

15:56

Eastwood for a long time industry icon.

15:58

like a Mile Los Angeles I. The

16:00

economy Go Board of Governors member? Yeah, oh

16:02

yes, definitely in the academy we actually got

16:04

us or Europe and the are as was

16:06

able to run a notable is right. So

16:09

she was a huge factor in the to

16:11

Leslie last minute push last year and. Peralta.

16:14

Lot of big names and Hollywood to see

16:16

the movie to post about the movie. Ah,

16:18

and that ultimately led to a shock nomination

16:20

for Andrea Riseborough. And so there were some

16:23

new social media guidelines put out. As a

16:25

result of that. A lot of controversy because

16:27

Arise Burrow pushing out Daniel Detwiler, Viola Davis

16:29

are notably And so there was a question

16:32

of. If. Something like that would happen

16:34

again this year because on the one hand

16:36

it works so shockingly for a tiny movie

16:38

with a giant heart is so are those

16:40

who know they know this is ah but

16:42

also that was so clearly a little etti

16:44

in terms of the optics of Am and

16:46

how they club is not use tiny movie

16:48

with a giant hurt as a tagline for

16:50

Come In Her Room. See

16:53

should they said sorry

16:55

Luckily now and later

16:57

hits I'm. And it

16:59

came up with origin this year.

17:01

I went on Francis Fisher's Twitter

17:03

on like Friday and it was

17:05

like this: you pretend learned or

17:07

know you bathroom. Tweets retreat

17:09

about origin and our our I mean

17:11

did it is it became her obsession and

17:14

other. That's interesting and there are some jokes

17:16

about it like oshie that it again

17:18

And then suddenly there's Holland Taylor who was

17:20

a vague and Sarah Paulson who were big

17:23

suffers vendor. As for a posting about it

17:25

and then I saw was it yesterday. Ah,

17:28

that Angelina Jolie hosted a screening with ingenue

17:30

Alice. yes, I'm to is the star the

17:32

film and a as it just takes stepping

17:34

back to have an antonym. alice's brilliant and

17:36

this one good or so And it is

17:39

appropriate, if maybe a little cynical that the

17:41

effort is going towards a black actors who

17:43

deserves to be in the conversation isn't After

17:45

what happened last year, I can see how

17:48

that might have played out. It makes lot

17:50

of sense, but she actually deserves to be

17:52

part of that conversation arm. And I think.

17:55

I mean I think she can get nominated this

17:57

point as we've learned a very small batch of

17:59

really passion voters can get you through in authors

18:02

were specifically that's what's so interesting about at the

18:04

I think the idea that this little effort and

18:06

there are a lot of actors at this point

18:08

who have posted about the film who have really

18:10

encourage people to. Not

18:13

vote for it. That's the difference because they can't

18:15

do that anymore as directly on but to see

18:17

at see it and I'm on. it wasn't as

18:19

something. See it. easy need to see as many

18:21

as bearing says Arabian the Rings. I believe that.

18:23

Something. That even had talked about about the idea

18:25

just trying to get visibility for the movie like

18:27

a silly. She'd been really frank about it. So

18:29

it they are answering a need that was existing

18:31

that. We. Were aware of yes I'm and

18:33

a think she's achieved that. I think

18:35

I'm now. The question is it has

18:37

the visibility got the perfect time you

18:39

have a lead contenders was nominees and

18:41

supporting for years ago was very deserving.

18:44

Ah how far can that go down?

18:46

This is a real industry on Sonos

18:48

has been around forever. If you guys

18:50

all have and your seats Francis Fisher.

18:53

Summer thought of snow I think though

18:56

because I mean, the movie is an

18:58

interesting experiment Origin it doesn't quite work.

19:00

I don't think entirely. But like

19:03

ingenue, Alice is undeniably like

19:05

this. From. Says narrating a lot

19:07

of the movie for your kind of

19:09

with her for two plus hours and

19:11

it's an impactful performance regardless of it's

19:13

weird experiments in the movies, weird experience

19:15

and form. And like is a documentary

19:17

as it is narrative film. whatever. Ah,

19:19

any, I think you're right, David Like

19:21

that is Francis Fishers Terrible. The scene

19:23

working towards something interesting and like good.

19:25

Not that enter Retro as wasn't She

19:27

was very good and right in that

19:29

movie, but like eighty. It. is

19:31

interesting to see like the reaction to

19:33

what happened last year kind of retrain

19:36

it's gaze on to something else and

19:38

then francis fisher in that kind of

19:40

accidental thing and and her cohorts realising

19:42

like a when i have power here

19:44

so let me kind of redirect that

19:46

power into a different direction which is

19:48

kind of in a weird way the

19:50

narrative of a lot of hollywood it's

19:52

like okay so we have this ability

19:55

to highlight people to wrap to whatever

19:57

let's figure out how to like put

19:59

that power to use in

20:02

a productive way. Yeah. Do you think she's

20:04

going to get in? Angie Nuevalles? This

20:06

is our last episode before nominations come out, which

20:09

is crazy. Well, I'm a lot

20:11

for nominations, so that's the latest four people. And

20:13

you can thank Frances Fisher for that, by the

20:15

way. I paid her $10 million.

20:19

Gotta cut that. Brett, you gotta cut. No, no, I

20:21

don't know. I don't know. I don't maybe, I think maybe

20:23

it happened too late. That's what we

20:25

thought about Andrea Risborough. I guess

20:28

it was kind of the same timeline. I don't

20:30

think it's too late. I think it's one interesting

20:32

dynamic with this movie is there's a lot about

20:34

Ava DuVernay and what she achieved with the movie

20:36

and is it targeted enough? It kind of splits

20:38

the vote because people are like, wait, is

20:41

this campaign to nominate Angie Nuevalles? Is my

20:43

ballot just for origin? Is

20:45

it a straight origin ticket like Julian Morris' Super

20:47

Mario Brothers? Like

20:50

how does that work? I mean, because Ava

20:52

famously was not nominated for Selma, which was

20:54

crazy in its year.

20:58

And yeah, so maybe the campaign

21:00

is more for Ava DuVernay than it

21:02

is for Angie Nuevalles. But that's like a much

21:04

steeper climb. Yeah, those directors don't live here. Yeah,

21:06

those directors want to nominate a bunch of Europeans

21:08

who you never see coming, which is what happens

21:10

every year. Little

21:17

Gold Men sponsors include Apple

21:19

Original Films presenting Killers of

21:21

the Flower Moon, a masterful

21:23

story of love and betrayal.

21:26

At the turn of the 20th century, oil

21:28

had brought immense fortune to the

21:30

Osage nation, attracting shockingly

21:33

brazen and greedy outsiders.

21:35

Based on a true story, the

21:38

film is told through the improbable

21:40

romance of Ernest Burkhart and Molly

21:42

Kyle, played with stunning

21:44

complexity by Leonardo DiCaprio and

21:46

Golden Globe winner Lily Gladstone,

21:48

who brings an extraordinary soulfulness

21:50

and resilience to the role.

21:54

Directed by Martin Scorsese and also

21:56

starring Robert De Niro, Killers

21:58

of the Flower Moon is for your own. Or

22:00

consideration. In all categories, rated

22:02

R. I'm

22:05

very particular. We've talked longer about the race and I thought

22:07

we were going to what I don't want to keep or

22:09

guess waiting forever. Some which appeared abruptly to

22:11

talking about these shows. Yes, I'm. How

22:14

are the Emmys? How do we feel about of a

22:16

we wasn't but the Emmys they just happen is we're

22:18

recording this on and feel like as the project of

22:21

awards shows and our interest in them like it is

22:23

interesting to watch them even if. The winners themselves

22:25

are not relevant to oscar season. And

22:27

was really interested in what they did with is

22:29

a Anderson and and also the Dentist Alger and

22:31

the Fits and the way they really lean into

22:33

that for the Emmys I thought really worked and

22:35

it's the kind of thing that I think the.

22:37

Oscars are terrified of will. What

22:39

works is that awards shows and

22:41

I don't mean that pejoratively out

22:43

all our corny there sir like

22:46

glitzy long evenings were rich people

22:48

celebrate them this this and we

22:50

was like they had like you

22:52

know and like but we all

22:54

have. Entered. Into that social contract.

22:56

Yes, I don't like when the Emmys or

22:59

the Oscars or whatever other show tries to

23:01

be cool and be like working a lower.

23:03

The stayed within a week. Oh I see

23:05

Henson is. The year

23:08

that Will Smith's slapped Chris rock let

23:10

that our with a low stage if

23:12

there had been a more step flight

23:14

or normally ariza that every now and

23:16

I mean it never would have happened

23:18

if well as welcome at the on

23:20

step for have a link what am

23:22

I doing as and censor our right

23:24

you are right for it was only

23:26

two steps and so we with the

23:28

i was the only owning a dinner

23:30

right there. Yeah like we've all had

23:32

to scepticism and I think that or

23:34

scepticism for you know more reliable on

23:36

foot or we've only. Thing

23:39

of I think the tinkering with the award

23:41

shows like obviously the covert are like they

23:43

had to figure out something but in general

23:46

that that these producers are trying to like.

23:48

be cool and like or organ make it

23:50

silly to club or whatever. Let no one

23:53

wants that sets we just want standard hi

23:55

stays golden set you know, setting whatever award

23:57

shows. Yep and I think the Emmys Senate.

24:00

That and they also were corny with the

24:02

set sail we're bringing about the like to

24:04

all the old Tv show said sen have

24:06

the cast reunite them as we're celebrating Tv

24:08

it was. it is. The Emmys was a

24:10

show about shows and I think that worked.

24:13

There was a real contrast to with how

24:15

the Emmys often run on a particular network.

24:17

They always alternate between the for broadcast networks

24:19

and they'll have like the stars of this

24:21

strange Fox procedural that you've never heard of

24:24

who were paired and it's like what, What

24:26

is this an they're presenting Best Actress and

24:28

now this doesn't quite have the weight that

24:30

it probably should. But

24:32

this year they really did away

24:34

with that and it was like

24:36

every presenting team felt meaningful an

24:38

interesting on bringing the cast of

24:40

Martin together with so surprising an

24:42

interesting. Arm And I think that those

24:45

kinds of parents contributed to Winter Branson being three

24:47

times as emotional as she probably out of the

24:49

absolutely a year Ago and Carol Burnett Blu Ray

24:51

or to the Got Married the Customer and very

24:53

pointedly be like we never got this kind of

24:56

award, The tents and I'm like and kind of

24:58

likes signing a light on the Emmys. Not.

25:00

So great. History has also instructive in God

25:02

and my at it would maybe be that

25:04

next year you bring the it's always sunny

25:06

in Philadelphia, cast out and have them do

25:08

it rather than doing that bit twice in

25:10

one year. but it was nice has their

25:12

own there has spread some but it was

25:14

a challenge show from the beginning it was

25:16

pushed so many months. Nobody's. Talking

25:19

that to be right now is like the

25:21

movies or what's in the conversation. The ratings

25:23

are really really bad for the ice this

25:25

that the younger they were really bad weather,

25:28

not the opposite of football game. learn some

25:30

yeah and apparently the Republican primaries off and

25:32

running. I owe his recent i'm sure what

25:35

are you home and I'm yeah that started

25:37

last night I am and I think that's

25:39

when you have. That.

25:42

Against you, it may be encouraged

25:44

them to think a little bit

25:46

outside the box to actually pay

25:48

homage to what they were celebrating

25:50

in a way that felt significant

25:52

that could maybe. Provide.

25:54

A blueprint for how they can move

25:56

forward as to your question as to

25:58

whether the Oscars. Follow something like

26:01

that. They did

26:03

try to do a few reunions a few

26:05

years ago and it was kinda confusing and

26:07

over praise, I think that was the Will

26:09

Smith. Send. Me: I don't

26:11

know why he lives. they don't have google in

26:13

front of. I know, I miss. I miss the

26:15

past winners. Giving them. Testimony.

26:18

To each nom Oh my God Those are things going on

26:20

for a man. That everyone hated them. And we'll explore

26:22

her flicking. Yeah we were the second one

26:24

in the morning and their did not to

26:26

have an im gonna cost resigning religious but

26:29

I I just I just think the pomp

26:31

and circumstance is the whole point you know

26:33

and I think that like the Oscars is

26:35

here will be fine. Whatever. Mean

26:38

that we thought of our hosts since like well like.

26:40

You. Watch John Malaney do with the Governor. It's

26:42

aware that he was so good and with

26:45

like that kind of right mix of like

26:47

high brow humour but also kind of silliness

26:49

and celebrated movies for making fun. The movies

26:51

like that's a delicate balance to strike and

26:53

I thought that Anthony Anderson get it out

26:55

well with the shows. I thought the Chelsea

26:57

Handler did that obviously Jo Koy with Amazing

26:59

right now and as as a great point

27:01

because joke I have spent the last week.

27:04

Basically. Saying Hollywood's a bunch of softies

27:06

and ah and that Moscow but with South

27:08

and eating is immediately after that. You had

27:10

John Malaney playing to almost the exact same

27:12

audience at the Governor's Awards pool and I

27:14

was there they were laughing hysterically. They had

27:17

a great time, he's not like a nice

27:19

com I could is gonna play nice with

27:21

everybody who not the meanest guy in the

27:23

world but you know he's thrown some barbs

27:25

or and then you had Chelsea Handler who

27:27

does her Chelsea Handler thing and she can

27:29

be a little raunchy and and do her

27:32

usual stick and it played really well. And

27:34

then you can have an Anthony Anderson

27:36

who is not as typical the Comedian

27:38

house and he's a little bit more

27:41

in with the performers and he felt

27:43

very present which I appreciate it because

27:45

the host of so often disappears to

27:47

their opening monologue and again here was

27:49

a model for how you can do

27:51

this and to have you to do

27:53

jokes and also participate in bits. Likely

27:55

he's happy that yeah. So to have

27:58

three different posts really distinctive appeals. The

28:00

humor all do a good job.

28:03

Tells. Me that it is possible the

28:05

I'll be Not ever and should be running

28:07

away from this gave which is the have

28:09

I just think the with with a Gun

28:11

in Missouri like We Live is crazy year

28:14

where Barbie was the biggest hit of the

28:16

year was the cultural phenomenon of like kind

28:18

of a second half centuries and like it

28:20

was a huge deal and all of that

28:23

finally in a televised or it so like

28:25

let's let's have this comedian like to still

28:27

all of that all of this a success

28:29

and whatever and they are you going with

28:32

is written word I'm. Going to the word

28:34

boobies. Like that

28:36

we show for like a grandmother to

28:38

all of the the cultural information was

28:40

like movies like what. I

28:43

would be better at hosting that so that he was

28:45

like pay me the fiber thousand dollars when I'm yep

28:47

no a He probably did not dependent but. I

28:49

mean we know what we're getting was it makes him while he's us. Any

28:51

alligator. He presents is expected to the for

28:53

now but I'm. Like Jimmy Kimmel not going to

28:55

change when he does it as I've always unedifying. I don't

28:58

think he says the great till like I've always been a

29:00

fan of that but it's the like this the sucks around

29:02

at the building. Sets for the reunion said the Emmys I

29:04

thought worked. So well the kind of makes you understand what you're looking.

29:06

At the exhibit extensive the acceptance speeches and

29:08

I was wondering i don't actually know he

29:10

gets feel about I think as the innocent

29:13

mom was great. I kind of enjoyed her

29:15

presence and all. They only did it twice.

29:17

The idea of a killer who won last

29:19

year. But not me.

29:22

The short. The speeches were relentlessly short. People didn't seem

29:24

to mind. I mean, a lot of them had one

29:26

the night. Before it destroys the words as we saw

29:28

David. That is my answer. For didn't do. We

29:30

feel like maybe it's acceptance. Pieces said

29:32

gets shorter. It feels like sacrilege. Say

29:34

no, To thank you. I want the

29:37

mechanism in place that like keeps the

29:39

show running on time but also for

29:41

Melissa Leo to do. Melissa Leo is

29:43

still giving her. A

29:46

thin hand urinate. On when he's already filled.

29:48

naming. People as a as an older than

29:50

average person with will ceiling and always sit

29:52

know I are as you want. He wants

29:55

to allow room for that kind of rambling,

29:57

exciting moment. I mean maybe only assume people

29:59

didn't have access input on the Emmys did

30:01

feel a little bit like. Millet.

30:04

Like regiment to get like in a in

30:06

a way that it felt less loosen. Sort

30:08

of exciting because everyone felt very on miss

30:10

and south I'm and you know what the

30:12

oscar to be that? Yeah, it's a kind

30:14

of. It's a balance and it honestly

30:16

I think it's a matter feeling it out

30:18

a little bit like with somebody like surely

30:20

Ralph and Emmys from the year before this

30:23

one that went on for a little while

30:25

and I was by far the best motor

30:27

the name and see saying her speech and

30:29

it was so he was a breathtaking as

30:31

amazing. I've never seen anything like that on

30:33

an awards show before. But

30:36

I think having these the standard of

30:38

don't talk too long. Ah,

30:40

And. Being. Able to react

30:42

in the moment if someone doing something of

30:44

a more meaningful may be giving them the

30:46

space to do it. I say that and

30:48

I know it's basically impossible. Agree that and

30:51

grab really awkward cut offs and it doesn't

30:53

go out. Soderbergh started that President went with

30:55

he did the Oscars in in I'm Twenty

30:57

Four when he only wine at the train

30:59

season. In a way where he was like

31:01

I'm producing So and earth and so I

31:03

have instructed all the winners to not sank

31:05

individual names. no one wants to your the

31:07

they married and or whatever. Just.

31:10

Share. An anecdote like say something personal.

31:13

And the Emmys is here on to or maybe more

31:15

occasions they have like Wind Branson when she one way

31:17

up there with like there was a cup or thing

31:19

in the bottom of the screen that was like as

31:21

she would also like to thank they had quite as

31:23

feels like an interesting thing to sort of employment where

31:25

it's like okay don't we don't have an humane has

31:27

been sentinel. With his

31:29

brother? never enough. Ah so what if we

31:31

just had like Anne Hathaway or whoever leaked

31:33

winning an oscar? Just like speaking from the

31:35

heart, not having to go through the list

31:37

of like and my lawyer in whatever light

31:39

and or know. I mean Clinton Branson had that

31:41

with. They also give her time like she was emotional, young

31:43

new to lean into that like it unseemly get my word

31:46

like as they entered his mom as I can pull off

31:48

stage but then when like Jennifer cool as is accepting for

31:50

the second year in a row she's like okay Final Plan:

31:52

To the bet and go said he read the

31:54

room well there has to be an intuitive producer

31:56

for like actually like engaged during the broadcast was

31:58

like. Cute. The player physic for

32:00

this person and don't and and hold it for

32:02

this person. Young and I think Liberty Military Intuitive:

32:04

Have you ever watch the video of the Control

32:06

Room in Cuba Gooding Jr. One that this it's

32:09

on you tube. See as I somewhere in

32:11

a room where the guys like started. I care

32:13

of others like him in Cuba Gooding Jr like

32:15

talking louder and louder in the control room. There

32:17

louder like it's incredible. It's like watching ballet happening.

32:19

Because you could never play that off like that. would know

32:21

what many were. I think that he can take the talk

32:23

of talking over it. made it look like the our sub

32:26

in the world. Honestly, I.

32:28

Must Try License Fitness. Center

32:31

has an or some. I think we're gonna take a quick

32:33

pause and ah Richard. never going to go to the bar

32:35

or whatever it is that you though I'm going to welcome

32:37

in our guess when kills of the flower Moon. So odd.

32:40

Thank you for being here for little building and loan thing.

32:43

Is I suspect a. High.

32:51

So. Long

32:57

that don't. Have.

33:03

To follow N B C

33:05

O these photos and forces

33:07

of hello the bar. Moon.

33:09

Hey you guys. Still,

33:12

Thank you for joining us here. Has

33:15

everybody doing characters. The final gas of

33:17

many many conversations about this movie for

33:19

no other. A feeling. Great

33:22

happy to be with these two! Korean.

33:24

Well. Usually when you haven't I'm

33:26

giving interviews. It's happened before You talked about

33:28

how you are brought into this movie for

33:30

think ten days to the a clothing consultant

33:32

But it seems like from the very beginning

33:34

you're like Sundays flake. I think this is

33:36

getting be him much longer process. So how

33:38

did how did that process wherever you are?

33:41

Jacqueline began working together on this and and

33:43

build a partnership that you have no. Well.

33:46

you know when you start getting into

33:49

the different layers of the silhouettes that

33:51

we have at our clothing and as

33:53

silhouettes have not changed forever hundred and

33:56

fifty years and so really sitting down

33:58

me see how many multiple ways

34:00

a man can wear a blanket and

34:03

how many multiple ways a woman can

34:05

wear a blanket or a shawl. And

34:07

we have three different types just for that

34:09

type of covering. Then you have something

34:12

like the wedding coat. And

34:14

I just knew that it was

34:16

going to be a situation where

34:18

you're looking at particular research photos

34:20

of which Jackie had thousands. But

34:24

within those photographs of

34:27

these historic Osages,

34:30

you're really looking at the subtleties

34:32

of who they are and how

34:35

they're representing themselves out into the

34:37

world. And so if

34:39

you have someone like a Chief Bonnie

34:41

Castle, he's going to be wearing this

34:43

very long style blanket. But

34:45

it tells you that he's a man of importance.

34:48

You're looking at Molly. And so

34:51

she is in this situation where

34:53

you have Lizzie Q and then

34:56

you have Anna and then you have Molly.

34:58

Then you have Rita and Minnie. And

35:01

so you're watching a family

35:05

where this world has been forced in

35:07

on them. And

35:10

so for Lizzie Q, because

35:12

at that time she

35:14

and her husband both were raised on the

35:16

prairie and we lived off the land,

35:18

the value of money was nothing to

35:20

us because we traded and really hunted for

35:22

everything, for all of our needs. And

35:26

so you see the history of that

35:28

trade through people that would come across

35:30

our lands. And people are

35:32

always talking about how it's a peace pipe, but

35:34

that's what schools tell you. The

35:36

reality is that we were our own border patrol.

35:39

We had our own borders. We wanted to know

35:41

the same things that we want today with the

35:43

borders we have now. How long are

35:45

you going to be here? Why are you coming across?

35:47

What is your reason? And so

35:49

a lot of that you see in the history of

35:52

the clothing. So you've got

35:54

Lizzie Q who's traditional. And

35:56

so she's coming in with these children.

36:00

They basically came in, the government did and

36:02

said, we will either cut your rations or

36:04

you need to send your children to boarding

36:07

schools. The boys would go to military

36:09

schools, the girls would go to Catholic

36:11

girls schools, most of

36:14

them within Osage anyway. So

36:16

what would happen is, you know,

36:18

these girls have come back and

36:21

you see each one of these young

36:23

women now representing themselves within a world

36:25

that they're trying to fit into. They're

36:28

trying to find their place and

36:31

a safe place. So

36:33

you have Anna who's completely decided

36:36

to go into the 1920s

36:38

contemporary world. And

36:40

so, you know, from the photographs that Jacqueline had,

36:43

we could tell that that is where she had

36:45

really put her place in this place, in this

36:47

world. Then you look at

36:49

Molly who is identifying in her heart with

36:51

Osage. This is who she is. And

36:54

she understands this really in her being.

36:57

So what's happening is she's coming out

36:59

and she's representing herself in these Osage

37:01

clothing which is all traditional. Then

37:04

you have the other two girls, Rita and Minnie.

37:07

Rita and Minnie are committing to

37:09

a contemporary style. But

37:12

then what they're doing is bringing these blankets

37:14

and these shawls in and we wore those

37:16

from Odyssey and they wore them in different

37:18

ways for different situations

37:21

that would be going on. They're wearing

37:23

a funeral, baby naming, you

37:25

know, these certain and so they have

37:27

certain things that they're wearing for these

37:30

particular situations. And each one of

37:32

those is going to

37:34

be placed on them and folded

37:36

differently for whatever they're doing. Molly

37:38

goes to see Pitt's beauty. She's

37:41

wearing a shawl. She walks in

37:43

to talk business with him. Those

37:46

shawls are basically covering us for

37:48

modesty. And she's letting him

37:50

know I've come to do business with you.

37:52

You have a delegation of Osages. They

37:54

are all going, men and women. Tube

37:57

Washington, D.C. to talk to President Coasey.

38:01

And so what's happening is you

38:03

have this power suit that's really

38:05

being worn. And they're

38:07

walking in mass to let them know,

38:09

and now I'm talking about the White

38:11

House, we are here

38:13

to do business with you. We are

38:16

wearing our very best, and we're showing you

38:18

who we are. And you can imagine 60

38:21

or 70 natives who

38:24

you really aren't familiar in ever seeing brown

38:26

skin that often. And

38:28

they're walking in mass up to the White

38:30

House, and I can't imagine what

38:32

they must have thought at the White House when

38:34

they saw them coming in. And

38:37

so they're making a statement. And

38:40

so we do those same things today when

38:42

we go on our own visits to the

38:44

White House. I've been to the White House

38:46

three times in my ribbon work blanket. I

38:48

used to live there. And it's

38:50

one of those where I'm honoring the person that

38:52

I'm with, but I'm

38:54

also telling them I'm here as

38:58

an individual showing you who I am.

39:00

And that's what we were

39:02

portraying in the movie. I think

39:04

that's a pretty great sense of – I

39:06

can ask Jacqueline what Julie brought, and it seems like

39:08

she just showed us what she brought in terms of knowledge.

39:12

But I was really struck what you said before about

39:14

how when you're building costumes for characters, you build them

39:16

a closet, like what Molly would have had in her

39:18

closet. And kind of Jacqueline, I think you said is

39:20

that, you know, Lilly, you'd be able to come and

39:23

say, like, what would she wear in this instance? And

39:25

for you guys, that's a lot of freedom for you

39:27

to give to the actors, but also, Lilly, I imagine

39:29

as an actor, it helps you immensely

39:31

with building who the character is, of having that

39:34

selection put in front of you by someone like Jacqueline. How does

39:36

that work? Yeah,

39:38

we would talk about it quite a bit. And

39:40

then I remember at some point through the

39:43

process after Jackie and I had these conversations,

39:46

usually came down to the shoes.

39:48

Because Jackie had these gorgeous shoes

39:50

built that Molly would have had

39:52

made custom with the money that

39:54

she had, and, you

39:56

know, the shoes that you wear in town when you're going to go meet with

39:58

your guardian, you wear the clothes that you wear. closed-toe

40:00

heel, European

40:02

or American style shoe. And

40:06

then also just tracking how

40:08

Molly was feeling with her

40:10

illness, with diabetes, and

40:12

with her pregnancy, and when the mocks

40:14

would go on. So a lot of

40:17

times that's kind of what the conversation

40:19

would come down to. Yeah,

40:22

and then kind of discussing, all

40:24

right, when are we stylizing a beautiful, what

40:28

was that for many's

40:30

funeral? What was the Ukrainian,

40:32

was it Hungarian? The

40:34

shawl. The shawl. The Hungarian shawl. Was it Hungarian?

40:37

But it was also, there

40:39

were a lot of conversations about

40:42

how you would wear the shawl. And

40:45

mainly once, if you're

40:47

working with a consonant axis, like Lily,

40:50

they really find the character

40:52

very early on. And

40:56

I've always said that costume was the

40:58

bridge between the actor and the character.

41:01

And once you really get to know

41:03

that character, like I feel I

41:06

got to know Lily, I

41:08

got to know Molly through Lily, and

41:11

how she was becoming her,

41:14

they dress themselves. You make a closet,

41:16

like we were talking about, with all

41:18

the possibilities that she would

41:20

have had at her

41:23

disposal in Osage

41:26

country, and what skirt

41:28

she would have, what just by who

41:30

she was, that she was traditional, what

41:32

her taste would be in blankets. And

41:34

then it kind of just came

41:36

together. The character dresses themselves.

41:41

One of my more fond memories is on our

41:43

last scene, like our last

41:45

scenes of shooting, Jackie

41:47

had built a shirt for me,

41:49

a ribbon shirt entirely out of

41:51

silk, for me as my

41:54

rap gift with Molly stitched in, and I

41:56

still have it. But me,

41:58

I walk in my trailer. and I

42:00

see this beautiful shirt hanging up and

42:02

then this other beautiful shirt hanging up.

42:04

I'm like, oh, she's letting me choose. So

42:07

I ended up choosing the shirt that Jackie built

42:09

for me as my rap gift and I'm wearing

42:11

it in one of the last scenes. And

42:16

I think wardrobe is very

42:20

much where I found the last elements

42:22

of Molly. I mean, usually it is

42:24

with any character that you play. And

42:27

I remember the first fitting that I had with

42:30

Julie. You

42:33

were tying me into one of the

42:35

broadcloth skirts with the butterfly pleat. And

42:39

I feel like there's a perception

42:41

a lot of people have of

42:44

Native people, especially if you're enthralled

42:46

by us from a new

42:48

agey perspective that everything's loose and

42:50

free. And it's just like, no,

42:53

we're very protocol people, very

42:55

particular protocol people, very

42:57

proper, especially traditionalists. And

43:01

I mean, I don't know how you guys wear five

43:04

layers of wool broadcloth in the middle of

43:06

the summer, but you do it. Gladly.

43:10

Eventually,

43:12

you know, you sweat enough, you've got a natural

43:15

cooling system. And then I would so

43:17

much rather wear that much wool than that much polyester

43:19

in the summer. I'll say that. But

43:22

yeah, Julie tied me in after I was wrapped

43:25

in the broadcloth skirt, which is a blanket

43:27

folded a number of ways and then you're

43:30

tied into it. And I

43:32

was kind of just slumped and then

43:34

suddenly my spine was straight. The

43:36

way you have to hold your shoulders to

43:38

hold the blanket is almost in like first

43:41

position, like ballet first position. And I

43:43

think I said to you, like, oh, I

43:45

get how this nation burst

43:47

America's first prima ballerina. Maria

43:51

Tallchief from Fairfax, Oklahoma is Osage.

43:53

She was married to George Balanchange,

43:55

co-founder of the New York City

43:57

Ballet is America's first prima ballerina.

44:00

ballerina, Bally Ruth. Little

44:06

Gold Men sponsors include Apple Original

44:08

Films. Named best filmed

44:10

by the National Board of Review, Killers

44:13

of the Flower Moon is an epic

44:15

Western crime saga and a story of

44:17

love and betrayal. At

44:19

the turn of the 20th century, oil

44:22

had brought immense fortune to the Osage

44:24

Nation, attracting greedy outsiders who

44:26

will stop at nothing to make

44:28

this wealth their own. Based

44:31

on a true story and told through

44:33

the improbable romance of Ernest and Molly

44:36

Burkhart, played by Leonardo DiCaprio

44:38

and Lily Gladstone. From

44:40

Academy Award winning director Martin Scorsese

44:43

and also starring Robert De Niro,

44:46

Killers of the Flower Moon is for

44:48

your consideration in all categories, including best

44:50

picture. Rated R. Well

44:54

we have a clip from the movie that we can share that

44:57

shows off from the wedding scene which is some of the

44:59

most stunning looks in the entire film. So we can let

45:01

everybody look at that and then I'll ask you guys about it. I've

45:18

known Molly and her

45:20

sister since they

45:23

were little girls running around

45:25

making a lot

45:39

of trouble. Molly's

45:43

dear departed father, Mikaise Wai, was a dear,

45:45

dear friend of mine and beloved friend of

45:48

the heart. He always used to tell the

45:50

white men just to call him Jimmy, but

45:52

I always called him by his proper name.

45:55

Mikaise Wai, your great

45:57

respect. So

46:06

Julie, before we got started, we were talking about

46:08

that coat, which I think is absolute showstopper in

46:11

that entire scene and how those wedding coats will

46:13

have a really prominent role

46:15

in Osage life today. But the origin of them,

46:17

I think, is fascinating because I think, Jackie, you

46:19

said it felt like you found Marie Antoinette in

46:21

a horse opera all of a sudden. It's

46:23

just such a beautiful striking image. But

46:25

Julie, can you talk about why for

46:28

this period, for Molly and Ernest's wedding, why that wedding

46:30

coat would be part of the ceremony? Well,

46:33

the history of the wedding coat is

46:35

actually dates all the way back to

46:38

a delegation of Osages that went to

46:40

see Thomas Jefferson. And

46:42

they went in. It was a

46:44

US was a new country. And so they

46:47

were showing their power and might. And

46:50

so this delegation goes in. And

46:52

as we're sitting down and,

46:54

of course, with a translator and they're

46:56

talking and basically

46:59

Thomas Jefferson is really showing them

47:02

what they have and they're discussing business,

47:04

the chief looks over and

47:06

he sees this

47:08

military coat on this general

47:11

that's standing next to Thomas Jefferson.

47:14

And he really admires it. And

47:17

so when they get ready to leave, Thomas

47:20

Jefferson looks at that general and says, take that

47:22

coat off and give it to him. So

47:25

the man takes the coat off and he

47:27

gives it over as really like a diplomatic

47:29

gift to this chief. So

47:32

what happens is our

47:34

Osage men, especially in

47:37

history, even Thomas Jefferson writes about it,

47:39

but there were these big statuesque strapping

47:41

men and there was no way that

47:43

they were going to fit into this

47:46

European size military coat. And

47:49

so they took it home and they gave

47:51

it to their daughters. And

47:54

so I love the way that Jackie

47:56

says this best, but she always says

47:58

that there's this rebellious nature

48:00

about it because

48:03

they took something that was to

48:05

show power and might over us.

48:08

And these women and their families, when

48:11

these girls would get married, would take

48:13

that and we would put ourselves in

48:15

that. We would put our

48:17

own ribbons and our own ribbon work

48:19

and buttons and different things

48:22

that people had and families would gather

48:24

together. And these were all to be

48:26

given away as gifts to people who

48:28

had helped you with your wedding. And

48:30

these would be arranged marriages. You

48:33

did not marry who you loved then. These

48:36

were arranged for you. And

48:38

so when they came to underneath

48:40

the arbor for this wedding, you

48:44

would have this woman coming in and

48:46

the man that was marrying her knew

48:48

that he was marrying someone of great

48:50

prominence because they clearly had

48:53

a chief or a councilman in their

48:55

family and that had been given to

48:57

them as a gift. And

48:59

so that's the history of basically

49:02

why they wore those wedding coats.

49:04

And as it passed down in

49:06

tradition and a lot of

49:08

those meetings dissipated,

49:11

families then got together. As

49:13

they do today, we still use those coats

49:15

but not for weddings. It's for something called

49:17

passing of the drum. But

49:20

for Molly, they get together,

49:22

the whole family, and starts putting together these

49:24

wedding coats. And a lot of times you'll

49:26

see seven to eight and what we refer

49:28

to as bridesmaids but that's not how we

49:30

looked at it culturally. And

49:33

so you have these different gifts that you're going to

49:35

be giving to these different people and all of these

49:37

are going to be given away including to some of

49:39

the girls that may be in

49:42

the wedding and their family was instrumental in

49:44

helping you put this wedding on. So

49:47

Jackie, as a costume designer, when you get – you

49:49

have this historical detail, you have a scene this large with

49:51

this many people, what kind of gift is it to have

49:53

something that beautiful and

49:55

ornate to work with for a scene like this? Well,

49:58

it was a gift. What I learned

50:00

early on when I started my research on

50:03

the Osage, one of the first

50:05

things I found was this wedding code, and I'd

50:07

never seen anything like it. But

50:09

as I started digging deeper,

50:11

I realized so much of

50:13

the Osage clothing

50:15

and what they wore was so

50:18

unique from other plains

50:20

nations that I portrayed in

50:22

other movies through wardrobe. And

50:25

the wedding code, I'd never seen anything like

50:27

it, and that's when I started researching it.

50:30

And at first, when I first saw it, I

50:32

thought, oh, I can't do that. How

50:35

am I going to show that to Marty? It's so

50:37

over the top. You know, I've never

50:39

seen any kind of Native person in that.

50:41

Then when I learned the history and the

50:44

beauty of it, I got sold

50:46

on it. And when I showed him, he

50:48

loved it. And you

50:50

know, it becomes all seen in

50:52

the movie, but it's the history

50:54

that I think behind it that's

50:56

so brilliant, and how so many

50:58

of the trade items got

51:01

incorporated into it. French ribbon

51:04

and German

51:06

silver, braid,

51:10

buttons, the beadwork, and

51:12

then incorporated into

51:15

that coat are all the

51:17

other accessories, like the finger-woven

51:20

belt, the ribbonwork,

51:22

all the woodwind

51:24

embroidery, and everyone

51:27

was different. So for me, it

51:29

was the most probably the

51:31

most fun I had on the movie, creating those

51:33

coats with I have a brilliant

51:36

cutter-fitter that I've done a lot

51:38

of movies with, Rosalie Lee. She

51:40

came down from Canada. Leo

51:43

helped me get her in because she'd done all his

51:45

clothes on the Revenant. And

51:47

she's just so brilliant. And she

51:49

had a brilliant workroom, and

51:51

she made every single coat

51:54

very, very different, and

51:56

unique to each sister, each

51:58

bridesmaid. And then

52:01

Julie helped so

52:03

incredibly with, that's when

52:05

the 10-day thing was not going to work. And

52:08

I said, I said, 10 days, I need

52:10

her through the whole movie. She

52:13

got every great artisan. He told me

52:16

that on day nine. Yeah,

52:18

yeah. Every

52:21

incredible artisan involved

52:23

in this project that you saw up

52:25

there, and she calls

52:27

it kitchen art, but it's these women who traditionally,

52:30

as the traditions pass down

52:32

from mothers and aunts down

52:34

to their daughters and their

52:36

granddaughters. And they

52:39

did all the bead work, all the ribbon

52:41

work, and it made them part

52:44

of telling of this

52:46

seminal story for the Osage. They

52:48

could all get involved and be part of it. And

52:51

when they saw it in the theater, I hope

52:53

they are always going to be proud

52:55

that they worked on it. Marty

52:58

was really drawn to the whole wedding as

53:00

well. My rap

53:02

gift from him was a hand-painted

53:06

rendering or model of

53:08

a Sicilian horse cart, because

53:11

if you – look it up, just Google it. You

53:14

have a lot of great rap gifts, Michelle. Apparently,

53:18

it was in the background of Main Street. I've watched

53:20

the movie again to look for it, and

53:22

I can't find it, but it was somewhere

53:24

interested in Main Street. But it's

53:26

this beautiful wood-carved horse

53:29

pulling this cart that would

53:31

be used for weddings,

53:34

for different ceremonial

53:36

things in Sicily. And the horses would

53:38

have these really large ornate plumes on

53:41

the top of their head that looked

53:43

actually a lot like the wedding hats,

53:46

bright colors. And Marty said it had the

53:48

special significance to him because he said had

53:50

he been a boy born in Sicily, he

53:52

would have grown up being one of the

53:54

painters of those carts, because they were the

53:56

stories of the pictures painted

53:58

on these Sicilian horses. carts were

54:01

kind of the way that you would have been

54:03

a filmmaker back in old Sicily before cameras. Wow.

54:07

So it was um yeah that was a

54:09

really sweet gift to get and you know when I saw

54:11

it and when I unwrapped it and looked at it, it's

54:13

like wow! Just immediately it reminded me of the wedding scene

54:16

and Marty said that's why he chose it. He

54:18

chose to give me that because of how much

54:22

he felt like how much

54:24

he felt of his own culture reminiscent

54:27

of what he was doing with Osage as

54:29

well. Um two

54:31

very story based and

54:33

like proper

54:36

but you know expressive and bright

54:38

and beautiful and just

54:40

rich cultures. Yeah those those

54:42

cool. There were so many

54:45

people involved as actors and

54:47

characters in this film whose

54:50

relatives had been part of the

54:52

reign of care and that

54:54

was really the beauty of it. One

54:57

of the scenes that gave me chills

54:59

is one Julie mentioned we were produced

55:01

from a panoramic photo. I even got

55:03

I made 20-22 sections sent those to

55:08

Pendleton in Oregon and they

55:11

reproduced every blanket from

55:13

that original original panoramic

55:15

shot of the Osage nation

55:18

traveling to Washington DC to

55:20

do something about the murders

55:23

during the reign of terror and when

55:25

we shot that at the railroad station

55:28

that Jack built in Pawhuska,

55:31

I got chills because so

55:33

many people there came

55:35

up to me and said you know my

55:38

grandfather was part of that group or

55:41

my my great aunt was part of

55:43

the group and they all got

55:45

to be in it and be part of it and

55:48

it just that scene really brought tears

55:50

to my eyes when I

55:52

realized how many people were

55:55

involved in this story that got to be

55:57

in this movie. And

55:59

in the end The Roundhouse seen also.

56:02

Julie built Bulls were real.

56:04

A desert. There are a lot

56:07

of people that in that round

56:09

how same that had members of

56:11

their family that were on council

56:13

at that time said there were

56:15

several people that were in than

56:17

including like the Sap offered brothers

56:19

and just different people within the

56:22

community in the when saying yes

56:24

in the Red Koren swell and

56:26

there's one thing I really am

56:28

in the same that we saw

56:30

with the man that was marrying

56:32

Molly and earnest as the abdomen.

56:35

Named totally read to him. And.

56:38

I was driving around my car on a sad, sad

56:40

or day. And I used to go

56:42

to all other transfer pictures to

56:45

look to everything on Sundays and

56:47

I get this text ever my

56:49

whole screen and it's from the

56:51

producer Marion Bauer who did a

56:53

lot of really fabulous research on

56:55

this or Marti's team and also

56:57

Jacqueline An It said we have

56:59

a new character and a new

57:02

seen what would a leader were.

57:04

And so I came back to them

57:07

and sad have you ever visited the

57:09

Immaculate Conception church and Baja Sky and

57:11

because I was co that no one

57:14

had gone or when I was growing

57:16

up and I was a brownie I

57:18

would go to a Catholic churches were

57:21

they would hold our little meetings that

57:23

the window the sit or in their

57:25

own say just a lot of money

57:28

and to that church and said they

57:30

had these magnificent German stained glass windows

57:32

and there's a whole story about that

57:35

on at some where they had to

57:37

be buried a World War One and

57:39

or the Danube river when things are

57:42

being bombed and then brought them back

57:44

out and then shifts and oklahoma but

57:46

they're spectacular but there's one window that

57:49

they have still see only window in

57:51

the world that has actual indigenous people

57:53

in it that are the same likeness

57:56

because there's always faces of angels and

57:58

different people with then all of this

58:00

dangler that you see that they're never

58:03

actual likenesses of people. Well they went

58:05

to get the Pope's dispensation exactly the

58:07

same time that the story was taking

58:10

place. So in that window is the

58:12

actual likeness of she funny castle. there

58:14

is a chief bacon mind that sin

58:17

there and there are their wives and

58:19

several of these people on council members

58:21

that would have been there at the

58:24

time that the story took place in

58:26

there in that window. So I took

58:28

a screenshot off my town. And send

58:31

it over and said this is

58:33

she's back and rind and I'll

58:35

the I think it would be

58:37

a good idea if your work room

58:39

created this exact image in this

58:41

silk green shirt he as Moscow

58:43

beans he was part of Native American

58:45

church. Also you can see it

58:47

in the pectoral crossed the he

58:49

has on he's a leader you

58:51

can tell it in the water tap

58:54

with the medallion that you see

58:56

he's holding us eagle wingspan in

58:58

his blessing. Molly an earnest. With

59:00

sat san which is used

59:02

in our ceremonies everything about

59:05

him was replicated and when

59:07

we when I saw it

59:09

for the first time. It

59:12

was so moving because as a child

59:15

I loved staring at that. When I

59:17

would finish with my projects I would

59:19

ask go into the church and said

59:21

look at it so beautiful and I

59:24

saw him the life on the screen

59:26

and it just to me the whole

59:28

seen as spectacular. Well

59:32

actually and Jackie I'm really think

59:34

you guys so much for joining

59:37

us here. Think you all for

59:39

being here and making this hurts

59:41

her life Little Goldman possible that

59:43

you to apple everybody else and

59:45

will see them as a. Little.

59:57

gold men sponsors include the apple

1:00:00

original film, Killers of the

1:00:02

Flower Moon, an enthralling epic

1:00:04

from legendary director Martin Scorsese,

1:00:06

starring Leonardo DiCaprio, Robert De

1:00:08

Niro, and Lily Gladstone, a

1:00:11

Golden Globe winner for Best

1:00:13

Actress Drama. For

1:00:15

your consideration, Rated R.

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