Episode Transcript
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0:00
Little Gold Men sponsors include
0:02
the Apple original film, Killers
0:04
of the Flower Moon, an
0:07
enthralling epic from legendary director,
0:09
Martin Scorsese, starring Leonardo DiCaprio,
0:11
Robert De Niro, and Lily
0:13
Gladstone, a Golden Globe winner
0:15
for Best Actress Drama. For
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your consideration, Rated R. Vanity
0:24
Fair. Hello
0:33
and welcome to Little Gold Men, the awards
0:35
season podcast from Vanity Fair, and welcome to
0:37
Noyahouse in Hollywood, where we are hosting our
0:39
first ever live episode. This
0:42
is very exciting. And
0:48
the Oscar goes to... And
0:50
the Oscar goes to... The
0:52
winner...it's a tie. And
0:56
any little girl who's practicing
0:58
their speech on the telly, you never know. Mom,
1:03
I just want an Oscar. I
1:13
am Katie Rich. I'm here with Richard Lawson. Hello. And
1:16
with David Canfield. Hi, Katie. How are
1:18
we doing, you guys? Well, this is how we record every week. It is, indeed. I
1:21
think the thing that people need to know... I know. ...is
1:23
that we're always in Los Angeles, where we all live.
1:26
In this hotel, actually. Yeah, I
1:28
live in... This is not a hotel. This
1:30
is a... It's a cultural center. It's a cultural center, yeah. Oh,
1:32
excuse me. See, this is where you don't know I live. But
1:34
it's a cultural center where I live, and
1:36
you guys every week come, and we record together.
1:39
It's great. We're really excited to be here. As
1:41
we mentioned, we're going to be joined later
1:43
with Lily Gladstone, the star of Killers of
1:45
the Flower Moon, as well as Jacqueline West,
1:47
the costume designer, and Julie O'Keefe, the consultant.
1:51
But first, we have an award season that's going on. You guys
1:53
might have heard about it. If you're
1:55
here in this room, you probably know that as
1:57
we're talking on Tuesday, Oscar voting ends. Our
2:00
So if you have a ballot in your
2:02
Oscar voters get it's emitted. It's probably not.
2:04
Here's the haven't put it in yes, I'm
2:06
certificate, awards season and what's been going on
2:08
and the awards shows that we've been kind
2:10
of inundated with over the past week or
2:12
so. I have never seen so many televise.
2:14
Awards shows and such a short period. It's funny
2:16
to to have the Emmys kind of dive bomb
2:19
in spite of the that we're talking about movies
2:21
right now amulet and they're like no no we
2:23
are hit will give us Monday please. Yeah, Exactly
2:25
they had Monday and so we're going to
2:28
start with the Critics' Choice Awards was for
2:30
on Sunday. David you and I were there
2:32
together in person at the Made A Summer
2:34
Table which was a delight and I mean
2:36
David you been at all of these events
2:38
kind of non a your wardrobe budget assist
2:41
ballooning I'm but what's the that he let
2:43
being at that event specifically what kind of
2:45
made that distinctive. Well. I got
2:47
to sit at a table with Julian More
2:49
and Charles Nelson for them out a little
2:51
bit. Synapse: Who hideous people? Yes, it's I've
2:53
been and arable time together I kindly like
2:55
oh my god and we don't. Know.
2:58
It's yes, I did take Monday off as
3:00
well. For the I mixed it's been a
3:03
lot. I think the main thing that stood
3:05
out in terms of the show was the
3:07
fact that the attendance was so strong and
3:09
mean normally the critics' choice awards or little
3:12
bit. Less. Fully attend as
3:14
among Oscar nominees, especially when it's such
3:16
a star year. But the fact is
3:18
that because of the way the calendar
3:20
shutout especially with the Sag Strike, you
3:23
had all these shows occurring during voting
3:25
or just before voting which means maxim
3:27
time for visibility. so you would see
3:29
Dicaprio, Bradley Cooper every name Ryan Gosling
3:31
a very famous Ryan Gosling reaction shot
3:34
already said they were all there in
3:36
the room and so that meant when
3:38
people one you had a lot of.
3:41
Big. Names watching them when ship which
3:43
of course only adds to the residence
3:45
in a few tight races especially. Yeah,
3:47
and you had been at the. Governor The Academy Governors words
3:50
a few days before and in your report and I'm
3:52
talking about like all of these luminaries in the room
3:54
supporting each other and I was kind of watching it
3:56
happen in real. Time with someone goes up and you see
3:58
Bradley Cooper immediately stand up for us and. innovation and
4:00
Emma Stone right there. The support
4:02
felt so visible, which is something I don't think I would have
4:04
known had I not seen it in person. Katie doesn't
4:06
get to go to these things as often, so
4:09
I enjoyed watching her sort of observe the
4:11
way the gravity of a room shifts when a
4:13
Bradley Cooper gets up. And everyone
4:15
sort of slowly drifts toward them. Yeah,
4:18
that's where word season happens. That's where you really
4:20
notice who is kind of owning the narrative of
4:22
the year and whether or not Bradley Cooper ends
4:24
up winning, it doesn't seem to be going in
4:26
that direction. He's been a major story of the
4:29
season and that's where you see something like that.
4:31
Yeah, I mean, Richard, you watched it not live
4:33
in the room. No, but you watch it at
4:35
the CW every Sunday night. Well,
4:38
I'm a stakeholder in the CW again, so
4:41
I ran all the DC shows. I was the flash and
4:44
all that. Yeah, you're very, very wealthy as a result. But
4:46
what did you notice? I don't know why I'm here. I'm
4:48
so rich, I don't know why I'm here. What
4:51
did you notice from what you saw from the Critter
4:53
Choice Awards? Well, I mean, not to
4:55
turn to the negative, but the Golden
4:57
Globes were such a catastrophe. We're going to get there,
4:59
don't worry, we're getting there. Where
5:02
I was watching, it was the first award show in,
5:05
I've been at Vanity Fair 10 years and
5:07
every year since then I've been
5:09
like, no, I have to cover these awards. I
5:11
cannot watch with other people. I have to be
5:14
alone at home, hermetic. And for
5:16
whatever reason, the Golden Globes this year was the first time I
5:18
like accepted an invite to go to a watch party and I
5:20
brought my laptop so I was like, so I could write. And
5:23
then it was like that, it was like Jo Koy and
5:25
I was like, this is like the crazy, I need to
5:27
like leave immediately and just like write about the... Report to
5:30
the War Room with emergency. So that
5:32
was a bad precedent setting for the January award
5:34
show. And then like I thought the Critter Choice,
5:36
like Chelsea Handler, who used to date Jo
5:38
Koy, and made a joke sort of about
5:41
him, I thought she did a
5:43
good, solid, competent job and, you
5:46
know, made fun of the movies, but also
5:48
celebrated the movies. And then the winners were
5:50
kind of actually in line with, I think,
5:52
where we're sort of thinking that the Oscars
5:54
could go. So it felt
5:57
like a very sort of solid Lily
5:59
Pad that... The campaign could likely buffer
6:01
for the golden gloves felt a little more
6:03
chaotic gotten the winners via, but the hosting
6:05
kind of made that night weird. Yeah
6:08
it did feel comfortable in away and even when there are
6:10
like winners you know I think we can talk about the
6:12
most actor race and how I mean think they've never seen
6:14
or been like i don't know who's gonna win this and
6:16
Julianne Moore had her predictions which. We don't have to
6:18
share, but the fact that Oppresses is not
6:21
the right, right? Julianne Moore has voted a
6:23
straight Super Mario Brothers. She
6:26
was devastating Attack black the I would make sure
6:28
those it's it's all. My idea unfortunately. Unbelievable.
6:30
Very comfortable because it's you know, even when
6:32
there's little bit of a surprise I ever.
6:35
Obviously everyone's really deserving. Obviously everyone's getting their
6:37
standing ovations. It was it is elected the
6:39
car. Was back on the track in some ways. I
6:42
think so and I think the speeches were
6:44
good and yams we had this interesting early
6:46
part of the season were like i'm in
6:48
a Partisan or from for the Circle and
6:51
we gave Charles Mountain the supporting actor word
6:53
and and he won elsewhere for that and
6:55
then like. But. The
6:57
thinking was always like sure, that's lovely
6:59
but like Robert Engine Resort of lying
7:01
in wait backstage satellite a specific take
7:04
this and then that's what's been happening.
7:06
Yeah, his speeches been good and you
7:08
know. Any you know it's going at it as a thing as and
7:10
you get someone who's like that big of a movie. Sorry kind of know
7:12
what you're getting and for. Whereas if I joined, Read off
7:14
has been giving this endless be to some expected
7:16
be like. She comes very prepared, she's kind of
7:18
introducing herself to people and I Felix is introducing
7:20
yourself as a consummate professional which is exactly what's
7:22
yours. is working really well I think I. Was
7:25
at Yale as a case you know says
7:27
he loves wrong about Yale. We're talking about
7:29
these people of our that's what the America
7:31
Frisbees actually because she didn't win a competitive
7:33
a war, but she got the honorary word.
7:35
And I think it was about halfway through her
7:37
speech I was like oh voting is still happening
7:39
see as in the mix. For supporting actress but
7:41
it's like it's a competitive rate that me it
7:43
it would win over so well in that room
7:45
like she did wonderfully. You. could also
7:47
do worse than have margot robbie who is
7:49
the story of this film year and a
7:51
lot of ways ounce introduce her with the
7:53
idea of and i think that allowed everybody
7:55
to really set up stream their seed know
7:58
this was a moment's She
8:00
knocked that speech out of the park, even
8:02
the little technical glitches that happened with the
8:04
teleprompter, which there were a few
8:06
of those throughout the night. It is the CW, so
8:08
what can we expect, really? That'll
8:11
be my last winner. How dare you. Charles Milton will not be
8:13
happy with me. So
8:15
in that sense, that
8:17
race is so kind of slippery right now. You
8:21
have a lot of different possibilities
8:23
because you have people like Padellepy Cruz,
8:25
who got a SAG nomination for Ferrari.
8:27
You have a couple people on this
8:30
BAFTA long list who may be nominated
8:32
later this week, and that
8:34
has a lot of overlap with the Academy. So
8:36
America's Fair hasn't shown up at a ton of
8:38
places, but she's a big face
8:41
of a big contender. And she gives a
8:43
speech like that, where everyone in
8:45
that room, a lot of Academy members, I'm not
8:47
saying the show was that widely watched, but even
8:49
just the industry buzz, I think was really strong
8:51
around it. Yeah, I think it was. And it
8:53
reminds people that she had a really big moment
8:56
in that movie, a moment that
8:58
has carried through, and that could take
9:00
her a long way. Yeah, and
9:02
she has this monologue that I
9:04
guess you could look at as sort of defining one
9:07
ethos of the film. And like Be
9:09
It Just Straight, all those years ago, won
9:11
an Oscar for one monologue. There
9:14
is precedent for it in
9:16
a way that I think that the Academy voters
9:18
have a little bit extra time than all these
9:20
other awards bodies did, who did not give her
9:22
America for Hour nominations. But I don't know, I
9:24
just think that with that sort of special moment
9:26
that happened, and they're still in voting. Yep,
9:29
a few more hours left. Yeah, a few more hours
9:31
left. I don't know, I think that,
9:34
I guess that would be a really litmus test of like, how
9:37
much the Academy loves Barbie, and I think they probably are
9:39
gonna like it a lot. Yeah, and well
9:41
that's the question. I feel like we've talked about this
9:43
another week, like we've been fearing Barbie Snobbery among the
9:45
Academy. And I think what was telling it, the Critic
9:47
Choice Awards, it's not just Barbie, had
9:49
that moment, it had another, it went for Best Comedy,
9:51
but it wasn't on the air, because they do that,
9:54
they give out awards during commercial breaks, which is strange. They
9:56
Went too fast, so they needed to fill the time.
9:58
And So Chelsea Handler. Made a wonderful
10:01
bit out of needing to give Ah Barbie
10:03
it's moments which and a gave away it
10:05
wasn't winning Best picture which I had thought
10:07
a sunni that you think she knew the
10:10
results in it wasn't and when that well
10:12
I'm sure we've we only critical votes on
10:14
it says I'm certainly Hillary's the only critics'
10:16
choice inferred subsidies You know that. He
10:20
reads all the envelopes right before I
10:22
know I also defense attorney or. So
10:26
I think that see had an understanding probably
10:29
through production of where the night was going
10:31
said also by that point Oppenheimer sort of
10:33
started to take all the technical or to
10:35
this as it is done. Yeah I'm so
10:38
now I'm in in but I don't know
10:40
you were going where you going to the.
10:42
I was just me thinking about the presence of Barbie and
10:44
how the Chelsea Handler really went out of her way to
10:46
make it even more visible than already was. But like, you
10:49
know what? I understand one. Which obviously warmed
10:51
my heart. Us migrated meme Ryan
10:53
Gosling ranting that. I was in the
10:55
bathroom when I knew about entire thing You're. Always in
10:57
the bathroom was a minister. has plenty of. The
10:59
Earth was his who was in the bathroom when a
11:01
Golden Globe. Christine lot easier for
11:04
pillow ninety. My Mac other a
11:06
favour and I want other physicists.
11:08
But know it was. I get objects. Really good night for Oppenheimer and
11:10
winning all those. Words That wins this picture. Christopher. Nolan
11:12
thought integrate he was the original. Burn on the
11:15
Cw. Actually, that is following in Cook for
11:17
proper said for the right right I Christopher
11:19
Nolan directed all the of those. The Gossip
11:21
Girl is supposed to be original, not mad
11:23
at the no no A result. But
11:25
he did make it feel it was. The sons are
11:28
very visible but Chilean Murphy did when the Sector which
11:30
is yet another twist in a race of them kind
11:32
of obsessed with how tight it feels and our friend
11:34
Paul Giamatti looked like my in a now he knows
11:37
this moment. He gave the best speech of the
11:39
my using south the I do and I think that
11:41
tom it made a very clear to me that. this
11:43
is his character actor whose so beloved in
11:46
this industry that as he could win their
11:48
over bigger movies i think with that group
11:50
even a maestro like it's bradley cooper i
11:52
feel like sag as a place where he
11:55
is really going to pull it out i
11:57
mean that's his that's his crowd as his
11:59
crew And then you figure
12:01
if Killian Murphy wins BAFTA, which I think is
12:03
still very likely You have a really really exciting
12:06
two horse race for best actor
12:08
kind of in the same way that we did last year with
12:10
Brendan Fraser and Austin Butler and I
12:13
don't I don't really who do you guys think is gonna pull it out right now?
12:15
Didn't we do this last week? I made everyone say
12:17
and then something changed. Are you are
12:19
you comparing Austin Butler apology money? They
12:23
had the same career, but you know Austin actually turned
12:26
down the holdovers and I'm not talking about the dominant
12:28
apology We're gonna be out working at the oven You
12:32
think that Paul's you you know, we talk
12:34
on this podcast a lot about the sort
12:36
of like Does a
12:38
speech tour win you an award?
12:40
Yeah Like if you win an
12:43
award early in the season and your speech is
12:45
really good are people putting you down
12:47
for the winner? Because they want
12:49
to hear you again. Yeah, and I don't know if
12:51
there you know We we're all making
12:53
this up but like I do think that like
12:55
G Maddy has been really charming and Also,
12:58
I'm kind of not not not bringing so
13:00
much attention to it But kind of reminding
13:02
people that like he got fucked over for
13:04
sideways like he did not get nominated for that.
13:06
We love to swear in my house Oh,
13:08
I'm sorry. I thought we
13:10
were in America. The way we did not have an
13:12
answer. Are we not are we in
13:14
communist Russia? No, but but
13:17
like I just think his speeches have been
13:19
really charming and like really reminding people that
13:21
like Oh, this is an actor who for
13:23
whatever reason has not gotten this kind of
13:25
major major attention in his entire You
13:28
know almost three decade career and that
13:31
narrative is really Compelling
13:34
in a way that maybe Killian Murphy who
13:37
also has had a long career, but he's
13:39
like British She's like been doing that stuff
13:41
like he's not one of us like, you
13:43
know Like I don't know, you know, I
13:45
mean like, you know, like you think about American actors winning it
13:47
Daniel Day-Lewis Gary Oldman, I
13:49
mean those are classic American actors, but this
13:51
is the Brendan Fraser thing. Last year That
13:53
was someone they knew but when a pressure
13:55
didn't win. Or
14:00
memories of get Waved at the end of every
14:02
awards season. Turns out I'm I don't think Richard
14:04
will ever forget when he won an oscar well
14:06
before we sit in Sioux. head of the mechanics
14:08
is a word says in the house and everything
14:10
I mean. To David as us and even it's endless
14:13
events all the time. You have been telling me that are
14:15
people keeping it doesn't have interests you and I don't even
14:17
remember who it was but we are some one of the
14:19
critics' choice what their favorite movie was and they immediately
14:21
said sort of interest else like oh it's all happening in
14:23
front of me What else are you just hear you at
14:26
what so the gets in the air in a way that
14:28
we might not see. These awards shows but is
14:30
getting that base of support. I'm
14:32
I'm not saying this because we have are
14:34
some wonderful people from movie here, but I
14:37
think Pillars of the Flower Moon has had
14:39
a really interesting week and on Apple now
14:41
arm and it's been rediscovered in some ways
14:43
as a movie that has stuck around since
14:45
can and really any time a movie gets
14:48
brought up on at this point it's worth
14:50
paying attention to begin. some of those movies
14:52
that have been talked about for so long
14:54
I doesn't always last that way, even if
14:56
they end up getting nominated. That's definitely one.
14:59
American Fiction is a movie that I think
15:01
has a lot of support. Especially with in
15:03
Los Angeles. Other people I think there is
15:05
a big and Gm events on for that
15:07
movie with Daniel Craig and Barbara Broccoli. Ups
15:10
in attendance do not discount Power. That's so
15:12
we says I've got worse and but we're
15:14
going on around or I am I reading
15:16
this is we have this argument when we
15:18
talk about or it's predecessor her power has
15:20
gotten back on the case. Yes my new
15:23
like three major I for was like girl
15:25
do it again we haven't done. I haven't
15:27
been around table interview in a long time
15:29
but if we get Francis Fisher we like
15:31
to speak Lancer. Fisher is the most
15:33
powerful and for two months in Los
15:36
Angeles princess remind arises don't really. Everybody
15:38
is clear clear way I'm sure we
15:40
give i'm on tax yes I'm sorry
15:43
for the Fisher is the President of
15:45
Local. Mayors
15:47
of an Earth Young So Francis Fisher
15:49
of course was a and instrumental figure
15:51
last year in the great actor in
15:54
Titanic Yes, it was married to Clint
15:56
Eastwood for a long time industry icon.
15:58
like a Mile Los Angeles I. The
16:00
economy Go Board of Governors member? Yeah, oh
16:02
yes, definitely in the academy we actually got
16:04
us or Europe and the are as was
16:06
able to run a notable is right. So
16:09
she was a huge factor in the to
16:11
Leslie last minute push last year and. Peralta.
16:14
Lot of big names and Hollywood to see
16:16
the movie to post about the movie. Ah,
16:18
and that ultimately led to a shock nomination
16:20
for Andrea Riseborough. And so there were some
16:23
new social media guidelines put out. As a
16:25
result of that. A lot of controversy because
16:27
Arise Burrow pushing out Daniel Detwiler, Viola Davis
16:29
are notably And so there was a question
16:32
of. If. Something like that would happen
16:34
again this year because on the one hand
16:36
it works so shockingly for a tiny movie
16:38
with a giant heart is so are those
16:40
who know they know this is ah but
16:42
also that was so clearly a little etti
16:44
in terms of the optics of Am and
16:46
how they club is not use tiny movie
16:48
with a giant hurt as a tagline for
16:50
Come In Her Room. See
16:53
should they said sorry
16:55
Luckily now and later
16:57
hits I'm. And it
16:59
came up with origin this year.
17:01
I went on Francis Fisher's Twitter
17:03
on like Friday and it was
17:05
like this: you pretend learned or
17:07
know you bathroom. Tweets retreat
17:09
about origin and our our I mean
17:11
did it is it became her obsession and
17:14
other. That's interesting and there are some jokes
17:16
about it like oshie that it again
17:18
And then suddenly there's Holland Taylor who was
17:20
a vague and Sarah Paulson who were big
17:23
suffers vendor. As for a posting about it
17:25
and then I saw was it yesterday. Ah,
17:28
that Angelina Jolie hosted a screening with ingenue
17:30
Alice. yes, I'm to is the star the
17:32
film and a as it just takes stepping
17:34
back to have an antonym. alice's brilliant and
17:36
this one good or so And it is
17:39
appropriate, if maybe a little cynical that the
17:41
effort is going towards a black actors who
17:43
deserves to be in the conversation isn't After
17:45
what happened last year, I can see how
17:48
that might have played out. It makes lot
17:50
of sense, but she actually deserves to be
17:52
part of that conversation arm. And I think.
17:55
I mean I think she can get nominated this
17:57
point as we've learned a very small batch of
17:59
really passion voters can get you through in authors
18:02
were specifically that's what's so interesting about at the
18:04
I think the idea that this little effort and
18:06
there are a lot of actors at this point
18:08
who have posted about the film who have really
18:10
encourage people to. Not
18:13
vote for it. That's the difference because they can't
18:15
do that anymore as directly on but to see
18:17
at see it and I'm on. it wasn't as
18:19
something. See it. easy need to see as many
18:21
as bearing says Arabian the Rings. I believe that.
18:23
Something. That even had talked about about the idea
18:25
just trying to get visibility for the movie like
18:27
a silly. She'd been really frank about it. So
18:29
it they are answering a need that was existing
18:31
that. We. Were aware of yes I'm and
18:33
a think she's achieved that. I think
18:35
I'm now. The question is it has
18:37
the visibility got the perfect time you
18:39
have a lead contenders was nominees and
18:41
supporting for years ago was very deserving.
18:44
Ah how far can that go down?
18:46
This is a real industry on Sonos
18:48
has been around forever. If you guys
18:50
all have and your seats Francis Fisher.
18:53
Summer thought of snow I think though
18:56
because I mean, the movie is an
18:58
interesting experiment Origin it doesn't quite work.
19:00
I don't think entirely. But like
19:03
ingenue, Alice is undeniably like
19:05
this. From. Says narrating a lot
19:07
of the movie for your kind of
19:09
with her for two plus hours and
19:11
it's an impactful performance regardless of it's
19:13
weird experiments in the movies, weird experience
19:15
and form. And like is a documentary
19:17
as it is narrative film. whatever. Ah,
19:19
any, I think you're right, David Like
19:21
that is Francis Fishers Terrible. The scene
19:23
working towards something interesting and like good.
19:25
Not that enter Retro as wasn't She
19:27
was very good and right in that
19:29
movie, but like eighty. It. is
19:31
interesting to see like the reaction to
19:33
what happened last year kind of retrain
19:36
it's gaze on to something else and
19:38
then francis fisher in that kind of
19:40
accidental thing and and her cohorts realising
19:42
like a when i have power here
19:44
so let me kind of redirect that
19:46
power into a different direction which is
19:48
kind of in a weird way the
19:50
narrative of a lot of hollywood it's
19:52
like okay so we have this ability
19:55
to highlight people to wrap to whatever
19:57
let's figure out how to like put
19:59
that power to use in
20:02
a productive way. Yeah. Do you think she's
20:04
going to get in? Angie Nuevalles? This
20:06
is our last episode before nominations come out, which
20:09
is crazy. Well, I'm a lot
20:11
for nominations, so that's the latest four people. And
20:13
you can thank Frances Fisher for that, by the
20:15
way. I paid her $10 million.
20:19
Gotta cut that. Brett, you gotta cut. No, no, I
20:21
don't know. I don't know. I don't maybe, I think maybe
20:23
it happened too late. That's what we
20:25
thought about Andrea Risborough. I guess
20:28
it was kind of the same timeline. I don't
20:30
think it's too late. I think it's one interesting
20:32
dynamic with this movie is there's a lot about
20:34
Ava DuVernay and what she achieved with the movie
20:36
and is it targeted enough? It kind of splits
20:38
the vote because people are like, wait, is
20:41
this campaign to nominate Angie Nuevalles? Is my
20:43
ballot just for origin? Is
20:45
it a straight origin ticket like Julian Morris' Super
20:47
Mario Brothers? Like
20:50
how does that work? I mean, because Ava
20:52
famously was not nominated for Selma, which was
20:54
crazy in its year.
20:58
And yeah, so maybe the campaign
21:00
is more for Ava DuVernay than it
21:02
is for Angie Nuevalles. But that's like a much
21:04
steeper climb. Yeah, those directors don't live here. Yeah,
21:06
those directors want to nominate a bunch of Europeans
21:08
who you never see coming, which is what happens
21:10
every year. Little
21:17
Gold Men sponsors include Apple
21:19
Original Films presenting Killers of
21:21
the Flower Moon, a masterful
21:23
story of love and betrayal.
21:26
At the turn of the 20th century, oil
21:28
had brought immense fortune to the
21:30
Osage nation, attracting shockingly
21:33
brazen and greedy outsiders.
21:35
Based on a true story, the
21:38
film is told through the improbable
21:40
romance of Ernest Burkhart and Molly
21:42
Kyle, played with stunning
21:44
complexity by Leonardo DiCaprio and
21:46
Golden Globe winner Lily Gladstone,
21:48
who brings an extraordinary soulfulness
21:50
and resilience to the role.
21:54
Directed by Martin Scorsese and also
21:56
starring Robert De Niro, Killers
21:58
of the Flower Moon is for your own. Or
22:00
consideration. In all categories, rated
22:02
R. I'm
22:05
very particular. We've talked longer about the race and I thought
22:07
we were going to what I don't want to keep or
22:09
guess waiting forever. Some which appeared abruptly to
22:11
talking about these shows. Yes, I'm. How
22:14
are the Emmys? How do we feel about of a
22:16
we wasn't but the Emmys they just happen is we're
22:18
recording this on and feel like as the project of
22:21
awards shows and our interest in them like it is
22:23
interesting to watch them even if. The winners themselves
22:25
are not relevant to oscar season. And
22:27
was really interested in what they did with is
22:29
a Anderson and and also the Dentist Alger and
22:31
the Fits and the way they really lean into
22:33
that for the Emmys I thought really worked and
22:35
it's the kind of thing that I think the.
22:37
Oscars are terrified of will. What
22:39
works is that awards shows and
22:41
I don't mean that pejoratively out
22:43
all our corny there sir like
22:46
glitzy long evenings were rich people
22:48
celebrate them this this and we
22:50
was like they had like you
22:52
know and like but we all
22:54
have. Entered. Into that social contract.
22:56
Yes, I don't like when the Emmys or
22:59
the Oscars or whatever other show tries to
23:01
be cool and be like working a lower.
23:03
The stayed within a week. Oh I see
23:05
Henson is. The year
23:08
that Will Smith's slapped Chris rock let
23:10
that our with a low stage if
23:12
there had been a more step flight
23:14
or normally ariza that every now and
23:16
I mean it never would have happened
23:18
if well as welcome at the on
23:20
step for have a link what am
23:22
I doing as and censor our right
23:24
you are right for it was only
23:26
two steps and so we with the
23:28
i was the only owning a dinner
23:30
right there. Yeah like we've all had
23:32
to scepticism and I think that or
23:34
scepticism for you know more reliable on
23:36
foot or we've only. Thing
23:39
of I think the tinkering with the award
23:41
shows like obviously the covert are like they
23:43
had to figure out something but in general
23:46
that that these producers are trying to like.
23:48
be cool and like or organ make it
23:50
silly to club or whatever. Let no one
23:53
wants that sets we just want standard hi
23:55
stays golden set you know, setting whatever award
23:57
shows. Yep and I think the Emmys Senate.
24:00
That and they also were corny with the
24:02
set sail we're bringing about the like to
24:04
all the old Tv show said sen have
24:06
the cast reunite them as we're celebrating Tv
24:08
it was. it is. The Emmys was a
24:10
show about shows and I think that worked.
24:13
There was a real contrast to with how
24:15
the Emmys often run on a particular network.
24:17
They always alternate between the for broadcast networks
24:19
and they'll have like the stars of this
24:21
strange Fox procedural that you've never heard of
24:24
who were paired and it's like what, What
24:26
is this an they're presenting Best Actress and
24:28
now this doesn't quite have the weight that
24:30
it probably should. But
24:32
this year they really did away
24:34
with that and it was like
24:36
every presenting team felt meaningful an
24:38
interesting on bringing the cast of
24:40
Martin together with so surprising an
24:42
interesting. Arm And I think that those
24:45
kinds of parents contributed to Winter Branson being three
24:47
times as emotional as she probably out of the
24:49
absolutely a year Ago and Carol Burnett Blu Ray
24:51
or to the Got Married the Customer and very
24:53
pointedly be like we never got this kind of
24:56
award, The tents and I'm like and kind of
24:58
likes signing a light on the Emmys. Not.
25:00
So great. History has also instructive in God
25:02
and my at it would maybe be that
25:04
next year you bring the it's always sunny
25:06
in Philadelphia, cast out and have them do
25:08
it rather than doing that bit twice in
25:10
one year. but it was nice has their
25:12
own there has spread some but it was
25:14
a challenge show from the beginning it was
25:16
pushed so many months. Nobody's. Talking
25:19
that to be right now is like the
25:21
movies or what's in the conversation. The ratings
25:23
are really really bad for the ice this
25:25
that the younger they were really bad weather,
25:28
not the opposite of football game. learn some
25:30
yeah and apparently the Republican primaries off and
25:32
running. I owe his recent i'm sure what
25:35
are you home and I'm yeah that started
25:37
last night I am and I think that's
25:39
when you have. That.
25:42
Against you, it may be encouraged
25:44
them to think a little bit
25:46
outside the box to actually pay
25:48
homage to what they were celebrating
25:50
in a way that felt significant
25:52
that could maybe. Provide.
25:54
A blueprint for how they can move
25:56
forward as to your question as to
25:58
whether the Oscars. Follow something like
26:01
that. They did
26:03
try to do a few reunions a few
26:05
years ago and it was kinda confusing and
26:07
over praise, I think that was the Will
26:09
Smith. Send. Me: I don't
26:11
know why he lives. they don't have google in
26:13
front of. I know, I miss. I miss the
26:15
past winners. Giving them. Testimony.
26:18
To each nom Oh my God Those are things going on
26:20
for a man. That everyone hated them. And we'll explore
26:22
her flicking. Yeah we were the second one
26:24
in the morning and their did not to
26:26
have an im gonna cost resigning religious but
26:29
I I just I just think the pomp
26:31
and circumstance is the whole point you know
26:33
and I think that like the Oscars is
26:35
here will be fine. Whatever. Mean
26:38
that we thought of our hosts since like well like.
26:40
You. Watch John Malaney do with the Governor. It's
26:42
aware that he was so good and with
26:45
like that kind of right mix of like
26:47
high brow humour but also kind of silliness
26:49
and celebrated movies for making fun. The movies
26:51
like that's a delicate balance to strike and
26:53
I thought that Anthony Anderson get it out
26:55
well with the shows. I thought the Chelsea
26:57
Handler did that obviously Jo Koy with Amazing
26:59
right now and as as a great point
27:01
because joke I have spent the last week.
27:04
Basically. Saying Hollywood's a bunch of softies
27:06
and ah and that Moscow but with South
27:08
and eating is immediately after that. You had
27:10
John Malaney playing to almost the exact same
27:12
audience at the Governor's Awards pool and I
27:14
was there they were laughing hysterically. They had
27:17
a great time, he's not like a nice
27:19
com I could is gonna play nice with
27:21
everybody who not the meanest guy in the
27:23
world but you know he's thrown some barbs
27:25
or and then you had Chelsea Handler who
27:27
does her Chelsea Handler thing and she can
27:29
be a little raunchy and and do her
27:32
usual stick and it played really well. And
27:34
then you can have an Anthony Anderson
27:36
who is not as typical the Comedian
27:38
house and he's a little bit more
27:41
in with the performers and he felt
27:43
very present which I appreciate it because
27:45
the host of so often disappears to
27:47
their opening monologue and again here was
27:49
a model for how you can do
27:51
this and to have you to do
27:53
jokes and also participate in bits. Likely
27:55
he's happy that yeah. So to have
27:58
three different posts really distinctive appeals. The
28:00
humor all do a good job.
28:03
Tells. Me that it is possible the
28:05
I'll be Not ever and should be running
28:07
away from this gave which is the have
28:09
I just think the with with a Gun
28:11
in Missouri like We Live is crazy year
28:14
where Barbie was the biggest hit of the
28:16
year was the cultural phenomenon of like kind
28:18
of a second half centuries and like it
28:20
was a huge deal and all of that
28:23
finally in a televised or it so like
28:25
let's let's have this comedian like to still
28:27
all of that all of this a success
28:29
and whatever and they are you going with
28:32
is written word I'm. Going to the word
28:34
boobies. Like that
28:36
we show for like a grandmother to
28:38
all of the the cultural information was
28:40
like movies like what. I
28:43
would be better at hosting that so that he was
28:45
like pay me the fiber thousand dollars when I'm yep
28:47
no a He probably did not dependent but. I
28:49
mean we know what we're getting was it makes him while he's us. Any
28:51
alligator. He presents is expected to the for
28:53
now but I'm. Like Jimmy Kimmel not going to
28:55
change when he does it as I've always unedifying. I don't
28:58
think he says the great till like I've always been a
29:00
fan of that but it's the like this the sucks around
29:02
at the building. Sets for the reunion said the Emmys I
29:04
thought worked. So well the kind of makes you understand what you're looking.
29:06
At the exhibit extensive the acceptance speeches and
29:08
I was wondering i don't actually know he
29:10
gets feel about I think as the innocent
29:13
mom was great. I kind of enjoyed her
29:15
presence and all. They only did it twice.
29:17
The idea of a killer who won last
29:19
year. But not me.
29:22
The short. The speeches were relentlessly short. People didn't seem
29:24
to mind. I mean, a lot of them had one
29:26
the night. Before it destroys the words as we saw
29:28
David. That is my answer. For didn't do. We
29:30
feel like maybe it's acceptance. Pieces said
29:32
gets shorter. It feels like sacrilege. Say
29:34
no, To thank you. I want the
29:37
mechanism in place that like keeps the
29:39
show running on time but also for
29:41
Melissa Leo to do. Melissa Leo is
29:43
still giving her. A
29:46
thin hand urinate. On when he's already filled.
29:48
naming. People as a as an older than
29:50
average person with will ceiling and always sit
29:52
know I are as you want. He wants
29:55
to allow room for that kind of rambling,
29:57
exciting moment. I mean maybe only assume people
29:59
didn't have access input on the Emmys did
30:01
feel a little bit like. Millet.
30:04
Like regiment to get like in a in
30:06
a way that it felt less loosen. Sort
30:08
of exciting because everyone felt very on miss
30:10
and south I'm and you know what the
30:12
oscar to be that? Yeah, it's a kind
30:14
of. It's a balance and it honestly
30:16
I think it's a matter feeling it out
30:18
a little bit like with somebody like surely
30:20
Ralph and Emmys from the year before this
30:23
one that went on for a little while
30:25
and I was by far the best motor
30:27
the name and see saying her speech and
30:29
it was so he was a breathtaking as
30:31
amazing. I've never seen anything like that on
30:33
an awards show before. But
30:36
I think having these the standard of
30:38
don't talk too long. Ah,
30:40
And. Being. Able to react
30:42
in the moment if someone doing something of
30:44
a more meaningful may be giving them the
30:46
space to do it. I say that and
30:48
I know it's basically impossible. Agree that and
30:51
grab really awkward cut offs and it doesn't
30:53
go out. Soderbergh started that President went with
30:55
he did the Oscars in in I'm Twenty
30:57
Four when he only wine at the train
30:59
season. In a way where he was like
31:01
I'm producing So and earth and so I
31:03
have instructed all the winners to not sank
31:05
individual names. no one wants to your the
31:07
they married and or whatever. Just.
31:10
Share. An anecdote like say something personal.
31:13
And the Emmys is here on to or maybe more
31:15
occasions they have like Wind Branson when she one way
31:17
up there with like there was a cup or thing
31:19
in the bottom of the screen that was like as
31:21
she would also like to thank they had quite as
31:23
feels like an interesting thing to sort of employment where
31:25
it's like okay don't we don't have an humane has
31:27
been sentinel. With his
31:29
brother? never enough. Ah so what if we
31:31
just had like Anne Hathaway or whoever leaked
31:33
winning an oscar? Just like speaking from the
31:35
heart, not having to go through the list
31:37
of like and my lawyer in whatever light
31:39
and or know. I mean Clinton Branson had that
31:41
with. They also give her time like she was emotional, young
31:43
new to lean into that like it unseemly get my word
31:46
like as they entered his mom as I can pull off
31:48
stage but then when like Jennifer cool as is accepting for
31:50
the second year in a row she's like okay Final Plan:
31:52
To the bet and go said he read the
31:54
room well there has to be an intuitive producer
31:56
for like actually like engaged during the broadcast was
31:58
like. Cute. The player physic for
32:00
this person and don't and and hold it for
32:02
this person. Young and I think Liberty Military Intuitive:
32:04
Have you ever watch the video of the Control
32:06
Room in Cuba Gooding Jr. One that this it's
32:09
on you tube. See as I somewhere in
32:11
a room where the guys like started. I care
32:13
of others like him in Cuba Gooding Jr like
32:15
talking louder and louder in the control room. There
32:17
louder like it's incredible. It's like watching ballet happening.
32:19
Because you could never play that off like that. would know
32:21
what many were. I think that he can take the talk
32:23
of talking over it. made it look like the our sub
32:26
in the world. Honestly, I.
32:28
Must Try License Fitness. Center
32:31
has an or some. I think we're gonna take a quick
32:33
pause and ah Richard. never going to go to the bar
32:35
or whatever it is that you though I'm going to welcome
32:37
in our guess when kills of the flower Moon. So odd.
32:40
Thank you for being here for little building and loan thing.
32:43
Is I suspect a. High.
32:51
So. Long
32:57
that don't. Have.
33:03
To follow N B C
33:05
O these photos and forces
33:07
of hello the bar. Moon.
33:09
Hey you guys. Still,
33:12
Thank you for joining us here. Has
33:15
everybody doing characters. The final gas of
33:17
many many conversations about this movie for
33:19
no other. A feeling. Great
33:22
happy to be with these two! Korean.
33:24
Well. Usually when you haven't I'm
33:26
giving interviews. It's happened before You talked about
33:28
how you are brought into this movie for
33:30
think ten days to the a clothing consultant
33:32
But it seems like from the very beginning
33:34
you're like Sundays flake. I think this is
33:36
getting be him much longer process. So how
33:38
did how did that process wherever you are?
33:41
Jacqueline began working together on this and and
33:43
build a partnership that you have no. Well.
33:46
you know when you start getting into
33:49
the different layers of the silhouettes that
33:51
we have at our clothing and as
33:53
silhouettes have not changed forever hundred and
33:56
fifty years and so really sitting down
33:58
me see how many multiple ways
34:00
a man can wear a blanket and
34:03
how many multiple ways a woman can
34:05
wear a blanket or a shawl. And
34:07
we have three different types just for that
34:09
type of covering. Then you have something
34:12
like the wedding coat. And
34:14
I just knew that it was
34:16
going to be a situation where
34:18
you're looking at particular research photos
34:20
of which Jackie had thousands. But
34:24
within those photographs of
34:27
these historic Osages,
34:30
you're really looking at the subtleties
34:32
of who they are and how
34:35
they're representing themselves out into the
34:37
world. And so if
34:39
you have someone like a Chief Bonnie
34:41
Castle, he's going to be wearing this
34:43
very long style blanket. But
34:45
it tells you that he's a man of importance.
34:48
You're looking at Molly. And so
34:51
she is in this situation where
34:53
you have Lizzie Q and then
34:56
you have Anna and then you have Molly.
34:58
Then you have Rita and Minnie. And
35:01
so you're watching a family
35:05
where this world has been forced in
35:07
on them. And
35:10
so for Lizzie Q, because
35:12
at that time she
35:14
and her husband both were raised on the
35:16
prairie and we lived off the land,
35:18
the value of money was nothing to
35:20
us because we traded and really hunted for
35:22
everything, for all of our needs. And
35:26
so you see the history of that
35:28
trade through people that would come across
35:30
our lands. And people are
35:32
always talking about how it's a peace pipe, but
35:34
that's what schools tell you. The
35:36
reality is that we were our own border patrol.
35:39
We had our own borders. We wanted to know
35:41
the same things that we want today with the
35:43
borders we have now. How long are
35:45
you going to be here? Why are you coming across?
35:47
What is your reason? And so
35:49
a lot of that you see in the history of
35:52
the clothing. So you've got
35:54
Lizzie Q who's traditional. And
35:56
so she's coming in with these children.
36:00
They basically came in, the government did and
36:02
said, we will either cut your rations or
36:04
you need to send your children to boarding
36:07
schools. The boys would go to military
36:09
schools, the girls would go to Catholic
36:11
girls schools, most of
36:14
them within Osage anyway. So
36:16
what would happen is, you know,
36:18
these girls have come back and
36:21
you see each one of these young
36:23
women now representing themselves within a world
36:25
that they're trying to fit into. They're
36:28
trying to find their place and
36:31
a safe place. So
36:33
you have Anna who's completely decided
36:36
to go into the 1920s
36:38
contemporary world. And
36:40
so, you know, from the photographs that Jacqueline had,
36:43
we could tell that that is where she had
36:45
really put her place in this place, in this
36:47
world. Then you look at
36:49
Molly who is identifying in her heart with
36:51
Osage. This is who she is. And
36:54
she understands this really in her being.
36:57
So what's happening is she's coming out
36:59
and she's representing herself in these Osage
37:01
clothing which is all traditional. Then
37:04
you have the other two girls, Rita and Minnie.
37:07
Rita and Minnie are committing to
37:09
a contemporary style. But
37:12
then what they're doing is bringing these blankets
37:14
and these shawls in and we wore those
37:16
from Odyssey and they wore them in different
37:18
ways for different situations
37:21
that would be going on. They're wearing
37:23
a funeral, baby naming, you
37:25
know, these certain and so they have
37:27
certain things that they're wearing for these
37:30
particular situations. And each one of
37:32
those is going to
37:34
be placed on them and folded
37:36
differently for whatever they're doing. Molly
37:38
goes to see Pitt's beauty. She's
37:41
wearing a shawl. She walks in
37:43
to talk business with him. Those
37:46
shawls are basically covering us for
37:48
modesty. And she's letting him
37:50
know I've come to do business with you.
37:52
You have a delegation of Osages. They
37:54
are all going, men and women. Tube
37:57
Washington, D.C. to talk to President Coasey.
38:01
And so what's happening is you
38:03
have this power suit that's really
38:05
being worn. And they're
38:07
walking in mass to let them know,
38:09
and now I'm talking about the White
38:11
House, we are here
38:13
to do business with you. We are
38:16
wearing our very best, and we're showing you
38:18
who we are. And you can imagine 60
38:21
or 70 natives who
38:24
you really aren't familiar in ever seeing brown
38:26
skin that often. And
38:28
they're walking in mass up to the White
38:30
House, and I can't imagine what
38:32
they must have thought at the White House when
38:34
they saw them coming in. And
38:37
so they're making a statement. And
38:40
so we do those same things today when
38:42
we go on our own visits to the
38:44
White House. I've been to the White House
38:46
three times in my ribbon work blanket. I
38:48
used to live there. And it's
38:50
one of those where I'm honoring the person that
38:52
I'm with, but I'm
38:54
also telling them I'm here as
38:58
an individual showing you who I am.
39:00
And that's what we were
39:02
portraying in the movie. I think
39:04
that's a pretty great sense of – I
39:06
can ask Jacqueline what Julie brought, and it seems like
39:08
she just showed us what she brought in terms of knowledge.
39:12
But I was really struck what you said before about
39:14
how when you're building costumes for characters, you build them
39:16
a closet, like what Molly would have had in her
39:18
closet. And kind of Jacqueline, I think you said is
39:20
that, you know, Lilly, you'd be able to come and
39:23
say, like, what would she wear in this instance? And
39:25
for you guys, that's a lot of freedom for you
39:27
to give to the actors, but also, Lilly, I imagine
39:29
as an actor, it helps you immensely
39:31
with building who the character is, of having that
39:34
selection put in front of you by someone like Jacqueline. How does
39:36
that work? Yeah,
39:38
we would talk about it quite a bit. And
39:40
then I remember at some point through the
39:43
process after Jackie and I had these conversations,
39:46
usually came down to the shoes.
39:48
Because Jackie had these gorgeous shoes
39:50
built that Molly would have had
39:52
made custom with the money that
39:54
she had, and, you
39:56
know, the shoes that you wear in town when you're going to go meet with
39:58
your guardian, you wear the clothes that you wear. closed-toe
40:00
heel, European
40:02
or American style shoe. And
40:06
then also just tracking how
40:08
Molly was feeling with her
40:10
illness, with diabetes, and
40:12
with her pregnancy, and when the mocks
40:14
would go on. So a lot of
40:17
times that's kind of what the conversation
40:19
would come down to. Yeah,
40:22
and then kind of discussing, all
40:24
right, when are we stylizing a beautiful, what
40:28
was that for many's
40:30
funeral? What was the Ukrainian,
40:32
was it Hungarian? The
40:34
shawl. The shawl. The Hungarian shawl. Was it Hungarian?
40:37
But it was also, there
40:39
were a lot of conversations about
40:42
how you would wear the shawl. And
40:45
mainly once, if you're
40:47
working with a consonant axis, like Lily,
40:50
they really find the character
40:52
very early on. And
40:56
I've always said that costume was the
40:58
bridge between the actor and the character.
41:01
And once you really get to know
41:03
that character, like I feel I
41:06
got to know Lily, I
41:08
got to know Molly through Lily, and
41:11
how she was becoming her,
41:14
they dress themselves. You make a closet,
41:16
like we were talking about, with all
41:18
the possibilities that she would
41:20
have had at her
41:23
disposal in Osage
41:26
country, and what skirt
41:28
she would have, what just by who
41:30
she was, that she was traditional, what
41:32
her taste would be in blankets. And
41:34
then it kind of just came
41:36
together. The character dresses themselves.
41:41
One of my more fond memories is on our
41:43
last scene, like our last
41:45
scenes of shooting, Jackie
41:47
had built a shirt for me,
41:49
a ribbon shirt entirely out of
41:51
silk, for me as my
41:54
rap gift with Molly stitched in, and I
41:56
still have it. But me,
41:58
I walk in my trailer. and I
42:00
see this beautiful shirt hanging up and
42:02
then this other beautiful shirt hanging up.
42:04
I'm like, oh, she's letting me choose. So
42:07
I ended up choosing the shirt that Jackie built
42:09
for me as my rap gift and I'm wearing
42:11
it in one of the last scenes. And
42:16
I think wardrobe is very
42:20
much where I found the last elements
42:22
of Molly. I mean, usually it is
42:24
with any character that you play. And
42:27
I remember the first fitting that I had with
42:30
Julie. You
42:33
were tying me into one of the
42:35
broadcloth skirts with the butterfly pleat. And
42:39
I feel like there's a perception
42:41
a lot of people have of
42:44
Native people, especially if you're enthralled
42:46
by us from a new
42:48
agey perspective that everything's loose and
42:50
free. And it's just like, no,
42:53
we're very protocol people, very
42:55
particular protocol people, very
42:57
proper, especially traditionalists. And
43:01
I mean, I don't know how you guys wear five
43:04
layers of wool broadcloth in the middle of
43:06
the summer, but you do it. Gladly.
43:10
Eventually,
43:12
you know, you sweat enough, you've got a natural
43:15
cooling system. And then I would so
43:17
much rather wear that much wool than that much polyester
43:19
in the summer. I'll say that. But
43:22
yeah, Julie tied me in after I was wrapped
43:25
in the broadcloth skirt, which is a blanket
43:27
folded a number of ways and then you're
43:30
tied into it. And I
43:32
was kind of just slumped and then
43:34
suddenly my spine was straight. The
43:36
way you have to hold your shoulders to
43:38
hold the blanket is almost in like first
43:41
position, like ballet first position. And I
43:43
think I said to you, like, oh, I
43:45
get how this nation burst
43:47
America's first prima ballerina. Maria
43:51
Tallchief from Fairfax, Oklahoma is Osage.
43:53
She was married to George Balanchange,
43:55
co-founder of the New York City
43:57
Ballet is America's first prima ballerina.
44:00
ballerina, Bally Ruth. Little
44:06
Gold Men sponsors include Apple Original
44:08
Films. Named best filmed
44:10
by the National Board of Review, Killers
44:13
of the Flower Moon is an epic
44:15
Western crime saga and a story of
44:17
love and betrayal. At
44:19
the turn of the 20th century, oil
44:22
had brought immense fortune to the Osage
44:24
Nation, attracting greedy outsiders who
44:26
will stop at nothing to make
44:28
this wealth their own. Based
44:31
on a true story and told through
44:33
the improbable romance of Ernest and Molly
44:36
Burkhart, played by Leonardo DiCaprio
44:38
and Lily Gladstone. From
44:40
Academy Award winning director Martin Scorsese
44:43
and also starring Robert De Niro,
44:46
Killers of the Flower Moon is for
44:48
your consideration in all categories, including best
44:50
picture. Rated R. Well
44:54
we have a clip from the movie that we can share that
44:57
shows off from the wedding scene which is some of the
44:59
most stunning looks in the entire film. So we can let
45:01
everybody look at that and then I'll ask you guys about it. I've
45:18
known Molly and her
45:20
sister since they
45:23
were little girls running around
45:25
making a lot
45:39
of trouble. Molly's
45:43
dear departed father, Mikaise Wai, was a dear,
45:45
dear friend of mine and beloved friend of
45:48
the heart. He always used to tell the
45:50
white men just to call him Jimmy, but
45:52
I always called him by his proper name.
45:55
Mikaise Wai, your great
45:57
respect. So
46:06
Julie, before we got started, we were talking about
46:08
that coat, which I think is absolute showstopper in
46:11
that entire scene and how those wedding coats will
46:13
have a really prominent role
46:15
in Osage life today. But the origin of them,
46:17
I think, is fascinating because I think, Jackie, you
46:19
said it felt like you found Marie Antoinette in
46:21
a horse opera all of a sudden. It's
46:23
just such a beautiful striking image. But
46:25
Julie, can you talk about why for
46:28
this period, for Molly and Ernest's wedding, why that wedding
46:30
coat would be part of the ceremony? Well,
46:33
the history of the wedding coat is
46:35
actually dates all the way back to
46:38
a delegation of Osages that went to
46:40
see Thomas Jefferson. And
46:42
they went in. It was a
46:44
US was a new country. And so they
46:47
were showing their power and might. And
46:50
so this delegation goes in. And
46:52
as we're sitting down and,
46:54
of course, with a translator and they're
46:56
talking and basically
46:59
Thomas Jefferson is really showing them
47:02
what they have and they're discussing business,
47:04
the chief looks over and
47:06
he sees this
47:08
military coat on this general
47:11
that's standing next to Thomas Jefferson.
47:14
And he really admires it. And
47:17
so when they get ready to leave, Thomas
47:20
Jefferson looks at that general and says, take that
47:22
coat off and give it to him. So
47:25
the man takes the coat off and he
47:27
gives it over as really like a diplomatic
47:29
gift to this chief. So
47:32
what happens is our
47:34
Osage men, especially in
47:37
history, even Thomas Jefferson writes about it,
47:39
but there were these big statuesque strapping
47:41
men and there was no way that
47:43
they were going to fit into this
47:46
European size military coat. And
47:49
so they took it home and they gave
47:51
it to their daughters. And
47:54
so I love the way that Jackie
47:56
says this best, but she always says
47:58
that there's this rebellious nature
48:00
about it because
48:03
they took something that was to
48:05
show power and might over us.
48:08
And these women and their families, when
48:11
these girls would get married, would take
48:13
that and we would put ourselves in
48:15
that. We would put our
48:17
own ribbons and our own ribbon work
48:19
and buttons and different things
48:22
that people had and families would gather
48:24
together. And these were all to be
48:26
given away as gifts to people who
48:28
had helped you with your wedding. And
48:30
these would be arranged marriages. You
48:33
did not marry who you loved then. These
48:36
were arranged for you. And
48:38
so when they came to underneath
48:40
the arbor for this wedding, you
48:44
would have this woman coming in and
48:46
the man that was marrying her knew
48:48
that he was marrying someone of great
48:50
prominence because they clearly had
48:53
a chief or a councilman in their
48:55
family and that had been given to
48:57
them as a gift. And
48:59
so that's the history of basically
49:02
why they wore those wedding coats.
49:04
And as it passed down in
49:06
tradition and a lot of
49:08
those meetings dissipated,
49:11
families then got together. As
49:13
they do today, we still use those coats
49:15
but not for weddings. It's for something called
49:17
passing of the drum. But
49:20
for Molly, they get together,
49:22
the whole family, and starts putting together these
49:24
wedding coats. And a lot of times you'll
49:26
see seven to eight and what we refer
49:28
to as bridesmaids but that's not how we
49:30
looked at it culturally. And
49:33
so you have these different gifts that you're going to
49:35
be giving to these different people and all of these
49:37
are going to be given away including to some of
49:39
the girls that may be in
49:42
the wedding and their family was instrumental in
49:44
helping you put this wedding on. So
49:47
Jackie, as a costume designer, when you get – you
49:49
have this historical detail, you have a scene this large with
49:51
this many people, what kind of gift is it to have
49:53
something that beautiful and
49:55
ornate to work with for a scene like this? Well,
49:58
it was a gift. What I learned
50:00
early on when I started my research on
50:03
the Osage, one of the first
50:05
things I found was this wedding code, and I'd
50:07
never seen anything like it. But
50:09
as I started digging deeper,
50:11
I realized so much of
50:13
the Osage clothing
50:15
and what they wore was so
50:18
unique from other plains
50:20
nations that I portrayed in
50:22
other movies through wardrobe. And
50:25
the wedding code, I'd never seen anything like
50:27
it, and that's when I started researching it.
50:30
And at first, when I first saw it, I
50:32
thought, oh, I can't do that. How
50:35
am I going to show that to Marty? It's so
50:37
over the top. You know, I've never
50:39
seen any kind of Native person in that.
50:41
Then when I learned the history and the
50:44
beauty of it, I got sold
50:46
on it. And when I showed him, he
50:48
loved it. And you
50:50
know, it becomes all seen in
50:52
the movie, but it's the history
50:54
that I think behind it that's
50:56
so brilliant, and how so many
50:58
of the trade items got
51:01
incorporated into it. French ribbon
51:04
and German
51:06
silver, braid,
51:10
buttons, the beadwork, and
51:12
then incorporated into
51:15
that coat are all the
51:17
other accessories, like the finger-woven
51:20
belt, the ribbonwork,
51:22
all the woodwind
51:24
embroidery, and everyone
51:27
was different. So for me, it
51:29
was the most probably the
51:31
most fun I had on the movie, creating those
51:33
coats with I have a brilliant
51:36
cutter-fitter that I've done a lot
51:38
of movies with, Rosalie Lee. She
51:40
came down from Canada. Leo
51:43
helped me get her in because she'd done all his
51:45
clothes on the Revenant. And
51:47
she's just so brilliant. And she
51:49
had a brilliant workroom, and
51:51
she made every single coat
51:54
very, very different, and
51:56
unique to each sister, each
51:58
bridesmaid. And then
52:01
Julie helped so
52:03
incredibly with, that's when
52:05
the 10-day thing was not going to work. And
52:08
I said, I said, 10 days, I need
52:10
her through the whole movie. She
52:13
got every great artisan. He told me
52:16
that on day nine. Yeah,
52:18
yeah. Every
52:21
incredible artisan involved
52:23
in this project that you saw up
52:25
there, and she calls
52:27
it kitchen art, but it's these women who traditionally,
52:30
as the traditions pass down
52:32
from mothers and aunts down
52:34
to their daughters and their
52:36
granddaughters. And they
52:39
did all the bead work, all the ribbon
52:41
work, and it made them part
52:44
of telling of this
52:46
seminal story for the Osage. They
52:48
could all get involved and be part of it. And
52:51
when they saw it in the theater, I hope
52:53
they are always going to be proud
52:55
that they worked on it. Marty
52:58
was really drawn to the whole wedding as
53:00
well. My rap
53:02
gift from him was a hand-painted
53:06
rendering or model of
53:08
a Sicilian horse cart, because
53:11
if you – look it up, just Google it. You
53:14
have a lot of great rap gifts, Michelle. Apparently,
53:18
it was in the background of Main Street. I've watched
53:20
the movie again to look for it, and
53:22
I can't find it, but it was somewhere
53:24
interested in Main Street. But it's
53:26
this beautiful wood-carved horse
53:29
pulling this cart that would
53:31
be used for weddings,
53:34
for different ceremonial
53:36
things in Sicily. And the horses would
53:38
have these really large ornate plumes on
53:41
the top of their head that looked
53:43
actually a lot like the wedding hats,
53:46
bright colors. And Marty said it had the
53:48
special significance to him because he said had
53:50
he been a boy born in Sicily, he
53:52
would have grown up being one of the
53:54
painters of those carts, because they were the
53:56
stories of the pictures painted
53:58
on these Sicilian horses. carts were
54:01
kind of the way that you would have been
54:03
a filmmaker back in old Sicily before cameras. Wow.
54:07
So it was um yeah that was a
54:09
really sweet gift to get and you know when I saw
54:11
it and when I unwrapped it and looked at it, it's
54:13
like wow! Just immediately it reminded me of the wedding scene
54:16
and Marty said that's why he chose it. He
54:18
chose to give me that because of how much
54:22
he felt like how much
54:24
he felt of his own culture reminiscent
54:27
of what he was doing with Osage as
54:29
well. Um two
54:31
very story based and
54:33
like proper
54:36
but you know expressive and bright
54:38
and beautiful and just
54:40
rich cultures. Yeah those those
54:42
cool. There were so many
54:45
people involved as actors and
54:47
characters in this film whose
54:50
relatives had been part of the
54:52
reign of care and that
54:54
was really the beauty of it. One
54:57
of the scenes that gave me chills
54:59
is one Julie mentioned we were produced
55:01
from a panoramic photo. I even got
55:03
I made 20-22 sections sent those to
55:08
Pendleton in Oregon and they
55:11
reproduced every blanket from
55:13
that original original panoramic
55:15
shot of the Osage nation
55:18
traveling to Washington DC to
55:20
do something about the murders
55:23
during the reign of terror and when
55:25
we shot that at the railroad station
55:28
that Jack built in Pawhuska,
55:31
I got chills because so
55:33
many people there came
55:35
up to me and said you know my
55:38
grandfather was part of that group or
55:41
my my great aunt was part of
55:43
the group and they all got
55:45
to be in it and be part of it and
55:48
it just that scene really brought tears
55:50
to my eyes when I
55:52
realized how many people were
55:55
involved in this story that got to be
55:57
in this movie. And
55:59
in the end The Roundhouse seen also.
56:02
Julie built Bulls were real.
56:04
A desert. There are a lot
56:07
of people that in that round
56:09
how same that had members of
56:11
their family that were on council
56:13
at that time said there were
56:15
several people that were in than
56:17
including like the Sap offered brothers
56:19
and just different people within the
56:22
community in the when saying yes
56:24
in the Red Koren swell and
56:26
there's one thing I really am
56:28
in the same that we saw
56:30
with the man that was marrying
56:32
Molly and earnest as the abdomen.
56:35
Named totally read to him. And.
56:38
I was driving around my car on a sad, sad
56:40
or day. And I used to go
56:42
to all other transfer pictures to
56:45
look to everything on Sundays and
56:47
I get this text ever my
56:49
whole screen and it's from the
56:51
producer Marion Bauer who did a
56:53
lot of really fabulous research on
56:55
this or Marti's team and also
56:57
Jacqueline An It said we have
56:59
a new character and a new
57:02
seen what would a leader were.
57:04
And so I came back to them
57:07
and sad have you ever visited the
57:09
Immaculate Conception church and Baja Sky and
57:11
because I was co that no one
57:14
had gone or when I was growing
57:16
up and I was a brownie I
57:18
would go to a Catholic churches were
57:21
they would hold our little meetings that
57:23
the window the sit or in their
57:25
own say just a lot of money
57:28
and to that church and said they
57:30
had these magnificent German stained glass windows
57:32
and there's a whole story about that
57:35
on at some where they had to
57:37
be buried a World War One and
57:39
or the Danube river when things are
57:42
being bombed and then brought them back
57:44
out and then shifts and oklahoma but
57:46
they're spectacular but there's one window that
57:49
they have still see only window in
57:51
the world that has actual indigenous people
57:53
in it that are the same likeness
57:56
because there's always faces of angels and
57:58
different people with then all of this
58:00
dangler that you see that they're never
58:03
actual likenesses of people. Well they went
58:05
to get the Pope's dispensation exactly the
58:07
same time that the story was taking
58:10
place. So in that window is the
58:12
actual likeness of she funny castle. there
58:14
is a chief bacon mind that sin
58:17
there and there are their wives and
58:19
several of these people on council members
58:21
that would have been there at the
58:24
time that the story took place in
58:26
there in that window. So I took
58:28
a screenshot off my town. And send
58:31
it over and said this is
58:33
she's back and rind and I'll
58:35
the I think it would be
58:37
a good idea if your work room
58:39
created this exact image in this
58:41
silk green shirt he as Moscow
58:43
beans he was part of Native American
58:45
church. Also you can see it
58:47
in the pectoral crossed the he
58:49
has on he's a leader you
58:51
can tell it in the water tap
58:54
with the medallion that you see
58:56
he's holding us eagle wingspan in
58:58
his blessing. Molly an earnest. With
59:00
sat san which is used
59:02
in our ceremonies everything about
59:05
him was replicated and when
59:07
we when I saw it
59:09
for the first time. It
59:12
was so moving because as a child
59:15
I loved staring at that. When I
59:17
would finish with my projects I would
59:19
ask go into the church and said
59:21
look at it so beautiful and I
59:24
saw him the life on the screen
59:26
and it just to me the whole
59:28
seen as spectacular. Well
59:32
actually and Jackie I'm really think
59:34
you guys so much for joining
59:37
us here. Think you all for
59:39
being here and making this hurts
59:41
her life Little Goldman possible that
59:43
you to apple everybody else and
59:45
will see them as a. Little.
59:57
gold men sponsors include the apple
1:00:00
original film, Killers of the
1:00:02
Flower Moon, an enthralling epic
1:00:04
from legendary director Martin Scorsese,
1:00:06
starring Leonardo DiCaprio, Robert De
1:00:08
Niro, and Lily Gladstone, a
1:00:11
Golden Globe winner for Best
1:00:13
Actress Drama. For
1:00:15
your consideration, Rated R.
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