Episode Transcript
Transcripts are displayed as originally observed. Some content, including advertisements may have changed.
Use Ctrl + F to search
0:00
Live. In Direct right here on K
0:02
X P right now in the afternoon show
0:04
Stray from the Live Room it's your boy
0:06
Larry Mize our junior. Thank you for listening!
0:09
I'm so happy right now we have with
0:11
as a guest who made one of my
0:13
favorite albums of Twenty Twenty One Play With
0:15
the Changes I'm talking about Richelle Jordan Are
0:18
you doing? I'm doing. Wow Area
0:20
fantastic. It's a good have you here Thank. You
0:22
so much for having me! Absolutely. You'll.
0:24
Get some music for Sweetie Blitz.
0:26
Go a scan it Gay xp.
0:48
He needs. To.
0:51
Be missed. It
0:59
is it. Really? To.
1:15
To see. The
1:20
Seasons. He.
1:35
Is even and he was g.
1:44
M T that. Seems.
1:53
To be. Nice
1:56
to see. No,
2:05
never. Even
2:51
really, even. Remember
2:55
when you go. On
2:57
and. On
3:03
and. On
3:06
of America. Will
3:12
be a he. Added.
3:26
l I'm
5:05
not a sinner, I'm a fan in the world,
5:07
but I'll still down it. Can't I send you
5:09
to lay on my bed? I'll
5:12
still keep that, I'll always down it. Don't
5:18
want you to get around, I'll tell you
5:20
nothing. I'll
5:22
still keep
5:24
on, I'll still be there. I'll
5:27
still be there, can't I send
5:29
you to lay on my bed?
5:31
I'll still keep on, I'll still
5:34
be there. I'll
5:41
still keep on, I'll still be there. I'll
5:45
still be there, can't I send
5:47
you to lay on my bed?
5:51
I'll still be
5:53
there, I'll still be there. I'll
5:57
still be there, can't I send you to lay on my
5:59
bed? And
7:07
a lot of. People.
7:14
Are. To.
7:33
Believe. Know.
7:51
Me and. my
8:02
When you're not with your hands
8:05
I'm on a line I'm
8:08
on a line I'm
8:11
on a line I'm
8:15
on a line I'm
8:18
on a line I'm
8:21
on a line I'm
8:26
on my line I'm
8:32
on a line I'm
8:38
on a line I'm
8:44
on a line I'm
8:48
on a line I'm
8:53
on my
8:56
line Ma'shell
9:07
Jordan, live on Dywalkie XP I'm
9:17
on my line
9:26
I'm on
9:28
my line I'm
9:31
on my line
9:38
I'm on my
9:40
line I'm on
9:42
my line I'm
9:48
on my line I'm
9:55
on my line In
10:31
your name I'm a man I'm
10:34
a man I'm
10:36
a man I'm a man I'm
10:40
a man I'm a
10:42
man I'm
10:44
a man I'm a man
10:48
I can't apologize for you I'm
10:50
a detective I am a man I'm
10:55
a man I'll be there to take you out
10:57
for having some protection No, I I
11:02
hate to be so negative But tell
11:04
me where to end I'm
11:07
a man I'll be there to take you out for having some protection No,
11:10
I'm a man I'm a
11:13
man I'm a man I
11:16
can't apologize for you I'm a
11:19
man I can't apologize for
11:21
you I'm a man I'm
11:24
a man I'm a man I'm
11:28
a man I'm a
11:30
man I'm
11:32
a man And
11:36
I hate to be so negative But
11:38
tell me when you're there I'm
11:44
a man I can't apologize for
11:46
you I'm a
11:49
man I'll be there to take you out
11:51
for having some protection Don't make me feel
11:53
good Baby,
12:02
try and save
12:04
me And touch
12:07
me when you get
12:09
there And
12:12
touch me when you get
12:14
there If you don't mind,
12:17
don't mind, don't mind Baby,
12:21
come save me Where
12:23
is he here, baby?
12:27
Keep me on the way
12:29
that you've been laying that
12:31
line Michelle
12:40
Jordan, live on the afternoon, so KEXP
13:27
Love is love, love is love
13:29
Baby, come save me Keep
13:37
me on the way that
13:41
you've been laying that line
13:46
I can't help you guys Any
14:48
the whoop! Whoop!
14:56
Mariah, Michelle.
16:13
Jordan. Live. On T Xp
16:15
afternoon so thank you so much St.
16:17
Louis! Ah I is this are being
16:19
out on the road. Is this the
16:21
first time you've gotten the tour? Play
16:23
with the changes, absolutely out how to
16:25
see us. Start to feel so
16:27
gas amazing. Yeah does all these
16:29
new experiences and it's my. First
16:32
Soy Wow this is really yeah. this
16:34
is a life long as like a
16:36
bucket list like all kinds of things
16:38
are happening for near a love it
16:40
Talking about the title and it struck
16:42
me right away. It's always been one
16:44
of my favorite concepts. Phrases play with
16:46
the changes would have to use moves
16:49
yes no and means a lot to
16:51
me. I mean. I.
16:53
Know when on a little bit of a hiatus. After
16:55
my last product or ten, twenty one
16:57
and two thousand and fourteen I just
17:00
disappeared. There's a lot of things happening,
17:02
a lot of movement, lot of new
17:04
management rolling over, a lot of bad
17:06
situations, but a lot of music been
17:08
made and and I'm in my darkest
17:10
times. I found
17:13
myself just. Putting more
17:15
of my energy into finding experimentation
17:17
and adventure with in the music.
17:19
So I was finding joined as
17:21
a plane with rhythms playing with
17:23
sounds and just whatever was happening
17:25
on this island be able to
17:27
put his their current compartmentalize that.
17:30
And be playing with changes on this
17:32
side And as that started. To happen things
17:34
started to change over on their side a
17:36
better situation came together and damn you know
17:38
when you get into those dark places to
17:40
so easy to this and have fallen and
17:42
moved down that path and the can affect
17:44
the i can affect. Many things in
17:46
your life by I was able
17:49
to just grasp on since playing
17:51
with changes musically and. then seeing it
17:53
playing with the changes of on the dark side
17:55
of what i was going to at the time
17:58
and he i just clicked one day The
18:00
title came to me, it just made so much
18:02
sense. And so it means a couple of things,
18:04
but that's what it means, playing with the changes. Right,
18:07
that makes a lot of sense. I know they've been
18:09
that long hiatus since 1021. And
18:13
you hear this kind of, you
18:15
hear some of that darkness and that woundedness
18:17
on play with the changes, but this resilience
18:19
and this dedication to
18:22
perseverance and to care, which
18:26
is just everything. I love that
18:28
you performed a lay. That's one of my
18:30
favorites on that record. You're talking about, hoping
18:34
for the safety of a loved one that's moving
18:36
around when
18:39
they leave the house. And you're watching
18:41
channel five, KTLA. I
18:43
know you're seeing some stuff on there. Talk
18:46
to me about that song. Yeah, I feel
18:49
like that song is a song that we
18:51
all are, probably,
18:53
if you hear the song, you're
18:55
probably gonna feel it because it seems like there's
18:58
a lot going on right now. There's a lot
19:00
of gun violence, it's out of control. I
19:04
don't even really wanna get into it. But when I
19:06
did write that song, it
19:08
was a lot of the Black Lives
19:10
Matter movement. Even prior to that, I
19:12
had been thinking about this and having
19:15
an anxiety about around police brutality. And
19:17
it wasn't until Nipsey Hussle passed away that
19:21
these words came to me as Clash was playing
19:23
the chords at the studio
19:25
and you're safe with me when I'm watching
19:28
you sleep, just kept going around in my
19:30
head every time he played those roads. And
19:32
my mind was just on Nipsey Hussle on Lauren London
19:34
and how she would be feeling. Then
19:37
Kobe Bryant and it's life and
19:40
we're all going to face this. But
19:43
I just was just thinking into
19:45
the anxiety of what it feels
19:47
like to lose somebody or to
19:49
just feel the anxiousness of possibly losing
19:51
somebody. It's something that
19:53
I needed to express. And
19:56
yeah, that song really helped me
19:58
kind of get. through my mind basically
20:01
and fight through all the anxiety that
20:03
I feel around my loved ones right
20:05
now. Wow. Thank you for
20:07
sharing all that and everything that's in that song. I feel
20:09
like I was just talking about the same thing with a
20:12
rock artist, black rock artist cat named Barthese
20:14
Strange. He made a song,
20:16
he's got a new single out
20:19
and inspiration for that was the
20:21
daughter of a guy
20:26
who got murdered in 2020. Oh, the
20:30
daughter of George Floyd. George Floyd, yeah.
20:32
Sorry, I was just thinking all the other names.
20:36
So thinking about that and kind of
20:38
projecting into a person who's experiencing loss
20:40
on a very
20:43
visible stage, the
20:45
kind of empathy going into that, I just really
20:47
appreciate that, you know, care, like I said. Thank
20:50
you. I'm glad you appreciate it too. I
20:52
appreciate that. And you got Clash
20:54
with you. I know you've been
20:56
working with Clash and Machine Drum and Jimmy
20:59
Edgar, all fantastic producers, like pretty much from
21:01
the jump, right? Yeah. So Clash
21:03
and I have been working together since 2009. He
21:05
found me on YouTube when I was a little bitty
21:08
singing Khalee songs and he saw me
21:10
and I only joined because Justin Bieber made
21:12
it because of that. So I was like, okay, I guess I'll go
21:14
on there and try it out. And then he found me right away.
21:16
I heard his sound just by chance
21:18
actually. And yeah, we just started working
21:21
together ever since. And then
21:23
Machine Drum and Jimmy came around 2015-16. So
21:27
it's still a very long time of knowing those guys as
21:29
well. These three producers
21:32
have such eclectic sounds and standpoints and they
21:34
always keep me on my toes as a
21:36
creative. I love to be challenged, like
21:38
send me a beat that's just like regular, regular. I'm
21:40
just not, I'm not going to respond to it. Sometimes
21:43
I go through their discography and like, send me this, give
21:45
me this. And they're like, that is so
21:47
weird. Like why do you want that? But
21:49
it's just, they help me keep me creative
21:51
and imaginative. And those are the people
21:53
that I love to surround myself with. So yeah, those are those
21:55
guys. I love that you have
21:57
this, this unit that you've stuck tight with.
22:00
You know when things were like getting
22:02
rocky and you're going through those situations like you're
22:04
talking about you're just like chuck
22:06
it I'm gonna go no, you know
22:08
never that yeah, never that create until
22:10
something happens. Yeah. Yeah, right on
22:12
and So you're in LA? Yes
22:15
on young art Toki monsters label. How's
22:17
that? Oh my god is so good Tokis
22:20
amazing. She's the funniest sweetest person
22:24
Yeah, she came again Just like the perfect
22:26
time telling you the way the whole thing
22:28
lined up was just beautiful and just perfect
22:31
We had already been done with play with the changes
22:33
little tweaks and twerks but she heard it right before
22:36
we really got into just like cleaning it up and
22:39
She she understands my sound she
22:41
she understands Just the
22:43
the placement of me cuz I'm you
22:45
know black from Canada and you know
22:47
I'm getting into electronic music and I'm
22:49
trying to find my sound and I
22:51
found it and it's just like but
22:54
Not everyone can really understand or see
22:56
the full vision Yeah And she came
22:58
in and she just got it and
23:00
it just made the most sense for
23:02
for all of us Involved and yeah,
23:04
it's been awesome ever since right on.
23:06
Yeah. Well shout out to young art
23:08
for bringing us this record Yeah, and
23:11
like you mentioned you're Canadian native
23:13
native to Toronto one of my favorite
23:15
cities in North America Tell
23:17
me about that kind of scene coming out of there.
23:19
Yeah So when
23:22
I started making music I
23:25
would say I was really starting to recall or
23:27
figure out my sound or what I was looking
23:29
for before clash I
23:31
would be at Humber College Down
23:34
there on where is it Eglinton or something like
23:36
that downtown? Anyways, I'd be in there with
23:38
all the music cuz I didn't even go to the school. I
23:40
would just go into the college I don't even go here. I
23:42
didn't even go like the teachers like hey, I'm like, hey I
23:44
was in the module just like singing and doing things just trying
23:47
to figure out what I wanted to do next Then
23:49
I had like a little band and I was singing
23:52
in like coffee shops and stuff like that This was
23:54
like really early on and then I started the YouTube
23:56
thing. So and then when I linked
23:59
up with clash and we started finding our
24:01
sound, I decided to then move, or at least
24:03
go back and forth from Canada to LA. So
24:07
I kind of centered in LA, put
24:09
the roots down over there. But
24:12
as far as Canada, just being in and out
24:15
and watching it blossom the way it did with
24:17
all these amazing artists the weekend, it blows my
24:20
mind. Drake, we
24:22
can go down the list. There's
24:24
just so many people. There's Jesse Lanza
24:26
as well. The
24:29
list goes on. It's Majid from... Yeah,
24:31
yeah, Maji Jordan. Yeah. My
24:34
God, Charlotte. There's so many great, amazing
24:36
people. But yeah,
24:38
just seeing that, it was really
24:40
inspiring. And they're just forever coming
24:42
out with new, amazing talent. So I'm just pretty much
24:44
just part of the list. But
24:46
yeah, it's really cool. I love it. What's
24:49
kind of been the biggest change since you started
24:52
living in the States most of the time?
24:55
The biggest change for me? Honestly,
24:57
I'm the kind of person that just goes into things and
25:00
just rides the wave. I've
25:03
never questioned my choices
25:05
in being in the music industry and this
25:07
purpose that I'm in. No matter how hard
25:09
it got, I just jumped into things and
25:12
I go. I don't know where that... I think, honestly,
25:14
it comes from my parents. They did the same thing when
25:16
I was young, when I was three. They just moved, they
25:18
moved from Jamaica to England, then
25:20
they went from England to Canada, and they
25:22
had nothing. And they just went on
25:25
a hope that things would just be better
25:27
and fruitful in the end. And
25:29
it was. And I feel like
25:31
I've picked up on that from my parents. So I'm the
25:33
kind of person that just goes into a guns
25:35
blazing and that's it. So I miss my
25:37
family. I miss Canada. I miss the weather,
25:39
the different seasons. You miss all the weather?
25:41
I love all of it. I know in
25:44
LA you don't have as many seasons. No, we don't. And
25:46
at first it was great. It was just hot all the
25:48
time. But now I'm just like, oh my gosh, I miss
25:50
seasons. I love winter just as much as I do summer.
25:53
But yeah, so I
25:55
never, you know, it's different, but I
25:58
don't like stay in that place. I
26:00
just roll with the punches pretty much right
26:02
on yeah, and now you're on the road
26:05
touring this album your first tour ever
26:07
That's fantastic What
26:09
do you got cooking next? Good.
26:12
Thanks. Good things
26:14
are cooking already, which is good always
26:16
working always coming up with new ideas Yeah,
26:19
I think I'm gonna continue touring actually into the
26:21
fall There's a couple things that have come up,
26:23
but I am working on a new project,
26:25
but we'll see Like
26:28
play with the changes it just kind of came
26:30
together when it needed to at the right time
26:32
and I Plan on being
26:34
that kind of artist where I'm not gonna
26:37
be rushed into things or just put something
26:39
together Just because just to keep relevant. I've
26:41
never been that kind of person. So I'm
26:43
not gonna change now I'm just gonna keep
26:45
creating until it feels good feels perfect And
26:48
I have an idea of like what I want to
26:50
do next and the pocket I want to be in
26:52
and I'm just gonna move Forward with yeah, the faith.
26:54
That's it. Fantastic. Yeah Well, we're all looking
26:57
forward to see what that looks like. Thank
26:59
you so much for stopping by here Thank you,
27:01
and they're gonna be at Barbosa tonight. I'm gonna
27:03
check you out there Awesome. Thank
27:05
you. Absolutely. Give me a good one. Yes,
27:08
indeed. Michelle Jordan class. Thank you for joining
27:10
us This is
27:12
kexp.kexp.org Thank
27:14
you everybody who supports all this amazing music
27:17
all the amazing artists that come through here
27:19
It only happens with your support If
27:21
you're able you can make a gift right now at kexp.org Make
27:25
sure you subscribe to the youtube where this fantastic
27:27
session is going to be up soon Thank you
27:29
for all your support and let's
27:31
keep the music going y'all. It's kexp.kexp.org
Podchaser is the ultimate destination for podcast data, search, and discovery. Learn More