Episode Transcript
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1:04
You can learn more and register
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for the marathon at everywomensmarathon.com. Hello
1:23
and welcome to the Long Form Podcast.
1:26
I'm Aaron Lamer, here with
1:28
my co-hosts Max Linsky and Evan
1:30
Ratliff. Hey-oh. Hey, you
1:32
guys. Aaron, who's on the program
1:35
this week? I just got off this call
1:37
literally like 45 seconds ago. It's
1:40
fresh, man. It's fresh in
1:42
my mind. I talked to Zach Harris.
1:45
So sadly, there aren't as many features as they were
1:47
when we started this show, but there's still some.
1:51
And I read one and I was just
1:53
like, this is great. I should just have this
1:55
person. I don't know anything about them. It was Zach
1:57
Harris. He wrote this
1:59
Rolling Stone. stone feature about
2:02
this bowler who
2:04
few things about him. He bowls two
2:07
handed. He's an insurgent on the tour,
2:09
uh, who could
2:11
become the greatest bowler of all time. And
2:15
unlike a lot of people on the
2:17
PABA tour, he's not like the son
2:19
of a famous bowler, he grew up
2:21
in like pretty rough circumstances in Texas
2:24
and basically was like abandoned to the
2:26
bully alley as a child, uh, as
2:28
a form of like childcare. He's
2:30
a really interesting character for a story and
2:32
really kind of put me in a world
2:35
in a way where I was like,
2:37
I didn't know anything about bowling or
2:40
Vegas or tournaments or anything. And it
2:42
really stuck with me. So I wanted
2:44
to talk to him about that. He
2:46
covers weed, he covers skateboarding and now
2:48
he's covering bowling. So really fun conversation.
2:50
Zach Harris. The
2:52
big beats, the Aaron Lamer beats. You can
2:55
see how I, how I ended up doing
2:57
this interview and enjoying it a lot. It
2:59
sounds like a little bit of like a
3:01
throwback episode. And it reminds me of a
3:03
throwback article that, uh, Michael Mooney article in
3:05
D magazine, you guys remember that? It's like,
3:07
uh, I think it's called the most amazing
3:09
bowling story ever or something like
3:11
that. Oh, yes. The bowling magazine
3:14
feature. Does it ever miss? There
3:17
could be no sport that
3:19
I feel like has a higher hit
3:21
rate than bowling of, if
3:23
you felt like you needed to write a
3:25
feature story about this, I want to read
3:28
that feature story. Exactly. If
3:30
it hit the bar, it's worth reading. I
3:32
almost, I was just thinking if I should
3:34
try and brainstorm more, because if I say
3:36
them, then they'll appear in the show notes
3:38
and people can read them, but we'll try
3:40
and find the long form bowling tag archive
3:43
and link to that. There's got to be at least one
3:45
other class. We
3:47
make this show with the fine people at Vox. Thanks
3:49
very much to them. And now
3:51
here's Aaron with Zach Harris. Welcome,
4:00
Zach Harris. Hey, thanks for having me.
4:02
I'd love to talk about bowling with
4:04
you a little bit. I guess I
4:06
could start with what is your personal
4:09
relationship to bowling? Where
4:11
are you on the bowling spectrum? I'm
4:13
in bowling, they call it
4:15
a house hack. I bowl three
4:18
leagues right now. I bowl a lot. It's a
4:20
lot of bowling. A lot of bowling, okay. But
4:22
I kind of look at it in the same way that, you
4:26
know, 30 year olds play golf or tennis in
4:28
the same way where you're like, oh yeah, now
4:30
I have a little bit money to like buy
4:32
the gear that I want. I have a little
4:34
bit of time and energy to like go do
4:36
the things. And I have some friends around me
4:38
who are also in the same place in life
4:40
looking for something fun to do. And
4:44
I'd always bold as a kid. I mean,
4:46
I always say that starting
4:48
in, I believe it was middle school, but all
4:50
the way through high school, they would on the
4:52
last week of school give out little key chains
4:54
that said say no to drugs, say yes to
4:56
bowling. That gave you two free
4:59
games and a free shoe rental every day
5:01
at the local bowling alley because they needed
5:03
to stay in business and kids bought hot
5:05
dogs and extra games and went to the
5:07
arcade. And so me and my brother
5:09
would wake up every morning and not really
5:11
say no to drugs, but we would say yes to
5:13
bowling and we would drive over the bowling alley and
5:16
bowl two games every single day all summer long. And
5:18
so it was kind of, you know, fun.
5:21
I like doing it, but I didn't really get
5:23
into it or buy my own equipment until my
5:26
late twenties, early thirties.
5:28
I'm going to hit you with some naive questions here.
5:30
We love it. Like when you look
5:32
at a pro bowler and like
5:34
yourself or let's even say like
5:36
the aces in your league, like
5:39
how much divide is there? You
5:41
know, everyone's like doing
5:43
the same thing. I amateurs throw some
5:45
pretty good games. You guys rolling in
5:48
the two hundreds. How far do you
5:50
go 77 last night? Wow.
5:54
And I would never, ever,
5:56
ever dare dream of. during
6:00
a tournament against guys like Simon Sinner, the guys
6:02
who I was talking to of this article. Okay,
6:04
no, I mean, so the difference when it comes
6:06
to I mean, it was a line that got
6:08
cut from the article, but that gap is grand
6:10
can in life between like your average best bowler
6:13
in your house and the guys who are actually
6:15
out on tour winning money at the PBA. I
6:18
think that was actually something with this article. There
6:20
was a draft that was about double in length
6:23
that went into
6:25
very detailed depth about
6:28
pro bowling and the modern bowling game and
6:31
how lead bowling interacts
6:34
with pro bowling. So
6:36
the whole thing with bowling is it
6:38
is based on invisible oil patterns that
6:41
you cannot see. And so
6:43
we all know that there's oil on the lane. You don't want to step
6:45
on the lane and slip, but the way
6:47
they lay the oil out completely changes how
6:49
the ball moves. And
6:51
so that's why you have so many different bowling
6:54
balls. And that's why you have so many different
6:56
bowling styles, because you're always trying to find a
6:58
way to combat the oil that you can't see.
7:01
And so like guys like Simon
7:04
Sinner, who it feels like can see
7:06
the oil that you cannot see have
7:08
another superpower for being able to play
7:10
these lanes in ways that like, I
7:13
simply cannot because it is not something I
7:15
know how to do in the same way.
7:18
I was a fascinating detail and I had
7:20
never considered that like, these
7:22
pro games are played in the
7:24
same alleys. It's like,
7:27
you know, it would be like if
7:29
Steph Curry showed up at your LA
7:31
fitness for the NBA finals. Like there's
7:33
no difference between a pro and an
7:36
amateur lane. And so pros have to
7:38
learn to navigate pretty subpar
7:40
equipment. Yeah, that
7:42
is true. And that's even
7:45
before you get to like I was saying
7:47
the different lane patterns where at league where
7:49
eyeball the oil pattern is built
7:51
to be easy. And where
7:53
they're bowling, it is built to be incredibly difficult.
7:55
And if you miss by an inch, your ball
7:57
is going to jump over to the gutter. or
8:00
it's not going to hook at all. Whereas the
8:02
way they laid the oil out for
8:05
us househacks and everyone else who bowls
8:07
league on Tuesday across the country, it's
8:10
made to kind of funnel it right into the
8:12
pocket to give those big scores like I scored
8:14
last night. But yes, also there
8:17
are no major league bowling stadiums. So it
8:19
makes it a lot harder for these guys
8:21
to know what
8:23
the conditions will be on every
8:26
house. And I mean, there are a lot of guys, Simonson
8:28
included and just tons of guys on tour who
8:30
are literal bowling alley encyclopedias. And
8:33
if you talk about the high number side
8:35
of the house in Kokomo
8:39
at the bowling center in Kokomo that
8:41
they've bowled for PBA tournaments on in the
8:43
last five years, they know that lane 15
8:46
hooks a little bit more than lane 16. And
8:49
that if you're going down to lane one, you better
8:51
move a little bit right because it's not going to
8:53
hook at all or whatever. You know what I mean?
8:55
And they've all got these notes
8:58
and encyclopedic addict memories
9:01
of bowling centers. It's
9:03
very goofy in like the most endearing way
9:06
possible. So if you can bowl a
9:08
277, which is
9:10
still kind of blowing my mind, the
9:13
reason that you would never feel
9:15
like you were anywhere near the competitive level,
9:18
like a pro level is
9:20
a sense of consistency. It's like how
9:22
often you can throw a 277? Well,
9:25
and on different conditions. It's all about
9:27
the conditions. And so my 277 was
9:29
thrown on a eight foot hoop if
9:32
you want to do basketball or a
9:35
mini golf range. If we're
9:37
talking, I mean, you know, maybe not a mini
9:39
golf range, but like your
9:41
easiest mutiny hole where you can
9:44
hit the green if you strike
9:46
a good drive or whatever, you know,
9:49
golfers and bowling, they're very similar. Bowlers
9:51
love to use golf analogies. I
9:55
mean, this is kind of a good introduction
9:57
to Stuff you write about in
9:59
general. In are also you also
10:01
write about skateboarding. You write about
10:04
weed and it feels like you
10:06
really really like wanna write about
10:08
things you know a lot about.
10:10
Like you know more about bowling
10:12
than anyone I've ever talked to.
10:15
Add a lot of that knowledge
10:17
Actually, as you said isn't in
10:19
the article. But. It's like
10:21
a has the feeling of. People.
10:24
Are willing to talk to you at a high level,
10:26
Because. You're like deep in that world you
10:29
could not have gotten to that level of
10:31
bowling knowledge in the like week prepping for
10:33
the story. One I never would have been
10:35
able to piss the story if I didn't
10:37
know mole and and that's I guess where
10:39
I've come from as not. Ever
10:41
been on staff at a magazine? I've
10:43
been. You. Know on staff
10:46
places where I'm writing aggregated news throughout
10:48
the mid twenties hands and then if
10:50
it was like I wanted to write
10:52
something fun or different or a feature
10:54
profile, I had actually hit it. And
10:56
think of something that. Not.
10:58
Only appeal to me but would appeal
11:00
to a wider audience and so finding
11:02
the parts of the things that I'm
11:04
interested in. That might appeal to
11:07
a wider audience I think has always
11:09
been. I. Guess my
11:11
only avenue to get published in
11:13
Rolling Stone. Her eyes as longer
11:15
features are profiles that aren't just.
11:18
The. Simple. Newsy,
11:20
aggregated kind of bullshit that.
11:23
Internet writing has become. Too.
11:25
I mean thinking about this is kind of like
11:27
as a practical show for people who want to
11:30
do this kind of stuff like we're pitching. Something.
11:32
Like this bowling story. To. An
11:35
editor who may have like only
11:37
birthday party experience National Lane. What
11:39
is your sort of like strategy
11:42
for communicating like snow? Actually this
11:44
guy is like a big deal.
11:46
Like this is like the Patrick.
11:49
My home's a railway. This generation.
11:51
I. Mean of Simon sin this one. If. the
11:54
guy again this piece was six thousand words but
11:56
then you us into a magazine and so then
11:58
they goes down the thousand words and they-
12:01
Hey look, if you want to post the full
12:03
version, we'll link to it in the show now.
12:05
Never. I think the edits were very good and
12:07
I think it was well done and I don't
12:09
think people really want that much inside baseball about
12:12
bowling. And I think that was funny because I
12:14
thought that people might and then when you got down
12:16
to it's like, oh no, this is just a regular
12:19
sports story about a sports superstar in the way that
12:21
you would at Patrick Mahomes or anything else. And
12:24
so I thought it was really fun that the editors
12:26
focused that way as opposed to trying to make
12:29
it seem like bowling was something you needed to
12:31
learn about. They kind of approached it as, well
12:33
people know what bowling is, we'll just tell this
12:36
guy's story. But I approached
12:38
it in my pitch as, so
12:42
I guess I don't know how much you know
12:44
about Detroit rap music, but- I've listened to a
12:46
little Iceware Vezzo, but- Yeah,
12:49
so you will know well that
12:51
the Cartier Buff sunglasses, the Buffalo
12:53
Horn sunglasses from Cartier are
12:55
very big in Detroit rap music. And
12:59
Anthony Simonson has a bunch of friends out
13:01
in Detroit and during the Masters
13:03
last year, which was held right outside of Detroit,
13:05
one of the larger, no five
13:07
major tournaments in the PVA season, he
13:10
was leading the whole way. He only
13:13
had to win one game in the
13:15
final TV show to take home the
13:17
whole thing. And he did. And as
13:19
soon as he won it on live TV,
13:21
his group of buddies sitting just off camera
13:23
presented him a pair of Cartier Buff sunglasses
13:26
and he did a gladiator
13:28
hold his hands up kind of
13:30
celebration on live TV. And
13:33
I as a bowling PVA fan was
13:35
like, who's this guy? And
13:40
you do a little more research. And there
13:42
had been things written about his tough
13:44
family life before there was a small
13:47
documentary that a bowling publication
13:49
did about his tough
13:51
childhood that like kind of touched on the surface
13:53
of things, but was really well done. And
13:56
so connecting his kind of pop culture
13:58
status with like- You
14:00
know, this kid's 26 and has won
14:02
more than anyone else in an American
14:04
pro sports league, and
14:06
he's doing cool things like connecting to
14:08
the Detroit rap scene. And he came
14:10
up in a way that most sports
14:12
superstars don't these
14:14
days because they've got coaches since they were 13
14:17
and have been specialized by their helicopter
14:19
parents, and he kind
14:22
of came from a hard scrabble life and didn't
14:24
really have support from his parents and just kind
14:26
of figured it out on his own, but was
14:28
the best in the world by 25. And
14:32
so presenting it, like I said, kind of
14:34
just like a more traditional sports story with
14:36
those Detroit pop
14:38
culture music connections for
14:40
Rolling Stone. And I don't
14:43
know, I'm lucky because I've known
14:46
a lot of editors through
14:48
skateboarding. And so Jeff at Rolling
14:50
Stone, I've known through Skate Twitter
14:52
and skateboarding milieu, we've written for
14:54
vice about skateboarding in the past
14:56
and like, you know, been around
14:58
the same circles of skateboarding. And
15:02
so it felt reasonable to be like, hey, you
15:04
heard about this bowling stuff? And to my surprise,
15:06
they were like, yeah, let's do it. We
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marathon at everywomensmarathon.com. Thinking
17:38
about some of the stuff about Simon Sence
17:40
Childhood that's in the article. There's a kind
17:42
of like a sports cliche that you see
17:44
out there. I feel like I identify it
17:46
a lot with like the NFL draft where
17:48
you just kind of see like all the
17:51
like terrible shit that's happened to people before
17:53
they got drafted. I mean, it's like a
17:55
lot of like a lot
17:57
of like really, really tough stuff, but it's
17:59
all about it. often sort of presented as
18:01
like, like, he overcame this to
18:04
like, become like a second world champion.
18:06
And in some ways, I
18:08
think this piece really describes
18:10
Simon Senn's childhood, not as like something
18:12
he like overcame, but like, you
18:14
know, it's sort of what like made him like
18:17
the 10,000, probably 100,000 hours at
18:22
the lane as a child because he, you
18:24
know, his parents were working and really take
18:26
care of him. It's like, hey, kind
18:28
of makes sense that that guy is the Patrick from
18:30
my home. So he put in more out like, no
18:33
normal child could have bold this much. Well,
18:36
as part of my pitch, that was,
18:38
I mean, from the
18:40
outside looking in at the PBA, there are
18:42
a bunch of family names that have kind
18:44
of carried through the PBA for generations. And
18:47
so my kind of part of the pitch
18:49
was what seems like there's a little family
18:52
legacy and this kid Simon Senn didn't have
18:54
that and came out of nowhere to compete
18:56
with all these guys who we
18:58
know their dad's name and we've seen their
19:00
whatever, the whole legacy. And
19:03
he was like, when I brought that up to him,
19:05
I was like, No, I spent just as much time
19:07
as their kids in a bowling alley that they ever
19:09
could have it had nothing to do with that. Like,
19:12
it's about time and access to a bowling
19:14
alley. And he had that just as much
19:16
as anyone, even though his parents weren't around
19:18
to actually coach him with it. Yeah,
19:21
I mean, there's a quality about
19:23
writing about class in
19:26
America, where it's like, almost
19:28
we can only write about class like I'm
19:30
like, he's like a Nepo baby, or he
19:33
had like, the most impoverished
19:36
childhood possible. And there's a
19:38
whole spectrum of American class
19:40
that is not exactly either
19:42
of those things. Absolutely. Yeah.
19:45
And I think he definitely fits into that,
19:47
even though he may be way further on
19:49
the dirt for
19:51
grew, you know, whatever hard
19:53
scrabble lifestyle thing, but he
19:56
still loved his parents and he still saw his parents all
19:58
the time. And he's still like, yeah, brother was
20:00
going through addiction, but he was there for his brother and
20:02
like all these things where it's like, yeah, it wasn't. Yeah,
20:05
I know. There's so many levels to it. **Matt Stauffer**
20:08
When you're in person doing like a story like
20:10
this, so you're like, you fly to Vegas, you're
20:13
hanging. Like, how are
20:15
you behaving while you're hanging?
20:17
**Matt Stauffer** Oh, I'm good at hanging out. That's
20:20
like my strong suit in life is hanging out.
20:22
And so it's hard with him because at like, you
20:24
know, from the time I touched down, I mean, so
20:27
going back, he was very hard to get a hold
20:29
of, which was very, I
20:31
mean, didn't make sense to me because he is
20:33
a professional bowler. And I'm like, you want to be
20:35
featured in Rolling Stone. And he just wasn't
20:37
texting me back. And
20:40
like I had gotten to his number through his like the
20:42
guy at his brand. And I had talked to a couple
20:45
of the other biggest pro bowlers in the
20:48
country. And they were like,
20:50
you know, I'll talk on background stuff about bowling, but
20:52
I don't want to talk about Anthony
20:54
until he's agreed to do the story.
20:56
And I was like, yeah, sounds good. No problem.
20:58
We'll reconnect later after this. But like, also next time
21:00
you see him, like tell him to hit me up.
21:03
And I did that maybe three times. And
21:05
he still didn't respond to any of my texts. And
21:09
then it was right after the season ended. He
21:11
started responding was like, oh, yeah, sure. No problem. And
21:13
it was just like a full disconnect
21:16
between when the PBA season was going on and
21:18
afterwards. And he was just like, okay, now my
21:20
mind is clear from these things. Sure, no problem.
21:24
But even landing in Vegas, he's a pretty
21:26
spotty texter. So I was like, sure,
21:28
hope I can get in contact
21:30
and get next to him sometime in the next
21:32
four days. But as soon as I
21:35
landed, he was like, yo, where are you? Like,
21:37
let's hang out. And
21:39
so yeah, I feel like the idea that you
21:42
can just hang out. And I set aside
21:44
time for some interviews. And that
21:46
was kind of the hardest to like
21:48
get him to sit down and go through
21:50
the hard stuff from childhood and like really
21:52
do like sit down recorded interviews. I
21:55
think we did two, three hours at a time, right?
21:57
Two hours at a time. So we did really sit
21:59
down and go into stuff. But he
22:02
was great. And so for the four days that I
22:04
was there, I was pretty much just hanging out with
22:06
him, him and his girlfriend, him and his buddies the
22:08
whole time I was there. And like
22:10
I said, I'm pretty good at hanging out. So whether
22:13
it's just bowling or hanging out in his buddy's house
22:15
watching UFC, I can get along.
22:17
But I try not to do
22:20
too much while hanging out, because I knew
22:22
I had the interviews planned. And so I'd
22:24
be asking questions. And I generally had the
22:27
recorder on and told him as much. But
22:30
I was focused on the interviews as the
22:32
recording and just kind of letting the hanging out
22:34
happen. Yeah, I feel like
22:36
in general, people I know, who are who are
22:39
good hangs who are good at hanging out are
22:41
kind of like, good at being
22:43
in the moment and not like trying to
22:45
get too much out of the moment. Is
22:48
it difficult for you to like, remember
22:51
those moments when you go back to
22:53
it? Like, there's the act of like,
22:55
actually being good at hanging kind of
22:57
like mean, the recorder isn't running all
22:59
the time. I so I was
23:01
really good this time and made sure the recorder was running all the
23:03
time and kind of told him that as soon as we met up,
23:05
I was like, I'm just always gonna have their quarter on if that's
23:07
cool with you. And he was like, Yeah, it's fine. And so I
23:11
would just mark different times of the day in
23:13
different places. So it was a little easier to
23:15
go back to because at least you know, if
23:17
you remember one conversation, it was either in the
23:19
car, it was at his house or it was
23:21
at the restaurant. And so you market that it's
23:23
a little easier to refresh. But
23:26
yeah, I mean, there were I'm sure there were things
23:28
that happened that I did not include
23:30
because it was just hanging out and
23:33
it wasn't. But again, I
23:35
already had too much. And so it was at this point,
23:37
it was trying to figure out how to fit it all
23:39
into a story
23:41
that could publish in the magazine. When
23:45
you're like, writing about bowling
23:47
or like skating, like I think
23:49
that these things is almost like
23:51
sort of semi like instinctual. Like
23:54
There's not like, well, what do you do on
23:56
like fourth and two in bowling? It's like you're
23:58
throwing. you're doing kind of a. Added of
24:00
action something do as I'm an
24:02
intellectual eyes what they're thinking and
24:05
what they're doing on the court.
24:07
or is that. An. Important
24:09
to understanding the sport. That's.
24:12
A good question. Intellectual.
24:15
Icing Sports is always fun just because
24:17
I'm a fan of sports. And.
24:19
Like I mean Simon Sin. Is.
24:22
His whole life is bowling like
24:24
the way his head works is
24:26
bowling. And. So he just
24:28
can't help it. Yeah, and so then
24:30
I just get super into six I
24:32
love bowling for Than I just keep
24:34
on asking questions, but I feel like
24:36
my questions are less about that. Yeah,
24:38
I mean especially with things like. Skateboarding.
24:42
Or weed or wherever worth like.
24:44
I don't really care about your
24:46
growing techniques. I care more about
24:48
the other stuff going on and
24:50
skateboarding. It's difficult because there is
24:52
no. Correct. Where you
24:54
know what I mean. There is no. Like you
24:56
said, there is no forth into at all bowling.
24:59
At least it's like a structured sport. Yeah,
25:01
I mean it's interesting with the sports
25:03
like. Skateboarding. And I
25:06
think this would also apply to like mine on
25:08
surfing and sir another conference where it's like. It's
25:11
more of a culture truly
25:13
and an athletic competition. And
25:15
it's had this. Athletic
25:18
competition sort of stapled
25:20
onto itself as a
25:22
way to market and
25:24
hierarchical idea of that's
25:26
actually a word, what
25:29
people were already doing.
25:31
But. It. Can't be covered
25:33
in exactly the same way. As like
25:36
the Nfl which is like F course
25:38
football's a competition. It's Gallagher scoreboard and
25:40
there's like yard marks. How do you
25:42
think about that? Like how are you
25:45
in writing about skateboarding like his competition?
25:47
Something that like interest you. Know,
25:50
I mean I guess in that it
25:52
plays into how with the larger culture
25:54
sees it more and so that's interesting
25:57
to me. But. i think it's fun
25:59
coming out things that people in
26:01
the larger culture don't really know about
26:03
or understand as opposed to writing a
26:06
profile of someone like Patrick Mahomes, who
26:08
everyone already knows about. And
26:10
everyone's just looking for a new
26:12
quote that they can republish or a new thing
26:16
that he said about the Packers or whatever,
26:18
whereas it's like someone like
26:20
a pro skateboarder or a pro bowler, you
26:23
guys have never heard of. And so being
26:25
able to present a person and
26:27
a culture and a world to
26:30
a wider audience, I think
26:32
suits me well and has been really like
26:34
a fun way to do profiles. And I'm
26:36
not sure. Like, again, like I said, the
26:39
way that I've had my career and been able to
26:41
pitch people, I can't pitch someone
26:43
a profile of Patrick Mahomes, because I'm not
26:45
like a staff writer who has that kind
26:47
of status and access. But
26:50
if I come up with something fun that you've never heard
26:52
of, that might connect to
26:54
the larger culture, then it
26:57
kind of hits a nerve and a sweet spot for me.
26:59
And so I think speaking to
27:01
it on a cultural level as opposed
27:03
to a granular sports level makes
27:07
sense to people as opposed to
27:09
like you talking about skateboard competition and the numbers,
27:11
like that doesn't make sense to people. It doesn't
27:13
make sense to me. As
27:16
you like sort of branched out of
27:18
these subcultures and tried
27:20
to write about them for
27:22
a lay audience, what
27:25
have you learned about like how
27:28
to catch someone up on
27:30
the subculture and what details
27:32
are important versus like confusing?
27:35
Like I'll admit, like every time like
27:37
there's like the Thrasher skater of
27:39
the year, people are arguing about it.
27:41
I'm like, I need more context here.
27:43
I don't I would actually like to
27:45
kind of understand it. But I don't
27:47
know what I'm trying to understand. But
27:49
that's the fun part is you don't
27:51
get to understand because you're not in
27:54
it. And that's I guess speaking to
27:56
lay people from inside. That's so much
27:58
of it. It's like, you get
28:00
a little taste. If you want to
28:02
see more, you better start watching YouTube
28:04
videos of pro skaters or you better start going to
28:06
the bowling alley more and figure out how to spin
28:08
the ball or whatever, you know what I mean. And
28:11
hopefully what I can give you is something
28:14
that sticks with you enough that you want to go
28:16
do that more and that that is something interesting to
28:19
you. But I think it's
28:21
incredibly hard to describe why the
28:23
Thrasher Skater of the Year contest
28:25
is so enthralling to people who
28:27
skateboard because to mostly people if
28:30
you watch the videos back to back to
28:32
back of the three top
28:34
candidates, they look pretty much
28:36
the same if you don't know what you're looking
28:38
at. And so yeah, I can imagine that is
28:40
pretty difficult. But I think there's been some great
28:42
writing in the past five, six
28:44
years doing the same kind of thing. And I
28:46
think people are seeing it more as just a
28:50
influencer person cultural figure than
28:52
sports star in the numbers
28:54
way. What's
28:57
the state of state
28:59
media and like kind of in a
29:01
larger sense, like subculture media right now,
29:03
like, in some ways, you would think
29:05
that this would be a good
29:08
time to be publishing in a
29:10
niche because you can sort of
29:13
reach the limited,
29:15
but like all over the world audience
29:17
that's interested in it. But like, at
29:19
the same time, most of
29:22
that sort of era of like, I guess,
29:25
kind of like verticals within
29:27
publishing is kind of like, I mean, I
29:29
guess, like all the shit's
29:32
all like, you think this
29:34
thing would be doing well. And I'm like, I don't actually even
29:36
know what it's like, Thrasher, like, I mean, I remember
29:40
when Jake Phelps died, like, what's happening
29:43
now? Or it's I mean, Thrasher is
29:45
the funniest magazine in the world, because
29:47
it's the only one where the editor
29:49
in chief shoots every cover photo, not
29:52
every cover photo. But Michael Burnett took
29:54
over for Jake Phelps as editor and
29:56
he had been there forever. And his for
29:58
what I've seen. Pretty great
30:00
doing his job but they don't run
30:02
like a candy magazine or like as
30:05
the other magazines there are like. You.
30:07
Know six people on staff and they
30:09
do all of the writing and the
30:12
things and there's not much slake. There.
30:14
Aren't really many profiles are features
30:16
those interviews but. I.
30:18
Think that's as far as skate
30:21
media. Published. Saying goes,
30:23
I mean there's a couple in. Europe,
30:25
couples gay magazines in Europe and there's a
30:28
couple like. Big. Time scenes that
30:30
was every month and have good interviews and
30:32
great photos and stuff. But I think forever
30:34
skateboarding has always been about the photos and
30:37
videos and so it's been when you can
30:39
sneak in some written word but. The.
30:41
Skaters are in often reading it and so
30:43
then you're doing it for lay people and
30:45
so it's fun to get it in the
30:48
times or. Wherever.
30:50
They have been able to publish
30:52
Gq or Esquire wherever you can
30:54
do a fun skater profile. In.
30:57
The same way that I think about the ball and
30:59
one or it's like okay, we can sneak this into
31:01
the larger culture at large. Is there
31:03
like a bowling blogging seen out there?
31:06
Yeah there's a couple podcast as the
31:08
first time I have been on podcast
31:10
since this article dropped and the couple
31:12
bowl and podcast both invited me on.
31:14
Yeah people, I mean it's just like
31:17
anything else these bowling ball companies release
31:19
for new bowling balls every month that
31:21
all do different things and that they're
31:23
selling to a huge consumer base who
31:25
all watches you tube, reviews of the
31:28
pros, testing them out and like it's
31:30
the same as your golfer, your tennis
31:32
or skateboarding. Or any of these things where
31:34
we have found a large. Era
31:37
social and ecommerce.
31:39
Nice for. Hobbyists.
31:44
It's striking in the story that
31:46
even like this guy who's the
31:48
Patrick mom's and boeing is like
31:50
still pretty much like work in
31:52
in the warehouse safdar like bowling
31:54
supply company and has is very
31:56
close relationships. With. The companies
31:59
from for. Using it it's like
32:01
us as it's as if the people
32:03
who like a made the football. the
32:05
quarterbacks are pulling shifts that working for
32:08
them like yes truly are actually I
32:10
totally the question for me about like
32:12
you know even within the media coverage
32:15
like you've covered the We'd industry. And.
32:17
I know you do like some
32:19
like consulting like brand stuff with
32:22
in their what's it like working
32:24
in an environment where like the.
32:26
Players. The people
32:28
covering it and the brands
32:31
are all kind of like
32:33
pretty closely tied together. Yeah,
32:36
it's very difficult. I think
32:39
we'd is hard because you get to so
32:41
many. I guess it's
32:43
legal barriers. Because. Things
32:45
are changing so fast and so so
32:47
much of the good coverage becomes about.
32:50
The. Legalization changes and how things
32:52
are happening politically. And.
32:54
The How. You. Know like
32:56
so much of the Amanda Chicago Louis
32:58
stuff for was produced. The best long
33:00
form articles about cannabis for the past
33:03
ten years is about all these Sadie's
33:05
goings ons beach on, these corporate guys
33:07
in the second bankers and random people
33:09
were trying to hijack we'd from the
33:11
people. Yeah. And
33:13
that's never really concerned me because I'm focused
33:15
on weed. And people who like weed. And
33:18
people who smoke weed. right? And.
33:20
So the bankers and the suits have
33:22
never I like, I understand and I
33:24
dislike them and I do like love
33:27
reading those stories and it's so hard.
33:29
But. I've never felt heavy conflict that
33:31
way because so much of what I
33:33
like covering and what I like showing
33:36
people about cannabis is just the colts
33:38
are in the people. And obviously
33:40
I think those things intersect a lot and
33:42
it will be harder and harder as more
33:44
bad money comes into cannabis. But.
33:47
I've. Been able to. Kind
33:49
of separate the like brand copywriting I
33:51
do and the writing I do just
33:54
because I'm not really. An
33:56
investigative journalist in that way, in
33:58
that I'm looking for. These connections
34:00
between things. In my
34:03
writing. This. Is I mean I came up
34:05
with like. People. Who like cover? Technology.
34:08
On the shit out here where it's like there's
34:10
a drift towards. Everything ultimately
34:12
becomes a business and then
34:15
a business and politics
34:17
story as it becomes large
34:19
enough to command. Through
34:21
Business Money. And when there's to business
34:24
money, politics is always going to a
34:26
part of the control of that true
34:28
money. Like all stories that have a
34:30
role downhill the business and politics. Yes,
34:32
and I'm not very good at that
34:35
and so know where my limit is
34:37
at. That is that? Like I'm not
34:39
going to be the guy. Uncovering
34:42
these eighty money behind weed. But I will
34:44
tell you about the guy who's growing. The
34:46
best way to end is the coolest guy
34:48
because he does X, y and z. Your.
34:51
Part of a writing family and in I
34:53
rise as Anti resources as I say. he
34:55
really retweets mouth them Harris a lot and
34:58
as like oh and the have the same
35:00
that oh they're brothers Ah my older brother
35:02
Malcolm has the author of Palo Alto one
35:04
of the books that was on my list
35:06
of books to read to do it it
35:09
or for the show, but it's so much
35:11
easier if I just have to read an
35:13
article. Sorry, I got a lot of those
35:15
good ones they've got a lot ago. Those
35:18
who wants to work like did you guys
35:20
come from my. Gay literary writing family
35:22
how to do both and of
35:24
doing this. I mean we
35:27
certainly have lots of books around the house
35:29
which yep they will tell you I was
35:31
very bad at reading while he was very
35:33
good at risk drive to go join his
35:35
older brother younger brother. Politics jumping and right
35:37
I. Ah yeah One know Now
35:39
I get to gloat because I could be on the so
35:41
first we've had that. Now you have to invite him on
35:43
as where I was only fair to let him respond to
35:45
these. I. Know,
35:48
I mean our dad was a
35:50
lawyer and are mom. Was.
35:53
Around the house most but worked in
35:55
like museum dose and tree and was
35:57
always around doing art stuff. And.
35:59
So I guess to. a well-read house more than
36:01
like a writerly house. But no,
36:03
I mean, we both did the high school
36:06
newspaper, which was a very prestigious high school
36:08
newspaper at a public school in Palo Alto,
36:10
California. He was an editor, I was not.
36:14
But yeah, I know, I don't know if it was
36:16
like so much as a writerly family. He
36:18
certainly started a writing career directly
36:21
after college, and I kind of
36:23
still worked bartending
36:25
jobs and worked retail and
36:28
wrote aggregated news, which he would never do and
36:30
stuff like that, you know what I mean, where
36:32
it was like he was certainly a more professional
36:34
writer than I was. Where
36:36
were you writing aggregated news? So
36:39
I was at First We
36:41
Feast, the complex food vertical for
36:43
a couple years in 2013, 14,
36:46
15 ish era. And then they pivoted to
36:48
video as one
36:52
night actually they were the they were the
36:54
most successful pivot to video of
36:56
anyone and that hot wing show still
36:58
haunts me because I got
37:01
laid off for them to create
37:03
that and they have done fucking
37:05
spectacularly. And
37:07
so then there was no writing at that site anymore. What
37:11
would you say to someone who kind of
37:13
wanted to pursue like a path of sort
37:15
of following your interests and
37:17
just like writing about the shit
37:19
that you're into rather than maybe
37:21
exactly what like an editor is
37:23
asking for? Well, yeah,
37:25
it's like find another job. Which is
37:28
what I mean, that's how I do the
37:30
weed copywriting stuff is because it's a job
37:32
that actually pays me to write words and
37:34
it's fun. And I like doing it because
37:36
it's a lot of writing about
37:38
weed in the same way I would just
37:40
as a brand perspective as opposed to a
37:43
writer's perspective. But I'm still talking
37:45
about fun products and weed
37:47
stuff that I like. But yeah, I've never
37:49
been able to really sustain myself as a
37:51
journalist, money wise. So
37:54
I think it's hard. And when I was it was
37:56
because I was doing aggregated news with The
37:58
odd feature here and there. It was
38:00
still fun. You know, I thought that I
38:02
did aggregated news pretty well, but you still.
38:05
Right? and about supposedly lawsuits. Ah but
38:08
yes I did. We'd news for a
38:10
while it's New Dogs Mary Jane website
38:12
for a few years. And.
38:14
I did. You know the skateboard
38:16
videos with a couple Woods and
38:18
Com Skateboard magazine and I wrote
38:21
some features it Vice and At
38:23
Complex about sneakers and skateboarding and.
38:26
Yeah. I feel like knowing people.
38:29
I. Feel like that was always the. Magic.
38:31
Trick to writing was figuring out that
38:34
people who are editors at these sites
38:36
are also just people who skateboard and
38:38
hang out. The. Answer is like
38:40
as long as you know the person and it's
38:43
not like you're sending it to the ivory tower,
38:45
you're just sending it to a person who knows
38:47
who you are. It becomes a
38:49
lot easier and that is not like an
38:51
easy way to get into writing. But.
38:54
Also issue like. Are. Out
38:56
in the world doing cool stuff, you meet cool
38:58
people, some of whom are editors at magazines or
39:00
web sites, and that's kinda how it always worked
39:02
out for me. I feel like
39:05
we often have. I calm all writers. I'd
39:07
hear her like you know have been doing
39:09
this for for years but we're starting off
39:11
your out that first like patch or you
39:13
like hey and are you know me as
39:16
a skater but like do know I also
39:18
write stuff. could I've Picchu That's like how
39:20
do you bridge that sort a gap between
39:22
the first or ever wrote. Was really lucky
39:24
because. So. I had
39:27
a pitch about wraps. snacks.
39:29
Potato chips. Remember wrapped snacks.
39:32
And wrapped snacks were owned
39:34
by Little Romeo. I.
39:37
Think they still might be on in part
39:39
by law Romeo but they had like there
39:41
was never any marketing, it didn't really exist
39:43
but as he went to the corner stores
39:45
in Philly where I went to college you
39:47
could still buy wrapped snacks all the time
39:49
but in Slavers still with like. Yung.
39:52
Joc on the cover despite him not
39:54
having a song out in the past
39:56
six years. Yeah, remove those whether they
39:58
expire, Not a bullet. they weren't you look
40:00
at the bag they were freshly made. Maybe
40:04
the bags were old. But so I
40:06
was, you know, I've been, I don't
40:09
know if I had even written any full
40:11
things. But my brother convinced me to move up to New
40:13
York after college. And so I
40:15
was living in Brooklyn. And
40:17
I was like, you know, it was 2014 13. I was like, that sounds
40:20
like a fun story
40:22
that vice might be interested in. And
40:25
my brother was like, Yeah, I know a guy advice.
40:27
Here's his email, send him a pitch, write a pitch.
40:29
And so I wrote a pitch and the guy advice
40:31
like, No, thanks. We did like a listicle about wrap
40:33
snacks three years ago. And I clicked on it, it
40:36
was like, just five photos of bags of potato chips.
40:38
And I was like, No, no, no, I'm talking about
40:40
like, looking at where these come
40:42
from and who like how they still exist
40:44
and what that means for like, the
40:47
urban potato chip market, which seems different
40:49
than the potato chip market in 711
40:51
and things like that. And
40:54
he wasn't really hearing it and didn't kind of
40:56
understand what I was saying. And
40:58
then I just found the email of
41:00
Drew Millard, who's still a friend who
41:02
was working at noisy at the time,
41:04
which was at vice, but like a
41:07
different editorial structure. I was like, it's
41:09
owned by little Romeo. So it's a music story. And
41:11
so I just sent him the pitch. And he was
41:13
like, Oh, that sounds amazing. Hell yeah, let's do it.
41:15
Have you written anything before? Like, you
41:18
know, I was on the high school
41:21
newspaper. But
41:23
no, not really, like, I think I might have
41:25
sent him like a music review I had done
41:27
in high school of like a 50 cent album,
41:30
I think. But he liked the
41:32
pitch and the pitch was well written. And it was,
41:34
you know, 200 words about what the
41:36
thing was and what it was going to be. And
41:39
he was like, Yeah, let's go with it. Sure. It's
41:41
for the internet. It's you know what I mean? And
41:43
so it felt like at least back then, editors
41:46
maybe had a little more leeway. But
41:48
then that kind of led to the
41:51
first we feast opportunity. And so then they
41:54
were like, you know how to write about
41:56
food, do our new stuff and maybe
41:58
pitch us features, which they know. ever wanted to do. Yeah,
42:02
there's a degree to which I mean, like, it's
42:04
all sad, but like, there's
42:06
one level which like, there's less ways to
42:08
make like a full time living and there's
42:11
like less publishing and there's a lot of,
42:13
you know, there's a lot of losses there. But in
42:16
some ways, the loss that feels the saddest
42:19
to me is that there's just
42:21
less places to just publish your
42:24
first thing. Like, there were places
42:26
like the all and noisy that
42:29
people who were going to go on to
42:31
do awesome shit, that was the first like
42:33
email they sent and they took chances on
42:35
people and I just kind of wonder what
42:38
the like sort of ripple effects, you
42:40
know, in a decade later are there just being
42:42
less places for 22 year olds
42:44
to say, Hey, I've got one clipping
42:46
of a 50 cent album
42:49
review, would you be interested? And I
42:51
think that's equally important to
42:54
developing, you know, writers in the long
42:56
run. Yeah, I think it's
42:58
incredibly hard. And now Twitter sucks. It's like that
43:00
was where, you know, talking
43:02
about skateboarding on Twitter, this is where I
43:04
met a lot of the dudes who edit these
43:06
things. And you realize that a lot of the
43:09
35 year olds who don't skateboard as much but
43:11
still keep up with it and like to talk
43:13
about skateboarding, got cool jobs in media. And
43:16
yeah, those connections, if you
43:18
can't make them and if they don't
43:20
exist in the same way, it's so
43:22
hard to find any way into anything.
43:26
Well, on that vaguely depressing note, thank
43:29
you very much for this interview, Zach, I really
43:31
appreciate it. Likewise. Thanks so much for having me.
43:40
And that was the long
43:42
form podcast. Thanks very much to
43:45
Gabriella Saldivia for editing this
43:47
episode. Thanks to Susan Peterson
43:49
for doing the show notes. Thanks to
43:51
my co hosts Max Linsky and Evan
43:53
Ratliff. Thanks to everyone over at Vox.
43:55
We'll be back with a brand new
43:57
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