Ludicrously Specific
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Episodes of Ludicrously Specific
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Two martyrs, three sperm donors and a kajillion ninjas walk into a podcast. And then there's the robot, the senile mother, and the devil. Tune in for ninety minutes of everything we've been watching: comedies, classics, current releases, and, o
ELMER GANTRY. DAUGHTERS OF DARKNESS. Two films bound together by nothing whatsoever. Except the sinister urge of Rob Zombie, who sampled them both on the first track of one of his albums. The Sinister Urge, to be specific.
You know Darren wouldn't let go of the holidays that quickly. We're kicking off the year with a few faves since our last recording, from Christmas-y musicals to two takes on the future 90s style at the absolute opposite ends of the budget and q
Another Christmas, another set of Christmas-adjacent movies. But what *is* Christmas-adjacent, anyway? What makes a Christmas movie? And why does Darren love TV movies so much? All these mysteries - and more - are explored through the lens of t
Is 2023 over already? No, sorry. But we're over with 2023, and so we're chatting about our best cinema experience, biggest cinematic disappointment, our favourite film of the year, and much more. From Hundreds of Beavers and Rat Race to Stop Ma
In our latest connections episode, it's time to take two charismatic singers, put them on the streets of New York, give them percussion skills, and watch them squirm their way through very stressful situations, in luminous black and white. It's
So: it's been a time since adulthood and winter bugs have allowed us to gather And it's only a few moments before the 24th Annual Movie Marathon. So it's a double duty episode: a rave about Auckland's (New Zealand's?) (Australasia's?) (The Univ
If it's a secret that one of your hosts loves flying guillotine movies, it's a very badly kept one. So when Steve dug up two flying guillotine movies with what some might call a ludicrously specific connection, it was happy times in podcastland
Agnes Varda, Ronald Reagan and Kinji Fukusaku walk into a podcast. You expect nothing less, right?
One of the most celebrated films of all time joins one of the least celebrated films of all time. What of the many possible possibilities brings these two films together? Well, of the many options, there's the phrase "of the", but there's anoth
From Stephen King ripoffs and champagne-drinking birds to art documentaries and dueling werewolf flicks, from Peter Greenaway to Takashi Miike, from Jimmy Stewart to Gong Li, once again, it's a slice of something for everybody as we review anot
With the venerable institution Sight and Sound releasing not only its top 100 list but every last film that got a vote, we decided it was well past time to get classy and choose two feature films to watch. Short ones. Ones available on streamin
An existential Bergman classic. A Bible epic. A no-budget creature feature. Can you guess who watched what? If so, you know us better than we know ourselves! Some left-field viewing choices this month also include the second movie we've covered
What do Road House and Raw Deal have in common? If you say that they're 80s action movies, you're clearly not talking about the same film noirs that we are! And that's just the beginning of a long web of commonalities these two crackers share.
Welcome back for another wander through our monthly viewings. Are there other podcasts that will cover the directorial stylings of Frederick Wiseman and James Hong in the same episode? Quite possibly - but only one is ours!
It sounded so simple. We thought we'd watch every feature-length version of CAPE FEAR that wasn't CAPE FEAR (1962). Obviously there was Martin Scorsese's CAPE FEAR (1991), and less obviously, FORCE OF EVIL (not the film noir, but something much
Supernatural film noir, topless tennis smuggled into a martial arts film, Uruguayan cinematheques, 70s car chases, Bette Davis, and Jeff Goldblum. Join us for another rambling celebration of what's passed through our eyeholes in the last month!
Throw a dart at Martin Scorsese's filmography and you could come up with a subset of films to discuss. But who throws a dart at the bloody Roger Corman-produced BOXCAR BERTHA and the prestigious Oscar-winning PG-rated THE AGE OF INNOCENCE? No p
It's 2023, and we're changing things up. From now on, we'll have a ramble of films we've seen as a standalone episode at the start of the month, and a deep dive into two films midway through the month. At least, for as long as we can keep it up
Are you ready for this year's Ludicrously Specific Christmas special? We certainly weren't, which is why we recorded this three days after Christmas. That's okay, because when it comes to seasonal topicality, the three films that we found to ch
Have you watched the documentary BLANK CITY? Neither have two of our hosts. But one early morning viewing by our third host led to this installment covering three of the films profiled therein that emerged from the No Wave scene of New York in
Can you be forgiven for assuming we're dead? Probably, we're nice like that. Can we be forgiven for not bothering to not having a theme for our first episode in over six months? Probably not, but here we are! From the sublime to the ridiculous,
Long promised, finally delivered! Our in-person reunion. All the usually talking over each other with no awkward pauses on Skype! Recorded in the runup to Christmas, some discussion of seasonal favourites, and an excursis on Darren's favourite
We thought we'd reunite in person soon HAHAHAHAHAHAHAHAHA sorry about that. It seemed plausible once! Anyway, we got together on what once was to be the opening night of the NZIFF in Auckland to chat about Doug's bespoke replacement, the Auckla
What's the greatest year for film ever? Steve thinks it's 1987. So we talk a lot about 1987 movies, but that's not specific enough. What about movies that start with the letter R? Reasonably specific? And that are *also* rated R? Now we're talk
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