0:02

Hi. It's me made back with another episode

0:05

of Made in India's. Where did they go

0:07

rebroadcast? series. It's been fun

0:09

looking back and today is no exception. This

0:12

week, I'm hitting play on episode one

0:14

thirty six of the show. from September

0:16

twenty eighteen, where I was joined

0:18

by R and B Neosul Act, Small

0:21

Talk. They chatted about the story behind

0:23

their band name, how the songs came together

0:25

for their debut EP Tasset, and

0:28

we thoroughly enjoyed guitarist

0:30

without school teacher voice as well

0:32

as listening to all the food blog vlog,

0:34

reviews, and so on from vocalist warmth and

0:36

bass player, Johan. For their performance,

0:38

they brought in a special guest to studio as

0:41

well. Robert hip hop artist, Encore.

0:47

You

0:49

are a small dog, and we're here

0:51

on Made in India with me. And

0:53

this is come back. It's not broken.

0:58

Where to go from? Maybe

1:05

it's on ya'll still. I

1:09

don't know. Where did it go?

1:11

from here.

3:51

Come

3:57

back, baby. a

3:59

comeback

4:00

done. The

4:03

comeback, baby.

4:06

Come back.

4:07

come back, baby. I know

4:09

India are crazy, but we gonna put

4:12

this love right up on the map,

4:14

baby. I told you

4:16

that I could wrap baby. When

4:18

I said that, I was speaking fast

4:20

baby. because I put

4:22

it in my words. We're looking at

4:24

a world that's racing the universe. on

4:27

another level. I know you think in the shovel

4:29

probably pick up all the dirt. A

4:31

better idea in the world. Here

4:35

for the make can. You know me why

4:37

German is tasty like bacon. Yeah.

4:40

Freestyle in this the way that I'm blazing

4:42

my arms in the spot. is the place that

4:44

I'm placed in. So

4:47

don't leave the place. You know,

4:49

we are right here. We gonna

4:50

be the place If

4:53

it changed, you wanna make this the place

4:55

to make it, don't ever get away

4:58

enough. Don't

5:00

leave, baby.

5:02

Don't leave. Don't

5:06

leave. Don't leave.

5:08

No sound. Let's go.

5:10

After sunset value, that

5:13

is okay.

5:17

The hesitate shows that it

5:19

is where

5:39

Don't hold me.

5:41

Don't

5:42

track me down.

5:54

on say turn

5:56

on.

6:01

And not call, don't.

6:04

And not all all alone.

6:07

Not all all dragon.

6:10

down. Nuh-uh.

6:18

Oh, no.

6:38

Hey,

6:38

this is Made in India. You're listening to me May.

6:40

And in the studio, I have got

6:42

four fine gentlemen, plus a doodoo

6:44

zig video as well. and they're from

6:47

RMB Neos Soul band small talk.

6:49

We have got some art on vocals

6:51

and guitar. We've got Lanford

6:53

on drums. Hi. We've got

6:55

Sid or Shanks here

6:57

on guitar, and we've got Johan. Yo.

7:00

Yo. You're on bass. Johan

7:02

says, Yo. Couldn't get easier

7:05

than this. Super cheesy. So

7:07

I have to like, I know a

7:09

little bit of the history of

7:11

the band. kind of ish. And

7:14

I know that it started with just

7:17

Somoth and

7:19

Not Johan. Lindford. Yes.

7:22

And Jared,

7:24

so use your guys are room black. Right?

7:26

And then I decided to do something together, three of you.

7:28

So how did that happen

7:29

and why why the three of you? What

7:31

happened to Bradu? Did you just throw them

7:33

out? No. You are so really funny.

7:35

Both of them stay on the same street. Yeah.

7:38

And and I was in the same school as did

7:40

she do. Yeah. But there's

7:42

there's no the reason is I met

7:44

Jared in music school. There's nothing to do with that.

7:46

Oh, really? Yeah. I was gonna put So

7:49

did there wasn't any throwing at you. You're

7:51

still friends of Bradeau, you're still a friend.

7:53

Yeah. He's, in fact, he had buses on the

7:55

road. We'll Or is that what you're saying

7:57

in quotes? No.

8:00

Yeah. Actually, we were like, you know what? Fuck.

8:02

I was like, fucked out of it.

8:05

I'm done with that shit. Let me

8:07

just start telling you. It's

8:10

not the case at all. Yeah. But yeah.

8:12

I think so, like, he said, they met

8:14

in music school. Oh, no. And

8:16

after music score got over, they didn't have

8:18

a journal. Really? So then Jared was

8:20

like, you wanna play some drums? Seasonally, Jared

8:23

only knows one rubber. Yeah. Yeah. Basically.

8:25

He's like, Clifford, if you want It's

8:28

it's correct. Yeah. Exactly that. Exactly

8:30

that. Then I came on

8:32

then Yeah. And the sheet was just

8:34

like pulp -- Yeah. -- music, many pop. Yeah.

8:37

Poppy. And then He's

8:39

just lighting in my clubhouse in

8:41

my building. I was the only guy using it

8:43

because there wasn't it it was deformed.

8:46

But you have a caboz in your building. So we can't

8:48

say that Elite upscale chamber.

8:50

Or it's just a is a caboz with no

8:52

motions to, you know, you know, derive

8:55

from it? Yeah. And we still

8:58

I've never heard anyone say. upstream. Correct.

9:02

upstream, but it's a thing It's

9:06

just what you were, Bradou alone. Yeah.

9:08

Is that what Jared left? It was just like there's

9:10

too much fall happening. So

9:12

Jared lives for papa. Yeah.

9:14

He loves papa. He's like he made me

9:16

appreciate papa, not like I didn't

9:18

already, but Yeah. But No.

9:21

He left because he started

9:23

studying sound engineering. And then was getting a

9:25

little too intense for him, like, he couldn't

9:27

make it to jams and, like, he couldn't commit

9:30

for you. So then we're back in school. I

9:32

know you, hon. So I'll just

9:35

give you a hon a call. Yeah. Yeah. and

9:37

then I call up Johan. I know Johan

9:39

through college. Oh,

9:40

it's Helios. Yeah. So I know you from

9:43

you know who and Okay. Yeah.

9:45

Who? You know, of

9:48

of of your ass. And

9:51

then how did Sid

9:53

end up with I met summer

9:55

at Music School. Yeah. Four mentioned Music

9:57

School. Two school of music. Four mentioned

10:00

Music School of Yeah. Guaranteed

10:02

tone and such music. No

10:04

one knows about this yet, but we've just been having

10:07

a running joke about like Sid's

10:09

voice. because he

10:10

just heard it back earlier when we're doing a sound

10:12

check. And he sounds like he's

10:14

a parent teacher meeting like this chalk is not

10:16

good quality

10:17

enough. at the aforementioned school.

10:21

So myself

10:26

and someone who made meeting

10:29

happen in in a school in

10:31

school. In lower parell. Correct. lower

10:33

parell. And it's interesting

10:35

though, like, so I started writing with Jared in

10:37

school. Yeah. And it was just

10:40

different music. It was none none of the music

10:42

that we even took forward with renford,

10:44

but we did one gig with Shankar, and

10:46

he it was like a school showcase. school

10:49

showcase. Yeah. And it was the small men

10:51

then. So yeah. The

10:53

small men. Yeah. Just Is that

10:55

what you told all the ladies? No.

10:57

I mean, no. Never never

11:00

never mention it other than the name. So

11:02

how did it go

11:03

from small men to small

11:06

talk?

11:07

the Are you

11:08

guys particularly good at small talk?

11:10

No. Exactly. I think I'm in the audio, Michael

11:13

Tang. This is the only show, like, based

11:15

on us, making small talk. But,

11:17

no, I guess it was the are

11:20

seeing no point in making small

11:22

talk other than just making music. Like -- Mhmm.

11:25

-- the futility in making

11:27

of futility of making small talk as

11:29

opposed to us just making music and making

11:31

statements via music. Mhmm.

11:33

So that's

11:35

some some powerful shit dude. Yeah. That's

11:37

what I think. like when

11:37

musicians get deep, like, suddenly

11:40

become super, like, quiet and still

11:42

in the room. And you're like, god, I thought

11:44

we're

11:44

having fun guys. Yeah. Jump up on. Stop

11:46

taking it there. Yeah. Still always

11:48

probably because we always keep doing this.

11:51

sparsley. Yeah. I like that.

11:53

Also, the was there a spelling

11:55

change? Yes. As well? Yeah.

11:57

Wasn't think the a in small and

11:59

tall. It's more like spelling correction. Yeah.

12:02

Oh. So I'll tell you why the Fill the school teacher.

12:04

I see. It

12:08

was a spelling correction. Got

12:10

it. So so according

12:14

to The name thing. Can you No.

12:16

So it became super weird at every

12:18

show to say, like, hey, we have a small

12:20

talk but follow us on Facebook and

12:22

but it's built as SMXLLTXLK

12:26

So I had to do that, and it was a point

12:29

list. Like Yeah. Yeah. Yeah. So it's just more,

12:31

I think so it's more accessible It's

12:33

really Maybe we pronounce this model. We never

12:35

meant it to be Mixer, Dixon. So

12:38

I

12:39

I have to say, I

12:41

stopped you guys considerably. And

12:43

I found out I saw it in your band

12:46

interests, particularly. It

12:48

said beer food and music

12:50

in that order? Are you interested? You're

12:52

food then music.

12:53

Is that the priority? Is that

12:55

still on the Facebook page? Oh, yeah. It is.

12:57

Okay. Right, hon. That's

13:00

the manager. The food

13:02

and music. Is that the order? of

13:05

your interest levels. I think it's because,

13:08

like, this whole thing started at high spirits.

13:10

Sienna is literally looking up the Facebook

13:12

page right now. So

13:16

what do you mean? booth you

13:18

said that you what Lynnford Furniture Center?

13:21

No. I was saying we probably I think we

13:23

made that page after the whole Banquebiro

13:25

thing happen. Banquebiro is

13:27

high spirits, and high spirits is all

13:29

about video food and music. So

13:33

maybe subconsciously, we were thinking

13:35

that and we just came out.

13:37

Awesome. So you know what? gonna talk about Bank

13:39

of America a little bit later. But I want you

13:41

guys to play me a little something. Yeah.

13:43

We'll be talking about your your new

13:45

EP that's come out called Tassett. you gonna

13:47

play something from them? Oh,

13:48

actually, you're gonna play you a song

13:50

that's not on it. Yeah. Oh, this is It's only a

13:53

matter because we've been talking about awesome player, guys.

13:55

Yeah. So what's this song gonna play for me right now?

13:57

This one's called context.

13:59

Wow. Yeah. Wait. You know what? I

14:02

want said to say it. This

14:04

one's called context. It's a

14:06

work in progress. intro

14:10

all songs. No. So

14:13

what's context about? It's

14:16

about not, you know, accepting

14:19

what society throws at you

14:21

Mhmm. -- without making up your own mind

14:23

about it first. And it's like,

14:25

basically, You know

14:27

how your brain always is, has this commentary

14:29

running on society? Mhmm. And,

14:31

like,

14:32

you can't help. What's

14:34

happening is just what your brain post season.

14:37

You don't want any of it. So it's just that

14:39

we once more swallow this pill without context.

14:41

So -- -- is that? And it's

14:43

also as if, like, even when you do that,

14:46

even when you make up this thing in your head, you

14:48

are building

14:50

up this defense against society as

14:52

such. Like, that's also it's it's

14:54

also I'm very aware of the fact

14:56

that it's just me doing that in my head and doesn't

14:58

matter. Like, nobody gives a shit if I

15:01

have this worldview or not, but

15:03

I can't help but Unless

15:04

you're, like, the prime minister of India or something?

15:06

Yeah. But I'm not. So Yeah. Just

15:10

a student of Ben. Yeah. Correct. Cool.

15:12

And so what this That

15:16

that was should put that on radio right now.

15:18

I was already fully monkey ball just now.

15:20

Yeah. Well done. So cool. So the next time

15:22

you're gonna play for me is called Calltex.

15:25

The first song.

15:55

You made your mind.

15:58

Now, we weren't These

16:03

bills without content.

16:10

You see the We're

16:17

stuck in a

16:20

water.

16:46

Just

16:55

waiting to pick

16:57

birth.

17:01

Don't get me wrong. I don't

17:03

mean to judge. I

17:06

just like to watch

17:10

the world go mad.

17:59

Don't

18:51

run away.

21:00

And

21:01

that was small talk. and that

21:03

song was called context.

21:04

So your debut EP came out

21:07

in March. Yeah. Right? Tassits?

21:09

Yeah. That's not also. No. No.

21:11

Just -- Yeah. -- making sure

21:14

that you got your facts. Right? Yeah. By

21:16

checking your own facts. So

21:20

by colleague Tasset, it's

21:22

a pretty

21:24

bizarre name for -- His

21:26

Tasset. -- doesn't say much. Yeah.

21:28

in Tassen and so, like, what means implied

21:31

or, like, yeah. Yeah. Yeah. The there's

21:33

There's

21:34

many layers to index. Yeah. There's many layers,

21:36

and we I mean, we didn't wanna we

21:38

couldn't find any other word that would

21:41

one one word thing, like, that could serve as a title

21:43

that explained it well enough. we

21:45

prefer if the listener would just unravel

21:47

all those layers on their own time and their own mind.

21:49

It's also really nice way about it.

21:52

It gives room for the listener to

21:54

project their meaning on -- Yeah. -- doesn't

21:56

really say much. I mean, you could

21:59

decide as

21:59

an artist, but I'll just speak as a musician. If

22:02

you decide to make a record, you could sit down and say,

22:04

this is exactly what I want to say, and I want to say it this

22:06

way and you can have all that planned out. But

22:08

there's still that that little bit of

22:11

a blind spot that -- Yeah. --

22:13

what you're doing means something more than what you

22:15

think

22:16

it means. Yeah.

22:17

That's also an interesting way of looking at So

22:19

from Tasset,

22:20

you have four songs. Mhmm.

22:22

You don't

22:22

even want a mess. Come

22:25

back. It's not broken, which by the way

22:27

sounds to me, like, what I

22:29

say to my mother, come back. It's not

22:31

Romeo. And

22:34

blind spots. And I gotta say, why

22:36

does that

22:36

have, like, sense? How in what context?

22:39

How in what going on? I usually Probably.

22:43

My guy is still telling me something. Did

22:46

you make a mess? this. Damn

22:48

it. You're good now. You literally

22:50

cannot. Everything you say and said

22:52

everything. So Welcome to the different

22:55

image of myself now. Yeah. That's

22:57

I get that. Yeah. I put it in your head.

23:00

But two of my favorite songs is what

23:02

a mess and and and and blind spots.

23:05

Really? That was so yeah. Yeah.

23:07

It's

23:07

just really different from, like, anything else.

23:09

Mhmm. And I

23:11

wanted to kind of understand because

23:14

I

23:14

read somewhere that you'd said that the order

23:16

of the songs is based on, like, read

23:18

the order of how you created

23:19

them, like, the first one of the first ones that you ever made.

23:21

The last one is the last one that

23:23

you Is that true? It's true. Actually,

23:25

a hundred percent your facts are right. Thanks.

23:29

I'm none of them banned this by jengue,

23:31

guys. Wholesale lawyers.

23:34

Wholesale lawyers. Wholesale lawyers. So

23:36

I like to understand, like, how

23:38

songs come together for

23:40

you guys. Like, do each of you have different

23:42

ideas?

23:43

Is it mainly sound with his ideas?

23:45

And you

23:45

guys kinda contribute to that? Like Oh,

23:47

do you? Yeah. So usually someone oh, sorry.

23:49

Yeah. So with this EP,

23:52

actually, I think you

23:54

don't even end bottoms up. Sam came

23:56

in with an idea, like, that guitar f

23:58

for you don't even? Yeah. You guys don't

23:59

start the intro of the calls. Hey,

24:02

Nina. Oh, and bottoms. Play that

24:04

intro. Play that. Give

24:06

them context.

24:19

Oh, yeah. So he so that lies.

24:21

Yeah. He brought that line to us,

24:23

Chambu. Yeah. Yeah. And

24:25

I did you guys follow-up with the incident?

24:27

He was like, man.

24:27

I mean, he decided to work on it. Yeah.

24:30

IIIIIII think if you

24:32

wait too long to decide if you like anything

24:35

and and it's gone. Yeah. So you just jump onto the

24:37

train and then No. But those That's good to hear

24:39

or spoke of some what I'm

24:41

saying. Should I call it? Like, Yeah. Definitely. Definitely.

24:43

because you got you constantly. To realize I wouldn't

24:46

bring it also. Yeah. Also,

24:48

you don't wanna jump on the train and realize

24:50

you're

24:50

on the wrong destination. You're like, I was I

24:52

can order

24:52

You can

24:54

order the right ticket of us for the Jabali

24:56

line. You know, you wanna be on Western.

24:59

Also, was that nothing wrong with Western?

25:01

Was that drift? before

25:03

Shankar came in? No. It was just exactly

25:06

It was it was exactly the same

25:08

time. Yeah. It was the first song. Correct.

25:10

We actually went into this

25:12

direction with Yeah. And the So

25:15

before that, all of our songs that I think

25:17

we had, like, five, six songs before There's one about

25:19

water mess. It's very interesting, though. because

25:22

I was do you know the story I've ever

25:25

discussed? No. Please Let me tell you. Do you know?

25:27

I'll say it again. So

25:31

I was in your your up that

25:33

month, and Lynford had sent me this album,

25:35

the Jordan Rekai. Oh,

25:37

he's like, bro. Like, we need to write shit

25:40

like this. and I was like, what's your house? How

25:44

is this gonna happen? And So

25:48

then nothing I think so. There

25:50

was a jam, but Johan didn't show up,

25:53

needed a chunker. Yeah. It is. Yeah.

25:55

So me and Lynford just and one

25:57

jab. And we just like that

25:59

laid down the path.

25:59

So the intro

26:01

cause, the worst cause, and the precodes

26:03

were, like, predominantly just,

26:05

like, written that we both are just moving between

26:07

This is what I meant. What

26:09

I meant? Yeah. That was Quite quick. That is

26:12

very quick. Yeah. But we were talking about you don't

26:14

even And she also mentioned what I meant --

26:16

Oh, okay. -- said the story. Okay.

26:18

because I forget it, you know? Yeah. No. You can

26:20

go back to what I was. Tony,

26:21

like, I have terrible So I understand

26:23

it.

26:23

I I didn't have a notepad to, like, I was

26:25

exactly surprised. just a finger. Yeah.

26:28

So that's I feel like

26:29

can ask your question? And right now, I feel

26:31

like I'm having a conversation with three people.

26:33

There's, like, Johann contribute

26:34

at all. He's exercising.

26:37

He's right to remain silent. Well

26:44

done. He controls everything silently. You

26:46

say something wrong, you just look at Yeah. Okay.

26:49

Everything has been curated right now. He looks like

26:52

you've got such a papa face. Yeah. That's when you

26:54

look away. They named the Yodlee after him. That

26:56

sounds good. So

26:59

you recorded your entire EP

27:01

at Cotton Press? Yep. Yeah. There it

27:03

was. Where? It died

27:06

and made a rest in peace. You know

27:08

It's coming back. Oh, it's coming back. I would not add

27:10

anything else. Yeah.

27:12

Yeah. But Cotton president. Island City

27:14

is gonna come alive. Yeah. So JJ,

27:16

it also makes

27:17

to do. JJ is the mix

27:19

then helped us produce. Yeah. Yeah. That's

27:21

quite cool, man. Mhmm. It's I honestly,

27:23

it's come out, like, I've I love it.

27:26

love tasa. Your

27:28

manager, Romario, it, like, sent it over to

27:30

me months ago. Mhmm.

27:32

And so I got one of those private links, and

27:34

I was like, you know, like, I hadn't heard

27:37

it. I like to listen to music,

27:39

like, in my own time. Yeah.

27:41

You know, I don't I also

27:42

don't wanna be another what I'm listening to I like to

27:44

listen to it when I'm in at home -- Mhmm. -- because it's quieter.

27:47

And usually, what I'll do is I'll just let

27:49

the whole album play. So sometimes if I're really

27:51

like us and I'll stop it, I'll go and I'll just see

27:53

you know what? So I just, like, let it play because it

27:55

let it flow. And I loved

27:57

it. It's just, like, it was perfect, like,

27:59

four songs. this is brilliant. And

28:02

every single one was, like, a little different

28:03

from the other, you know. And

28:04

I love it when you guys kinda, like, wig

28:06

out a little bit in between.

28:07

Like, this is fun.

28:10

This is fun guys. Yeah. And then we'll go back.

28:12

Bye bye. Okay. So I really That

28:14

was actually if if you wanna

28:16

know. Yeah. That was all Shankar's

28:19

idea as in, you know. Mhmm. Like

28:21

most of it, at least, like, he introduced us

28:23

to this concept. He's like, you know, guys, let's I

28:26

mean, we have this, like, nice folks that

28:28

summer's bringing has Superpop element

28:30

to it. Yeah. So he's like, let's also be

28:32

a little smart about how we use these and

28:35

not just completely indulge ourselves in

28:37

the whole pulp. Like, also because

28:39

especially since they came from music school

28:41

and -- Yeah. -- they had a little bit of knowledge

28:43

of, like, more than you had an eye for sure. So

28:46

we were like, okay, guys. We were just quiet in

28:48

school, yes. Thanks. Anyway,

28:50

Johan just kept quiet in play. So as

28:54

usual, say something. He's

28:57

just getting like, that's fine. You can

29:00

know what? You know what? I

29:02

did also here.

29:04

some breathy female

29:07

vocals in between. He had some

29:08

ladies on the album too. Right? I heard a Rifa

29:10

-- ID. V. s. -- and liquor.

29:15

Oh, nice. So how'd you convince these girls

29:18

to be We just made them listen to the music and

29:20

their friends.

29:21

So

29:23

What do you mean? little bit of both. Most

29:25

people are afraid. Yeah. Yeah. So

29:27

basic is like, please. Yeah. Please. Please It

29:30

was like Do you we have some why

29:32

don't you all sing on this? They're like, yeah. Come on.

29:34

Definitely. It was a very very easy

29:36

process. But honestly, that's how we've done it, like,

29:38

with more people that we collaborate with, we just

29:40

send them our music and say, if you're interested, like,

29:43

we'd love to have you if not, no stress.

29:45

Yeah. If no, no, so we never be that's

29:48

that's how even it worked with Sajid, actually.

29:50

We just sent him We just sent him. I was just gonna

29:52

talk to you about that person.

29:53

Sajid, why did she? It's on

29:55

all your artwork. Yeah. Yep. And

29:57

it's this, like, mutiny alien

29:59

kind of like I've kind of feel

30:02

Yeah.

30:02

I know. You got that from it. Yeah. I did. Actually,

30:04

so he had done So I got a lot of blobs as

30:06

well. Yeah. He had

30:09

done the artwork for the so far session

30:11

that we did.

30:12

Yeah. So we we saw the poster, like,

30:14

who's this dude man? And somebody was like,

30:17

it's Sajid Wajid Alfaqua,

30:18

then music, then

30:19

Yeah. because I Yeah.

30:22

Does it work too? didn't

30:25

graphic design the design of the design, you're like, no. No. No.

30:27

No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. He's a graphic

30:29

developer. That's amazing. And I started following

30:31

him on Insta. And I was just telling these guys

30:33

like this, and he's only gonna do work and

30:35

I was like, okay. Like, I think it's gonna,

30:37

like, you know, we won't do a forty ten

30:40

shit. And all I did was send him an Instagram

30:42

message and send

30:44

him the music. Seriously? And we went to

30:46

damper -- Yeah. -- quickly and came back and he

30:48

was like, yeah. Come on. But then Harvey

30:50

found him as a damper. Oh, hey.

30:53

Sajid lives in another world. That's why

30:55

you like, he is not, like is

30:58

so, basically, he he's sending our

31:00

music, and he was super interested. He's like, let's

31:02

let's do something for sure. but

31:04

we've never met the guy. We've, like,

31:06

we'd like to meet you at least once in person.

31:08

Like, you know, that might so then he

31:11

sends his number across on Instagram to someone

31:14

Now we are calling him, and he's like, yeah, dude, I'm gonna

31:16

be here. Come meet me at the street,

31:18

I think Yeah. Come meet me. We were in the Ravi

31:20

at eight o'clock or something like that. Mhmm.

31:23

At seven o'clock, we're calling him Prover exactly.

31:25

Can you drop us a location? His phone is off.

31:27

So they're like, shit. How do we find Sajid

31:29

now? And now we really have to find Sajid

31:32

So then we are in the cab. Literally, we were in

31:34

cab to the Adi and Adi is huge.

31:37

Like, where do we go and search for sergeant? Take

31:39

who takes over, like, some six, seven. So

31:41

Exactly. also that we

31:43

only knew this thing is he's gonna be painting he

31:45

was painting a building on the street plus

31:47

our And we didn't know where the building watch treat

31:49

nothing. So then literally, three of us were in the

31:51

cab. We just flipped out of the phone and started

31:53

stalking him on social. He saw his Instagram

31:56

stories, and I went to some website that spoke about

31:58

where this is happening and it was dead. I found

32:00

the address on the website. Right. And he literally

32:02

I mean, if he saw what he was painting on

32:04

the building, then So

32:07

we we are in that job.

32:13

And we'll have it right maru by building it. It's

32:15

a full private eye movement. Then we look This is

32:17

scam story. This is

32:20

so scary. This is so scary. to I

32:22

will be happy. I will only need a good

32:25

meet him, and he was, like, almost on

32:27

his bike. Ready to stop. I will I will He

32:29

told me I forgot about meeting. I was just

32:31

going to leave. You

32:34

like like thank god you found you. Come on.

32:36

Oh my god. Thank god for that, man. Yeah. Well

32:38

done. I know. If you guys are seriously committed,

32:41

that is kinda sweet. Also

32:43

creepy, but sweet nonetheless. Like,

32:45

you know, like, super creepy. Yeah. We're

32:47

very aware of it. We're real,

32:49

like, Sajid, this data snoopy.

32:50

We'll fight. went

32:53

to the website where the thing was happening

32:55

and found what is That's Watching

32:58

what is happening. Blue color.

33:00

Blue color is working on a building. I

33:02

actually so I'm at Sajid also

33:04

very strangely. I

33:06

had gone to a college or a shop.

33:08

Mhmm. And a friend of mine wanted she'd come

33:10

down from the US and wanna buy wedding gift

33:13

for some friends of ours.

33:16

And there was a really beautiful

33:18

picture that he'd done of, like, these two faces, like,

33:20

facing each other, and there was something about that that

33:23

we we were going through loads of different paintings.

33:25

We saw this one and We both loved it,

33:27

and we both got it. And it was so

33:29

lucky because in that moment, Sajid

33:31

walked into culture shop And

33:34

the the woman was mad. He goes, by the way, that's

33:36

the artist that has made. The

33:38

painting, so we got him to sign it. So

33:40

when she went back to New York, Like,

33:42

they got, like, a sign feeding from, like, Sajid.

33:45

And, yeah, that's how I actually met him.

33:47

Yeah. Many people won the artwork also, like,

33:49

you know, prints and shit. So So we're

33:51

gonna do that. But if you actually think about

33:53

it, if you if

33:54

you get a chance to please, like, check out the artwork,

33:57

because it

33:58

kind of I feel like it kind

33:59

of encapped fluids, like, kinda everything?

34:02

Like, what a mess? Like, definitely. Because

34:04

it's just, like,

34:05

strange. Or do you want

34:07

a lot of book? Like Well,

34:09

the thing is there's certain songs you've heard that, like I

34:11

told you, that two songs that stood out for me, which was

34:13

like,

34:13

what a mess and blind spot.

34:15

and even

34:18

come back is not broken. Mhmm. Everything

34:20

about the art, right, is

34:22

literally somehow related to

34:24

that. Right? Either it's, like, your blind

34:27

spots and then, like, spots that keep

34:29

popping up and going away. And then

34:31

there's, like, what a mess because it just there's

34:33

so much going on. can't. Right? Like,

34:36

you too, like, literally, like, every time you look at it,

34:38

something new is happening

34:38

-- Exactly. -- and

34:40

it's not broken. I checked. It's

34:43

not no. No. It's not fun. So

34:45

so second song, guys. Second

34:47

song, where are you gonna play? Yeah. We're gonna

34:49

play you don't even No. Yay.

34:52

You just throw the hug. Do you wanna

34:54

tell me little bit about you? Don't even?

34:56

Yeah. Please. What is it about?

34:58

That literally sounds every

35:01

single one of

35:02

these in in my head, there's a character saying

35:04

this, like, you know, come back.

35:06

It's not

35:06

broken. It's something I would tell my mother, like,

35:08

You don't even it's like one of those, like, you're like, oh, you don't

35:11

even It doesn't. So

35:14

in my opinion, you say you don't you don't I'm

35:17

more like, you don't even Oh.

35:20

Yeah. The stresses are Yeah. You don't even

35:22

think. It's better. You

35:27

don't even Yeah.

35:30

Is it about that? So, yeah, it's, like,

35:33

also from all the four songs,

35:35

like, there's, like, the most naive emotion

35:37

at this. So, like, it's you

35:40

know, you feel ignored, like,

35:42

in any situation and you either

35:45

succumb to that feeling or feeling ignored

35:47

and, like, like,

35:48

feel petty for

35:49

yourself and be, like, damn nobody

35:52

gets this shit about me. Mhmm. Or you realize

35:54

that you're more important than that, you amount away

35:56

more than that. Right? So -- Mhmm. -- you

35:58

just, like, hold

35:59

on

35:59

to your integrity. So Cool. So

36:02

you don't even Yeah. Yeah. Cool.

37:24

In that case, I

37:27

can't set it like

37:38

please. I can't

37:40

say it. My

37:43

question.

37:53

feel there.

38:00

he

39:54

my

43:58

Oh, no. A small talk with

43:59

you don't even.

44:01

Man, I gotta

44:03

ask you, that is such

44:05

a porno riffs

44:07

and No. Like, you

44:09

Is that intentional? because they're like,

44:12

wow. Wow. Wow. Wow. just

44:14

I don't know, like, demographic

44:17

influences. when I was

44:19

going up On a research. Yeah. It's being

44:21

done. Yeah. Let's upload

44:24

those one tab for now. Speak

44:27

to the the progression of your influence.

44:30

Yeah. We all came together in this

44:33

But it's a it really does sound like that

44:35

though. It is. It is. Did you intend to be a

44:37

love meeting song, at least from my podcast?

44:39

Yeah. So this is the whole interview. I mean

44:41

my podcast. Yeah. It's taking I wanted to add that would

44:43

make a lot worse. Yeah. Cool. Oh, definitely.

44:46

Any woman in there in that room, they're just going,

44:48

like, I'll take my pants off now only.

44:50

Yeah. I hope

44:52

that's It's like,

44:54

I hope that's true. Hopefully, shush, shush, shush,

44:56

shush. But it is it's a really

44:58

awesome rep. It was really, really fun. Like

45:01

And it's actually

45:02

been so fun, like, listening to you guys

45:04

play -- Really?

45:05

-- you. Rhythm section, you guys are awesome.

45:07

And then, of course, I'm pretty good. So Who

45:10

are you? Awesome. I love it all, like,

45:12

the artifacts and things. It's a it's

45:14

a all the music comes together really well, and

45:16

that's it's

45:16

to about enjoying yourself and having

45:19

a

45:19

great time. Yes.

45:20

So I know that you guys when you were

45:22

launching your album, it wasn't just

45:25

you guys. Did you had a horn

45:27

section?

45:27

Yung. Tareesh Malhotra

45:29

was on Saxx, and you

45:31

had Tareesh. Tareesh. Wow.

45:34

that must've been really fun. Are you guys, like, doing

45:36

a lot of, like, collaborations like that live?

45:38

Mhmm. You find a clip for that? That was what we

45:41

always wanted to do.

45:43

And the thing is for the live

45:44

launch kit, we actually wanna have, like, a

45:46

coil section as well. I mean, the

45:48

the the the the three goals. Yeah. The three goals. We wanted

45:51

them, the three goals. Ann Holland section.

45:53

Oh my god. Can you can you do it? You know how

45:55

they have this? I'm like, I don't know.

45:57

I can't get a name. But see, like, Prince or something

46:00

will have, like, three curls, like, during the course, and they're like,

46:02

Yeah. And they're doing all the dance moves and all

46:04

wearing, like, cute dresses and yeah.

46:06

Then they look at each other and they wink and then

46:08

they, like, start doing well, they, like, be dancing too

46:10

because gotta gotta get them, like, a move a little

46:12

I can't force here to get them in the room

46:15

in the room and then in the room. Then down

46:18

single accounts later. I can't

46:20

imagine getting a refunded dance.

46:22

Like, the day you met out.

46:23

week of times done just later.

46:25

Yeah. You told her you and asked her

46:27

to dance. She'd dance. I'm sure. It says that she looks

46:29

like she could pick up a cat or something like, don't know.

46:32

I don't know. I Have you seen my

46:34

nineties retro moves on it? I just

46:36

can't see me do it now. What are you from doing it?

46:39

See. The nineties retro moves the

46:41

head shake of the the yeah. Yeah.

46:43

Oh, yeah. Oh, that so the,

46:45

like, the the chin out thing. That's

46:47

also very, like, bouncing

46:49

the wild. It's still so rolling with that. Yeah.

46:53

But that sounds really nice. I mean, that means,

46:55

like, your gigs are so much

46:56

you have a slightly different sound to

46:58

your album -- So kinda cool. --

47:00

so every

47:01

time we do a gig, we always try to do

47:03

something different -- Mhmm. -- just because, like,

47:06

As we listen, yeah. Like, how many times

47:08

if we play in bombay, like, say, three times a month

47:10

-- Yeah. -- no one's gonna wanna come and watch the same

47:12

set price. So, like, if

47:14

you wanna do every time you do play,

47:17

if you wanna do something different to us, which is why

47:19

right now when you hold us play, you don't even all of this

47:21

stuff that we played in the end of the song is not

47:23

on the No. Yeah. It's just something

47:25

that we do live. We thinking I'm

47:27

not doing it yet, but we And every time with

47:29

live also we do it, like, the end bit. Yeah.

47:31

Yeah. The end switch just happened because I think

47:34

so when we were jabbing one day and -- Yeah. -- they

47:36

just kept going and input picked up on that. subdivision.

47:39

So it's it's just it's like an improv,

47:41

like, it's just whatever -- Yeah. -- on the spot.

47:43

Have you ever you know, there's, like, a bit, like, right

47:45

at the end where, like, Sam,

47:47

you're just, like, say in random words. You

47:49

just say anything like

47:50

-- Yeah. --

47:52

pythagoras or something like that. But

47:54

any word I don't don't make sense

47:56

of it in my head when you come on. So

47:58

I wouldn't say by talking to you.

48:03

No. It does make sense by talking pizzas

48:06

are triangles. Yeah. It's true. No.

48:08

Not the right kind of

48:10

Try to do that now.

48:11

I like to. But that recipe, that

48:13

could be a new made a different can't

48:15

make An upskilled chamber, you're gonna

48:17

have my background responses. So

48:20

I'm still too early enough. What is an idea?

48:24

Lynn, you were telling me about Bank incubator.

48:26

Right? So you guys actually did do a

48:28

couple of competitions. You went Bank incubator.

48:31

It was a a lack something

48:33

in your pockets. And is that is that because

48:35

it's, like, really hard to get, like a half. I did

48:37

not a lack of this the lack of point of view. Max is gonna

48:39

be Oh, yeah. Less than a lack of shit. Yeah.

48:42

Taxes. But

48:44

at least, like, some money coming in and then you guys

48:46

won, like, IIT's mood in the go. Mhmm.

48:48

Right? I heard is this I don't know if

48:50

it's true or not, but did they promise you

48:52

a UK tour and

48:53

it didn't happen? Yeah. That that's the

48:55

only I'll tell you what happened. Okay. So

48:58

this came up on some Facebook or something, and

49:00

I was like, I opened the LiveWire side,

49:03

and I was like,

49:04

UK.

49:05

Wow. I I first of all, yeah. I

49:07

thought, like, you know what, that all this was

49:09

done for the year and all of that. You

49:11

can't stop laughing. It's

49:14

funny because I I just hope people can

49:16

see your facial expressions when

49:18

you're talking about this. Maybe.

49:22

Okay. Listen now. So I

49:24

thought I thought they were done, like, for the year or

49:26

whatever. But there was Mumbai

49:28

was the only one that was left. And I was, like, shit, if

49:30

we get to go abroad, like, there, let's do

49:32

this. Yeah. And then it just happened. I told her,

49:35

she's, like, why did you have Are

49:37

you sure it was, like, UK? And then

49:39

it actually meant, like, uppercan pu or something

49:41

like that? It wasn't actually meant UK.

49:43

Uppercan pu Orka networks.

49:46

There were the guys who were supposed to send

49:48

us. Yeah. Oh my god. Full proof you

49:50

have. Yeah. Yeah. And I did them out in the shortly.

49:52

No. They also They a shop in India where there

49:55

was Oh, you don't know about this. There was,

49:57

like, some big scandal about Orca Networks.

49:59

Yeah. So I don't know if should see say it's

50:01

it. Don't be scared, Shankar. What is this? Dude,

50:03

yeah. That's scared. It's on the internet. I mean, hopefully,

50:05

really That was such a scuba. I don't

50:07

care I I'm not scared. I'm actually

50:10

a freaking pet driver. I don't want to turn

50:12

off the lights. Okay. So I'll just say it. So

50:14

they've had a history of, like, unfulfilled

50:17

promises with, like, other banks. Unfulfilled promises.

50:20

It'll turn out, we can get paid. Yeah. Stuff

50:22

like that happen. So it it I

50:25

mean, I I saw all of that, like I saw Facebook

50:27

thread where a lot of bands were commenting

50:29

about this. And a lot of other artists

50:31

had similar experiences. So then I was, like, this

50:33

is Traditionally, I'm kind of glad.

50:35

Only if you had to check that

50:37

out before -- Checking the -- what you

50:39

got You got his nice symbol. He's

50:42

so poetic Like,

50:45

Sid, I'm not know everyone calls you Shanks,

50:47

Sid. Yeah. But I'm like,

50:49

you know what? I'm not making fun of you for the

50:51

fact that, like, you're you sound like a schoolteed.

50:53

That's not even an insult. Like, I I come

50:55

from a voice background. Right? Right. And the

50:57

thing is, when you speak,

50:59

there is such clarity in

51:01

your voice. Right? Like, just like a school teacher.

51:03

I it's a terrible comparison. It's I'm gonna

51:05

say it's good to also in the voice.

51:08

Yeah. So I think that there's, like, real clarity

51:10

in your voice. So when you say unfulfilled promises,

51:13

you're not saying that that half of no. You're

51:15

saying it. And I'm feeling like

51:17

I that that that I felt the unfulfilled

51:19

I mean, I felt the bottom of my heart. I wanted

51:21

to go to the UK back. No.

51:24

I forgot you. Yeah. like

51:26

-- Long. -- Kimmy Johan also has a

51:28

very nice speaking Moiisa. He's still

51:30

speaking. You know what? Let's

51:32

let's let's try and get Johan to all guys.

51:35

He won't say something. I'm quite comfortable.

51:38

Thanks. The chairs are great in

51:40

the studio. Very comfortable.

51:45

I'm quite comfortable. No.

51:48

I feel bad for you. I I won't ride

51:50

you anymore. Johan and I have another

51:52

one. Oh, boy. I'm

51:55

owning that personality. Yes,

51:58

sir. Give it to you. Johan

51:59

and I. Yeah. We're getting to

52:02

the food food blogging business.

52:04

fluid plug in. No.

52:07

You should you have to do it also by

52:09

food. So food like people who

52:11

follow you on grammar. Yeah. It's called samartan, you

52:13

are eating food. Clearly? Yeah.

52:15

Yeah. So this happens He

52:19

was like, let's start reviewing food and anyway,

52:21

because we have this thing wherever we go.

52:23

We just walk on the streets and eat

52:25

food. Like, we are looking for the

52:27

low most local and basic food,

52:29

like, That is It's like normal people. Like in

52:31

January. No. No. No. Not like No. Exactly.

52:34

Please send him that. He's like, it's unique

52:36

to you. You're okay. So We are that's how

52:38

our audiences will connect with it. Right? That's normal.

52:40

Okay. Yeah. It's a good thing. So

52:43

you so it's called

52:44

Samarth and Johannes eating

52:46

food

52:46

-- Yeah. -- just that. And

52:48

so it's literally videos of you guys eating food

52:50

or looking for Not even video. Let's

52:52

check it out. It's unique material. Basically

52:56

cutting it. Johann is eating and you're telling

52:59

what the food No. We both are eating food.

53:01

That's it. It's really that. And what

53:03

we if if it's nice, it's ST.

53:05

Otherwise, it's not. It's

53:08

really just us It's low fireback content

53:10

basically. And good voice. Low fireback low

53:13

five. Back seven. Never, like, pitching anything.

53:16

And and I

53:18

device the metric they used to evaluate.

53:20

Like, to to, like, That's

53:23

the max ratio. a fraction ratios,

53:25

like -- Yeah. -- they make So, like Yeah. So,

53:27

like, one dish would be, like, three out

53:29

of five, and the other one is, like, sixteen

53:31

by seventy two. So there's no way to compare

53:34

each one is just absolutely upping. That was

53:36

a teaser. There's a whole lot more. spearles?

53:40

Like, q post. Hey.

53:42

We have a lot coming out. Yo. There's

53:44

a movie coming out. There's a movie coming out.

53:47

small talk movie. No. No. No. No. Please don't

53:49

associate. This is okay. You

53:52

are separate entities. We're gonna

53:54

blow up guys. We're gonna blow up. Yeah.

53:56

I'm scared now. You know what? Besides

53:59

the the stuff

53:59

that you performed already, I

54:02

know you guys have a lot of songs

54:04

in your repertoire that you perform at gigs.

54:07

Mhmm. Some of them I know, shining.

54:10

Mhmm. Right? which I

54:12

really like. There is AG5A video of

54:14

China. Yeah. That was such a nice song. I

54:16

really like that. Then you have it's

54:19

like, if I don't know if I have the right song names,

54:21

heck. Yeah. Mhmm. Yeah. And I

54:23

don't know where

54:24

to go from here. Yep.

54:25

Oh, no. That's come back. That's come back. Oh, that's come

54:28

back. I

54:30

don't have a video of it. I just found out from somewhere

54:32

that these are the That was the old name of the song.

54:34

Yeah. Yeah. We we had never named

54:36

it. I

54:39

don't know. Wow. I found us

54:41

a key information. I can

54:43

talk

54:43

to this, like, you didn't imagine. I can't.

54:46

And, Daravi, are you done well done? I

54:49

know. I'm I'm sometimes good at my

54:51

job, Mitel. Nice. So

54:53

what are plans for small talk right now?

54:55

We just have to check a lot now. Yeah. We

54:57

have to Yeah. Yeah.

54:58

I mean, we have a lot of unfinished material

55:00

loads. So we want to project

55:03

site and I'll be finished writing it by the end

55:05

of the year.

55:06

and also we have some

55:08

doughs planned. Oh, that's awesome. east,

55:11

south. We're still it's still in the planning

55:13

phase. We're not in concrete. But And the video

55:16

you know, videos of video coming up.

55:18

Awesome. And a video That features. And

55:21

and maybe apply for us. You can give these

55:23

us. Somewhere.

55:28

Let's do it. Okay.

55:30

There's lots of Yeah.

55:35

So that So

55:37

what's the last thing I'm gonna perform for me

55:39

today?

55:39

Yeah. We've been riding with

55:41

this really cool guy. and rapper called

55:44

Encore. Boom. He's been on my show guys.

55:46

Yeah. He has It's pretty

55:48

awesome. wrote a really cool song with

55:50

him this week, which we're gonna show y'all.

55:52

code word? It's not code word. Actually,

55:54

you should ask him. Yeah. Hiro did the lyrics of

55:57

that. Yeah. Oh,

55:57

we've got encore in the

55:59

studio. Oh,

56:03

okay. That that's that's a great intro

56:05

for you. You know, I didn't get that. You

56:09

have to throw that in here. Of course.

56:11

hip hop goes hip hop.

56:13

So I wanted to know how this

56:15

collaboration actually

56:16

happened because guys were telling me that you literally

56:19

did this two days before you came to the recording.

56:21

Yeah. So on our

56:23

tour, we had Anka join us in Delhi

56:25

and Uni. Uni was,

56:27

like, next level. Next level.

56:30

It was, like, Like, he wasn't on fire. Yeah.

56:32

He was not totally fire. Yeah. He wasn't. That's

56:34

pretty true shit. And we were like, oh my god. We

56:36

need to write more with him, and we just at

56:38

two now because we knew you were coming on

56:40

the show. He said we'll do some new stuff.

56:42

Yeah. And, yeah, we just wrote it in

56:44

a Made especially for you. Wow.

56:49

Well done. So

56:51

good. That's a solid I'm

56:53

sure no one has thought of that movie. No.

56:55

Not one festival. But

56:58

I love it. I'm so cute that we were talking when

57:00

he came, like, I mean On

57:03

grid, clearly, just comment,

57:04

like, done one or two songs at

57:06

the peak. usually started the set

57:08

and ended it with IMC on call.

57:11

So you're like, let's invite him to the birthday party

57:13

also. Yes. Come on. I'm a mother of the the

57:15

first

57:15

time yeah. The first time he told us Lillow.

57:17

Yeah.

57:17

Oh, you're not That wasn't even

57:20

right. That's right. It's on there. This guy, if you need

57:22

to write the VoIP? Yeah. That was on. So tell me

57:24

about this song. What's it called? Clearly, they don't know what

57:26

the name of song is. by day

57:28

or including me in that because even don't

57:30

know. But I

57:33

mean, I know I it's about freedom.

57:35

and I mean, it's still untitled, I guess.

57:38

Yeah.

57:38

As long as the untitled one or

57:40

on core collab, like, would you basically name

57:42

your file

57:42

Whatever you You're following up. Exactly.

57:51

You actually know. No. The song

57:53

is about

57:54

a serious topic. These guys are playing, like, some

57:56

really wiped out cards and things

57:58

and parts. saw in my

57:59

music vocab is Oh, that

58:02

was exactly right. That was that was actually

58:04

Can I tell you something? That was still better than

58:06

your heart. Yeah.

58:10

I'm pretty comfortable with that. I

58:12

felt like an air hostess. Okay.

58:15

You know, bajajitas. say five minutes.

58:19

And even now, there's no remorse. You just laugh.

58:24

So you were saying that -- Oh. -- you were Yeah.

58:26

No. So having in chat. Yeah. So you

58:28

were just vibing at Johance, please. And

58:31

I think I don't remember who it was. I think it was

58:33

Sam and he was, like, something with the message,

58:36

and he used the word message. And I

58:38

don't know if they don't know about this ad. Actually, just tweeting

58:40

about it yesterday on my

58:42

way back from JAM. And I was like, this is

58:44

a song actually I've been wanting to write for

58:46

a year or I have a song in my upcoming

58:48

EP, which was supposed to be about this team,

58:51

but then it went in different direction. So

58:53

I got chance to write it. And we actually just

58:55

wrote it in, like, two, three hours at Yeah.

58:57

Yeah. I told her yeah. To us.

58:59

So it just came out, it was really cathartic. So

59:02

I'm looking forward to playing this. Yeah.

59:04

Awesome. Untitled

59:06

Made on title

59:08

collab. On

59:10

core collab small talks -- Correct. -- whatever

59:13

is the folder name. You're

59:15

telling I have a voice note. Oh, your

59:17

voice is probably record 016

59:20

or something or something. Correct. You think

59:22

voice mail, if you have an iPhone comes a new recording

59:25

one. I don't have an an iPhone.

59:27

Oh, okay. Then I don't know. Android life. And

59:31

Cool. So guys, this is the that

59:33

song. Yeah? That song. That song.

1:00:06

I

1:00:11

can't speak to y'all, they put a price on

1:00:13

us. That is to free for all. But

1:00:16

we ain't free at all. we

1:00:19

ain't free at all.

1:00:21

I can't speak to y'all. They put a

1:00:23

price on us, and that is so free for all.

1:00:27

but we ain't free at all.

1:00:52

fuck your arthur link this to my

1:00:54

sword. We only got one flowing

1:00:56

through the globe, but they wanna split in the brother

1:00:58

if they get the vote and they wanna sell

1:01:00

my what if they get the quote.

1:01:03

I ain't the best on note, but I'm learning

1:01:06

with every Tesla show. Every Janu

1:01:08

broke best. I love my own. I love

1:01:10

my privilege. I try to check my own.

1:01:12

This cash is clay. I'm trying to split the

1:01:14

mall. The hoist, the the horn. I'm

1:01:16

just the fool. I don't love a sword,

1:01:19

but don't burn like gold, don't shine like

1:01:21

gold, but rice, where is

1:01:23

the kind of villain that gets all this killed?

1:01:26

and I can't.

1:01:29

I can't speak to you.

1:01:34

We had enough on each and brace

1:01:36

yourself for giving back season.

1:01:39

Let's sweat here money and draw a leak

1:01:41

in. A lot of Sweden. Right now, we

1:01:43

don't leak in. be

1:01:45

enough for unleashing, praise yourself.

1:01:48

Forgive it back season. Sweatieth

1:01:50

money is gone leaking. Gonna

1:01:52

squeeze it right now just make it.

1:01:58

Why not we just make it?

1:02:15

We get free till this every single one. If

1:02:17

you break into a court, ask him about the

1:02:19

sun, wise, brilliance and Yoni

1:02:21

J FAS one. Ask yourself for don't

1:02:23

ask the priest none.

1:02:26

Relaying God has tripled.

1:02:28

on the band, we split and fake news

1:02:30

showing us real intention. It's

1:02:33

real division. It's really business.

1:02:36

Fuck you. and be at your missions in the

1:02:38

public sector. Make the most commission

1:02:40

the circus. Wow. But you, man, if you

1:02:42

want to make your bread, but don't

1:02:44

get in day kitchen. The

1:02:47

biggest order of all clothes, and I

1:02:49

don't like bread only drop pro try

1:02:51

to pro gasoline on the lead stove.

1:02:53

it's just words, fucking what four.

1:02:59

But it's just words, fucking what four.

1:03:01

That

1:03:03

was the

1:03:05

small talk, hearts, encore,

1:03:07

Calavada. Oh, guys.

1:03:09

Go on. but it was such a good song,

1:03:12

man. Yeah.

1:03:12

Like, really powerful stuff.

1:03:14

Man, cool. Wonderful. All

1:03:16

the kind of just be All you guys preaching.

1:03:21

What church am I at? The

1:03:24

The main name for us

1:03:28

George. It was really good. I've remained where

1:03:30

there's such a good song, man. You gotta put that out

1:03:32

soon. Like, seriously It probably would be

1:03:34

on that I could. Yes.

1:03:36

Winning. So you know what, guys?

1:03:38

Thank you so much

1:03:40

for being on the show. It's been really

1:03:42

hilarious. Yeah. Really

1:03:44

funny. If anyone wants to,

1:03:46

you know, check out,

1:03:47

like, when you guys are performing next, check

1:03:49

out your music, where can they go to? Facebook,

1:03:52

Instagram.

1:03:53

small dog sounds on both. Okay.

1:03:55

Just check us out then. Well, thanks, guys. Thank

1:03:58

you. Thank you. you. Bye bye.

1:04:06

It was such fun having

1:04:08

R and B news sold by small and just

1:04:10

like you, I'm wondering too,

1:04:12

where did they go? Those guys were

1:04:14

a real hoot in the studio. Real hoot

1:04:17

in the studio. Oh

1:04:19

my god. So my producer,

1:04:22

Hassan, basically types

1:04:24

up some of my voiceovers and I really

1:04:27

do think that he's sometimes just

1:04:29

trying to mess with me. I would never

1:04:31

say real hoot in the studio.

1:04:33

So, no, listen. No. will

1:04:36

not let you. Anyway, I

1:04:38

hope you enjoyed her little blast in the past as

1:04:40

much as I did on our where did they go

1:04:42

series. Don't miss the word search

1:04:44

in our episode artwork and see if you can

1:04:46

find the band name and their song names.

1:04:49

Until next time. If you

1:04:51

enjoyed Desjardins, Subscribe, follow

1:04:53

rate, and review us on the podcast

1:04:55

app of your choice. And come

1:04:57

say hi to us. One

1:05:00

file on Facebook to return on Instagram

1:05:02

at Made in India. See you next

1:05:05

week. Same time, same

1:05:07

place.