Episode Transcript
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0:00
Well, how are you guys? What's new? I'm
0:05
doing okay. Okay.
0:08
Doing okay. Doing okay. Those
0:10
are two very different okay's. So we
0:13
have David's okay that's like, smiling, bobbing
0:15
the head. Yeah, I'm okay. I'm good. And
0:17
then Jimmy that's like, hanging his head a
0:19
little bit, keeping his mouth
0:21
closed. That's just because I'm covering up my double chin because
0:23
now that we're filming it, it'll be printed. Okay. No,
0:27
I'm okay. You know, I honestly, somebody sent
0:30
me a thing about somebody doing something that
0:32
they only have the ability to use their
0:34
feet. And I just said, you know, was
0:37
this the message? It was a positive message
0:39
of somebody that only has feet
0:41
and they seem to be born that way. So they
0:43
don't know anything better. But in
0:46
a message back saying, being
0:50
able body is winning in
0:53
general, you know, being able body is just like there,
0:56
but for the grace of God, go, go
0:58
I, right? It's like, it's, it's crazy. And
1:00
you know, the older we get, the
1:03
more you value just being able to get
1:05
up and move around and be healthy. My
1:08
mood is directly. Take that for
1:10
granted. My mood is directly
1:12
affected by what I'm
1:15
working on that particular week or month.
1:17
Like I just finished up something that
1:19
was really satisfying. So I'm like, everything
1:21
is great. You know, the
1:24
shop is coming along. Everything just feels
1:26
really good. I don't care about analytics
1:29
right now or whatever. Everything just feels great.
1:31
And then next week I'll probably have to
1:33
work on something I don't want to work
1:35
on. I'm like, this is stupid. This is,
1:37
this is the end. Why do I
1:39
do this to myself? Why do I do this? Yeah.
1:42
My friend sent me a message. I said, how are you? And
1:44
he's having really complicated
1:47
health issues. And I
1:49
didn't, he sent me everything that was horrible. And I didn't know what
1:51
to say back. I just said, well, at least you're on the right
1:53
side of the grass. And I
1:55
sort of wrote back and he sent back like a
1:57
smiley emoji. But sometimes that's how you
1:59
have to really. just assess things as long as you're on the
2:01
right side of the grass. Yeah. It
2:04
is kind of a cliche thing to
2:06
say, but gratitude
2:09
in, I've found this
2:11
in the last couple of years, gratitude in even
2:13
the smallest ways is
2:16
much bigger than the negative
2:19
stuff in
2:21
the same situation. So like if you
2:23
have piles of negative, piles of hardship,
2:26
just a little bit of gratitude has
2:29
a bigger effect, at least on me, on
2:31
my attitude and on my heart and just the way
2:33
that I think about life and stuff.
2:37
So when I've been going through hard stuff
2:39
in the last couple of years, just taking
2:41
a minute to try to get
2:43
over myself and think
2:45
about something that I have that I don't
2:47
deserve, which is pretty much everything, that
2:50
little bit of gratitude can really shift your
2:52
perspective. It doesn't make the
2:54
hard stuff go away, of course, but it
2:57
can really pull you out of the
3:01
kind of downward spiral of like, well, this is
3:03
bad and this is bad and this is hard
3:05
and that makes this hard and it's
3:08
very easy to fall into. So
3:10
yeah. We're right into
3:12
a seminar. Remembering that you
3:14
have limbs that work and not everybody does
3:16
and that you didn't do anything to deserve
3:19
those limbs. That's
3:21
pretty profound, you know, when you're having
3:23
a hard time. Thank
3:26
you for coming to our TED Talk. We
3:28
will see you next week on the Making
3:31
It Self-Improvement podcast. Just kidding.
3:33
Yeah. It
3:35
is a good thing to remember though, for sure.
3:37
For sure. Yeah. I
3:39
saw this video and it's going to be my pick at
3:41
the end, but and
3:43
I sent it to you guys yesterday and it's called Get
3:45
Over Yourself. And it's by this guy named
3:48
Bo Miles and it
3:50
was one of those, you
3:52
should watch it, anybody should watch it, but especially
3:55
creators because it really does.
3:59
It's a video about. somebody taking a moment
4:01
to step outside of their own burnout
4:04
situation and just like get
4:07
some perspective and watching
4:10
him do that gave me a moment of that yesterday
4:12
and I thought that was really cool. It's
4:15
a good video but we can talk about it more
4:17
later if you want to. David,
4:20
you said you've been working on something. You're excited.
4:22
You're smiling a lot. You said you've been working
4:24
on something. You've been doing that. It's made you
4:26
feel that way. I
4:28
think I mentioned it last week but
4:30
we finished up the mobile table saw
4:32
station for the budget shop. So
4:35
we took a little when
4:37
contractor saw and made
4:39
this just made it
4:41
into the title
4:44
of last week's show the big boy
4:46
saw and I
4:49
bought another mobile base for one
4:51
of the other tools. So that
4:53
other shop doesn't feel like such
4:55
a chore to use now because
4:57
before nothing was in place and
5:00
to do anything over there was a full
5:02
like 45 minutes of moving things around and
5:04
getting things ready. Now it's only 10 minutes
5:06
of moving things on. I still got to
5:08
back a car out. I still have to
5:10
pull out tools. Yeah, it's
5:13
a big improvement. And then
5:16
as I was as things
5:18
were starting to come together I was like
5:21
this there's still a little bit of friction to
5:23
use the shop but it's so
5:25
much better and I decided
5:28
to make another video on my
5:32
fancy shop compared to my
5:34
my garage shop. And
5:37
so I'm finishing up that edit now. So
5:39
I've actually got two videos coming out within
5:41
the next week. And
5:43
it's just we go back and forth between
5:45
the two shops comparing like this is what's
5:48
amazing about this shop. And
5:50
this is what sucks about this shop. This
5:53
you know like why having a bigger
5:55
table saw or why having more spaces.
5:58
I mean it's obvious why I have and these
6:00
things are valuable, but it's cool to
6:03
see the contrast. Because I think I
6:05
have a unique perspective of having
6:07
a big fancy shop, but then going backwards
6:09
and setting up a tiny little one car
6:11
garage shop. And so
6:14
we're finishing up that video right now. Cool.
6:18
Awesome. Yeah, oddly
6:20
enough, I'm going through, I mean, we talked about it,
6:22
compressing my wood shop a little bit, and I still
6:24
have the same stuff. So it's not the same situation
6:26
because I'm not like downgrading the
6:29
tools specifically, but compressing
6:32
the space and having to rethink it a
6:34
little bit for a smaller area is, it
6:36
was actually kind of fun. It's actually kind
6:38
of cool to, yes, I can do
6:40
the same thing in the smaller area. Of course I
6:42
can. You know, not like I have
6:44
to have a certain thing or a certain area.
6:48
Also last night, so
6:51
maybe six months ago, five months
6:53
ago, I got another
6:56
CNC and
6:58
a plasma cutter for the
7:01
CNC. It's a
7:03
whole thing Stepcraft has. And
7:05
I got this
7:07
months ago and I started to
7:10
put it together. And then I
7:12
just got, well, they have a manual
7:14
and the manuals are really good on step by
7:16
step, but then they put out a video series
7:18
of also how to get it all set up.
7:20
And so I started watching the video series and
7:23
then the video series wasn't done. So I stopped
7:25
assembling the thing. Where
7:27
the video stopped. And then-
7:29
That's from the factory. Yeah, yeah.
7:33
And so I lost my momentum
7:35
of putting it all together. And
7:39
so then it just got pushed aside. Then they
7:41
finished the video series and
7:44
it's just taken me months to get back
7:46
into the groove of finishing it together. Cause
7:48
it looked like there was just so many
7:50
other pieces. I was just
7:52
like, this is gonna take forever. I'll just
7:54
set it aside. And so last night I'm
7:56
like, I'm going to finish putting together the
7:58
CNC plasma cutter. And it turns
8:01
out all those extra pieces was for
8:03
other things if you wanted to use the
8:05
CNC as a wood carving machine. And
8:09
it took... Additional accessories? Yeah, it
8:11
took like 45 minutes to finish
8:13
putting the stupid thing together and
8:15
it's been sitting in this
8:17
state for months. You were at like
8:19
step 9 of 10 the whole time?
8:21
Yeah, exactly. Yeah. It just looked like
8:23
there was so much more work to do. And so
8:25
now I'm waiting on... I
8:27
need an Ethernet to USB
8:29
adapter so that's coming in the mail today
8:31
so I can hook this thing up to
8:34
the computer. I also have
8:36
to swap out the 220 volts...
8:42
I don't know my electrical terms. The
8:44
plug has a different configuration
8:46
and so I got that recently
8:49
and I just got to cut the power
8:51
and switch it out and I should be plasma
8:54
cutting metal on a CNC machine here real
8:56
soon. Cool. That'll
8:58
be fun. It's a lot of fun. Yeah. So
9:01
I've been looking at bending brakes which one to get
9:03
and I think Eastwood has the one that
9:06
I want that's not too big but
9:09
usable. What are your plans
9:11
with that? With those two things together? Do you
9:13
have stuff in mind? Yeah.
9:17
So one of the
9:19
first things that I want to do
9:22
is I'm creating... This is so
9:24
nerdy. I'm creating
9:26
a groove box station for
9:29
music with different rack
9:33
mountable analog synths and
9:35
a sampler drum machine. And so it's
9:38
almost going to have this arcade style
9:40
and it's all going to be connected
9:42
together in a sequencer. And
9:45
typically you would just take these things and you would
9:47
rack mount them in a rack.
9:50
But I'm going to cut all
9:53
the metal faces so there's going
9:55
to be three different of these
9:59
synths. and they look, they're from three
10:01
different brands, but I want to make
10:03
this uniform look so it's all one
10:05
piece. And that's one
10:08
of the first things that I wanna
10:10
do. I also have a VCR that
10:12
I got that I want to re-face. I
10:16
wanna do wooden sides, but then recut
10:18
the metal face. So these are the
10:20
things that I wanna do with the
10:22
plasma cutters, cutting thin sheet metal
10:24
and re-effacing things, yeah.
10:28
So Jimmy, you have experience here with the
10:30
sheet metal. How much detail is he gonna
10:32
be able to get in
10:34
sheet metal with the plasma cutter? You can
10:36
get really fine cuts if you use thin,
10:38
thin stuff. Really? It's the
10:40
thicker stuff, the focus tends to go away a
10:43
little bit when you're making sharp corners and
10:45
stuff. That is my fear of, I can't
10:47
find a lot of information on cutting really
10:50
thin metal with a plasma cutter. Like
10:53
everything is super easy. It's gonna leave
10:55
a clean cut? Yeah, it
10:57
should, yeah. but
10:59
when it comes to thicker metal, when
11:01
you're cutting, say for instance, 3 1�8 of an
11:03
inch, you're gonna leave a lot of slag behind
11:05
because you're removing all that depth and it leaves
11:07
a lot of goo on both sides of the
11:09
cut. But when you're only cutting, say
11:12
20 gauge or 18 gauge, it
11:15
flies through it, flies. But
11:18
when it comes down to tiny little, it all depends
11:20
on also the nozzle on your cutter if you have
11:22
the right, if you have the appropriate
11:25
amount of, what
11:27
is it, wattage, I don't know, what do
11:30
they call it? Like when the thing has a certain amount
11:32
of wattage, I'm just having a brain fart. An
11:34
80 watt, which I
11:36
think that's a voltage watt. 80 voltage, probably. Yeah,
11:39
so you're gonna use a less voltage for something
11:41
thinner. You make sure you have the appropriate tip
11:44
for your cutter. There's
11:46
a range, like I know in the Flexcut 80, which is
11:48
what I have, when you're cutting up to 80, this
11:51
tip, when you're cutting between up to 60, there's this tip,
11:53
and when you're cutting up to 40, which
11:55
should be the thinnest, you have a different tip. So you gotta make
11:57
sure you have the right tip and the gun so that you'll get
11:59
that. fine, fine cut that you're looking for.
12:02
Gotcha. And every brand is different. This is
12:04
a Lincoln. And
12:06
then in my research for bending brakes, Bob
12:12
had an old video come up that I watched. You
12:14
made a bending brake. Yeah.
12:18
At first, I thought I was going to make
12:20
one because everything either seemed too big or too
12:22
small. But then I found the one on Eastwood
12:24
that has the different size fingers. I'm not sure
12:26
what the terminology is. So you can go via
12:28
box brake. Pull them around, bend up a
12:30
side. So I think I'm going to go with that. That's
12:36
cool. That'll be fun. You got to just
12:38
see what the, since you're going to be in thin, you're going to be
12:40
in the thin range. You should be OK. But
12:42
most bending brakes will only handle 20
12:44
gauge. You
12:47
know, small ones that you would be able to get in the mail
12:49
just because of the stoutness of them. So you just got
12:52
to make sure that whatever you're cutting and what are your
12:54
bending is obviously going to work together. Yeah.
12:58
Cool. That's exciting. That's like, I feel
13:00
like that's a new place
13:03
to go for you. It's a whole
13:05
new thing. And I got a program
13:07
called Sheet Cam. I'm not
13:09
familiar with it at all, but something else I
13:11
got to learn, I guess. It's
13:14
pretty simple. It's probably like Illustrator with
13:16
just straight flat cuts. It's like 2D
13:18
CNC. It's all it is. OK. Yeah,
13:21
I've only used it a couple of times for
13:23
my plasma. But it's pretty straightforward. Cool.
13:29
Jimmy, what have you been doing? I
13:33
did successfully made my bucket that I talked about
13:35
last week. And that's a fun video. And the
13:37
video is doing well, getting some really nice comments
13:40
on that. I don't
13:42
mind to mean to call you out, Dave.
13:44
But you said there's a conversation
13:46
about my table saw usage in that video.
13:50
So my I mean. There's that conversation. And
13:52
I didn't ask you before we started, but
13:54
I'll ask you now. Are
13:56
people roasting me? Or what do they say? So
13:59
I have a question. I actually brought it up over
14:01
on my Discord. I'm like, because I
14:04
knew it would be a great conversation.
14:06
I'm like, and
14:09
I pretended like it was all secret. I'm like,
14:11
just between you and I, what do you guys
14:13
think about Jimmy's freehand cutting on the
14:15
table saw? And then people were like, oh
14:17
my God, I would never do that. Nothing
14:22
bad is said. It was just kind of like, it's
14:25
unknown territory for most people, including
14:28
myself. Well,
14:30
it's, it's, Well, explain what the deal
14:32
is for somebody that, yeah, so
14:36
I freehand cut straight lines on the table. So
14:38
it started down for a really long time, but
14:41
I, I actually even freehand cut a circle
14:43
just to show you, cause it's just a bunch
14:45
of straight cuts when you get down to it. I
14:49
wouldn't do it if there wasn't a riving knife.
14:51
And to be honest, it's like, you see a
14:53
lot of boat builders do it because sometimes you
14:55
have a fair curve and I've actually cut curves
14:57
on the really long shallow curves. As
15:00
long as there's a riving knife on the thing, I wouldn't
15:02
do it without it. Cause they're having the riving knife there prevents
15:04
the kickback on the back of the blade. Cause the front of
15:07
the blade's coming down at 10,000 RPMs and
15:09
the back of the blade's going up at 10,000 RPMs. So
15:11
as soon as you get past the mandrel,
15:14
anything on the back of the blade will shoot up
15:16
in the air. But if there's a riving knife, the
15:18
riving knife keeps that from happening. So if
15:20
you're going to freehand cuts at your own risk, I'm
15:23
not telling you you should do it. That if
15:25
you're going to ride a motorcycle, wear a helmet. If you're
15:27
going to ride a motorcycle, wear a riving knife. That's all
15:29
I'm going to say. I
15:32
didn't say anything. Yeah.
15:37
If you're going to ride a motorcycle, wear a riving knife. And
15:40
if you're going to do wheelies, I should say, if
15:42
you're going to do wheelies, wear a riving knife. So
15:46
I just freehand cut a long shallow angle
15:49
that would have been a setup. So it was a pain
15:51
in the, it would have been a pain to take the
15:53
time to set it up. And I was like, I could
15:55
do this to stay out of the way. If it goes
15:57
bananas, just I have. I
16:00
have reflexes like a cat. I can jump out of the way
16:02
when the blade is spinning. I know I can jump out of
16:04
the way because I've done it before. I'm
16:07
kidding. Don't do what I do. But
16:10
that video is doing okay and it's fun
16:12
and I learned a tremendous amount on that.
16:14
When it comes to blacksmithing, I really thought that
16:17
I was going to have to take this band
16:20
and hammer one side of the band so the
16:22
band would ultimately kind of go like, if you've
16:24
ever seen a coffee
16:27
cup, if you ever cut open a coffee cup, what
16:29
that flat pattern looks like. Now
16:31
imagine the coffee cup is one inch high and
16:33
the coffee cup is 30 inches around. So
16:36
I thought I would have had to make
16:38
that band and pamper it to this long
16:40
arching curve. And then
16:42
just experimenting, I said let me just weld
16:44
the band together. So now I have a
16:46
band that's straight that won't fit on this
16:48
tapered structure. But if
16:51
I take it out to the power hammer and
16:53
just force that angle in it by holding the
16:55
ring, the skew as it went through the dies,
16:57
and that worked perfectly. And even a couple people
16:59
commented, like I never would have expected that to
17:02
work. And I said,
17:04
I didn't either. I just tried it and I expected
17:06
it fully not to be, I figured it was just
17:08
going to make a mess of the ring. But just
17:10
consistent increments through the dies
17:12
and it worked out nearly perfectly and
17:14
it took just five
17:17
minutes to do it right. Which
17:19
I expected to be hammering all evening trying
17:21
to get that taper and the flat piece
17:23
unwelled, unbent up piece. So
17:25
I learned a lot that way. And when
17:28
you get into these things, the only way to really
17:30
learn and figure it out is just go into a
17:32
blind, have a vague idea of what might work, and
17:34
then work your way through the dark until you find
17:36
what works. And then you go, wow, okay, I didn't
17:38
expect that to happen, but now I know I'm that
17:40
much smarter. Look at that and
17:43
I bought, go ahead. Do you
17:45
get nervous or anxious when
17:47
you're filming something for a video about
17:50
doing something that you don't know is going to
17:52
work? Yes,
17:56
but I always make sure that I could
17:58
either do it twice. There was two rings. I
18:00
was like, I got to make the first one. Once I
18:02
make the first one, I'll know better how to make the second one. I even
18:04
said that in the video. But sometimes when
18:06
there's multiples to do and if I completely mess up,
18:09
I screw up one, I'll just put
18:11
that aside and learn what I learned from that
18:13
and then do the second task differently and then
18:15
if that's successful, I'll only put that in the
18:18
video. But now, new
18:20
Jimmy is putting all his mistakes in.
18:22
New Jimmy. I like Jimmy. 2024
18:25
Jimmy is putting in all
18:27
his mistakes and trying to show the full experience.
18:29
It's just to change things up, to reinvent myself
18:31
a little bit. And I'm getting
18:34
a positive response. I've
18:36
always seen one or two comments where it's like, I missed
18:38
the fast stuff. But for the
18:40
most part, everybody's like,
18:42
this is cool. I like seeing you behind the scenes
18:44
and talking. And the reason I
18:46
always reserve talking in public because I was always
18:48
giving that to the Patreon. So I never talk
18:51
to my videos in public, only rarely. And
18:54
now, every video is a free form. I could do what I want.
18:56
I could talk in public and do whatever I want because I was
18:58
basically putting that other stuff behind the paywall. But now,
19:00
behind the paywall, I'm just doing all kinds of fun
19:03
stuff, a lot of behind the scenes stuff. So
19:05
now, I feel like I've been liberated in a
19:07
way, not just
19:10
exclusively putting talking in videos
19:12
behind paywalls. I do them whatever works with
19:14
the video and there's certainly plenty of
19:16
behind the scenes stuff to show on Patreon. And now,
19:19
you're coasting. So, yeah, I'm coasting, right? Yeah.
19:21
The call
19:25
back to what we're going to talk about. So
19:28
another exciting thing this week is I bought a Vanderkook
19:30
press. Did you guys happen to see that reel me
19:32
and Rob did? I bought
19:34
a 1950 something Vanderkook press, which
19:37
is a proof press. And I
19:39
can print 19 by 25 piece
19:41
of paper on it. And
19:43
it's these like old school, you see like the drum just
19:46
rolling and the paper comes out printed on the other side.
19:51
It's nice to be in my shop where I could take
19:54
like the guy who dropped it off is a great guy and
19:56
we were talking. He's like, you know, you can get plates made
19:59
here and get plates made. there and in my mind I'm just
20:01
like I'm just gonna make plates myself on the laser cutter and
20:04
so the first night I got the thing I cut
20:06
a plate just I made this little collage
20:08
of phrases just something I made a long time
20:10
ago but I refined it and
20:13
so I printed that those are going to be available to the
20:15
patrons only and then I have a few other poster ideas and
20:18
I'm gonna make public for everybody and
20:20
that was a lot of fun so that's kind
20:22
of renewed my interest in printing is just
20:24
kicking the dust off of the old machines and
20:26
then getting this new machine and
20:28
then yesterday because of that reel that I put
20:30
out I got
20:32
a message from a college up here and
20:35
the guy is very nice guy we've been chatting all
20:37
week tomorrow I'm going
20:39
to look at a 1900 or it's
20:41
probably a 1880s Washington
20:45
hand press that
20:47
I'm probably gonna buy and
20:50
that's if you guys don't
20:52
know what a hand press is it kind
20:54
of goes back to like the original print
20:56
press by Gutenberg where it's a corkscrew thing
20:58
where you turn the corkscrew and the big
21:00
plate comes down and presses the type but
21:02
every print you do you have to buy
21:04
hand roller it and then stick it
21:06
in and then pull the lever and then pull it out
21:09
and so the hand presses
21:11
were popular from about the 1820s
21:14
to about 1880s and
21:17
I have a Washington hand press that's
21:19
sitting in my yard but it's missing
21:21
all the parts I bought it from
21:23
a junk yard and it's this
21:25
thing guys I'm showing you guys that's the Washington hand
21:27
press that's the one I own that was made in
21:29
the 1860s just
21:31
before the Civil War but it's missing a large
21:33
part to make it work which is something I
21:35
always thought that I would fabricate but
21:38
now I'm going to probably get this
21:40
one you see that Washington hand press
21:42
it's really fully functioning and it's
21:44
at a college up here and
21:47
they give us me for a really good price considering how
21:49
much these things usually go for and
21:51
we haven't negotiated the final price
21:53
yet but the range that they're in is
21:55
much lower than what I would have expected
21:57
it's at least half of what I found
21:59
online line but they just wanted to go to a good
22:01
home. They said if I don't take it, it's just going to
22:04
go in storage and he said it's probably going to get thrown
22:06
out in five years because nobody knows what it is and nobody
22:08
cares what it is. Anyway, so
22:11
that's a Washington hand press I'm
22:13
excited to possibly get and so
22:15
that's my renewed interest in printing is
22:17
exciting. I have a question about that.
22:21
About that press in particular.
22:23
So I know that you like printing
22:28
as a hobby, as a task, as an action to do
22:31
but the other ones, the other presses
22:33
that you have, I feel
22:36
like would be a lot more productive for making
22:38
things to sell than that one. That one seems
22:40
like the way that you describe it seems like
22:42
it would be a lot more labor intensive. So
22:44
is that... Yeah, I'm going backwards
22:46
in time. I mean, so what's the thinking there? Are you
22:48
going to use it for making things
22:50
to sell or is it a set dressing
22:52
piece or like what's the goal? Good
22:55
question. Two things. It's really
22:57
more of a historical... It's
22:59
more of my interest in the historical aspect of it
23:01
and it's cool and I can preserve it and put it
23:03
in the collection that I'm starting and
23:06
it's bigger. It's 20 by 26 so I can
23:09
print 20 by 26 completely underneath
23:12
that platen which would be the biggest poster that
23:14
I could possibly make. I see. Got
23:16
you. And anything else I
23:18
have is smaller than that. Even the new one
23:20
I got is the print surfaces is
23:25
I could put a chase in there that's 25 by
23:28
24 but you can't print on the whole surface.
23:31
So that being said, this
23:33
would be the biggest one I could print on. That's
23:36
not really the... That's not the motivational factor as
23:38
much as the idea of just the historical cool
23:41
factor of it all and the fact
23:43
that it's affordable. Like I said, it's affordable. In
23:46
the after show, I'll tell you the prices. I don't want to
23:48
say that loud because I don't know if the gentleman's listening. Nice
23:52
guy. But we're going to talk tomorrow. Anyway,
23:55
so that's exciting and then the other real exciting
23:57
thing is that yesterday I went back over to...
24:00
the ghost house, so the graveyard house with
24:02
Mike, and we cleaned up the grounds.
24:05
The stonemason started working as soon as the weather
24:08
broke, so the foundation is slowly getting closed up.
24:10
If you see my Instagram today, you'll
24:12
see some of those pictures. I'm
24:14
going to do a reel. I'll post the reel by the
24:17
end of the day of a little bit of progress of
24:19
the house, because so many people are asking. I want to
24:21
just do a reel that just kind of sums up where
24:23
we're at. It's
24:25
exciting. I have one complete wall in, and
24:27
I'm so excited at the end of the day, last night,
24:30
I looked back and I was like, I
24:32
prepped this roof up for
24:34
10 months and I didn't drop it. That
24:37
was my biggest fear, is that I was going to drop the roof. I
24:40
was going to lose a handle on keeping that roof in
24:42
the air. We dug out,
24:44
put a foundation underneath this whole thing, put
24:47
drainage, ripped out everything, put
24:49
everything back, and I didn't
24:51
drop the roof. The whole entire time, with just sticks
24:53
and rocks, I've been able to keep the roof in
24:55
the air. I had somebody say,
24:57
oh, you need to build a steel frame, make
24:59
three big steel H frames, so
25:01
you have plenty of room to work. Bit
25:04
by bit, I was able to put it in there, and the
25:07
whole time, the guys using the excavator and mic and everybody's scratching
25:09
their head going, okay, all
25:12
right, whatever, all right. This isn't
25:14
the greatest idea, but it's your money.
25:18
I hear that a lot. It's your
25:21
money. Looking back last night
25:23
and just looking at the pictures and going, I
25:25
am totally safe. Nothing's
25:27
going to fall. The roof is
25:29
there. It's up. Now
25:31
we're just tweaking the foundation, which
25:33
obviously isn't ... I'm doing
25:36
a stone stack foundation in the way Ken, the stone
25:38
guy, likes to work. We
25:40
put our rim joist in, and
25:43
he likes to stone stack right up to it. Then
25:46
we're going to lift it up like one half of
25:49
an inch with some pry bars and stuff, and then
25:51
he's going to put cement in the last few stones
25:53
and then settle the foundation onto that. That's
25:57
the learning curve that it's fun to watch, Ken, do
25:59
his work. So
26:01
there, that's it, that's my update. And then
26:03
this week's video, I'm going to start working
26:06
on a Maloof style
26:08
stool. I'm working with double
26:10
H boots and they have a showroom. They said a
26:12
lot of guitar players come and hang out in the
26:14
showroom. They have kind of
26:16
like a rock and roll atmosphere. And
26:19
they said maybe you could make us a guitar stool so when people
26:21
come they could sit on the stool and play guitar. So
26:23
I got inspired to make it like a Maloof style
26:26
stool. Whole walnut
26:29
sculpted carved, very organic
26:31
looking. So I'm going to do that and then the top of
26:34
the seat will have some of the logo branding carved
26:36
into it by hand I'm thinking, potentially.
26:39
If I run out of time I'll just throw
26:41
it in the laser. See
26:44
it? One
26:46
of your, I was
26:49
recording an ad spot for the
26:51
Woodworkers Guild of America and I
26:53
was grabbing, oh you did the one too?
26:56
Yeah, that's coming out tomorrow. And
26:58
the funny thing is like I
27:01
have a DVD set from the
27:03
Woodworkers Guild of America from like
27:05
12, 13 years ago or whatever. So
27:07
I talk about that. Like I've been, you know, this
27:09
is how I started my woodworking journey. And
27:13
I'm gathering screenshot
27:16
footage of their website for my
27:18
video spot, my ad read and
27:21
there's some basic techniques, basic table
27:23
saw techniques that I'm using and George is
27:25
a host and then I'm like okay I
27:27
need some advanced stuff too so to appeal
27:30
to that people. And then there's Jimmy Dresta
27:32
cutting circles on the table saw. So
27:35
you're in my video for a brief second. Oh
27:40
cool. You know what, I cut my
27:43
spot and I apologize to everybody that's watched that
27:45
spot. I cut my spot and they left it
27:47
long. And I sent it to them. You
27:49
guys, I figured they were going to
27:52
want to make me edit it anyway so I just
27:54
left it long and I sent it and in about
27:56
10 minutes I got back. This is perfect, thank you.
27:59
Good to go. I'm like, I want to
28:01
see the editor down. I want you to tell me what
28:03
to take out. And
28:06
they're like, perfect. So that's
28:08
it. That's why it feels a little sluggish
28:10
in my spot. So I'm sorry about that.
28:12
It's all good. We proved it that way.
28:15
It's all relevant, though. I mean, it's a
28:17
wood-wringing ad and a wood-wringing video. So it's
28:19
all good. When you
28:21
think about it, if you made a video, if you made
28:23
an ad read and you made it five minutes long, the
28:25
client would look at it and go, that's great. We love
28:27
it. Oh, yeah. And you
28:29
think about it? Yeah, the more, the better, even though
28:31
they know most people. They think everyone's going
28:34
to watch it. So
28:37
yeah. Cool. Well, for
28:39
me, I've been building... This
28:42
week I started building the kind of clean room in
28:44
the shop. And so walls
28:46
are actually up, which is pretty cool to see.
28:50
And I'm pretty happy with... I
28:53
was kind of back and forth on it. It
28:55
seems like a good idea, but there's this unknown
28:57
about building walls and separating my shop into a
28:59
smaller space. And so, you know, part of the
29:01
back of my head, I was like, I don't
29:03
know, maybe this is a bad idea. I'm not
29:05
really sure. But I got the walls framed up
29:08
in place and then can stand back and look at it.
29:10
And I'm like, oh, yeah, this is going to look good.
29:12
And then you go inside this room and I'm like, oh,
29:15
wow, this room is pretty big. So I
29:18
think it's going to work out pretty well. The
29:20
problem, though, is that I
29:22
bit off way more than I can chew
29:24
in two weeks for this video. So
29:28
kind of trying to figure
29:30
out what I can do about that. You need, you
29:32
know, when you make a video, you have
29:34
to have the kind of like payoff at the end. But
29:37
if I try to get to
29:39
that payoff in the amount of time that
29:41
I usually give myself, then
29:44
I'm going to have to skip over some stuff, which is
29:46
what I don't really like to do. And
29:49
so I'm not really sure how to... And
29:51
even if I did skip over stuff, it's still a lot of
29:53
work. So framing walls, putting
29:57
in a drop ceiling, running electrical, which I'm
29:59
not going to But you know I still
30:01
have to do that work and
30:03
then you know painting the
30:05
inside of it adding lights
30:07
and adding all the stuff and getting all the
30:09
stuff up and running and I've
30:12
got big plans for what the room is gonna be
30:15
all the things that are gonna be in there But
30:17
now I'm trying to figure out kind of like what
30:19
the minimum viable product is is there? Oh, is
30:21
there a video within the video like a
30:23
like a particular thing that you did while making
30:26
this video? That could be its own and
30:28
you put that out first to give yourself more
30:30
time to do the the bigger picture thing
30:32
I Think it probably
30:34
is but the context won't be there.
30:36
Mm-hmm. I thought about that like
30:38
so there's a window I'm putting in a
30:41
window that goes front in this room looking
30:43
into the shop or from the shop so that it is
30:45
big and it's like Not
30:49
a square rectangle window. It's curvy
30:51
and it has this kind of
30:54
Trap as a way to shape with curvy corners and
30:56
stuff and It's
31:01
The plan with that is that it's gonna be edge-lit
31:03
acrylic window with like etching on it so I can
31:05
use it as a status Indicator for driven
31:07
by a Arduino and she's like super cool But I
31:09
can't put all that in the video, but then if
31:11
I make a video about that specifically It
31:15
will be in a place that doesn't exist
31:17
yet from the viewer's perspective, so I'm not
31:19
really sure I see How
31:22
to do that yeah, so but
31:24
then if I Yeah,
31:27
if I don't talk about that then I'm
31:29
missing an opportunity to make a cool video
31:32
about this like Indicator
31:34
window it's like status Window
31:37
thing which is really cool,
31:39
so I don't know I'm
31:42
excited about the work, but it is a lot of work and I
31:47
Don't know how I can get it done in
31:49
time and I and I have been building in
31:51
margin for myself So like this is the third
31:53
video Right now that
31:56
is not out yet So I've
31:58
got time that I can I
32:01
can eat into it that time a little bit, but
32:04
then that just gets rid
32:06
of my margin. My
32:09
vacation this summer is gonna need margin, you know,
32:11
stuff like that. So I'm just trying to juggle
32:14
how much work I can put into a single
32:16
video and make it worthwhile and how much I
32:18
should split it. And
32:21
then, just not to be complainy,
32:23
but just as a relative
32:26
point to that, and
32:28
you guys have felt this too, I'm sure, is
32:30
like when you
32:32
have videos for a while
32:34
that you put a lot of work, you put
32:37
the same amount of work into good videos and
32:39
bad videos, performance-wise. And
32:42
so when you have a few that you've put in a
32:44
lot of work on and they don't do great, it
32:47
makes it kind of hard to want to put
32:49
in a whole lot of work into the next
32:51
one when the trend is that
32:54
it's not really gonna do great. It's
32:56
still a lot of work to make a video, even
32:59
if the video is good, it just doesn't get shown. And
33:02
so there's a little bit of that creeping in too,
33:05
and I don't want to have
33:07
to, you know,
33:10
like consider that, and I don't wanna have
33:12
to shortchange videos because like, well, it's probably
33:14
not gonna do well anyway because with that
33:16
attitude, of course it's not gonna do well.
33:19
So I don't wanna do that, but I
33:22
have to be honest and think that there is a little
33:24
bit of that creeping in. When you
33:26
have things that don't really perform for
33:29
a while, you have
33:31
to take it into consideration about the amount of work
33:33
you're putting into something. And
33:37
then that, thinking through that
33:39
and trying to like temper that feeling and
33:41
not let that become too big of a
33:43
thing, it got me thinking more about the
33:46
whole thumbnail and title thing. And
33:49
we weren't planning on talking about this today, but it has
33:51
been on my mind, so I thought I would ask you
33:53
guys. The
33:56
thumbnail and title, everybody knows now,
33:58
is like the biggest thing. For.
34:00
A divorce rate you yearn for. It's.
34:03
And. I. Don't
34:05
know if this is. I.
34:09
Don't know if this is true or not. So.
34:12
This might be my own. Personal.
34:16
Good, bad and an of i feel
34:18
like. The videos that we
34:20
make our good videos, I feel like
34:22
they are entertaining whether you're planning on
34:24
making the thing you're. A.
34:26
See like they don't get shown enough
34:29
to the people who might enjoy them?
34:32
And I think that's because of our
34:35
titles and thumbnails. Are
34:37
just Not. To just not. They're
34:39
They're not. They're not hooky enough. They're
34:41
not said she enough. They're not the
34:43
thing that people. In
34:46
A viewers have a lot of decisions to make and they
34:48
have a lot of content to wade through and choose the
34:50
things that they won. And so
34:52
I don't think we do a great job
34:55
of. Ranking.
34:57
High enough in that like choosing process
35:00
for them. So
35:02
I think that's the truth. All
35:05
of that am. But. I
35:07
don't want to come up with Ted often.
35:09
thumbnails. It's. Not something as good as
35:11
it's not something that I want their lunch you
35:13
will love that game and they love the like
35:15
strategy of it and stuff and I think that's
35:18
great. I just. It's not how
35:20
I work in, it's not on the Ubs. Not good
35:22
at it, you know? I wish I was. I wish
35:24
I wanted to be good at it. But I found
35:26
don't. Care. To be good at it.
35:28
And so I was. Actually I had this. As
35:30
you say, I had to stress know like I
35:32
made a wooden box. It. It
35:35
sounds myself make a wouldn't but it's I set them
35:37
as of a wouldn't bucket. Is Not.
35:40
So. simple as it and that's what i made the
35:42
title of as it msn is the best title and
35:44
what am i going to make a picture of a
35:46
pile of would say a picture the since profit and
35:48
this is what i've always said it would have to
35:50
fix of the fittest thing and then druze help me
35:53
over the over the last year little bit never want
35:55
to overload him with a familiar there since and on
35:57
program as much as it probably should same but it's
35:59
is is is say, we all
36:01
don't want to bother him. He's become the thumbnail
36:04
guru. But what else is there?
36:08
This is a video about me making
36:10
this thing that's in the picture. I
36:14
can't make a picture of me holding my cheeks with my mouth
36:16
open like a piece of wood fell on the floor because it
36:18
wasn't that big of a deal. And
36:20
it seems disingenuous to make
36:22
it seem like I
36:25
almost didn't make it. Right. Sensationalize it to the
36:27
sake of taking something typical. I made this simple
36:29
thing and it wasn't that it was more complicated
36:31
than I thought but I did it. Yeah.
36:34
Okay. And there are ways, you know,
36:36
I mean, like Drew is really good. There's a lot of people
36:39
that are really good at taking a simple thing and coming
36:42
up with a clever way to make it interesting.
36:44
And it's not disingenuous. It's
36:47
marketing. It's clever marketing. I'm not a
36:49
marketer. I don't want to be a
36:51
marketer. And there's this
36:54
weird tension with that I
36:56
have felt for a long time and I'm confronted
36:59
with it now. I want
37:01
to be able to make things and let somebody
37:03
else market it. But I don't know how to
37:06
do that. I don't know how to let somebody
37:08
else make
37:10
up titles and thumbnails or if there's even
37:13
anybody that would do that. I
37:16
mean, I know you can hire people to do thumbnails for you but I
37:18
don't want to look like Mr. Beast. I don't want to look like, I
37:22
don't want that kind of thumbnail. I want interesting,
37:25
like photographic, artistic interesting
37:28
thumbnails. And I don't know
37:31
if there's somebody that does that or not, you know. And
37:34
so anyway, these things have
37:36
all kind of stacked up like, yeah, we're kind of
37:38
ahead but the last few videos, not really done that
37:41
great. How do I get them to do
37:43
great? Oh, I have to work on the titles and thumbnails. Well,
37:45
how do I do that when I'm also trying to build a
37:47
room that's going to take way more time than I thought it
37:49
was going to take? So, you know, they're kind of compounding ideas.
37:51
And so, I
37:54
guess all of that was to just get
37:56
to asking you guys, have
37:58
you thought about... trying
38:01
to find someone to
38:04
either coach you on those
38:07
title and thumbnail things or to do
38:09
them for you or to like
38:12
how do you how do you deal with that? I
38:15
say I talked to Drew a little bit here and
38:17
there. I don't want to bother him and ask him to keep coming
38:19
up with my thumbnails and titles. Yeah, Drew, just
38:21
so you know, this is us subtly saying that we don't want
38:23
to bother you, but we really want you to. Just
38:27
throw that out there. You're listening. I know you're listening, so I'm
38:29
just going to say it out loud. But
38:32
I'm just settling into the fact I told you guys
38:34
I stopped looking at the analytics a couple weeks ago.
38:37
Like even Drew's asking me, he's like, how are your videos doing? I
38:39
was like, I'm not looking. I'm not looking
38:41
because it's not going to change anything. Okay,
38:44
can I interrupt you right there? Okay,
38:48
I love that feeling. I love that idea.
38:50
But it doesn't work. That doesn't
38:53
work because it doesn't work to
38:55
not look at the analytics. We make a living with
38:57
this stuff. I would love to say, screw
38:59
the analytics. Be an artist. Make everything you
39:01
want and you'll find your audience. And I
39:03
think that's ideal. But
39:06
like we got bills to pay. You know, we can't. I'm
39:09
not looking at the analytics because it's
39:11
been a year. I can't figure out
39:13
how to turn the ship. When
39:18
I peaked in 2018 and I was
39:20
like making, I
39:22
was adding tons of subscribers and I was getting tons and
39:25
tons and tons of views. I was getting like five to
39:27
seven million views a month. Now I can't
39:29
even break a million views a month. And I
39:31
don't know what to do to change it. I think the content I'm
39:33
making is good. I personally believe it's
39:35
as good if not better than when I was making back
39:37
then. But Jaco hit me with like a little
39:39
bit of truth. He's like, you're not as relatable as you used
39:42
to be. Now everybody thinks you're a millionaire and you got all
39:44
the tools in the world. You're not as relatable. Jaco said that
39:46
to me and it was a bit of a gut punch. But
39:48
I'm like, I'm evolving. I've
39:50
evolved into the person I wanted to be the
39:53
day I graduated college. And
39:55
I'm okay with this. And
39:58
some people are coming along for the ride. they want to
40:00
come along for the ride? I mean I'm not, I
40:04
feel like I'm still that guy in the lower east side
40:06
scrapping and trying to figure things out. I just have more
40:08
room, you know? Yeah,
40:11
right. But you know when
40:13
Jaco said that he's right. He's like I'm not as relatable so
40:15
I got to keep coming up with new
40:18
fun things that now, now I'm basically I'm a
40:20
rich teacher on YouTube, right? Is that what I
40:22
am? If I'm a rich teacher on YouTube, let
40:25
me be the rich teacher on YouTube. I'm
40:28
not as relatable but you know I always say I'm
40:31
gonna make stuff with things that people don't
40:33
have. That's fine. We watch racing, we watch
40:35
skateboarding, we watch Formula One. I'm never gonna
40:37
own a two million dollar race car. Yeah.
40:40
I watch Formula One racing. So
40:43
the idea of us being able to like
40:45
be exactly relatable to the exact person that's
40:47
gonna do exactly what I do, people
40:50
watch Hollywood movies that cost 50 million dollars
40:52
to make. Does that mean it's
40:55
relatable or it's not relatable? Yeah. I
40:57
think that I think it's a big
40:59
notion in general. The thing was that
41:02
we were relatable. Hollywood movies have never
41:04
been relatable. I've never been relatable. We
41:06
were and now we're not and I can say
41:09
that for myself as well. You know I recognize
41:11
and I've accepted that I'm not relatable to a
41:13
lot of people anymore. That's okay but
41:16
I still want to figure out how to make that sustainable
41:19
for my family, right? You
41:21
know so anyway
41:23
with the title thumbnail thing. David,
41:27
do you have thoughts? You just sent me a video. Yeah.
41:31
I go okay so I do
41:33
enjoy the game but I don't
41:35
love the game, right? I have
41:39
I haven't
41:42
figured it out. It's so hard.
41:44
It is the... What? Right? It
41:46
shows over. Right? The
41:50
packaging for YouTube videos is the
41:52
it's it's the hardest thing
41:55
to do. It's harder than coming up
41:57
with brilliant ideas. It's...
42:00
It really is because it makes or
42:02
break a video. I've got... I
42:08
got thumbnails visually that I'm not
42:10
proud of, but those videos have
42:12
done so well. And even just
42:14
recently, I did the Tambour joint
42:18
thing video, and I hate the
42:20
thumbnail. It's so plain and boring,
42:22
and it doesn't
42:24
represent me as an artist, but
42:27
that video did so well. Then
42:30
the next video of, I did a vacuum press
42:32
video, and I'm holding up a little wine pump
42:34
saying this is my favorite clamp. That video just
42:36
started to take off a couple weeks later. Now
42:39
that video's doing really well. And it's
42:41
not even representative of
42:46
what I want to be
42:48
as a YouTuber, because in
42:51
the Tambour joint video,
42:54
the thumbnail and the title, and
42:56
the beginning part of the video is about this
42:58
crazy joint, which is amazing. But then
43:00
I made this piece of furniture
43:03
with it that I absolutely love. And
43:06
that's what I really wanted to show in the thumbnail.
43:08
And that was the first version of that thumbnail, but
43:10
it didn't work. And then
43:13
the next video is my
43:15
favorite clamp, which is this, I'm
43:17
showing this wine pump. And that
43:20
video is, it's really taken off,
43:23
but the payoff is me making 10 skateboards.
43:25
But I don't even mention the skateboards, the
43:27
art skateboards that I made in the video.
43:29
Cause it's about the thing. It's about trying
43:32
to get people to watch. And I haven't
43:35
figured it out. It's a long way of
43:38
saying I have not figured it out.
43:40
Sometimes I enjoy the game. Sometimes I hate the
43:42
game. I go back and forth. The
43:45
video that I just sent you, this
43:48
guy, he's a consultant. I watch a lot
43:50
of consultant
43:52
videos. I've taken a couple courses
43:55
from some big names, Derleaves and
43:57
Patty Galloway, and it all helps. And
44:00
then a few weeks ago I kind of came
44:02
to the realization that I
44:06
really sometimes I want
44:08
to make videos that I know that aren't going to perform
44:10
well because it makes me feel better about what I do
44:12
and so it's a uh I
44:14
have to go back and forth and I have
44:17
to I want to make sure
44:19
that i'm really loving What i'm doing so
44:21
I can keep doing this, but I also
44:23
have to make these videos
44:26
To get people to watch so i'm trying to trick myself
44:28
and not trick myself But just trying to figure out what's
44:31
the hook in the video that I
44:33
can please both sides of it I haven't figured it
44:35
out What i'm trying to say is
44:37
i haven't figured it out and i'm never going to and that's
44:39
going to be okay It's all
44:41
gonna. It's all gonna be okay Dang
44:43
it. That's why I give up on looking at the
44:46
analytics because What I do is
44:48
make cool things. Yeah Well, at
44:50
least I make cool things for myself, right? I make
44:52
things that I feel are cool and the processes of
44:54
me learning how to do these things And
44:57
I I changed we talked a little bit about reinventing
44:59
ourselves and maybe that was going to be the topic
45:01
today Is that what it's going to be? Oh coasting
45:04
um the idea that we're gonna Hit
45:07
hit the the slipstream and coast we're
45:09
gonna get that spot where we just
45:11
kept money just get foreign end And
45:14
then we're just gonna coast And we
45:16
talked before we started how that never
45:18
happens You know, we like Because
45:21
when jelly smack was the thing and a lot of
45:23
creators including myself was making a lot of money a
45:25
month But it only lasted several months and then it
45:28
just it died off and like but when
45:30
that first big check came in I was like This
45:32
is it This is it. I
45:35
can literally give the middle finger to half the people I have to
45:37
deal with in a day Because this is
45:39
it. I don't have to worry about it I can just
45:41
do my thing and then and then then
45:43
then then then checks diminish diminish diminish and then there's nothing
45:45
and then It's back to zero and then you're like, oh
45:48
no, I i'm glad I didn't give the middle finger
45:50
to half the people I don't want to do it
45:53
Because now I have to deal with them in a day
45:55
and have some for money and work and jobs I do
45:57
a lot of work behind the camera. That doesn't that's that'd
45:59
be a behind the scenes that doesn't necessarily make it
46:01
to YouTube. But this work I
46:03
don't want to do. I mean, I still work for
46:05
the liquor companies. I love those guys. They're the best
46:07
clients in the whole world. I
46:10
have a big job coming. I'll tell them they have to
46:12
show, which hopefully, they gave me one
46:14
price and I basically gave them a double on that
46:16
price. Like, let me go back. And then they came
46:18
back the other day and said, looks like we can
46:20
do that. I said, great. I'll tell you after. But
46:26
there's never a moment where we can coast. And
46:28
you look back at my personal trajectory where I
46:30
started in the Lower East Side and
46:33
then Jaco says, you're unrelatable. I
46:35
obviously made a lot more money in the last couple
46:38
of years. But I was making
46:40
a ton of money in the city. I was making
46:42
a lot of money in the city doing all client
46:44
work. But
46:47
I was constantly on the hamster
46:49
wheel of making sure that that worked. Now I can
46:51
coast a little bit here and there, but I can't
46:53
keep coasting. I have to constantly keep fanning
46:57
the flames and making sure advertisers
47:00
come in and the advertisers that come in, I'm
47:02
like, maybe I don't want to
47:04
do a video game ad. But you know what? Let
47:07
me look at it because they always pay a lot. It's
47:09
kind of like drug dealers. It's like, here you go.
47:11
Here you go. This is 20,000.
47:13
What are you going to do? Let's talk about a stupid
47:15
game that you're never going to play. So
47:20
thank you to Sean Beckner the other day. He posted
47:22
it for me. When I
47:24
see a film, like a struggling
47:26
filmmaker, when I see a filmmaker
47:28
making a video with an ad in it, I
47:31
watch the ad because that's how the filmmaker is
47:33
able to make his films. So thank you Sean
47:35
for that. It was really nice
47:37
of you to say that and publicize that. And so
47:39
I reposted that. So it's,
47:41
I don't
47:43
know. I kind of want to say that. The bottom
47:46
line is there's no easy way to coast. And
47:48
if I look at my future and my trajectory,
47:50
I'm just sticking to what I can do. I
47:53
can make cool things. I can't come up with
47:55
the best title. I can't come up with the
47:57
best image, but people who know, know
47:59
that when they watch watch this video, there's gonna be a
48:01
couple of pearls in it that they can go
48:03
home and improve their own personal stuff. Whether I'm
48:06
rich, whether I'm poor, whether I'm working on a
48:08
machine that no one's ever gonna touch, somebody
48:11
might see that machine and go, I want one of those, I'm
48:13
gonna work to get to that machine. And then they'd come to
48:15
me in a year from now and say, you
48:17
know what, I was in this bad job, you have this $10,000
48:19
machine, and
48:21
I said, I want that machine. So I work to get
48:24
that machine. Thank you for showing me that there's more to
48:26
life than just a shop with
48:29
grandpa's tools. And
48:31
so that's what I'm sticking to. If
48:34
you step back and you look at the
48:36
whole picture, when
48:38
things first started taking off for us,
48:41
there was a lot of
48:43
growth all at one time. And
48:46
it just feels amazing. Like I'm
48:48
able to quit my job, I get to
48:50
do this crazy thing for a living, this
48:52
is absolutely amazing. But
48:55
that growth eventually has to taper
48:58
off. There's only a certain pool
49:00
of people who
49:02
are gonna watch your videos, and it's
49:04
a huge pool, and you're never gonna reach
49:06
the full potential. It
49:10
always feels like I want that feeling
49:12
again of that tremendous growth. That's not gonna
49:14
happen anymore, or maybe it will. We're
49:20
always in the moment, we always think, oh,
49:22
there should always be growth. We
49:25
should always be trying to figure out how to make more
49:27
money, how to get more views, how
49:29
to become a better designer, a better
49:31
furniture maker, and more tools. I
49:35
think anybody who runs their own business is always
49:37
in the mindset of, how
49:39
do I get bigger and better? More
49:41
bigger, better. More bigger, better, yeah. And
49:44
that really messes with your brain.
49:46
And as far as coasting, I
49:51
feel like, I think for
49:53
me, I like the idea
49:55
of coasting more than I
49:57
would actually appreciate coasting. Because...
50:00
I think a lot of creative
50:02
work and good art comes
50:04
from a little bit of a struggle,
50:07
a little bit of a I
50:09
got to push myself more, right? So
50:13
I have a bunch of thoughts. In New York, I
50:15
was going to say quickly, in New York there's a
50:18
graffiti called Comfort Equals Death. Yes. It's
50:20
actually, I think it's an old band. Comfort Equals
50:22
Death, it's like a, it's
50:24
a graffiti you see around the city for like
50:26
the last 40 years. It's a wine glass upside
50:29
down with like an X in it. And that
50:31
means Comfort Equals Death basically. Once you get comfortable,
50:33
you die. But go ahead Bob. Interesting.
50:35
Alright, so I have several thoughts in regard to
50:37
all that stuff. First is
50:40
separation of concerns. So when in
50:42
programming, when you do software development,
50:44
you have to, to
50:46
end up with a good product, you
50:48
have to decide to split things apart
50:50
into logical pathways, into
50:52
logical functions so that this
50:55
thing over here does one thing well.
50:58
This thing over here does one thing well. And
51:02
you never start that way, but you end up
51:04
getting to that because that makes things sustainable. Now
51:06
we don't really do that when we start creating
51:08
content. We do all of it. It's the
51:10
startup mentality of like we do everything. We make
51:13
the thumbnail, we design the thing, we build the
51:15
thing, we shoot the video, we edit the video,
51:17
we make all of it. And
51:20
so as you go along, you start to get help
51:22
maybe with some of those
51:24
things. And you have to decide when
51:27
and what you get help with, right? I've
51:30
accepted the fact that I'm not
51:32
a great graphic designer and I get
51:34
help with that. Forby has been with me since
51:36
the very beginning and he's an amazing designer and he
51:38
does all of that stuff because I know that he
51:40
can do that stuff better than I can. I think
51:44
titles and thumbnails, I might be getting
51:46
to a point to where I'm recognizing
51:48
that that might be better produced
51:51
in somebody else's hands, somebody other than he and I,
51:53
because he and I work on that really well together,
51:55
but it's a struggle for both of us. And
51:58
I wonder... This is me
52:00
wondering out loud, if there's
52:03
somebody that can take that to do
52:05
it better for me so that
52:07
I don't have to try to struggle with 10%
52:12
of my work that makes 90% of
52:14
my work less enjoyable. Because that is the
52:16
truth. I'm struggling with that 10%. And
52:19
this is not meant to be a complaint. This is me
52:22
figuring things out. I wanna do this. I
52:25
want this to work. I want to sustain this
52:27
business. So that's what I'm saying. This is not
52:29
me like, ooh, I gotta make a thumbnail. That's
52:31
not my point. So separation
52:34
of concerns. I
52:36
think it might be worthwhile to
52:38
look at letting somebody who's
52:40
really good at something do it in
52:43
lieu of me struggling with it. That's
52:45
one thing. Second
52:48
thing is in regard to the growth thing
52:50
that you were talking about. I learned in
52:54
a very big way this last year that
52:57
fruit requires seasons. Fruit
53:00
does not grow on trees all year long.
53:02
Fruit grows on trees one season
53:04
a year. And for
53:06
that fruit to grow again the next
53:09
year, it requires a winter where the
53:11
thing dies. Everything falls off. It shuts
53:13
down. Everything gets
53:15
replenished. It starts to get new nutrients. It
53:17
starts to bloom. It builds
53:19
new fruit. That's how it works. That's
53:21
how nature works. And we
53:23
are no different. We cannot be on
53:26
an upward trajectory in
53:28
everything in our life all the time. That's
53:30
not nature. That's not how it works. And accepting
53:32
that has been pretty big for me because when
53:34
I have a low or a hard,
53:37
I'm like, cool, I'm in winter right now. And
53:41
after winter, there's spring. There's
53:44
something to look forward to. This is a step
53:46
towards something else. Different
53:49
kind of fruit, different season of life. It
53:52
requires seasons. And that has been very
53:54
big for me. So the growth
53:57
that we all saw is gone. But
53:59
that doesn't. mean that there's not another
54:01
new fruit on the other side of this
54:03
like valley that we may be finding ourselves
54:05
in or that we will find ourselves in
54:07
next year. The
54:09
other thing, last thing and then I'll shut up, is
54:12
you're talking about the coasting thing and that was what we
54:14
were originally going to talk about was like we
54:18
all naturally I think in
54:20
some way, well for me
54:22
again, I naturally want
54:24
to find a way to coast
54:26
a little bit but I don't want to
54:28
not work, I don't want to not create
54:30
and I think it is more akin to
54:33
running. So when you become
54:35
a runner, when you start trying to get
54:37
healthy, you're like speed, I got
54:39
to do speed, that's how I'm going to lose
54:41
weight, that's how I'm going to become a runner
54:44
and you sprint and you start sprinting and then
54:46
eventually you notice that man my knees hurt so
54:48
I should probably not sprint, I should learn how
54:50
to do a little bit longer distances so that
54:52
my heart is healthy, not my legs as
54:55
much. And so it changes
54:58
from sprinting to distance
55:01
and then eventually you were like yeah I can
55:03
do more distance and you have to change your
55:05
pace at which you're running to be able to
55:08
do more distance. And
55:11
I don't think it's that I want to coast as in
55:13
I want to sit down on the couch and
55:16
just make money and live the rest of my life but
55:18
I have to recognize that I stopped
55:21
sprinting a long time ago and
55:23
I slowed down a little bit and
55:26
I'm doing it longer and
55:28
I have to change the pace at which
55:30
I work and the goals
55:33
that I'm trying to accomplish. It's not about winning
55:35
the race, it's not about being the fastest one,
55:37
it's not about it's not even
55:39
about covering a big distance anymore, it's about
55:41
being able to do it as long as
55:43
possible and this is I'm talking about like
55:45
life not necessarily YouTube, it's
55:48
about sustainability and about like how am I
55:50
going to be able to continue to live
55:52
the life that I want to live long
55:54
term. That means I have to change
55:57
the way that I do things. I had to slow down
55:59
my videos. to change the
56:01
structure of my team. I had to choose
56:03
not to buy all the things that I would
56:06
love to buy and sell things that I don't
56:08
use anymore. And there's all these things
56:10
that have to change so
56:12
that I can continue to run at a new pace
56:14
that I'm running at. And
56:16
I think the
56:19
title thumbnail struggle thing to
56:21
kind of pull it back around is
56:23
one of those, it's one of those
56:25
things that I'm finding is making it
56:28
really frustrating to run. And
56:31
if I can instead of wearing these stupid
56:33
old shoes that I've worn for several years,
56:36
get some new shoes, let somebody else
56:38
do the thing and
56:40
enjoy running. That's kind of like what I'm
56:43
landing at is like, I
56:45
enjoy a very specific thing and I'm good at
56:47
it. I think I
56:49
wanna do that. And I don't wanna
56:51
try to do everything else. And I don't wanna try
56:54
to be a social media person and I don't wanna
56:56
try, I wanna make stuff. And
56:59
I'm sure you guys get these emails of
57:01
like, hey, I'm your title thumbnail
57:03
guy. And then they'll just random
57:06
emails and then they show you
57:08
their portfolio and it's
57:10
like the crazy rainbow colors and
57:12
contrast and like, no,
57:14
that is not my audience. Like if I
57:17
did those things that would not appeal to
57:19
my audience, I would actually lose viewers. So
57:22
I'm sure there are people
57:25
who are experts and
57:28
I'm sure there's somebody out there who
57:31
is perfect for you, but that
57:33
particular person is harder to find
57:35
because you are not marketing to
57:38
teenagers, you're marketing to people in our
57:41
circle. People
57:43
in our circle don't want
57:45
the super MrBeast stuff. Yeah,
57:53
yeah. And I think, you know, what
57:57
the thumbnail style or title
57:59
or hook. or that,
58:01
I don't know, there's gotta
58:03
be a word for that. Whatever that hook thing
58:05
is, the thing that gets somebody's attention, it
58:08
changes, even within our
58:10
audience, our dedicated, we
58:12
love you audience, it's still gonna change,
58:14
their appetite changes. And
58:17
so it is chasing a moving target
58:20
a bit, but I think
58:22
when it comes to paying attention
58:25
to where the target moved, that's
58:27
a skillset, that's an amount of
58:29
effort that, like
58:34
I'm not motivated to make. It's like being a programmer.
58:36
And I'm not, I'm not. You
58:39
can't just learn a programming language and then stop
58:41
learning. You have to keep learning as it evolves,
58:43
yeah. Yep. So
58:46
I think there's other people out there that
58:49
have the appetite for watching
58:51
that target and adjusting
58:53
to where that target is moving at
58:55
any given time. And I
58:57
don't know, I don't have a point other than just
58:59
to voice my frustration with it and like, I
59:02
want it to be better. I want it to
59:04
be well done and I don't think I'm equipped
59:07
to do it well. So
59:10
I guess anybody who's not
59:12
gonna make MrBeast thumbnails
59:16
and titles and doesn't wanna lie
59:18
to audiences but you can make good thumbnails, give
59:21
me a call. If
59:25
that one very specific person is out there, let
59:27
me know. And
59:29
then once you hire that person, I'm
59:31
also gonna hire them as well. Okay, I
59:33
mean they could get full time work for
59:35
sure. Like between all of us, you know.
59:39
In regards to the coasting thing though, I
59:42
have thought a lot about this, about what
59:44
it looks like as we get older and
59:48
choose how much we
59:50
work and how we continue to make
59:52
money, you know, not to
59:54
like become wealthy but just how do
59:56
we make a living as we.
1:00:01
get older, age out of
1:00:03
the YouTube thing, and just
1:00:05
want to have more margin in our
1:00:07
life. And I don't know that that's
1:00:10
coasting as much as it is just
1:00:12
adjusting our our
1:00:14
needs financially and adjusting
1:00:19
where we put our effort. And
1:00:21
I think for me putting
1:00:23
effort into creating videos at
1:00:26
a certain pace for a really long time finally
1:00:29
caught up with me. And so now I'm just trying
1:00:31
to adjust for what the next several years looks like,
1:00:34
you know, as I still
1:00:36
want to make a living. But I gotta
1:00:39
be able to do it
1:00:41
differently. So Jimmy, you're looking to like just
1:00:44
turn off all the cameras and live on a farm and
1:00:46
make your stuff that nobody sees, right? Is
1:00:48
that your goal? What's my long term goal is,
1:00:50
well Howard has always said it, he said my
1:00:52
goal is for you to make videos because you
1:00:54
want to not because you had to. That would
1:00:56
be awesome. You know that's
1:00:58
always the goal. And
1:01:01
so with that mindset involved, every once in a
1:01:03
while I throw an ad in because it's good
1:01:05
money and pays the bills. But
1:01:07
in general, I make
1:01:11
the things that I really want to learn about. For instance,
1:01:14
the barrel and you know this year I haven't
1:01:16
really been explicit about it, but this year it's
1:01:18
been about challenging myself, doing
1:01:21
a few things that I otherwise would more
1:01:23
take a comfortable route. You know I'm not
1:01:26
on the hamster wheel of a video a
1:01:29
week. I'm not doing a video this week.
1:01:32
I'm going to take some time and do this
1:01:34
stool for double H boots and it's Carolina double
1:01:36
H boots. I'm going to do that. Take
1:01:39
some time to do that. Long-term
1:01:44
projects like the house and the barn and a
1:01:46
few other projects around here, I'm going to start
1:01:48
working on a new truck soon. I'm looking for
1:01:50
a new car restoration. I have
1:01:52
a couple of cars in mind. I've always wanted a woody
1:01:54
but they're impossible to find. And
1:01:58
I'm just I really want to just do The
1:02:00
things that inspire me that will
1:02:02
infectiously inspire other people. That's
1:02:05
really kind of the goal. And my goal
1:02:07
has never been to make something that somebody can
1:02:09
home can make exactly the same way. That's why
1:02:11
I've never been good with plans. I've never been
1:02:13
able to sell plans. Because
1:02:15
people see me freestyling something and then
1:02:17
the plans are reverse engineered based off of that. And
1:02:19
then they're like, I don't know.
1:02:21
I don't know why. I'm just bad with plans. Maybe
1:02:23
it's just I'm bad marketing, bad at marketing plans because
1:02:25
my whole thing is like, I just think of
1:02:27
it as I go. And
1:02:31
when it comes to thumbnails and view
1:02:33
counts and stuff, I honestly believe that the stuff
1:02:35
I'm making, whether it gets a thousand views now,
1:02:39
over its lifetime, will get millions of views. And
1:02:42
I like to just continuously make evergreen
1:02:44
content that isn't necessarily attached to any
1:02:46
real current events outside of my own
1:02:48
personal learning. And
1:02:51
I think we have a life, videos will have a life
1:02:53
on YouTube as a start,
1:02:56
but as platforms change
1:02:58
and tastes change, now
1:03:00
we're going with Facebook. Voove is
1:03:02
behind the scenes putting everybody's content on Facebook. And
1:03:04
that's going to have a life and we'll get
1:03:06
some earnings there. I
1:03:09
truly believe that there's more to come,
1:03:11
that this library will be utilized over and over
1:03:14
again. Every once in a while,
1:03:16
some of my highest viewed videos are videos I made 10
1:03:18
years ago. Every
1:03:20
once in a while. And videos
1:03:23
that aren't performing well now will perform
1:03:25
later and do well. It's really also
1:03:27
the legacy of the
1:03:30
education I provide. And there's a lot
1:03:32
to that too. I'm excited
1:03:35
to continuously add bricks to that wall
1:03:37
and look to that library with each
1:03:39
video that I'm proud of.
1:03:41
That's a good way to look. So I'd rather
1:03:44
be more proud of the videos I put out than trying
1:03:46
to chase money. Because I mean, I guess I'm
1:03:48
fortunate in the way that I can make some
1:03:50
phone calls and just get money fabricating stuff. And
1:03:53
there's always loose royalty deals going
1:03:56
on in the background. I
1:04:00
can tell you about it. I
1:04:02
don't know if I should talk about that. Probably can't talk about
1:04:04
that. Never mind that. Edit that up. Now
1:04:07
there's a royalty thing going on. Once it
1:04:09
gets more traction, I'll tell everybody. So
1:04:12
yeah, I just, and
1:04:15
I'm always looking for other ways to
1:04:17
create income. Opportunities
1:04:19
here and there. Yeah. But
1:04:23
who knows? Just trying to keep
1:04:25
your eyes open and just see
1:04:27
creativity sharp. And fun and unique
1:04:29
and interesting for you. I'm
1:04:31
currently listening to this book called, I
1:04:33
think it's called Oversubscribed. And the
1:04:36
author mentions this furniture maker
1:04:39
named David Boucher. And I
1:04:41
never heard of him. And I
1:04:43
looked it up and he's
1:04:46
an older gentleman. But he
1:04:49
makes insanely high-end furniture where
1:04:52
like a table or a cabinet
1:04:55
as a single piece sells
1:04:57
for hundreds of thousands of dollars. So
1:04:59
his like clientele is like super
1:05:02
rich. And I, as I
1:05:05
started, I'm not even a fan of
1:05:08
the style of furniture. It's a little bit
1:05:11
too busy for me. But
1:05:13
I was like, what? That's coasting
1:05:16
for me is maybe
1:05:18
that's a form of coasting for me way
1:05:20
in the future as I'm older. Maybe
1:05:23
I can make high-end furniture
1:05:25
for other people. Just that
1:05:28
one project that you work on
1:05:31
for six months but then pays
1:05:33
your year salary, that sounds absolutely
1:05:35
amazing. I don't know that I'll ever get
1:05:38
there, but that could be a form of coasting for
1:05:40
me in the future. And everything
1:05:42
that I'm doing now is just building up
1:05:44
to get those skills to
1:05:46
do that when I'm older. I
1:05:51
think similarly to that, I keep going back to
1:05:55
like the product thing that
1:05:57
I feel like I've built up enough skills.
1:06:00
and understanding of problem solving
1:06:02
that I should
1:06:05
be able to create a product
1:06:07
that solves a problem for people
1:06:09
that makes something easier. I
1:06:12
feel like I've got all of the stuff around
1:06:15
this little empty spot and
1:06:17
I just don't know what goes in that empty spot. So
1:06:19
close. You're so close.
1:06:21
It's like, it's probably just
1:06:23
a matter of time before everything
1:06:25
just goes, oh, it's there.
1:06:29
Like I got it. Bar powers combined, and it's
1:06:31
like, right, I got it. And
1:06:33
then that can be something that can, like
1:06:36
you're talking about the expensive pieces, that
1:06:38
idea can be something that can fund
1:06:42
long-term. Now I get
1:06:44
to just be creative with no risk
1:06:47
and no having to hamster
1:06:50
wheel it. I don't know. Maybe
1:06:52
I won't ever get there. But I
1:06:55
think that probably is my long-term. I
1:06:58
just have to solve that
1:07:00
problem. I have to find that problem and I
1:07:02
have to solve my problem. Anyway,
1:07:07
any other thoughts on this winding
1:07:09
road of a topic? I
1:07:13
say it, I say it, I say it. I enjoy
1:07:16
just doing what I'm really learning
1:07:18
at and having fun. And
1:07:21
I think the tides will shift eventually.
1:07:24
Every 20 years things come back into fashion. So
1:07:27
I'm waiting until 2028. It'll
1:07:29
be 10 years after my peak. I
1:07:31
think I'm going to come back. So 2028, everything's going
1:07:33
to be great again. No,
1:07:35
everything's great now. When
1:07:39
I look, I made that barrel. I've been wanting to make a
1:07:41
wooden barrel like that for years. And
1:07:44
every time I see them in antique stores, I'm like, I could
1:07:46
make that, but I'm afraid of the angles. It's always what I
1:07:48
said to myself. I'm afraid of the angles. But
1:07:50
now that I have the capabilities of blacksmithing and I'm
1:07:52
able to combine the disciplines
1:07:54
I'm starting to learn more and
1:07:57
more about, there's a certain sense of freedom.
1:08:00
Like I sent you guys pictures of that print press, and
1:08:03
I was discussing with the guy, and
1:08:08
you'll see the one that I, I don't know, maybe I'll
1:08:10
Instagram this, the one that I
1:08:12
own is missing 30% of
1:08:15
the parts that are, I'll
1:08:18
never in a million years find those parts. They're not going
1:08:20
to be on eBay, they're not going to be anywhere. It's one
1:08:22
of these things that they're gone, they're gone forever to history. I'm
1:08:24
going to just have to make them from scratch. And
1:08:27
I can. There's no
1:08:29
way I can't make the rest of that machine by
1:08:31
myself with everything I have. And you
1:08:33
know, that sense of freedom is really becoming more
1:08:35
and more of, like, is
1:08:38
more and more reality. Like, like
1:08:41
yesterday, I was driving in traffic. This is
1:08:43
funny. I was driving in traffic, my truck
1:08:46
that I bought in 2023, big
1:08:48
truck, huge mirrors, the same
1:08:50
truck was coming at me on this skinny country
1:08:52
road, and boom, we hit mirrors.
1:08:55
My mirror slapped shut, his mirror slapped shut. This is
1:08:57
at seven in the morning yesterday. I put my car
1:08:59
in reverse, he puts his car in reverse, we back
1:09:01
up to each other. And I
1:09:04
go, do you have the same truck as me? He goes,
1:09:06
I think so. And we're both looking, and we're like, cool.
1:09:09
I go, is my mirror broken? He goes,
1:09:11
I don't see anything. And I go, yours has a little crack on
1:09:13
it. And he goes, all right. He goes, I don't care if you
1:09:15
don't care. I said, I'm cool. And we fist
1:09:17
bumped, and we drove away. This is yesterday morning. And
1:09:21
I got home and I looked at my mirror.
1:09:23
And I looked at my mirror. And
1:09:27
I looked at my mirror. My mirror has a big
1:09:29
chip in it. Like, you know all new cars now
1:09:31
have like a blinker on the mirror. So the blinker
1:09:33
light on the mirror was chipped. There's a big chip missing
1:09:35
out of it. And I'm like, I'm going
1:09:37
to go to Chevy. They're probably going to charge me for a
1:09:40
whole new side mirror instead of just because there's
1:09:42
one little piece of plastic missing. But
1:09:45
I have the ability though to fill in
1:09:47
that chip of plastic, wet
1:09:49
sand it, polish and grind it in so
1:09:51
it looks like it's fairly not there. And
1:09:55
I'm like, I can fix that. It's a sense of freedom
1:09:57
that most people don't have. Yeah. I'm going to fix it.
1:09:59
And maybe I'll make it into a reel, maybe I'll just
1:10:01
fix it and not say anything. But the
1:10:03
idea that the sense of freedom I
1:10:05
feel now at this age in my life is
1:10:09
I can fix and make anything I want. I
1:10:11
don't have to wait for somebody else. I don't have to. The
1:10:14
other day Rachel and I were talking, she's like, you know what
1:10:16
you need? You need a piece of music to go with you.
1:10:18
I keep using this catch up song from Apple. She's like, I'm
1:10:20
sick of hearing that in every one of your videos.
1:10:24
You got to get somebody to write a piece of music for you. And
1:10:27
I'm thinking to myself, having to deal with a musician
1:10:29
and being like, no, no, no, make it a little
1:10:31
of this. I'll make my own music.
1:10:33
I'll just figure it out myself. All I need is a 30 second loop. I'll
1:10:39
download the keyboard app or something and I'll figure it
1:10:41
out. I'll make my own piece of music.
1:10:43
First step is to buy a new computer that
1:10:45
is your garage bank computer. And
1:10:47
then you just... So
1:10:51
even though we're complaining about algorithms and all this
1:10:54
other stuff, the sense of freedom I feel right
1:10:56
now is unbelievable. We
1:10:58
all should have that sense of freedom. We're all able bodied,
1:11:00
which is obviously one of the most important things. We're
1:11:03
all healthy, thank God. There's been some people in this
1:11:05
community that we lost, like Aaron and some other people.
1:11:09
As long as you're on the right side of the grass, then you can do
1:11:11
stuff. The
1:11:14
amount of skills and knowledge that we've all amassed in
1:11:16
the last 10 years is
1:11:18
unbelievable. And the audience that
1:11:20
follows and participates, the
1:11:23
amount of knowledge is unbelievable, the amount of
1:11:25
knowledge we share. I
1:11:27
remember a time when it was all a secret. It's
1:11:30
crazy. The people in
1:11:32
our circle, when I say our circle, the people
1:11:34
who watch making videos,
1:11:37
the amount of knowledge we've
1:11:39
all gained together just
1:11:42
in the last 10 years has got to be... It's
1:11:46
mind-blowing. We've never had a
1:11:49
shift like this in knowledge, in
1:11:52
human history. That's just bonkers. My
1:11:56
final thought is... I
1:11:59
hope... 10
1:12:03
years from now, I'll probably look
1:12:05
back in 2024 and think, dude,
1:12:08
you were coasting. You were making
1:12:10
what you wanted to do. But
1:12:13
sometimes it really is hard to appreciate the
1:12:15
moment. And I do understand how lucky I
1:12:17
am. I am making art. I am making
1:12:19
pieces of furniture that I love.
1:12:22
And this is all great. And I'll probably
1:12:24
look back at this time period and think, yeah,
1:12:26
you were coasting. It feels like I'm working hard
1:12:28
right now. But
1:12:32
maybe this is coasting. Yeah. Sure.
1:12:35
So there's something that
1:12:37
I always have to remind myself is
1:12:39
when you're in it, you feel like you're running through the sand.
1:12:42
You feel like you're walking in water when you're in
1:12:44
it. But then when you look back
1:12:46
and you think, like,
1:12:48
for instance, my own personal experience, I was in the
1:12:51
city. I was in that sewer-ridden
1:12:53
basement. I never thought I was going to be able
1:12:55
to live upstate full-time. I was
1:12:57
always going to have to be tied to my clients in the
1:12:59
city. And now here it is, seven, eight
1:13:01
years after I moved upstate. And
1:13:04
I have absolutely zero interest in ever going back
1:13:06
to the city. I don't really want
1:13:08
to be near the city. I
1:13:10
am so comfortable up here. But when
1:13:13
I was down there and I thought of the leap to
1:13:15
get up here and the amount of
1:13:17
things I had to move and edit and get
1:13:19
rid of stuff and deal with my landlords, and
1:13:22
it's all so behind me right now. So when you're in
1:13:24
it, you feel like you're literally running
1:13:26
through molasses. But when you look back, you're like,
1:13:29
all I had to do was make that decision and confront it and get
1:13:31
past it. That's it. Yeah,
1:13:34
that's a good point. Well,
1:13:37
one of the reasons that we can do this
1:13:39
show, one of the things that helps us sustain
1:13:42
and this is absolute sincerity
1:13:46
is the people on Patreon that support the show. Absolute
1:13:50
sincerity. So marketing in that, other
1:13:52
than that's a gratitude from all three of
1:13:54
us towards those people for
1:13:56
supporting the show and making it possible. We
1:13:59
are very grateful. grateful for that because this is
1:14:01
something that we can do that
1:14:04
we enjoy. We get to have therapy together and we
1:14:06
get to talk and we get to brainstorm and we
1:14:08
get to complain and we get to do all these
1:14:10
things and it's
1:14:12
because we have the support of the people on
1:14:14
patreon so thank you for all of
1:14:16
that. And the people
1:14:19
that go above and beyond every week
1:14:21
are the same and they're awesome. That's
1:14:23
Nick Ryan, Cory Ward, Albers Woodworks, Works
1:14:25
by Solo, Chad from Man Crafting, Chad's
1:14:27
Custom Creations, Rich at Low and Design,
1:14:30
Odin Leathergoods, Shawn Beckner, Scott at Data
1:14:32
at Yourself DIY, Jeff at the new
1:14:34
yankee new janky workshop sorry Jeff, Warren
1:14:37
Works, Michael Monegin and Cribestree
1:14:39
Creative. But also other
1:14:42
people like Leopold.
1:14:47
Leopold's on the list. That's not Leopold. Leopold
1:14:50
thanks for the support. Appreciate it. Everybody
1:14:53
over there at all different levels gets
1:14:56
the after show which apparently Jimmy has several secret
1:14:58
things he's going to tell us. That's usually what
1:15:00
goes in the after show. It's like extra
1:15:03
secret non-public upcoming that that's the kind
1:15:05
of stuff. I forgot what I was
1:15:07
going to say. I didn't write any
1:15:09
of it. Great. Give me some triggers
1:15:11
to remember. We'll hit the rewind button and yeah we'll
1:15:14
try to figure it out. But after
1:15:16
show is more podcasts, separate podcasts,
1:15:18
us talking another 20 minutes or
1:15:20
whatever. So if you want to
1:15:22
get that go over to patreon.com/making it. Sign
1:15:25
up at any level and then in
1:15:27
patreon right there in the top there's a little link to
1:15:29
an RSS feed you can put in your podcast player or
1:15:31
you can listen on patreon. We
1:15:34
also do the after showing video on YouTube
1:15:36
so you get that link
1:15:38
as well so there's lots of options if
1:15:41
you want to support the show. We
1:15:43
had a lot of comments from different
1:15:47
patrons this week actually. Some
1:15:54
people frag asked
1:15:56
if we should have a discord for this
1:15:59
show for people to chat about
1:16:01
episodes. Yeah, never really thought of that. Scallop
1:16:06
Frito. We had a
1:16:08
Reddit at one point, didn't we? We did. Scallop
1:16:10
Frito sent a message while we were recording
1:16:13
asking if we had thought about doing a
1:16:15
live show at OpenSauce, which
1:16:18
we have not thought about that, but I also can't
1:16:20
go because of scheduling conflicts, so
1:16:23
unfortunately not. Anyway, we do get a lot of messages
1:16:25
and we try to, you know, I try to answer
1:16:27
them and pass them along to the guys whenever we
1:16:29
get those, so big thanks to
1:16:31
everybody over on Patreon. Do
1:16:34
you guys have anything to recommend this week? Yes.
1:16:39
The YouTube channel for Popular Science,
1:16:43
it's the YouTube channel is probably a
1:16:45
lot smaller than what you might think. They only have
1:16:47
91,000 subscribers
1:16:51
and I'm gonna call
1:16:53
them my buddy. My buddy Kevin Leber from
1:16:55
Vsauce2 is one of
1:16:57
the new hosts over there and
1:16:59
they are making fantastic videos. He
1:17:04
hosted a video called Why Do We
1:17:06
Put Holes in Our Head? and it goes through the whole
1:17:08
history of cutting holes in people's
1:17:11
heads and where it started
1:17:13
and where we're at now and they
1:17:16
put out a video yesterday where Kevin was one
1:17:18
of the hosts and it was
1:17:21
the first amputee reattachment.
1:17:26
So this kid lost his arm in
1:17:28
a weird train accident and
1:17:31
these doctors didn't know they were gonna be
1:17:33
the first. They just, everything just kind of
1:17:35
happened all, like everything just kind of lined
1:17:37
up in a perfect
1:17:39
moment where like let's just
1:17:41
try this and it worked and
1:17:43
I don't know, they're just really good, well-produced
1:17:46
videos. Popular Science.
1:17:48
I'm gonna
1:17:52
talk about Cornelius, I don't know how to say
1:17:54
his last name, Cornelius
1:17:57
Querring, if you guys haven't seen him or
1:17:59
found out. on Instagram. He is
1:18:01
a shirt clothing maker
1:18:03
and he's an incredible teacher too. He
1:18:05
shows every one of his Instagram posts
1:18:07
is a tip on making shirts
1:18:10
and making clothes and sewing. But
1:18:14
from an expert that has, obviously has
1:18:16
years of experience, practical hands-on
1:18:18
knowledge, so check out Cornelius.
1:18:21
I just posted his Instagram to our chat. Every
1:18:25
time he pops up I think to myself, I gotta take
1:18:27
the time and just go through every one of his videos
1:18:30
because every one of them is knowledge on how to make
1:18:32
clothes. Cool.
1:18:37
Mine is a video I mentioned earlier
1:18:39
by Beau Miles called Get Over Yourself
1:18:41
and short story,
1:18:44
he is beginning to
1:18:46
burn out. He makes really interesting
1:18:48
YouTube videos kind of out there, all
1:18:51
sorts of different stuff but he basically
1:18:54
goes fishing as a way to
1:18:56
decompress and then he's sitting talking to
1:18:58
his camera as he's about to get in the water
1:19:00
and this guy pulls up in a car and says,
1:19:03
are you gonna fish or are you just gonna take pictures of
1:19:05
yourself? And
1:19:07
you can see on his face it like, he
1:19:10
goes, ugh. And
1:19:12
his response is, I'm a bit
1:19:14
of a narcissist. And then it
1:19:17
like sets this whole video in
1:19:19
him reflecting on how making
1:19:21
YouTube videos does give you a lot of
1:19:23
opportunity to think about yourself way more than
1:19:26
you should and about
1:19:29
prioritizing and all this. It's a very good video but
1:19:31
it got me thinking about a lot of the same
1:19:33
stuff because I have thought a lot about narcissism in
1:19:35
regard to what we do and how I
1:19:38
would honestly prefer not to be visible
1:19:42
as much as I am but I have to
1:19:44
make myself be visible for what
1:19:47
I do and that makes me feel like I'm just
1:19:49
trying to show myself off, you know, so there's this
1:19:51
weird kind of back and forth. Anyway, it's a very
1:19:53
good video and he's got
1:19:55
some other really interesting ones. He does some pretty
1:19:57
wild stuff so Go check out
1:19:59
Bo. My comment. Get
1:20:02
more pat on the back to the key. can
1:20:04
use it. You
1:20:06
have anything else. Who.
1:20:08
Are. I'll
1:20:12
take that over. Know that? Thanks
1:20:14
Religion everybody thank have very little
1:20:16
of because kids next them learn.
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