0:00

The following podcast contains strong language and

0:02

adult themes and is intended for mature audience,

0:04

listener discretion is advised.

0:07

previously on Marvel's Wastelanders, doom.

0:11

The notebook was destroyed, but

0:14

what you're looking for is in the negative

0:16

zone. Now

0:20

let me go now.

0:25

Remember

0:25

the neo Babylonians all

0:27

the prisoners clause been holding. Go

0:29

look at the window.

0:30

You release them.

0:32

guilty as charged. They'll

0:35

give us plenty of cover to get moving. Let's

0:37

go.

0:37

Of

0:39

course this. Everybody settle up.

0:42

Where to? My ranch. No.

0:44

No. We need to head to the negative zone.

0:46

Well, in order to get into the negative

0:48

zone, you need special gear, and I have that

0:51

gear. back at my ranch.

0:52

Wait. Let's go. Yeah. Yeah.

0:56

God.

1:17

oh

1:18

What do you think of my spread? I'm

1:20

appropriately

1:23

modest for one who is accomplished

1:26

so little in life, Valeria.

1:28

It's only

1:30

the prime ranch in all of what used

1:32

to be Texas. Quickly

1:35

as ever.

1:35

Child, when I would

1:38

rally my subjects in La Veria,

1:40

they'd chew for days, hoping

1:42

for the slightest glimpse of

1:44

the royal personage. I

1:46

do not believe they would

1:48

ever call me. correctly.

1:52

They'd know the penalty. Besides,

1:55

only we who know you personally would

1:57

ever call you that.

1:59

at least I'm

1:59

not capricious. Or narcissistic.

2:03

Naglegiant. Or petulant. wasteful.

2:06

Impulsive. In consequential. Insecure.

2:10

Disappointing. Uh-huh.

2:12

Good to see you, Victor.

2:14

and

2:16

you, Valera. Something

2:21

stirred up the dogs. and

2:24

the wolves and

2:26

all the rodents and half

2:28

the insects. You?

2:31

It happens in my present. After

2:34

a while, I don't even hear it.

2:37

It's annoying. Let's go inside.

2:39

No. Why? We should

2:41

go to my trophy gallery.

2:42

I have something for you. Your

2:45

father's head on a pike. I should hope

2:49

Shut up, Victor.

2:51

Marvel

2:53

entertainment in series XM present

2:56

Marvel's Waste Landers.

2:58

doom. Chapter

3:02

five, truth zero.

3:19

Any better? The

3:20

significant damage to my systems

3:22

is being corrected,

3:24

approximately, Johnny. Cannibalizing

3:26

parts from an earthly

3:28

life

3:28

model decoy matrix is

3:31

not the ideal method with which to repair

3:33

a Argentinian recorder, but it

3:35

must suffice. You lucky Val

3:37

has life modeled him

3:39

a call that's sitting around and that I

3:41

know it being a tool about machinery. Look

3:44

at this place. What doesn't

3:46

she have? Truly,

3:48

I've remarkable gallery of worthless

3:50

artifacts. Wothless says

3:54

here these are three d man's lenses.

3:56

I cannot place the name.

3:58

Me neither. I'm

3:59

just really plex. Oh,

4:03

Beto's power gloves.

4:05

If you were such, sir. Oh, my god. The

4:07

small what?

4:08

The figures you name are what might be

4:10

called locally famous. No

4:13

one has heard of them.

4:14

kept everyone on

4:16

Earth. I thought

4:17

you'd be impressed. I thought you

4:19

were supposed to be discovering and recording new

4:21

things for regilient builders.

4:23

Can it wait until I am repaired?

4:27

Sorry.

4:27

Yes. That was

4:29

obnoxious. Sorry. Think

4:32

nothing of it. Did

4:34

you

4:34

have got anything about me? Oh,

4:37

yes. you are very

4:39

interesting. A professional

4:41

dispenser of intoxicants who abandoned

4:44

his post to seek adventure with the woman

4:46

he is falling for. What?

4:48

No. I'm not. The perceptions of

4:50

a Argentinian reporter are calibrated to

4:52

render empirical truth with a zero

4:54

point 0001 nano

4:56

degree margin of error.

4:59

You worry that miss Richard's world is

5:01

too large, die dynamic and

5:03

important to have a place for you?

5:05

No. I don't. The

5:08

perceptions a right jelly and recorder

5:10

are calibrated to render empirical

5:12

truth with a zero point 001

5:15

nano degree margin of error. What

5:18

do you think? What

5:19

did I call for it?

5:21

Recorders have no direct experience

5:23

in these matters. But

5:25

based on observation, life

5:27

forms such as you and miss Richards

5:29

often achieve successful

5:30

coupling. This album. Wow. Greetings,

5:33

miss Richard's Doctor Doom.

5:36

Johnny and I were And so the quarter's in for

5:38

repairs. As you can see, I I

5:40

don't think this LMD matrix

5:42

is quite up to do on the job. It's been

5:44

it's viewing weird non sequins all

5:46

night. Have I? Yes. That is

5:48

concerning. Did of low

5:50

time. You'd be alright.

5:52

Avel area. It's the

5:55

inane banter between a servant

5:57

and a robot. I'm not a servant. If

5:59

that is the gift you

6:01

mentioned, I believe I shall

6:03

retire for the night. Of course,

6:05

it isn't. Come over here. Check

6:07

out the trophy room. Doctor.

6:13

Clearly, you made your way

6:15

through doctor Strange's sang

6:17

them, Saint Torim. That

6:19

is the orb of Agamoto, is

6:21

it not? Forget

6:22

the orb. Check out the bell of

6:24

Icon. opens

6:28

up an interdimensional path to

6:30

another plane of existence. parlor

6:34

tricks are beneath you, hilarious.

6:36

And

6:37

that we knew how to have fun.

6:40

this way. Careful of the giant Sentinel

6:42

head. This way

6:45

behind the nega bands. Oh,

6:47

is that the trapsters

6:48

paced gum. Indeed

6:51

it is. Why?

6:52

To keep it away from the bullies and

6:54

morons, same reason anything's here.

6:56

This

6:58

is what I wanted to

7:00

show you.

7:02

This is for you,

7:05

Victor.

7:08

my goodness.

7:12

Please accept it.

7:15

Is this the

7:18

origin.

7:19

I figured you'd want your old mask.

7:24

Thank you, Valera.

7:27

sincerely. This

7:30

is most kind. You're

7:32

welcome.

7:34

Now, if someone will

7:36

show me to my quarters.

7:37

No. It's too early.

7:40

Come on. It's been forever since we

7:42

hung out. malaria.

7:43

I find myself

7:46

marginally depleted from

7:49

our encounter with

7:51

claud marginally.

7:53

But then I have just the thing for

7:54

you. Follow me to the house.

7:58

Yeah. You're invited, Johnny. Let's

8:00

go.

8:09

I will wait here. I

8:11

do not mind.

8:21

cheese.

8:22

Nice place, Kyle. I

8:24

knew you'd like it done. I am

8:26

accustomed to greater comfort. Right.

8:30

Stone walls and torches. Next

8:32

time, I'll arrange for some mold.

8:34

Johnny, come give me a hand in the kitchen.

8:36

Sit down. as I have clearly

8:38

stated, I should wish to

8:40

retire.

8:40

This will be healthier.

8:42

Just sit a minute here in the dining

8:44

room. I

8:45

don't know. Play with your

8:47

mask.

8:52

What are

8:54

you doing? I'm the truth out

8:56

of him. Can you reach the wrong and

9:01

take it from a bartender Val.

9:03

These days, it's all green alcohol

9:05

and food coloring. No more

9:07

vodka scotts tequila. That's now.

9:09

This is the old stuff. The good

9:11

stuff. Chop those basil leaves

9:13

while I wash the chalices. Chop them

9:15

fine. Fill mask and any telltale

9:17

smells.

9:20

what truth are you trying to get out of them?

9:22

He wants me to help him do something

9:24

or obtain something, and he won't

9:26

tell me what? Right. given

9:28

his history, it'll be something awful.

9:30

Yeah. Maybe. He's

9:32

not all bad, Johnny. At

9:35

least not toward me. But

9:36

if there's something he wants. He'll let

9:38

you hang too. Yeah.

9:41

But

9:41

what makes him think you go along with

9:43

him? Victor, assumes everything will go his

9:45

way until it doesn't. Funny.

9:49

He's, wow, I'm so tired. I would have thought he doesn't

9:51

drink. Oh,

9:51

he doesn't. Never had

9:53

to my knowledge, and that's what I'm

9:56

counting on.

9:56

But he's a lightweight.

9:59

Play along.

10:05

Well, what is it?

10:07

You seek to force upon

10:09

doom. These, ritual

10:11

herbs and

10:12

elixirs come from the last words of

10:14

the Cotati.

10:15

Historatives. The

10:18

kotati. They're extra

10:20

terrestrial. Plant people. Oh,

10:23

gone.

10:23

Thank

10:24

you. The gifts

10:26

of the Cotati maximize health,

10:29

body, spirit, mind. I

10:31

think we could all use some of that.

10:33

Oh,

10:33

yes. Definitely,

10:35

all of us. I

10:37

believe the term for

10:39

such alleged curatives is

10:42

snake oil. Show some respect. Alright?

10:45

The

10:45

Cotati are brilliant and their culture

10:47

goes back beyond. This stuff

10:50

works.

10:51

First step of the ceremony,

10:54

I burn these leaves. Oh, wait,

10:56

Johnny, I have a playlist set up,

10:58

Latin variants.

10:59

just press play.

11:05

Must we endure the music

11:07

of stinking peasants. Will

11:09

you please stop

11:10

complaining? I'm doing this for you.

11:12

Johnny, there's a lighter in the top drawer.

11:17

Oh,

11:22

is that she soon.

11:24

Yep. What's the property of

11:25

Nick Fury? Give it here.

11:33

Oh, that's stitched. Stop

11:35

it, Johnny. Fill the

11:37

chalices with the elixir.

11:41

Then, sprinkle

11:43

the leaf ashes on top.

11:48

Do we need to be saying a few

11:50

words? Or Out out of

11:51

respect for our victor's rotten mood,

11:53

we'll keep the ceremony to a minimum.

11:55

Alright?

11:56

lift

11:58

your chalice,

11:59

then drink it down all

12:02

the way.

12:16

Victor? You alright?

12:18

I feel

12:21

as if

12:25

as

12:25

if everything's Yes?

12:28

as if every

12:30

part of me is warned, I

12:33

feel my strength

12:35

rising. Doom

12:38

is ridiculous. Yes.

12:41

And everyone around

12:43

doom is slightly

12:46

more engaging. That

12:49

means it's starting to work.

12:51

More health elixir. Of

12:54

course, child. Of

12:56

course.

13:21

The music improved. Same

13:24

music. something about this

13:26

particular piece, evokes

13:28

a memory. I

13:31

was walking the

13:33

cobbled streets of the transparent

13:36

capital of Doomstadt.

13:38

But when you were ruled it,

13:40

I am still the ruler

13:43

full. I'll be at an

13:45

temporary exile. I'm

13:47

sorry. It just seems brave

13:49

to go out and open like that, but

13:51

I guess you had protection. I didn't

13:53

need protection. I didn't

13:55

need to be seen requiring protection

13:57

The purpose of these walks was to

13:59

unnerve and intimidate

14:02

the populace and dispel

14:04

any notion of my mortality.

14:06

What about the music? Yes.

14:10

Well, this day in

14:12

particular, I was

14:14

focused on projecting a turned

14:16

demeanor that would

14:18

slowly build into a

14:20

controlled rage. and

14:22

my passing subjects seemed to

14:25

sense every

14:26

subtle note of my performance.

14:28

Their anxiety was building.

14:30

breath by breath,

14:32

heartbeat by heartbeat as if

14:34

we all of us

14:36

were collaborating on

14:38

a great simphony

14:41

of fear. One

14:43

that would build to

14:45

something satisfying perhaps

14:48

even violent.

14:50

And then I heard

14:52

a chord from a

14:54

fiddle. A

14:56

note from an accordion,

14:59

a weedy stick, feaply

15:01

striking,

15:02

a tiny drum. and

15:05

the music grew louder.

15:07

And more insipidly cheerful

15:09

and moronically rhythmic. and

15:12

it uprooted every one of the

15:14

passersby from my influence.

15:16

All this from a trio

15:19

of rag tag street

15:21

musicians all at once

15:23

they stuffed my people with

15:25

pleasure and comfort, like

15:27

grain being forced down the throat

15:29

of a goose. It had

15:31

to stop. And so

15:33

I stopped it right there.

15:35

And

15:38

the symphony of fear

15:40

that's reached a bloody

15:42

crush and no before

15:45

silence fell.

15:47

One small.

15:49

Cool

15:51

story.

15:53

You were a bartender, Johnny.

15:56

Well, while attending your garden

15:58

of alcoholics, you must have

16:00

exerted some measure of authority

16:02

now and then.

16:04

Sure. Sometimes

16:05

I'd have to throw somebody out. Usually, if

16:07

they're bothering people or if a

16:10

fight broke out, I'd get in the middle, but I don't

16:12

know if dungeons or anything. Mhmm.

16:14

I can make your life a lot

16:17

easier. Is there any more elixir?

16:20

Plenty. Cheggies.

16:23

Let's get all healthy like the plant

16:26

people. Do you

16:28

have been quiet? I thought

16:30

I'd

16:30

give you two a little space to get

16:32

acquainted. But we're

16:34

both here to be with you. I

16:37

as something of a father, I

16:39

hope. More like a weird uncle. And

16:41

Johnny here is a potential suitor

16:44

I gather. Why is everyone saying

16:46

that? I never said that.

16:48

Because everyone here is exponentially more

16:50

intelligent than you, Johnny.

16:52

And we can see through your innocent

16:54

routine like a pane of glass.

16:57

I think if Valera were in the

16:59

market for an affectionate house

17:02

pet, you might do the job

17:04

quite nicely, but as

17:06

a partner, I think you'd

17:08

be more compatible with one of

17:10

Maximus's sub humans.

17:11

You're mistaken, Victor. Tony's

17:14

not

17:15

after me. Johnny,

17:17

are you after me?

17:19

Nope.

17:21

See?

17:22

Mhmm. I heard him. It's

17:24

not your business anyway. My boy, everything

17:27

under the sun, the moon,

17:29

and the sea is

17:32

doom's business Yeah.

17:34

And why would that be exactly?

17:37

Oh, no, Alexa.

17:41

Dude, firsts. malaria.

17:44

That is quite a trophy

17:46

room you have. Do you find

17:48

yourself using those

17:50

weapons? Not that often. Like say,

17:52

I I'm mostly interested in keeping them

17:54

out of the wrong

17:54

hands. Wrong. Anyone

17:57

with the power to take them possesses

17:59

the

17:59

right ends. I could never

18:02

believe that. But you took them.

18:04

I'm not just anyone. No.

18:06

You are not. You are

18:10

a Richard. You

18:12

say it like a

18:15

slur.

18:15

It's not so

18:17

funny.

18:18

Richard's storms and

18:21

grims, American royalty, the

18:23

so called Fantastic Four,

18:26

press agents business deals

18:28

flouncing on red carpets

18:30

like movie actors getting

18:32

into street fights with anyone in

18:35

a costume and your

18:36

father, a television addict's

18:39

idea of a genius,

18:41

a coward's idea of a hero,

18:45

calculating

18:45

his unified theory

18:48

of fame and

18:50

fortune. So you saw us

18:52

as theatrical. superficial.

18:55

If the shoe fits. When you

18:57

first made this observation, you

18:59

were

19:00

what? polishing your

19:01

armor, twirling your

19:04

cape. An

19:05

aggressive defense still

19:08

I suspect you are conflicted

19:11

as to the identity of your

19:13

true father figure. You done?

19:15

would you like me to be?

19:17

Yeah. He saw how upset it made

19:20

you when the fantastic car was shot down.

19:22

He's just trying to pick at this cab.

19:24

I know. I'm alright. Usually

19:26

a line of talk like

19:28

this would have me redoubling

19:30

my effort to offend

19:32

the both of you but I

19:34

feel so content

19:37

of these Kentucky herbs,

19:39

they are making a noticeable

19:42

difference. Thanks a lot. You'll feel

19:44

even better in the morning.

19:46

Then poor. Birds

19:48

all around. Birds all

20:01

Okay.

20:05

Make Mary Hill.

20:06

Far away. She

20:09

hulk. Cal. Black widow.

20:13

Cal. The wasp. Cal.

20:15

You can't just kill everyone. I

20:17

can if that's my choice. That's

20:20

fine. Let's do villains. Typhoon

20:22

Mary. Kill. Madam

20:24

hydra. Which one?

20:27

Lack contest of Valentino,

20:30

Lagardere Fontaine. count.

20:33

Why did you ask me

20:35

which one? You're just killing all of them.

20:37

I felt I should make

20:39

an informed choice. What

20:42

if I'd said, Viper Madam

20:44

Hydra. Kill. yeah

20:53

Oh, this help you're

20:55

giving me like

20:57

letting me stay, which doom

21:00

appreciates and accompanying

21:02

me on my quest, which is

21:04

a larger commitment. I under

21:07

Stan. Right? Your quest for one

21:09

again?

21:10

oh Oh

21:11

oh oh,

21:12

no. No. I'm not telling.

21:14

then how

21:15

do I know I should go with?

21:17

Because

21:18

I delivered you

21:20

when you were a baby. I named

21:23

you LaVera. Valeria.

21:26

Valeria. I named you.

21:28

So why would I ask you to go on a

21:30

quest that was bad for you?

21:32

I named you.

21:33

You didn't name me?

21:36

Correct. I would not have named you

21:38

Johnny. Hated Johnny.

21:41

So you didn't name me.

21:43

You didn't liver me, and

21:45

am I going on this quest?

21:47

And so, why should

21:49

I? We all know the

21:51

answer to that.

21:52

I

21:54

don't.

21:56

Stop it, Victor.

21:59

I

21:59

lived in your

22:02

doctor do make kissy noises,

22:04

murder me, police.

22:06

A figure of speech, bigger,

22:08

of speech. So my question is

22:11

all this help you're giving

22:13

me? Like, letting me stay. Yes. You said

22:15

that already. You're repeating yourself.

22:18

saying

22:18

you're repeating yourself after

22:22

saying you said that already is

22:24

another way of repeating. What is

22:27

your question? Is your

22:29

help

22:30

really help? Are you trying

22:33

to spy on me

22:35

or undermine the quest. What is your

22:37

goal in helping doom?

22:39

Well, it'll be

22:40

hard to undermine any quest when

22:42

I don't know what we're questing for.

22:45

That

22:45

is true. Another reason to conceal

22:47

it from it. Maybe I wanna run the world

22:49

with you or run it all

22:51

by myself. You

22:53

don't know? perhaps your heart still

22:56

bleeds for the common people

22:58

like a good Richard's

23:01

stop

23:01

using my name as a swear word.

23:03

But it's

23:05

the most profane

23:08

expression I know.

23:09

because it was my father's. When

23:12

are you gonna get over him?

23:14

I must have.

23:15

Yeah. there could

23:17

always be a new

23:20

one. Someone

23:20

the system cuddles who sits

23:23

up in his stronghold feeling

23:25

superior whose so

23:27

called achievements are as celebrated

23:30

as they are irrelevant.

23:32

Who

23:32

never has to endure the

23:35

pain I've suffered.

23:37

The deformity, the

23:40

rejection who mocks

23:42

me for it. mocks you.

23:44

He did. Of course, he did.

23:46

Never. Not

23:47

even when you expelled from

23:50

the university added doctor

23:52

to your name right around the time

23:53

he graduated. I have

23:56

a degree. From

23:58

where? Never

23:58

you

23:59

mind. Mhmm. And stop changing this

24:02

subject. From what?

24:04

Your father's mockery is

24:06

loathing. his twisted obsession

24:08

with my innate superiority.

24:11

What superiority? I

24:13

had power and I used

24:15

I didn't waste it on empty glamour

24:17

and cheap publicity. On

24:19

flamboyant so called battles that

24:21

were something out of a wrestling

24:24

broadcast, I didn't

24:26

lock myself inside a

24:28

fortress against the wreaking chaos

24:31

of Manhattan. if Richard's had

24:33

any idea about power,

24:35

he'd have been the emperor

24:37

of New York. He used to talk

24:39

about the bitterness you're showing now.

24:42

when he thought about you, which wasn't

24:44

all that often. And he

24:46

never mentioned you mockingly.

24:49

but it made him sad to see you

24:52

wasting your advantages. What

24:54

are you straddling about?

24:56

The way you used power to

24:58

flatter yourself. how empty

25:00

it was. This is ridiculous. You

25:02

had bored games. Dad made sure we

25:04

knew about the time stole

25:06

the silver surfers in calculable energy.

25:09

How that was the first time he'd

25:11

really

25:11

seen clearly. I should

25:14

think so. The world

25:16

was mine to control. I

25:18

traversed the earth and the surface

25:21

gleaming board and everything I

25:23

saw was mine

25:24

to command, from

25:26

Washington, to Atlantis, to

25:28

Moscow, to Beijing,

25:31

every government

25:31

trembled before me.

25:33

Every army awaited

25:35

my commands. I

25:39

was unconquerable. until

25:42

dad conquered you.

25:46

Technicality, and I'd

25:47

been aware that Surface

25:49

Master got lack and rigged

25:52

the stratosphere to

25:54

confine his board to the earth. You

25:56

had ultimate power for ten whole

25:58

days until my father fit you

25:59

into losing it. And all you

26:02

had to show for it were a few

26:04

demolished buildings and some

26:06

freshly blasted craters. ten days

26:08

to remake the world. But the

26:10

status quo was safe as a baby in

26:12

its mother's arms because the

26:15

power cosmic was in your

26:16

useless hands

26:18

because all you knew how to do

26:20

was threaten and pray

26:23

and perform For Reed

26:25

Richards. What's that old

26:27

expression? He lived rent

26:29

free in your head.

26:31

Once he figured that out, once

26:33

he saw how futile

26:36

your attempts at true damage

26:38

were, he would never

26:40

take

26:40

you seriously again.

26:43

but

26:43

he

26:44

never told you that, and

26:47

he never made fun of

26:49

you. Do you know what?

26:52

Why?

26:54

Because Reed Richards

26:57

didn't believe in punching

26:59

down.

27:08

I

27:19

should I should kill

27:21

you. Wow. Wow. Wow.

27:23

You're a child, man.

27:27

My my metal

27:29

gauntlet. Oh. You're

27:33

fragile, thrilled.

27:38

What?

27:40

How? I rigged

27:41

your mask, Vic.

27:43

Come after me. I'll fry your face

27:46

off.

28:07

You're

28:18

having fun. Fun.

28:20

He's a lesser

28:22

man. You're

28:27

drunk. Oh, body's drunk. I

28:29

wasn't talking to

28:29

you. What do I have to do to

28:31

get your attention? Hang

28:34

on a minute, Johnny. Doctor

28:36

doom. You're you're a

28:38

doctor of what? Doctor

28:40

doctor punishment. Oh for

28:42

you. And you and you

28:45

don't fix my mask. Okay.

28:47

Okay. Okay.

28:50

Another question. What

28:51

is more important than

28:54

the red skull?

28:56

You need something from him. What are

28:59

you after? Who?

29:03

The red skull.

29:06

Skaw. Oh, yeah. It's

29:07

no point. I

29:10

took it. written in

29:13

his jacket scratch

29:15

coat. He must have been so proud

29:17

but it was stupidly penetrable.

29:21

He wrote down

29:23

it's whereabouts. Stupid.

29:27

What's whereabouts?

29:29

You wrote down what?

29:33

It's the red girl.

29:36

We're talking about What

29:38

do you think? You're

29:42

supposed to be the expert on

29:45

artifacts. No. Just

29:47

tell

29:48

Oh.

29:51

Oh.

29:52

No. Not?

29:54

Not what? The

29:56

cosmic cube. The

29:59

cosmic cube.

30:01

Oh, gosh. God's

30:03

make sure I can't. I

30:06

get that. I control.

30:08

Oh, yeah.

30:10

See. And

30:20

that

30:25

What? What? Your what? Victor?

30:28

Wait up. What

30:31

you're going to

30:33

do. On the

30:37

next episode

30:37

of Marvel's Waste Landers,

30:40

do? Was there a reason to

30:44

intoxicated me? Or was it simply

30:46

for sport? Like

30:48

I said, I don't remember too much about

30:50

last night.

30:53

But I

30:53

do remember you talking something about a

30:55

bullion.

30:58

boom.

30:58

No. I can't be it. Maybe

31:01

you were going on about

31:04

a sugar? Do

31:07

not mock me. Sorry. I I

31:09

know it will be some sort of

31:11

tube.

31:12

We wanna

31:14

help you. I do not need your

31:16

help. What'd you do? We've saved

31:18

you throughout

31:18

this entire it.

31:20

Valeria is correct. Finding the cosmic cube has been

31:22

a team effort.

31:24

Now that red

31:26

skull is dead, they will also

31:28

be seeking it Who all is

31:31

they? Trust we

31:33

will find out something enough.

31:35

No

31:37

strategy will prepare us

31:39

for what awaits.

31:47

Marvel

31:51

Entertainment and series XM

31:54

present Marvel's Waste Lenders

31:56

Doom. Starring Dylan Baker as

31:58

Doctor Doom, directed by

31:59

Jade Cain Carroll, original sound

32:02

design and music by Mark

32:04

Henry Phillips. Story by Mark

32:06

Wade, written by Mark

32:08

Wade featuring performances

32:10

by Danny Bernstein, as

32:12

Kirk. Keith David as kingpin, John

32:15

Hawks, as claw, Kristen

32:17

Johnston as SheHawk. Elijah

32:19

Jones as Johnny, Rebecca Naomi

32:22

Jones as the Larry Richards, a

32:24

mission link later as Sandman.

32:27

Nadim Maluth as Quora.

32:29

With additional voices performed

32:31

by Dan Fink, Daphne

32:33

Gaines, Haywood Leech,

32:35

Marcello Lix Pope, Eric TD,

32:38

Andrews Weinrebrebut. Produced by

32:40

Jimmy Redelit Mask, Brad Barton,

32:43

MR Daniel, and Lisa

32:45

Rosen, associate produced by Lydia Smith, our

32:47

production manager is Lydia Feltch, our

32:49

production coordinator is Fred

32:51

Carlos, casting by Alain Aardaffer and Lisa Donario.

32:53

Post production services by

32:56

Windhill Studios with editing and sound design

32:58

by Michael Oldmark and Mark

33:00

Phillips mixed by Mark

33:01

Phillips, original score by Mark Phillips with additional

33:04

music by Ryan Seaton and Samuel

33:06

Campoli. Cody, by

33:08

Thomas Day, Additional editor,

33:10

Vousteen Palipau, additional

33:12

engineering by Anthony

33:14

Cappellino, Rocco Djokovic,

33:16

Carter Fage, Mike Golliksen,

33:19

Josh Hahn, Alex Hayley,

33:21

Bob Holly, Carlos Rivera,

33:23

Matt Rocker, Scott Steinmann,

33:25

Michael Stephenson, will production

33:27

by Chad Russo and Cooper Ward

33:29

with Raimo Law, PC payroll

33:32

services by Violet Romero and

33:34

ABS payroll. executive produced by Dan

33:36

Booker, Joe Casada, Sarah

33:38

Amos, Dan Fink, Steven

33:40

Wager, Elipio, and Jill

33:42

Jupov. The character of Doctor

33:44

Doom was created by Stan Lee and Jack

33:47

Kirby. My name is Tim

33:49

Rose. Marvel's Waste Lenders,

33:51

Doom is to the Marvel Entertainment and

33:53

SiriusXM in association with

33:55

Wave Runners Studios. For more

33:57

information, visit marvel dot

33:59

com

33:59

slash wastelanders. This

34:02

podcast was recorded under a sag

34:04

after a collective bargaining agreement.

34:06

No animals were harmed in the making of this

34:08

podcast.