In this era, collective movements are considered one of the best platforms to help the music ecosystem find its tangible form.  In this episode, Akbar from Terror Weekend talks about his personal experience regarding cross-cultural references that he's been trying to to introduce to Yogyakarta, and how he and his team build a stable collective movement that allows diverse musicians to perform their music. What is the untold story behind Terror Weekend and their aggresive-yet-unique movements? How do they curate musicians to perform? Why did they never collaborate with big cigarette brands, as many of their peers often do?