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 Indigeneity & Inauthenticity in the Arts

Indigeneity & Inauthenticity in the Arts

Released Friday, 31st July 2020
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 Indigeneity & Inauthenticity in the Arts

Indigeneity & Inauthenticity in the Arts

 Indigeneity & Inauthenticity in the Arts

Indigeneity & Inauthenticity in the Arts

Friday, 31st July 2020
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On this week’s collage of collected, connected conversations (the fourth in our summer series): appropriation and authenticity. The second half of our extended foray into the arts, our topics range from tacky souvenirs to the endless parade of Settlers pining to play Indian, as we question the images of Indigenous people: who gets to make and profit by them, as well as what is and isn’t considered ‘authentic.’ Featured voices this podcast include (in order of appearance):

• Ken Williams, assistant professor with the University of Alberta's Department of Drama

• Brock Pitawanakwat, York University Associate Professor of Indigenous Studies

• Kim TallBear, associate professor of Native Studies at the University of Alberta

• Taté Walker, Lakota activist and communications professional

// CREDITS: This episode was produced and edited by Stephanie Wood and Rick Harp. Creative Commons music in this episode includes “Headway,” by Kai Engel, “Startup nation” by Anonymous 420, “On the Run” by ROZKOL, “Dead From The Beginning Alive Till The End,” by Doctor Turtle, Behind Our Efforts, Let There Be Found Our Efforts by LG17, plus “Home Base Groove and “Quasi_Motion” by Kevin Macleod.

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